The film tells the story of a complex and taboo relationship between a successful woman, Patrizia, and her introverted, hypochondriacal brother, Emilio, who is also a pornophile. As the story unfolds, it becomes clear that Patrizia’s attempts to awaken Emilio from his apathy and encourage him to engage with the world are juxtaposed with their nocturnal, intimate moments.
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Short filmTranscript
00:01:00I want to play with the children.
00:01:13You know you can't, darling.
00:01:15You mustn't perspire.
00:01:16Dear old boring and fussy Edmere.
00:01:18Oh, just for a little.
00:01:21No, Emilio.
00:01:22We're going home.
00:01:23There we are.
00:01:30How is that?
00:01:36Not too tight?
00:01:43Can you breathe all right?
00:01:48You know the doctor wants it placed up tightly, Emilio.
00:01:55Adorable and nettling, Edmere.
00:01:56Now study your poetry.
00:01:57What?
00:01:58What?
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00:02:33Emilio, вел Эп, при Phoс ciudad.
00:02:34western.
00:02:35wenn er?
00:02:36We��ер version, comedian.
00:02:37Is next.
00:02:39What?
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00:02:47Emilio.
00:02:48Stand up please, while I help you put your shirt on, then I go out with you for a nice
00:02:49long walk.
00:02:50Why can't you ever leave me alone?
00:02:51No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:03:22Ah, signorina Patrizia, you're still in time to see ported to me
00:03:26Hello, Ted Dale
00:03:27Emilio?
00:03:28He's upstairs
00:03:29How is he?
00:03:30The same as usual
00:03:31Would you get my bags from the car?
00:03:33Of course
00:03:34Thank you
00:03:37Thank you for coming
00:03:38Don't mention it
00:03:42Oh, Luisa
00:03:51Luisa
00:04:21Luisa
00:04:52Luisa
00:05:05Luisa
00:05:21Thank you
00:05:49Thank you
00:05:52Emilio?
00:05:56Emilio?
00:05:59Emilio?
00:06:00Ciao, Patrizia, did I frighten you?
00:06:02Still a shadow bug, huh?
00:06:04Your professor was here, but I sent him away
00:06:06I didn't think you'd feel like having a lesson today
00:06:08As a matter of fact, I told him to...
00:06:09God, it's stuffy in here
00:06:12You need some air, and light
00:06:16Don't you get claustrophobic here?
00:06:22You're very pale, you know
00:06:24Pale?
00:06:26Come on, that's enough of that light
00:06:28You didn't even go to the cemetery, poor man
00:06:30You know I couldn't wait to see you again?
00:06:32Couldn't wait to see me again
00:06:34I've stayed away too long
00:06:36You've grown
00:06:37Is my room ready?
00:06:39Your room? When are you going back?
00:06:41I'm not, I'm staying
00:06:43Besides, I can't leave you alone here
00:06:45What about your studio, the factory, your business?
00:06:47I've sold it all
00:06:48Trade name and company
00:06:50Wow, to whom?
00:06:51To an American firm
00:06:52They paid me a lot for it
00:06:54Americans...
00:06:55I'm just staying on as a consultant
00:06:57So you just decided to up and leave Venice like that?
00:06:59Well, no, once in a while I'll have to run over there
00:07:01That way you'll have a break from me
00:07:03Yeah
00:07:07Well now, shall we look at my room?
00:07:09Your old room? Okay
00:07:16Look at that dust
00:07:20But what have you done with it?
00:07:21No, I was using it
00:07:25It's become your den
00:07:27Your refuge
00:07:29It's also your prison though
00:07:31It might be a prison but it suits me fine
00:07:33You can go if you don't like it
00:07:34No, I'm staying and changing things
00:07:36You've got to get out
00:07:37It's a hot sunny day and the beach is near
00:07:40You have to move, come on
00:07:42I don't have to, I don't have to do anything
00:07:44And I want you to enroll in a public school
00:07:45I don't like you having private lessons
00:07:48Emilio, are you listening?
00:07:51I'm going to straighten you out
00:07:54What a mess
00:07:59Christ, what's going on?
00:08:01Come on, get up
00:08:02It's a beautiful day
00:08:05That's a nice cough
00:08:06Well, the ozone will fix that
00:08:08I'm taking you to the beach today
00:08:12I'm going to get dressed
00:08:13You hurry, huh?
