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00:00Why did you call us here?
00:05To a surprise party of the Marquess, as if she were coming to see me.
00:08It's not a surprise party, I can assure you.
00:12But I understand that today the Grandmother Civil has come here, right, Mr. Baeza?
00:17Yes.
00:18And why, Mrs. Petra?
00:19To say hello.
00:20I'm telling you now that I don't.
00:21What did the civilians want, Mr. Baeza?
00:24The reason for the visit of Sergeant Burdina was to report the death of Gregorio Castillo.
00:32How did Mr. Gregorio die?
00:36Apparently, they found his body in the ruins of the slaughterhouse with a shot in the chest.
00:40The dog is dead, the anger is over.
00:43Mrs. García.
00:44Mr. Baeza, don't get angry, we all think the same thing here.
00:47That man hurt Mrs. Pia a lot, more than a painful one.
00:50Own of this house, not respecting even the dead.
00:53No, Cántaro.
00:54The more empty, the more noise they make.
00:56What are you insinuating?
00:57Santos, leave it to me.
00:58Santos.
00:59It is evident that in this palace everyone had a thing for that man.
01:02And for a reason.
01:03I came to defend you, Mrs. Petra.
01:06What did that sergeant want from us, Mr. Baeza?
01:09Are you looking for someone to kill him?
01:12No, no, no.
01:13That man has simply come to report.
01:15Apparently, the promise was the only place that related that man to Luján.
01:21So you think the murderer could have come to the promise?
01:24No, no.
01:25I said that, Miss González.
01:26No, that doesn't make any sense.
01:28That's what the sergeant said.
01:29No, no.
01:30But come on, if we had been in danger, he would have told us, I think, right?
01:35Whoever the criminal is, he has only done the world a favor.
01:38Now Mrs. Pia will finally be able to rest in peace.
01:41That's it, Mrs. Martínez.
01:43I think that now, finally, Mrs. Darre will be able to rest in peace.
01:48I'm going to talk to the priest of the town so that he can offer a mass for his brother.
01:52Are you going to throw away the money?
01:53Because that soul is more than lost.
01:55Only God can judge us.
01:57I hope that death serves this man to find the peace and forgiveness that he did not know how to earn in life.
02:03Amen.
02:06Return to your work.
02:07Yes.
02:18You are going to make Atila dizzy if you keep turning him around so much.
02:23Come on, drink it before it gets cold.
02:25If he has asked you, it is because I think it will be good for you.
02:29I can't get anything in my gut.
02:33Is that why you are gossiping?
02:37What do you have to say?
02:38I don't know.
02:39I don't know.
02:40I don't know.
02:41I don't know.
02:42I don't know.
02:43I don't know.
02:44I don't know.
02:45I don't know.
02:46I don't know.
02:48Catalina.
02:51Don't worry about them.
02:52You are worth much more than what they can write about you.
02:56Unless you are like this for another reason.
02:58Catalina is already here and they have already left.
03:00Manuel, I didn't know you were here.
03:02Hey, me.
03:03And what did they say?
03:04Nothing.
03:05They insisted that they had not received any notification that we had canceled the chronicle.
03:10You'll see.
03:11Those journalists have their fame earned for something and more the echoes of society.
03:14Yes.
03:15I have called the newspaper again to complain about the inconvenience they have caused.
03:19They also denied it.
03:20No, no.
03:21On the contrary.
03:22They called it an internal communication error.
03:24Apparently, the message must have been lost somewhere in the office.
03:28Well, that may be an understandable error.
03:30After all, you notified them at the last minute.
03:33I hope so, Manuel.
03:34I hope so, because they have sworn and perjured that there was no intention on their part.
03:40But everything is already resolved, Catalina.
03:43And don't you think it could go against us?
03:45What?
03:47We have canceled the chronicle.
03:49They are still speculating on the reasons and the remedy is worse than the disease.
03:52No.
03:53They will not dare.
03:54And how do you know?
03:57Because they have no evidence against you.
04:01And they will not dare to slander our family either.
04:03After all, the last name Lujan is still synonymous with power.
