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00:00:30In the dormitory, Sargent. A woman.
00:01:30In the dormitory.
00:01:48Where is he?
00:01:50I don't see him.
00:01:52What kind of madman cuts off a finger?
00:01:55Do you see that prayer book?
00:01:57I didn't care when I went to school.
00:02:04Where was your God when she was killed?
00:02:14In the dormitory, Lieutenant.
00:02:19Don't worry, Mike.
00:02:21Yes, of course.
00:02:27I don't know.
00:02:34Ask the neighbors.
00:02:36Yes.
00:02:38What are you doing here?
00:02:40I was in the area.
00:02:42Any idea?
00:02:43None that you can't deduce yourself.
00:02:45Tell me, please.
00:02:47It's not about drugs.
00:02:49It seems that she lived here alone.
00:02:52There is no gun, unless it is under her.
00:02:56No doors or windows have been forced.
00:02:59Lieutenant.
00:03:01The neighbor who discovered her, Mrs. Vaughn, says she knows her.
00:03:04She is a sister.
00:03:05What does that mean?
00:03:07It refers to a Catholic nun.
00:03:19Donato.
00:03:22We have to talk.
00:03:24Have we already talked?
00:03:26No.
00:03:27Let's stop mourning Tommy's death and talk about us.
00:03:31Lieutenant.
00:03:33Another murder.
00:03:35In the fifth building.
00:03:36And she was wearing the habit.
00:03:38Did this woman live here?
00:03:40I don't know.
00:03:42Who are you?
00:03:44Nobody knows anything?
00:03:46We can't go anywhere.
00:03:49Martin, do you leave me your table?
00:03:51No, go to another one.
00:03:52A homicide, right?
00:03:53Yes, the lieutenant is taking him.
00:03:55What the hell are you doing?
00:03:57Be careful with those cables.
00:04:02But...
00:04:03Those people were not going to start first in a room?
00:04:06Central.
00:04:07Good morning.
00:04:08Good morning.
00:04:09Halliday wants to see you immediately.
00:04:11Did he say why?
00:04:12No.
00:04:13Hey, I'd rather the press don't know about the amputated fingers.
00:04:16Make sure the agents who coordinated the area don't say anything.
00:04:19Okay.
00:04:20There it is.
00:04:21Come on, recording.
00:04:22Lieutenant.
00:04:23Lieutenant Donato.
00:04:24Any information about the murders?
00:04:26Can you talk about the same murder?
00:04:29How many crimes have been committed?
00:04:32Please, Lieutenant Donato.
00:04:35Answer us.
00:04:36I see that you find out everything very quickly.
00:04:39Nothing more.
00:04:40What does the forensic report say?
00:04:41Is there a suspect?
00:04:42Is there a suspect?
00:04:47It seems that you have obtained a case, Donato.
00:04:52Thank you, sir.
00:04:53They are going to examine it scrupulously.
00:04:55Crimes in chains, nuns.
00:04:57Besides, she is a woman.
00:04:59I understand.
00:05:00And he has chosen her for several reasons, you understand?
00:05:03Perfectly.
00:05:06I want you to form a special team.
00:05:08Choose the best homicide detectives.
00:05:10Any idea?
00:05:11I think I have several.
00:05:13How about Mike Dorato?
00:05:16No, he would not be on my list.
00:05:20Why do you discard him right away, Lieutenant?
00:05:23He is one of the best detectives, despite the Pick case.
00:05:26I will choose among the best.
00:05:28Our priority is to choose the murderer.
00:05:30No.
00:05:31A good professional would put his personal problems aside.
00:05:35Are you ordering me to choose my father?
00:05:38It's just a suggestion.
00:05:44Goodbye, Lieutenant.
00:06:01What do you think, Grandpa?
00:06:03I would say that there is a little more to that corner.
00:06:09Perfect.
00:06:11Yes, it's perfect.
00:06:13How cool.
00:06:14Beautiful.
00:06:15Hey, Mom.
00:06:16Hello.
00:06:17I'm getting better, right?
00:06:18Without a doubt.
00:06:20Okay, Maestro.
00:06:21Now let's go to the bathroom.
00:06:23Thank you, Mom.
00:06:27Do you have time for me?
00:06:30Of course.
00:06:31No, thank you.
00:06:32Have you left it?
00:06:34Six months ago.
00:06:36Good.
00:06:37I should, too.
00:06:43I'm going to the bathroom.
00:06:44Okay.
00:06:45Goodbye.
00:06:46Goodbye.
00:06:47Goodbye.
00:06:48Goodbye.
00:06:49Goodbye.
00:06:50Goodbye.
00:06:51Goodbye.
00:06:52Goodbye.
00:06:53Goodbye.
00:06:54Goodbye.
00:06:55Goodbye.
00:06:56Goodbye.
00:06:57Goodbye.
00:06:58Goodbye.
00:06:59Goodbye.
00:07:01Have you stopped drinking?
00:07:04No, although I have reduced it.
00:07:06But you have not come to talk about my vices.
00:07:09Can I not worry about your health?
00:07:12Do you want to calm down, Lieutenant?
00:07:14You can not be a good cop being so picky.
00:07:18I think you're pretty weird today.
00:07:23Why are we always like this?
00:07:26I do not know.
00:07:27Before this did not happen to us.
00:07:31Let's go.
00:07:49Archbishop O'Malley has talked with the mayor and the governor,
00:07:52and he has talked with Halliday.
00:07:54He wants to form a special group.
00:07:56Are you going to lead the investigation?
00:07:58Do you want to join?
00:07:59Who do you have on the list?
00:08:01Bobby Keegan, Pesky, Bobbins and Judy.
00:08:04You forget about Al Scott. He's a very good cop.
00:08:07And you too.
00:08:10What do you say, Sergeant?
00:08:14No, it wouldn't work. You and me...
00:08:17It would work if you stopped judging me.
00:08:19Do you want to stop removing it?
00:08:21Why don't you tell me what happened to Tommy?
00:08:23There are a lot of rumors on the street. Wasn't he clean?
00:08:25I don't want to talk about it.
00:08:27I need to know the truth. He was my brother.
00:08:29You already know everything you need to know.
00:08:33I'm fed up with you, Sergeant.
00:08:38Come on, Cal. Let's go home.
00:08:40I thought we were going to have dinner.
00:08:49Mike is just asking you to help him. He needs you.
00:08:54Why do you have to be so tough?
00:08:57I don't know.
00:09:02Do you think Tina knows how to take care of herself?
00:09:05Maybe she doesn't.
00:09:07Maybe she needs your help.
00:09:09Life is different.
00:09:11She's always getting Tommy out.
00:09:13Tommy is dead.
00:09:15And she wants to know why.
00:09:21Have you told us the whole truth?
00:09:25Yes.
00:09:26Then please, don't shut us up like that.
00:09:30We deserve an explanation.
00:09:44Don't you know him?
00:09:45Yes, but very little. I think we should try...
00:09:48Don't you like my office?
00:09:49You're the one who wanted to see me.
00:09:52I understand. Better a neutral field, huh?
00:09:55I want you in this case, Donato.
00:09:57You want me to spy on my daughter, don't you?
00:09:59No.
00:10:00It's her first important case, and I trust her.
00:10:03Me too.
00:10:04That's why I'm leaving her alone.
00:10:06Besides, I like being there, on the rampart.
00:10:08Moving you there was a favor.
00:10:10Either you go, or I had to present charges.
00:10:12Calm down, Mike.
00:10:14You need this case a lot.
00:10:16And so does Tina.
00:10:19I was trying on the shoes, and I said...
00:10:21Who's going to pay for those shoes? Me?
00:10:24Hello, Lieutenant.
00:10:25How long is this going to go on?
00:10:27We have to risk our lives to get to this office.
00:10:30I'm looking for another office, Pesky.
00:10:32So let's try to hold out here a bit, okay?
00:10:35Okay.
00:10:37Um, McCartney, you'll work with Pesky.
00:10:40What?
