Eva Mon
Eva Mon
  • 2 months ago
Transcript
00:00:00You
00:01:00It's just a matter of time.
00:01:22Get out of here!
00:01:24Forget him, don't listen to him.
00:01:30No!
00:01:36No!
00:01:39No!
00:01:43No!
00:01:46The phone is broken! Come on, get out!
00:01:55Please, please!
00:01:57Please, no!
00:02:06No!
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00:04:18I'm going to make a little speech!
00:04:20It's your turn, Dad!
00:04:22What I look like!
00:04:25Look, he is too bright
00:04:27and he has very small eyebrows.
00:04:29Leave it to me.
00:04:31You're going to make me look like an old hag.
00:04:35We can't wait for the show to start, girls.
00:04:39Why don't you take off that horrible mask?
00:04:42How's it going? Are you ready?
00:04:44Give us your opinion.
00:04:45I'd say it looks like an old hag.
00:04:47Thank you for your help.
00:04:49Don't worry, there's an orgy going on out there.
00:04:51What else would you like?
00:04:52Be careful with the guy with the hunched head.
00:04:54It's horrible. It takes away one's desire to eat.
00:04:59Come on, Dad, you're too old for that.
00:05:02Really? Well, it's part of my performance.
00:05:04Ready? I'm going to introduce you.
00:05:09Merry Christmas to everyone.
00:05:12Silence.
00:05:14And now, ladies and gentlemen, I ask you to pay a little attention.
00:05:18It's time to introduce you to our special guest of the night,
00:05:22who has made all the way from...
00:05:25Groenland, riding on his flying sled.
00:05:33Hello, friends.
00:05:39I didn't come empty-handed.
00:05:44I've got presents for all of you.
00:05:49The problem is, I can't read what I'm putting on without my glasses.
00:05:56No!
00:06:15Mama.
00:06:26Oh, no.
00:06:44Thank you very much.
00:06:46Come on, guys, the boss is coming this way.
00:06:49You know he doesn't like to see his picture in the papers.
00:06:52Come on, hide them.
00:06:56Good morning, Paweł.
00:06:57Good morning.
00:06:58Good morning.
00:06:59Good morning.
00:07:00What are you doing here?
00:07:02Oh, I see. Give it to me.
00:07:13There are still three days left until Christmas.
00:07:16The big boss will love it. You can go.
00:07:21I'm afraid the commissioner's assistant is getting on our nerves.
00:07:26Paweł, I want to see the boy and the girl as soon as possible.
00:07:30When I called this morning, it was the boy who answered the phone, sir.
00:07:34I told him we'd go. I thought that would be best.
00:07:38I don't think she's recovered.
00:07:41Yes, I suppose you're right. Do we have the boy's file?
00:07:44Yes, sir. His name is Clipboy.
00:07:47A little kid.
00:07:49No family history, he left home, nothing important.
00:07:54And the girl's father?
00:07:56Oh, he was rich, very rich.
00:07:59Everyone liked him.
00:08:01Naturally, she'll inherit the money.
00:08:06A good match for the boy if he can get her.
00:08:09And she's pretty.
00:08:11Let's go.
00:08:18Is the boy going to be there, too?
00:08:21Yes, of course. They live together.
00:08:24I see.
00:08:26Good morning.
00:08:30How are you, Inspector?
00:08:32Come in, please.
00:08:34I'm very grateful to you, Miss Brioski.
00:08:37Especially after... well...
00:08:40My father had no enemies.
00:08:42We know, Miss Brioski, we know.
00:08:45Good, Inspector. Do you have a clue?
00:08:48The one I gave you last night, the one with the hunched head.
00:08:51I'm afraid we have very few clues, Miss.
00:08:54We haven't found any traces.
00:08:57It was because of the disguise his father was wearing.
00:09:00He was the victim of another murder in Santa Claus.
00:09:10You'll have a place to stay very soon.
00:09:13Tonight the atmosphere of the London festival has been ruined
00:09:16by the murder of another Santa Claus.
00:09:19And now, the middle part of the clock.
00:09:43Ah!
00:10:44Thank you, and Merry Christmas.
00:10:49Oh, Inspector Harris, look what the messenger just brought.
00:10:52A Christmas present.
00:10:54The card says, don't open it until Christmas.
00:10:57Thank you, Miss Shelley.
00:10:59Can I wait?
00:11:01Yes, why not? Put it on my desk.
00:11:03I have a lot of work. I can't entertain myself.
00:11:06It's a shame.
00:11:08That Santa Claus thing was horrible.
00:11:11We have all the details in Scotland Yard.
00:11:14And the photographs.
00:11:16Well, we won't see each other again until Wednesday, right?
00:11:19Yes, on Christmas Eve.
00:11:21Do you want me to buy you something?
00:11:23No, I'm afraid I'm not going to try a sandwich these days,
00:11:26except for breakfast.
00:11:28You know, Miss Shelley, Christmas isn't made for the police.
00:11:31I'll be late.
00:11:33Yes, until Wednesday.
00:11:35Goodbye.
00:11:38It's a shame.
00:11:40Maybe on Wednesday I can show you some of those photographs.
00:11:47Your coffee, sir.
00:11:51Good morning, Powell.
00:11:53Good morning, sir.
00:11:55That girl has called again, sir.
00:11:58I told her there was nothing new, but she insists on talking to you.
00:12:02God, I'm exhausted.
