• 2 months ago
Transcript
00:00Your parents are still in the U.S.?
00:07They have to wait until they release Tamara's body.
00:14Does your offer still exist?
00:16What offer?
00:17The one with the walk.
00:19I really want to go to Vincent's later, but I still have some time before that.
00:23Unfortunately, I don't have any time.
00:25Please excuse me.
00:31You didn't want to talk to me?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how uncomfortable I am right now.
01:00I'm sorry.
01:16What was that?
01:18Vincent and me?
01:22It was so real.
01:24My feelings, so real, but...
01:27After everything he did for me, it makes sense that I think of him.
01:32He risked his life for me.
01:36I would do anything for him.
01:39But do I really love him?
01:57So, this will be your seat, Mr. Müller.
02:04Manuel?
02:05No.
02:07We'll take care of the rest.
02:10Thank you, Mr. Schwarzwald.
02:11You're welcome.
02:18Aren't we too old for games like this?
02:21Games?
02:23I don't feel like going for a walk and I have a lot to do.
02:26Going for a walk was your idea.
02:29Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:37The trial against me has been suspended.
02:40I have nothing to do with this sleeping pill with Christoph.
02:44You even said that you believe me again.
02:46I believe you too.
02:47But then I don't understand.
02:49There's nothing to understand.
02:51The thing with the two of us...
02:53It just doesn't work.
02:55Please accept it, finally.
03:00Yes.
03:01All right.
03:02All right.
03:19That was ten euros for Tamara.
03:21I only found out a few years ago.
03:25My schoolmates always laughed at me because I never got anything from the kiosk.
03:30My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it because we couldn't find the owner anyway.
03:43And I should buy something from the kiosk.
03:48It was all her savings.
03:54She always protected me.
03:56And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:10I have to go now.
04:12Can I leave you alone?
04:14Yes, it's totally okay. I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:20You'll call me if you need anything.
04:22Yes. The zombies will be there soon.
04:28Tell me, if you really meant it with the help at the funeral.
04:33I would be so grateful.
04:35Do you have time tomorrow?
04:37I'll take the time.
04:40And now go to your Theo and say hello to him in front of me, okay?
04:44I hope you'll get some rest.
04:46I know.
04:58I love you.
05:06Tamara! Hi!
05:08Sorry I'm calling you back now. I had visitors.
05:11Yes, everything is great!
05:13It's going better than I thought.
05:15How are you?
05:20Vincent.
05:23I'm so happy and relieved that you're feeling better again.
05:28I was very worried about you.
05:31When I woke up earlier, Anna was there.
05:37I think she sat here for hours.
05:43Man!
05:46Maybe there's still a chance for Anna and me.
05:50Anna is the woman of my life.
05:59But you really have a long history.
06:02So much has happened.
06:04You mustn't forget that, Vincent.
06:07Yes.
06:09I'm getting my jealousy on Philip under control.
06:12Okay.
06:16I would really like you to be happy together.
06:21But...
06:23In order to succeed...
06:26...you have to leave your past behind.
06:30And you have to start anew.
06:36How's it going with Katja?
06:39How's it going with Katja?
06:42Sometimes we're very close again, and I can feel her feelings for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:55Maybe she still doesn't forgive you for the painting of Anton Hagen?
07:00Even if she forgave me, I lied to her.
07:04I lied to her.
07:07She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:20I'm sorry.
07:36Keep going.
07:38Straight ahead.
07:40Careful, careful.
07:42Straight ahead.
07:44Don't worry.
07:46Keep going.
07:48and stop for a moment.
07:50How long will it take?
07:52We'll be ready in a minute.
07:54Yes, you said that before.
07:57Why are we even in Tölz?
07:59I really don't have that much time.
08:01We're totally overslept and I have to go back to work.
08:12Welcome to Lois.
08:16Wow.
08:21You've already told me a lot,
08:23but that it turned out so beautiful.
08:26Did you expect a breakfast?
08:29Lois, a beautiful restaurant with a beautiful name.
08:39I want to go on.
08:41I have to go, unfortunately.
08:43Yes, and I have to cook the main course.
08:45I came up with something very special for tomorrow.
08:47And what are you cooking?
08:49Yes, you'll find out when it opens tomorrow.
08:51Is it fusion cuisine or maybe vegan?
08:54Come on, give me a hint.
08:56It's the fire department.
09:07Damn.
