Category
📺
TVTranscript
00:01You love that boy very much, but it's not your blood.
00:04It's time to do justice.
00:07I promise you, you'll be quick and you won't even feel it.
00:13Is something wrong?
00:14His brother is having trouble breathing.
00:16It's very likely that his brother won't make it through tonight.
00:20He was fine.
00:21And this afternoon he looked better.
00:23These are not my herbs.
00:24Who gave them to his brother?
00:26What did you make the boy drink, Isabel?
00:28I don't know what you're talking about.
00:29I confused the herbs that Mr. Rafael brought with others.
00:33I beg you to forgive me.
00:35I thank you for bearing the guilt.
00:37You've earned it.
00:39It would be best if I took care of this.
00:45I came to get some clothes and clean water for Pedrita.
00:48Tell me what you want to tell me.
00:49Come in and take whatever you want, Menester.
00:51Do you know whose it is?
00:53It will be yours.
00:54I had never seen it.
00:57How many prayers have we had to sacrifice?
00:59About ten.
01:00What?
01:01It's not my fault. What could I do?
01:03They have complaints about your work.
01:05Then do it better and shut up.
01:08I understand that you don't want to celebrate the wedding until your brother is fully recovered.
01:12It is understandable and human.
01:14I apologize for that.
01:16I have finished my work.
01:17And I would like to know your opinion.
01:19See?
01:20For things like that you are my favorite nephew.
01:27You haven't learned to love this place yet.
01:29I doubt you will ever do it.
01:31I am convinced that you will find something here that you like.
01:35Maybe, I don't deny it.
01:37Everything is already underway.
01:39The wedding will be celebrated in five days.
01:42To the grooms.
01:44To the grooms.
01:57I come from the fields and I can't find Gaspar anywhere.
02:00I have ordered him to talk to the people who store the crops.
02:03It won't take long.
02:11And leaving the cattle locked up in the stables is also an order of yours?
02:15Don't you get money from the animals?
02:18I had to open the fences myself.
02:20It must have been a mistake. I will talk to him.
02:22Because of such mistakes, we are in this situation.
02:25We can't lose more animals, Julio.
02:28All the farms in the region are having problems with the cattle.
02:30I don't live in all the farms in the region. I live in this one.
02:33Only with the crops we will not get ahead, Julio.
02:35And you should know that.
02:38I will talk to him.
02:40Okay?
02:41Why do you defend him?
02:43Because not everything is a mistake.
02:45And you should know that.
02:47Why do you defend him?
02:49Because not everything is a mistake.
02:51Gaspar also does a lot of good things.
02:53Really?
02:54What are they?
02:55Keeping the farmers in line, for example.
02:57And he has personally achieved several salvations for the crops.
03:00All that is missing is that after so many years he didn't do anything right.
03:03You know he won't help us with the crops, or the cattle, or anything.
03:07Your attitude.
03:09You have been very irascible since you arrived.
03:11I don't recognize you, brother.
03:14Rafael, you are no longer in the front.
03:16We are no longer enemies, this is not a war.
03:18Gaspar is a good man.
03:20And he has been working for us for years.
03:22He works hard for this farm.
03:23It's not enough, Julio.
03:25Have you seen how the lands are?
03:28What's wrong with the lands?
03:30Have you dared to step on them at least once since I left?
03:34No.
03:35I can see that you haven't.
03:36If you had, you would have realized that those lands have not rotated.
03:39Why do you think the crops are getting more and more scarce?
03:41The lands have to rest, just like the animals.
03:44You know what I'm talking about, don't you?
03:46I don't have to have them.
03:47That's what Gaspar is for, to deal with these issues.
03:49Gaspar is for the crops.
03:51But so are you.
03:54And that's how it goes.
04:14I have a wound that does not heal over time
04:27For a betrayal that pierced my heart
04:32As if it were a dagger
04:38That locked me in this torment
04:46Of silence and lies
04:49Everything I knew is getting further away
04:56I live dreaming
04:59With what fate decided to deny us
05:04Condemned to the taste of bitterness
05:08Dancing with madness
05:10Imagining that it is you
05:15I live dreaming
05:17Eternally waiting
05:20For your light to illuminate me in this wild valley
05:25For your light to illuminate me in this wild valley
05:34For your light to illuminate me in this wild valley
05:37For your light to illuminate me in this wild valley
05:41For your light to illuminate me in this wild valley
05:49Luisa, I've been told you've been looking for me.
05:53How pretty!
05:54They're for the house.
05:56It's my way of thanking you for being so nice to me.