00:12:04I haven't been able to sleep lately.
00:12:07Tell me, sir.
00:12:09Do you think it could be a psychopath?
00:12:12It's curious, Powell.
00:12:14That's exactly what the commissioner's assistant just asked me.
00:12:18I left his office in a hurry.
00:12:21Do you know what I told him?
00:12:23It's too soon to know, I suppose.
00:12:25Guess what he told me with that damn air of superiority.
00:12:29We can venture to say that the murders will cease.
00:12:33We'll see what happens next Christmas.
00:12:36The point is that from the moment you get dressed as Santa Claus,
00:12:41you become a semi-sacred character, at least for children.
00:12:45The whole West End is plagued by Santa Claus.
00:12:48Tell me, have you found out anything?
00:12:50Oh, a signed criminal can be a matter of drugs.
00:12:54A signed criminal can be a matter of drugs.
00:12:57In this case, it could just be a coincidence.
00:13:01A set of accounts, in between.
00:13:04A set of accounts about what?
00:13:06About the price of chestnuts?
00:13:08Thank you, Powell. Thank you anyway.
00:13:11I'm going to call that girl.
00:13:13Of course, Inspector.
00:13:15I'll be here.
00:13:18Any news?
00:13:20There's been another murder.
00:13:23Fabulous.
00:13:25If it's the one about the chestnut, it's already in the papers.
00:13:28I haven't read the papers.
00:13:30You haven't called that lawyer again.
00:13:33My father was murdered. I can't concentrate.
00:13:37I know.
00:13:39I'm sorry.
00:13:41You have to face reality again.
00:13:44That lawyer's call could be important.
00:13:48I was asked a strange question.
00:13:51Harris?
00:13:53Yes.
00:13:55About you.
00:13:58I was asked if we were going to get married.
00:14:02Really?
00:14:06I'd like to speak to Sergeant Powell.
00:14:12Sergeant Powell, go ahead.
00:14:14Sergeant Powell, go ahead.
00:14:16My name is Giles, from the Daily News.
00:14:18Ah, from the Daily News.
00:14:20So you're in charge of those headlines.
00:14:22Yes, well, partly.
00:14:25Are you about to solve the case of the Santa Claus murders?
00:14:28For the moment, we're still investigating.
00:14:30It's just a matter of time.
00:14:33That means you don't have any suspects yet.
00:14:35Would you mind repeating your name?
00:14:37My name is Giles. Giles.
00:14:40All right, Mr. Giles.
00:14:41If you need more information,
00:14:42Inspector Harris will give a press conference tomorrow.
00:14:45Forget about Harris.
00:14:47Tell me, Sergeant Powell.
00:14:49Could a hearing mean you could personally solve this case?
00:14:54I'm sorry, I don't understand. What do you mean?
00:14:58Do you have any information?
00:15:00Think about what I've told you.
00:15:03I'll call you.
00:15:05One moment, sir.
00:15:21Ponga me con el Daily News.
00:15:40Ponga me con el Daily News.
00:15:48Feliz Navidad, señora.
00:15:50Feliz Navidad.
00:15:59Kate Brioski?
00:16:00Sí.
00:16:01Me llamo Giles, del Daily News.
00:16:03Me ha dado un buen susto.
00:16:05Disculpe, no era esa mi intención.
00:16:06¿Puedo hacerle algunas preguntas?
00:16:08Si se trata de mi padre, me han aconsejado que no diga nada.
00:16:11¿Quién le ha aconsejado que no diga nada?
00:16:14El inspector jefe Harris.
00:16:16De todos modos, no podría decirle nada que no sepa ya.
00:16:19Mi interés es puramente humano.
00:16:21Cómo lo está llevando, qué planes tiene, ya sabe.
00:16:24Si su padre o su madre hubiera muerto en tan trágicas circunstancias,
00:16:27no me haría esa clase de preguntas.
00:16:30Tengo que hacerlo.
00:16:31Lo siento, pero tengo que irme.
00:16:33Si hay algo más que quiera saber, pregunte a la policía.
00:16:36¿Kate Brioski?
00:16:39Feliz Navidad.
00:17:06Feliz Navidad.
00:17:37¿Perdonad?
00:17:39¿Estáis pidiendo?
00:17:43Dios mío, por lo visto no necesitáis, ¿eh?
00:17:47¡Jerry!
00:17:48¿Dónde te habías metido?
00:17:50Bueno, tú ya me conoces, siempre vení para allá.
00:17:53¿Quién es ella? ¿Quién es la...?
00:17:55Es una amiga mía, Jerry Kate Jerry.
00:17:58Hola.
00:18:00Me parece que te he visto antes, sales en la televisión quizá.
00:18:04Os invito a una copa, ¿vale?
00:18:07Nos veremos luego, voy a comprar el periódico.
00:18:10¿Qué pasa?
00:18:11Salió en la televisión, mataron a su padre en una fiesta navideña.
00:18:16Dios, seré imbécil, ¿por qué lo habré dicho?
00:18:21No tienes que preocuparte, es solo que está muy triste.
00:18:24Bueno, en fin, dile que lo siento.
00:18:28No te preocupes.
00:18:29¿En qué estás trabajando?
00:18:31¿En qué estás trabajando?
00:18:32Trabajo con las máquinas de fotografiar.
00:18:34¿La probas o las vendes?
00:18:36Vamos, Cliff, no te lo tomes a broma.
