Category
🎥
Short filmTranscript
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00:44🎵
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01:23🎵
01:30Pájaro soñador.
01:32🎵
01:39Hey, listen. Don't cry, please. Calm down.
01:43I know your camera is the most valuable thing for you.
01:47Salem, it's not worth crying over something like this.
01:50Okay? Don't cry. It's an old camera. I'll try to fix the parts.
01:54I'll try. Don't worry.
01:58Okay.
01:59But there will be consequences. I'm going to punish you.
02:04So come and sit here until I finish fixing it and you can't leave.
02:09Do you promise?
02:10Of course.
02:20🎵
02:27🎵
02:36🎵
02:44🎵
02:52🎵
02:55I couldn't run away even if I wanted to.
02:57I always come back to you.
02:59🎵
03:02I'm like a flea attracted by a candle.
03:05🎵
03:08Well, let's see if it works.
03:10Smile.
03:11🎵
03:16That's it.
03:17A little more.
03:20It's fixed, see?
03:21Then I'll take it to JJ right away.
03:23No, no, no, thank you. I'll do it.
03:26But could we go out together to get some air?
03:28Okay.
03:29Come on, calm down. I'll pick it up later.
03:36Hey, your job as a coach is not to prevent people from making bad decisions.
03:40Why didn't you tell me you were making bad decisions?
03:43But you never listen to me.
03:45You said you'd do the job at that price, ma'am.
03:48You took my cell phone to write it.
03:50Oh, I was in a hurry.
03:52Why do I have to be so impulsive?
03:54I should have thought about it better before getting into this mess.
03:59Twenty pounds.
04:00I've been working all day and my body hurts for twenty pounds.
04:04And how much will I make?
04:06Well, twenty nothing more than what you said.
04:09Oh, Melkiveh.
04:11Why did you agree to this?
04:13Why? Why?
04:15Why do you always do the same?
04:18You have to learn, woman.
04:20You always do the same.
04:21You always do the same.
04:23What a necessity, Melkiveh.
04:24It's okay.
04:25Calm down.
04:26She's talking to you, ma'am.
04:27Calm down.
04:28Ma'am.
04:29But why did I do it?
04:30Ma'am, Melkiveh, come back to earth.
04:32What you did was a mistake.
04:33Ma'am.
04:34You made a serious mistake.
04:35Ma'am.
04:36Why did you do it?
04:37Why?
04:38It was too much for them.
04:41With Osman, we made the right decision.
04:43That's what we're looking for.
04:45I'm very glad.
04:46It was a great discovery.
04:48We can have a coffee if you like, while you finish.
04:51Perfect.
04:52Let's go.
04:53Mr. Emre, I'm going to see Osman.
04:54I'll let you know when I'm ready.
04:55Very well.
04:56Thank you, Leila.
05:01Earth, Melkiveh.
05:03Calling Melkiveh.
05:05Oh, shit.
05:07Well, I'm leaving.
05:09Okay?
05:10Well, I'm leaving.
05:11It doesn't matter.
05:12Hey, ma'am, I'm going...
05:14I'm going to look for Musafer to help her.
05:17And we'll take the food when it's ready.
05:20Okay?
05:23Ayan?
05:24Yes.
05:25How are you?
05:26I'm fine, but...
05:30What's wrong, Melkiveh?
05:32I'd say she has an internal personal conflict.
05:35It's better to leave her alone.
05:37Nice to see you.
05:38See you later.
05:51Melkiveh?
05:54Melkiveh!
05:56Are you okay?
05:57I was thinking.
05:59I'm impulsive.
06:01I'm thinking.
06:02Why am I like this?
06:04And why am I so impulsive, Nihat?
06:08I feel dizzy.
06:10I see.
06:11Woman, calm down.
06:13You know you can do whatever you want if it makes you happy.
06:18But what is all this?
06:20What are you doing making rolls in the middle of the street?
06:23You better not ask.
06:24I don't even want to see it.
