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00:00If you don't like it, I'll take it off.
00:03No, no, it's very nice.
00:06Besides, it's normal that you've arranged the apartment to your liking.
00:11You didn't tell me you were coming back either.
00:14Well, I thought you'd let me know before.
00:18I didn't want to bother you.
00:21I'm sorry.
00:23I'm sorry.
00:25I'm sorry.
00:27I'm sorry.
00:28I thought you'd let me know before and give me some time to settle everything.
00:34Well, it's clean and tidy.
00:40I don't know, maybe I should find a place to stay.
00:45A good pension while I find an apartment.
00:48No, Laurita, no.
00:50This is your house.
00:52The guy left it for both of us.
00:53Do you know what he'd do if he found out that one of his nieces is staying in a pension?
00:58Well, who says pension says hotel.
01:02I don't want to bother.
01:04But Laurita, you don't bother.
01:06I'm delighted that you're back.
01:09And I'd like you to be by my side.
01:14Okay.
01:16If it's important to you, I'll stay in La Guardilla.
01:19Yes, but I don't mean just that.
01:23You could always be by my side.
01:25At work, at rehearsals, at premieres.
01:30Inés, don't get carried away. I just got here.
01:34And I want to have my own plans.
01:36Yeah, yeah, sure.
01:39And...
01:41Have you thought about something?
01:44No.
01:46The truth is, no.
01:48But I'll have to do something. I can't live off the air.
01:51Well, don't worry about that.
01:53I'll run with the expenses until you find something.
01:56You already did when I stayed in Madrid, didn't you?
01:59Yes, but...
02:01Well, if I need it, I won't hesitate to ask you.
02:03But for now, I have enough to throw away.
02:08Well, can you help me put things in the closet?
02:12Yes, yes, of course.
02:16I'm sorry, it's just that...
02:18Well, you know how it is with actresses who repeat dresses.
02:21I'm sorry.
02:23No, no, don't worry.
02:25I'll manage, and I don't need a lot of space either.
02:35Yes, it's just that sometimes she falls asleep.
02:37But don't worry, I'll tell her I can't do it anymore.
02:40Will you do it for me?
02:42Yes.
02:48I, Inés, think I should look for something.
02:51I don't want to interfere in your life as a couple,
02:53and it will be best for the three of us.
02:55No, Laurita, really.
02:57This is your house,
02:59and if you don't want Agustín around here, you'll have to understand.
03:03Come on, let me help you.
03:08Look, you can put this one there, to the left.
03:12That's it, yes.
03:18Well, here's Mr. Fermin's coffee.
03:21And here's Mrs. Villanueva's coffee.
03:24If you want some more sugar,
03:26or if you feel like some fruit,
03:28like some melocotones,
03:30which are freshly made,
03:32make me a gesture and I'll come right away.
03:34Now, if you'll excuse me, excuse me.
03:38It seems that Elías values you much more than me.
03:40No, you know how he is.
03:42He loves to be nice to the ladies.
03:44By the way, remember that I'm going to the Pedraza's house.
03:47Because of the auction, right?
03:49The truth is that Maruja has everything under control,
03:52but I think she'll be grateful that I helped her.
03:54Of course, help always comes...
04:01I can't believe it.
04:03I can't believe it.
04:05Huguito, darling.
04:08You know how much I wanted to see you.
04:11I also really wanted to hug you.
04:13But since you didn't tell us,
04:15we would have sent a car to the station.
04:17I wanted it to be a surprise.
04:19It seems that Germany has treated you very well
04:21because you are as handsome as always.
04:24And you are still as disciplined as always.
04:26I'm sorry I couldn't come to your wedding.
04:29No, you don't have to give us any explanation, Laurita.
04:31We know perfectly well that you needed your time
04:34to return to Madrid.
04:37I hope you have regained your courage.
04:40Yes, I am perfectly.
04:42Is it true what they say
04:44that time and distance cure everything?
04:46Laurita, darling.
04:51Esperanza, for God's sake,
04:53that's not the way.
04:55I couldn't help it.
04:57I'm so happy to see you here.
04:59I thought you were staying abroad forever.
05:01Damn, Esperanza.
05:03I didn't know I valued my niece so much.
05:05Don't tell me that, Mr. Fermin.
05:07You know I've valued her
05:09since the first time she stepped into the living room.
05:11She was so little.
05:13I've also missed you a lot, Esperanza.
05:15I've told all my colleagues
05:17that Germans have a lot of good things,
05:19but they're not so familiar.
05:21You'll see how happy everyone will be when they see you.
05:23Especially Antonia.
05:25And Trini, too.
05:27It's not the right time for a lot of parties.
05:29Let's go say hello.
05:31May I?
05:33How can I say no?
05:35We'll talk more calmly.
05:37We have to get going.
05:39What are you doing here?
05:41Could you get me a couple of tickets
05:43for the film's premiere?
05:45I'll talk to my sister,
05:47but I imagine it's only a couple.
05:49No problem.
05:51I trust you.
05:53Well, who says it's a couple,
05:55says six, seven, eight, nine.
05:57Everyone wants to go.
06:00So, 60 grams of melted butter,
06:05350 grams of flour,
06:0850 grams of butter in blocks.
06:15Yes.
06:22The flour?
06:32How much flour was it?
06:35Good morning, Pietro.
06:36I hope you're having a good time with the puff pastry.
06:39We're doing well on dry days,
06:41but we can't sleep on the laurels.
06:43You have a few pastas left.
06:45Rosquillas, milhojas,
06:48merengues...
06:50Slowly, Mrs. Teresa, please.
06:52And don't talk to me while I'm working.
06:55I'm sorry, I didn't mean to distract you.