00:18:38Soy fotógrafo profesional, incluso tengo mi propio estudio.
00:18:42¿Porno?
00:18:44¿Me crees capaz de hacer algo semejante?
00:18:49Oye, mira, Cliff, ¿por qué no te pasas algún día por mi estudio?
00:18:55Tengo una idea, ¿por qué no vienes esta noche?
00:18:58Te gustará.
00:18:59Incluso puede que haya algo especial para ti.
00:19:03Sobre todo si vienes con esa preciosa robita.
00:19:07¿Te parece bien a las seis?
00:19:09Pero nada de... ya sabes, vamos.
00:19:14No, digamos que será interesante.
00:19:18Muy bien, Prato.
00:19:19Será estupendo, ha sido un placer.
00:19:22Por cierto, afínate la flauta antes de venir, ¿de acuerdo?
00:19:27¡Je, je, je!
00:19:34¿Qué dice ese imbécil?
00:19:36¿Sabes? Nos ha invitado a tomar el té.
00:19:38¿En serio?
00:19:39Venga, vámonos.
00:19:42¿Qué le has dicho a Kate?
00:19:48¿Por qué has tenido que enseñárselo?
00:19:51¡Me dijerías que retorciera tu maldito pescuezo!
00:19:54¿Se puede saber qué he hecho ahora?
00:19:56Su padre, ¿recuerdas?
00:19:59Dios mío, lo había olvidado.
00:20:01No era para ella, era para Sharon.
00:20:06Será mejor que vaya a buscarla.
00:20:07¿Por qué?
00:20:08Esta noche no vas a conseguir nada de ella.
00:20:14Y luego puedes ayudarme con las fotos del exterior.
00:20:18¿Qué fotos del exterior?
00:20:21Vamos, tesoro.
00:20:23Abraza a mamá para que esté calentita.
00:20:25Hace mucho frío en la calle.
00:20:27Sí, muy bien.
00:20:29Quizás deberíamos esperar a Jerry.
00:20:31No creo que Jerry te consiga una instantánea tan precisa.
00:20:36Eres un encanto.
00:20:40Ahí vienen.
00:20:41Van a pensar que somos gais.
00:20:45¡Mierda!
00:20:46Y no tenemos llave.
00:20:48Vamos.
00:20:49Cliff, no me dejes aquí.
00:20:51No se han visto.
00:20:52Es una chica.
00:21:18¿Qué pasa?
00:21:48No.
00:22:19Ahí está.
00:22:25¿Se encuentra bien?
00:22:26Tranquilícese.
00:22:28Venga, ya pasó todo.
00:22:29Vamos.
00:22:31Venga.
00:22:48No entiendo cómo han permitido que saliera.
00:22:51Anoche, cuando la dejamos en su casa,
00:22:53le advertí que no saliera sin avisarnos antes.
00:22:55Probablemente esté...
00:22:57Espero que así sea.
00:23:00Inspector Harris.
00:23:02Ah, es usted.
00:23:03Adelante, no pienso levantarme.
00:23:08Pase.
00:23:12Oiga, estoy perdiendo mucho trabajo.
00:23:14Cálmese, señorita.
00:23:15Debería haber pasado la noche en la comisaría.
00:23:17Fueron las desgraciadas circunstancias de anoche
00:23:19las que le libraron de ello.
00:23:21La habrían detenido por exhibirse indecentemente.
00:23:23¿Indecentemente?
00:23:24Pero lo hizo en público.
00:23:26Ahora tranquilícese y conteste a mis preguntas
00:23:28y la dejaré volver a su trabajo.
00:23:30Oiga, lo único que vi fue un cuchillo.
00:23:32¿Un cuchillo?
00:23:33Sí, creo que era un cuchillo.
00:23:34O tal vez fuera una navaja.
00:23:36Ya tuve bastante con que Cliff me dejase tirada
00:23:38en mitad de la noche.
00:23:39¿Dónde estaba él cuando usted fue agredida?
00:23:42No tengo ni idea.
00:23:43¿Quién sospecha que pudo ser el agresor?
00:23:45No tengo ni idea.
00:23:46Estaba demasiado oscuro.
00:23:47Habría podido ser cualquiera, incluso usted.
00:23:50¿No llegó a verle la cara?
00:23:52Llevaba una máscara.
00:23:54Powell, me voy.
00:23:56Volveré dentro de una hora.
00:23:58Sí, pero...
00:23:59¿Qué ocurre?
00:24:00¿Por qué se ha ido tan deprisa?
00:24:01Lo hace muy a menudo.
00:24:02Le gusta estar solo.
00:24:04Quiero que lo piense detenidamente.
00:24:06¿Pasó algo en particular que le llamara la atención?
00:24:08¿Algún detalle?
00:24:10Sí, una cosa.
00:24:11Fueron sus ojos.
00:24:12Parecía como si sonriese.
00:24:14Ya.
00:24:15¿Recuerda si era alto o bajo?
00:24:18Era un hombre bastante corpulento.
00:24:20¿De mi estatura?
00:24:21Sí, sí, más o menos de la suya.
00:24:24Sí.
00:24:25Muy bien, nos ha sido de gran ayuda.
00:24:27No, no se mueva.
00:24:28Conozco el camino.
00:24:45¿Qué pasa?
00:24:46¿Qué pasa?
00:24:47¿Qué pasa?
00:24:48¿Qué pasa?
00:24:49¿Qué pasa?