06:25I spent all day on this.
06:27My back hurts.
06:28My whole body hurts.
06:29And to think I did it for 20 miserable liras.
06:32Twenty liras?
06:33I don't understand.
06:34They'll only pay me 20 liras.
06:36By the way, did you see the girls?
06:38I'm worried.
06:39Well, they're both fine.
06:41Leila is calm.
06:43I saw her better.
06:44And Sanem, well, you know.
06:45It's the same everywhere.
06:47He yells at Jan, but he's patient.
06:50He's a great boy.
06:52If he were another, he would have fired her.
06:56I was wrong.
06:57What?
06:58Maybe Sanem is right when he gets his hopes up.
07:01He's a good boy.
07:03No, Mezquive, calm down.
07:06Control yourself.
07:07Keep calm.
07:08Calm down, calm down.
07:10Above all, don't forget what happened to Osman.
07:14No, calm down.
07:19You're very tired, woman.
07:21Very.
07:23Well, you know I love you.
07:25Just the way you are.
07:28I love you madly, Mezquive.
07:30I love you madly, too.
07:37The makeup looks perfect on you.
07:39Yeah, you think so?
07:40Yes, although your skin is perfect.
07:42You just need makeup to avoid the shine.
07:47Good morning.
07:49Hi, Leila.
07:50What are you doing here?
07:51The director general of Orgate is new.
07:53We came to see who he is.
07:55Oh, you look great in that golf suit.
07:59I'm going to take different shots.
08:01But believe me, you'll be more than perfect.
08:04I'm sure the photos will be great.
08:12I hope the session is a success.
08:16See you later.
08:17See you.
08:18Osman, let's continue, please.
08:24Let me see you.
08:25That beret looks great on you.
08:27Really.
08:28It's just...
09:29There's a friend of mine from boarding school
09:31who became a very famous chef,
09:33and I'd love for you to meet him.
09:35You went to a boarding school?
09:37Weren't you living in Istanbul?
09:39After my mother moved to Emre,
09:42my father went through some difficult times
09:44and fell into a depression.
09:46I wanted to go to boarding school
09:48because I wouldn't feel so alone,
09:50and I thought it was the right thing to do.
09:53So I went to a boarding school.
09:55I was depressed because I wouldn't feel so alone,
09:58and it was easier for my father.
10:01Well, I didn't know you grew up without your brother.
10:05Shall we sit?
10:11Emre was in Switzerland, and I stayed here.
10:14I only saw him twice a year.
10:16I wanted to be with him, and I asked my father,
10:19but he refused.
10:20Emre grew up there since he was little.
10:23He didn't even speak Turkish well.
10:25We had communication problems.
10:27When he finished college,
10:29my father took him to work at the company,
10:32and we were finally able to be together.
10:34Yes, we grew up missing each other a lot.
10:37Maybe that's why...
10:40Well, you know.
10:44Are you very close?
10:46Yes, that's right.
10:48Brothers must be close.
10:50It's fundamental to me.
10:52I'm a lonely man.
10:58And well...
11:01I've been telling you all my life.
11:03I opened up to you.
11:04I usually don't like talking about my life.
11:07But with you...
11:10I can't stop talking.
11:12I like that.
11:14I feel the same way.
11:16Time flies with you.
11:19You think so?
11:20In fact, it's true.
11:21Time flies when we're both together.
11:25Let's go see that friend of mine?
11:27Do you think we should go now?
11:29Come on, please.
11:30Please, let's go.
11:31I said yes.
11:32Come on, I said yes.
11:33Okay, let's go.
11:51And you're not going to get out?
11:53I thought you'd have a drink and come back.
11:56No, I don't want to bother you.
11:58It's better if I wait for you here.
12:00Sanem, Pauline left.
12:01I know you don't want to talk about it,
12:03but she's not here and nothing happened between us.
12:06There's no future.
12:07Gulis misunderstood the situation,
12:09and what she told you was a lie.
