• 3 months ago
Transcript
00:00Your parents are still in the U.S.?
00:07They have to wait until they release Tamara's body.
00:14Does your offer still exist?
00:16What offer?
00:17The one with the walk.
00:19I really want to go to Vincent's later, but I still have some time before that.
00:23Unfortunately, I don't have any time.
00:25Please excuse me.
00:31You didn't want to talk to me?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how uncomfortable I am right now.
01:00I'm sorry.
01:16What was that?
01:18Vincent and me?
01:22It was so real.
01:24My feelings, so real, but...
01:27After everything he did for me, it makes sense that I think of him.
01:32He risked his life for me.
01:36I would do anything for him.
01:39But do I really love him?
01:57So, this will be your seat, Mr. Müller.
02:04Manuel?
02:05No.
02:07We'll take care of the rest.
02:10Thank you, Mr. Schwarzwald.
02:11You're welcome.
02:18Aren't we too old for games like this?
02:21Games?
02:23I don't feel like going for a walk and I have a lot to do.
02:26Going for a walk was your idea.
02:29Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:37The trial against me has been suspended.
02:40I have nothing to do with this sleeping pill with Christoph.
02:44You even said that you believe me again.
02:46I believe you too.
02:47But then I don't understand.
02:49There's nothing to understand.
02:51The thing with the two of us...
02:53It just doesn't work.
02:55Please accept it, finally.
03:00Yes.
03:01All right.
03:02All right.
03:19That was ten euros for Tamara.
03:21I only found out a few years ago.
03:25My schoolmates always laughed at me because I never got anything from the kiosk.
03:30My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it because we couldn't find the owner anyway.
03:43And I should buy something from the kiosk.
03:48It was all her savings.
03:54She always protected me.
03:56And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:10I have to go now.
04:12Can I leave you alone?
04:14Yes, it's totally okay. I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:20You'll call me if you need anything.
04:22Yes. The zombies will be there soon.
04:28Tell me, if you really meant it with the help at the funeral.
04:33I would be so grateful.
04:35Do you have time tomorrow?
04:37I'll take the time.
04:40And now go to your Theo and say hello to him in front of me, okay?
04:44I hope you'll get some rest.
04:46I know.
04:58I love you.
05:06Tamara! Hi!
05:08Sorry I'm calling you back now. I had visitors.
05:11Yes, everything is great!
05:13It's going better than I thought.
05:15How are you?
05:20Vincent.
05:23I'm so happy and relieved that you're feeling better again.
05:28I was very worried about you.
05:31When I woke up earlier, Anna was there.
05:37I think she sat here for hours.
05:43Man!
05:46Maybe there's still a chance for Anna and me.
05:50Anna is the woman of my life.
05:59But you really have a long history.
06:02So much has happened.
06:04You mustn't forget that, Vincent.
06:07Yes.
06:09I'm getting my jealousy on Philip under control.
06:12Okay.
06:16I would really like you to be happy together.
06:21But...
06:23In order to succeed...
06:26...you have to leave your past behind.
06:30And you have to start anew.
06:36How's it going with Katja?
06:39How's it going with Katja?
06:42Sometimes we're very close again, and I can feel her feelings for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:55Maybe she still doesn't forgive you for the painting of Anton Hagen?
07:00Even if she forgave me, I lied to her.
07:04I lied to her.
07:07She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:20What did you do?
07:36Keep going.
07:38Straight ahead.
07:41Careful.
07:44Don't be scared.
07:47Left, and stop for a moment.
07:50How long will it take?
07:52We'll be ready in a minute.
07:54Yes, you said that before.
07:57Why are we even in Tölz?
07:59I really don't have that much time.
08:01We're totally overslept and I have to go back to work.
08:12Welcome...
08:14...to Lois.
08:17Wow...
08:21You've already told me a lot, but...
08:24...that it turned out so beautiful.
08:27Did you expect a breakfast?