00:24:50¿Qué pasa?
00:24:51¿Qué pasa?
00:24:52¿Qué pasa?
00:24:53¿Qué pasa?
00:24:54¿Qué pasa?
00:24:55¿Qué pasa?
00:24:56¿Qué pasa?
00:24:57¿Qué pasa?
00:24:58¿Qué pasa?
00:24:59¿Qué pasa?
00:25:00¿Qué pasa?
00:25:01¿Qué pasa?
00:25:02¿Qué pasa?
00:25:03¿Qué pasa?
00:25:04¿Qué pasa?
00:25:05¿Qué pasa?
00:25:06¿Qué pasa?
00:25:07¿Qué pasa?
00:25:08¿Qué pasa?
00:25:09¿Qué pasa?
00:25:10¿Qué pasa?
00:25:11¿Qué pasa?
00:25:12¿Qué pasa?
00:25:13¿Qué pasa?
00:25:14¿Qué pasa?
00:25:15¿Qué pasa?
00:25:22Disponga el teléfono.
00:25:28¿Puedes oírme ahora?
00:25:30Sí, ya puedo oírte.
00:25:32Siéntate.
00:25:35Gracias.
00:25:36Tell me, Santa Claus, have you brought me a gift?
00:25:39Me?
00:25:41I'm not the real one.
00:25:43I only work in a big pool at the end of the street.
00:25:46Oh, I thought you were Santa Claus.
00:25:50You're very pretty to work in a place like this.
00:25:53Actually, I'm not a model, I'm a dancer.
00:25:55Dancer?
00:25:56Yes, do you want to see it?
00:26:07Hehe.
00:26:10Is that all?
00:26:11What did you expect, Flashdance?
00:26:15I... I don't know. I don't know what I was expecting.
00:26:18It's the first time I've come to a place like this.
00:26:21Me too.
00:26:22Really?
00:26:25You know, I live with my mother.
00:26:27Me too.
00:26:29I don't think my mother would understand.
00:26:33Does your mother know you work here?
00:26:36Of course. She's the owner of this.
00:26:38I'm making a substitution.
00:26:40Oh, you're replacing another girl?
00:26:42No, my mother.
00:26:48Hey, we couldn't...
00:26:50Yes?
00:26:51We couldn't see each other without this glass.
00:26:54And, well, you know...
00:26:56No way. That would be illegal.
00:26:59Besides, who knows what could happen to you...
00:27:03with those kids always sitting on your lap.
00:27:08I'd like you to sit on my lap.
00:27:11You'd like that?
00:27:13You'd like me to sit on your strong knees?
00:27:17You'd like to touch my whole body?
00:27:20To caress me?
00:27:23Oh, yes.
00:27:30Do you want to see a little more?
00:27:32It'll cost you five more.
00:27:46Damn it.
00:27:47What happened?
00:27:48Did your boyfriend come back unexpectedly?
00:27:50I already told you.
00:27:51I didn't see that girl again after getting close to the cops.
00:27:54So you spent all night looking for her?
00:27:56I spent all night looking for that Jerry idiot.
00:28:00And when I found her,
00:28:02that's when I did this.
00:28:04Really?
00:28:07I guess it must be her.
00:28:12Maybe she's looking for you, too.
00:28:14Hi, Cliff.
00:28:17What happened to your hand?
00:28:19I got in direct contact with a certain jaw.
00:28:22Hi, Inspector.
00:28:24Anything new?
00:28:25No, I'm afraid not.
00:28:26Where were you last night, Cliff?
00:28:30I don't think that's your business.
00:28:32She was with me.
00:28:37Really?
00:28:39Yes, I know that.
00:28:40She was with you until she left that studio.
00:28:43But what interests me is what she did next.
00:28:48What happened?
00:28:50Sharon, the model you met last night,
00:28:53was assaulted on the street.
00:28:55Assaulted?
00:28:57Who did it?
00:28:58Maybe you can tell me.
00:29:00Do you remember how she was dressed?
00:29:02Santa Claus.
00:29:04How is that possible?
00:29:06You went out with that girl dressed as Santa Claus after what happened?
00:29:11You must be crazy.
00:29:13It wasn't my idea.
00:29:15I didn't think that...
00:29:17Wait a minute.
00:29:18In two of the murders, I was there.
00:29:21So it could have been me.
00:29:23But that's ridiculous.
00:29:25What reasons could I have to kill Santa Claus?
00:29:28None.
00:29:29As far as we know.
00:29:33Goodbye, Cliff. We'll meet again.
00:29:37Can I go see you, Inspector?
00:29:39Of course, Miss Brioski. You know where to find me.
00:29:42No, I'd like to talk to you in private.
00:29:52Here you are.
00:29:54My phone number.
00:29:57Very few people have it, Miss Brioski.
00:30:00Kate.
00:30:02You're welcome, Kate.
00:30:05But please, not today.
00:30:09Goodbye.
00:30:10Goodbye.
00:30:16Who are you? What are you doing here?
00:30:22I'm Giles.
00:30:24From the Evening News.
00:30:27I was told I'd find you in your office.
00:30:30I was just looking for fire.
00:30:34All right, Mr. Giles.
00:30:37What did you want to tell me?
00:30:39Look, my newspaper...
00:30:41They didn't seem to know you in your newspaper.
00:30:43In fact, they had never heard of you.
00:30:46Look.
00:30:48Giles Morgan.
00:30:51All right.