00:10:42Is there a problem?
00:10:43No.
00:10:44I find him perfect.
00:10:45The truth is, I've always liked working with a skirt.
00:10:49Be careful.
00:10:50You could be outdone by one.
00:10:53I'll hold out, Lieutenant.
00:10:54I'll hold out.
00:10:56Bobbins, you work with Keegan.
00:10:59Okay.
00:11:00We're going to connect with Dr. Stewart, who works in Atlanta.
00:11:03She's a specialist in behavioral sciences.
00:11:05She'll give us her opinion on the case.
00:11:07Okay.
00:11:08I'll be in touch.
00:11:09Okay.
00:11:10She's a specialist in behavioral sciences.
00:11:12She'll give us her opinion on the case.
00:11:14Okay.
00:11:15Thank you, David.
00:11:17Good morning, Dr. Stewart.
00:11:18Good morning, Lieutenant.
00:11:25Sergeant Donato?
00:11:37Okay, Dr. Stewart.
00:11:38Anytime.
00:11:41I'd say it's a psychopath.
00:11:43Surprise, surprise.
00:11:49According to the evidence, I'd say he's about 30 years old.
00:11:53He could be married, and he's very intelligent.
00:11:56Catholic? Most likely not a practitioner.
00:11:58Perhaps he suffered some kind of torment from a nun when he was young.
00:12:02And what does the finger tell us?
00:12:03Ah, the ring finger.
00:12:05It indicates marriage to Christ.
00:12:06It could be significant, but not necessarily.
00:12:09Psychopaths like to do strange things.
00:12:11They like to have something to look at in private.
00:12:14Wouldn't his wife suspect that he's married?
00:12:17Surely that person has been a psychopath since childhood, but he hasn't been diagnosed.
00:12:21I have no doubt that he's going through a normal person.
00:12:24His thinking is rational, but his motivations are not.
00:12:27What does it suggest?
00:12:29He probably killed before, but no one listened to him.
00:12:33Killing a nun, maybe they'll do it.
00:12:35Newspapers deal with the case, and he's news.
00:12:37Dr. Stewart, you said he was intelligent.
00:12:41Would you say he's selfish? Arrogant?
00:12:45He certainly is.
00:12:47He thinks he's smarter than you.
00:12:49He thinks you're a bunch of idiots.
00:12:52The problem with a psychopath is that after the first murder,
00:12:55whatever the motive, the motivation can disappear,
00:12:59and the murder itself becomes a motive,
00:13:01because the killer enjoys it and can't stop.
00:13:04He doesn't want to stop.
00:13:16The profile that Dr. Stewart has given us won't be the one that the press would like.
00:13:20Are you going to try to provoke him?
00:13:22Exactly.
00:13:23Do you think it's convenient to force him to act?
00:13:25He'll kill again, no matter what we do.
00:13:27If he's arrogant, he'll understand a challenge.
00:13:30If he's arrogant, he'll understand a challenge.
00:13:33We can wait for his own ego to betray him,
00:13:36and we haven't yet spread the word about the fingers.
00:13:39Good.
00:13:40And who will work with Sergeant Donato?
00:13:43Me.
00:13:44Come in.
00:13:54How's Renata, Mike?
00:13:56She misses you.
00:13:57You haven't come to see us since you lived with that boy.
00:14:00Yes.
00:14:02And how are you and Dina?
00:14:04You too?
00:14:06We're working together. What else do you want?
00:14:09I have my interests in the Donato family and I haven't retired yet.
00:14:13And I don't think you have either.
00:14:15Whatever it is, Dina is fine.
00:14:17Really?
00:14:18And how do you know?
00:14:19Did you ask her?
00:14:21See you later.
00:14:23As you all know,
00:14:25on the night of January 7th,
00:14:27Angelica's sister's body was found in her apartment.
00:14:30That same night,
00:14:31Mary Joseph's sister was found in a parking lot downtown.
00:14:35Both victims suffered sexual assault and numerous stab wounds.
00:14:39Chief Halliday has put me in charge of the special group
00:14:42that will investigate the crimes.
00:14:44Could it be a re-incident?
00:14:46Yes.
00:14:47What about the cell phone, Lieutenant?
00:14:49For now, I can only give you conjectures.
00:14:51We're investigating the Forensics and interrogating those who knew the victims.
00:14:55But we'll find a cell phone, I assure you.
00:14:57And what do you do to protect the nuns?
00:14:59We do everything we can.
00:15:01Does that mean the nuns in Los Angeles can be at peace?
00:15:04No one in Los Angeles is at peace.
00:15:07Is it a premeditated murder?
00:15:10Yes, it seems so.
00:15:11Then there must be a cell phone.
00:15:13I haven't said there isn't, but I don't want to speculate.
00:15:16We have theories and we've built a psychological profile of the murderer we're looking for.
00:15:21What's his profile, Lieutenant?
00:15:23He's probably around 30 years old.
00:15:26Single, lonely.
00:15:28He has a low IQ.
00:15:30And a humble job, if he has any.
00:15:33We believe he's a psychopath.
00:15:40Come on, guys.
00:15:42Hey, Jack, bring some water.
00:15:44Donato, we'll start with your office tomorrow.
00:15:47What?
00:15:48We have to finish.
00:15:49And where do you want us to go?
00:15:51There's a place for you. It's not big, but it's like what we have.
00:15:54Good.
00:15:55Well, well, where did you do it?
00:16:01Of course, I'd never heard of it.
00:16:03Lieutenant Donato's office.
00:16:07For you.
00:16:09Lieutenant Donato.
00:16:12What do you mean you're not going to Porcal?
00:16:17It's your weekend. I was counting on you.
00:16:21Fine, fine, Gino, do whatever you want. It's what you always do.
00:16:33Yes?
00:16:35Lieutenant, for you, line one.
00:16:38What's up, Gino?
00:16:40Dina, you'd look great in a nun costume.
00:16:45Who's this?
00:16:46You're very loud, aren't you?
00:16:50Can you locate the call?
00:16:53Well, maybe we could meet and talk.
00:16:55Oh, I don't think I can.
00:16:57I'm too busy parking cars and scrubbing dishes.
00:17:01Do you understand, Lieutenant?
00:17:03One more day in the life of an indigent psychopath.
00:17:06What do you want? Speak.
00:17:08First, let me congratulate you on your outfit.
00:17:11What a beautiful brocade vest.
00:17:13And the gold brooch gives you a touch of distinction.
00:17:17What an unusual elegance for a detective.
00:17:20I'm impressed.
00:17:22So you're a looker, huh?
00:17:24I do more than look. I do much more.
00:17:27You're not married, are you, Lieutenant?
00:17:29Why?
00:17:30I've noticed you don't wear a ring.
00:17:33But don't worry, Dina. I have two left.
00:17:38What?
00:17:44I didn't take it.
00:17:54Tell us about your sister's visit to the bar.
00:17:57My sister's visit?
00:17:59Yes. Tell me, how did you find her?
00:18:02How did I find her?
00:18:03Yes, she was worried, serious.
00:18:05Gretchen was always happy.
00:18:08My sister was her real name.
00:18:11But she couldn't be Gretchen's sister.
00:18:14So she chose Angelica.
00:18:16Angelica, what's the meaning of that name?
00:18:20After your visit, what happened?
00:18:23What happened?
00:18:24Where did you go this afternoon?
00:18:27Well, we went for a walk.
00:18:29How long did it take?
00:18:32How long?
00:18:34Do you want to know how long it took?
00:18:36Yes.
00:18:39Half an hour?
00:18:42An hour and a half?
00:18:45Two hours?
00:18:47Bart, you're not competing on TV.
00:18:50You know the answer.
00:18:52An hour.
00:18:53And what did you do afterwards?
00:18:56What did we do afterwards?
00:18:58Please, Bart, answer the question.
00:19:02Answer the question.
00:19:06I went home.
00:19:09And your sister?
00:19:11Where did she go?
00:19:13Bart!