04:06Although some try to cover it up.
04:08Manuel is right.
04:09So get rid of those fears.
04:13I still find it hard to believe that they are leaving empty-handed.
04:17The truth is that they did try to take something, but I knew how to dodge their questions very well.
04:21And they were happy when I gave them a tip for the inconvenience.
04:25And what did they want?
04:27Nothing. To know how our relationship was.
04:29I knew it.
04:30But I'm telling you, you don't have to worry about anything.
04:32I don't care.
04:33I have no right to be respected in my privacy.
04:36Sister, no one has put that in doubt.
04:37What do you mean not? Continuously.
04:39Any occasion is good to drag my name through the mud.
04:41Well, there they are.
04:42Sister, but I'm fed up.
04:43Catalina, calm down. I'm asking you for ...
04:44And a horn.
04:45I have the right to be angry.
04:47So try to stop insisting so I can see the glass half full, please.
04:54Leave me alone.
05:11Mr. Beza.
05:14Can I ask you something?
05:16I think I know what it is.
05:18Well, I'm sure you do.
05:19It's about Gregorio's death and what it means for Mrs. Pia.
05:23I'm listening.
05:25From the looks of it, the threat has disappeared, which is why Mrs. Pia was locked up.
05:28That's right.
05:30I don't know if it's true or not.
05:32I don't know.
05:34I don't know.
05:35I don't know.
05:37I don't know.
05:39I don't know.
05:41But you haven't told anyone that she's alive.
05:44Exactly.
05:45We have to be on our toes.
05:47We can't rush.
05:48Especially now that we're so close to the finish line.
05:51Yeah.
05:52You're right.
05:53I've been meditating a lot.
05:54There are a lot of people involved.
05:56There's Mr. Marquez, Mr. Manuel ...
05:58Mrs. Adarra herself.
05:59Yes.
06:00She still doesn't know that that scoundrel is dead.
06:03She must be eager.
06:04I doubt it.
06:05No, but the matter is very sensitive.
06:07We have to act cautiously.
06:09Leave it in my hands.
06:10Of course.
06:12Don't take this the wrong way, it's a capricious delay.
06:14No one wants Mrs. Adarra to regain the freedom she never should have lost.
06:19But Sergeant Bordina's visit will soon reach the ears of the Marquis
06:23and I want him to find out about me and not the rumors.
06:26It's logical.
06:27As for Mr. Manuel ...
06:28I understand that you are the one who wants to tell him.
06:31No, not at all.
06:32I think the ideal thing is for you to tell him.
06:37Well, I guess he'll be very happy as soon as he finds out.
06:40I have no doubt about that.
06:42As soon as Mr. Manuel found out about Mrs. Adarra's situation,
06:45he offered to help her, even knowing the risks he was taking.
06:49So this nightmare is finally over.
06:52That man won't bother her again.
06:55Then I'm going to look for Manuel.
06:57Not so fast, Miss Expósito.
07:00I guess it's better for Mr. Marquis and Mrs. Adarra to know first, right?
07:05No, no, no.
07:06Yes, I understand that you are dying to tell him
07:09and there is no reason why you should not do it.
07:12But Mr. Manuel is not going to be at the prom this morning.
07:17He has to absent himself due to some matters that ...
07:20But I don't know what I'm telling you.
07:22I suppose you will be aware, right?
07:25Well, no.
07:26No, no, I didn't know anything.
07:28Well, then don't take my words into account.
07:31Mr. Manuel will return after lunch.
07:34Thank you, Mr. Baila.
07:35You're welcome.
08:28Hello.
08:30You don't know where I come from here.
08:44I have to be with Father Samuel in Lujan.
08:46And?
08:47We get married in the afternoon.
08:50And there are three days left.
08:52Yes.
08:54We get married in the afternoon.
08:57And there are three days left.
08:58Three afternoons, my love.
09:02Father Samuel says that this time is the best
09:04because then we will attract attention.
09:06What? Do you think it's good?
09:08Well, I don't care.
