Sturm der Liebe Folge 4289 Markus' Auftritt

The View
The View
  • last month
Transcript
00:00Your parents are still in the U.S.?
00:07They have to wait until they release Tamara's body.
00:14Does your offer still exist?
00:16What offer?
00:17The one with the walk.
00:19I really want to go to Vincent's later, but I still have some time before that.
00:23Unfortunately, I don't have any time.
00:25Please excuse me.
00:31You didn't want to talk to me?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how uncomfortable I am right now.
01:00I'm sorry.
01:16What was that?
01:18Vincent and me?
01:22It was so real.
01:24My feelings, so real, but...
01:27After everything he did for me, it makes sense that I think of him.
01:32He risked his life for me.
01:36I would do anything for him.
01:39But do I really love him?
01:57So, this will be your seat, Mr. Müller.
02:04Manuel?
02:05No.
02:07We'll take care of the rest.
02:10Thank you, Mr. Schwarzwald.
02:11You're welcome.
02:18Aren't we too old for games like this?
02:21Games?
02:23I don't feel like going for a walk and I have a lot to do.
02:26Going for a walk was your idea.
02:29Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:37The trial against me has been suspended.
02:40I have nothing to do with this sleeping pill with Christoph.
02:44You even said that you believe me again.
02:46I believe you too.
02:47But then I don't understand.
02:49There's nothing to understand.
02:51The thing with the two of us...
02:53It just doesn't work.
02:55Please accept it, finally.
03:00Yes.
03:01All right.
03:02All right.
03:19That was ten euros for Tamara.
03:21I only found out a few years ago.
03:25My schoolmates always laughed at me because I never got anything from the kiosk.
03:30My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it because we couldn't find the owner anyway.
03:43And I should buy something from the kiosk.
03:48It was all her savings.
03:54She always protected me.
03:56And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:10I have to go now.
04:12Can I leave you alone?
04:14Yes, it's totally okay. I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:20You'll call me if you need anything.
04:22Yes. The zombies will be there soon.
04:28Tell me, if you really meant it with the help at the funeral.
04:33I would be so grateful.
04:35Do you have time tomorrow?
04:37I'll take the time.
04:40And now go to your Theo and say hello to him in front of me, okay?
04:44I hope you'll get some rest.
04:46I know.
04:58I love you.
05:06Tamara! Hi!
05:08Sorry I'm calling you back now. I had visitors.
05:11Yes, everything is great!
05:13It's going better than I thought.
05:15How are you?
05:20Vincent.
05:23I'm so happy and relieved that you're feeling better again.
05:28I was very worried about you.
05:31When I woke up earlier, Anna was there.
05:37I think she sat here for hours.
05:43Man!
05:46Maybe there's still a chance for Anna and me.
05:50Anna is the woman of my life.
05:59But you really have a long history.
06:02So much has happened.
06:04You mustn't forget that, Vincent.
06:07Yes.
06:09I'm getting my jealousy on Philip under control.
06:12Okay.
06:16I would really like you to be happy together.
06:21But...
06:23In order to succeed...
06:26...you have to leave your past behind.
06:30And you have to start anew.
06:36How's it going with Katja?
06:39How's it going with Katja?
06:42Sometimes we're very close again, and I can feel her feelings for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:55Maybe she still doesn't forgive you for the painting of Anton Hagen?
07:00Even if she forgave me, I lied to her.
07:04I lied to her.
07:07She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:20Stop it.
07:32Stop it.
07:39Stop it.
07:41Yeah?
07:43Stop it.
07:46Stop it.
07:49I'm going to stay.
07:50How long will it take?
07:52We'll be there soon.
07:53You said that before.
07:57Why are we even in Tölz?
07:59I really don't have that much time.
08:01We're totally overslept and I have to go back to work.
08:12Welcome to Lois.
08:17Wow.
08:20You've already told me a lot, but it's so beautiful.
08:26Did you expect a breakfast?
08:29Lois, a beautiful restaurant with a beautiful name.
08:39I'm so hungry.
08:41I have to go, unfortunately.
08:43Yes, and I have to cook the main course.
08:45I have a very special idea for tomorrow.
08:47And what are you cooking?
08:48Yes, you'll find out when it opens tomorrow.
08:51Is it fusion cuisine or maybe vegan?
08:54Come on, give me a hint.
08:56It's the fire department.
