• 2 months ago
Transcript
00:00Your parents are still in the U.S.?
00:07They have to wait until they release Tamara's body.
00:14Does your offer still exist?
00:16What offer?
00:17The one with the walk.
00:19I really want to go to Vincent's later, but I still have some time before that.
00:23Unfortunately, I don't have any time.
00:25Please excuse me.
00:31You didn't want to talk to me?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how uncomfortable I am right now.
01:00I'm sorry.
01:16What was that?
01:18Vincent and me?
01:22It was so real.
01:24My feelings, so real, but...
01:27After everything he did for me, it makes sense that I think of him.
01:32He risked his life for me.
01:36I would do anything for him.
01:39But do I really love him?
01:57So, this will be your seat, Mr. Müller.
02:04Manuel?
02:05No.
02:07We'll take care of the rest.
02:10Thank you, Mr. Schwarzwald.
02:11You're welcome.
02:18Aren't we too old for games like this?
02:21Games?
02:23I don't feel like going for a walk and I have a lot to do.
02:26Going for a walk was your idea.
02:29Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:37The trial against me has been suspended.
02:40I have nothing to do with this sleeping pill with Christoph.
02:44You even said that you believe me again.
02:46I believe you too.
02:47But then I don't understand.
02:49There's nothing to understand.
02:51The thing with the two of us...
02:53It just doesn't work.
02:55Please accept it, finally.
03:00Yes.
03:01All right.
03:02All right.
03:19That was ten euros for Tamara.
03:21I only found out a few years ago.
03:25My schoolmates always laughed at me because I never got anything from the kiosk.
03:30My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it because we couldn't find the owner anyway.
03:43And I should buy something from the kiosk.
03:48It was all her savings.
03:54She always protected me.
03:56And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:10I have to go now.
04:12Can I leave you alone?
04:14Yes, it's totally okay. I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:20You'll call me if you need anything.
04:22Yes. The zombies will be there soon.
04:28Tell me, if you really meant it with the help at the funeral.
04:33I would be so grateful.
04:35Do you have time tomorrow?
04:37I'll take the time.
04:40And now go to your Theo and say hello to him in front of me, okay?
04:44I hope you'll get some rest.
04:46I know.
04:58I love you.
05:06Tamara! Hi!
05:08Sorry I'm calling you back now. I had visitors.
05:11Yes, everything is great!
05:13It's going better than I thought.
05:15How are you?
05:20Vincent.
05:23I'm so happy and relieved that you're feeling better again.
05:28I was very worried about you.
05:31When I woke up earlier, Anna was there.
05:37I think she sat here for hours.
05:43Man!
05:46Maybe there's still a chance for Anna and me.
05:50Anna is the woman of my life.
05:59But you really have a long history.
06:02So much has happened.
06:04You mustn't forget that, Vincent.
06:07Yes.
06:09I'm getting my jealousy on Philip under control.
06:12Okay.
06:16I would really like you to be happy together.
06:21But...
06:23In order to succeed...
06:26...you have to leave your past behind.
06:30And you have to start anew.
06:36How's it going with Katja?
06:39How's it going with Katja?
06:42Sometimes we're very close again, and I can feel her feelings for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:55Maybe she still doesn't forgive you for the painting of Anton Hagen?
07:00Even if she forgave me, I lied to her.
07:04I lied to her.
07:07She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:20What should I do?
07:22What should I do?
07:25Or should I...?
07:27That's a good question, isn't it?
07:42So, keep going...
07:45And now a bit to the left, and stop for a moment.
07:50How long will it take?
07:52We'll be ready in a minute.
07:54Yes, you said that before.
07:57Why are we even in Tölz?
07:59I really don't have that much time.
08:01I'm totally overslept and I have to go back to work.
08:05Welcome to Louis.
08:17Wow.
08:21You've already told me a lot, but it's so beautiful.
08:26Did you expect a brothel?
08:29Louis, a beautiful restaurant with a beautiful name.
08:36I'm so hungry.
08:41I have to go, unfortunately.
08:43Yes, and I have to cook the main course.
08:45I came up with something very special for tomorrow.
08:47What are you cooking?
08:48Yes, you'll find out when the restaurant opens tomorrow.