09:10I mean, I think it's great that it doesn't matter
09:12whether it's in the morning or in the afternoon
09:13as long as we are husband and wife.
09:15And that the rest doesn't matter.
09:17No.
09:19Now I have to leave again.
09:21See you after dinner at the studio.
09:23But what are you going to do?
09:25Have you forgotten?
09:27Hanna, I already have the money from the bank.
09:29Luckily, and it will be the last day
09:31that we say the name of Gregorio Castillo.
09:33No, Manuel, you're not going anywhere.
09:36Why?
09:39Because Gregorio is dead.
09:44What are you saying?
09:47The sergeant of the civil guard has come
09:50and told Don Rómulo.
09:55How?
09:57Apparently,
09:59they found his body in the ruins of the slaughterhouse
10:03and he had a bullet in his chest.
10:09So someone has taken justice by his hand
10:12and made him pay for his crimes.
10:15My love, what's happening to you?
10:19I've been a fool, Manuel.
10:22When they told me that his body had appeared in the ruins, well ...
10:29Did you think it could have been me?
10:31No.
10:33Well, I just had the doubt.
10:36But I know that's not true.
10:38Why isn't it?
10:40You know that more than a year ago
10:42I had doubts about this man.
10:44I know.
10:46What hurts me is having doubted you.
10:50My life is not bad to doubt.
10:52The bad thing would have been to give Pablo
10:54those doubts and you just told me
10:56that you haven't done it.
11:02So why did the civil guard come to the palace?
11:04They suspect someone of the promise.
11:08Well, this place is not supposed to be
11:11the only place related to Gregorio Coluja.
11:14Yes, that makes sense.
11:16And they also wanted to know if someone
11:18wanted to take care of the remains.
11:21Well, they called the wrong place.
11:25And what else is known? And when did they find him?
11:27Not much more is known
11:29because Mr. Baeza was not given them.
11:32Not even knowing how discreet our mayor is,
11:34I guess he didn't ask either.
11:37Good.
11:39Okay, I'm going to talk to him.
11:41Why?
11:43Because there's something that doesn't fit
11:45in this death.
11:47And maybe Rómulo knows something
11:49he didn't want to tell you.
11:52Maybe.
11:57Manuel.
12:00What?
12:02I think you should change.
12:05You're right.
12:20And then?
12:22How do you say his parents
12:24and the Duchess of Cerezuelos met?
12:26Why?
12:28The truth is that I had never heard of them.
12:30Well, it's not strange.
12:32In the end, the distance
12:35has caused his relationship
12:37to be almost purely gun-related.
12:39But close enough
12:41to justify his presence
12:43at that snack, right?
12:45That's right.
12:47My parents met the Duchess
12:49even before I was born.
12:51I have always considered her
12:53something like a distant aunt.
12:55I have a lot of affection for her.
12:57Yeah.
13:01What's that, Petra?
13:03I just brought you a boy, ma'am.
13:05Who sent it?
13:07He didn't leave a mark.
13:09Give it to me.
13:11And how do you know it's for you, sister-in-law?
13:13Well, he came to my house, didn't he?
13:15Are you sure it's from Uncle Alonso then?
13:17Well, I wouldn't be so sure.
13:19Does he bring a card with the marks to the florist?
13:21I would love to know where he bought it
13:23to order one for the Duchess of Cerezuelos.
13:25Well, no.
13:27The truth is that there is nothing.
13:29Up there, there is something.
13:32Prepare a vase for the flowers.
13:34Of course, Petra.
13:36I'm going to keep them in my hand.
13:38They are supposed to be for you.
13:40Well, read the note. They are disgusting.
13:44Petra.
13:46What did you want, ma'am?
13:48It's for you.
13:52I'm sorry to have bothered you, ma'am.
13:54I didn't know they were for me.
13:58We were also surprised, Petra.
14:00Come on, take it away.
14:02It's quite disturbing.
14:08I'm dying to know who sent them.
14:10Maybe it's from an admirer.
14:14Those are servants' things.
14:16And it's not nice to murmur about them, Martina.
14:22By the way, where is Curro?
14:24I thought he was going to have coffee with us.