08:29Lois.
08:30A beautiful restaurant with a beautiful name.
08:39I'm so hungry.
08:41I have to go, unfortunately.
08:43Yes, and I have to prepare the main course.
08:45I came up with something very special for tomorrow.
08:47What are you cooking?
08:48Yes, you'll find out when the restaurant opens tomorrow.
08:51Is it fusion cuisine or maybe vegan?
08:54Come on, give me a hint.
08:56It's the fire department.
09:07Damn.
09:08What's going on?
09:10Well, they wanted to come this afternoon to take over the kitchen.
09:13But they postponed it.
09:14When?
09:15It doesn't say.
09:17I mean, if they don't take over, I can forget about the opening tomorrow.
09:21Call them and explain the situation to them.
09:24They can't do that.
09:26The authorities can do anything.
09:28I have to call them urgently.
09:29Let's see.
09:30If they can't change anything here, it looks really bad.
09:38I can't imagine how terrible it must be to lose your sister.
09:42I can't either.
09:44I think it's good for you that I'm here for her now.
09:47Yes, absolutely.
09:48She needs you now.
09:50How are you?
09:52You seem to be relatively fit.
09:54Relatively, yes.
09:56I'm fine.
09:59I mean, Vincent gave me a new life.
10:02I heard he's feeling better.
10:04Luckily.
10:05He's over the mountain.
10:06I'm really happy that with the internal bleeding,
10:09if something had happened to him because of that,
10:12I would never have forgiven myself.
10:14But everything went well.
10:16You two will now lead a healthy and normal life again.
10:19A beautiful one.
10:21I dreamed of him.
10:23And?
10:24And?
10:26We kissed.
10:27What?
10:28Lale, it was just a dream.
10:30Dreamers often tell us the truth that we can't see for ourselves.
10:35I was worried about Vincent.
10:37And I thought about him all the time.
10:39And I was just so incredibly grateful to him.
10:42That's probably why I kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, yes?
10:50No.
10:51Anna, I'm totally neutral.
10:52Don't you see that?
10:54You know, I'm just in chaos.
10:57I don't know what I'm feeling or what I'm not.
10:59And for whom.
11:00And if at all.
11:03It was just a dream.
11:04Okay.
11:08I have to go, unfortunately.
11:09I'll help Stella with the preparations for the funeral.
11:12Tell her all the love from me, yes?
11:14I will.
11:18You tell me if you need anything.
11:20I will.
11:26What can I bring you?
11:29Oh, please bring me a green tea.
11:31With pleasure.
11:32Good morning, Sabrina.
11:34Good morning, Mr. Director.
11:35Good morning, Sabrina.
11:41Good morning.
11:42Good morning.
11:43Oh, sorry.
11:45I didn't want to bother you.
11:47But...
11:49I need your help.
11:51Did something happen?
11:52No, no, no, no.
11:53Don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist has signed up for the art magazine that we had signed up for.
12:03That's great.
12:04That's exactly what we wanted.
12:06The perfect opportunity for a good PR for the Fürstenhof.
12:09And how can I help you?
12:11The journalist is traveling with a colleague today.
12:16You could take care of her.
12:19And give a short lecture about Hagen.
12:23A lecture?
12:25Well, I'm not an art expert.
12:27Yes, but you know everything about him.
12:29Yes, I've dealt a lot with his life and his art.
12:33But if there are any questions about the details,
12:35technical drawings...
12:36Oh, you're talking to me about such a passion for Hagen's art.
12:40You will feel that and get infected.
12:44It's the chance for the Fürstenhof.
12:47And you're family, too.
12:49Do you want to leave me hanging?
12:51That limits you here to emotional oppression.
12:55You talk about the painting.
12:57About Hagen's art.
12:59You show him the places where he got his inspiration.
13:02And the rest?
13:03Well, the rest makes your charm.
13:06I can't get out of this, can I?