08:51Is it fusion cuisine or maybe vegan?
08:54Come on, give me a hint.
08:56It's the fire department.
09:06Damn.
09:08What's going on?
09:09Well, they wanted to come this afternoon to take over the kitchen.
09:12And now they've moved it.
09:14When?
09:15It doesn't say.
09:16I mean, if they don't take over, I can forget about the opening tomorrow.
09:20Call them and explain the situation to them.
09:23You can't do that.
09:25The authorities can do anything.
09:27I have to call them urgently.
09:29Let's see.
09:30If they can't change anything here, it'll look really bad.
09:36I can't imagine how terrible it must be to lose your sister.
09:40I don't either.
09:42I think it's good for you that I'm here for her now.
09:45Yes, absolutely.
09:46She needs you now.
09:48How are you?
09:50You look relatively fit.
09:52Relatively, yes.
09:54I'm fine.
09:56I mean, Vincent gave me a new life.
09:59I heard he's doing better.
10:01I heard he's doing better.
10:03Luckily.
10:04He's over the mountain.
10:06I'm so happy about the internal bleeding.
10:08If something had happened to him because of that, I would never have forgiven myself.
10:13But everything went well.
10:15You two will now lead a healthy and normal life again.
10:18A beautiful one.
10:21I dreamed of him.
10:23And?
10:24And...
10:26We kissed.
10:27Lale, it was just a dream.
10:30Dreams often tell us the truth that we can't see for ourselves.
10:35I was worried about Vincent and thought about him all the time.
10:39I was just so incredibly grateful to him.
10:42That's probably why I kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, right?
10:50No.
10:51Anna, I'm totally neutral.
10:52Don't you see that?
10:54You know, I'm just in chaos.
10:57I don't know what I'm feeling or what I'm not.
10:59And for whom.
11:00And if at all.
11:03It was just a dream.
11:05Okay.
11:08I have to go.
11:09I'll help Stella with the preparations for the funeral.
11:12Tell her I love her, okay?
11:14I will.
11:18Tell me if you need anything.
11:20I will.
11:26What can I bring him?
11:29Please bring me a green tea.
11:31With pleasure.
11:32Thank you, Sabrina.
11:34Good morning, Mr. Director.
11:35Good morning, Sabrina.
11:41Good morning.
11:42Morning.
11:43Oh, sorry.
11:45I didn't want to bother you.
11:47But...
11:49I need your help.
11:51Did something happen?
11:52No, no, no.
11:53Don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist contacted me about the art magazine we had signed.
12:03That's great.
12:04That's exactly what we wanted.
12:05Yes.
12:06The perfect opportunity for a good PR for the Fürstenhof.
12:09And how can I help you?
12:11The journalist is traveling with a colleague today.
12:15You could take care of her
12:18and give a short lecture about Hagen.
12:23A lecture?
12:24I'm not an art expert.
12:27But you know everything about him.
12:29Yes, I studied his life and his art.
12:33But if there are any technical details...
12:36Oh, you're talking to me about Hagen's art with such passion.
12:40They will feel it and get infected.
12:45It's the chance for the Fürstenhof.
12:47And you're family.
12:49Do you want to leave me hanging?
12:51That limits emotional oppression.
12:55You talk about the painting, about Hagen's art.
12:59You show him the places where he got his inspiration.
13:02And the rest?
13:03The rest makes your charm.
13:06I can't get out of this, can I?
13:09No.
13:12Yes, of course.
13:13I know you have fixed dates.
13:15But I had a fixed date.
13:18I mean, what should I do?
13:19If you don't come by today, I can forget the opening tomorrow.
13:23Yes, I understand.
13:25But you have to do something.
13:27I don't know what...
13:28Tomorrow morning, it would be...
13:31Okay, tomorrow morning.
13:33Wonderful.
13:34Then come by tomorrow morning.
13:35Of course, you are also cordially invited.
13:37Okay, thank you very much.
13:38See you tomorrow.
13:39Bye.
13:40The reception doesn't take that long.
13:42And then you have the kitchen available tomorrow.
13:44Yes, but I wanted to rehearse the menu.
13:47I didn't think about that.
13:49Oh, it doesn't matter.