00:19:14She went home.
00:19:16Where did she go?
00:19:18She went home.
00:19:23Here.
00:19:25If you're leaving town, tell us before you go.
00:19:28Leave here?
00:19:29Go to the station tomorrow.
00:19:31Go to the station.
00:19:32Take the stairs and go up to the second floor.
00:19:35No, that's not it.
00:19:36She said she was leaving town.
00:19:37Where was she going?
00:19:53Don't worry, Sergeant.
00:20:02This is fantastic, don't you think?
00:20:04They take us out of the construction area and put us in a warehouse.
00:20:07At least there's silence here.
00:20:09They're communicating.
00:20:10Bob, when you want to go on your own, let me know, okay?
00:20:13Oh, I don't know if you can do it with me, Gigan.
00:20:15You know I'm terrible, don't you?
00:20:17Hey, Gigan.
00:20:18I'm telling you, I'm telling you.
00:20:19If it's my mother, I'll do it.
00:20:21If it's my father, I'll do it.
00:20:23If it's my father, I'll do it.
00:20:25If it's my father, I'll do it.
00:20:27If it's my father, I'll do it.
00:20:29If it's my father, I'll do it.
00:20:30Serve me some coffee.
00:20:31Do you want some, baby?
00:20:32Do I look like your mother?
00:20:34Oh, I love it.
00:20:35I like this girl.
00:20:37Companion.
00:20:38That's what I'm afraid of.
00:20:43How does it feel to be the head of your own daughter?
00:20:51Good morning, Lieutenant.
00:20:53Okay, we can start.
00:20:55The Forensics have determined that both nuns were stabbed with the same weapon.
00:20:59Probably a knife, also used to cut their rings.
00:21:04The killer hates nuns.
00:21:05What's the technique?
00:21:06He stabs them and then strangles them?
00:21:08He strangles them with the rosary.
00:21:10Yes, but first he rapes them.
00:21:12Both resisted.
00:21:13The assaults were horrible.
00:21:1517 wounds each.
00:21:17Why did he unbutton their blouses?
00:21:18Was there no need to stab them?
00:21:20Because that way the wounds are more obvious.
00:21:22For whom?
00:21:24For us, the photographers, and whoever wants to look.
00:21:26Fame, of course.
00:21:27Well, anything else?
00:21:28We haven't found the fingers or the weapon in a 10-apple radio.
00:21:32Believe it or not, in the Angelica's sister's building,
00:21:35no one heard or saw anything.
00:21:38Mike, was there any evidence that someone had forced the entrance?
00:21:41No.
00:21:42We have a little clue.
00:21:45Next to the Angelica's sister was a blond pubic hair.
00:21:52And...
00:21:54Here it is.
00:21:55Here it is.
00:21:56This is the blond hair that was mixed with the hair of Mary Joseph's sister.
00:22:00Both hairs belong to the same person.
00:22:02It's better than nothing, but it doesn't work as evidence.
00:22:05Coincidence reinforces the profile given by Dr. Stewart.
00:22:08And the forensic scientists have identified a coat of hair, Gentle Mist.
00:22:12The lieutenant suggests that we can start to rule out suspects.
00:22:16Well, let's get to work.
00:22:21Judy and Pesky, look for information on blond sexual assailants.
00:22:25I like blond people.
00:22:27Lieutenant, have you received any more phone calls?
00:22:30No, but if he calls again, I'll give him your number, Pesky.
00:22:33Bobens and Keegan, do a national search of all those who use techniques similar to those demonstrated.
00:22:39Yes, sir.
00:22:40We'll be in touch.
00:22:42Bobens and Keegan, do a national search of all those who use techniques similar to those demonstrated.
00:22:47Yes, sir.
00:22:48I'll go to the inn and talk to the superior mother.
00:22:51Oh, by the way, if you have any gossip, go see her.
00:22:55Let's eat together at 12.30.
00:22:57But I invite you.
00:22:58Hey, Keegan.
00:22:59Sergeant.
00:23:01Don't make me an interpreter.
00:23:03If you want this to work, don't treat me like a child.
00:23:08Don't explain what I say, understood?
00:23:12Understood.
00:23:16By the way, this morning I was at the inn.
00:23:19Sister Margaret will receive us this afternoon.
00:23:23We'll meet there.
00:23:30How's it going with your father?
00:23:32Oh, you know how it is.
00:23:35You're like two boxers afraid to throw a punch.
00:23:39Every time I get close to him, he closes up.
00:23:41So I get away, what else can I do?
00:23:43From such a punch.
00:23:44What are you saying?
00:23:47Maybe I don't talk too much, but you must know that he loves you.
00:23:51He helped Tommy a lot, I know because I saw him.
00:23:55We all loved Tommy.
00:23:56Everyone loved Tommy.
00:23:58Tommy's death is not the only problem, Tina.
00:24:00And you know it.
00:24:03To begin with, he never wanted me to be a cop.
00:24:06But he supported you and Tommy from the moment you entered the body.
00:24:09He just wanted to protect you.
00:24:11He thought I couldn't do it, and he still does.
00:24:13How do you know? Have you asked him?
00:24:15All right, all right, McCartney.
00:24:17Time's up. End of session.
00:24:19Why don't we talk about you, huh?
00:24:21Well, lately I haven't been very well.
00:24:25Have you been to the doctor?
00:24:28And?
00:24:29He says he's preparing a crib.
00:24:34Oh, no!
00:24:37Judy, what did Nina say?
00:24:38She's delighted.
00:24:39I'm going to have a baby.
00:24:41I've been wanting it for a long time.
00:24:42I'm very happy for you.
00:24:44Are you getting married?
00:24:46I guess so.
00:24:47You don't need to.
00:24:51Can I do something for you?
00:24:54Do you want to give birth when the time comes?
00:24:57No.
00:24:58I was wondering.
00:25:03I don't know.
00:25:16Vinnie.
00:25:19Jack.
00:25:22Jack, sit down.
00:25:23All right, all right.
00:25:25Is this yours?
00:25:28How are you, Mike?
00:25:30Mike.
00:25:32Anyway, I think it's been raining a lot since the old days, hasn't it?
00:25:37Yes, but I see you're still ahead.
00:25:42I was wondering when you'd come here.
00:25:44Well, Vinnie, we try to cover all angles.
00:25:48I thought you might have seen someone with a strange look on their tail.
00:25:53Someone who looks like he needs to make a confession, you know?
00:25:57I made a good confession.
00:25:59Yes, Vinnie, it was the best.
00:26:02Hey, do you still have the necklace?
00:26:07What for, Mike?
00:26:09I want you to do something for me.
00:26:10I need you to go to churches and convents...
00:26:13and try to detect a priest with some kind of problem.
00:26:16But you don't do anything.
00:26:20I haven't worn a necklace in years.
00:26:22For old times' sake, Vinnie.
00:26:24Take this.
00:26:26Take this.
00:26:28You have to get out of here.
00:26:30Get some fresh air.
00:26:31Get some sun.
00:26:33At least for a while.
00:26:38Mike.
00:26:50Sister Angelica was a good nun.
00:26:54She served Our Lord for 13 years.
00:27:00Do you like your job?
00:27:04Yes, I suppose so.
00:27:08Day after day, they only see the worst of man.
00:27:13It's almost as if they were living with evil.
00:27:16Yes, and often very close.
00:27:19Did Sister Angelica have any enemies?
00:27:21No.
00:27:23Of course not.
00:27:25Is there anyone particularly difficult?
00:27:28I imagine she punished children from time to time.
00:27:33Did she educate herself with nuns?
00:27:36Yes.
00:27:37We haven't used physical punishment in a long time.
00:27:41Sister, there are many kinds of punishment.
00:27:44Ridicule, humiliation in front of everyone.
00:27:47I'm not going to betray my children.
00:27:49If you have a list of names, give it to us.
00:27:53Sister.
00:27:55Two nuns have been raped and mutilated.
00:28:05I'll try.