12:11I don't know what to do.
12:13I don't know what to do.
12:15I don't know what to do.
12:17I don't know what to do.
12:20Oh, I'm so sorry.
12:22Are you sorry?
12:23Are you serious?
12:24Are you serious?
12:26No, of course not.
12:27It's your private life and I didn't mean to get involved.
12:30Come on, get out of the car.
12:32Come here.
12:34Oh, like the roller coaster.
12:37What's up, friend?
12:38Hi, how are you?
12:39Good, and you?
12:40Good, thank you.
12:41Everything is ready.
12:42I hope you like it.
12:44This is Sanem.
12:45Hi, Sanem.
12:46Hi.
12:47Oh, I'm so sorry.
12:48I prepared everything in a hurry.
12:49I'll wait for you at my house.
12:50That way we can get ready for the day.
12:52He has an incredible restaurant.
12:54Of course we'll go.
12:55You're his only friend.
12:57I have to go.
12:58Come with me.
12:59Come with me.
13:09What is this?
13:12It's for us.
13:36I love how your eyes shine.
13:38Are you okay?
13:39Yes.
13:40Good.
13:41You relax, okay?
13:43Don't worry about anything.
13:45Enjoy.
13:46How are you?
13:47Good.
13:52Everything looks perfect.
13:54You're perfect.
14:02But there won't be any wine for you.
14:04No, I don't want any.
14:16We won't make it, guys.
14:18We're running late.
14:19You're not organized.
14:21This won't work.
14:22Please move.
14:24We have a lot of work.
14:25Hurry up.
14:27Deren.
14:28Hakan, you're so kind.
14:30It's a pleasure.
14:34Deren, dear.
14:35Everything is going well.
14:36Emre is talking to the client outside
14:38and Osman loves them.
14:40Thank you for this unnecessary information,
14:42but I'm very busy.
14:47Hey.
14:49I have a question.
14:51What are you up to?
14:53What's your real plan?
14:55Let's see.
14:57Orgate is my client.
14:59I know.
15:00And I don't want you to manage my client.
15:03Tomorrow, we'll sign an annual contract
15:05with this client.
15:06Yes, I know that.
15:07And we'll agree that Galina is yours
15:09and Orgate is mine.
15:11So you're not interested in Galina?
15:13Deren, dear.
15:15Galina is just a brand
15:17that I'm not interested in at all.
15:19I need to use my imagination
15:21because I'm a creative woman.
15:23And what's behind all that creativity
15:25you say you have?
15:26I'm very curious.
15:28I'll explain.
15:29I spend all day writing new ideas.
15:32For example,
15:33now we're on a stage
15:35and this happens to me.
15:37Jan has gone somewhere.
15:39As usual.
15:41Mr. Aziz
15:43has retired.
15:45And I married Emre.
15:48That makes me
15:50Mrs. Aylin Dibit, the boss.
15:54And you're fired.
15:58I confess
15:59that I didn't expect
16:00something so emotional from you.
16:02Is it a horror movie?
16:04It's not a comedy.
16:05Oh, poor Aylin.
16:06It's a shame.
16:07You have very little imagination.
16:09I'll describe a more realistic scenario.
16:13Mr. Aziz is not here.
16:15And Jan neither.
16:17Perfect.
16:18But I'm still here.
16:19Emre too.
16:21And we have Metin
16:22to advise us
16:23on any legal issue.
16:25As you know,
16:26he is one of the best lawyers in Istanbul
16:28and is a specialist in contracts.
16:30If he finds the smallest mistake,
16:31you're out.
16:32So your stage
16:33to take over the company
16:34is some science fiction.
16:36And I'm very busy.
16:37I can't waste any more time.
16:39I'm going to work.
16:43Someone come here
16:44and put more pistachios.
16:46Hurry up.
16:47Lawyer Metin.
16:51Well, let's talk to him.
16:57Did you like it?
16:58What did you think?
17:00Delicious.