06:04But I'm the one who has to thank you.
06:07For how you're taking care of my brother.
06:09It's a pleasure to see you like this, Miss Adriana.
06:13Seeing Pedrito better gives me life.
06:16Poor creature.
06:17What a bad night he had to spend.
06:22If Rafael hadn't realized the mistake with the herbs,
06:25I don't know what would have happened.
06:29What a fright we've had, Luisa.
06:31Even Isabel seems to have a better face, doesn't she?
06:34Although I still find her a little expensive and shabby.
06:39What's going on?
06:42Did something happen with Isabel?
06:43No.
06:44Luisa, you know you can tell me, right?
06:47It's none of your business.
06:48But I don't think she likes having me around.
06:52Why do you think that?
06:53I don't know.
06:54Yesterday when I told her you told me not to leave Pedrito,
06:58no one said anything more than my great-grandchildren.
07:01No, Luisa.
07:03It's your imagination, really.
07:05Isabel is a love.
07:08What happens is that everything about Pedrito has been very hard for her.
07:11She has had a very bad time.
07:13The boy is happy with you.
07:15And just because Isabel adores him, she's going to love you.
07:18You'll see.
07:19I'm happier than a peacock with Pedrito.
07:21That boy is to be eaten by the fish.
07:23So innocent and so happy.
07:25I had a feeling he was going to heal.
07:27Until the grass thing happened, of course.
07:31A terrible carelessness.
07:33And strange.
07:35Do you think?
07:36Don't you think it's weird?
07:38That Juana said first that she wasn't ready for Tizana
07:41and then she changed her mind and admitted that she was.
07:43I guess I'd be afraid to admit such a mistake to my aunt.
07:47And I don't blame her.
07:48Because in many ways it is spent.
07:53Do you know who has fired her?
07:55Tell her to go to hell.
07:57It was useless for the girl to admit her mistake.
08:01A little compassion will do.
08:02Victory is relentless.
08:05You'll get to know her.
08:26Does it bother you?
08:27Barbara.
08:28No.
08:29Of course not.
08:30Come in.
08:34I came to return the book I borrowed.
08:37As Pedrito is better, we have devoured him.
08:39Book eaters, like me.
08:41A rare bird in these lands.
08:43My favorite species.
08:45Don't our cows, chickens or pigs captivate you?
08:49I've never had a taste for animals.
08:51I'm not a bird.
08:52I've never had a taste for animals.
08:53It's a shame.
08:54Me neither.
08:55That's why I hide here whenever I can.
08:59Do you want me to recommend you another reading?
09:01We still have the last book he lent me.
09:04Rinconete y cortadillo.
09:10Have you read all of those already?
09:13Many.
09:15Although, to be honest, I also enjoy the vertigo of having so many books.
09:19Isn't it exciting?
09:21Yes.
09:23Yes, of course.
09:31Well, I think I should go home.
09:33Yes, of course.
09:34I'll see you around.
09:35Of course.
09:42Barbara!
09:44Barbara!
09:46Barbara!
09:47Barbara!
09:50Do you have anything to do today?
09:53Today?
09:56Let's see.
09:58First, I'll go to the café with my friends.
10:00Then, I have a date with the fashion designer.
10:01And at night, a string concert.
10:03A string concert.
10:05What do you think?
10:07Any day, I'll find myself milking a cow because I have nothing better to do.
10:11Until that happens, I'd like to get to know the surroundings of the valley with you.
10:18What do you say?
10:20If you ask me like that, I think I'll be able to cancel all my commitments.
10:26I'll follow you.
10:48Oh!
10:52Pedrito!
10:54What are you doing there?
10:56That's what happens to the sleeping beauty.
10:58You're going to sleep for a hundred years.
11:01God forbid, with all the work I have ahead of me.
11:06Come here.
11:07Come here, my sun.
11:13How are you?
11:18Uy!
11:20What's that sad look on your face?
11:22Is something wrong?
11:25What is it, my boy?
11:29Pedrito, it's me, Elaya.
11:32You can tell me everything.
11:34What's wrong?
11:37I want to apologize for getting lost in the mountains.
11:42I'm sorry.
11:43I'm sorry.
11:46I shouldn't have let you go.
11:49I shouldn't have driven so much.
11:53But I've already told Adriana.
11:55And I'm going to tell Aunt Victoria so that they don't scold you.
12:01But you don't have to say anything, my dear.
12:03It wasn't anyone's fault.
12:06The bad drink has already passed.
12:07We better forget it.
12:08Okay?