13:51I just jump into the cold water.
13:53Or you cook the menu in another kitchen rehearsal.
13:57That's nice.
13:58But your living room kitchen isn't much bigger than mine.
14:01It's just clearly too small.
14:03But the kitchen at the prince's court isn't.
14:07Really?
14:09That would be perfect, of course.
14:11But what do your chefs say?
14:12They certainly don't agree with that, do they?
14:14You take care of the ingredients.
14:16I take care of my chefs.
14:21I take care of my chefs.
14:35Maybe Lale is right.
14:37The dream has shown me my true feelings for Vincent.
14:41But are they really strong enough?
14:45I have to be 100% sure that I love him.
14:48Otherwise I will only hurt him.
14:55Yes?
14:59May I?
15:01Come in.
15:02I'll be gone in a minute.
15:04Okay.
15:16I want to apologize to you.
15:18I should have understood that you were very worried about Vincent.
15:25I was at his intensive care unit.
15:27Thanks to Michael.
15:30I heard he's getting better again.
15:34Yes, the antibiotics worked.
15:36I'm glad. Really.
15:40I hope he'll get well again soon.
15:43He will.
15:49And...
15:50Between us...
15:54Is everything okay?
15:57Can you accept my apology?
16:02I accept your apology, yes.
16:09Is there anything else I can do for you?
16:12I'm free right now. We could go for a walk.
16:14Thank you, but my mother will be here soon.
16:20Okay.
16:21Okay.
16:25Oh, yes.
16:26Apollo is doing really well. He is...
16:29Fit.
16:31Yes. Fit.
16:32Nice. I'm glad.
16:52I don't know how to handle this.
16:55I have no idea about burial.
16:57We'll do it together. I already have a list.
17:00Hi, Stella.
17:02I'm really sorry.
17:04If there's anything I can do...
17:06Sit with us.
17:07No, I'm in a hurry. I have to work.
17:09I'll get something to take with me.
17:11Okay.
17:12Well...
17:13We should contact a burial institute in Cologne.
17:17Your parents live in Cologne, right?
17:19Have you talked to them about whether it should be a burial or not?
17:24They leave the decision to me.
17:26Okay.
17:27What about the transfer from the USA?
17:30I don't know.
17:32Maybe we can call your parents. They can sort it out on site.
17:35You know, my parents are totally overwhelmed.
17:37They want me to take care of everything on my own.
17:40And when I think about it, about cemetery and burial...
17:43I'm so scared of it.
17:49What about a forest cemetery?
17:51Is there one in Cologne?
17:53I don't know.
17:54We'll figure it out.
17:57Is there one here?
17:59A very nice one.
18:02Lale...
18:04Would you accompany me?
18:06I'd like to see how it's done.
18:09I don't dare to go alone.
18:10Of course. I've already moved all the appointments to the afternoon.
18:13Oh, thank you.
18:14Great.
18:15I mean, I don't know how I could do anything without you.
18:22Hello?
18:28Is no one here today? I have to...
18:30Take mine.
18:32Really?
18:56These are just key points.
18:58Hagen's artistic progress, his preferred...
19:00Yes, how the goal of painting has changed with the progress of his mental illness.
19:05Yes, the notes from his son's diary.
19:09Ah, Mr. Sonnbichler just told me that we're expecting two journalists from an art magazine.
19:14We just talked about it.
19:15That's wonderful. I mean, a good article.
19:17That's a wonderful PR for the prince's court.
19:19I can welcome the two ladies and tell them a little bit about Anton Hagen.
19:23Yes, how they tried to sell the hotel and get it evicted.
19:27So that you can come to the painting.
19:30I will hold the lecture about Anton Hagen.
19:32Very good. I can gladly support you.
19:35Thank you. I've got it under control.
19:38Katja, I really like to help.
19:40Positive PR is also in my interest.
19:42Yes, but the lecture is almost finished.
19:44Yes, but...
19:45It's taken care of. Come, Katja, let's go.
20:02Come in.
20:06Am I disturbing you?
20:08Huh?
20:09I've been here for three minutes. How do you know I'm here?
20:12I have connections.
20:14Ah, yes.
20:17How are you today?
20:19Much better.