06:58No, it's fine, but don't do it again.
07:00I need silence when I'm making a dough.
07:03Look, I'll leave you the list of ingredients,
07:06and you can take a look when you're ready.
07:08Yes, of course.
07:10I'll leave it here.
07:12Oh, and we have to talk about the cocktail
07:14we're going to give for the premiere of Inés' film.
07:16So, when you have a moment, look for it.
07:18Yes, we'll talk about it now.
07:20Can I continue with the dough?
07:22Yes, yes, of course.
07:24Thank you very much.
07:26Good morning.
07:28It's for some, because others have got up with their left foot.
07:31Honey,
07:33I've called the judge
07:35and they have a vacancy for tomorrow morning.
07:38That's great.
07:40Great? Alone?
07:42I thought you'd be more excited to marry me.
07:44What happened with the client?
07:46Nothing, I was making a puff pastry,
07:49Teresa arrived, started talking to me,
07:52and the saint went to heaven with the proportions.
07:56I was left blank, Antonia.
07:57500 flour and 250 water?
08:01That's it.
08:03I don't know how I could forget, Antonia.
08:06I don't know.
08:08I've been making this dough all my life.
08:11Honey, it's okay.
08:13I've forgotten the names of people I know from before.
08:16They say it happens when you're very tense.
08:18Yes, that's it.
08:20It's a lot of work.
08:22You can't stop here.
08:24Well, maybe
08:25you're nervous about the wedding.
08:28Are you happy or not?
08:31Of course I'm happy.
08:33Marrying you is what I want the most in my life.
08:38What if we take a few days to be together?
08:42I don't mean a long honeymoon,
08:44but maybe a few days to rest.
08:46I'd like nothing more, Antonia, but I can't now.
08:49There's a lot of work.
08:51But we'll do it.
08:53I promise.
08:55Okay.
08:57Then come to your rest time
08:59and we'll tell Mr. Fermin about it tomorrow morning.
09:01Okay.
09:03Antonia.
09:05How much flour was it?
09:07Don't be silly.
09:25I don't know.
09:52They went that way!
09:53Keep looking!
10:16You wanted to fight yesterday, didn't you?
10:24Quite the opposite.
10:26I want to make peace with you.
10:30Is this about my sister?
10:32Is it?
10:34Well, I'm afraid she'll stab me.
10:36It's about me, Ivan.
10:38I've already told you I don't want us to always be like this
10:40and I'd like our relationship to be like before.
10:44I don't know what you mean.
10:46Yes, you know what I mean.
10:48Another thing is that you pretend not to know.
10:50That we grew up together, Ivan.
10:51That we spent the afternoons playing.
10:54You know you've always been the brother I've never had.
10:58Rodrigo, I don't like to repeat myself.
11:01I've already told you the problem is yours
11:03for fantasizing about being the brother of someone like me.
11:06You say that now,
11:08but not so long ago you really appreciated me
11:10as a brother.
11:12They were childhood things, Rodrigo.
11:14But how were we going to be brothers, you and me?
11:16They separate a lot of things,
11:18starting with the social class we belong to.
11:20In the hacienda, that doesn't seem to matter to you.
11:22In the hacienda, things were very different
11:24and we are no longer in the hacienda.
11:26Look, Rodrigo.
11:28You can try as hard as you want,
11:30take care of my sister,
11:32make merits in front of my father,
11:34but it will be of no use
11:36because here you are nothing more than the boy
11:38who works for Los Pedraza.
11:40Look, Ivan.
11:42I'm not to blame for not knowing
11:44how to win your father's trust
11:46and I'm not going to pay for it.
11:47The only thing I ask of you
11:49is that we can live together peacefully.
11:51That's easy.
11:53The less you let yourself be seen around here,
11:55the less likely the coexistence will go wrong.
11:57But Ivan, please reason.
11:59Your parents, your sister and you,
12:01you are like a family to me.
12:03I don't want there to be conflicts between us.
12:05Let's see if you find out.
12:07You are not from the family.
12:09You are inferior.
12:18Good morning, Emiliano.
12:20Good morning.
12:22Are you very busy?
12:24Even if I were,
12:26because of my friend Fermin,
12:28I leave everything.
12:31Do you want something to drink?
12:33No, no, thank you.
12:35I just had breakfast with my wife.
12:37Oh, the life of a married man.
12:39What a wonder.
12:41What a wonder.
12:43What a wonder.
12:45What a wonder.
12:47For me, at least,
12:49I'm doing great.
12:51Ah, yes?
12:53Well, that means you've used the secret formula
12:55for a marriage to work.
12:57What does it essentially consist of?
12:59That the husband always says the last words.
13:01Yes, darling.
13:03Yes, dear.
13:05Yes, my love, whatever you want.
13:07I'll take notes.
13:09But you can imagine I didn't come here
13:11to ask you for advice on marital life.
13:13I've come to talk about business.
13:15Specifically, about your business
13:17and I've been thinking about it
13:19and I've decided that I'm going to invest.
13:25I can hardly believe it.
13:27It's great, it's great,
13:29but tell me you've studied it well.
13:31I have plenty of liquidity,
13:33if that's what you're worried about.
13:35Besides, money has to be moved,
13:37otherwise it ends up evaporating.
13:39True.
13:41But well, as you'll understand,
13:43I'd like to know something more about that fiber.
13:45Fiber.
13:47It's a fiber as fine as silk
13:49and as resistant as cotton.
13:51It's a revolution, Fermin.
13:53Everything we do along that path will make us rich.
13:56Or, if we're able to be the first to develop it,
14:01we'll be immensely rich.
14:03Yes, but I understand that we won't be the only company
14:05that's experimenting with the formula of that fabric.