00:08:17You think I'm crazy?
00:08:18The sun's bad for me
00:08:19And the sea has a crack of shit
00:08:21You can go to the beach
00:08:23I'm tired and I feel awful
00:08:27Don't walk so fast
00:08:31Breathe deeply
00:08:33Can't you smell how good the air is here?
00:08:36I don't know how you can stay shut up in the house all day
00:08:38I just don't get birds in my feet
00:08:41Oh, look at this
00:08:43Come and see what I found
00:08:48Wonderful
00:08:52Hey, look at this
00:08:57Yeah, what is it?
00:08:59Isn't it like perfume?
00:09:06Look here
00:09:08What a nice little mushroom
00:09:13I bet it's delicious
00:09:14I bet it's poisonous, throw it away
00:09:16Oh, no, take it
00:09:17Don't touch me with that hand
00:09:18You're afraid of your shadow, aren't you?
00:09:20Yes, I'm afraid of my shadow
00:09:22Come on, let's go home
00:09:24It's hot
00:09:25Besides, I don't feel well, I'm tired
00:09:27No, you're not tired
00:09:28You're simply out of condition
00:09:29And that's the fault of Edmea
00:09:31Poor thing
00:09:32Edmea, Edmea
00:09:37I think we ought to go back home
00:09:38There are even snakes in this place
00:09:40You could get bitten, you know
00:09:42It's fake au poivre
00:09:43I went to three butchers before I found them
00:09:46Now eat it
00:09:47It's excellent
00:09:48And I made the sauce myself
00:09:53I know you design clothes
00:09:54But I didn't know you knew how to cook as well
00:09:56I surprised you, huh?
00:09:58It's too big and undercooked
00:09:59I'm sure it's bad for me
00:10:00It's perfectly cooked, eat it Emilio
00:10:06Finished
00:10:07Good
00:10:08You see?
00:10:17It's really good
00:10:31Look at those foals
00:10:39Idiots
00:10:40One
00:10:42Two
00:10:44Three
00:10:46Four
00:10:48Five kilometers
00:10:50Now I'm leaving town
00:10:52Coming to the lagoon
00:10:54Now sprint
00:10:55Faster, faster, faster
00:10:56And pass them all
00:10:58What happened in here?
00:10:59Small revolution, I moved everything
00:11:02Yeah
00:11:03Thirty-four
00:11:05My studio will occupy that part
00:11:06And you'll occupy that part
00:11:07And I'll occupy that part
00:11:08My studio will occupy that part of the room
00:11:11And this part I'm planning to use as a gym
00:11:13And the furniture?
00:11:15I sold everything this morning
00:11:16You could have told me
00:11:18Why, was it important?
00:11:19No, not at all
00:11:21By the way, do you need money?
00:11:22What's the shit for?
00:11:38No
00:12:01Who?
00:12:04Why no?
00:12:06I don't even know her
00:12:08She might as well live on the moon
00:12:10You're too bashful
00:12:18Have you seen my scissors, Emilio?
00:12:19No
00:12:23Was that an art film you were watching?
00:12:25I see you subscribe to literary magazines as well
00:12:29Patrizia, can't you leave me alone?
00:12:32This trash is all over the place
00:12:36You know what we'll do?
00:12:38We'll put all these in the library
00:12:42And look at this room
00:12:43It's a pigsty
00:12:45Are you listening?
00:12:46And stop playing with those lights
00:12:48And you stop spying on me
00:12:49And telling me what to do every five seconds
00:12:59Ode number ten
00:13:02This passion rises up
00:13:04Like the crest on a wave
00:13:05It haunts me
00:13:23Come on, Patrizia, that's enough
00:13:24I'm worn out
00:13:26Dance
00:13:29All right, we'll rest a bit
00:13:33Come on
00:13:35You know I'm making you do this for your own good
00:13:37You've got to start exercising
00:13:38Be more active
00:13:40Nobody ever let you move as a boy
00:13:43I'm only doing it because I love you
00:13:46You never do anything
00:13:47Never go out, never do so
00:13:49Look, I'm perfectly happy with the way I live
00:13:51And I don't need anyone
00:13:53Are you sure?
00:13:57No
00:13:58I'm not sure at all
00:14:00And I wonder if time's not running out on me
00:14:02What do you mean by that?