00:30:52Sergeant McBear was with me all the way here.
00:30:55Yes. You told me some information that could lead me to the killer.
00:30:59What I said was that it could mean a promotion to solve this case personally.
00:31:06Yes, all right. But do you know anything?
00:31:09Tell me, Inspector Harry tells me everything.
00:31:12Tell me, Inspector Harry tells you everything.
00:31:15He tells you about his movements.
00:31:17In fact, he keeps you informed.
00:31:19Well, to tell you the truth, I have a slight idea of what's going on.
00:31:23But where does that come from?
00:31:25I should keep an eye on you.
00:31:27Maybe you're insinuating that Inspector Harry...
00:31:29No, I'm not insinuating anything.
00:31:34I have to go. They're waiting for me in the newspaper.
00:31:39Why don't you try to follow him?
00:31:45Maybe he'll follow you.
00:31:53Denise.
00:31:54She just left my office.
00:31:57Yes, that's her.
00:31:59Have a couple of guys follow her for half an hour.
00:32:02Let's see where she's going.
00:32:04Let me know.
00:32:05All right.
00:32:08Let's go.
00:32:38And see their troubled minds
00:32:44Mankind is always trying
00:32:50Who's right and who's wrong
00:33:09Damn it!
00:33:24Hurry up, Mary.
00:33:25Come on.
00:33:26It's good quality.
00:33:28Fantastic.
00:33:33Hey, look, Santa Claus.
00:33:36Hey, look, Santa Claus.
00:33:40He looks like he's drunk.
00:34:06Oh, my God.
00:34:36Oh, my God.
00:35:06Oh, my God.
00:35:07Oh, my God.
00:35:36Oh, my God.
00:36:07So people say
00:36:11Miniguns capable of magic
00:36:14creates terror
00:36:16and killer with lightning and thunder.
00:37:06♪
00:37:15♪
00:37:23♪
00:37:30♪
00:37:38♪
00:37:47♪
00:37:57♪
00:38:05♪
00:38:14♪
00:38:21♪
00:38:29♪
00:38:35♪
00:38:40¿Quieres un café?
00:38:42Sí, sí. Gracias.
00:38:47Es curioso...
00:38:50...que no asistiera a su Mario Judicia.
00:38:53¿No te parece?
00:38:56¿De quién estás hablando?
00:38:58De tu querido inspector jefe Harris.
00:39:04Creía que aparecería.
00:39:08Asesinado por persona o personas desconocidas.
00:39:13Conclusión inevitable.
00:39:15Supongo que pensó...
00:39:17...que no valía la pena comparecer...
00:39:19...para oír lo que ya sabía.
00:39:24Estás obsesionado con él, ¿verdad?
00:39:27¿Qué quieres decir con eso de obsesionado?
00:39:33Ha sido solo un comentario, eso es todo.
00:39:44Soy yo quien te quiere, Kate, no él.
00:39:49Reúna tantos como puedas, sargento.
00:39:51Sí, con unos 20 o 30 será suficiente.
00:39:54Pero dígame cuántos, ¿eh?
00:39:56Muchas gracias.
00:39:58¿Quiere ver al inspector Harris?
00:40:00Sí, señor.
00:40:02En estos momentos baja del despacho del ayudante del comisario.
00:40:07Francamente, le aconsejo que no esté aquí cuando estalle la tormenta.
00:40:10Estaba de un humor de perros cuando subió.
00:40:25Powell, mucho me temo que este pueda ser mi último caso.
00:40:36Creo que voy a ganarle por la mano y luego dimitiré.
00:40:41Ese...
00:40:42Ese hombre de ahí arriba...
00:40:44...acaba de darme una orden tajante.
00:40:47Que sus hombres salgan a la calle.
00:40:51Como señuelos.
00:40:54Sí, señor, lo sé.
00:40:56Yo mismo acabo de ordenar la operación.
00:41:01Bien, así es como son las cosas.
00:41:03¿Por qué lo habrá hecho?
00:41:05Para que cuando el ministro del interior se le eche encima...
00:41:09...pueda responder a su pregunta de...
00:41:11...¿por qué no hace algo?
00:41:14Yo sí voy a hacer algo.
00:41:25¡Vaya frío!
00:41:26¡Si el sargento Powell pudiera vernos!
00:41:28¡Vamos o nos perderemos el show!
00:41:41Muy bien, vamos a ver.
00:41:43¿A quién de vosotros no le he dado aún un regalo?
00:41:46Aquí había uno, si no me equivoco.
00:41:48Muy bien.
00:41:50Aquí había uno, si no me equivoco.
00:41:52Muy bien.
00:41:54¿Uno para ti?
00:41:55Sí, eso es.
00:41:56¿Y otro allí?
00:41:58Veamos.
00:41:59No vayáis a comeroslos todos...
00:42:01...o vuestras madres me echarán a mí la culpa.
00:42:09Muy bien, niños.
00:42:10Se acabó por este año.
00:42:11Ahora Santa Claus tiene que irse.
00:42:13Eso es todo.
00:42:14Sed buenos, niños.
00:42:16Adiós, sed buenos.
00:42:20Adiós, niños.
00:42:51¡Ay!
00:42:53¡Ay!
00:43:11¿Cuánto vale?
00:43:12¿Cinco libras?
00:43:13No. De ningún modo, no.
00:43:15Es demasiado, demasiado.
00:43:20What's going on?