14:08Okay, that's true.
14:10That's why it's so important to be the first.
14:12But anyway,
14:14to detect a need, to launch a prompt response.
14:15Right?
14:17That, we'd say, is the golden rule of the world,
14:19of the company, which I'll tell you about.
14:21And another thing,
14:23like any new business, there's a certain risk involved.
14:26Yes, yes, yes.
14:28Who doesn't take a chance, doesn't win.
14:30Yes, I'm in charge.
14:32I've been in charge of a business for many years.
14:34Emiliano,
14:36I fully trust your instinct.
14:40So, well, by the way,
14:42an instinct that seems to have inherited your daughter Paula.
14:43You'll be very happy, won't you?
14:45Well, yes.
14:47Yes, of course.
14:49Emiliano, we know each other.
14:51What's up?
14:53Aren't you happy that Pablo is going to launch
14:55a women's clothing store tomorrow?
14:57I'm half happy.
14:59Because his idea of democratizing fashion,
15:01what do you want, Fermin?
15:03I don't share it.
15:05It must be a madness of youth, but...
15:07Forgive my ignorance, Emiliano,
15:09but what does that mean, democratizing fashion?
15:11No, no, you have to explain it.
15:13Let's say that what she wants
15:15is for ordinary women
15:17to be able to dress like a real lady.
15:19From my point of view,
15:21it's a huge mistake.
15:23But she has insisted on it a lot.
15:25Paula doesn't listen to reasons.
15:27Well, you know how today's youth is.
15:29No, I'll let her do it.
15:31She'll realize it on her own.
15:33When the store sinks.
15:35Then she'll remember my advice.
15:37Well, in any case,
15:39the most important thing now
15:41is to recognize the girl,
15:43not the man.
15:48It's been a pleasure for us too.
15:50And thank you for everything, from the bottom of my heart.
15:59Let's go to the living room.
16:01What a class the blond sisters have.
16:03And what interesting contributions
16:05they have made for the auction.
16:07Excuse me,
16:09will Mrs. Alazara stay to eat?
16:11No, no, thank you very much.
16:13It's a pleasure.
16:15You can go, Pepita.
16:18Sorry for the interruption.
16:20What were we talking about?
16:22The objects we got for the auction.
16:24By the way,
16:26the wild pearl of the Philippines.
16:29This imperfection
16:31makes it a unique piece.
16:33And what about the watercolors
16:35of the ceramicist Zuloaga?
16:37They're a delicacy.
16:39I'm not surprised he used them
16:41to design the tiles of the Crystal Palace.
16:43Of course.
16:45Although, if I'm being honest,
16:47I would be delighted by the Quixote
16:49they have offered us.
16:51It's wonderful.
16:53Of course, the tiles are great.
16:55It seems like a lie
16:57that it was edited in the 19th century
16:59because it is preserved wonderfully.
17:01Anyway,
17:03I'll keep the double passage
17:05of the cruise through the Nile.
17:07I'm sure Fermin would really enjoy
17:09listening to the Egyptologist.
17:11Eduardo Tota,
17:13have we got any good objects
17:15for the auction?
17:17Yes.
17:19They're not masterpieces,
17:21but they're very valuable objects.
17:23I'm convinced that people
17:25from high society like you
17:27will appreciate them.
17:29Well, I'd like to develop
17:31in high society like I did before,
17:33but it's hard for me
17:35to get used to life in this country.
17:37Really?
17:39I thought that being Spanish
17:41it would be easy for you
17:43but it was very different
17:45when I came back.
17:47But well, I suppose
17:49we were already adapted
17:51to life in the hacienda.
17:53Emiliano is not comfortable either.
17:55I thought more about my son Ivan.
17:57Yes, Paula had already lived in England
17:59and is more determined,
18:01but Ivan,
18:03well, he is much more dreamy
18:05and less focused.
18:07Excuse me if I'm indiscreet,
18:09but why doesn't your son Ivan
18:11help Emiliano?
18:13With family business,
18:15the same as the boy
18:17you have here at home.
18:19Rodrigo has managed to gain
18:21Emiliano's trust
18:23and that and dominating
18:25Ivan's morals.
18:27He knows that in the eyes of his father
18:29Rodrigo is much better than him.
18:31I suppose it's not easy for Ivan
18:33to live in the shadow
18:35of his foster son.
18:37No, it hasn't been.
18:39That has made him lock himself
18:41in a shell
18:43for a long time.
18:45That's what I thought,
18:47but seeing the life he's leading,
18:49I'm starting to have serious doubts.
18:51Oh, excuse me,
18:53excuse me for having
18:55the joy of everything
18:57we've achieved.
18:59That's what friends are for.
19:01You can tell me anything.
19:03As for Ivan, don't worry.
19:05You think?
19:07He will find his way,
19:09you just have to trust him.
19:11Let's do a countdown.
19:13Let's go.
19:20I have to tell you
19:22that I'm intrigued
19:24and a little uneasy.
19:26I hope they don't tell me
19:28they're leaving La Moderna.
19:30Don't worry, Mr. Fermin.
19:32You've changed the rules
19:34because of us.
19:36Besides,
19:38this is our home.
19:40We have no intention of leaving.
19:41And you and your colleagues
19:43are our family.
19:45Well, that's fine.
19:47So,
19:49what's going on?
19:52Excuse me, Mr. Fermin.
19:54I sent the notice
19:56when I was upstairs.
19:58Notice? What notice?
20:00I didn't give you any notice.
20:02I sent the message
20:04that you were running to your office
20:06because you wanted to talk to me.
20:08I didn't...
20:09Don't worry.