17:01I had never eaten
17:02something like this in my life.
17:04And I forced you to eat
17:05those disgusting meatballs.
17:06I can't believe it.
17:07Yes, it's true.
17:08Yes, right?
17:11Yes.
17:12It was different food.
17:14Polen prepared it for you.
17:19Why...
17:20Why did you want to be alone
17:22that night with Polen in the cabin?
17:25I thought you had left.
17:27And Polen wanted to stay here,
17:29so we went back home.
17:32Sanem.
17:34I've only taken you to the cabin.
17:37I haven't taken anyone else.
17:40I understand.
17:43You're so beautiful.
17:47What are you thinking about right now?
17:49Come on, tell me.
17:50Be honest.
17:51Tell me what you feel, please.
17:53Tell me.
17:56I'm scared.
17:58But I'm by your side.
18:00That's why I'm scared.
18:03Get on that fork.
18:04We're going somewhere else.
18:06Come on, let's go.
18:07Where?
18:08Come.
18:12How are you?
18:13All good?
18:14Yes, we are very satisfied.
18:16That makes me happy.
18:17Very.
18:18By the way, Metin, our lawyer.
18:20How are you?
18:21Fine.
18:22How are you?
18:23Fine.
18:24How are you?
18:25Fine.
18:26How are you?
18:27Fine.
18:28How are you?
18:29Fine.
18:30How are you?
18:31Our lawyer.
18:32How are you?
18:33Come, Metin.
18:34How are you?
18:35Hi, I'm Selma.
18:36Nice to meet you.
18:37Nice to meet you.
18:38I'm Onur.
18:39Metin, a pleasure.
18:40I need you to excuse me.
18:41I'll be right back, okay?
18:42Sure, I'll see you inside.
18:43Of course.
18:44See you later.
18:46See you.
18:47Welcome.
18:48Thank you, Emre.
18:49How are you?
18:50Fine.
18:51Did you bring the contracts?
18:52Yes, I'll leave them and go.
18:53I have a lot of work.
18:54Sorry to have you come, but you know we need them.
18:57No, no, no, it's okay.
19:00I also have Galina's contract ready.
19:02I'll send it to you tomorrow.
19:04Well, that's all.
19:06Emre, listen to me.
19:08Aileen is a dangerous woman.
19:10Don't get too close to her.
19:13Don't worry.
19:14I know.
19:15See you later.
19:16Oh, we have to talk about the reports for your mother.
19:19I'm going to change the contracts.
19:20We'll review them together later, okay?
19:23What?
19:24My brother doesn't know anything?
19:25Hey, it's impossible to talk about your mother with your brother, Emre.
19:28Metin, don't you remember?
19:30He doesn't want my mother to have information about the agency.
19:33We would get in trouble.
19:35Well, what option do I have?
19:37Your mother is a partner in the company and wants the reports.
19:40When Mr. Aziz was in charge, there was no problem,
19:42but he came and everything changed.
19:44Look, I'm in a very uncomfortable situation.
19:47Your mother has legal rights.
19:49Then don't do it.
19:50Don't send him the reports.
19:52Talk to my brother, okay?
19:54Tell him.
19:55See you later.
19:56See you.
19:58Huh.
20:28Take it.
20:38What is this for?
20:40You look great.
20:42Great.
20:44You look fantastic.
20:45I don't have keys, but don't worry.
20:47You wait for me here, I'll be right back.
20:49I won't be long, you'll see.
20:50What?
20:51Yan, where are you going?
20:52Easy.
20:57Yan.
21:02He left.
21:07Yan.
21:13Hey, Yan.
21:16Sanem, welcome.
21:18Come in.
21:20That way?
21:21Yes, exactly.
21:22But take off your glasses, okay?
21:38What is this place?
21:41We are in this place because it is one of the most beautiful places in all of Istanbul.
21:47And what happens if the owner catches us?
21:49That is impossible because we are two owners and only I can catch you.
21:56It's a beautiful place.