00:43:22I think he's following us.
00:43:24All right.
00:43:51Kate.
00:43:53Hello. How are you, Cliff?
00:43:55Is this how you make a living?
00:43:57Yes, from time to time.
00:43:59Apparently, Cliff can be very useful to us thanks to his contacts.
00:44:04He's able to open a gap before we can.
00:44:07It's just a matter of staying in touch and exchanging latest news.
00:44:11I was just going to ask you to call me whenever you want.
00:44:16Whenever you feel like talking to someone.
00:44:19I will. Thank you.
00:44:38Come in.
00:44:40Sit down.
00:44:42I'm sorry the police had to escort you, but we can't run.
00:44:46They haven't caught him yet.
00:44:48No, we haven't caught him yet, but with your help, we might be able to.
00:44:52Let's see.
00:44:53From what I understand, you were in the cabin with a client...
00:44:58He was a very nice guy.
00:45:00Yes, you always are.
00:45:02And when you were talking to him, the curtains opened, he came in, committed the crime, and then left.
00:45:10That's right.
00:45:12It was horrible.
00:45:14All right.
00:45:16Were you able to see his face?
00:45:18Yes.
00:45:19Really? If that's the case, you can describe it.
00:45:22Actually, no.
00:45:24You know, he was wearing a mask, and there was a lot of blood on the glass.
00:45:28It was all covered in blood.
00:45:31I understand.
00:45:33So you're telling me...
00:45:35that a man who has a crime against himself can commit a murder and leave...
00:45:40and that you're incapable of remembering anything?
00:45:43There's something I do remember.
00:45:45His eyes.
00:45:47It seemed as if they were smiling behind the mask.
00:45:50If I saw those eyes again, I could recognize him.
00:45:53If he were smiling.
00:45:55It doesn't help us much, but it's something.
00:45:58Now he'll go straight home.
00:46:00We'll take him to a police car and watch him 24 hours a day.
00:46:04Can't I go back to work?
00:46:06I don't think it would be wise to take into account the circumstances.
00:46:09Don't forget that he knows you saw him, even though he was wearing a mask.
00:46:14Yes.
00:46:16Get a car ready to accompany Miss Graham.
00:46:19Take her home and watch her 24 hours a day.
00:46:23At the main lobby, you'll find Sergeant Stevens waiting for you.
00:46:27Is that all?
00:46:29Yes. And thank you for coming.
00:46:34Yes.
00:46:40Are you Sergeant Stevens?
00:46:42Sergeant Stevens had to leave.
00:46:44He'll be back soon. How can I help you?
00:46:46Tell him I'm leaving, okay?
00:46:48Why don't you wait for him?
00:46:50No, it's the same.
00:46:52I should go with him, but I'm in a bit of a hurry, so I'll go alone.
00:47:10Police!
00:47:20Inspector Harris residence.
00:47:22Can I speak to Inspector Harris, please?
00:47:25I'm sorry, but he's not at home. Who are you?
00:47:27I'm Kate Brioski.
00:47:29I have to speak to him as soon as possible.
00:47:32Do you know where I can find him?
00:47:34Well, I don't know if...
00:47:36Please, it's very important.
00:47:38Today is his day of visit to Parklands.
00:47:42I know he goes there once a month.
00:47:45Parklands?
00:47:47Do you have his phone number?
00:47:49I don't think I can call him there.
00:47:51Then he has to go to the police station. Can't he wait?
00:47:54I guess I'll have to do it.
00:47:56Please, don't tell the inspector I mentioned Parklands.
00:48:00I don't think he wants people to know.
00:48:02People to know what?
00:48:04I've talked enough. Call the police station this afternoon.
00:48:07All right. Thank you.
00:48:20I'm back.
00:48:21Thank God. We were losing money.
00:48:35No.
00:48:49Hi, I'm Sherry. What's your name?
00:48:52I'm not here to tell you my name.
00:48:54All right. You want to get to the point.
00:48:57Do you know the rules?
00:48:59Rules?
00:49:01What rules?
00:49:04If you want to talk, talk.
00:49:06If you want to see my tits, there are five more.
00:49:09For 15, I'll be naked.
00:49:11For 50, I'll do whatever you want.
00:49:13What you do on the other side of the glass is your business.
00:49:20What's wrong?
00:49:24It's you!
00:49:33What's wrong?
00:49:34It's you!
00:50:03It's you!
00:50:34No!
00:50:50Shut up, bitch, or I'll shut you up.
00:50:53What are you going to do to me?
00:50:55I haven't decided yet.
00:50:56I don't understand. Why have you kidnapped me?
00:50:59I haven't done anything wrong to you.
00:51:01You called the police.
00:51:03And I didn't tell them anything.
00:51:05No, but you would have.
00:51:07I couldn't see your face. You were wearing a mask.
00:51:11But now it's too late.
00:51:14Because you've already seen me.
00:51:17Please, please let me go.
00:51:20I'll do whatever you want.
00:51:22Please let me go.
00:51:24Please.
00:51:25You're all the same.
00:51:27You sell yourselves as if you were meat.
00:51:31For 5 pounds, this.
00:51:34For 15 pounds, the other.
00:51:37For 50, whatever you want.
00:51:40But it's not just your flesh that you sell.
00:51:44It's your soul.
00:51:47You can't leave me here.
00:51:49Athena, I can breathe.
00:51:51Please, let me go. Please.
00:51:53Until you come back.