20:12I don't think I'm the one
20:14who has to tell you anything.
20:16Who has to tell us anything
20:18if I'm not mistaken?
20:20Don't worry, Esperanza.
20:22Yes, we're going to tell you something,
20:24but please, Esperanza,
20:26don't be afraid
20:28and don't scream.
20:30We'll do our best.
20:32Tell us.
20:34Well,
20:36Pietro and I
20:37are going to get married.
20:41Sorry.
20:43It'll be in a civil way
20:45and we need two witnesses.
20:47We'd like you two to do it.
20:50If you want.
20:52How can I not be afraid?
20:54I'm so happy.
20:56You'd better keep it a secret.
20:59We don't want to tempt fate
21:01and end up with the last wedding.
21:03That's right.
21:05We'll do it discreetly
21:07and we'll tell the rest.
21:09Is it possible, Esperanza?
21:11For the Virgin of El Rocío,
21:13I won't tell anyone.
21:15Knowing you,
21:17you can punish me without being your witness.
21:19Well,
21:21I think you have the two witnesses you need.
21:23And if you allow me,
21:25I'll be happy
21:27to take you to court in my car.
21:29Thank you very much, Mr. Fermi.
21:31There's nothing to thank for, Antonia.
21:33Well, see you tomorrow
21:34at the gallery door
21:36before they open
21:38so we can all leave together.
21:40Congratulations again.
21:43And of course,
21:45that also includes the other witness.
21:48The mother of the lamb.
21:50How can I go in that car
21:52to my friend's wedding with this bun?
21:54I have to call Gregoria and talk to her
21:56to see if she can comb my hair tonight
21:58and let go of my hair.
22:00Esperanza, if it's a problem,
22:02we can find someone else.
22:04Antonia, give me a hug!
22:18Can I bother you?
22:20Come in, come in.
22:25We need to talk about the auction, Emiliano.
22:28I need your help.
22:30I thought Lázaro and Fermín were helping you.
22:31No, no, that's not it.
22:33Don't get me wrong.
22:35Lázaro and Fermín are great
22:37and they're helping in everything they can.
22:39That's not what I want to talk to you about.
22:42Well,
22:44if what worries you
22:46is not being able to get the funds you need
22:48to help those children,
22:50I'll give you a check for the difference.
22:52Wow.
22:54Thank you very much, Emiliano.
22:56That's very generous of you.
22:58But it's not about money either.
22:59It's very possible
23:01that Elena Cavalieri,
23:04the niece of the Italian ambassador,
23:06will attend.
23:08And?
23:10I beg you,
23:12this time,
23:14respect this house,
23:16our marriage,
23:18and your children and friends
23:20who will also be present.
23:24Let's see.
23:26Let's see.
23:29Let's see if I understand.
23:31What are you asking me to do?
23:33To avoid her?
23:35To pretend I don't know her?
23:38Maruja, I like to surround myself with interesting people.
23:41And Elena is.
23:43You're not going to make me jealous, are you?
23:45At this point?
23:47No, Emiliano, I'm just asking you
23:49to keep a certain distance from Cortés
23:52during the reception and auction.
23:54Before and after,
23:56you can do whatever you want.
23:59As always.
24:01I'll take note.
24:03Thank you, Emiliano.
24:05But I don't promise you anything.
24:10That answer was completely unnecessary.
24:14And what am I supposed to answer?
24:17If you don't want me to talk to someone,
24:19don't invite him to my house.
24:21I had to do it.
24:23I don't want to bother him.
24:25Don't think I haven't thought about it.
24:27Then the problem is actually yours, not mine.
24:32But let's see.
24:35Isn't Pepita enough for you?
24:42Isn't she enough for you too?
24:46The truth?
24:48No.
24:53I'm sick and tired
24:55of saying it like this,
24:57so calmly,
24:59as if I were nobody.
25:01You've asked me a question
25:03and I've answered it.
25:05With all honesty,
25:07I don't know, what do you want?
25:09What do you want?
25:11To be lied to?
25:13Yes, to be lied to,
25:15so you can be happier,
25:17or more blind,
25:19or whatever you want.
25:20Because of us?
25:22Because of your children?
25:24I am what I am.
25:26I've never lied to you.
25:28That's true, yes.
25:30As soon as I gave you the two children you were expecting,
25:33you went back to your life
25:35and went to your bed.
25:37What about me?
25:39What about me?
25:41No, no, no, wait, say it, say it.
25:43Maruja, say it.
25:45Say it, I want you to say it.
25:47Let it out.
25:48I don't want you to end up becoming a disease.
25:50No, I won't let it out.
25:52Because she's also a victim.
25:54But her presence here in this house,
25:57serving your own family,
25:59is a permanent insult
26:01for both of us.
26:03And you know it.
26:05So now the problem is Pepita.
26:07Let's see, Maruja,
26:09why don't you focus more
26:11on everything you do have
26:13and not so much on what you lack?
26:15Because here I am fulfilling
26:16what you asked me to do.
26:18You asked me to be discreet,
26:20and here we are.
26:22In 20 years no one has found out about us.
26:24Neither Paula, nor Ivan, nor Rodrigo.
26:26No one.
26:28It's with the only thing you're committed to, yes.
26:30But you don't do it to protect them.
26:32Much less me.
26:34It would be more.
26:36You're the one who protects yourself
26:38under all those layers of secrets, of lies,
26:40that I don't know how you can live like that.
26:42Whatever you want, Maruja.
26:44But here,
26:47well, that's it.
26:51Don't think about that nonsense.
26:54That beautiful little head of yours
26:56doesn't give you much.
26:58When these attacks of dignity hit you,
27:01you become unbearable.
27:04Of course.