09:08What's going on?
09:10They wanted to come this afternoon to take over the kitchen.
09:13And now they've moved it.
09:15When?
09:16It's not there.
09:17I mean, if they don't take it over,
09:19I can forget the opening tomorrow.
09:21Call and explain the situation to them.
09:24They can't do that.
09:26The authorities can do anything.
09:28I have to call them urgently.
09:30Let's see.
09:31If they can't change anything here,
09:33then it looks really bad.
09:36I can't imagine how terrible it must be to lose your sister.
09:40I can't either.
09:42I think it's good for you that I'm here for her now.
09:45Yes, absolutely.
09:46She needs you now.
09:48How are you?
09:50You have a relatively fit impression.
09:52Relatively, yes.
09:54I'm fine.
09:56I mean, Vincent gave me a new life.
09:59I heard he's doing better.
10:01Mm-hmm.
10:02Luckily.
10:03He's over the mountain.
10:05I'm so happy about the internal bleeding.
10:08If something had happened to him because of that,
10:11I would never have forgiven myself.
10:13But everything went well.
10:15You will now lead a healthy and normal life again.
10:18A beautiful one.
10:20I dreamed of him.
10:22And?
10:23And...
10:25we kissed.
10:27What?
10:28Lale, it was just a dream.
10:30Dreams often tell us the truth that we can't see for ourselves.
10:35I was worried about Vincent and thought about him all the time.
10:39And I was just so incredibly grateful to him.
10:42That's probably why I kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, right?
10:50No.
10:51Anna, I'm totally neutral.
10:52Don't you see that?
10:54You know, there's just chaos in my head.
10:57I don't know what I feel or what I don't.
10:59And for whom and if at all.
11:03It was just a dream.
11:04Okay.
11:08I have to go.
11:09I'll help Stella with the preparations for the funeral.
11:12Tell her I love her, okay?
11:14I will.
11:18Tell me if you need anything.
11:20I will.
11:26What can I bring him?
11:29Please bring me a green tea.
11:31With pleasure.
11:32Thank you, Sabrina.
11:34Good morning, Mr. Director.
11:35Good morning, Sabrina.
11:41Good morning.
11:42Good morning.
11:43Oh, sorry.
11:45I didn't want to bother you.
11:47But...
11:49I need your help.
11:51Did something happen?
11:52No, no, no.
11:53Don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist contacted us about the art magazine we had signed.
12:03That's great.
12:04That's exactly what we wanted.
12:06The perfect opportunity for a good PR for the Fürstenhof.
12:09And how can I help you?
12:11The journalist is traveling with a colleague today.
12:16You could take care of her
12:19and give a short lecture about Hagen.
12:23A lecture?
12:25I'm not an art expert.
12:27But you know everything about him.
12:29Yes, I've dealt with his life and his art.
12:33But if there are any technical details...
12:36You're talking to me about Hagen's art with such passion.
12:40They will feel it and get infected.
12:45It's the chance for the Fürstenhof.
12:47And you're family.
12:49Do you want to leave me hanging?
12:51That limits emotional oppression.
12:55You talk about the painting, about Hagen's art.
12:59You show him the places where he got his inspiration.
13:02And the rest?
13:03The rest is his charm.
13:06I can't get out of this, can I?
13:09No.
13:12Yes, of course.
13:13I know you have fixed appointments.
13:15But I had a fixed appointment.
13:18What should I do?
13:19If you don't come by today, I can forget the opening tomorrow.
13:23Yes, I understand.
13:24But you have to do something.
13:26I don't know what...
13:28Tomorrow morning.
13:29But it would be...
13:31Okay, tomorrow morning.
13:32Wonderful.
13:33Then come by tomorrow morning.
13:35You are of course cordially invited.
13:37Okay, thank you very much.
13:38See you tomorrow.
13:39Bye.
13:40The admission doesn't take long.
13:41And then you have the kitchen available tomorrow.
13:43Yes, but I wanted to rehearse the menu.
13:47I didn't think about that.
13:49Oh, it doesn't matter.
13:51I'll just jump into the cold water.
13:53Or you cook the menu in another kitchen rehearsal.
13:57That's nice.
13:58But your living room kitchen isn't much bigger than mine.
14:01It's just clearly too small.
14:03But the kitchen of the prince's court is not.
14:07Really?
14:09That would be perfect, of course.
14:11But what do your sisters say?