12:10But I don't know how it happened.
12:13You went to pick up a stone and then you were gone.
12:17It's as if you had run away.
12:20What a coincidence, for God's sake.
12:22What a coincidence.
12:25Yes, I was very scared.
12:27I ran, but I screamed and you didn't hear me.
12:33That's what happened, Pedrito.
12:34That when you ran, you went where Christ gave the three voices.
12:38And that's it.
12:39But I scream a lot, huh?
12:41Should I show you a story?
12:43Oh, no, no, no, no.
12:44You don't have to, my dear.
12:47I don't know what happened.
12:48The wind was blowing.
12:50I don't know.
12:51Let's not turn it around.
12:54Do you want to eat something?
12:56I'm not hungry.
12:58I don't know.
12:59Let's play.
13:01Let's play?
13:02But first, eat something that you like the most, like Silvio.
13:07First, the herbal tea.
13:09And then, hot bread and milk with a lot of cream.
13:17I'm hungry.
13:18I'm hungry.
13:19I'm hungry.
13:20I'm hungry.
13:21I'm hungry.
13:22I'm hungry.
13:23I'm hungry.
13:24I'm hungry.
13:25I'm hungry.
13:26I'm hungry.
13:27I'm hungry.
13:28I'm hungry.
13:29I'm hungry.
13:30I'm hungry.
13:31I'm hungry.
13:32I'm hungry.
13:33I'm hungry.
13:34I'm hungry.
13:35I'm hungry.
13:36I'm hungry.
13:37I'm hungry.
13:38I'm hungry.
13:39I'm hungry.
13:40I'm hungry.
13:41I'm hungry.
13:42I'm hungry.
13:43I'm hungry.
13:44I'm hungry.
13:45I'm hungry.
13:46I'm hungry.
13:47I'm hungry.
13:48I'm hungry.
13:49I'm hungry.
13:50I'm hungry.
13:51I'm hungry.
13:52I'm hungry.
13:53I'm hungry.
13:54I'm hungry.
13:55I'm hungry.
13:56All right, Aspar.
13:58Leave her.
13:59I'll make sure we renegotiate the storage price.
14:03Aspar.
14:07We're in a very delicate situation.
14:09We can't make mistakes because we can't take any more losses.
14:14I'm aware of that, Don Julio.
14:16I don't think that's enough.
14:18You didn't give orders to move the animals this morning.
14:22I'm very sorry.
14:24We have no excuse for the tension in the meeting.
14:27I'm going to increase the error right now.
14:29No need.
14:31Rafael has managed to open the fences.
14:35Aspar.
14:38I finally find you.
14:40The meeting this morning has been long.
14:42I hope it's also profitable.
14:46What do you offer Rafael?
14:48Arrange what is necessary to start plowing the fields right now.
14:54You have not informed them yet?
15:01We were dealing with other matters.
15:03Well, this is of vital importance.
15:05Along with properly feeding the cattle and keeping them healthy.
15:10Let's get it going now.
15:13Excuse me, but I don't think it's time to stop any of the land.
15:17We must increase the harvests, not reduce them.
15:24That's bread for today and hunger for tomorrow.
15:27The land we put to rest this year will be twice as productive next year.
15:30Let's start the rotation right away, Gaspar.
15:33Starting with the western fields.
15:42I'm giving you an order.
15:45Whatever you say.
15:54When I become a writer, I will invent moving stories.
15:59Those that catch you, that make you long for the happiness of the characters.
16:06How I wish to read your works, Alejo.
16:08I'm not a writer.
16:10I'm not a writer.
16:12I'm not a writer.
16:14I'm not a writer.
16:16I'm not a writer.
16:18I'm not a writer.
16:20I'm not a writer.
16:22How I wish to read your works, Alejo.
16:26My works will be like the books I like.
16:30Moving.
16:32That read with the heart.
16:43You don't know how much I appreciate your presence in the wilderness.
16:47And being able to share my great passion with you.
16:51Yes.
16:53I'm glad.
16:55You're also being a great comfort to me in this place.
16:58But reading is not my only passion.
17:01Oh, really? I didn't know.
17:04Actually, you know what I like the most?
17:06I'm hoping you'll tell me.
17:09Dancing.
17:12How I wish to dance.
17:16Do you know how to dance?
17:17No. No, no. I'm very clumsy.
17:20I don't think I'm as clumsy as you say.
17:22It's not that you're clumsy.
17:24It's just that my feet are made of wood.
17:28Show me how you do it.
17:32I didn't want to make a fool of myself in front of you.