20:21Now that the fever is gone.
20:23And now that you're here.
20:26You really scared me.
20:32Anna, sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo.
20:42And we'll play darts with Lalo and Tiro.
20:44Yes, but you get well first, okay?
20:48Don't take any risks, promise me.
20:51Your word.
20:53I'm sorry.
20:59Today is the 20th, the farewell concert of Bernd Baru.
21:03I completely forgot.
21:05You bought a ticket a few weeks ago, didn't you?
21:09Yes.
21:10He's just one of the best guitarists there is for me.
21:14And it would have been the last chance to see him.
21:17Oh, man, I'm sorry.
21:20It's okay.
21:22Maybe you can play something for me?
21:26Believe me, you won't hear that.
21:29I'll see. Maybe there's a live transmission.
21:36I completely forgot. Michael wanted me to come to the blood pressure test.
21:41But I'll come by later, okay?
21:43Okay.
21:44I'm here.
21:53I'm here.
22:06So, come in, please.
22:13Here we have the work.
22:16You must be proud to have such a treasure in your possession.
22:19Absolutely.
22:20It's a huge win for our hotel.
22:23And for me personally, too.
22:24I've admired Anton Hagen's work for a long time.
22:27And that he created his last work here, of all places,
22:30makes it something very special.
22:33Absolutely.
22:34Yes, and now I hope that I can tell you something new about Anton Hagen in my little lecture.
22:40You know the artist much better than I do.
22:42That remains to be seen.
22:44We look forward to any new information.
22:47Please take a seat.
22:48With pleasure.
22:55So, you have already heard that the artist spent his last years here in the area.
23:01We have now excavated the diaries of his son.
23:04In them, he describes in great detail the daily routine of his father.
23:08Is there anything about Hagen's mental illness?
23:11Yes.
23:12Hello?
23:14Ah, there you are.
23:15Sorry for the interruption.
23:17I wanted to welcome you personally.
23:19Hello.
23:20Markus Schwarzbach, co-owner of the Fürstenhof.
23:23Lisa Bühm.
23:24Hello.
23:25My colleague, Roberta Reit.
23:26Nice to meet you.
23:27Nice to meet you, too.
23:29Yes.
23:30Wonderful work, isn't it?
23:32You must know that I am, in a way, the rediscoverer.
23:37But crazy, isn't it?
23:39Hidden behind a wall for centuries.
23:42You know, I am a huge fan of Anton Hagen.
23:46Would it be okay if I stayed?
23:48Yes, please.
23:49Of course.
23:50Yes, then please go on.
23:52I am a big fan.
23:56So?
23:57We have discovered and cultivated our passion for the artist together.
24:04Back to your question.
24:06The artist's mental illness can be clearly read from the diaries.
24:12Ah, yes.
24:13Okay.
24:16Ah, it was so romantic.
24:18The perfect evening.
24:19I'm glad.
24:20Michael and I really needed this.
24:23We are both so busy and then here ...
24:27Hey, if you're going to be released soon, we'll have a really nice girls' evening, okay?
24:34Well, Dr. Weber hasn't made up his mind yet, but it shouldn't take long.
24:42And how is Vincent?
24:44I heard he's back to normal.
24:46Yes, luckily. He's doing better.
24:49And I would like to do something good for him.
24:52Something that makes him happy.
24:54Have you thought about it?
24:56Yes.
24:58The guitarist Bernd Barrow is giving his farewell concert tonight.
25:02And Vincent is a huge fan.
25:04Okay, but also in the wheelchair is such a concert ...
25:07No, no, no, I don't want to bring Vincent to the concert, but rather the concert to Vincent.
25:12Anna, I know you are very grateful to him, but just because you inherited a lot ...
25:18I don't want to engage Bernd Barrow, but rather persuade him by telling him Vincent's story.
25:23Ah, okay, yes, maybe.
25:25Isn't this Barrow known for his social commitment?
25:29And I did some research and tried to call the concert organizers and his agents, but unfortunately no one reached them.
25:36I think that's a bit difficult.
25:38I also read on his fan page that he was housed in Fürstenhof, but unfortunately I can't go there.
25:48Okay, so you want me to persuade him.
25:51I also read that he loves apple strudel.