13:09No.
13:12Yes, of course, I know you have fixed dates.
13:15But I had a fixed appointment.
13:18I mean, what should I do?
13:19If you don't come by today, I can forget the opening tomorrow.
13:23Yes, I understand that.
13:25But you have to do something.
13:26I don't know what...
13:28Tomorrow morning, it would be...
13:31Okay, tomorrow morning. Wonderful.
13:33Then come by tomorrow morning.
13:35Of course, you are also cordially invited.
13:37Okay, thank you very much. See you tomorrow.
13:39Bye.
13:40The reception doesn't take that long.
13:41And then you have the kitchen available tomorrow.
13:43Yes, I do.
13:44But I actually wanted to rehearse the menu.
13:47I didn't think about that.
13:49Oh, it doesn't matter.
13:51I'll just jump into the cold water.
13:53Or you cook the menu in another kitchen rehearsal.
13:57That's nice, but your living room kitchen isn't much bigger than mine either.
14:01It's just clearly too small.
14:03But the kitchen at the prince's court isn't.
14:07Really?
14:09That would be perfect, of course.
14:11But what do your chefs say?
14:12They certainly don't agree with that, do they?
14:14You take care of the ingredients.
14:16I'll take care of my chefs.
14:21Maybe Lale is right.
14:24The dream has shown me my true feelings for Vincent.
14:28But are they really strong enough?
14:32I have to be 100% sure that I love him.
14:36Otherwise I will only hurt him.
14:41Yes?
14:44May I?
14:47Come in.
14:48I'll be gone in a minute.
14:59I'm sorry.
15:01I'm sorry.
15:03I'm sorry.
15:05I'm sorry.
15:07I'm sorry.
15:09I'm sorry.
15:16I would like to apologize to you.
15:19I should have understood that you are very worried about Vincent.
15:25I was at his intensive care unit.
15:27Thanks to Michael.
15:31I heard he's getting better again.
15:34Yes, the antibiotics have worked.
15:37I'm really happy.
15:40I hope he'll get well soon.
15:43He will.
15:49And...
15:51Between us...
15:54Is everything okay?
15:58Can you accept my apology?
16:03I accept your apology, yes.
16:08Is there anything else I can do for you?
16:12I'm free right now. We could go for a walk.
16:15Thank you, but my mother will be here soon.
16:20Okay.
16:24Oh yes, Apollo is doing really well. He is...
16:28Fit.
16:30Yes, fit.
16:32Nice, I'm glad.
16:53I don't know how to handle this.
16:56I don't know anything about burials.
16:58We'll do it together. I have a list.
17:01Hi Stella.
17:03I'm really sorry.
17:05I don't know what to do.
17:07Sit with us.
17:08No, I'm in a hurry. I have to work.
17:10I'll get something to take with me.
17:12Okay.
17:14We should contact a burial institute in Cologne.
17:18Your parents live in Cologne, right?
17:20Did you talk to them about a burial?
17:25They leave it to me.
17:27Okay.
17:28What about the transfer from the USA?
17:31I don't know.
17:33I'll call my parents. They can take care of it on site.
17:35You know, my parents are totally overwhelmed.
17:38They want me to take care of everything on my own.
17:40And when I think about cemeteries and burials...
17:44I'm so afraid of it.
17:49How about a forest cemetery? Is there one in Cologne?
17:53I don't know.
17:55We'll figure it out.
17:57Is there one here?
18:00A very nice one.
18:02Lale...
18:04Would you come with me?
18:06I'd like to see what it's like.
18:09And I don't dare to go alone.
18:11Of course. I've already postponed all appointments for the afternoon.
18:13Oh, thank you.
18:15I don't know how I should manage without you.
18:22Hello?
18:24Hello?
18:29No one's here today? I have to go.
18:31Take mine.
18:33Really? Thank you.
18:55These are just key points.
18:57Hagen's artistic progress.