17:37But I have to warn you that I won't be satisfied.
17:40Because I'm a magnificent dance teacher.
17:47Can I help you with something, Bernardo?
17:49I didn't want to bother you.
17:51I've seen you in our monasteries
17:53and I thought you might want to freshen up.
17:56Thank you very much.
18:01Anything else?
18:13That silence of yours.
18:15It's always there.
18:17Without saying anything, all these years.
18:22There was a time when we were like them.
18:27I look at you and I feel envy.
18:31An unhealthy envy, to put it mildly.
18:33Love is a matter of courage.
18:35Courage, you say? No.
18:37Love is a matter of two.
18:41With our hair turning silver,
18:43feeling that they no longer belong to us, Bernardo.
18:45Desire has no age, Mercedes.
18:49How gallant a man's mouth sounds.
18:52You say it, and I won't judge you.
18:55No.
18:57I won't say it.
18:59And not because I'm a woman.
19:03But because saying it would be deceiving me.
19:06I don't want you anymore.
19:10My desire to teach her to dance is totally selfish.
19:13Really? Don't tell me.
19:17In a little while,
19:19our brothers will be getting married.
19:24And I'll need a dance partner.
19:27It's a proposition.
19:29I thought it was the gentlemen who invited the ladies.
19:33That's how it should be.
19:35But I have to do something to prevent my cousin Gaspar
19:38from becoming my dance partner.
19:43Or that man.
19:45Take pity on me.
19:54All right.
19:56I'll accept your dance classes.
19:59But don't hold too much hope in my possibilities.
20:02And please,
20:04don't be too hard on me. I beg you.
20:08It's a promise.
20:11Your words hurt, Mercedes.
20:16Because you know they're true.
20:19I loved you.
20:22I loved you for years.
20:24I waited for you for years.
20:27And all I found were lies.
20:30I never did such a thing.
20:35Do it.
20:37Do it if you're going to feel better.
20:39If that's going to mitigate the resentment you feel for me.
20:43You could have me.
20:47And now,
20:49we'd be walking through this valley.
20:53Running after our children.
20:57But you took my happiness away
21:00and you turned me into a ghost.
21:04Don't expect me to be grateful for that, Bernardo.
21:10You owe me a life.
21:14That man wasn't the same as he is now in front of you.
21:18You can't see him.
21:22I fell in love with that man.
21:26Not this one.
21:28He lives on his knees to please my sister and my brother-in-law.
21:32I live on my knees to be close to you.
21:36I know.
21:39And that's why I hate you.
22:09I love you.
22:11I love you.
22:37Where did you put my bag? I can't find it.
22:42What's wrong?
22:45Why don't you talk?
22:47Your porridge is in the basket.
22:49Anything else?
22:51Why do you sound so tense?
22:54Talk!
22:56What good would that do?
22:59I'm tired of your contempt.
23:03You reject me.
23:05You're humiliating.
23:07Humiliating?
23:10I'm going to tell you what humiliating is.
23:13Do you know how Rafael treats me?
23:17Like a dog.
23:19Do you understand?
23:21I'm sick of losing my job, so don't come to me with your nonsense.
23:24I don't have the body for that.
23:26Not for that, not at all.
23:29What? What are you saying?
23:33What do you mean?
23:36It's never good for you to give me even a little attention.
23:40You don't understand, woman.
23:42I'm already saying that I can lose my job, that we'll be left without a livelihood and you, R.K.R.
23:47What are you going to bring home when Rafael fires me?
23:50Tell me.
23:53Don't torture me anymore with your imaginary problems.
23:56They are not imaginary.
24:00The problems of our marriage started long before Rafael came back.
24:09What are you accusing me of, Gaspar?
24:15That you hate me.
24:17Don't provoke me anymore, Matilde. Not today.
24:22I don't know what you've become.
24:24What?
24:25In a...
24:26What?
24:27Hey!
24:29Come on, say it!
24:31No!
24:36Then shut up and bring me the pig.
24:43Come on!
24:58Well, we need all the storage space they have.
25:03If they ask for more real ones, we'll have to pay them.
25:06Before accessing, I would like to negotiate the down payment, if you give me your permission.
25:10Of course, Ico. We have nothing to lose.
25:13There's a lot to win.
25:18Father, I've wanted to ask you for a long time.
25:22I've wanted to ask you for a long time.
25:26Do you already know the terms of grandfather Antonio's will?
25:30Has the issue of inheritance been resolved?
25:32Yes, it has been resolved. Yes, of course.