09:07Damn.
09:08What's going on?
09:10Well, they wanted to come this afternoon to take over the kitchen.
09:13And now they've moved it.
09:14When?
09:15It doesn't say.
09:17I mean, if they don't take over, I can forget about the opening tomorrow.
09:21Call them and explain the situation to them.
09:24They can't do that.
09:26The authorities can do anything.
09:28I have to call them urgently.
09:29Let's see.
09:30If they can't change anything here, it'll look really bad.
09:38I can't imagine how terrible it must be to lose your sister.
09:42I can't either.
09:44I think it's good for you that I'm here for her now.
09:47Yes, absolutely. She needs you now.
09:49How are you?
09:51You seem to be relatively fit.
09:53Relatively, yes.
09:56I'm fine.
09:58I mean, Vincent gave me a new life.
10:01I heard he's feeling better.
10:03Yes, luckily.
10:04He's over the mountain.
10:06I'm really happy that with the internal bleeding...
10:09If something had happened to him because of that, I would never have forgiven myself.
10:13But everything went well.
10:15You two will now lead a healthy and normal life again.
10:18A beautiful one.
10:21I dreamed of him.
10:23And?
10:24And...
10:26We kissed.
10:27What?
10:28Lale, it was just a dream.
10:30Dreams often tell us the truth that we can't see for ourselves.
10:35I was worried about Vincent and thought about him all the time.
10:39And I was just so incredibly grateful to him.
10:41And that's probably why I kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, yes?
10:50No.
10:51Anna, I'm totally neutral. Can't you see that?
10:54You know, I'm just in chaos.
10:57I don't know what I'm feeling or what I'm not.
10:59And for whom and if at all.
11:03It was just a dream.
11:05Okay.
11:07I have to go, unfortunately.
11:09I'll help Stella with the preparations for the funeral.
11:12Tell her all the love from me, yes?
11:14I will.
11:18You tell me if you need anything.
11:20I will.
11:26What can I bring you?
11:28Oh, please bring me a green tea.
11:31With pleasure.
11:32Thank you, Sabrina.
11:33Good morning, Mr. Director.
11:35Good morning, Sabrina.
11:40Good morning.
11:42Good morning.
11:43Oh, sorry.
11:44I didn't want to bother you.
11:47But I need your help.
11:51Did something happen?
11:52No, no, no, no.
11:53Don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist contacted us about the art magazine we had signed.
12:03That's great.
12:04That's exactly what we wanted.
12:05Yes.
12:06The perfect opportunity for a good PR for the Fürstenhof.
12:09And how can I help you?
12:11The journalist is traveling with a colleague today.
12:15You could take care of her and give a short lecture about Hagen.
12:23A lecture?
12:24Well, I'm not an art expert.
12:27Yes, but you know everything about him.
12:29Yes, I've dealt a lot with his life and his art.
12:33But if there are any technical details...
12:36Oh, you're talking to me about Hagen's art with such passion.
12:40You'll feel it and get infected.
12:45It's the chance for the Fürstenhof.
12:47And you're family.
12:49Do you want to leave me hanging?
12:51That limits you to emotional oppression here.
12:54Yes.
12:55You're talking about the painting, about Hagen's art.
12:59I'll show you the places where he got his inspiration.
13:02And the rest?
13:03Well, the rest is his charm.
13:06I won't get out of this anyway, will I?
13:09No.
13:12Yes, of course.
13:13I know you have fixed appointments.
13:15But I had a fixed appointment.
13:18I mean, what should I do?
13:19If you don't come by today, I can forget about the opening tomorrow.
13:23Yes, I understand that.
13:25But you have to do something.
13:26I don't know what...
13:28Tomorrow morning?
13:29But it would be...
13:31Okay, tomorrow morning.
13:32Wonderful.
13:33Then come by tomorrow morning.
13:35Of course, you are also cordially invited.
13:37Okay, thank you very much.
13:38See you tomorrow.
13:39Bye.
13:40The reception doesn't take that long.
13:41And then you have the kitchen available tomorrow.
13:43Yes, I do.
13:44But I actually wanted to rehearse the menu.
13:47I didn't think about that.
13:49Oh, it doesn't matter.
13:51I just jump into the cold water.
13:53Or you cook the menu in another kitchen rehearsal.
13:57That's nice.