00:51:55I want you to think about your mistakes and your sins.
00:51:58And then you'll let me go?
00:52:00No.
00:52:01Then I'll kill you.
00:52:16Inspector Chief Harris?
00:52:19What, he's at home?
00:52:21Yes, put me through.
00:52:23Hello, sir. I'm Powell.
00:52:26Well, sir.
00:52:28In fact, I was just calling in case you...
00:52:35You've been removed from the case?
00:52:40I see.
00:52:44There's been another murder.
00:52:46So I'm under arrest?
00:52:48And what are you accusing me of?
00:52:50No.
00:52:52I'm going to let him go.
00:52:54I'll let him go once and for all. Satisfied?
00:52:56Once and for all.
00:52:58How is that possible?
00:53:00Because I want to know who the killer is.
00:53:03I'll be right back.
00:53:20Where's the party?
00:53:22Where's the party?
00:53:24What are you doing here, old man?
00:53:26The party's about to start.
00:53:28Hey, there's no party here.
00:53:31I'm the guest of honor.
00:53:34I'm the guest of honor.
00:53:37I want to go to the party.
00:53:39Don't push me.
00:53:41Merry Christmas.
00:53:43Get out.
00:53:45Merry Christmas.
00:54:01Merry Christmas.
00:54:09Hey!
00:54:11Where do you think you're going?
00:54:25Miss Munro and Company, please leave the scene.
00:54:29Miss Munro and Company, please leave the scene.
00:55:00Miss Munro and Company, please leave the scene.
00:55:25Lights, please. Is everyone ready?
00:55:28Let's start.
00:55:30Smoke and special effects.
00:55:33Lights, please.
00:55:35One, two, three.
00:55:37Now.
00:55:59I'm the warrior of love.
00:56:01Yes, I am.
00:56:03I'm coming to get you.
00:56:07I'm the warrior of love.
00:56:09Yeah, yeah, yeah.
00:56:11I'm coming to get you.
00:56:17You don't have to fight.
00:56:19Baby, just surrender.
00:56:21I will get you right away.
00:56:24I'm the warrior of love.
00:56:27I will get you right.
00:56:29I'll be so warm and tender.
00:56:31Get you in my sight.
00:56:33You've got no love protection.
00:56:35Baby, you can't hide.
00:56:37Away from my affection.
00:56:40I'm the warrior of love.
00:56:42Yes, I am.
00:56:44I'm coming to get you.
00:56:48I'm the warrior of love.
00:56:50Yeah, yeah, yeah.
00:56:52I'm coming to get you.
00:56:57I can't take defeat.
00:56:59I'm burning with your fire.
00:57:01No place to retreat.
00:57:03You are my desire.
00:57:05Get you in my love ray.
00:57:07Escape is out of question.
00:57:09You can't run away.
00:57:11So look in my direction.
00:57:14I'm the warrior of love.
00:57:16Yes, I am.
00:57:18I'm coming to get you.
00:57:22I'm the warrior of love.
00:57:25Yeah, yeah, yeah.
00:57:27I'm coming to get you.
00:57:56I've come as soon as I could.
00:57:58There's been a fever lately.
00:58:01I'll take care of it.
00:58:02Would you like something to drink?
00:58:03No, thank you.
00:58:04I don't have time.
00:58:05What did you want to tell me?
00:58:06I'm a little embarrassed.
00:58:07I'm afraid I'm going to reveal a secret.
00:58:11Let's get to the point, Miss Brioski.
00:58:15Today I called Inspector Harris' house.
00:58:18He wasn't there, but I talked to his maid.
00:58:20And he told me something very interesting.
00:58:22Tell me what he told you.
00:58:24He told me he had gone to Parlance.
00:58:26To Parlance?
00:58:27And?
00:58:28Well, it's a mansion.
00:58:30I've done my own research.
00:58:33His name is not on the civil registry, Sergeant.
00:58:37If we have to give credit to the registries, he doesn't exist.
00:58:41Miss Brioski told me he had something important to tell me.
00:58:45What I've heard seems ridiculous to me.
00:58:47I'm afraid you're wrong.
00:58:49I'm not wrong.
00:58:50He may have changed his name.
00:58:52He's in trouble.
00:58:54And what if he's changed his name?
00:58:56I think something strange is going on here.
00:58:58Harris said Cliff had something to do with all this.
00:59:01But Cliff was with me when they killed my father.
00:59:04Miss Brioski, I'm sorry, but I have to go.
00:59:07Look, I know I'm on the right track.
00:59:09If I find out anything, let me know.
00:59:11We'll talk to the killer, but looking in the registries won't get us anywhere.
00:59:23The doctor will see you right away.
01:00:23Escondan Yardiga.
01:00:25I'd like to speak to Sergeant Powell, please. It's urgent.
01:00:29Sergeant Powell won't be back until 9.
01:00:31But if you want, I can put him on the watch.
01:00:34No, it's fine.
01:00:36Just tell Sergeant Powell to call Kate Brioski.
01:00:39And to call me as soon as possible.
01:00:53ESCONDAN YARDIGA
01:01:10Take this, son.
01:01:12This is for you.
01:01:52It's always the same, it's all full of crap.
01:02:18It's always the same, it's all full of crap.
01:02:48It's always the same, it's all full of crap.
01:03:19To tell you the truth, it's a pleasure to see a young face.
01:03:24And beautiful, by the way. I'll serve you a drink.
