لقاء مع موسيقار الازمان فريد الاطرش مع اذاعه بي بي سي بواسطه سوزان مصطفي
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MusicTranscript
00:00BBC presents
00:18The Music Box
00:26A tour in the BBC's library
00:30The Music Box
00:35Preparation and presentation by Nahid Nushari
00:41This program is brought to you by our artistic heritage through radio recordings
00:46from songs, music and rare interviews
00:49some of which date back to the 1940s
00:52from the Arab East to Morocco to the Gulf to Sundan
00:56Welcome wherever you are
00:59Without introductions and without interruptions
01:02today's episode is not a surprise like all surprises
01:06it is a surprise for me before it is for you
01:09and it will be a pleasure for the fans of Farid Al-Atrash
01:12Listeners, the more I heard about Farid Al-Atrash's meetings with the BBC
01:17the more I got to know this artist
01:21If Abdelhalim Hafiz is called the Andalusian of the brown
01:24allow me to call Farid Al-Atrash the Andalusian of the sad
01:28I don't know what is the secret of his sad voice
01:31perhaps it is the alienation
01:33because music is his homeland
01:35and the word and the audience of his art are his safe haven
01:39Come with me to listen to this wonderful music
01:43played by Farid Al-Atrash for the BBC
01:58Farid Al-Atrash
02:28Farid Al-Atrash
02:58Farid Al-Atrash
03:28Farid Al-Atrash
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07:03Farid Al-Atrash
07:08Farid Al-Atrash
07:13O my heart, O my wounded heart
07:23Be patient with the broken
07:32The door of heaven is open for the supplication of the oppressed
07:44Farid Al-Atrash
07:49Farid Al-Atrash
07:54Farid Al-Atrash
07:59Oh my wounded heart, for the sake of your soul
08:07Iyam tigri, li rabi omri,
08:14Wushak mua'ali,
08:17Bilik, bilik, bilik,
08:22Ya rabbi.
08:37Iyam tigri, li rabi omri,
08:42Wushak mua'ali,
08:45Bilik, bilik, bilik,
08:48Ya rabbi.
08:51Bilik, bilik, bilik,
08:55Ya rabbi.
08:58Bilik, bilik, bilik,
09:02Ya rabbi.
09:06As-sabir a'ali ghazali,
09:12Wa abki a'ali lirahi,
09:20Wala a'ali lijai.
09:27Kunna al-hawa,
09:32Kunna al-ahabab,
09:37Kunna al-hayah,
09:43Ba'til hana bikhda,
09:47Kaddab wajrit wara,
09:55Wilmeen abki,
10:00Wilmeen ahdi,
10:03Wilmeen abki,
10:07Wilmeen ahdi,
10:10Wushak mua'ali,
10:13Bilik, bilik, bilik,
10:18Ya rabbi.
10:24O Allah life.
10:27Wali pemin instead of
10:30Wali pemin instead of
10:33As-sabir a'ali ghazali,
10:35Wala a'ali lijai.
10:38Kunna al-hawa,
10:43Kunna al-hayah,
10:50Wala al-hap,
13:23Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
13:50Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
14:20For every boom andfall and every dash and every shout of
14:47Why are you trying to solve this my God?
14:48Why?
14:49Mr. Farid, my heart is broken, and I hope your heart will be healed and you will be safe from America and Europe.
15:05What song did you choose for us?
15:07I like the song, not enough, my love, not enough, because it has a new color in the melody, expressed as if one is talking to music.
15:19This color is calm and sweet. I would like to hear this song, if you allow me.
15:26Not enough, my love, not enough, your smile or your peace is not enough.
15:45Not enough, my love, not enough, your smile or your peace is not enough.
15:56I want you, I want your heart, I want you, I want your heart, and I will be by your side from the beginning to the end.
16:13Do it, do it, do it, my love.
16:26What song did you choose for us?
16:36I like the song, not enough, my love, not enough, because it has a new color in the melody, expressed as if one is talking to music.
16:48What song did you choose for us?
16:58I like the song, not enough, my love, not enough, because it has a new color in the melody, expressed as if one is talking to music.
17:08What song did you choose for us?
17:18I like the song, not enough, my love, not enough, because it has a new color in the melody, expressed as if one is talking to music.
17:28You know everything, but this is not everything, and you know everything, but this is not everything.
17:46I want you, I want your heart, I want you, I want your heart, and I will be by your side from the beginning to the end.
18:06I want you, I want your heart, I want you, I want your heart, and I will be by your side from the beginning to the end.
18:26I want you, I want your heart, I want you, I want your heart, and I will be by your side from the beginning to the end.
18:46My soul, my heart, my eyes, my beautiful dreams, I left them for you to do them with my own hands.
19:15And the world, my love, passes in my imagination like a tear in a long night.