27:07It's true.
27:09There was a time when I was obsessed.
27:12I wondered what the others had.
27:13What Pepita had.
27:15And what I didn't have.
27:18Or I just couldn't give you.
27:23How silly.
27:25Do you really want to know?
27:38What I thought.
27:40What I thought.
27:45Oh, Antonia.
27:47I'm so happy about your wedding.
27:49But I want you to know one thing.
27:51As much as you call yourself a witness,
27:53I consider myself your godmother.
27:55As you wish.
27:57But please, don't fail me.
27:59Be there like a nail.
28:01And have you thought about the jar?
28:03If you want, I'll take it to the altar.
28:05Well, or wherever you want the jar to be taken to court.
28:07No, no, don't be silly.
28:09A wedding as discreet as possible.
28:11What we want is to arrive and sign in front of the judge
28:13and start calling each other husband and wife.
28:15Finally.
28:17And isn't it a shame not to get married in the church
28:19with the beautiful dress you had?
28:21Well, a little bit, yes.
28:23I'm not going to lie to you, but
28:25what I want is to get married now
28:27and that the wedding doesn't go wrong, for God's sake.
28:29Come on, is that clear?
28:31Yes, yes.
28:33I want to marry Pietro.
28:35Well, we'll have time to go to the church
28:37and for the priest to give us the blessing.
28:39Well, you'll know.
28:41I just don't understand that modernism.
28:43But come on, if you're sure that church is nothing at all,
28:45then that's it.
28:47Nothing at all, no.
28:49Well, I've already promised Pietro
28:51that tomorrow afternoon we're going to the Hermitage
28:53of San Antonio de la Florida
28:55and I'm going to leave the bouquet of flowers
28:57at the feet of the saint.
28:59Oh, that's a very good idea.
29:01Although, well, I'd rather you gave me the bouquet,
29:02with grace, with the one on top.
29:07And now what am I supposed to do?
29:09For God's sake, Trini, don't worry.
29:11He's going to give you something.
29:13What's wrong?
29:15Well, nothing, I just called my neighbor,
29:17Almudena, to find out how Leon was
29:19and she told me that he spent all morning crying.
29:21Crying.
29:23Oh, my God, poor thing.
29:25What's going on with him?
29:27Maybe it's gas.
29:29It happens a lot to them.
29:30They miss him a lot.
29:32Because the kids at that age miss him a lot.
29:35You think?
29:38Oh, my God, I'm a horrible mother.
29:41Horrible.
29:43Who would have thought?
29:45Who would have thought to leave their son with the neighbor?
29:47I'm the worst mother in the world, really.
29:49And he's perfect, he's perfect.
29:51And he doesn't deserve this.
29:53He deserves someone better, much better than me.
29:55Trini, listen to me.
29:57You're doing a great job.
29:58Bringing a child into the world and raising him is very difficult.
30:01But you're not going to be the first or the last.
30:04Look, what you have to do is breathe.
30:09And don't force yourself to get everything.
30:12But that's what other mothers do.
30:14I see them, they always get everything.
30:16And why don't I?
30:18Those who can do it do it.
30:20And those who don't, ask for help.
30:22Their neighbor, their partner.
30:24The world would be a better place if we didn't help each other.
30:26Well, why don't you call your mother?
30:28A mother does anything for her son.
30:30Well, imagine a grandmother for her grandson.
30:32I won't even tell you.
30:34Well, thank you for your words, really.
30:36And I don't rule out asking for help.
30:39Esperanza's idea is very good.
30:41Why don't you call your mother?
30:43Because my mother and Miguel have a cordial relationship.
30:46Nothing more.
30:48And I don't think Miguel would be very funny
30:50to have my mother around at home.
30:52Well, at least call her and vent.
30:54Besides, she can give you more parenting advice than us.
30:56Well, it's true.
30:58And she knows what a daughter has raised.
31:00Well, it's true.
31:02Well, I'm going to call her.
31:04Of course, I'm going to call her,
31:06because I also need to feel like a daughter,
31:08for a while at least.
31:10A little water.
31:26Shh, shh, shh, shh.
31:31Good afternoon, Guido.
31:33I should go out to let you get some fresh air.
31:36It's divine on the street.
31:38I wish I could, dear.
31:40Well, at least one of us can enjoy
31:42these good days they're having.
31:44No, no.
31:46The truth is that we immediately ended
31:48with the issue of the charity auction.
31:51But since I had the morning off,
31:53I decided to take advantage and do some shopping around town.
31:56If I hadn't seen you,
31:58I would have come with pleasure.
32:00Although I have to confess
32:02that I have been very well accompanied
32:04during your absence.
32:06I didn't know you had a business dinner.
32:08No, no.
32:10I didn't.
32:12I ate with Laurita.
32:14I want to spend as much time with her as possible
32:16in case she decides to return to Germany.
32:18Normal.
32:20I know you appreciate your nieces a lot.
32:22Has she told you if she plans to leave again soon?
32:24No, she hasn't told me anything.
32:26I'm afraid she'll stay
32:28and take up her job as an advertiser again.
32:30I'm very worried when she's far away.
32:32If she lives two floors up
32:34and something happens, I can help.
32:36But if she lives in a foreign country,
32:38I can't do much.
32:40You're right about that.
32:42And about Agustín?
32:44Has he told you anything about him?
32:46No, no.
32:48Barely anything.
32:50I didn't want to insist either.
32:52I hope he gets over it.
32:54The company is very nice,
32:56these documents.
33:02Fermín.
33:07Yes, tell me.
33:09You left this.
33:11What is it?
33:13Nothing important.
33:15A liquor supplier made me a proposal
33:17and I have to study it.