14:12They certainly don't agree with that, do they?
14:14You take care of the ingredients.
14:16I'll take care of my shoes.
14:34Maybe Lale is right.
14:36The dream showed me my true feelings for Vincent.
14:40But are they really strong enough?
14:44I have to be 100% sure that I love him.
14:47Otherwise I will only hurt him.
14:55Yes?
14:58May I?
15:01Come in.
15:02I'll be gone in a minute.
15:15I would like to apologize to you.
15:18I should have understood that you are very worried about Vincent.
15:24I was at his intensive care unit.
15:27Thanks to Michael.
15:30I heard he's getting better again.
15:33Yes, the antibiotics have worked.
15:36I'm glad. Really.
15:40I hope he'll get well again soon.
15:43He will.
15:49And...
15:50Between us...
15:54Is everything okay?
15:58Can you accept my apology?
16:03I accept your apology, yes.
16:09Can I do anything else for you?
16:12No.
16:13I'm free right now. We could go for a walk.
16:15Thank you, but my mother will be here soon.
16:25Oh, yes.
16:26Apollo is doing really well. He is...
16:29Fit.
16:31Yes, fit.
16:32Nice.
16:33I'm glad.
16:42I love you.
16:54I don't know how to handle this.
16:56I don't know anything about burials.
16:58We'll do it together. I have a list.
17:01Hi, Stella.
17:03I'm really sorry.
17:04If there's anything I can do...
17:07Sit with us.
17:08No, I'm in a hurry. I have to work.
17:10I just want to take something with me.
17:12Okay.
17:13Well...
17:14It's best if we contact a burial institute in Cologne.
17:18Your parents live in Cologne, right?
17:20Have you talked to them about whether it should be a burial or not?
17:25They leave the decision to me.
17:27Okay.
17:28What about the transfer from the USA?
17:31I don't know.
17:32Maybe we can call your parents. They can sort it out on site.
17:35You know, my parents are totally overwhelmed.
17:37They want me to take care of everything on my own.
17:40And when I think about cemeteries and burials...
17:44I'm so afraid of it.
17:49How about a forest cemetery?
17:51Is there one in Cologne?
17:53I don't know.
17:54We'll figure it out.
17:57Is there one here?
17:59A very nice one.
18:02Lale...
18:04Would you come with me?
18:06I'd like to see what it's like.
18:08And I don't dare to go alone.
18:10Of course. I've already moved all the appointments to the afternoon.
18:13Oh, thank you.
18:14Great.
18:15I mean, I don't know how I should manage without you.
18:22Hello?
18:28Is no one there today? I have to...
18:30Take one.
18:32Really?
18:56These are just key points.
18:57Hagen's artistic progress, his preferences...
19:00Yes, how the goal of painting has changed with the progress of his mental illness.
19:05Yes, the notes from his son's diary.
19:09Mr. Sonnbichler just told me that we're expecting two journalists from an art magazine.
19:13Yes, that's what we were just talking about.
19:15That's wonderful. I mean, a good article.
19:17That's a wonderful PR for the Fürstenhof.
19:19I can welcome the two ladies and tell them a little bit about Anton Hagen.
19:23Yes, how they tried to sell the hotel and have it torn down, so that you could come to the painting.
19:30I will hold the lecture about Anton Hagen.
19:32Very good. I can gladly support you.
19:35Thank you. I've got it under control.
19:38Katja, I'm really happy to help. Positive PR is also in my interest.
19:42Yes, yes, but the lecture is almost finished.
19:44Yes, but...
19:45It's taken care of. Come, Katja, let's go.
19:53I love you.
20:03Come in.
20:06Am I disturbing you?
20:08Huh?
20:09I've been here for three minutes. How do you know I'm here?
20:12Yes, I have connections.
20:15Oh, yes.
20:17How are you today?
20:20Much better.
20:21Now that the fever is gone, and now that you're here.
20:26You really scared me.
20:32Anna, sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo.
20:42And we'll play darts with Lale and Tiro.
20:44Yes, but you get well first, okay?
20:47Don't take any risks, promise me.
20:51Your word.
20:59Oh, today's the 20th, the farewell concert of Bernd Barrow.
21:03I completely forgot.
21:05Oh, you bought a ticket a few weeks ago, didn't you?
21:09Yes.
21:10He's just one of the best guitarists there is for me.
21:14And it would have been the last chance to see him.