14:30That's how it happened.
14:32I'm sorry I can't tell you more
14:34than what Ms. Expósito has already told you.
14:36Of course.
14:38Besides, the Civil Guard is more of a question
14:40than an answer.
14:42Well, I'll confess that the truth is
14:44that I'm not at all curious to know the details.
14:46It's enough for me to know
14:48that that man will not do any harm again.
14:50Of course.
14:52And the sergeant came to La Promesa
14:54because Gregorio worked here, right?
14:56That's right.
14:59And what about the relationship with Mrs. Darre?
15:01The sergeant did not know
15:03that that man and Mrs. Darre
15:05were married.
15:07How is that possible?
15:09Well, that's what I think.
15:11The Civil Guard of Luján arrested him.
15:13All the information was in his hands.
15:17What did he insinuate?
15:19Well, that man was testing me.
15:23He was testing me to see
15:25if I was really honest with him or not.
15:29I agree.
15:31That's why
15:33I wouldn't be surprised
15:35if they returned to La Promesa soon.
15:37But wouldn't he have to?
15:39I've heard that Sergeant Burdina
15:41has a reputation for being relentless.
15:43And you must have been
15:45one of the last people that saw that man alive.
15:50Sir, are you saying that I have something to do
15:52with that shot?
15:54No, of course not.
15:56Come on, what I think doesn't matter.
15:59What do you think, Sergeant?
16:03They won't find anything in the slaughterhouse
16:05that incriminates me.
16:07Because, I repeat, I didn't kill him.
16:09It's true that we had a tense meeting
16:11and a rather heated conversation,
16:13but I think I managed to convince him
16:15to accept the deal
16:17and leave.
16:19You don't have to insist.
16:21A being like that should have
16:23a good line of candidates
16:25wanting to get rid of him
16:27And that's a suspicion?
16:29An adjustment of accounts?
16:31Almost.
16:33You know,
16:35it's true that when I mentioned him for the first time
16:37he couldn't come, apparently, for a fight.
16:39Maybe that fight
16:41was a first warning.
16:43May I have some advice, sir?
16:45You gain nothing by speculating.
16:47As I said, that man had many enemies
16:49and the ruins of the slaughterhouse
16:51were very far away.
16:53I see.
16:56Mr. Baeza, it would be better
16:58if I leave you.
17:00I don't want to be late to the quarter.
17:02What for?
17:04I want to talk to the sergeant.
17:06As you rightly said,
17:08I am one of the last people
17:10who saw Gregorio alive
17:12and that makes me one of the main suspects
17:14if not the first.
17:16I wouldn't like him to make a wrong assumption
17:18about me for keeping me quiet.
17:20Don't go to the quarter.
17:22Why?
17:24I have nothing to hide.
17:26You do.
17:28And more than you think.
17:30Even if you testify,
17:32you are still a suspect.
17:34That would give you
17:36the veneer, the civil guard
17:38to enter freely
17:40to investigate the promise.
17:42Imagine how your mother would take it.
17:46No, very well.
17:48But that's not my problem.
17:50But it may be.
17:53Mr. Alarres is at least irregular
17:55and a wrong interpretation
17:57of the matter
17:59could make you a suspect.
18:04You said you left no trace
18:06after the last meeting with that man.
18:08No.
18:10I don't think so.
18:12At least no one knew
18:14that we would meet at the matadero
18:16and no one saw us.
18:18And we know that man had many enemies.
18:21So I think that for his own good
18:23and for the good of his family
18:25it is best to keep quiet.
18:27With a little luck
18:29the case will be closed
18:31over time
18:33and will not be moved again.
18:35I love you.
18:49Paco, I already feel strange
18:51while you enjoy all the comforts
18:53in this palace.
18:55Well, I wouldn't know what to say to that.
18:57Damn the time when he decided
18:59to go to war
19:01that wasn't even his.
19:05Were you waiting for me
19:07to take a walk?
19:09No,
19:11but you know that walking with you
19:13is always a pleasure.
19:15We can go to the river
19:17if you want.