22:01If this place belongs to you, why don't you live here?
22:04We lived here a few years ago when we were kids and then my father decided he didn't want to be in this house and we left.
22:11But this place is very important to me.
22:14It's where I feel the real beat of Istanbul.
22:18Whenever I come back, I visit this house.
22:22I'd love to see it.
22:37It's beautiful.
22:43This is impressive.
22:52I've traveled a lot around the world.
22:55However, this is the most beautiful place in Istanbul because it transforms itself by preserving its beauty.
23:02You always discover something new.
23:07This is the city I always come back to.
23:12If you close your eyes, you will hear the beat of Istanbul.
23:17The beat of Istanbul.
23:19I close my eyes.
23:36What do you hear?
23:39Seagulls.
23:42Conversations.
23:44The wind.
23:49What else?
23:52The noise.
23:54Children laughing.
23:57The sea.
23:59And now?
24:03I hear my voice.
24:06I got the voice.
24:18I fell in love with you.
24:35You are my love.
24:41Red.
24:48In your wet eyes.
24:53Every time I close my eyes, I only see you.
24:58When I open them, you are alone.
25:03In a rose, you are.
25:05In every breath, you are.
25:08In the cabin, you are.
25:10And in the forest, I think of you.
25:13I see you in the stars.
25:18It's only you.
25:31You're not going to tell me anything?
25:34I don't know what to say.
25:36Are you going to run away?
25:38And where can I go?
25:42You didn't run away from me just one night.
25:44You came to me.
25:46You were drunk.
25:51It's the night I called you the evil king.
25:54Come here.
25:55So I was a fool.
25:57No.
25:59You told me, come here.
26:03And you told me, you owe me a dance.
26:06You looked at me and smiled.
26:11You put your head on my chest.
26:19And you fell asleep.
26:21You.
26:25Red.
26:31In your wet eyes.
26:34A few times left.
26:38Lie.
26:44A cool summer day.
26:47You.
26:50Red.
26:56Would you be my killer?
26:59The stubbornness to live again.
27:09If I die, you'll cry.
27:13You're like that.
27:18Red.
27:34It's all me.
27:35It's all me.
27:36It's all me.
27:37It's all me.
27:38It's all me.
27:39It's all me.
27:40It's all me.
27:41It's all me.
27:42It's all me.
27:43It's all me.
27:44It's all me.
27:45It's all me.
27:46It's all me.
27:47It's all me.
27:48It's all me.
27:49It's all me.
27:50It's all me.
27:51It's all me.
27:52It's all me.
27:53It's all me.
27:54It's all me.
27:55It's all me.
27:56It's all me.
27:57It's all me.
27:58It's all me.
27:59It's all me.
28:00It's all me.
28:01It's all me.
28:02It's all me.
28:03It's all me.
28:04It's all me.
28:05It's all me.
28:06It's all me.
28:07It's all me.
28:08It's all me.
28:09It's all me.
28:10It's all me.
28:11It's all me.
28:12It's all me.
28:13It's all me.
28:14It's all me.
28:15It's all me.
28:16It's all me.
28:17It's all me.
28:18It's all me.
28:19It's all me.
28:20It's all me.
28:21It's all me.
28:22It's all me.
28:23It's all me.
28:24It's all me.
28:25It's all me.
28:26It's all me.
28:27It's all me.
28:28It's all me.
28:29It's all me.
28:30It's all me.
28:31It's all me.
28:32It's all me.
28:33It's all me.
28:34It's all me.
28:35It's all me.
28:36It's all me.
28:37It's all me.
28:38It's all me.
28:39It's all me.
28:40It's all me.
28:41It's all me.
28:42It's all me.
28:43I'm Yan Shan, an American movie and a follower of you.
28:47Do you repentance in spirit?
28:48Yes.
28:49If You want to know what this pain is, asked me.
28:53I suffer from the heart out of love, disappointment and dejection ...
29:00¿Estás sufriendo mal de amores?