00:28:13We've discovered some interesting things.
00:28:15Really?
00:28:16Yes, a couple of things.
00:28:24Why so much urgency?
00:28:26I have a clue about the nuns' inn.
00:28:28A boy named Posi arrived drunk, and Sister Angelica raped him.
00:28:31She threatened to kill him.
00:28:33It's a shame that Posi doesn't fit the profile.
00:28:35Sometimes profiles fail.
00:28:37Maybe we should check it.
00:28:39If we wait too long, we could lose him.
00:28:41The most sensible thing would be to investigate him.
00:28:43You decide, Lieutenant.
00:28:54Shut up, kid!
00:29:06I've told you a thousand times not to show up on TV!
00:29:10Shut up, bitch! I'm tired of listening to you!
00:29:12I'm tired of you insulting me!
00:29:14I told you to shut up!
00:29:16Shut up, pig!
00:29:25Posi, it's the police.
00:29:27Open up!
00:29:40Stop!
00:29:41He's getting away through the window.
00:29:44He's on the fire escape. He's got a gun.
00:29:47Go the other way.
00:29:49Stop! Police!
00:30:19Police!
00:30:35Judy, you'll be fine.
00:30:37Calm down.
00:30:39Judy is injured.
00:30:40There are people injured in the shooting.
00:30:42Send an ambulance to Union Street in Washington.
00:30:49I'll be there in a minute.
00:31:14Calm down, Mike.
00:31:16Let's not ruin everything.
00:31:18You shot Judy.
00:31:20Hold on, please.
00:31:22You'll be fine.
00:31:24You'll be fine.
00:31:26Hold on, Judy.
00:31:28Don't leave me alone, please.
00:31:30Come on, you'll be fine.
00:31:32Okay?
00:31:34Come on, Judy.
00:31:36Come on.
00:31:49He's dead.
00:31:51No.
00:31:57No.
00:32:08No.
00:32:18No.
00:32:48No.
00:33:18No.
00:33:25What did you find?
00:33:26A lot of alcohol.
00:33:28And behind the barrel of the bottle,
00:33:30a hermetic bag with a kilo of coke.
00:33:32That pig had several reasons to escape.
00:33:35And another bad news.
00:33:37That man was in jail when they killed Angelica.
00:33:41It had nothing to do with the death of the nuns.
00:33:48No.
00:34:14It was my fault.
00:34:16I should have told you before.
00:34:19We follow clues.
00:34:21It's all we do.
00:34:23Do you really think so?
00:34:25I could have insisted more.
00:34:28But I didn't do it because I wanted to fuck him like you.
00:34:32It was stupid.
00:34:34Judy died for no reason.
00:34:36You'll get old if you look for reasons, Dina.
00:34:43I saw you at the funeral.
00:34:45You seemed to be somewhere else.
00:34:47What were you thinking?
00:34:53Tommy.
00:34:57Me too.
00:35:00He shouldn't have died.
00:35:03It was wrong.
00:35:08I don't know.
00:35:11Of course.
00:35:16Have you ever wished that I had died instead of him?
00:35:23Dina.
00:35:25How can you ask me that?
00:35:46I'm going to meet with the mayor and the archbishop.
00:35:49We have clues and false confessions, but we're not very lucky.
00:35:52Lieutenant, we've lost a good cop.
00:35:54We're far from catching that maniac.
00:35:56And he pretends to be angry with you.
00:35:58Why didn't he tell me what he was going to do?
00:36:00We know he'll kill again. I'm trying to get him out.
00:36:02He wants to improve the image we have of him.
00:36:04So he'll try to be more...
00:36:06Maybe not.
00:36:07Maybe his ego betrays him.
00:36:09Or maybe he'll even appear on stage as Miron.
00:36:13I don't know.
00:36:18Do you think it will work, Mike?
00:36:20Listen, I have to make that decision.
00:36:22If he doesn't like it, fire me.
00:36:26All right, Lieutenant.
00:36:28Go ahead.
00:36:29But if there's no progress by the end of the week, I'll fire you.
00:36:32Understood?
00:36:33Yes, sir.
00:36:42Mom, how long do I have to keep playing the piano?
00:36:45I thought you liked it.
00:36:47It's fine, but...
00:36:50I'd like to be a cop.
00:36:53Not a pianist.
00:36:57Cal, I don't want you to be a cop.
00:36:59Why not?
00:37:01I don't want to be a cop.
00:37:03I don't want to be a cop.
00:37:05I don't want to be a cop.
00:37:07I don't want to be a cop.
00:37:09Cal, I don't want you to be a cop.
00:37:11Why not?
00:37:13Because it's a very hard job and...
00:37:16I'd always be worried about you.
00:37:19You're always worried, Mom.
00:37:21I want to be like you and Grandpa.
00:37:23Hey, maybe we'll work together sometime.
00:37:29Come here.
00:37:39Come here.
00:38:09I love you.
00:38:39I love you.
00:39:09Who is it?
00:39:10It's me.
00:39:14What's wrong?
00:39:16Are you okay?
00:39:18Yes, of course.
00:39:20What?
00:39:21Take your coat. I want to show you something.
00:39:24Aby will stay with Cal.
00:39:39What?
00:39:45Her name was Anne Marie.
00:39:48Do you think it was him?
00:39:50Yes, I'm sure.
00:39:51There's not a lot of blood.
00:39:53He killed her somewhere else.
00:39:55The nuns of this city are scared.
00:39:59How did he get close to them?
00:40:01They should have met him.
00:40:03Or so they thought.
00:40:05He must have deceived them at some point.
00:40:08Why here?
00:40:10Why in my neighborhood?
00:40:12He's playing with us.
00:40:15He knows what he's doing.
00:40:26Hello?
00:40:28Mom?
00:40:30What are you doing here?
00:40:32I wanted to talk to you about Judy's funeral.
00:40:35Honey, I can't talk right now. I have an appointment.
00:40:39Okay, I'll go with you.
00:40:41As you wish.
00:40:46Mom, what's wrong?
00:40:48What do you want me to do?
00:40:50I'm tired of looking at empty rooms.
00:40:54I'm tired of writing letters.
00:40:58I'm tired of waiting for someone to knock on the door...
00:41:01...to tell me who else I've lost.
00:41:05Mom, wait. Why don't we talk?
00:41:08Talk?
00:41:11I think you don't know that your father was very talkative.
00:41:15We talked about family, honor...
00:41:18...and love forever.
00:41:21And I fell in love with him.
00:41:24Now we talk just to talk.
00:41:26And nobody says anything.
00:41:28Mom...
00:41:30My father would have saved Mike's life.
00:41:33He could have inherited a multi-million dollar business...
00:41:36...but he didn't want to be a cop.
00:41:38He was excited to go out on patrol...
00:41:40...and chase suspects.
00:41:42Anything but success.
00:41:44Maybe being a first-degree sergeant is a success for him.
00:41:47Haven't you ever thought about it?
00:41:50Mom has lived through difficult times.
00:41:52First Tommy, and then being sent to Rampart.
00:41:55Why did they transfer your father to Rampart, Dina?
00:41:57Do you know?
00:41:58Yes, he let them beat a suspect...
00:42:00...and he was about to die.
00:42:02Exactly, Juvie Peek, drug dealer.
00:42:04But why were they about to kill Palos?
00:42:08I don't know.
00:42:10One night while your father was sleeping...
00:42:12...I read Peek's file.
00:42:14And your brother's number...
00:42:16...was on his call list.
00:42:18Not once, but many times.
00:42:23Did you ask Dad?
00:42:26No.
00:42:29No, he was too scared.
00:42:33Dina, I'm fed up with cops.
00:42:35Mom, wait.
00:42:38Tommy is dead, Dina.
00:42:41That's all that matters to me.
00:42:44And it doesn't make sense.
00:42:46Why did he never have to be a cop?
00:42:48He wasn't made to be one.
00:42:50Actually, he never wanted to be one.
00:42:52He only did it to please your father.