19:19So far away?
19:21I don't know, we'd better stay here.
19:23Well,
19:25what I really want is
19:27to talk to you calmly
19:29to tell you something.
19:31Okay.
19:35I just talked to Julia
19:37and she told me something
19:39that has disturbed me a lot.
19:43What?
19:45Well, don't play dumb
19:47because if she told me,
19:49she should have told you.
19:51Well, Martina, I'm just as shocked as you.
19:53Well, I don't understand why you haven't told me.
19:55Because it's a bit complex, don't you think?
19:57Well, no, no.
19:59I don't think it's so hard to understand
20:01that she doesn't want to go back to her parents.
20:04What? What did you think it was?
20:06No, no, nothing.
20:08It's just that I used to have a little fight
20:10with her over a badminton topic.
20:14Let's see, I just brought up a very serious topic
20:16and you come to me with the badminton game.
20:18Well, Martina, I didn't know what you were talking about.
20:20Well, sometimes I don't know if you're very innocent
20:22or a little insensitive
20:24because I found it on the verge of tears
20:26that she was devastated.
20:28I had no idea.
20:30Well, yes.
20:32I understand her better than anyone else
20:34because what happens to her is that her parents
20:36are obsessed with getting married.
20:38Really?
20:40And she's very afraid
20:42that they'll want to marry her to a fool
20:44like her sister.
20:46I see.
20:48And that's why she doesn't want to go back to her parents.
20:50Even if they come back from San Sebastián.
20:52It's not her fault.
20:54Well, no. I just don't understand
20:56why everything has to be so difficult.
20:58It's unfair.
21:01Well, I wish we could do something
21:03to help her.
21:07Yes, but they're her parents.
21:09We can't do anything.
21:30Look what I brought you.
21:32There's plenty left over from the table for the gentlemen.
21:34Do you want some?
21:36Of course.
21:42Ah!
21:44It's for you.
21:48You're welcome.
21:50You're welcome.
21:52You're welcome.
21:56You're welcome.
21:59Ah!
22:01It's delicious.
22:03The other one is for you too.
22:05I tried it while I was making it.
22:07It's the chef's right.
22:09The first one to taste the puchero.
22:11Don't Mrs. Cándale and Mrs. Simona need you?
22:13No. They're decorating the dessert.
22:15They gave me the rest.
22:17You've had a few days of a lot of work.
22:19And to top it off,
22:21my mother comes to give you more work.
22:23I admit that when your mother asked me
22:25to prepare a menu for 20 people
22:27I was quite overwhelmed.
22:29I just had to see your face.
22:31Yes, but it's done.
22:33Well, and with a lot of success.
22:35It's clear that you have a gift for this.
22:37To please your mother?
22:39Well, partly.
22:41Because I'm telling you that my mother
22:43hasn't tried a menu like this for a long time.
22:47It reminded me a bit of my long-distance party.
22:49Was it the same menu?
22:51Of course not.
22:53But there was caviar, duck,
22:55the best meat in Spain,
22:57and artichoke oysters.
22:59Didn't they go to waste?
23:01Well, I didn't eat much.
23:03Why? Were you nervous?
23:05No.
23:07More because I didn't want to waste a minute eating.
23:11That day was like a dream.
23:13It was the culmination of many months of preparation.
23:17The dress, the decoration,
23:19the music.
23:21You should have seen my parents' palace.
23:23It was beautiful.
23:25There were a lot of flowers.
23:27It looked like we were in paradise.
23:31And they put the dance floor in the garden.
23:35And they hired an orchestra of more than 30 musicians.
23:39And all the tables were decorated with garlands,
23:41white and golden flowers.
23:43Wow.
23:45It was all beautiful, Lope.
23:47And there were some candelabras
23:49that illuminated everything.
23:51They were hanging from one side to the other.
23:55The candles seemed to be floating
23:57by magic.
23:59And I spent the whole night dancing.
24:01There was not a moment when I stopped dancing.
24:03I had the whole dance floor full.
24:07And I loved going around in my dress
24:09and seeing the smell of my skirt.