29:02Sí.
29:03Yo también soy un sufridor.
29:05¿Hablas en serio?
29:06Pues sí.
29:07¿Quién es ella?
29:08No me preguntes porque terminaré diciendo su nombre y no quiero.
29:11¿Quién es ella?
29:12No me preguntes.
29:13No te voy a decir.
29:14No me preguntes.
29:15¿Quién es?
29:16Te dije que no me preguntes.
29:17Está bien.
29:18De acuerdo.
29:19Está bien.
29:20Yo le abrí mi corazón y cuando nos vimos me dijo que no tengo que olvidarme de ella.
29:27Aunque sienta que es un amor imposible.
29:31No, J.J.
29:32No lo olvides.
29:33No te rindas.
29:34Lucha por amor.
29:35Amar sin ser correspondido también es bonito, viejo.
29:38Es un amor único porque es un amor platónico.
29:41Tienes todo mi apoyo y un hombro para llorar siempre.
29:45Ya lo sabes.
29:46Cuando sientas que te haga falta, no olvides a tu amor.
29:49Aunque sufras mucho, ven aquí en mis brazos, mi rey.
29:54No te atrevas.
29:55Ven aquí.
29:57Ven aquí, mi niño.
29:58No, por favor.
29:59No te atrevas a tocarme.
30:00No lo hagas, por favor.
30:01Todo saldrá bien.
30:02Tranquilo.
30:03Se siente bien.
30:04Tenemos que apoyarnos mutuamente.
30:10Los hombres no deben llorar.
30:12Tenemos que ser fuertes.
30:14Eso haremos.
30:16Llora, amigo.
30:17Llora.
30:18Desahógate.
30:24Cálmate.
30:26Es bueno contar con alguien como tú.
30:28Te lo agradezco mucho.
30:30Pide un aplauso para el amor.
30:48Bueno, sigo esperando.
30:49¿Quieres que me baje?
30:50No es eso.
30:54Quiero que me lo digas.
30:55¿Qué?
30:56Pues que también me amas.
30:59Que estás muy, muy enamorada de mí.
31:04No te lo puedo decir ahora.
31:06Necesito más tiempo.
31:07Tengo que pensarlo.
31:08¿Necesitas tiempo?
31:10¿Por qué?
31:12Porque no estoy muy segura.
31:15Aún no tengo claros mis sentimientos.
31:18A ver, ¿quieres decir que no eres capaz de ser sincera
31:22contigo misma y reconocer todo lo que sientes?
31:25No, no hablo de eso.
31:27Pero quiero pensar cómo me siento.
31:30Te lo diré después, cuando lo tenga más claro.
31:37¿Aclarar?
31:39De acuerdo.
31:40Ya me lo dirás cuando lo tengas claro.
31:43Oye, cuando tengas la respuesta,
31:46¿lo vas a escribir o vas a decírmelo personalmente?
31:50Personalmente.
31:51¿En persona?
31:52Sí, eso me parece bien.
31:56¿Sabías que eres una chica única?
32:01Me encantas.
32:04Te lo agradezco mucho.
32:06Buen día.
32:07Buen día.
32:09Sh, sh.
32:15¿Y además un peso?
32:33Mira, sujétalo de esta manera, ¿de acuerdo?
32:35Necesito más luz por arriba.
32:37Así.
32:38Ahora probemos.
32:41Mira para acá.
32:48Perfecto.
33:04¿Ya viste a la jefa Yaelin?
33:06Se están lanzando miradas asesinas.
33:08Sí, ya lo vi.
33:09Se me hace emocionante.
33:11¿Te volviste loca?
33:12¿Y Osman?
33:13¿Le están tomando fotos a otro chico?
33:16¿Dónde está Osman?
33:18Sh, sh.
33:19¿Dónde está Osman?
33:20Cállate, cállate.
33:22Sí.
33:23Deren, estamos listos.
33:24Podemos empezar.