18:59His preferred music.
19:01Yes, how the painting style has changed with the progress of his mental illness.
19:05Yes, the notes from his son's diary.
19:09Mr. Sonnbichler just told me that we're expecting two journalists from an art magazine.
19:13Yes, that's what we were just talking about.
19:15That's wonderful.
19:17I mean, a good article, that's a wonderful PR for the Fürstenhof.
19:20I can welcome the two ladies and tell them a little about Anton Hagen.
19:23Yes, how they tried to sell the hotel and have it demolished.
19:27So that you can come to the painting.
19:30I will hold the lecture about Anton Hagen.
19:32Very good. I can gladly support you.
19:34Thank you. I've got it under control.
19:37Katja, I really like to help. Positive PR is also in my interest.
19:42Yes, yes, but the lecture is almost finished.
19:44Yes, but...
19:45It's taken care of. Come, Katja, let's go.
19:53I love you.
20:03Come in.
20:06Am I disturbing you?
20:08Huh?
20:10I've been here for three minutes. How do you know I'm here?
20:13I have connections.
20:15Oh, yes.
20:17How are you today?
20:20Much better.
20:22Now that the fever is gone, and now that you're here.
20:26You really scared me.
20:32Anna, sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo.
20:42And we'll play darts with Lalo and Tiro.
20:44Yes, but you get well first, okay?
20:48Don't take any risks, promise me.
20:51Your word.
20:59Today is 20 o'clock, the farewell concert of Bernd Barrow.
21:03I completely forgot.
21:05You bought a ticket a few weeks ago, didn't you?
21:09Yes.
21:10He's just one of the best guitarists there is for me.
21:14And it would have been the last chance to see him.
21:17Oh, man, I'm sorry.
21:20It's okay.
21:23Maybe you can play something for me?
21:27Believe me, you won't hear that.
21:30I'll see, maybe there's a live transmission.
21:37I completely forgot. Michael wanted me to come to the blood pressure test.
21:41But I'll come back later, okay?
21:43Okay.
21:44I'm here.
21:50I'm here.
22:07So, come in, please.
22:14Here we have the work.
22:17You must be proud to have such a treasure in your possession.
22:20Absolutely.
22:21It's a huge gain for our hotel.
22:23And for me personally, too.
22:25I've admired Anton Hagen's work for a long time.
22:28And that he created his last picture here,
22:31makes it something very special.
22:33Absolutely.
22:35Yes, and now I hope that I can tell you something new about Anton Hagen in my little lecture.
22:40You know the artist much better than I do.
22:43That remains to be seen.
22:46Okay, please take a seat.
22:48With pleasure.
22:55So, you have already heard that the artist has spent his last years here in the area.
23:00We have now excavated the diaries of his son.
23:04In them he describes in great detail the daily routine of his father.
23:08Is there also something about Hagen's mental illness?
23:11Yes.
23:12Hello?
23:14Ah, there you are.
23:15Sorry for the interruption.
23:17I wanted to welcome you personally.
23:19Hello.
23:20Markus Schwarzbach, co-owner of the Fürstenhof.
23:23Lisa Bühm.
23:24Hello.
23:25My colleague Roberta Reit.
23:26Nice to meet you.
23:27Nice to meet you, too.
23:29Yes.
23:30Wonderful work, isn't it?
23:32You must know that I am, in a way, the rediscoverer.
23:37But crazy, isn't it?
23:39Hidden behind a wall for centuries.
23:42You know, I am a huge fan of Anton Hagen.
23:46Would it be okay if I stayed?
23:48Yes, please.
23:49Of course.
23:50Yes, then please go on.
23:52I am a big fan.
23:56So?
23:57We have discovered and cultivated our passion for the artist together.
24:04Back to your question.
24:06The artist's mental illness can be clearly read from the diaries.
24:12Ah, yes.
24:13Okay.