25:56Well, I accept the order, but without guarantee.
26:04Yes, I'm happy too.
26:06Yes, so you are a cook.
26:08He is a wonderful cook.
26:10Yes.
26:11No offense, but ...
26:13We're looking for someone.
26:15Or do you want to leave us for a while?
26:17Not at all.
26:19But it could happen that I get sick or need my vacation.
26:23And it wouldn't be bad if we had a worthy representative.
26:26Yes, it wouldn't be bad.
26:28Louis has an excellent reputation.
26:31A lot of experience, the best testimonies.
26:33And Mrs. Sonnenbichler also appreciates him very much.
26:35I like to cook passionately.
26:37Passion is important.
26:39But it also has to taste good.
26:42How would it be if Louis cooks in our kitchen today?
26:46You try and judge whether he comes into question as a representative.
26:49Yes, that's a sensible suggestion.
26:52Let's see if you convince me as much as Mrs. Bergmann.
26:58Thank you very much, Mr. Seifeld.
27:00See you tonight for dinner.
27:02Thank you very much. See you tonight.
27:04Thank you very much.
27:10Classically for art in the 18th century,
27:12Hagen also painted in the Bucolic style.
27:14He really succeeded in this rural idyll.
27:17Yes, I think so too.
27:19Especially this utopia of a harmonious,
27:22nature-bound life in an idyllic landscape
27:25seems to be particularly important to him here.
27:27Well, utopia ...
27:30When I look at the painting like this,
27:32it has a lot of current, concrete.
27:38Look at the two main protagonists, for example.
27:41At first glance, they seem to be
27:43revolving around each other in a love dance.
27:46But on the second level,
27:48it's about something completely different.
27:50It's about the mysterious young woman.
27:54Look at the deviant attitude of the dancer.
27:57The gaze turned away from her admirer.
27:59He, on the other hand, is completely naive,
28:01hesitating in the moment,
28:03yearning for her love.
28:05Maybe the dancer just doesn't know
28:08what the lady's feelings are like.
28:10Yes, exactly, exactly.
28:12The misunderstanding is written in his face.
28:15He asks himself, where is the dance leading to?
28:21And that raises completely different questions.
28:24Is this because of the Bucolic style,
28:26or is the mood of the scenery
28:28how it seems?
28:30In art, a lot of things are not as they seem.
28:34Yes, but that's rather distressing in the long run
28:38than exciting.
28:40The viewer wants to be able to rely on something.
28:46What do you think this supposed love dance
28:49of the two will lead to?
28:51Oh, well, I think maybe
28:54they're just dancing together.
28:57No, no, it's much more than that.
28:59It's not that simple.
29:01Well, for me, this scene is very clear.
29:03The dancer turns away
29:05because she finally wants to look ahead.
29:07This is, so to speak, the intersection
29:09between her past and her future.
29:13Really?
29:14Really.
29:18Well.
29:22The art, yes,
29:24really opens up interpretations in many directions.
29:29But thank you,
29:31thank you for your appreciation.
29:35Yes, well,
29:36if I'm not needed here anymore,
29:42then I wish you a wonderful time
29:44here at our prince's court.
29:46Thank you very much.
29:55Gut. Also, wo war ich stehen geblieben?
30:17Du hattest recht, der ist wirklich schön.
30:20Ja, der in der Nähe von Köln soll auch schön sein.
30:24Ja, das wird Tamara gefallen.
30:28Sie hat die Natur so geliebt.
30:32Ich vermiss sie so.
30:41Das Wasser hat sie auch geliebt.
30:44Schwimmen, surfen, tauchen.
30:48Ist es okay für dich, wenn wir einen Moment hierbleiben?
30:51Klar.
30:52Es ist nur ein bisschen kalt.
30:54Ach so.
30:56Ich habe auch heißen Tee dabei
30:58und was zu essen.
31:04Hattest du ein Picknick geplant?
31:06Nein, ich dachte nur,
31:08wenn wir durch den kalten Wald laufen,
31:10ich will doch nicht, dass du durch meine Finger kältest.
31:13Außerdem, als wir heute Morgen im Café waren,
31:16habe ich doch auch gar kein bisschen runter bekommen.