33:25Seda, ¿podemos llamar a Osman, por favor?
33:56¡Qué guapo es Osman!
33:58¡Osman, estupendo!
34:00Estás muy guapo.
34:01Bravo por ti.
34:02Muchas gracias.
34:10Lo cierto es que es muy guapo,
34:12pero con ese traje luza fantástico.
34:14Pues sí.
34:15Aunque me sorprende que sea la primera vez
34:17que estamos de acuerdo en algo.
34:20Mucho gusto.
34:21¿Y de qué se trata?
34:22¿Por qué están todos tan contentos?
34:24Perdón, solo hice una pregunta.
34:26¿Qué rayos hacemos?
34:27Este chico solo se puso un traje.
34:29No hay nada que celebrar.
34:31En lo absoluto, ya terminaron,
34:32porque hasta donde yo sé, no hemos comenzado.
34:34Solo quiero recordarte que vamos atrasados.
34:36Cállate.
34:37Empezaremos con la sesión, ¿de acuerdo?
34:39Está bien, entiendo.
34:41Pero, ¿qué te está pasando?
34:42No han empezado.
34:43Cállate.
34:44Yo quiero que empiecen.
34:45Gobiérnate, cállate, o sal de aquí.
34:48Todos preparados, empezamos.
34:50Tranquilo, tranquilo.
34:51Suéldate, como te enseñé.
34:53Lo harás bien.
34:54Enfócate.
35:09Es genial.
35:11Perfecto, así se hace.
35:14Otra más.
35:15¡Osman!
35:16No te lo había dicho antes.
35:18Así no es como se bebe,
35:19y no se dan cuenta lo está haciendo mal.
35:21Por favor, concéntrate.
35:22Por favor, repítelo.
35:23Intenta hacerlo mejor.
35:25Lo tomas como si fuera un maldito veneno,
35:27y así no es, mi rey.
35:28Pero, ¿de qué hablas?
35:29Shh, cállate.
35:30Déjenos trabajar, por favor.
35:31¿Podrías callarte?
35:32Ah, está bien, de acuerdo.
35:34Te dije que te calles.
35:35¿Qué haces?
35:36¿Se puede saber qué estás haciendo?
35:37Es que está nervioso.
35:38Lo siento.
35:39Solo quería dar su opinión.
35:40Lo sentimos mucho.
35:41Disculpen.
35:42Perdón.
35:43Es solo una sesión de fotos.
35:44¿Por qué tenemos que callarnos?
35:46En la foto no sale sonido.
35:47¿Por qué estás haciendo tantas preguntas, eh?
35:49Calladito, te ves más bonito.
35:51Bueno, veo que casi hemos terminado,
35:53así que yo me retiro.
35:55Me espera un cliente nuevo.
35:56Tengo una reunión.
35:58¿Cómo?
35:59¿Qué cliente?
36:00Ay, por ahora no tenemos ningún cliente nuevo.
36:02¿De qué empresa?
36:03¿Cómo se llama?
36:04¿De quién se trata, eh?
36:05Escucha, querida.
36:06Es mejor que nos demos espacio mutuo.
36:09Nos vemos.
36:11Hasta luego.
36:16No la soporto.
36:22¿Qué pasa?
36:23Ven un momento.
36:24¿Qué?
36:25Tengo una pregunta.
36:26Dime.
36:27¿Tienes el teléfono de Osman?
36:29Obvio, ¿por qué?
36:31Quiero su número.
36:32Zanem dice que no están juntos y que no hay problema.
36:36Goles, ¿por qué no le preguntas directamente?
36:38¿Por qué actúas como adolescente?
36:42Ay, pero qué mal lo hace.
36:45Perfecto.
36:46Suéltate.
36:52Ven.
37:16Señor Emre, veo que disfrutas de la vida con la hoguera y una copa.
37:20Faltaron los chocolates y las fresas, ¿eh?
37:23Hola, Superman.
37:25Te ves contento.
37:26¿Superman?