24:16Ah, it was so romantic.
24:18The perfect evening.
24:19I'm glad.
24:20Michael and I really needed this.
24:23We are both so busy and then here ...
24:27Hey, if you're going to be released soon, we'll have a really nice girls' evening, okay?
24:34Well, Dr. Weber hasn't decided yet, but it shouldn't take long.
24:42And how is Vincent?
24:43I heard he's back to normal.
24:46Yes, luckily.
24:47He's doing better.
24:49And I would like to do something good for him.
24:52Something that makes him happy.
24:54Have you thought of something?
24:56Yes.
24:57The guitarist Bernd Barrow is giving his farewell concert tonight.
25:02And Vincent is a huge fan.
25:04Okay.
25:05But also in the wheelchair is such a concert ...
25:07No, no, no.
25:08I don't want to bring Vincent to the concert, but rather the concert to Vincent.
25:12Anna, I know you are very grateful to him, but just because you inherited a lot ...
25:17I don't want to engage Bernd Barrow, but rather persuade him by telling him Vincent's story.
25:23Ah, okay.
25:24Yes, maybe.
25:25Isn't this Barrow known for his social commitment?
25:29And I researched and tried to call the concert organizers and his agents, but unfortunately no one reached them.
25:37I think that's a bit difficult.
25:39I also read on his fan page that he was housed in Fürstenhof, but unfortunately I can't go there.
25:47Ah, okay.
25:49So you want me to persuade him.
25:51I also read that he loves apple strudel.
25:56Well, I accept the order.
25:58But without a guarantee.
26:04Yes, I'm happy too.
26:06Yes, you are a cook.
26:08He is a wonderful cook.
26:10Yes.
26:11No offense, but ...
26:13We're looking for someone.
26:15Or do you want to leave us for a while?
26:17Not at all.
26:19But it could happen that I get sick or need my vacation.
26:23And it wouldn't be bad if we had a worthy representative.
26:26Yes, it wouldn't be bad.
26:28Louis has an excellent reputation.
26:31A lot of experience, the best testimonies.
26:33And Mrs. Sonnenbichler also appreciates him a lot.
26:35I like to cook passionately.
26:37Yes, passion is important.
26:39But it also has to taste good.
26:41How would it be if Louis cooks in our kitchen today?
26:45You try and judge whether he will be questioned as a representative.
26:49Yes, that's a sensible suggestion.
26:53Let's see if you convince me as much as Mrs. Bergmann.
26:58Thank you very much, Mr. Seifelt.
27:00See you at dinner tonight.
27:02Thank you very much. See you tonight.
27:09Classically for art in the 18th century, Hagen also painted in the Bucolic style.
27:14He really succeeded in this rural idyll.
27:17Yes, I think so too.
27:19Especially this utopia of a harmonious, nature-bound life in an idyllic landscape
27:24seems to be particularly important to him here.
27:26Well, utopia.
27:30When I look at the painting, it has a lot of current, concrete.
27:38For example, the two main protagonists.
27:41At first glance, they seem to be turning around in a love dance.
27:46But on the second level, it's about something completely different.
27:50It's about the mystery of the woman.
27:54Look at the deviant attitude of the dancer.
27:57The gaze turned away from her admirer.
27:59He, on the other hand, is naïve, swaying in the moment,
28:02longing for her love.
28:05Maybe the dancer just doesn't know what the lady's feelings are.
28:10Yes, exactly.
28:11The misunderstanding is written in his face.
28:15He asks himself, where is the dance leading to?
28:21And that raises completely different questions.
28:23Is this because of the Bucolic style,
28:25or is the mood of the scenery actually as gloomy as it seems?
28:30In art, a lot of things are not as they seem.
28:34Yes, but that's rather devastating in the long run,
28:38than exciting.
28:40The viewer wants to be able to rely on something.
28:46What do you think this supposed love dance will lead to?