01:03:31Oh, how nice.
01:03:38I was lucky to be at home. They must be very busy.
01:03:41No, not especially. At least me.
01:03:44They fired me. Do you drink without ice?
01:03:47Yes.
01:03:49Fired?
01:03:50Let's say they've officially fired me.
01:03:52Really?
01:03:55Cheers.
01:03:59I had a fight with Cliff.
01:04:01I understand.
01:04:02He's been very strange lately.
01:04:04Since you practically accused him of being involved in the murders, he's been acting as if he were.
01:04:11In what sense?
01:04:12He's become obsessive.
01:04:13Well, I don't officially take this case anymore.
01:04:17Actually, that doesn't change anything for me.
01:04:20Now you are the person I trust the most.
01:04:23I bet you haven't had dinner yet.
01:04:28No, I haven't had dinner yet.
01:04:30It will be a pleasure to invite you.
01:04:35Well, anyway, today is Christmas Eve.
01:04:38Pavo.
01:04:39Yes, miss.
01:04:41With all due respect, Luigi.
01:04:54I've already told him my name.
01:04:56But you haven't told me yours yet.
01:04:58Ian Harris.
01:04:59Ian?
01:05:01Yes, it's not a very original or romantic name.
01:05:04And besides, I'm not even Scottish.
01:05:07Tell me.
01:05:08I'm looking for the restaurant.
01:05:09You're not properly dressed, sir.
01:05:11I already know that.
01:05:15You won't believe it.
01:05:17He's been following us here.
01:05:19I'm just looking for someone.
01:05:21Very well, sir, but you're not properly dressed.
01:05:35This has arrived for you.
01:05:36I think it's important.
01:05:50How did you get in here?
01:05:52The porter has accompanied me.
01:05:54It's cold in the alley.
01:05:57What has he come for?
01:05:59You can't break into a house without being invited first.
01:06:03Yes, I can.
01:06:04Wherever I go, I'm welcome.
01:06:09I'm a member of this society.
01:06:12And very important, as they say.
01:06:15Find me the last name Brioski, please.
01:06:19What are you doing?
01:06:22I've had dinner with Inspector Harris.
01:06:24I promised him I'd call him.
01:06:27To tell him I'm here?
01:06:29No.
01:06:33Yes.
01:06:34So that he comes and arrests me.
01:06:36Answer me!
01:06:40Answer me!
01:06:42I hope so.
01:06:45You're not very hospitable.
01:06:49I saw Dr. Bradley yesterday.
01:06:52We were talking about you.
01:06:58Harris is his brother.
01:07:01Did he tell you?
01:07:04No, I found out for myself.
01:07:09You're very smart.
01:07:11What else have you found out?
01:07:14That the real name of Harris is Harrison.
01:07:18He changed it.
01:07:19Yes, he changed it when he put me in that asylum.
01:07:23He's ashamed of his little brother.
01:07:27But he visited him every month.
01:07:29Because I forced him.
01:07:30I threatened him with writing to the newspapers.
01:07:34I used to talk about his police job.
01:07:37And I thought I'd give him a real case.
01:07:40You killed my father.
01:07:42Yes.
01:07:45It was...
01:07:48a real shame.
01:07:50You know?
01:07:53He remembered me.
01:07:55On Christmas Day.
01:07:58I've got it.
01:08:004392369.
01:08:084392369.
01:08:19I should answer.
01:08:20No.
01:08:22Come on, answer.
01:08:26It could be important.
01:08:29Maybe it's his brother.
01:08:30No.
01:08:33Hey.
01:08:35Mr. Jabrioski, can you hear me?
01:08:40Mr. Jabrioski.
01:08:47They hung up.
01:08:48Someone hung up.
01:08:50Come on, hurry up.
01:08:51He must be in a hurry.
01:09:04Record everything.
01:09:05Yes, sir.
01:09:06Hurry up.
01:09:28This is Sergeant Powell.
01:09:29Put me with the special team, please.
01:09:31It's urgent.
01:09:35Yes?
01:09:37Yes, this is Powell.
01:09:38I told them to watch Harris day and night.
01:09:43Really?
01:09:46What did he say?
01:09:48That he's been at his house all night?
01:09:51Are you sure?
01:09:55My God.
01:09:58All right.
01:10:04Let's go.
01:10:25Sir, I think they saw our man at the car deposit.
01:10:28Let's go, hurry up.
01:10:34Let's go.
01:11:04Let's go.
01:11:34Let's go.
01:12:04Go.
01:12:05Go.
01:12:06Go.
01:12:07Go.
01:12:08Go.
01:12:09Go.
01:12:10Go.
01:12:11Go.
01:12:12Go.
01:12:13Go.
01:12:14Go.
01:12:15Go.
01:12:16Go.
01:12:17Go.
01:12:18Go.
01:12:19Go.
01:12:20Go.
01:12:21Go.
01:12:22Go.
01:12:23Go.
01:12:24Go.
01:12:25Go.
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01:12:29Go.
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01:12:31Go.
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01:15:28Oh, no.
01:15:29No.
01:15:30No.
01:15:31No.
01:15:32No.
01:15:33No.
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01:19:30Please, Coppola, help me.
01:19:43Help me.
01:19:48Oh
01:20:19Hmm
01:20:23The party did you create a man
01:20:28So he's no idea
01:20:48Oh
01:21:18You
01:21:48Oh
01:22:18You