25:36Couldn't we use it? It would be of great help.
25:40I'm afraid not, son.
25:43Because the only thing that your grandfather Antonio has left us in inheritance is a good handful of problems.
25:49Problems? What kind?
25:51Big holes in his disastrous accounting. What am I going to tell you?
25:55That's terrible news.
25:57You didn't know anything?
25:59Absolutely nothing.
26:01My grandfather was a very proud man.
26:03If he had asked me for help, hiding the problems only prevents them from being solved.
26:10What mess had he gotten himself into?
26:13Rafael told me that he saw him restless days before his death.
26:16He didn't give good explanations about the Holy Brotherhood.
26:19And he also told me something. But those are just rumors about your brother.
26:23I don't see it likely. Very likely.
26:26Grandfather Antonio had won many enemies in recent times.
26:29The Holy Brotherhood concluded that it was a robbery.
26:32Father, but...
26:35Adriana.
26:37Sorry to interrupt.
26:40I had met with Julio, but I didn't want to bother you.
26:44Absolutely. You are always welcome.
26:47Besides, I was leaving.
26:49It is a joy for all of us to know that your brother, Pedrito, is recovering.
26:54Thank you, Mr. Duque.
26:57This is how you thank God.
27:00I'm going to show Adriana the Valley, Father.
27:02With everything that has happened, she has not had the opportunity to know our lands well.
27:06Great, great.
27:08It is important that you know how we make a living, the Galvez de Aguirre.
27:12And now, if you allow me, I have other matters that require my attention.
27:23Let's go.
27:47Alejo, I'm not interrupting you.
27:50I'm just going to return this book to the shelf and I'm leaving.
27:57Don't be in a hurry, Mercedes.
28:00You can help your favorite nephew find the place that suits him.
28:06It is not necessary.
28:08Keep writing.
28:10You seemed very inspired.
28:13As if something new would feed your spirit.
28:18It is possible.
28:20I have taken a very pleasant walk.
28:23It has connected me with nature and with ...
28:27with the joy of living.
28:31I'm glad for you.
28:35And for the little girl who accompanied you.
28:39If you excuse me.
28:42Wouldn't it have bothered you to see me with Miss Bárbara in the gardens?
28:50Why would it bother me?
28:52You are an upright and free man.
28:55You have the right to court whoever you like.
28:58In that case, it will not seem bad to him that he has ...
29:02accepted to be his dancing partner at Julio's wedding.
29:06Does it seem natural to you that you are gallant with her?
29:10Are you of the same age?
29:13First he will give me dancing classes.
29:16We will have to match the rhythm of our bodies with the music.
29:23Won't that bother him either?
29:30Absolutely not.
29:33Find your place in the book, since you have stopped writing.
29:37If that's what you want.
30:03Pedrito, are you feeling better today?
30:08The drawing is looking very nice.
30:12It's for Luisa.
30:14To thank her for finding me in the mountains.
30:17You seem very happy with her. Does she treat you well?
30:20Yes. She is very nice to me.
30:24And she knows a lot about the game of love.
30:28I was very, very cold, aunt.
30:31Luisa saved my life.
30:33Well, that was a bit ... among all.
30:38You should also thank your sisters,
30:42Isabel, Galeno ...
30:46Excuse me.
30:47Pedrito, I finally find you.
30:50How are you?
30:52I'm fine.
30:55Excuse me.
30:56Pedrito, I finally find you.
31:04What are you hiding there?
31:06Nothing. It's a surprise that you can't see.
31:09For me? But I like surprises.
31:12I'd better go somewhere else. Don't look.
31:17No.
31:24If you'll excuse me, I'm going to make lunch for the child.
31:27Very well.
31:40I have been told that you are Fausto's niece.
31:42Yes, ma'am.
31:44A very respected shepherd for these lands.
31:47God bless you.
32:04Before going to war, my brother was responsible for the lands and the animals.
32:08But when he left, it was his cousin Gaspar who took care of it.
32:12We don't just have cattle.
32:14We also grow corn, wheat, vegetables ...
32:20Is something wrong?
32:22No. No, please go on.
32:25Mariana, I'm sorry. I'm boring you.
32:28No. No, I'm sorry. I've lost my mind.
32:32But it's fair that I know these details, so please go on.
32:36It doesn't have to be today. There will be time.
32:40We are here alone, Mariana. You know that you can talk to me freely.
32:49It's nothing.
32:52I don't ...
32:54I hope you are not disappointed with me.
32:58I tried to convince my father that you were delaying the wedding date as I promised.