28:52Well, I think maybe they're just dancing together.
28:56No, no, it's much more than that. It's not that simple.
29:00Well, for me, this scene is very clear.
29:03The dancer turns away because she finally wants to look ahead.
29:07This is the intersection between her past and her future.
29:13Really?
29:14Really.
29:18Well.
29:22Art, yes, it really opens up interpretations in many directions.
29:30But thank you, thank you for your assessment.
29:35Yes, good.
29:36If I'm not needed here anymore,
29:42I wish you a wonderful time here at our prince's court.
29:47Thank you very much.
29:57Good. So, where was I?
30:05You were right, he's really beautiful.
30:08Yes, the one near Cologne should be beautiful too.
30:12Yes, Tamara will like that.
30:16She loved nature so much.
30:20Oh, I miss her so much.
30:23I miss her too.
30:25I miss her too.
30:27I miss her too.
30:29I miss her too.
30:31I miss her too.
30:32Oh, I miss her so much.
30:41She also loved the water.
30:44Swimming, surfing, diving.
30:51Is it okay for you if we stay here for a moment?
30:53Sure.
30:54It's just a little cold.
30:56I see.
30:58I also have hot tea with me.
31:00And something to eat.
31:05Did you plan a picnic?
31:08No, I just thought,
31:10when we walk through the cold forest,
31:12I don't want you to catch a cold because of me.
31:16Besides,
31:19when we went to the café this morning,
31:21I didn't even get a bite.
31:23Sorry, that was stupid of me.
31:25It's okay.
31:28Yeah.
31:34Fresh cheese with dates and tomatoes.
31:57Yes, yes.
31:58Mr. Barros is having breakfast right now,
32:01but just talking to him like that,
32:03that doesn't work.
32:04Okay, that means,
32:05if I were to go to the restaurant by chance,
32:08then I could meet him there by chance.
32:11Yes, possibly.
32:12But unfortunately,
32:13that doesn't necessarily mean
32:15that he would also talk to you.
32:17I can be very charming.
32:19There is no doubt about that.
32:21But,
32:22I don't know.
32:23I don't know.
32:24I don't know.
32:25I don't doubt that.
32:26But Mr. Barros is a,
32:28let's just say,
32:29a little complicated guest.
32:31Especially when a concert is being held,
32:33he doesn't want to talk to anyone.
32:35And you can't talk to him
32:37because of the concentration.
32:39Hmm.
32:40I would still try it, hypothetically.
32:43Anna needs my help.
32:44She really wants to surprise Vincent.
32:46Hey, Nicole.
32:47Philipp.
32:48Hey, sorry,
32:49I have to take care of something.
32:50Okay.
32:51Okay.
32:52Okay.
32:53Okay.
32:54Okay.
32:55Okay.
32:56Okay.
32:57Okay.
32:59Okay.
33:00Okay.
33:02Okay.
33:03Okay.
33:05Okay.
33:07Okay.
33:09Okay.
33:10Okay.
33:11Okay.
33:12Okay.
33:13Okay.
33:15Okay.
33:16Okay.
33:17Okay.
33:18I'll go get some water.
33:19Okay.
33:20Let's go.
33:21Auri, could you quickly get me some Majoran and Estragon from the greenhouse?
33:22Sure.
33:23This guy can leave.
33:24We really need pastis.
33:25Come on, where are you going?
33:26You can do that as soon as she gets my herbs.
33:27Your herbs can wait.
33:28I have to make a fire now.
33:29But my herbs don't like to wait.
33:30Because the herbs are for the head chef in this kitchen and that's why they feel very
33:31important.
33:32Oh, and my pastis feels even more important because I'm the head chef in this kitchen.
33:33But you can't just bring it in.
33:34It's my job!
33:35Let's go.
33:36I'm sorry.
33:37It's okay.
33:38You can take it.
33:39Let's go.
33:40Because it's the herbs for the head chef in this kitchen and that's why they feel very important to us.