00:42:57Tell me, why do you do it?
00:43:08Donna?
00:43:13Sergeant Donato.
00:43:15Donna saw something that might interest you.
00:43:18I suppose it's not to get a shot, is it?
00:43:20My friend, if it doesn't interest you, I'll give it to someone else.
00:43:31I was waiting for a guy...
00:43:34...who had something to tell me.
00:43:36But he was late.
00:43:38So I spent most of the afternoon...
00:43:40...waiting.
00:43:42And I saw a nun passing by.
00:43:44Where was she going?
00:43:46To the building across the street...
00:43:48...where the other nun was killed.
00:43:50The nun I saw could be the one who was killed.
00:43:53But?
00:43:55The nun they killed was very short.
00:43:59Go on.
00:44:02The nun I saw was very tall.
00:44:06What do you mean, tall?
00:44:07I told you, she was very tall.
00:44:09Do you think I'm measuring people?
00:44:10I just want to know how tall that nun was.
00:44:13I told you, she was too tall to be a nun.
00:44:17You mean, to be a woman?
00:44:22Yes.
00:44:24Yes.
00:44:26To be a woman.
00:44:33Hello.
00:44:34All right, guys, listen to me.
00:44:37You already know Al Scott.
00:44:38From now on, he'll work with us.
00:44:40Bobbins.
00:44:41Al Scott.
00:44:42What is it?
00:44:43We have reasons to believe that our man was disguised as a nun.
00:44:46I suppose it's a joke.
00:44:47We've been stupid.
00:44:48Exactly.
00:44:49We'll check the invoices for the last five years...
00:44:51...and we'll search the costumes shops in Los Angeles.
00:44:53We'll look for a man who bought a nun's costume...
00:44:55...probably with a fake name.
00:44:57Hopefully, he could have used the real one.
00:45:00I know it's going to be a lot of work...
00:45:02...but if we don't get ahead of ourselves...
00:45:04...Halliday will fire us.
00:45:06What?
00:45:07He's capable.
00:45:08I've lost a partner...
00:45:09...and I've given up on this case.
00:45:11I don't want another idiot to take the credit for what we've done.
00:45:14Then, all right.
00:45:16All right.
00:45:22I saw Mom today.
00:45:26And?
00:45:29She told me that...
00:45:31...the death of Tommy and the Pick case were connected.
00:45:35Do you know anything about that?
00:45:38I'm sorry, but I don't want to talk about it.
00:45:41Can I know when you want to talk?
00:45:44Another time.
00:45:48All right, Sergeant.
00:45:51But remember that life is short...
00:45:54...and we die soon.
00:45:59Calm down, Carl.
00:46:01Please, don't cry.
00:46:03Calm down.
00:46:05Please.
00:46:07Why is she crying?
00:46:08What's wrong with her?
00:46:09Look at the desk.
00:46:11A messenger brought it 20 minutes ago on behalf of Carl.
00:46:14You won't believe it.
00:46:18Mom.
00:46:23Sir.
00:46:26We're done.
00:46:27What do we have?
00:46:28We don't know yet.
00:46:29All right, I'll wait for the report.
00:46:37Do you think he'll try to hurt us?
00:46:40I doubt it.
00:46:42But I'm not going to take any risks with you, Dina or Carl.
00:46:45I don't understand Dina.
00:46:47How are you going to protect her?
00:46:49Will she be with me?
00:46:54You shouldn't have told her anything about the Pick case.
00:47:02What does it have to do with the Pick case?
00:47:05It's about us.
00:47:10I think...
00:47:12...we should take advantage of the time we have outside...
00:47:15...to find out what we want from each other.
00:47:18I know what I want.
00:47:20I want us to be together.
00:47:23That's fine, Mike.
00:47:29But there will have to be some changes.
00:47:35We can't go on like this.
00:47:38Okay?
00:47:42Okay.
00:47:59I want to go with you.
00:48:01I'm sorry, honey, you can't come now.
00:48:03But I promise you won't be with Aunt Carol for long, okay?
00:48:07Does it have anything to do with the murders?
00:48:09No.
00:48:10Come on, trust me, okay?
00:48:12I don't need you to protect me from the truth.
00:48:15I'm not a baby.
00:48:17Do you think I don't know they could kill you like Uncle Tommy?
00:48:23Oh, Carl.
00:48:25I'm sorry.
00:48:27I didn't know you were worried.
00:48:29Of course I am.
00:48:30Who would be worried if I wasn't?
00:48:36I love you.
00:48:41I love you, too.
00:48:47He's with my son.
00:48:49My son!
00:48:50I know it's hard for you.
00:48:52He's my grandson.
00:48:54Don't take it personally.
00:48:56Emotions can't be seen clearly.
00:48:58I'll get that son of a bitch, I swear to God.
00:49:00Dina.
00:49:03Stay here with me.
00:49:05It's safer.
00:49:06Come on, Dad, my room is full of junk.
00:49:08Is this Tommy's room?
00:49:38Fuck.
00:50:08Come on.
00:50:18Excuse me, ma'am.
00:50:19You shouldn't be walking alone.
00:50:21Yes, I know.
00:50:22But I'm late.
00:50:24May I escort you home?
00:50:26I'm four blocks from home, agent.
00:50:28We have special orders to protect all religious women.
00:50:31So I'll only follow orders if you let me accompany you.
00:50:35Thank you, you're very kind.
00:50:37Okay.
00:50:49Keep me informed.
00:50:51Okay, Teni.
00:50:53Don't worry.
00:50:54The doorman says there's a photographer named Kim Lyon living in the attic.
00:50:58He seems to like parties and costumes.
00:51:00Donato and I will start over there and go down.
00:51:03You start downstairs and go up.
00:51:05You take care of the rest.
00:51:10We found a nun murdered in the elevator.
00:51:13What?
00:51:14We were told she likes to dress up.
00:51:16Do you have a costume that looks like a nun's habit?
00:51:21I have a cape, but I don't have a nun's habit.
00:51:24What is this, Nazi Germany?
00:51:26You can't register my apartment without an order.
00:51:29We don't register your apartment, Mr. Lyle.
00:51:31If we were doing it, I wouldn't be so calm.
00:51:34Can we see the cape?
00:51:38I have nothing to hide.
00:51:51Can I use the bathroom?
00:51:53It's over there.
00:52:04Ahem.
00:52:07Where were you last night?
00:52:09I was at home.
00:52:12Wait.
00:52:13Wait, wait.
00:52:14I'm not a suspect, am I?
00:52:16Was there someone with you?
00:52:18Wait a minute.
00:52:19Who...
00:52:20Who would kill someone in their own elevator?
00:52:23You don't think I would do that?
00:52:25Very unlikely.
00:52:26Unless the murderer is playing with the police.
00:52:29Let's make a deal.
00:52:30We'll get rid of him as a suspect...
00:52:32...and let the Forensic Investigator check his house.
00:52:35Maybe he wants to call his lawyer.
00:52:37Lawyer? I don't have a lawyer.
00:52:42All right.
00:52:43All right, he can come.
00:52:45Can I get dressed?
00:52:48The bathroom was a disaster.
00:52:50Use a horrible gel for your hair.
00:52:52You could make sculptures with that crap.
00:53:01Yes?
00:53:03Los Angeles Police.
00:53:10You don't think someone from this building did it, do you?
00:53:13What sense would it make to kill someone...
00:53:15...and then put him in the elevator in your building?
00:53:18We're not sure.
00:53:19Did you hear any strange noise in the elevator last night?
00:53:21No.
00:53:22My wife and I went to bed early.
00:53:24How do you make a living, Mr. Loring?
00:53:27I'm the vice-president and financial advisor of Cornel Loring.
00:53:31Lieutenant...
00:53:32...it seems to me that all the coffee I've had today is working.
00:53:37Can I use your bathroom?
00:53:39Of course. It's on the left.
00:53:44Are you Catholic, Mr. Loring?
00:53:46No. And you?
00:53:48We're not talking about me.