31:19Sorry, das war blöd von mir.
31:21Schon okay.
31:30Frisch Käse mit Datteltomate.
31:32Danke.
31:43Ja, ja, Herr Barus sitzt zwar gerade beim Frühstück,
32:06aber einfach so ansprechen, das geht nicht.
32:09Okay, das heißt, wenn ich jetzt zufällig
32:11ins Restaurant gehen würde,
32:13dann könnte ich ihn zufällig dort treffen?
32:16Ja, möglicherweise.
32:18Was aber leider nicht unbedingt bedeutet,
32:20dass er sich auch mit Ihnen unterhalten würde.
32:22Ich kann sehr charmant sein.
32:24Daran besteht kein Zweifel.
32:26Aber Bernd Baru ist ein,
32:29naja, sagen wir, ein bisschen komplizierter Gast.
32:32Gerade wenn ein Konzert ansteht,
32:34dann will er mit niemandem reden.
32:36Und man darf ihn auch nicht ansprechen
32:38wegen der Konzentration.
32:41Ich würde es also rein hypothetisch trotzdem versuchen.
32:44Anna braucht meine Hilfe.
32:45Sie will unbedingt Vincent überraschen.
32:47Hey, Nicole.
32:48Ähm, Philipp.
32:49Hey, Entschuldigung.
32:50Ich muss was erledigen.
32:55Was ist denn mit ihr los?
32:57Ja, Sie haben es ja gehört.
32:59Sie muss irgendwas erledigen.
33:01Ich habe nur mitbekommen,
33:02dass es um eine Überraschung geht.
33:04Vielleicht könnte ich da irgendwie behilflich sein.
33:07Ja, aber ich kann es Ihnen leider nicht sagen,
33:09weil ich selber nicht genau weiß, worum es geht.
33:14Okay.
33:15Kein Problem.
33:17Ja.
33:23Auri, könntest du mir kurz Majoran und Estragon aus dem Gewächshaus holen?
33:27Das da kann weg.
33:28Ich brauche ganz schnell Pastis.
33:30Na los, worauf warten Sie?
33:32Sie kann das machen, sobald sie meine Kräuter geholt hat.
33:35Deine Kräuter können warten.
33:36Ich muss jetzt flambieren.
33:38Meine Kräuter warten aber nicht gerne,
33:40weil es die Kräuter für die Chefköche in dieser Küche sind
33:43und sich deshalb sehr wichtig fühlen.
33:45Ach, und mein Pastis fühlt sich noch wichtiger,
33:47weil der Chef der Chefköchin das flambierte Gericht gleich probieren wird.
33:51Hat da vielleicht jemand vergessen, dass er Gast in dieser Küche ist?
33:58Ah, es tut mir leid.
34:00Ich habe mich im Ton vergriffen.
34:02Naja, bei uns in der Küche, da gibt es einfach selten Widerworte.
34:06Dann wird es Zeit, dass du ein anständiges Arbeitsklima kennenlernst.
34:09Bei mir in der Küche gehen wir alle freundlich miteinander um.
34:13Jawohl, Chef.
34:16Oh nein!
34:18Annalena, holst du bitte eine Flasche Pastis?
34:21Mach ich.
34:28Hey, was machst du denn hier?
34:31Ich dachte, du kümmerst dich um zwei wichtige Gäste.
34:34Ja, die sind gerade beim Essen.
34:37Hoffentlich nehmen sie mir diese Aktion nicht übel.
34:40Was für eine Aktion?
34:42Markus hat mir bei dem Vortrag einfach dazwischen gefunkt.
34:44Moment mal, was für einen Vortrag? Wieso?
34:47Er hat mich vor den Journalistinnen völlig bloßgestellt.
34:51Ich kann wirklich nur hoffen, dass die überhaupt nicht verstanden haben, worum es eigentlich ging.
34:56Ich dachte, ihr versteht euch wieder.
34:59Was weiß denn ich?
35:01Es ging um Anton Hagen.
35:03Markus hat mich provoziert und es hat sich dann irgendwie hochgeschaukelt.
35:07Auf jeden Fall habe ich ihm vor den Journalistinnen dann versteckt klargemacht, dass das mit uns keine Zukunft hat.