33:45Oh, and my pastis feels even more important because the head chef will try the flambéed dish right away.
33:51Did someone perhaps forget that he's a guest in this kitchen?
33:58Ah, I'm sorry. I got carried away.
34:02Well, in our kitchen there are just rare repetitions.
34:06Then it's time for you to get to know a decent working climate.
34:09In my kitchen, we all treat each other kindly.
34:13Yes, chef!
34:16Oh no!
34:18Annalena, could you please get a bottle of pastis?
34:21I'll do it.
34:28Hey, what are you doing here?
34:31I thought you were taking care of two important guests.
34:34Yes, they are eating right now.
34:37I hope you don't mind this action.
34:40What action?
34:42Markus just interrupted me during the lecture.
34:44Wait a minute, what kind of lecture? Why?
34:47He completely ignored me in front of the journalists.
34:51I can only hope that they didn't understand what was going on.
34:56I thought you two got along again.
34:59What do I know?
35:01It was about Anton Hagen.
35:03Markus provoked me and then it escalated.
35:07In any case, I made it clear to him in front of the journalists that this has no future with us.
35:13What?
35:15But you love him.
35:17And now you lied to him because of me.
35:20It is what it is.
35:24But actually, you're even now.
35:27I mean, you both lied to me once.
35:30It's not nonsense. As if it had anything to do with it.
35:36Mom, I just want you to be happy.
35:38And it's all my fault.
35:41I just don't want to talk about it anymore.
35:43Enjoy your break.
35:52And?
35:56Is it torturing me?
35:58Is this your revenge? For what?
36:03My honest opinion?
36:05Yes, tell me.
36:07Is it as much as you see?
36:10Excellent. It tastes fantastic.
36:12But you can also save it for the torture.
36:16I'm glad you like it.
36:17The poor Mr. Saalfeld.
36:19If he tries this and I have to teach him that you can't make a representation here.
36:22Now wait for the opening.
36:24Who knows, maybe I'll have a lot of time soon.
36:26A restaurant will be a huge success.
36:29I owe that to you, too.
36:32You're just...
36:39What's going on here?
36:42Is passion cooking for you?
36:56Yes.
37:02Yes, please.
37:08So...
37:09The jeweler Schneider sends his regards and hopes that the gift will arrive well.
37:14Yes, I had so much on my mind, I didn't manage to pick it up myself.
37:18No problem.
37:19For Mrs. Schwarzbach, let's say for the future Mrs. Saalfeld.
37:25You must have chosen something beautiful and she will be very happy.
37:28That's the plan.
37:31Oh...
37:32Mrs. Johannsen will die in the next few days because of a death in the family.
37:44How is she doing now?
37:48I followed her advice and was nice to her.
37:51I even took a mistake she made.
37:55And that didn't work?
37:58Yes, we're friends now.
38:02But Stella is so exhausted because of her sister's death.
38:06And Lale is standing by her side.
38:08I can understand that.
38:11But?
38:15I don't know.
38:17When I came back from the jeweler's, the two of them were sitting by the lake and had a picnic.
38:21Stella smiled so happily.
38:26Do you think she's just pretending to be sad to her girlfriend?
38:30I don't know, something's wrong again.
38:33I mean, her parents don't even care about the funeral of their own daughter.
38:38And this morning in her lover's, she looked so satisfied.
38:43No one looks like that when they're sad.
38:46It's not possible that she's pretending to be sad to us all.
38:52Well, you were right about your suspicion.
38:56Yes, but that's a completely different matter.
38:58I mean, pretending to be sad to your own sister.
39:00Who does that?
39:04Tom Dammann.
39:05He pretended to be sad to his own sister to get me out of the way.
39:10There's nothing that doesn't exist.
39:18Of course we have the facilities for your conference.
39:22Yes.
39:24That's how we do it. Goodbye.