00:53:50Come on, Lieutenant.
00:53:52Trust me.
00:53:53If I ask you a question and you answer me...
00:53:55...it will look more like a conversation than an interrogation.
00:53:59Yes, I'm Catholic.
00:54:01Then you have a personal reason to take on that maniac.
00:54:08This is my wife, Andrea.
00:54:10She's Lieutenant...
00:54:11Mrs. Loring.
00:54:12Donato.
00:54:13It's a pleasure.
00:54:14They killed a nun in our building.
00:54:16Oh, my God.
00:54:17It's horrible.
00:54:18My wife, Andrea Loring.
00:54:20Mrs. Loring, I'm going with her.
00:54:22Would you mind if some people came to examine the apartment?
00:54:26For what?
00:54:27They're looking for evidence.
00:54:29They won't suspect us, will they?
00:54:31Don't worry, Andrea.
00:54:32They're just doing their job.
00:54:34For now, we're all suspects.
00:54:35Isn't that right, Lieutenant?
00:54:36More or less.
00:54:37Although I think it would be appropriate for them to ask for a warrant.
00:54:41That would be more correct and legal.
00:54:43All right.
00:54:44Sounds good to me.
00:54:49What do you think of our neighbor, Mr. Lyle?
00:54:51As you say, they're all suspects.
00:54:53He seems to understand police methods.
00:54:56Maybe it's because I watch those programs on TV.
00:54:59Well, we're leaving now.
00:55:00Thank you, Mrs. Loring.
00:55:01Goodbye.
00:55:02Don't pick up the murderer.
00:55:03Goodbye.
00:55:04We'll do it.
00:55:05Good luck, Lieutenant.
00:55:12The bathroom was unoccupied, but I found a bottle of Gentle Mist.
00:55:15Oh, really?
00:55:16Yes.
00:55:17What little they say about it.
00:55:18And I noticed something else.
00:55:19He didn't take his eyes off you.
00:55:21Every time I asked him a question, he looked at you while answering.
00:55:25Is it the father or the detective who's talking?
00:55:28I don't know.
00:55:30For him, it's important to keep calm, because he's a winner.
00:55:33If we arrested everyone who's a winner, we'd have a lot of work to do.
00:55:38And what do you think of Lyle?
00:55:40A little weird.
00:55:41And unsophisticated.
00:55:43We'll watch him 24 hours a day.
00:55:45As for Loring, I'll try to get my nose into his work.
00:55:49Okay.
00:56:20Police.
00:56:21Police.
00:56:22Police.
00:56:23Police.
00:56:24Police.
00:56:25Police.
00:56:26Police.
00:56:27Police.
00:56:28Police.
00:56:29Police.
00:56:30Police.
00:56:31Police.
00:56:32Police.
00:56:33Police.
00:56:34Police.
00:56:35Police.
00:56:36Police.
00:56:37Police.
00:56:38Police.
00:56:39Police.
00:56:40Police.
00:56:41Police.
00:56:42Police.
00:56:43Police.
00:56:44Police.
00:56:45Police.
00:56:46Police.
00:56:48Where do you want to stop, Miss...?
00:56:50Lieutenant Donato.
00:56:51I'm a busy man.
00:56:52And I'm a busy woman.
00:56:54I assure you, Mr. Cornell, that my questions are important.
00:57:02My wife is not interested in Ras Loring.
00:57:04Is that clear?
00:57:05Why not?
00:57:06Because he thinks it's cold.
00:57:07And you, Mr. Cornell, do you also think it's cold?
00:57:10I think it's very good.
00:57:12By any chance, do you know where Mr. Loring was on the night of the 7th?
00:57:15Grace, tell Irene to bring the Ras agenda.
00:57:18Yes, Mr. Cornell.
00:57:19Now she'll see how ridiculous her questions are.
00:57:38What are you doing here?
00:57:40I just met Robert Cornell, his partner.
00:57:42And also Irene, his secretary.
00:57:43They're very kind.
00:57:45You've talked about me, haven't you?
00:57:47Yes.
00:57:48They've told me interesting things about you.
00:57:50I'm sorry to waste your time, Lieutenant.
00:57:52I always waste my time, Mr. Loring.
00:57:54But sometimes I'm lucky.
00:57:57Oh, I see.
00:57:58Don't make me call my lawyer.
00:58:00I'm not forcing you.
00:58:01This is harassment.
00:58:03I'm just doing my job.
00:58:04Why don't you go upstairs and do yours?
00:58:06Don't play with me.
00:58:08Let me go immediately.
00:58:10Because if you don't, I'll arrest you for assault.
00:58:16I'm sorry.
00:58:28We've checked all the city's costume shops
00:58:32that have rented or sold a nun's costume in the last five years.
00:58:35Let's start with the most recent ones.
00:58:37We've only found three invoices for this year.
00:58:40Two of them agree.
00:58:42The other one, from Kate Lange, is a fake invoice.
00:58:45The address is correct, but the name isn't.
00:58:48Come on, get to the point.
00:58:5513101.
00:58:57Wilshire.
00:58:5913101.
00:59:01Wilshire.
00:59:0213101.
00:59:04Wilshire.
00:59:06That's where we found the body this morning.
00:59:08We finally have something.
00:59:10Right.
00:59:12I think...
00:59:13Kate Lange is Ras Loring.
00:59:15That bastard is playing.
00:59:17He's saying, I do it so well,
00:59:19you can't catch me even if I bring you to my door.
00:59:21But Kim Lyle's invoices fit perfectly.
00:59:23Ras Loring's doesn't.
00:59:25I'm leaning towards Lyle.
00:59:27He's cheating.
00:59:28I'm betting on Loring.
00:59:30Remember what they said about the elevator?
00:59:32Loring would put someone in the elevator of his own building.
00:59:35But Loring said, who would put a corpse in the elevator of his own building?
00:59:40What's the difference?
00:59:42Everyone assumes that a corpse is where the murder takes place.
00:59:45Like Lyle.
00:59:47It could be a way of speaking.
00:59:48I don't think so.
00:59:49Me neither.
00:59:50He thinks we're stupid and he's smart, like Dr. Stewart said.
00:59:53This morning, Loring physically confronted the lieutenant at his workplace.
00:59:58In my opinion, he's starting to think he's gone too far, so let's pressure him.
01:00:02Bobbins, you're still with your friend Lyle.
01:00:05Pesky and Scott, look for similar cases near where Loring used to live.
01:00:09Donato, you'll start with his hometown.
01:00:12Let's see...
01:00:14Piru, Arizona.
01:00:16Keegan, let's keep an eye on her.
01:00:18Very well. Take care of her while I'm away.
01:00:21Yes, sir.
01:00:32Piru, Arizona.
01:00:49Chief Stone.
01:00:51Sergeant Donato, Los Angeles Police.
01:00:54It's been a long time since I've been called that.
01:00:57Ten years retired.
01:00:59Don't tell me you're here to ask me about Ras Loring.
01:01:02Yes, how do you know?
01:01:04Because he's been sleeping around.
01:01:06And in this city, I know everything.
01:01:09Regarding Ras, did he have any problems with the law here?
01:01:13Something happened once, but I couldn't prove anything.
01:01:17Something to do with rape or mutilation?
01:01:22No.
01:01:24He just disappeared.
01:01:25Ras knew her?
01:01:27They went to the institute together.
01:01:29Dorothy Wells.
01:01:31A decent girl, from a good family.
01:01:34Everyone knew there was something strange about Ras.
01:01:37Dorothy was the only one willing to go out with him.
01:01:40He really was an attractive boy.
01:01:42But my father did what he wanted.
01:01:45She tried to break up with him after a year.
01:01:48Dorothy's mother told me that he did his best not to do it.
01:01:51Then he became a pervert.
01:01:53Very bad.
01:01:55One day, Dorothy didn't go to the institute.
01:01:58Everyone was looking for her.
01:02:02She never showed up.
01:02:04Did you investigate Ras?