21:17Oh, man, I'm sorry.
21:20It's okay.
21:23Maybe you can play something for me?
21:26Believe me, you won't hear that.
21:30I'll see, maybe there's a live transmission.
21:36I completely forgot. Michael wanted me to come to the blood pressure test.
21:41But I'll come back later, okay?
21:43Okay.
21:44I'm here.
21:49I'm here.
22:06So, come in, please.
22:13Here we have the work.
22:16You must be proud to have such a treasure in your possession.
22:19Absolutely.
22:20It's a huge gain for our hotel.
22:22And for me personally, too.
22:24I've admired Anton Hagen's work for a long time.
22:27And that he created his last work here,
22:30makes it something very special again.
22:33Absolutely.
22:34Yes, and now I hope that I can tell you something new about Anton Hagen in my little lecture.
22:40You know the artist much better than I do.
22:42That remains to be seen.
22:44We look forward to any new information.
22:46Well, please take a seat.
22:48With pleasure.
22:55So, you have already heard that the artist has spent his last years here in the area.
23:00We have now excavated the diaries of his son.
23:04In them he describes in great detail the daily routine of his father.
23:08Is there also something about Hagen's mental illness?
23:11Yes.
23:13Hello?
23:14Ah, there you are.
23:15Sorry for the interruption.
23:17I wanted to welcome you personally.
23:19Hello.
23:20Markus Schwarzbach, co-owner of the Fürstenhof.
23:23Lisa Bühm.
23:24Hello.
23:25My colleague Roberta Reit.
23:26Nice to meet you.
23:27Nice to meet you, too.
23:29Yes.
23:30Wonderful work, isn't it?
23:32You must know that I am the rediscoverer.
23:37But crazy, isn't it?
23:39I've been hiding behind a wall for hundreds of years.
23:42You know, I'm a huge fan of Anton Hagen.
23:46Would it be okay if I stayed?
23:48Yes, please.
23:49Of course.
23:50Yes, then please go on.
23:52I'm a big fan.
23:56So?
23:57We discovered and cultivated our passion for an artist together.
24:04Back to your question.
24:06The artist's mental illness can be clearly read from the diaries.
24:12Ah, yes.
24:13Okay.
24:16Ah, it was so romantic.
24:18The perfect evening.
24:19I'm glad.
24:21Michael and I really needed this.
24:23We're both so busy and then here...
24:27Hey, if you're going to be released soon, we'll have a really nice girls' evening, okay?
24:34Well, Dr. Weber hasn't decided yet, but it shouldn't take long.
24:42And how's Vincent? I heard he's back to normal.
24:46Yes, fortunately. He's doing better.
24:49And I'd like to do something good for him, something that makes him happy.
24:53Have you thought about it?
24:56Yes.
24:58The guitarist Bernd Barrow is giving his farewell concert tonight.
25:02And Vincent is a huge fan.
25:04Okay, but also in the wheelchair is such a concert...
25:07No, no, no, I don't want to bring Vincent to the concert, but rather the concert to Vincent.
25:12Anna, I know you're very grateful to him, but just because you inherited a lot...
25:18I don't want to engage Bernd Barrow, but rather persuade him by telling him Vincent's story.
25:23Ah, okay, yes, maybe.
25:25Isn't this Barrow known for his social commitment?
25:29And I did some research and tried to call the concert organizers and his agents, but unfortunately no one reached them.
25:36I think that's a bit difficult.
25:38I also read on his fan page that he was housed in Fürstenhof, but unfortunately I can't go there.
25:48Okay, so you want me to persuade him.
25:51I also read that he loves apple strudel.
25:56Okay, I accept the order.
25:58But without guarantee.
26:04Yes, I'm happy too.
26:06So you're a cook.
26:08He's a wonderful cook.
26:10Yes.
26:11No offense, but we're looking for someone.
26:15Or do you want to leave us for a while?
26:17Not at all.
26:19But it could happen that I get sick or need my vacation.
26:23And it wouldn't be bad if we had a worthy representative.
26:26Yes, it wouldn't be bad.
26:28Louis has an excellent reputation.
26:31A lot of experience, the best testimonies.
26:33And Mrs. Sonnenbichler also appreciates him a lot.
26:35I like to cook passionately.
26:37Passion is important.
26:39But it also has to taste good.
26:42How would it be if Louis cooks in our kitchen today?
26:46You try and judge if he is a good representative.