13:58But your living room kitchen isn't much bigger than mine.
14:01It's just too small.
14:03But not the kitchen of the prince's court.
14:07Really?
14:09That would be perfect, of course.
14:11But what do your sisters say?
14:13They certainly don't agree with that, do they?
14:15You take care of the ingredients.
14:16I'll take care of my chefs.
14:27Maybe Lale is right.
14:37The dream showed me my true feelings for Vincent.
14:41But are they really strong enough?
14:44I have to be 100% sure that I love him.
14:48Otherwise I will only hurt him.
14:55Yes.
14:59May I?
15:02Come in.
15:03I'll be gone in a minute.
15:16I want to apologize to you.
15:19I should have understood that you were very worried about Vincent.
15:25I was with him at the intensive care unit.
15:27Thanks to Michael.
15:31I heard he's getting better again.
15:34Yes, the antibiotic worked.
15:37I'm glad. Really.
15:40I hope he'll get well again soon.
15:43He will.
15:49And ... between us ...
15:54Is everything okay?
15:58Can you accept my apology?
16:03Accepted apology, yes.
16:10Is there anything else I can do for you?
16:13I'm free right now, we could go for a walk.
16:15Thank you, but my mother will be here soon.
16:25Oh yes, Apollo is doing really well.
16:27He is ...
16:29Fit.
16:31Yes, fit.
16:32Nice, I'm glad.
16:54I don't know how to handle all this.
16:56I have no idea about funerals.
16:58We'll do it together, I already have a list.
17:00Hi Stella.
17:02I'm really sorry.
17:04If there's anything I can do ...
17:06Sit with us.
17:08No, I'm in a hurry, I have to work right now.
17:10I'll just get something to take with me.
17:12Okay.
17:14It's best if we contact a funeral home in Cologne.
17:18Your parents live in Cologne, right?
17:20Have you talked to them about whether it should be a funeral or not?
17:25They leave the decision to me.
17:27What about the transfer from the USA?
17:31I don't know.
17:32Maybe we can call your parents, they can sort it out on site.
17:35You know, my parents are totally overwhelmed.
17:37They want me to take care of everything on my own.
17:40And when I just think about funerals and cremation ...
17:43I'm so scared of it.
17:49How about a forest cemetery?
17:51Is there one in Cologne?
17:53I don't know.
17:54We'll figure it out.
17:57Is there one here?
17:59A very nice one, actually.
18:02Lale ...
18:04Would you accompany me?
18:06Because I'd like to see what it's like.
18:09And I don't dare to go alone.
18:11Yes, of course, I've already postponed all appointments for the afternoon.
18:14Oh, thank you.
18:15Great.
18:16I mean, I don't know how I should manage without you.
18:23You're welcome.
18:29There's no one here today, is there?
18:30I have to ...
18:31Take mine.
18:32Really?
18:56These are just cue points.
18:57Hagen's artistic progress.
18:59His preferred music.
19:00Yes, how the goal of the painting has changed with the progress of his psychological illness.
19:05Yes, the notes from his son's diary.
19:08Ahh, Mr. Sonnbichler just told me that we're expecting two journalists from an art magazine.
19:13Yes, that's what we just talked about.
19:15That's wonderful.
19:16I mean, a good article.
19:18That's a wonderful PR for the Prince's Court.
19:20I'd like to welcome the two ladies and tell them a little bit about Anton Hagen.
19:23Yes, how they tried to sell the hotel and have it demolished, so that you can come to the painting.
19:30I will hold the lecture about Anton Hagen.
19:32Very good, I can gladly support you.
19:35Thank you, I have it under control.
19:38Katja, I really like to help. Positive PR is also in my interest.
19:42Yes, yes, but the lecture is almost finished.
19:44Yes, but...
19:45It's taken care of. Come, Katja, let's go.
19:50Hello.
20:02Come in.
20:06Am I disturbing you?
20:08Huh? I've been here for three minutes. How do you know I'm here?
20:12I have connections.
20:15Oh, yes.
20:17How are you today?
20:19Much better.
20:21Now that the fever is gone, and now that you're here.
20:26You really scared me.
20:32Anna, sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo, and we'll play darts with Lale and Tiro.
20:44Yes, but you get better first, okay?
20:48Don't take any risks, promise me.
20:51Your word.
20:59Oh, today is 20 o'clock, the farewell concert of Bernd Barrow.