00:14:03I was thinking I might die
00:14:05You know that a lot of people die at my age
00:14:07On motorcycles, for example
00:14:09Why does it have to be on a motorcycle?
00:14:11Because only this year there were 1300
00:14:13Everybody thinks about dying
00:14:15Because dying is part of living
00:14:18But you shouldn't dwell on it
00:14:20You mustn't let your thoughts be so negative
00:14:22Life can be beautiful
00:14:24You'll meet wonderful people
00:14:26Get out and make friends
00:14:28I know you'll like it
00:14:30And you'll see that I'm right
00:14:31What's so marvelous outside
00:14:33That I can't see on television?
00:14:35Don't talk nonsense
00:14:37What you see on television
00:14:39Is only a part of reality
00:14:41The world's so foul
00:14:43There's so much cruelty in life
00:14:45I know that sooner or later
00:14:47Something awful will happen to me
00:14:49You've got to get out of the house
00:14:51And start living
00:14:53You must, Emilio
00:14:55Or you'll rot away
00:14:57Don't you think I want to go out
00:14:59Run, be able to kiss a girl
00:15:01Run, be able to kiss a girl
00:15:31THE END
00:16:01Written and directed by Davide Cironi
00:16:32What do you want?
00:16:34Nothing
00:16:37It's just that it's so damn hot
00:16:39And I thought I'd ask you
00:16:41If you wanted to go to the beach
00:16:43Now?
00:16:45No, I don't feel like it
00:16:47I want to sleep
00:16:49All right
00:16:52Sleep well
00:17:01God!
00:17:31Ok, ok
00:18:01Sottotitoli e revisione a cura di QTSS
00:18:31Perchè non vieni e mi vedi stasera?
00:18:33Mi piacerebbe, sì, va bene
00:18:36Mi lascio appena finisco il mio lavoro
00:18:39Sai, non solo voglio te vedere
00:18:41Ma mi piacerebbe morire stasera
00:18:44Oh, vediamo
00:18:47Non so cosa hai in mente stasera
00:18:49Ma ci sono delle belle nuove modelle
00:18:51E non necessariamente devo venire sola, no?
00:18:54No, no, ovunque
00:18:56Prendila
00:18:58Non mi sorprenderò
00:19:01Va bene, dovrei arrivare alle 8
00:19:03Va bene, non posso aspettarmi
00:19:06Alle 8?
00:19:08E' fantastico
00:19:10Ciao
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00:31:38Scuola T
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00:34:07Patrizia, dove sei?
00:34:14Patrizia!
00:34:19Patrizia!
00:34:23Cazzo di merda!
00:34:29Patrizia!
00:34:32Patrizia!
00:34:41Patrizia!
00:34:49Patrizia, dove sei?
00:35:01Patrizia!
00:35:31Venezia
00:36:01I can teach you
00:36:02No, and don't force me to learn
00:36:04I just want to stay in my room
00:36:05No, my dear, there's no doubt about that
00:36:07Aren't you tired? Let's go back to the house
00:36:10I left something to eat in the boat if you want it
00:36:12I'm not hungry and I've had enough of this
00:36:15You really want to go?
00:36:16Can't we stay and get a bit more sun?
00:36:19I want to go
00:36:22All right, come on
00:36:24Get up, we're going
00:36:26Your moping knife just drives me crazy
00:36:29Well, move it
00:36:31Hey, wait a second
00:36:33Emilio
00:36:36You're awake, aren't you?
00:36:38I can't get to sleep, it's too hot
00:36:40Do you want me to tell you one of my stories?