26:49Yes, that's a sensible suggestion.
26:52Let's see if you convince me as much as Mrs. Bergmann.
26:58Thank you very much, Mr. Seifeld.
27:00See you tonight for dinner.
27:02Thank you very much. See you tonight.
27:04Thank you very much.
27:10Classically for art in the 18th century,
27:12Hagen also painted in the Bucolic style.
27:14He really succeeded in this rural idyll.
27:18Yes, I think so too.
27:20Especially this utopia of a harmonious,
27:22nature-bound life in an idyllic landscape
27:25seems to be particularly important to him here.
27:27Well, utopia.
27:30When I look at the painting,
27:32I see a lot of current, concrete things.
27:37Take the two main protagonists, for example.
27:40At first glance, they seem to be
27:42revolving around each other in a love dance.
27:45But on the second level,
27:47it's about something completely different.
27:49It's about the mystery of a young woman.
27:52Look at the deviant attitude of the dancer.
27:56The gaze turned away from her admirer.
27:59He, on the other hand, is naïve,
28:01swaying in the moment,
28:03yearning for her love.
28:05Maybe the dancer just doesn't know
28:08what the lady is feeling.
28:10Yes, exactly.
28:12The misunderstanding is written in his face.
28:15He asks himself,
28:17where is the dance leading to?
28:21And that raises completely different questions.
28:24Is this because of the Bucolic style,
28:26or is the mood of the scenery
28:28how it seems?
28:30In art, a lot of things are not how they seem.
28:34Yes, but that's rather depressing in the long run
28:38than exciting.
28:40The viewer wants to be able to rely on something.
28:46What do you think this supposed love dance
28:49of the two will lead to?
28:51Oh, well, I think maybe
28:54they're just dancing together.
28:57No, no, it's much more.
28:59It's not that simple.
29:01For me, this scene is clear.
29:03The dancer turns away
29:05because she finally wants to look forward.
29:07That's the intersection
29:09between her past and her future.
29:13Really?
29:14Really.
29:18Well.
29:22The art, yes,
29:24really opens up interpretations in many directions.
29:29But thank you.
29:31Thank you for your appreciation.
29:35Yes, well.
29:36If I'm not needed here anymore,
29:42I wish you a wonderful time
29:44here at our prince's court.
29:46Thank you very much.
29:55Good.
29:56So, where was I?
30:16You were right.
30:17He's really beautiful.
30:19The one near Cologne should be beautiful, too.
30:22Yes, Tamara will like that.
30:26She loved nature so much.
30:30I miss her so much.
30:38She loved the water, too.
30:42Swimming, surfing, diving.
30:45Is it okay for you if we stay here for a moment?
30:48Sure.
30:49It's just a little cold.
30:51I see.
30:53I also have hot tea with me
30:55and something to eat.
31:00Did you plan a picnic?
31:02No.
31:03I just thought
31:05when we walk through the cold forest,
31:07I don't want you to catch a cold.
31:09I don't want you to catch a cold.
31:11I don't want you to catch a cold.
31:13I don't want you to catch a cold.
31:16Besides,
31:19when we had coffee this morning,
31:21I didn't catch a cold, either.
31:23Sorry, that was stupid of me.
31:25It's okay.
31:34Fresh cheese with dates and tomatoes.
32:03Mr. Parus is having breakfast right now,
32:06but you can't just talk to him like that.
32:09Okay, that means
32:11if I were to go to the restaurant by chance,
32:13I could meet him there by chance.
32:16Yes, possibly.
32:18But unfortunately, that doesn't necessarily mean
32:20that he would talk to you, either.
32:22I can be very charming.
32:24There is no doubt about that.
32:26But Mr. Parus is a...
32:28well, let's say,
32:30a little complicated guest.
32:32Especially when a concert is about to start,
32:34he doesn't want to talk to anyone.
32:36And you can't talk to him
32:38because of the concentration.
32:41I would still try, hypothetically.
32:43Anna needs my help.
32:45She really wants to surprise Vincent.
32:47Hey, Nicole.
32:48Philipp.
32:49Hey, excuse me.
32:50I have to do something.
32:55What's going on with her?
32:57You heard her.
32:59She has to do something.
33:01I just heard that it's about a surprise.
33:04Maybe I could be helpful.
33:07Yes, but unfortunately I can't tell you
33:09because I don't know exactly what it's about.