33:20You're right.
33:22It's better to finish it as soon as possible.
33:26If you need my help,
33:28I can help you.
33:30I'm sure we'll both find the best proposal
33:32for the liquor suppliers.
33:34What suppliers?
33:36The ones you told me about yesterday.
33:38In fact, I'd tell you that this is the folder.
33:41You left it forgotten
33:43in the register box.
33:45Yes, yes.
33:47Look, this morning
33:49I closed the deal with the supplier
33:51and now I see it forgotten.
33:53You hadn't told me anything.
33:55Cielo, are you sure you don't need my help?
33:58Yes.
34:00I'm sorry, Mr. Fermín.
34:02I just wanted to tell you that in a little while
34:04I'm going to meet with Pietro
34:06about the premiere of the film.
34:08Perfect, because we've been here for a while.
34:10Well, don't worry, we'll be there.
34:12About going there,
34:14there are some suppliers that we should liquidate.
34:16If you have a moment, Mrs. Lázara,
34:18I'd like us to see this
34:20and proceed to action.
34:22You'd better stay in my office
34:24so they won't take any more time.
34:33See you later.
34:43I thank you from the bottom of my heart,
34:45but it wasn't a good idea.
34:47Well, look, of all the invitations I've sent,
34:49this is the most deserved of all.
34:51And can you tell me
34:52why you care so much about me?
34:54Because you gave Inés the first chance
34:56in this very place.
34:58And if she's a star right now,
35:00it's because you trust her.
35:03Inés' talent is undeniable.
35:05I would have achieved it
35:07with my help or without her.
35:09So I tell you she'll come.
35:12I'll try.
35:14That's all I can tell you.
35:16At that time,
35:18the clientele is very tight
35:20and someone has to stay at the helm.
35:22Try it.
35:24She'll be very happy to see you on the day of the premiere.
35:26She remembers your beginnings with great affection
35:28and especially
35:30how you helped her in the bad times.
35:33I'll try.
35:35I assure you.
35:40Did I miss something?
35:43Mr. Comas has just invited me
35:46to the premiere of The Shadow of Love.
35:49Invite you?
35:50In that envelope,
35:52there are two invitations.
35:54One for you and one for your sister.
35:57To the premiere of a movie?
36:00Are you inviting us
36:02with all those stars
36:04to see the movie for the first time?
36:06Well, that's what you do at a premiere, right?
36:10Have you never been to any?
36:13No.
36:15That only happens in big cities.
36:17In my town,
36:18luckily,
36:20we get two movies a year
36:22and they were released
36:24at least five years ago.
36:26For everything and for the first time.
36:28Well, we'll see if work allows it.
36:30But now I think
36:32Mercedes should stop thinking about red carpets
36:34and start working
36:36if she doesn't want her boss to bother her.
36:38I like your older,
36:40affectionate brother facet
36:42more than your party boss facet.
36:44Well, I'll leave the two brothers
36:46and
36:48I'll see you at the premiere.
36:50Thank you very much, Mrs. Agustín.
36:52Thank you, really.
37:05Well,
37:07everything is in order.
37:09Excellent.
37:11As soon as Mr. Fermin returns,
37:13I'll ask him to extend my check.
37:15Why wait?
37:16I'll do it.
37:18No, I say it because
37:20Mr. Fermin keeps the cash register
37:22in the drawer under the key.
37:31You mean this key?
37:39I see you can open it.
37:42You're surprised that my husband
37:43has given me a copy of the most important keys
37:45in the business.
37:47No, no, no.
37:49Mr. Fermin works as he considers appropriate
37:51and what he does is well done.
37:53That's the attitude I like in my employees,
37:55even if they have rank.
37:57Can you extend my check?
37:59I don't like to leave the living room unattended
38:01for too long.
38:03Oh, my God.
38:05And I thought we were having
38:07the most pleasant conversation.
38:09Don't worry, Teresa.
38:11It won't be for me,
38:13but it will be for you.
38:21Is everything okay?
38:24The watchman is not here.
38:26He insinuates that he has been robbed.
38:28Don't say Andes, Teresa, for God's sake.
38:30Fermin must have taken it
38:32wherever he went.
38:34Well, then I won't be able
38:36to extend the check.
38:38Please talk to the liquor supplier
38:40and tell him that tomorrow,
38:41with all due respect,
38:43I'm sorry, but I don't think this is right.
38:45In La Moderna, we always pay religiously.
38:47Maybe we can wait
38:49for Mr. Fermin to come and...
38:51Let's have the party in peace, Teresa.
38:53If I tell you to call the supplier,
38:55you call him.
38:57I'm sure he'll know how to convince you
38:59to get over this little problem.
39:01Close the door when you leave.
39:03Whatever you say.
39:11Let's go.
39:22Legate all her properties.
39:24Mrs. Laura Valbuena
39:26and Mrs. Inés Valbuena.
39:28It can't be.
39:32It can't be.
39:38She leaves everything to them.
39:42She leaves everything to them.
39:52Don't take too many chances with him, okay?
39:55Orders from the boss and brother council.
39:58I'm serious, Mercedes.
40:00Keep an eye on him, please.
40:04Yes.
40:06But deep down,
40:08I don't think Cesar is a bad person.
40:10I don't think so.
40:12But I don't want you to talk to him,
40:14not even to warn him about Mellado.
40:16I won't open my mouth.
40:18But I don't understand why it's bad to warn him.
40:20Mellado is a bad element
40:22and someone should tell him.
40:24It's none of our business.
40:26I don't want us to get involved in a mess
40:28that can happen to us later.
40:30The further away we are from them, the better.
40:32Okay?
40:34And how do I take note of it?