37:27¿Yo?
37:29Anoche te fuiste a la mitad de la fiesta con tu smoking puesto.
37:32¿Qué hiciste?
37:33¿Salvaste el planeta?
37:34Ese no es asunto tuyo.
37:35¿Qué te importa?
37:36Aunque diría que salvé mi mundo.
37:40Últimamente te has vuelto más misterioso que de costumbre.
37:43Para la fiesta de aniversario me costó trabajo convencerte de usar un smoking.
37:47Y ahora te lo pones como si nada.
37:49Te aseguro que es una larga historia.
37:51Hazme un resumen, cuéntame.
37:53¿Hablaste con Polen?
37:55Sí, hablamos.
37:57Y decidió volver a Inglaterra.
37:59Eso fue mejor para ella.
38:01Oye, ¿y por qué terminaste con Polen?
38:04Aún no lo entiendo.
38:05Vamos, cuéntame, dime.
38:08¿Tienes tiempo para escuchar?
38:10¿Seguro?
38:11Sí, claro.
38:12Quiero a otra mujer.
38:15¿Cómo dices?
38:16¿Y quién es?
38:17¿De quién te enamoraste?
38:24De Zanem.
38:26¿Nuestra Zanem?
38:27Nuestra Zanem.
38:30Estoy locamente enamorado de ella.
38:34Me vuelve completamente loco.
38:37Sí, nunca me había sentido así.
38:39Me siento como si fuera un adolescente, te lo juro.
38:43¿Zanem?
38:44¿Zanem?
38:45Entiendo.
38:47No es un asunto mío, pero...
38:50¿Por qué Zanem?
38:52¿Qué diferencia hay entre ella y Polen?
38:54¿Cuál es?
38:56Te lo explico de esta manera, Zanem.
38:59Es...
39:00una chica llena de pasión.
39:03Tiene una pasión eterna por la vida.
39:05Jamás había conocido a una mujer bonita como ella.
39:08Le gustan las flores, los libros, le gustan...
39:11las estrellas, el mar y las Galápagos.
39:13Es...
39:14diferente a las otras mujeres.
39:16Piensa de una forma distinta.
39:19Me desconcierta y por eso me atrae.
39:22Con ella me divierto y...
39:24jamás me canso de verla.
39:27Quiero estar a su lado.
39:28¿Sí?
39:29Toda la vida.
39:30Miren a mi hermano, está enamorado.
39:32Yandivite enamorado.
39:36Pero...
39:38al final...
39:40sabemos que no es de tu nivel.
39:42¿En serio?
39:43¿Por qué dices algo así?
39:44¿Por qué?
39:45Dilo.
39:46Zanem es...
39:47dulce.
39:48Una buena chica.
39:49Lo sabes.
39:50Va a sufrir.
39:51No es mentira.
39:52Ya verás.
39:53No lo hará.
39:54Va a sufrir.
39:55No lo hará.
39:56Que sí lo hará.
39:57Ya te dije que no es verdad.
39:58¿Cuánto tiempo va a durar?
39:59¿Eh?
40:00¿Hasta que te aburras de Estambul?
40:01¿Y qué va a hacer ella?
40:02¿Saldrá corriendo tras de ti?
40:05Emre, me estás fastidiando.
40:06Déjame en paz.
40:07Eres muy pesimista, Emre.
40:09Ya te dije que no voy a lastimarla.
40:11Y tú sigues insistiendo todo el tiempo con lo mismo.
40:13Ahora, olvídate de eso y brindemos.
40:15Vamos.
40:16Esa es mi copa.
40:17Ah, sí. Pues ahora es mía.
40:18Ven por la tuya.
40:19Vamos.
40:20Corre.
40:21Muévete.
40:22Apresúrate.
40:23Es para hoy.
40:24Mírate.
40:25Estás muy enamorado.
40:26Sí, claro.
40:27Como quieras.
40:28Date prisa.
40:29Me urge.
40:30No tardes.