21:03I completely forgot.
21:05Oh, you bought a ticket a few weeks ago, didn't you?
21:09Yes.
21:10He's just one of the best guitarists there is for me.
21:13And it would have been the last opportunity to see him.
21:17Oh, man, I'm sorry.
21:20It's okay.
21:22Maybe you can play me something?
21:26Believe me, you won't hear that.
21:29I'll see, maybe there's a live transmission.
21:33Um, I completely forgot, Michael wanted me to come to the blood pressure test.
21:37But I'll come back later, okay?
21:39Okay.
21:41I'm here.
22:03So, come in, please.
22:09Here we have the work.
22:12You must be proud to have such a treasure in your possession.
22:15Absolutely.
22:16For our hotel, it's a huge gain.
22:18And for me personally, too.
22:19I've admired Anton Hagen's work for a long time.
22:22And that he created his last work here,
22:25makes it something very special.
22:28Absolutely.
22:30Yes, and now I hope that I can tell you something new about Anton Hagen in my little lecture.
22:35You know the artist far better than I do.
22:37That remains to be seen.
22:39We look forward to any new information.
22:41All right.
22:42Please take a seat.
22:43With pleasure.
22:50So, you've already heard that the artist is a great musician.
22:55So, you've already heard that the artist has spent his last years here in the area.
23:00We have now excavated the diaries of his son.
23:04In them, he describes in great detail the daily routine of his father.
23:08Is there anything about Hagen's mental illness?
23:11Yes.
23:13Hello?
23:14Ah, there you are.
23:15Excuse me for the interruption.
23:17I wanted to welcome you personally.
23:19Hello.
23:20Markus Schwarzbach, co-owner of the Fürstenhof.
23:23Lisa Böhm.
23:24Hello.
23:25My colleague Roberta Reit.
23:26Nice to meet you.
23:27Nice to meet you.
23:29Yes.
23:30A wonderful work, isn't it?
23:32You must know that I am the rediscoverer.
23:37But crazy, isn't it?
23:39Hidden behind a wall for centuries.
23:42You know, I'm a huge fan of Anton Hagen.
23:46Would it be okay if I stayed?
23:48Yes, please.
23:49Of course.
23:50Well then, please go on.
23:52I'm a big fan.
23:56So?
23:57We discovered and cultivated our passion for an artist together.
24:04Back to your question.
24:06The artist's mental illness can be clearly read from the diaries.
24:12Ah, yes. Okay.
24:16Ah, it was so romantic.
24:18The perfect evening.
24:19I'm happy about that.
24:20Yes.
24:21Michael and I really needed that.
24:23We're both so busy and then here...
24:27Hey, when you're released soon, we'll have a really nice girls' evening, okay?
24:34Well, Dr. Weber hasn't decided yet, but it shouldn't take long.
24:42And how's Vincent?
24:43I heard he's back at the normal station.
24:46Yes, fortunately.
24:47He's doing better.
24:48And I'd like to do something good for him.
24:51Something that makes him happy.
24:53Have you already thought of something?
24:56Yes.
24:58The guitarist Bernd Barrow is giving his farewell concert tonight.
25:02And Vincent is a huge fan.
25:04Okay, but also in the wheelchair is such a concert...
25:07No, no, no.
25:08I don't want to bring Vincent to the concert, but rather the concert to Vincent.
25:12Anna, I know you're very grateful to him.
25:15But just because you inherited a lot...
25:17I don't want to involve Bernd Barrow.
25:19But rather persuade him by telling him Vincent's story.
25:23Ah, okay, yes.
25:24Maybe.
25:25Isn't this Barrow known for his social commitment?
25:29And I did some research and tried to call the concert organizers and his agents,
25:34but unfortunately no one reached out.
25:36I think that's a bit difficult.
25:38I also read on his fan page that he was housed in Fürstenhof.
25:44But unfortunately I can't go there.
25:47Ah, okay.
25:49So you want me to persuade him.
25:51I also read that he loves apple strudel.
25:56Well, I accept the order.
25:58But without guarantee.
26:04Yes, I'm happy too.
26:06Yes, you are a cook.
26:08He is a wonderful cook.
26:10Yes.
26:11No offense, but...
26:13We're looking for someone.
26:15Or do you want to leave us?
26:17Not at all.
26:19But it could happen that I get sick or need my vacation.