40:36The boss has insisted a lot
40:37that you talk to the clientele.
40:39Please.
40:46Excuse me.
40:48You're late.
40:50I'm going to have to file a complaint.
40:52Maybe we're still warming up the engines.
40:54You arrived very early today.
40:56I have to talk to Mellado about business.
40:58And it's better to deal with those things
41:00when we're still drunk.
41:02Have you seen him?
41:04He hasn't arrived yet.
41:05And now that you mention it,
41:07he didn't show up yesterday either.
41:10I hope I'm not mistaken about him.
41:12I thought he wasn't one of those cowards.
41:17Why do I have the feeling
41:19that he doesn't like me?
41:21It's nothing personal.
41:23He looks at everyone like that.
41:25He's distrustful by nature.
41:27Maybe.
41:29Then I'll bring him the usual.
41:31Of course, beautiful.
41:44Come in, come in.
41:46But don't make any noise.
41:48And take off your shoes.
41:50It's just that it finally seems
41:52that we have everything under control.
41:54Leon has fallen asleep.
42:00Well, it does seem
42:02that you have everything under control.
42:03I think you could think
42:05about having five or six more kids.
42:07No, no, shut up, shut up.
42:09If I find out, I'll tell you.
42:11And please, don't raise your voice.
42:13I'm going to see Leon.
42:15Francisco, Francisco, sit down.
42:17Sit down, we'll get you something to bite.
42:28For God's sake, no.
42:30No, no, no, don't wake up.
42:31Don't wake up.
42:35No, for God's sake.
42:37No.
42:39False alarm.
42:41But we will take extreme precautions.
42:43You're going to have to settle for this maddalena.
42:45Don't make any noise when you chew.
42:47Maddalena?
42:49At this time of day,
42:51I'm more than a cup of wine with some nuts.
42:53The maddalena, the maddalena.
42:55You take it or leave it.
42:57And if you've come here looking for trouble,
42:59this isn't your place.
43:01Maddalena.
43:05So,
43:07taking my son out to play for a while,
43:09we don't even talk, right?
43:18So this is what happens to people
43:20when they have kids.
43:23What a sight.
43:25Anyone would tell you that you look calmer.
43:28We are, I assure you.
43:29There's nothing more relaxing for a father
43:31than knowing that his son is sleeping on his legs.
43:33I'm calling your mother.
43:35Have you talked to your mother?
43:37Who said I haven't?
43:39Who said I've talked to my mother?
43:41I haven't said that.
43:43It's true that the girls have recommended it to me.
43:46Because the truth is that I see motherhood
43:48from the top of my head.
43:50From the top of my head.
43:52I need advice from a mother
43:54and a shoulder to cry on.
43:56This can't be happening.
43:57This morning, Elias lied to Leonora.
43:59First sign.
44:01Now you're lying to your mother.
44:03Second sign.
44:05And there's no two without three.
44:07Honey, you're going crazy.
44:09It's not crazy.
44:11What's next?
44:13Seeing her appear through the door?
44:15You haven't talked to her?
44:17You haven't called her?
44:19I don't know.
44:21What a face you've got.
44:23Don't ever do that again.
44:25I swear to God
44:28Well, well.
44:30There's no need to get so dramatic.
44:32Come on.
44:34Go and enjoy with your Madalena.
44:44I'm going to see Leon.
44:47Trini,
44:49get me a glass of wine.
44:53You do it.
44:58You do it.
45:12We've got the missing shoes.
45:14They've been unloaded in the alley.
45:16And that? Any problem?
45:18No, none.
45:20I've only agreed with them
45:22to do the next unloading directly in the warehouse.
45:24Where do I leave these boxes?
45:25Leave them here.
45:32Well,
45:34it looks like the store is taking shape.
45:36I wish that were true.
45:38Look, there's still all the genres to be placed.
45:41I wish it were as easy as placing a painting.
45:44Many wouldn't agree with that observation.
45:47But now you're not going to give up, are you?
45:50Of course not.
45:52But I'm afraid we're going to have to spend the night
45:53arranging everything that's missing.
45:56A whole night with you.
46:00I think I'll be able to make the effort.
46:13I'm going to like having my own business.
46:16To do and undo at your whim.
46:19For that and to have the backyard.
46:24You know.
46:26Unload the genre,
46:28store the spare parts,
46:30kiss you without any customers seeing us.
46:33Yes, that sounds good.
46:42But there's no time now.
46:46We have to prepare everything for tomorrow's opening.
46:49I hope we have time.
46:51Everything will be perfect.
46:53You'll see.
46:55That will be if we get down to it.
46:57So come on, put on your shoes.
46:59At your service, Miss Pedraza.
47:11Come in.
47:18What are you doing here, mother?
47:20Hi, son.
47:21Don't tell me you're going to buy one of these blouses before anyone else.
47:24Don't listen to her.
47:26You're not going to leave a dime in this store.
47:28No, I'm not here to spend money.
47:30I'm here to see the store and help you in everything I can.
47:33I appreciate it, Pepita,
47:35but I'm not going to let you use your free afternoon working, woman.
47:38Besides, we've got everything under control.
47:40I'm not leaving without helping, Miss Paula.
47:43If you want to try to convince her,
47:45I'm not going to do it.
47:47I'll get those boxes.
47:49Okay.
47:51Come on.
48:00What do you think?
48:02Well, I think you look great.
48:05Really?
48:07And the necklace, do you like it or should I change it?
48:10No, I like it and it looks great with the earrings, yes.
48:13Are you sure?
48:14Yes.
48:17Don't you want to come with me?
48:18These cocktails with the journalists are really fun.
48:21I don't doubt it,
48:23but I'll leave the promotion to you.