33:04I'm not disappointed with you, Don Julio.
33:10I know he did what he could.
33:12I hope he doesn't think badly of my father either.
33:15He is a man of strong convictions and sometimes he seems inflexible.
33:20But when he has the opportunity to get to know you better, he will see that you are a good person.
33:25I'm sure he will.
33:28Then why is he upset?
33:32Trust me and soon we will be husband and wife.
33:39I love you.
33:48Since I arrived in Valle Salvaje, I have been overwhelmed by unexpected events.
33:54There have been too many emotions.
33:58The possibility of losing Pedrito has been devastating.
34:04It is perfectly understandable.
34:07And I feel relieved in a way.
34:11I thought he had doubts about our marriage.
34:18Would it bother him so much that it were?
34:24I have to confess that I had doubts.
34:28It was before meeting her personally.
34:31As soon as I saw her, she disappeared.
34:37You are very kind.
34:43The farm is really big, but we have only seen this small part, right?
34:56Luisa, you must be extremely careful with Pedrito's diet.
35:00Of course, ma'am. There was nothing missing.
35:03I suppose you know what happened to the maid.
35:06Yes.
35:12With me you can rest assured, Mrs. Victoria, that I do clean wheat.
35:18The truth is that with Juana's dismissal, her position has been vacant.
35:23Would you be interested in covering it?
35:25Me?
35:27Do you mean that if I could do what Juana did?
35:30As long as your state allows it, of course.
35:33You have entered this house very well.
35:36The boy adores you, his sisters too.
35:38I'm sure it's in our best interest.
35:40No, you are very kind.
35:42But Adriana asked me to dedicate myself exclusively to Pedrito.
35:45Of course, Pedrito's care will be a priority.
35:48But the boy is getting better and needs less attention.
35:51Adriana will move to the big house with her husband in a few days.
35:56A little boy like that?
35:58Yes.
36:02I accept. I accept with pleasure.
36:04Thank you very much, Mrs. Victoria.
36:06From now on, I will do everything that Juana did.
36:08But with much more care and attention, if you want this to last.
36:12Yes, yes, of course.
36:13With your permission, I'm going to feed the boy.
36:24Excuse me, Mrs. Victoria.
36:27How are we going to carry out our plans with that mess, getting our noses in everything?
36:32I know perfectly well what I'm doing.
36:35It is much better to have Luisa under our control than under Adriana's.
36:39Trust me.
36:52That's as far as our land goes.
36:54It is the largest property in the region.
36:56And it's a shame that they have been so long at the mercy of an inept like Gaspar.
37:00Can you tell me where he is now?
37:02Rafael, please lower the tone. You're going to scare Adriana.
37:05I need to talk to Gaspar urgently.
37:08I have no idea where he is.
37:10What's going on?
37:12That I come from the fields of the west and no one there knows anything about the Barbecho.
37:15Wasn't it clear what he had to do?
37:17There must have been some unexpected thing.
37:20We'll talk about it later, Rafael. It's not the time.
37:22We'll talk about it now. Right now.
37:25Every day we spend without solving the problems of the hacienda is another step towards ruin.
37:28Enough!
37:30I repeat, it's not the time.
37:32It's enough, Rafael.
37:36I'm starting to think that Gaspar is not the only one responsible for everything that's happening.
37:40Are you blaming me for something?
37:42I'm blaming you for everything.
37:45Don't even think about talking to me like that.
37:48Much less in front of my fiancé.
37:50Why not?
37:52So you know who you're going to marry?
37:54Someone who doesn't care about the lands of his family.
38:00Rafael.
38:07Stop, please! Stop!
38:22Stop! Stop!
38:25Please.
38:27Please.
38:36Please, don't. I beg you.
38:39Don't do it.
38:52Don't do it.
39:06Matilde.
39:08Are you okay?
39:10What's wrong?
39:12No, no. It's nothing. It doesn't matter, really.
39:15How can it not matter if you're suffering?
39:18What has my son done to you?
39:20No, no. It has nothing to do with Gaspar.
39:23It's...
39:24These blankets that...
39:26that my mother embroidered, I miss them so much.
39:30Matilde, come.
39:31Let's sit down. Come.
39:44I know perfectly well how Gaspar is.
39:46You don't need to protect him.
39:48Trust me.
39:51It's nothing. I promise.
39:56You know you're like a daughter to me, Matilde.
40:02Let me help you.
40:04I also had a husband.
40:06I know the weaknesses of men.
40:10I'm so ashamed.