35:13Was?
35:15Dabei liebst du ihn doch und jetzt hast du ihn meinetwegen angelogen.
35:21Es ist jetzt so, wie es ist.
35:24Aber eigentlich seid ihr jetzt quitt.
35:27Also ich meine, ihr habt euch beide einmal angelogen.
35:29Ach, das ist doch kein Unsinn. Als hätte das was damit zu tun.
35:35Mama, ich will doch nur, dass du glücklich bist und das ist jetzt alles meine Schuld.
35:40Ich will einfach nicht mehr drüber reden. Genieß deine Pause.
35:51Und?
35:55Bist du mich quälen?
35:56Bist du mich quälen?
35:59Ist das deine Rache? Für wohin?
36:03Meine ehrliche Meinung?
36:05Ja, sag schon.
36:07Ist so viel, was siehst.
36:10Hervorragend. Sie schmeckt fantastisch.
36:13Du kannst ihn aber auch auf die Folter sparen.
36:16Es freut mich, dass es dir schmeckt.
36:18Der arme Herr Seifeld. Wenn er das probiert und ich ihm dann beibringen muss, dass du hier doch keine Vertretung machen kannst.
36:22Jetzt wartet erst mal die Eröffnung. Wer weiß, vielleicht habe ich ganz bald ganz viel Zeit.
36:27Das Restaurant wird ein Riesenerfolg.
36:30Das habe ich auch dir zu verdanken.
36:32Du bist einfach...
36:39Was ist denn hier los?
36:42Kocht ihr etwa die Leidenschaft?
36:52Ja.
37:02Ja bitte?
37:08So.
37:10Juwelier Schneider lässt schön grüßen und hofft, dass das Geschenk gut ankommt.
37:15Ja, ich hatte so viel um die Ohren. Ich bin nicht dazu gekommen, es selbst abzuholen.
37:18Kein Problem. Für Frau Schwarzbach?
37:21Sagen wir, für die zukünftige Frau Saalfeld.
37:24Ui. Sie haben bestimmt was Schönes ausgesucht und sie wird sich sehr freuen. Das ist der Plan.
37:31Ach, Frau Johannsen fällt in den nächsten Tagen aus wegen eines Todesfalls in der Familie.
37:44Wie ist denn die Lage mittlerweile?
37:48Also, ich habe ihren Rat befolgt und war nett zu ihr und habe sogar einen Fehler auf mich genommen, den sie begangen hat.
37:55Und das hat nicht funktioniert?
37:58Doch, wir sind jetzt Freunde.
38:02Aber Stella ist so fertig wegen dem Tod ihrer Schwester und Lale steht ihr natürlich zur Seite. Das kann ich ja auch verstehen.
38:11Aber?
38:15Ich weiß auch nicht.
38:17Als ich vorhin vom Juwelier kam, saßen die beiden am See und haben Picknick gemacht und Stella hat so gelächelt, so glücklich gelächelt.
38:26Sie glauben, sie spielt ihrer Freundin die Trauer nur vor?
38:30Ich weiß nicht, irgendwas stimmt da schon wieder nicht.
38:33Ich meine, ihre Eltern kümmern sich nicht mal um die Beerdigung der eigenen Tochter.
38:38Und heute Morgen im Liebling, da hat sie so zufrieden geschaut, so schaut keiner, der gerade trauert.
38:46Wäre es nicht möglich, dass sie uns allen was vormacht?
38:51Na, sie lagen ja schon mal richtig mit ihrem Verdacht.
38:56Ja, schon, aber das ist doch eine ganz andere Nummer. Ich meine, den Tod der eigenen Schwester vortäuschen, wer macht sowas?
39:04Tom Dammann hat seinen eigenen Tod vorgetäuscht, um mich aus dem Weg zu räumen.
39:11Es gibt nichts, was es nicht gibt.
39:16Selbstverständlich verfügen wir über die Räumlichkeiten für Ihre Konferenz. Ja.
39:22So machen wir das. Auf Wiederhören.
39:31Mal wieder, Anna?
39:36Ich glaube, das war's.
39:38Hat sie das so gesagt?
39:39Ja, wir hatten gestern eine Meinungsverschiedenheit.