01:02:07I couldn't prove anything.
01:02:09His mother, Adele...
01:02:12She's a woman of weapons, Tomar.
01:02:15She's a woman of weapons.
01:02:17Adele...
01:02:19She's a woman of weapons, Tomar.
01:02:22She swore that Ras was at home with her all night.
01:02:26It was very difficult to break something like that.
01:02:32A person that everyone knows disappears without any explanation.
01:02:37Later, people realize who did it.
01:02:40But it's too late.
01:02:42There's nothing we can do.
01:02:44It makes me sick.
01:02:49I'll tell you something else.
01:02:51I was also very suspicious of the way his father, Ken, died.
01:02:56His father's name was Ken?
01:02:59Yes, Ken Loring.
01:03:14He saw me. He's inside.
01:03:27He's downstairs.
01:03:29Follow him.
01:03:44LONDON
01:04:09Mrs. Loring?
01:04:11Yes?
01:04:13I'm Sergeant Donato, Los Angeles Police.
01:04:17What's the matter?
01:04:19Did something happen to Ras?
01:04:21No, I just want to talk to you about his son and Dorothy Wells.
01:04:25That's an old story.
01:04:28Yes.
01:04:30What do you think happened to Dorothy?
01:04:33Who knows? Someone must have done something to her.
01:04:36What do you mean?
01:04:38Why do we have to talk about Dorothy?
01:04:40Look, Mrs. Loring.
01:04:42We believe that her son killed a few women in Los Angeles.
01:04:47If you're sure, why haven't they arrested him?
01:04:50We'll do it. It's a matter of time.
01:04:55So there's no proof.
01:05:00Do you want me to help you?
01:05:03I'm used to it.
01:05:06What do you mean, you're used to it?
01:05:08A person like you can't understand someone with Ras's qualities.
01:05:13Don't you care that your son could be killing women?
01:05:16I'm sure none of them are worth what you want.
01:05:20What happened that night, Mrs. Loring?
01:05:23Did your son go crazy and kill Dorothy?
01:05:26She was a person of no quality.
01:05:29She had deceived the whole city, except me and my son.
01:05:33Dorothy was Catholic, wasn't she?
01:05:35They haven't told you?
01:05:36She had decided to leave the city to become a nun.
01:05:40Isn't that funny?
01:05:42It's like a garbage man trying not to smell.
01:05:46You knew exactly what your son did, but you didn't say anything.
01:05:51I don't know what you're talking about.
01:05:53Ras was with me all night.
01:05:56Did he also kill your husband?
01:05:58If he did, no one here has mourned his absence.
01:06:02He was a monster.
01:06:04Oh, my God.
01:06:06How does he sleep at night?
01:06:08Like an angel, Sergeant.
01:06:10I can assure you.
01:06:12I think it's time for him to leave.
01:06:17Try to stop me.
01:06:36Where the hell was she?
01:06:38The secretary just closed the door. The office is dark.
01:06:41She didn't come out this way.
01:07:06Come on.
01:07:37Do you want to come here and look at this?
01:07:40These are the victims before becoming nuns.
01:07:44Do you see what they all have in common?
01:07:47They're women.
01:07:49They're beautiful women.
01:07:51They're white women.
01:07:53They're all the same age.
01:07:55They have dark hair.
01:07:57They all look a bit alike.
01:07:59Exactly. They all look alike.
01:08:01Look at this picture.
01:08:03This is Dorothy Wells.
01:08:05You know what, Sergeant?
01:08:07They could all belong to the same family.
01:08:11And they look a bit like you, Lieutenant.
01:08:21Let's see if you finish it at once.
01:08:24The robot portrait from the costume store.
01:08:27It's not much. It could be anyone.
01:08:29Yes, it could be anyone.
01:08:30But if we showed it to Lorin, it would look the same.
01:08:34Lieutenant.
01:08:36Five years ago, Lorin lived in the west of Texas.
01:08:40A couple of nuns, the same method.
01:08:42The murders ceased when he left the city.
01:08:45Let me see it.
01:08:47Pogger is getting closer.
01:08:50Lieutenant Donato?
01:08:52Yes.
01:08:53Martin Reddick, lawyer for Ras Lorin.
01:08:55This is a provisional order from Judge Thomas Bellmon
01:08:57that you and the rest of the police
01:09:00leave my client alone.
01:09:02If you have evidence, arrest him.
01:09:05If not, leave him alone.
01:09:07Have you seen your client today, lawyer?
01:09:10Why?
01:09:12I would like to ask him a few questions.
01:09:14He has already answered your questions.
01:09:16And he is a very busy man.
01:09:19Should I tell you more?
01:09:27No.
01:10:24Can I have a look?
01:10:25Yes.
01:10:57Have you looked at the terrace?
01:10:59No.
01:11:00I'll go.
01:11:28Donato!
01:11:37I'll pick you up when I want.
01:11:39I'm going in through the terrace.
01:11:47I'll go this way.
01:12:13Have you found anything?
01:12:14No, he's gone.
01:12:16I'm going to kill that son of a bitch.
01:12:18Don't worry, Dina.
01:12:19You would do it.
01:12:20That doesn't mean you're going to do it.
01:12:21Why not?
01:12:23Come on.
01:12:28I'm fine.
01:12:30I'm fine.
01:12:41This is exactly what Mom is afraid of, isn't it?
01:12:46Yes, I guess.
01:12:49But fear can be overcome.
01:12:52It's the unexpected, what you can't imagine, what overcomes you.
01:12:55Like Tommy.
01:13:02You wanted to know about Tommy, and I'll tell you.
01:13:08Our dear Tommy didn't lead a very healthy life, and I didn't know what to do.
01:13:18They didn't shoot him.
01:13:20They didn't shoot him.
01:13:24He died of an overdose.
01:13:26When I found him, he was wearing a uniform and had a needle stuck in his arm.
01:13:32There was a note next to him that said,
01:13:33Goodbye.
01:13:34That's all.
01:13:35Just goodbye.
01:13:43I burned it, and then I looked for his camel.
01:13:46He'll be big.
01:13:47Now I understand.
01:13:48You told them to shoot him.
01:13:50We had enough evidence to lock him up, but it wasn't enough for me.
01:13:53I needed to break his face.
01:13:55I didn't know.
01:13:59I would have understood.
01:14:00Why didn't you tell me?
01:14:02Dina, how could I tell you that your brother was a junkie?
01:14:05I couldn't even tell your mother.
01:14:11That's why I covered for him.
01:14:17I guess I shouldn't have pressured him to be a cop, but I couldn't help it.
01:14:26I had no idea.
01:14:27I didn't know anything.
01:14:32All my life, I've tried to get your approval.
01:14:37And the more I tried, the more you liked Tommy.
01:14:43And I blamed Tommy for what happened to me.
01:14:47Dina, you didn't understand.
01:14:48You were the strong one.
01:14:51I didn't suffer because of you, but because of Tommy.
01:14:54I did suffer because of Tommy.
01:14:59I guess you both failed.
01:15:02Oh, no.
01:15:05No.
01:15:08You didn't fail me.
01:15:12I just needed to know that you loved me.
01:15:14Don't say that.
01:15:16Dina...
01:15:20I've always loved you.
01:15:22You don't know that.
01:15:44You don't know that.
01:16:15There have been a lot of changes in the last few years because people haven't...
01:16:20haven't invested in the center because it was very dead.
01:16:23And that has caused the prices to really go down.
01:16:27So what we have to do is try to buy everything we can at a low price and...
01:16:38Excuse me.
01:16:41Here he comes.
01:17:15Yes, how did you feel when Dorothy planted you to become a nun?
01:17:25What do you think happened to Dorothy?
01:17:28I have no idea.
01:17:35Well, I don't think I found anything because there's nothing to find.
01:17:38Oh.
01:17:39Was there an eyewitness?
01:17:40Our killer has been described by several people to the police.
01:17:43Have you seen the killer?
01:17:45Can you identify this man?