00:36:44I'll tell you of Mauro
00:36:45Mauro was a big bastard
00:36:47Everyone thought he was my fiancé
00:36:49I guess because he was always welcome at the house
00:36:51Papa approved
00:36:52His family was rich
00:36:53Papa knew them well
00:36:55Mauro was timid but he had a big crush on me
00:36:58I wouldn't do anything then before getting married
00:37:00and I always told him no
00:37:02I was always provoking him and posing in front of him
00:37:06Well, even timid as he was
00:37:08one day he got up his courage and grabbed at me
00:37:10in the most clumsy way
00:37:12Then, he suddenly froze
00:37:14When he stopped like that, I got mad
00:37:16Because, even though I kept saying no
00:37:19I wanted him to take me
00:37:22But he finally managed to do it the next time
00:37:25We were both alone in the house
00:37:27No, you were there too
00:37:28I'd forgotten you were there that day
00:37:30And when I began laughing, he told me, be quiet
00:37:32because he was afraid you'd hear us
00:37:35And when he began rubbing me in this way
00:37:39he began to touch me
00:37:41I said I was afraid
00:37:43I kept telling him, no, please don't
00:37:47But even as I was saying it, I was wishing
00:37:51I hope he finds the courage
00:37:55I hope he finds the courage
00:37:58I watched his face
00:37:59His eyes were closed
00:38:01He had a black beard
00:38:03He kept rubbing his beard against my cheek
00:38:06He had big hands
00:38:08And he bit his nails like you do
00:38:11And meanwhile
00:38:13with his free hand
00:38:15he kept fumbling with the zipper which wouldn't work
00:38:18But he couldn't open it because he was nervous
00:38:21So I placed my hand on top of his
00:38:24and guided it like this
00:38:26and managed to open it
00:38:32Then Mauro got on top of me
00:38:35even on his elbows
00:38:37He was much too heavy for me
00:38:40Then he began to try to enter me
00:38:42but he couldn't make it because his aim was bad
00:38:45But then without any reason at all he got angry with me
00:38:48He did
00:38:49when I hadn't done anything
00:38:52Take me
00:38:53Take me, I said
00:38:56I want you
00:38:59I beg you
00:39:02You'll be my first
00:39:05I put his members in a wet lip to my flower and moved toward it
00:39:09And then he
00:39:11broke me
00:39:15Then he went inside
00:39:16Way down inside
00:39:18I could feel his swelling inside me
00:39:20And when I felt his heat rising I gently started moving
00:39:23Then faster
00:39:24It was both pain and pleasure in a way
00:39:28I wanted to stay forever that way
00:39:30Then I rolled over and pulled him on top of me
00:39:33I began
00:39:35to cry
00:39:37to go on harder
00:39:39He kept pushing deeper inside me
00:39:41I was ablaze with pleasure
00:39:44Then we exploded together at last
00:39:47Your fish will be ready in a few minutes
00:39:49All right
00:39:50Okay
00:39:56Come on
00:39:58Let's go
00:39:59Come on
00:40:00Thank you
00:40:01Thank you
00:40:02Thank you
00:40:03Come on
00:40:04One hour
00:40:05We'll be ready in a few minutes
00:40:07All right
00:40:08Thank you
00:40:11Come on
00:40:12Thank you
00:40:13I tuoi pesci saranno pronti in pochi minuti.
00:40:15Va bene, grazie.
00:40:19Hai capito che questo posto è pieno di moschette?
00:40:21Oh, per Dio, non pensi a loro.
00:40:23Pensi solo al buon cibo che avremo qui.
00:40:28Credo che non sei mai stato qui prima.
00:40:30Sai che preferisco stare...
00:40:31Lavorando a casa, lo so.
00:40:33Non penso che vuoi capire.
00:40:34Capire cosa?
00:40:36Che gli altri ragazzi del tuo agio hanno ragazze,
00:40:38e si amano.
00:40:40Vanno in feste insieme, si divertono,
00:40:42giocano sport,
00:40:43e si comportano come se non ci fosse domani.
00:40:45Invece ti deprimi,
00:40:46vivi come un ermita.
00:40:48A sola.
00:40:49Ad esempio, con questo parmigiano,
00:40:51mangi la crosta e guardi la parte migliore.
00:40:53E le moschette che vuoi,
00:40:54sono impure e dolci.
00:40:56Come se avessi una mania per le cose dolci.
00:40:59Non posso aiutarlo se non le piace.
00:41:00La frutta impura è come la morte,
00:41:02molta.
00:41:03Quella è una tua poesia?
00:41:04No.
00:41:05Era una frase che ho appena pensato.
00:41:11Cosa c'è?
00:41:13Non lo mangi, non ti fermerà.
00:41:15Non lo fermerà?
00:41:18Penso che la frutta impura mi faccia male.
00:41:21I miei pesanti.
00:41:22Patricia, raccontami una storia.
00:41:25Il suo nome era Fabio.
00:41:26Era molto importante.
00:41:28Era un grande amico di papà.
00:41:30Lo chiamava amico.