48:25I'm better at home.
48:27Yes, I'd love to stay with you.
48:30But this is my life.
48:32Almost every night I have to go to an event.
48:34Well, the promotion is very important.
48:36Yes, yes.
48:38Well, according to Agustín, it's what encourages people to go see the movie.
48:42I'm sorry.
48:44I shouldn't mention it so much.
48:46No, no, don't worry.
48:48You can mention it as many times as you want.
48:50It would be a shame if you couldn't talk about your partner.
48:53Yes, thank you, but...
48:55I'll try to mention her as little as possible.
48:59I'm going.
49:11Laura.
49:14It's been so long.
49:16Yes.
49:18Hi, Agustín.
49:20Hi.
49:23How are you?
49:25Great.
49:32I think we're running out of time,
49:36so we'll have to leave now if we want to make it on time.
49:40Of course, let's go.
49:42Well, good luck, partner.
49:48Bye.
50:07What's wrong, Pepita?
50:09Don't you like the clothes?
50:11What are you saying?
50:13On the contrary, you have a lot of taste for choosing clothes.
50:15You just have to see how you've dressed yourself.
50:18I'd love to be able to wear a garment as delicate as this one one day.
50:22That day is closer than you think.
50:25That's why I'm opening this store.
50:27To sell clothes at a more affordable price.
50:30And to reach a larger number of customers.
50:32What do you think of the idea, Mother?
50:34I don't understand that, son.
50:36All I know is that the more beautiful the clothes, the more expensive the rooms.
50:39That doesn't have to be like that.
50:41In my store, of course, it won't be like that.
50:42What I want is for all the women in the city
50:45to be able to look beautiful without having to ruin themselves for it.
50:48I think what you're telling me is a very good idea.
50:51And I'm sure it's going to go great.
50:54Thank you, Pepita.
50:56Believe me, it encourages me a lot.
50:58Your confidence is so much more valuable than my parents'.
51:01Don't say that out there, that I'm looking for trouble.
51:03Well, it's time for me to go.
51:06Wait, I'll go with you.
51:08But that's nothing.
51:09I'm going to ask Paula to help you until everything is in place.
51:12And I've raised a man of his word.
51:14I'll take her home and I'll be back, I promise.
51:16You stay here and I'll take the tram.
51:18It's a nice walk.
51:20But it's late, Mother.
51:22I don't want her to suffer any mishap
51:24with some fool who's been going from tavern to tavern all day.
51:26But, son, it's not dark yet.
51:28Thieves only leave at dawn.
51:30Mother, please.
51:32Instead of arguing, I'll leave and come back earlier.
51:34And so you don't waste any more time because of me.
51:36You have a lot of work ahead of you.
51:38Go carefully.
51:44The store is looking beautiful.
51:47Thank you, Pepita.
51:56When you talked about the fool who goes from tavern to tavern,
51:59it seemed like you were talking about Iván.
52:01There are many like him.
52:03It's not just about your brother.
52:07All this is because of the quarrel you had the other day.
52:10Rodrigo, you shouldn't listen to the nonsense Iván says.
52:14It's not nonsense, Paula.
52:17It's the reality.
52:19I don't belong to your social class.
52:21Again with that?
52:23Can you get that idea out of your head?
52:26Rodrigo, you and I don't have to ask permission from anyone to love each other,
52:29to be together.
52:31It's enough to feel the love we have for each other.
52:34I'm not sure that's enough.
52:38Paula, I love you with all my heart.
52:45There's nothing I want more in the world than to see you happy.
52:49But I really doubt you can do it with me.
52:53We should assume that society will never allow it.
52:58Maybe we should assume that our relationship has no future.
53:11Rodrigo, are you leaving me?
53:15Yes.
53:28I know it won't be easy to get back what we had.
53:31That's why I'd like to ask you something.
53:33This afternoon, when Agustín came to pick me up,
53:36how did you feel?
53:38Pietro!
53:40In Italy, you don't know that a bad luck comes to the bride the night before the wedding?
53:43Yes, yes.
53:45But I couldn't sleep. I needed to see you.
53:50I've managed to get in touch with some ladies from high society.
53:53All of them have been willing to collaborate and raise funds.
53:58So it's going to be a very important party.
54:01And I'll need the right people.
54:03Pésar!
54:05It's a pleasure to see you.
54:07Our old partners have not only left us, but are now together.
54:10One thing is that you have to swallow that you are still living under the same roof.
54:15And another very different thing is that you get drunk with the perfume that my husband gave you.
54:20My brother has made inquiries about his friend, Mellado.
54:24And as I suspected, it's not from Fiat.
54:28Are you insinuating that my friend is a swindler?
54:31I haven't had a chance to talk to you calmly.
54:34And I'd like to ask you what your reasons for coming back have been.
54:37I have to say that I'm more than delighted.
54:40Father, I had thought that since you are the new owner of the gallery,
54:44you should take care of the presentations.
54:47It would be the right thing to do.
54:50Wow, Emiliano, it seems that your daughter has very clear ideas.
54:54She has them.
54:56Another very different thing is that they are the right ones.
54:59Son-in-law!
55:01I'm also glad to see you.
55:02I'm also glad to see you.
55:05The other day, looking for a loan shark to pay the flour supplier,
55:10Teresa ran into a folder by chance.
55:13And I couldn't help but take a look.
55:15Can you imagine the surprise I got
55:17when I saw that you were forming a partnership with your nieces
55:21with the sole purpose of leaving me out of the inheritance.
55:24I want to introduce you to my friends.
55:27You're hurting me.
55:29If you resist,
55:30haven't you heard it, gentleman?
55:32Let her go, please.