19:40You know everything, but this is not everything, and you know everything, but this is not everything.
19:58If I owned this world, it would not be enough, even if I thought about it, it would not be enough.
20:22I want you, I want your heart, I want you, I want your heart, and I will be by your side from the beginning to the end.
20:47This is not enough. Mr. Farid, what is your response to what is said or what some people think?
20:57Of course, this is not our opinion, that your songs are dominated by the sad nature.
21:03Yes, indeed, but not all of them. On the contrary, the sad songs are few.
21:10For example, I work in a film, and each film has the appropriate atmosphere in which we choose the songs for a sad situation.
21:19I restrain myself in this situation, so there are popular songs, and in the film there are emotional songs, meaning drama.
21:26So, according to the situation that requires us to sing this song in this situation.
21:33So, most of the time I make films that have emotional aspects, and I restrain my emotions, so I sing to people who have feelings,
21:43and who have a heart, and who have a delicate, and they have a feeling, so, nice, delicate.
21:49I sing to people who have feelings, and who have a heart. This is how Farid Al-Atrash defends his sad songs.
21:56But the question remains, how did Farid Al-Atrash defend his happy songs?
22:01After the break, we will listen to more with Farid Al-Atrash, Yaacoub Mousallam, and the BBC archives.
22:09Stay with us, our listeners.
23:19Sondouk Al-Nagham
23:34A tour in the BBC archives
23:38Preparation and presentation by Nahed Najjar
23:50Once again, I welcome you and thank you for joining us in Sondouk Al-Nagham.
23:55I also thank you for your connection, our listeners.
23:58I present to you in today's episode a program that was presented to us by the musician Farid Al-Atrash,
24:05who visited his audience hours before his trip to America to follow up on his treatment.
24:12This was in 1966. He came to present the program, Songs I Love.
24:18Before presenting the program, Yaacoub Mousallam asked Farid Al-Atrash, why does he sing sad songs?
24:25Farid Al-Atrash strongly defended his art. Let's listen to what he said.
24:31Mr. Farid, what is your response to what is said or what some people think?
24:36Of course, this is not our opinion.
24:38That your songs are mostly sad.
24:41Yes, indeed, but not all of them.
24:45On the contrary, there are a few sad songs.
24:48And I am a passionate singer, so I sing for people who have feelings,
24:53who have a heart, who have a softness, and who have a gentle, delicate feeling.
25:00I think that every person should have a heart of softness, feeling, and a healthy taste.
25:06That is why we love kindness, and Arabs are famous for the sweetness of the heart.
25:09That is why I have this kindness, this transparent soul.
25:16Most of my songs are sad, and they are popular songs.
25:22I have hundreds of popular songs, which are performed by all the dancers of the East.
25:26I have Eastern music, and I am the one who started this color in my films,
25:31and there is an opera called Tatou, and there is a western opera called Gharbi and there is an Eastern one called Sharqi.
25:39And there is an opera called Bousat al Reeh, and the dancers are all dancers, and I can't remember all the names of the colors.
25:45There is Noura, and many more.
25:47So I have popular songs and sad songs, depending on the situation.
25:51If I listen to your popular songs, I will not mix all the colors.
25:56Listen to your song Yamdalla, it is wonderful.
25:58So this is one of your latest songs, of course.
26:01This is the last song of the season.
26:04Who wrote it?
26:05Abdel Jalil Wahba from Lebanon.
26:07That's why it's called Lebanese.
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40:15Mr. Farid Let's not use that area.
40:19Weased you on it.
40:21That is fine Mr. Arabic.
40:22Please vote for me.
40:23Ever since we've come to this stage, I love a song I was singing in our first feature
40:30ever, in Habib al Omr, and this song became the expression of my state of mind!
40:37I put my heart and my life in the hands of God, because he is the one who can heal me,
40:44he is the one who can give me health, the blessing of health, and I will return safely, God willing,
40:48to serve my country, the audience of my beloved, and Eastern music.
40:51God willing.
40:52So I want to say that we listen to each other, and trust in God is everything in the world.
40:57Come on, let's trust in God.
40:59Come on.
41:00The past is past.
41:07Come on, come on, come on, come on, come on.
41:14Let's trust in God, let's, let's trust in God, come on, let's trust in God, come on,
41:23Yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, y
41:53Alla tu kalu alam khala ibad ta'idu ya'i sultan
42:03wa al-fisrati ba'a fi'idu ru'a
42:07wa yisbahil muribu l-mal
42:12Iwa'a ya miraash, al-bak yar'aash
42:15wa itnabih li hina ya hli hli
42:18Tis'u tsa ma'ana wa'i faraqana
42:28Wa'u ya bakhti li'utub ma'ulahi
42:33Yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla, yalla
43:03We welcome you.
43:13This is Nahid Najjar, greeting you.