00:41:32La prima volta che lo vedevo,
00:41:33era praticamente un bambino.
00:41:35L'ho cresciuto con lui intorno alla casa.
00:41:37Quando gli hanno parlato,
00:41:39mamma e papà parlavano in francese.
00:41:42Quindi non lo capivano.
00:41:44Ma per me ciò lo ha fatto più interessato.
00:41:47Un giorno ho sentito papà dire a lui,
00:41:49con un sguardo ironico,
00:41:51Ille entendent des femmes.
00:41:54Mentre io crescevo,
00:41:57Fabio non mi prendeva niente in considerazione.
00:42:00Non mi guardava mai in faccia.
00:42:03Non mi pagava mai un complimento.
00:42:06Sembrava che non esistessi per lui.
00:42:09Questo mi ha fatto capire.
00:42:11Ho cominciato a fare tutto ciò che potevo
00:42:13per farlo notare.
00:42:15La mia reazione era strana,
00:42:17perché ero giovane.
00:42:19E per me era veloce.
00:42:22Quasi veloce.
00:42:24Allora, quant'anni aveva?
00:42:27Penso che aveva circa...
00:42:2940?
00:42:30Forse 50.
00:42:36Allora, continui.
00:42:38Un giorno ho deciso
00:42:41di andare a casa di papà.
00:42:44Ma prima di andare, ho messo su alcune cose
00:42:46che per una ragazza così giovane
00:42:48erano abbastanza provocanti.
00:42:51Ero senza il mio braccio.
00:42:53Il fatto che fosse un amico di papà
00:42:55era emozionante.
00:42:57Anche se era orribile.
00:43:01Ha aperto la porta per me.
00:43:03E non era nemmeno sorpreso.
00:43:07Mi ha mostrato all'interno
00:43:09e mi ha portato direttamente al suo quarto.
00:43:11Poi mi ha detto
00:43:12che ero una figlia piccola
00:43:13e che voleva giocare a schifo.
00:43:14Allora, dimmi cosa puoi fare.
00:43:18Allora, ho...
00:43:26Ma lui...
00:43:28ha preso un uccello e ha guardato.
00:43:30E ho aspettato.
00:43:33E mentre...
00:43:35mentre ha guardato
00:43:37il mio cuore è andato più velocemente.
00:43:41E ho sentito il mio corpo diventare umido.
00:43:44Apri i tuoi piedi, ha detto.
00:43:52E poco dopo poco, ero emozionata.
00:43:55Mi ho lasciata andare.
00:44:01Ho salito sul pavimento e mi sono degradata.
00:44:05E Fabio ha detto
00:44:06andate via, bambina.
00:44:07Mostrami come fai quando sei sola.
00:44:10E posso ancora ascoltare il suo uccello
00:44:12che mi avvicina.
00:44:24Sottotitoli e revisione a cura di QTSS
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00:56:54Sottotitoli e revisione a cura di QTSS
00:57:24Franco Maria Ricci
00:57:54Patrizia
00:58:11Saladari
00:58:24Sottotitoli e revisione a cura di QTSS
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00:59:54Saladari
01:00:24Sottotitoli e revisione a cura di QTSS
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01:06:54Sottotitoli e revisione a cura di QTSS
01:07:25Buongiorno, this is Patrizia Viani. I'd like to speak with Professor Alessi.
01:07:29Grazie.
01:07:34Professor Alessi, good morning. This is Patrizia Viani.
01:07:37I'd like to apologize to you for what happened yesterday.
01:07:40I'm very sorry for the way I acted.
01:07:42I'd like to see you today.
01:07:46Well, I didn't sleep well either.
01:07:49No, no, you decide the time and place.
01:07:52That would be fine.
01:07:55At six o'clock then.
01:07:57At the cloister, yes, I know it.
01:07:59Yes, goodbye, thanks.
01:08:16Professor!
01:08:17Professor!
01:08:18Here I am and I humbly beg your pardon.
01:08:20No, signorina Viani, I beg yours.
01:08:22Call me Patrizia.
01:08:24Am I late?
01:08:25No, actually I'm early.
01:08:27It's been a wonderful day, hasn't it?
01:08:29Yes, not too warm for a change.
01:08:31Did you have other lessons today?
01:08:33No, I was doing some research at the library.
01:08:35I don't know what came over me to behave like that.