26:23And it wouldn't be bad if we had a worthy representative.
26:27Yes, it wouldn't be bad.
26:29Louis has an excellent reputation.
26:31A lot of experience, the best testimonies.
26:33And Mrs. Sonnenbichler also appreciates him very much.
26:35I like to cook passionately.
26:37Passion is important.
26:39But it also has to taste good.
26:41How would it be if Louis cooks in our kitchen today?
26:45You try and judge whether he comes into question as a representative.
26:49Yes, that's a sensible suggestion.
26:51Let's see if you convince me as much as Mrs. Berkman.
26:57Thank you very much, Mr. Seifeld.
26:59And see you tonight for dinner.
27:01Thank you very much. See you tonight.
27:09Classically for art in the 18th century, Hagen also painted in the Bucolic style.
27:13This rural idyll, he really succeeded in it.
27:17Yes, I think so too.
27:19Especially this utopia of a harmonious, nature-bound life in an idyllic landscape seems to be particularly important to him here.
27:25Well, utopia...
27:29When I look at the painting, it has a lot of current, concrete.
27:37Look, for example, at the two main protagonists.
27:41At first glance, they seem to be revolving around each other in a love dance.
27:45But on the second level, below that, it's about something completely different.
27:49It's about the mystery of a young woman.
27:53Look at the deviant attitude of the dancer.
27:57The gaze turned away from her admirer.
27:59He, on the other hand, is naïve, swaying in the moment.
28:02Desires her love.
28:05Maybe the dancer just doesn't know what the lady is feeling.
28:09Yes, exactly.
28:11The misunderstanding is written in his face.
28:15He asks himself, where is the dance leading to?
28:21And that raises completely different questions.
28:23Is this because of the Bucolic style?
28:25Or is the mood of the scenery actually as gloomy as it seems?
28:30In art, much is not as it seems.
28:34Yes, but that's more devastating than exciting in the long run.
28:40The viewer wants to be able to rely on something.
28:46What do you think this supposed love dance of the two will lead to?
28:51Oh, well, I think maybe they're just dancing together.
28:57No, no, it's much more than that. It's not that simple.
29:01Well, for me, this scene is very clear.
29:03The dancer turns away because she finally wants to look ahead.
29:07This is, so to speak, the intersection between her past and her future.
29:13Really?
29:14Really.
29:18Well.
29:22Art, yes, it really opens up interpretations in many directions.
29:30But thank you, thank you for your appreciation.
29:35Yes, well, if I'm not needed here anymore,
29:43then I wish you a wonderful time here at our Prince's Court.
29:47Thank you very much.
29:58Good. So, where was I?
30:19She is really beautiful.
30:21Yes, the one near Cologne should be beautiful too.
30:24Yes, Tamara will like that.
30:28She loved nature so much.
30:32I miss her so much.
30:41She also loved the water.
30:44Swimming, surfing, diving.
30:50Is it okay for you if we stay here for a moment?
30:53Sure, it's just a little cold.
30:56I see.
30:58I also have hot tea with me and something to eat.
31:05Did you plan a picnic?
31:08No, I just thought when we walk through the cold forest,
31:12I don't want you to catch a cold because of me.
31:16Besides, when we had coffee this morning,
31:21I didn't even get a bite.
31:23Sorry, that was stupid of me.
31:25It's okay.
31:34Fresh cheese with dates and tomatoes.
31:46I love you.
32:03Mr. Parus is having breakfast right now,
32:06but you can't just talk to him like that.
32:09Okay, so if I happen to go to the restaurant now,
32:13could I meet him there by chance?
32:16Yes, possibly.
32:18Which unfortunately doesn't necessarily mean
32:20that he would also talk to you.
32:22I can be very charming.
32:24There is no doubt about that.
32:27But Mr. Parus is a bit of a complicated guest.
32:32Especially when a concert is about to start,
32:34he doesn't want to talk to anyone.
32:36And you are not allowed to talk to him
32:38because of the concentration.
32:41I would still try it hypothetically.
32:44Anna needs my help.
32:45She really wants to surprise Vincent.
32:47Hey, Nicole.
32:48Philipp.
32:49Hey, excuse me.
32:50I have to do something.
32:55What's going on with her?
32:57Yes, you heard it.
32:59She has to do something.
33:01I just heard that it's about a surprise.