33:14Okay.
33:15No problem.
33:17Yes.
33:24Auri, could you get me Majorano and Estragon
33:26from the greenhouse?
33:27Sure.
33:28Duster can go.
33:29I need pasties very quickly.
33:31Come on.
33:32What are you waiting for?
33:33She can do it as soon as she gets my herbs.
33:35Your herbs can wait.
33:36I have to make a fire now.
33:38My herbs don't like to wait
33:40because they are the herbs for the head chef in this kitchen
33:42and that's why they feel very important.
33:45Oh, and my pasties feel even more important
33:47because the chef of the head chef will try the flambéed dish right away.
33:51Maybe someone forgot that he is a guest in this kitchen.
33:58Oh, I'm sorry.
34:00I misunderstood.
34:02Well, in our kitchen, there are just few words.
34:06Then it's time for you to get to know a decent worker.
34:09In my kitchen, we all treat each other kindly.
34:13Yes, boss.
34:16Oh, no!
34:18Annalena, could you get a bottle of pasties, please?
34:21I'll do it.
34:28Hey, what are you doing here?
34:30Hey.
34:31I thought you were taking care of two important guests.
34:34Yes.
34:35They are eating right now.
34:37Hopefully, they won't mind this action.
34:40What action?
34:42Markus just interrupted me during the lecture.
34:44Wait a minute.
34:45What kind of lecture? Why?
34:47He completely ignored me in front of the journalists.
34:51I can only hope that they didn't understand what was going on.
34:56I thought you two got along again.
34:59What do I know?
35:01It was about Anton Hagen.
35:03Markus provoked me and it escalated.
35:07In any case, I made it clear to him in front of the journalists...
35:10...that this has no future with us.
35:12What?
35:15But you love him, don't you?
35:17And now you lied to him because of me.
35:20It is what it is.
35:24But actually, you're even now.
35:27I mean, you both lied to me once.
35:30Don't talk nonsense.
35:32As if it had anything to do with it.
35:36Mom, I just want you to be happy.
35:38And it's all my fault.
35:41I just don't want to talk about it anymore.
35:43Enjoy your break.
35:52And?
35:56Are you torturing me?
35:59Is this your revenge? For what?
36:03My honest opinion?
36:05Yes, tell me.
36:07Is it too much for you?
36:10Excellent. It tastes fantastic.
36:13But you can save it for the torture.
36:16I'm glad you like it.
36:18Poor Mr. Seifeld.
36:19If he tries this and I have to teach him...
36:21...that you can't do a show here.
36:23Now wait for the opening.
36:24Who knows, maybe I'll have a lot of time soon.
36:27The restaurant will be a huge success.
36:30I owe it to you, too.
36:32You're just...
36:39What's going on here?
36:42Is passion cooking for you?
36:57I'm sorry.
37:02Yes, please.
37:08So...
37:09Juwelier Schneider sends his regards...
37:12...and hopes that the present will arrive safely.
37:14Yes, I had so much on my mind.
37:16I didn't manage to pick it up myself.
37:18No problem.
37:19For Mrs. Schwarzbach...
37:21...we say for the future Mrs. Saalfeld.
37:25I'm sure you've chosen something beautiful...
37:27...and she'll be very happy.
37:28That's the plan.
37:31Oh, uh...
37:32Mrs. Johannsen will be leaving in the next few days...
37:35...because of a death in the family.
37:38Uh-huh.
37:39Uh...
37:44How is she doing now?
37:48I followed her advice...
37:50...and was nice to her...
37:52...and even took a mistake she made.
37:55And that didn't work?
37:58Yes, we're friends now.
38:02But Stella is so upset about her sister's death...
38:06...and Lale is standing by her side.
38:08I can understand that.
38:11But?
38:15I don't know.
38:17When I came from Juwelier...
38:19...they were sitting by the lake and had a picnic.
38:21Stella smiled.
38:23She smiled so happily.
38:26Do you think she's just pretending to be sad?
38:30I don't know.
38:31Something's not right.
38:33I mean, her parents...
38:35...don't even care about the funeral of their own daughter.
38:38And...
38:39...today morning at the Liebling...
38:41...she looked so happy.
38:43No one looks like that when they're sad.
38:46It wouldn't be possible...
38:47It wouldn't be possible for her to pretend to be sad.
38:52You were right about her suspicion.
38:56Yes, but...
38:57...that's a different matter.