40:13In the intimacy of a marriage, there's nothing to be ashamed of.
40:18What intimacy are you talking about?
40:21I don't have intimacy with my husband.
40:25He doesn't want me.
40:29You must have misinterpreted the signs, dear.
40:42Gaspar is seeing another woman.
40:49Why didn't you tell me before, dear?
40:52You would have avoided a lot of suffering.
40:55This handkerchief is mine, Matilde.
41:01It's true.
41:04So...
41:07Forgive me.
41:09Forgive me.
41:10I thought that...
41:13My son is clumsy with feelings.
41:15My son is clumsy with feelings, that's undeniable.
41:18But you and I know he's a good man.
41:21What happens is that, like all husbands,
41:24he needs to be guided by a feminine hand.
41:30I don't know how I could do that.
41:33Matilde, don't look down again.
41:38My son is a lucky idiot because he has a wonderful wife.
41:42You.
41:43Don't ever forget that.
41:46And if he hasn't fully realized it yet,
41:48you'll have to give him a little push.
41:53He doesn't even look at me.
41:55The only thing that worries Gaspar now is his job,
41:59his problems with Rafael.
42:05So...
42:07Maybe that's where you have to intervene
42:10and show him your worth.
42:23Thank you for making me laugh, sister.
42:34The pharmacist has sent the drink to Mrs. Pilar.
42:37I've already removed the old one from his sequences.
42:39He was exhausted.
42:40Thank you. You can go.
42:50It's amazing how this medicine gives me back my strength.
42:56I hope everything will be fixed so easily.
43:13Duquesa, Mrs. Mercedes.
43:15Bárbara.
43:16What an unexpected surprise.
43:19Come in.
43:20Please, sit with us.
43:23How can we help you?
43:25I don't want to bother you,
43:27but I'd like to ask you a favor.
43:29You tell me.
43:30I dared to come because I've been told that the priest who works for the Galdedaguirres
43:34is one of the best in the country.
43:36That's right.
43:37Mr. Eugenio does amazing things with scissors.
43:41What do you need?
43:42I was wondering if I could make a dress for the wedding.
43:46The wedding?
43:47I think it's complicated,
43:49if not impossible, in such a short time.
43:52Mr. Eugenio is very meticulous and perfectionist.
43:56I know.
43:57We never thought the wedding would be so soon.
44:01And I don't have anything prepared.
44:04I could ask Mr. Eugenio if he can make a hole for you.
44:09As a personal favor.
44:11Really?
44:12That would be wonderful.
44:14I'll see what I can do, but I promise you nothing.
44:17Thank you very much, Mrs. Duquesa.
44:18I thank you from the bottom of my heart.
44:20Wait, wait a second.
44:22How is Adriana?
44:24Is she more willing to marry now that Pedrito has recovered?
44:29Yes, yes, yes.
44:32My sister is delighted with the link, of course.
44:37Is something wrong, Bárbara?
44:40That man seems very familiar to me.
44:44Mr. Antonio?
44:46I'm sure it's him.
44:48I've seen that man in my house on the Via de Madrid.
44:50He came a few times to visit my father in his office.
44:58Well, I said it.
45:01I'm leaving.
45:02I won't interrupt you anymore.
45:04Thank you again.
45:15Pilara.
45:17She's just an impetuous girl.
45:19She must have confused Mr. Antonio with some other man.
45:23A loan shark must receive many visits.
45:25Don't you think?
45:31I don't know.
45:43Are you sure you don't want me to bring you something for the blow?
45:46A little ice would be very good for the swelling.
45:48I'm fine, don't worry.
45:52Please continue.
45:55I was telling him that ...
45:58that my husband is broken.
46:01Gaspar thinks that nothing he does is enough for you.
46:04The truth is that lately he has made some mistakes that are going to be very expensive for us.
46:08And he knows it.
46:10He's trying to make amends.
46:12What do you want from me, Matilde?
46:16I want to tell you everything my husband says, out of respect for you.
46:21Gaspar is no longer an employee.
46:24He works from sun to sun, far beyond his obligations.
46:29He gives his life for his land.
46:33But it's hard to do things right when you feel constantly judged.
46:41Your effort deserves recognition.
46:46And not just from you.
46:49Also from your brother, Mr. Rafael.
47:15If you came on behalf of my brother, don't bother her.
47:18I'm no one's messenger.
47:22I just wanted to know how he's doing.
47:27Today is not the best day of my life.
47:31Those lands where I grew up are falling apart.
47:35Is there anyone here who cares?
47:37No.