33:04Maybe I could be helpful.
33:07Yes, but unfortunately I can't tell you
33:10because I don't know what it's about.
33:14Okay.
33:15No problem.
33:17Yes.
33:24Auri, could you get me Majorana and Estragon
33:26from the greenhouse?
33:27Sure.
33:28That can go away.
33:29I need pasties very quickly.
33:31Come on, what are you waiting for?
33:33She can do that as soon as she gets my herbs.
33:35Your herbs can wait.
33:36I have to flambé now.
33:38My herbs don't like to wait
33:40because they are for the chef in this kitchen
33:42and that's why they feel very important.
33:45And my pasties feel even more important
33:47because the chef of the chef's kitchen
33:48will try the flambéed dish right away.
33:51Maybe someone forgot
33:54that he's a guest in this kitchen.
33:59I'm sorry.
34:00I misunderstood.
34:02Well, in our kitchen,
34:04there are rarely any retorts.
34:06Then it's time for you to get to know
34:08a decent worker.
34:09In my kitchen,
34:11we all treat each other kindly.
34:13Yes, chef!
34:16Oh no!
34:18Annalena, could you get a bottle of pasties, please?
34:21I will.
34:28Hey, what are you doing here?
34:30Hey.
34:31I thought you were taking care of two important guests.
34:34Yes.
34:35They are eating right now.
34:37Hopefully, they won't mind this action.
34:40What action?
34:42Markus just interrupted me during the lecture.
34:44Wait a minute.
34:45What kind of lecture? Why?
34:47He completely ignored me in front of the journalists.
34:51I can only hope
34:52that they didn't understand what it was about.
34:56I thought you two got along again.
34:59What do I know?
35:01It was about Anton Hagen.
35:03Markus provoked me,
35:05and it escalated.
35:07Anyway, I told him in front of the journalists
35:10that we had no future together.
35:12What?
35:15But you love him,
35:17and now you lied to him because of me.
35:20It is what it is.
35:24But actually, you're even now.
35:27I mean, you both lied to me once.
35:30It's not nonsense.
35:32As if it had anything to do with it.
35:36Mom, I just want you to be happy,
35:38and it's all my fault.
35:41I just don't want to talk about it anymore.
35:43Enjoy your break.
35:52And?
35:56Are you torturing me?
35:59Is this your revenge for what?
36:03My honest opinion?
36:05Yes, tell me.
36:07Is it as much as you see?
36:10Excellent. It tastes fantastic.
36:13You can save it for the torture.
36:16I'm glad you like it.
36:18Poor Mr. Seifeld.
36:19If he tries this and I have to teach him
36:21that you can't make a representation here.
36:23Now wait for the opening.
36:24Who knows, maybe I'll have a lot of time soon.
36:27The restaurant will be a huge success.
36:30I owe it to you, too.
36:32You're just...
36:39What's going on here?
36:42Is passion cooking for you?
36:57Yes.
37:02Yes, please.
37:08So...
37:10Juwelier Schneider sends his regards
37:12and hopes that the gift will arrive safely.
37:14Yes, I had so much on my mind,
37:16I didn't manage to pick it up myself.
37:18No problem.
37:19For Mrs. Schwarzbach,
37:21let's say for the future Mrs. Saalfeld.
37:24You must have chosen something beautiful
37:26and she will be very happy.
37:28That's the plan.
37:31Oh, uh...
37:32Mrs. Johannsen is leaving in the next few days
37:35because of a death in the family.
37:38Uh-huh.
37:39Uh...
37:44How is she doing now?
37:48I followed her advice and was nice to her
37:51and even took a mistake she made.
37:55And that didn't work?
37:58Yes, we're friends now.
38:02But Stella is so upset about her sister's death
38:06and Lale is of course standing by her side.
38:08I can understand that.
38:11But?
38:15I don't know either.
38:17When I came from Juwelier,
38:19the two of us went to the lake and had a picnic.
38:22Stella smiled so happily.
38:26Do you think she's just pretending to be sad for her girlfriend?
38:30I don't know, something's wrong again.
38:33I mean, her parents don't even care about the funeral of their own daughter.
38:38And this morning in the Liebling,
38:41she looked so satisfied.
38:43No one looks like that who's sad right now.
38:46It's not possible that she's pretending to be sad for everyone.
38:51Well, you were right about your suspicion.