39:33Goodbye, Anna.
39:35Goodbye.
39:39I think that's it.
39:41Did she say that?
39:44We had a disagreement yesterday.
39:51She did forgive me, but she was very repulsive.
39:57Actually, she just wanted to get rid of me.
39:59Maybe she's still a little angry.
40:02But if she has accepted your apology, it doesn't mean that she...
40:06She planned a special surprise for Vincent.
40:08Yes, because she's grateful to him.
40:10And what are you doing here?
40:12You're blowing up.
40:14Do you think that will help you?
40:16Do you have any other advice for me?
40:18Yes, act before it's really too late.
40:22You love this woman, so fight for her.
40:32Goodbye.
41:03Hey.
41:05Hey.
41:06How are you?
41:09Good.
41:10Like before you were here.
41:12And like ten minutes ago when you wrote to me.
41:16What?
41:17Close your eyes.
41:19Why?
41:20Vincent, close your eyes.
41:24What are you up to?
41:25Don't cheat.
41:27Okay.
41:31Later.
41:32Later.
41:50Bernd Barrow?
41:52If you don't know about the concert, the concert will come to you.
41:57So dumb.
42:00But your gravity keeps pulling me away.
42:05Heavy on my heart, I wish that we never fall apart.
42:10Oh, Lord.
42:12What is this?
42:13Oh, Lord.
42:16We were cut to pieces, but you always stitched us up.
42:20My love.
42:23My love.
42:25Weightless for forever and a day.
42:56But every time we get closer, you push me away again.
42:59That's not true.
43:00It is.
43:01But it's still about that stupid painting.
43:03I thought you had forgiven me.
43:04I did.
43:05Katja, I was there for you.
43:07I supported you at the wine shop.
43:09I thought I showed you that you can trust me.
43:13What are you up to?
43:14What's the problem?
43:16I won't let you talk to me like that.
43:18Katja.
43:20Katja.
43:26What's up?
43:27I'm looking for Philipp Brandes.
43:29Yes.
43:30May I ask your name?
43:31You're not allowed to.
43:35If anyone asks for me, I'm out of the house.
43:37Yes.
43:39Mr. Brandes.
43:41Philipp.
43:43I'm sorry, I don't have time right now.
43:46Just for a moment, please.
43:49Do we know each other?
43:51Not as well as we should.
43:55You still have the same eyes as your mother.
44:06Yes.
44:08I'm your father.
44:27Thank you very much.
44:28That was incredible.
44:29I'll never forget that.
44:30My pleasure.
44:31I couldn't have wished for anything better.
44:33All the best to you and...
44:36get well soon.
44:40Thank you, too.
44:41It was beautiful.
44:49I can't believe it.
44:51You're incredible.
44:57You've said that a few times now.
45:03I love you.
45:06And I never stopped loving you.
45:12I don't want to put pressure on you.
45:14And I don't expect anything from you.
45:16But I have to...
45:18I have to ask you this.
45:21Can you imagine...
45:24that we try it again together?
45:44That's enough.
45:45You can't just burst in like that!
45:47I'm sick of you running away from me all the time.
45:52We'll sort this out now.
45:56You're right.
46:00It can't go on like this.
46:06I...
46:10It's true.
46:13I...
46:15I...
46:19Me, too.
46:28I love you, too.
46:39If it's true...
46:41What?
46:42That...
46:43Stella's sister is really dead.
46:45What?
46:48Stella behaves strangely.
46:50One moment she's crying and the next...
46:54I saw her smile.
46:55Your menu will be perfect.
46:57At least the main course I was allowed to try yesterday.
47:00Yes, I hope the guests think so, too.
47:02And the restaurant critics.
47:04I just miss Mara so much.
47:06Tears are not a sign of weakness.
47:09It's not the only reason why I cried.
47:12She says her family is poor.
47:14How could she leave for the USA?
47:16She told me something about savings and inheritance.