38:58I mean, pretending to be sad about your own sister's death...
39:01...who does that?
39:04Tom Damman...
39:05...pretended to be sad about his own death...
39:07...to get me out of the way.
39:11There's nothing that doesn't exist.
39:18Of course we have the space for your conference.
39:22Yes.
39:25Let's do that.
39:26Goodbye.
39:33Goodbye, Anna.
39:38I think that's it.
39:40Did she say that?
39:44We had a...
39:46...difference of opinion yesterday.
39:51She did forgive me, but...
39:54...she was very repulsive.
39:57Actually, she just wanted to get rid of me.
39:59Maybe she's still a little angry.
40:02But...
40:03...if she has accepted your apology...
40:05...it doesn't mean that she...
40:06She planned a special surprise for Vincent.
40:08Yes, because she's grateful to him.
40:10And what are you doing here?
40:12What do you mean?
40:15Do you have any other instructions for me?
40:17Yes.
40:18Act!
40:19Before it's really too late.
40:21You love this woman.
40:23So fight for her.
40:33You're right.
40:42Bye.
41:03Hey.
41:05Hey.
41:06How are you?
41:09Good.
41:10Just like when you were here...
41:12...and just like ten minutes ago when you wrote to me?
41:16What?
41:17Close your eyes.
41:19Why?
41:20Vincent, close your eyes.
41:24What are you up to?
41:25Don't cheat.
41:30Anna?
41:32In a minute.
41:40In a minute.
41:50Bernd Barrow?
41:52If you can't go to the concert, the concert will come to you.
42:11I hate it.
42:35What the hell was that?
42:37That's what you're asking me?
42:39You made a fool of me in front of the journalists.
42:41I don't care about them.
42:43Really?
42:44And you don't care about the PR for the Fürstenhof either?
42:46In that case, yes.
42:48Markus, why can't you just stop it?
42:50I'm sick of the way you treat me.
42:54I can feel that there are feelings.
42:56But every time we get closer, you push me away again.
42:59That's not true.
43:00It is.
43:01But it's still about that stupid painting.
43:03I thought you'd forgiven me.
43:04I did.
43:05Katja, I was there for you.
43:08I supported you with the wine.
43:10I thought I showed you that you can trust me.
43:13What's the matter with you?
43:15What's the problem?
43:16I won't let you talk to me like that.
43:18Katja!
43:20Katja!
43:27Is everything okay?
43:28I'm looking for Philipp Brandes.
43:29Yes.
43:30May I ask you for your name?
43:32You're not allowed to.
43:35If anyone asks for me, I'm out of the house.
43:37Yes.
43:39Er...Brandes...
43:41Philipp.
43:43I'm sorry, I don't have time right now.
43:46Just for a moment, please.
43:49Do we know each other?
43:52Not as well as we should.
43:55You still have the same eyes as your mother.
44:06Yes.
44:08I'm your father.
44:27Thank you very much.
44:28That was incredible.
44:29I'll never forget that.
44:30My pleasure.
44:31I couldn't refuse such a wish.
44:33I wish you all the best.
44:36Get well soon.
44:40Thank you, too.
44:41It was wonderful.
44:49I can't believe it.
44:51You're incredible.
44:57You've said that a few times now.
45:03I love you.
45:06And I never stopped loving you.
45:12I don't want to put pressure on you.
45:14And I don't expect anything from you.
45:16But I have to...
45:18I have to ask you this.
45:23Can you imagine...
45:26if we try it again together?
45:46That's enough.
45:47You can't just burst in like that.
45:50I'm so sick of you running away from me all the time.
45:55I can't do this anymore.
45:58You're right.
46:03It can't go on like this.
46:09I...
46:13It's true.
46:16I...
46:20I love you, too.
46:29I love you, too.
46:39If it's true...
46:41What?
46:42That Stella's sister is really dead...
46:46What?
46:48Stella behaves strangely.
46:50In one moment she's crying and in the next...
46:54I think she's smiling.
46:56Your menu will be perfect.
46:57At least the main course I was allowed to try yesterday.
47:00Yes, I hope the guests think so, too.
47:02And the restaurant critics.
47:04I just miss Mara so much.
47:06Tears are not a sign of weakness.
47:11It's not the only reason why I cried.
47:14She always says her family is poor.
47:16How could she leave for the U.S.?
47:18She told me something about savings and inheritance.