38:55Yes, but that's a completely different matter.
38:58I mean, pretending to be sad for your own sister.
39:00Who does that?
39:03Tom Damman.
39:05He pretended to be sad for his own death to get me out of the way.
39:11There's nothing that doesn't exist.
39:17Of course we have the facilities for your conference.
39:22Yes.
39:24That's how we do it. Goodbye.
39:33Anna again?
39:38I think that's it.
39:40Did she say that?
39:44We had a disagreement yesterday.
39:51She did forgive me, but...
39:54she was very repulsive.
39:57Actually, she just wanted to get rid of me.
39:59Maybe she's still a little angry.
40:02But if she has accepted your apology,
40:05that doesn't mean that she's still mad at you.
40:07She planned a special surprise for Vincent.
40:09Yes, because she's grateful to him.
40:11You're blowing the trumpet.
40:13Do you think that will help you?
40:15Do you have any other advice for me?
40:17Yes, act!
40:19Before it's really too late.
40:21You love this woman.
40:23So fight for her.
40:33You're right.
40:41Bye.
41:03Hey.
41:05Hey.
41:07How are you?
41:09Good.
41:10Like before you were here.
41:12And like ten minutes ago when you wrote to me.
41:16What?
41:18Close your eyes.
41:20Why?
41:21Vincent, close your eyes.
41:24What are you up to?
41:26Don't cheat.
41:30Anna?
41:32In a minute.
41:39I love you.
41:51Bernd Barrow?
41:53If you can't go to the concert,
41:55the concert will come to you.
42:10Oh Lord.
42:12I hate this.
42:35What the hell was that?
42:37That's what you're asking me?
42:39You made a fool of me in front of the journalists.
42:41I don't care about them.
42:43Really?
42:44And you don't care about the PR for the Prince's Court?
42:46In that case, yes.
42:48Markus, why can't you just shut up?
42:50I'm fed up with the way you treat me.
42:54I can feel that there are feelings.
42:56But every time we get closer,
42:58you push me away again.
43:00That's not true.
43:01It is.
43:02But it's still about that stupid painting.
43:04I thought you'd forgive me.
43:05Me too.
43:06I was there for you.
43:08I supported you with the wine.
43:10I thought I'd show you that you can trust me.
43:13What's it all about?
43:15What's the problem?
43:16I won't let you talk to me like that.
43:18Katja!
43:20Katja!
43:27Oskar?
43:28I'm looking for Philipp Brandes.
43:30May I ask you for your name?
43:32You're not allowed to.
43:35If anyone asks for me, I'm out of the house.
43:37Yes.
43:39Erd Brandes.
43:41Philipp.
43:43Excuse me, I don't have time right now.
43:46Just for a moment, please.
43:49Do we know each other?
43:52Not as well as we should.
43:55You still have the same eyes as your mother.
44:05Yes.
44:07I'm your father.
44:27Thank you so much.
44:28That was incredible.
44:29I'll never forget that.
44:30My pleasure.
44:31I couldn't refuse such a wish.
44:33I wish you all the best.
44:36Stay healthy.
44:40Thank you, too.
44:41It was wonderful.
44:49I can't believe it.
44:51You're incredible.
44:57You've already said that a few times.
45:03I love you.
45:06And I never stopped loving you.
45:12I don't want to put pressure on you.
45:14And I don't expect anything from you.
45:16But I have to...
45:18I have to ask you this.
45:23Can you imagine...
45:26if we try it again together?
45:46That's enough.
45:47You can't just burst in like that.
45:50I'm so sick of you running away from me all the time.
45:55I can't do this anymore.
45:58You're right.
46:03It can't go on like this.
46:09I...
46:13It's true.
46:16I...
46:20I love you, too.
46:29I love you, too.
46:39If it's true...
46:41What?
46:42That Stella's sister is really dead...
46:46What?
46:48Stella behaves strangely.
46:50In one moment she's crying, and in the next...
46:54I think she's smiling.
46:56Your menu will be perfect.
46:57At least the main course I was allowed to try yesterday.
47:00Yes, I hope the guests think so, too.
47:02And the restaurant critics.
47:04I just miss Mara so much.
47:06Tears are not a sign of weakness.
47:11It's not the only reason why I cried.
47:14She always says her family is poor.
47:16How could she leave for the USA?
47:18She told me something about savings and inheritance.