39:46Sie hat mir zwar verziehen, aber sie war sehr abweisend.
39:51Eigentlich wollte sie mich nur loswerden.
39:54Sie ist vielleicht noch ein bisschen sauer.
39:57Aber wenn sie ihre Entschuldigung angenommen hat, heißt das noch lange nicht, dass sie...
40:02Sie plant eine besondere Überraschung für Vincent.
40:05Ja, weil sie ihm dankbar ist.
40:06Und was machen Sie hier? Sie blasen Trübsal. Meinen Sie, das bringt Sie weiter?
40:11Haben Sie sonst noch irgendwelche Weisheiten für mich?
40:14Ja, handeln Sie, bevor es wirklich zu spät ist.
40:18Sie lieben diese Frau, also kämpfen Sie um sie.
40:30Sie haben recht.
40:31Sie haben recht.
41:02Hey.
41:04Hey.
41:06Wie geht's dir?
41:09Gut. So wie vorhin, als du hier warst. Und so wie vor zehn Minuten, als du mir geschrieben hast.
41:16Was?
41:18Schließ die Augen.
41:20Warum?
41:21Vincent, schließ die Augen.
41:24Was hast du vor?
41:26Nicht schummeln.
41:27Schließ die Augen.
41:31Wann noch?
41:33Gleich.
41:51Bernd, warum?
41:53Wenn du nicht zum Konzert kannst, dann kommt das Konzert eben zu dir.
41:58So dumb.
42:00But your gravity keeps pulling me away.
42:05Heavy on my heart, I wish that we never fall apart.
42:10Oh Lord.
42:16We were cut to pieces, but you always stitched us up.
42:21My love.
42:23My love.
42:24My love.
42:27Weightless for forever and a day.
42:54I can feel that there are still feelings.
42:56But every time we get closer, you push me away again.
42:59That's not true.
43:00It is. But it's still about that stupid painting. I thought you had forgiven me.
43:04I did.
43:05Katja, I was there for you.
43:07I supported you at the wine shop.
43:09I thought I showed you that you can trust me.
43:13What is it about?
43:15What's the problem?
43:16I won't let you talk to me like that.
43:18Katja.
43:20Katja!
43:25Oskar?
43:27I'm looking for Philipp Brandes.
43:29May I ask you for your name?
43:31You're not allowed to.
43:34If anyone asks for me, I'm out of the house.
43:37Yes.
43:39Mr. Brandes.
43:40Philipp.
43:43I'm sorry, I don't have time right now.
43:46Just for a moment, please.
43:49Do we know each other?
43:51Not as well as we should.
43:55You still have the same eyes as your mother.
44:06Yes.
44:08I'm your father.
44:26Thank you so much.
44:27That was incredible.
44:29I'll never forget that.
44:30My pleasure.
44:31I couldn't have wished for anything better.
44:33All the best to you and...
44:35I hope you'll get well soon.
44:39Thank you, too.
44:40It was beautiful.
44:48I can't believe it.
44:51You're incredible.
44:57You've said that a few times now.
45:03I love you.
45:06And I never stopped loving you.
45:12I don't want to put pressure on you.
45:14And I don't expect anything from you.
45:16But I have to...
45:18I have to ask you this.
45:21Can you imagine...
45:24us trying it again?
45:44That's enough.
45:45You can't just burst in like that!
45:47I'm so sick of you running away from me all the time.
45:52We'll sort this out.
45:55You're right.
46:00It can't go on like this.
46:06I...
46:10It's true.
46:13I...
46:15I...
46:19Me, too.
46:28I love you, too.
46:39If it's true...
46:40What?
46:41That...
46:43Stella's sister is really dead.
46:45What?
46:48Stella behaves strangely.
46:50One moment she's crying and the next...
46:54I saw her smile.
46:55Your menu will be perfect.
46:57At least the main course I got to try yesterday.
47:00Yes, I hope the guests think so, too.
47:02And the restaurant critics.
47:04I just miss Mara so much.
47:06Tears are not a sign of weakness.
47:09It's not the only reason why I cried.
47:11She always says her family is poor.
47:13And how could she leave for the USA?
47:15She told me something about savings and inheritance.