01:17:57Idiot. Do you think I don't recognize myself?
01:18:00Of course you do.
01:18:02Today we were in Texas with that drawing.
01:18:04You lived in Texas, didn't you, Ras?
01:18:06Do you want more water, dad?
01:18:07No, thank you.
01:18:09Listen to me for a moment.
01:18:11I know my rights.
01:18:12So either leave me alone or I'll file a lawsuit.
01:18:18Go ahead, follow him.
01:18:21I don't like it.
01:18:22If there's evidence in his apartment and he destroys it before we get there, then what?
01:18:27Paga, I'll see you there.
01:18:38Come on.
01:18:49Are you looking for this?
01:18:58Why do you use it, Lori?
01:19:03Come closer, Andrea.
01:19:08Come on.
01:19:17Where are you going?
01:19:24No! No!
01:19:27No, no, Ras!
01:19:29No! No!
01:19:31No!
01:19:38No!
01:19:48There she is.
01:19:53Where's Donato?
01:19:54He's on his way.
01:19:56Do you have the warrant?
01:19:57Scott is still with the judge.
01:19:58Lori's lawyer found out and is there.
01:20:00Oh, shit.
01:20:01All right.
01:20:02Bobbins, Pesky, cover the exits.
01:20:04Keegan, look for a window from where you can see Lori's apartment.
01:20:07All right.
01:20:08I'll win time until I get the warrant.
01:20:10But you can't go in there.
01:20:11Of course I can.
01:20:23Where is he?
01:20:24He went upstairs.
01:20:25He says he'll win time until he gets the warrant.
01:20:37Come on.
01:21:07Come on.
01:21:16You can't go in there.
01:21:17But I need to win time.
01:21:18I don't want you to go in there.
01:21:20It's not up to you, Sergeant.
01:21:21It's my case.
01:21:22Yes?
01:21:24I'm Lieutenant Donato, Mr. Loring.
01:21:35Do you have the warrant, Lieutenant?
01:21:37No, sir.
01:21:38But I'd really like to talk to you.
01:21:53Well, here we are again.
01:21:55It must be fate.
01:21:57I'd like to apologize.
01:21:59I'm so glad.
01:22:00I'm afraid we were wrong about you.
01:22:03We found out a moment ago that the murderer was caught.
01:22:06He turned himself in.
01:22:08No.
01:22:09Yes.
01:22:10And I've come to try to convince you not to present the suit.
01:22:16May I?
01:22:19Of course.
01:22:20Come in.
01:22:21Please.
01:22:34May I have your warrant?
01:22:36Yes, thank you.
01:22:40Would you like some coffee?
01:22:42Yes, great.
01:22:49How would you like it?
01:22:51Just that, thank you.
01:23:11Kegan, do you see them?
01:23:13I see them.
01:23:14Everything's fine.
01:23:16If you see anything strange, scream.
01:23:22So you were wrong.
01:23:24Yes, yes.
01:23:25And we've been very hard on you.
01:23:27Sometimes, in cases as serious as this one, we get a little nervous.
01:23:31I want you to know that it wasn't anything personal.
01:23:34We were looking for the murderer.
01:23:37I understand.
01:23:38Yes.
01:23:39Sometimes, I'm also a little hard on my work.
01:23:57Help me.
01:23:59Vera, I'm going to be honest with you, Lieutenant.
01:24:03If anyone else had come, I would have knocked on their door, but...
01:24:09I haven't been able to get it out of my head since the first time I saw her.
01:24:12Mr. Loring is a married man.
01:24:15What would your wife say if she heard you?
01:24:18It's impossible.
01:24:20She's in San Diego, visiting her mother.
01:24:29Is she uncomfortable?
01:24:32No, no.
01:24:33I just said what I came to say.
01:24:37Don't go, Lieutenant.
01:24:39We're getting to know each other.
01:24:41Come on, Kegan, tell me what's going on.
01:24:44One moment.
01:24:45One moment.
01:24:46The Lieutenant is going to the office.
01:24:49Well, I have to get back to work.
01:24:51Forget the gabardine.
01:24:59Donato!
01:25:04Don't do anything stupid.
01:25:06Go to hell.
01:25:07Do you want your daughter?
01:25:09I want a helicopter on the roof right now.
01:25:11If not, your daughter and I will take a nice walk.
01:25:13Understood?
01:25:15You'll have your helicopter, but don't hurt her.
01:25:17Shoot this son of a bitch!
01:25:24Kegan, he took Dina to the roof.
01:25:26Send a helicopter there.
01:25:27Do exactly as I say.
01:25:40Kegan, Miss Loring has been stabbed.
01:25:42She's lost a lot of blood.
01:25:49Surrender, Loring!
01:25:52If I surrender, Lieutenant, you'll know right away.
01:25:55If that bastard doesn't come, we'll both go down.
01:26:11The helicopter is on its way.
01:26:13Calm down.
01:26:14Get out of here!
01:26:15If you come any closer, I'll shoot her down.
01:26:19Blow her brains out, Donato.
01:26:21Come on, Loring, let her go.
01:26:23Let her go.
01:26:24Take me hostage.
01:26:26You're kidding.
01:26:27No, no.
01:26:28If I decide to shoot, I'd rather be hugging her and looking at you.
01:26:34Time is running out, Mike.
01:27:24It's nothing.
01:27:25I'm fine.
01:27:26You'll see.
01:27:35You're a great cop, Lieutenant.
01:27:39I know, Dad.
01:27:54I shouldn't have let you enter that apartment alone.
01:27:57I had everything under control, Dad.
01:27:59Yes, of course.
01:28:00If it weren't for your daughter, you would have shot in the apartment.
01:28:03Being my daughter has nothing to do with it.
01:28:05Oh, of course.
01:28:06He's a protective father.
01:28:07Who, me?
01:28:08Yes.
01:28:09Me, protective?
01:28:10Never.
01:28:23Dad.
01:28:24Dad.
01:28:25Dad.
01:28:26Dad.
01:28:27Dad.
01:28:28Dad.
01:28:29Dad.
01:28:30Dad.
01:28:31Dad.
01:28:32Dad.
01:28:33Dad.
01:28:34Dad.
01:28:35Dad.
01:28:36Dad.
01:28:37Dad.
01:28:38Dad.
01:28:39Dad.
01:28:40Dad.
01:28:41Dad.
01:28:42Dad.
01:28:43Dad.
01:28:44Dad.
01:28:45Dad.
01:28:46Dad.
01:28:47Dad.
01:28:48Dad.
01:28:49Dad.
01:28:50Dad.
01:28:51Dad.
01:28:52Dad.
01:28:53Dad.
01:28:54Dad.
01:28:55Dad.
01:28:56Dad.
01:28:57Dad.
01:28:58Dad.
01:28:59Dad.
01:29:00Dad.
01:29:01Dad.
01:29:02Dad.
01:29:03Dad.
01:29:04Dad.
01:29:05Dad.
01:29:06Dad.
01:29:07Dad.
01:29:08Dad.
01:29:09Dad.
01:29:10Dad.
01:29:11Dad.
01:29:12Dad.
01:29:13Dad.
01:29:14Dad.
01:29:15Dad.
01:29:16Dad.
01:29:17Dad.
01:29:18Dad.
01:29:19Dad.
01:29:20Dad.
01:29:21Dad.
01:29:22Dad.
01:29:23Dad.
01:29:24Dad.
01:29:25Dad.
01:29:26Dad.
01:29:27Dad.
01:29:28Dad.
01:29:29Dad.
01:29:30Dad.
01:29:31Dad.
01:29:32Dad.
01:29:33Dad.
01:29:34Dad.
01:29:35Dad.
01:29:36Dad.
01:29:37Dad.
01:29:38Dad.
01:29:39Dad.
01:29:40Dad.
01:29:41Dad.
01:29:42Dad.
01:29:43Dad.
01:29:44Dad.
01:29:45Dad.
01:29:46Dad.
01:29:47Dad.
01:29:48Dad.