01:08:37That's why I wanted to see you.
01:08:39I hope you're still not angry with me.
01:08:41Why, no. Anyway, it's not important. Let's forget it.
01:08:43I acted like a fool, that's all.
01:08:45I'm only sorry for Emilio.
01:08:47Because, well, I'm not Rousseau.
01:08:49But I did have a good rapport with him.
01:08:51You know, like an older brother.
01:08:53I always wanted one.
01:08:55Come on.
01:08:57Let's not talk about Emilio.
01:08:59What about you? Tell me about yourself.
01:09:01There's nothing special to tell.
01:09:03I used to live in Milan but decided to leave home
01:09:05so I ran off to Venice.
01:09:07Well, you didn't run very far.
01:09:09What does that mean? It isn't the distance that counts.
01:09:12I left home to be on my own.
01:09:14But I didn't want to take up one of those useful professions
01:09:17so I studied philosophy.
01:09:19There's nothing more useless than that.
01:09:21Because to me, what's important in life
01:09:23is to feel...
01:09:25I don't know how to express it.
01:09:27What's important, I think...
01:09:29I don't know what's important. I just keep going along.
01:09:31But you're successful, dynamic.
01:09:33But that's all in the past.
01:09:35I think I'm only beginning to live now.
01:09:37Let's go this way. There's something I want to show you.
01:09:48This place has been abandoned since the war.
01:09:51Partisans fought the Germans here.
01:09:53The Nazis were holding some hostages and shot them all.
01:09:56But that seems to be all forgotten now.
01:09:58Oh well.
01:09:59So you're sure you're not angry with me?
01:10:01I'm sure.
01:10:02Good.
01:10:04But you are a bit strange.
01:10:17Emilio!
01:10:19Emilio!
01:10:41Emilio!
01:10:47Perchè eri piacente.
01:11:03Sei piacente, non lo sei?
01:11:05Io, piacente?
01:11:06Ascolta cosa ha scritto Marquis de Sade.
01:11:08Sarà utile per te quando il grande fotografo Arrigo arrivi qui.
01:11:11Non iniziare ancora, perché sai che io lavoro solo con lui.
01:11:13Quale individuo è così senza senso
01:11:15che può immaginare che questo piccolo orfice ovale
01:11:17che è stato creato per qualcos'altro
01:11:19non sia anche intenzionale per accettare il membro male?
01:11:21E' abbastanza!
01:11:22Ascolta, un'apertura così piccola
01:11:24come quella che c'è tra i buttocks
01:11:26dà il massimo piacere che ho trovato.
01:11:28Cosa stai dicendo ora?
01:11:29Penso che sia stato chiaro.
01:11:30Arrigo arriva e...
01:11:43Sottotitoli creati dalla comunità Amara.org
01:12:13Sottotitoli creati dalla comunità Amara.org
01:12:43Sottotitoli creati dalla comunità Amara.org
01:13:13Sottotitoli creati dalla comunità Amara.org
01:13:43Sottotitoli creati dalla comunità Amara.org
01:14:13Sottotitoli creati dalla comunità Amara.org
01:14:44Ciao, ci vediamo più tardi.
01:14:46Wow!
01:14:47Ciao.
01:14:48Dove stavi nascosto?
01:14:49Guarda Petrizia, non devi continuare a guardarmi.
01:14:51Posso venire e andare dove voglio.
01:14:52Non stavo guardando, Emilio.
01:14:54Solo se vuoi spiegare i miei modelli nella stanza
01:14:56non devi nascostarti.
01:14:58Non stavo spiegando.
01:14:59No?
01:15:00Sembra così.
01:15:06C'è Michelle.
01:15:07Vuoi che parli a lei?
01:15:08Chiedi a lei di aspettarti?
01:15:09No, mi piace solo guardarla.
01:15:13Arrigo, tornerai a Venezia o restarai con noi?
01:15:15Non lo so, sarei contento di restare.
01:15:17No, non stasera.
01:15:18Hai dimenticato ciò che ti ho letto?
01:15:20Stoppala, Emilio.
01:15:21Vado.
01:15:22Aspetta, ti invito.
01:15:23Bene, va bene.
01:15:25Vuoi dire che avremo tutto il dinero insieme?
01:15:27Certo, puoi anche passare la notte se vuoi.