47:38Just me.
47:40How do you want me to feel?
47:43Do you really think it's worth killing your own brother for a piece of land?
47:49My brother is the problem, Adriana.
47:53He refuses to make the necessary decisions to avoid ruin.
47:57He's desperate.
47:59He's your brother, Rafael.
48:02If I had to choose between Bárbara and Pedrito and a handful of land,
48:06I'd burn all the villages and forests.
48:09I'd flood all the fields.
48:11Nothing would ever separate me from them.
48:13It's our home.
48:16Defending the land is defending the family.
48:18It's what Julio doesn't understand, and from what I see, you don't either.
48:21Rafael, you told me you loved your brother.
48:25Do you really care so much about these lands?
48:28Are they worth so much to you?
48:31It's hard for me to believe it.
48:35Okay, do you want to know the truth?
48:39Do you want to know why I hit my brother?
48:42Why would I have preferred to die in the war?
48:44Why do I have a broken soul?
48:49Because my brother is going to marry the woman I love.
48:54Because in a few days, I'll lose her forever, Adriana.
49:00I wish the land would open up.
49:02The rivers would dry up.
49:04All the crops would rot.
49:07If only I could have her.
49:37I love you.
50:08Pilara.
50:11Aren't those your valet's private documents?
50:14That's right. Close the door, Mercedes.
50:21What are you looking for?
50:22Don't you see that Jose Luis could arrive at any moment?
50:25I'm sure there are a lot of things my husband doesn't tell me,
50:28and that's going to end today.
50:30You're getting too worked up.
50:31Could it be that you know where he isn't?
50:33I don't think so.
50:34Hold on.
50:36Pilara, this state of nerves is not good for you.
50:39Leave it, please. You're going to get sick.
50:41You're going to pay dearly for it.
50:43I don't care, Mercedes.
50:45My husband is hiding something from me,
50:47and I'm not going to let him know.
50:49Don't you understand?
50:50I think you're obsessing with something you don't want.
50:53It doesn't exist, sister.
50:54It does. I think it does.
50:57If you say so.
50:59Come here.
51:01I don't want to get involved in all this.
51:04For the love of God,
51:05get your husband out of here right now so he can arrive at any moment.
51:08Well, if he comes back, he'll have to explain to me what's going on.
51:12Why does he insist on marrying Julio in such a hurry?
51:17Why with Victoria's niece?
51:21And why did his father have relations with Adriana's family?
51:26Too many things without an explanation.
51:34THE LAST DAYS
51:47As you know,
51:48brotherly disputes are settled by slapping each other.
51:51That's why I apologize to you and Rafael.
51:55Julio has apologized and behaved like a man while you kept silent.
52:00So you found out about him.
52:01Why else?
52:02If it had been for you, I would never have known.
52:04And why didn't you think what was coming would be good?
52:07What?
52:08Living in this house?
52:09Marrying Julio?
52:11Marrying someone you don't know has to be difficult.
52:14I would have liked to marry for love.
52:17Ask me with your hand on your heart
52:21to forget her
52:23and I swear to God that I will.
52:27I'm your aunt.
52:29I'm your mother's sister.
52:30I'm your mother.
52:31Imagine the storm that would break loose.
52:34We will face it together.
52:36And accept it once it's over
52:38or I'll have to tell you everything, Bernardo.
52:40Mercedes, for God's sake.
52:41The choice is in your hands, Bernardo.
52:45If you want it to be known, you have no choice but to keep talking.
52:48From now on, you will be in charge of Valle Salvaje
52:51with the power to make as many necessary decisions as you want
52:54without anyone questioning you.
52:57This blow doesn't look good.
53:00You didn't heal it, did you?
53:08Right now you're going to tell me who you're hiding behind your back and why you're hiding.
53:13I was playing.
53:14Playing?
53:17What happened?
53:18But I don't understand how you can harm children or hide them.
53:22When my illness is over with me...
53:25Pilar will do it.
53:26And that day, my family will need someone to support this house.
53:33Bárbara and Adriana lost their father shortly before coming to Valle Salvaje.
53:38Why did he die?
53:40What?
53:41Much less that he forced me to sit down with her
53:44with the excuse of chatting.
53:46Pilar chatting with you?
53:48She made me understand that someone could have killed him.
53:52I think Mrs. Pilar knows something.
53:55What if she asks me again?
53:58That won't happen.
54:00You have my word.
54:03But how can you enter my house like that?
54:05And how can you go around talking about my brother?
54:12Be careful, Pilar.
54:16You be careful.