01:15:29Sarò bene.
01:15:31Non dovremmo, ho la malattia.
01:15:44Se vuoi...
01:15:47posso gestirla.
01:15:49Andiamo a casa.
01:15:50Non posso.
01:15:51Non posso.
01:15:52Non posso.
01:15:53Non posso.
01:15:54Non posso.
01:15:55Non posso.
01:15:56Non posso.
01:15:57Non posso.
01:15:58Non posso.
01:15:59Andiamo a casa.
01:16:01Andiamo a casa, sei stupido?
01:16:03Sono serio, Patrizia.
01:16:05Fammi casare.
01:16:16Cosa c'è?
01:16:20Per favore, toglitemi.
01:16:23Per favore, toglitemi così.
01:16:26No.
01:16:28Torna, carina.
01:16:30Per favore.
01:16:31No, andiamo.
01:16:33Patrizia.
01:16:50È quello che vuoi?
01:16:57Ma non voglio ucciderti.
01:17:28No, no.
01:17:32Per favore, no.
01:17:38Per favore, no.
01:17:46No.
01:17:49Non più, no.
01:17:54Non più.
01:17:57Non più.
01:18:27Sei tu che mi ha chiesto di partire, l'hai dimenticato?
01:18:29E' stato prima!
01:18:30Devo andare ora!
01:18:33Apri la porta!
01:18:34Non partirai!
01:18:35Ti posso dire che partirei? Vieni fuori!
01:18:44Patrizia! Per favore aspetta!
01:18:47Patrizia!
01:18:48Per favore!
01:18:52Non voglio che partirai!
01:18:53Vieni fuori ora!
01:18:54Lasciami andare!
01:18:56Lasciami andare!
01:19:08Vieni fuori!
01:19:11Apri la porta!
01:19:12Vieni fuori!
01:19:17Povero Emilio!
01:19:23Dove c'è la chiusura?
01:19:26No!
01:19:27No!
01:19:28Lasciami andare!
01:19:31Lasciami andare ti dico!
01:19:34Non ti lascerò mai andare!
01:19:38Sei l'unico con cui voglio restare.
01:19:40Non c'è nessuno altro nel mondo.
01:19:43Va bene Emilio.
01:19:45Per favore vieni fuori.
01:19:47Vieni fuori!
01:19:49Lasciami andare!
01:19:51Lasciami andare!
01:19:53Lasciami andare!
01:19:56Ma faremo un pacto.
01:19:58Da ora in poi sei qui a sottolinearmi.
01:20:02Ci sei d'accordo?
01:20:26Non stiamo più suonando, vero?
01:20:28No.
01:20:55Tocca a me Emilio.
01:21:25Signora...
01:21:26Signora...
01:21:28Signora...
01:21:38Senti?
01:21:39No
01:21:44E' questo ciò che avete desiderato?
01:21:55What are you planning to do?
01:21:59You're not planning to hurt me, are you?
01:22:02But you're the one who told me...
01:22:05...what bestows the greatest pleasure.
01:22:07Do you recall?
01:22:09You read me that passage from Marquis de Sade.
01:22:12That small opening between the buttocks, created by nature...
01:22:16...is also meant to accept...
01:22:17But you haven't got a...
01:22:23All right.
01:22:25Come over here.
01:22:32I'm getting married.
01:22:34I'm marrying Arrivo.
01:22:36What for?
01:22:37Because I ought to.
01:22:55Arrivo, the motorboat's here.
01:22:57You'd better go with him to Venice.
01:22:59I'm afraid they might never make it on their own.
01:23:01All right, don't worry. I'll take them.
01:23:03Go on, everybody.
01:23:08I'll be back soon.
01:23:55THE END
01:24:25THE END
01:24:55THE END
01:25:25THE END
01:25:56I love you.
01:25:58Always.
01:26:00Always.
01:26:25THE END
01:26:55THE END
01:27:26Written and directed by Davide Cironi
01:27:31Filmed by Stefano Ianni
01:27:36Translated by Elia Pozzani
01:27:55For more contents and photos feel free to check out our website WWW.DRIVEEXPERIENCE.IT
01:28:25Translated by Elia Pozzani
01:28:55For more contents and photos feel free to check out our website WWW.DRIVEEXPERIENCE.IT
01:29:25Translated by Elia Pozzani