24:11My mother ordered the dress in pairs.
24:15And it had a lot of pearls and diamonds
24:17in the lace, and it was silk
24:19and ivory.
24:21It was beautiful.
24:23And it was very beautiful.
24:25You would have fallen in love with me at once.
24:27I fell in love with you as soon as I saw you.
24:29No need for ostentation.
24:31Lope, even my father
24:33was wonderful that day.
24:35He gave me a precious necklace of diamonds
24:37as my entry into society.
24:43Oh, I'm sorry.
24:45I'm sorry.
24:47I don't know why I'm telling you all this.
24:49No, no, no, forgive me.
24:53I understand that you are worried
24:55about all this Gregorio thing.
24:57It's normal.
24:59Yes.
25:01That's it.
25:03That man is a demon.
25:05And I'm not sorry that he died.
25:07Not after what he did to Mrs. Pia.
25:09But that Mr. Romulo told him
25:11that he had been shot,
25:14I'm going to see
25:16how they decorated the cake.
25:18Okay.
25:35Have there been more news
25:37from those journalists?
25:39Yes, right?
25:41Did you talk to the newspaper?
25:43Shortly after the reporters left.
25:45I wanted to show them our indignation
25:47for having ignored the cancellation of the chronicle.
25:49Of course, he really canceled it,
25:51as you say.
25:53Cruz, please.
25:55And what answer did they give you?
25:57That it was a confusion.
25:59Apparently the notice did not reach the newsroom
26:01and that's why the reporters were at La Promesa.
26:03They would not be happy.
26:05Such a trip to leave empty-handed.
26:07I gave them a tip for the inconvenience.
26:09Yes, but all of us
26:11will pay the consequences.
26:13What consequences?
26:15We have served them in a tray
26:17a collection of articles
26:19to malign our last name.
26:21I don't see it that way, mother.
26:23Actually, I think they have nothing to write
26:25against us, neither good nor bad.
26:27As if they needed a real story,
26:29those journalists, to make up those articles.
26:31Like the infamy of the cartoons
26:33they published a few months ago.
26:35What cartoons?
26:37A very successful example.
26:39It was about some comic drawings.
26:41Stop it, Cruz.
26:43It's a matter that is not pleasant to remember.
26:51What a welcoming welcome.
26:57You're late, Lorenzo.
26:59If you were going to come to dinner,
27:01the least you can do is to let me know.
27:03I'm late, by the way, but ...
27:05You're right.
27:07A reason that suits us all.
27:11Do you remember
27:13Gregorio Castillo?
27:15Isn't he the mayor who ended up in jail?
27:17Exactly, but he was released
27:19a few months ago.
27:21Well, they found him.
27:23Dead.
27:25How?
27:27Dead how?
27:29Murdered. A shot in the chest.
27:31What are you saying?
27:33May God have him in his glory.
27:35I don't think God wants people like him
27:37by his side, really.
27:39No, considering what he did to Doña Pia.
27:41And where did they find him?
27:43In the ruins of the old slaughterhouse.
27:45Thank goodness.
27:47I wouldn't like him to be related
27:49to his death with this palace.
27:51Come on, it would be the flesh
27:53those journalists need.
27:55I'm afraid your wishes won't come true, Cruz.
27:57What do you know, Lorenzo?
27:59Well, I know that Sergeant Burdina
28:01was in the palace this morning.
28:03That's it.
28:05And how is it that none of us saw him?
28:07Because you weren't the reason
28:09for his visit.
28:11It was Don Rómulo.
28:13And what does he have to do with this?
28:15Well, maybe...
28:19Let him answer for you.
28:31Yes.
28:43And when is Don Rómulo going to speak
28:45to the Marquis?
28:47As soon as possible, I imagine.
28:49I hope so. Because Doña Pia will be
28:51wishing to get out of the cabin to Ramón.
28:53Yeah, she still doesn't know.
28:55But how come they haven't told her?
28:57Well, because Mr. Baeza
28:59doesn't want to tell her in person.
29:01Well, go to the mayor.
29:03He's the dog of the hotel. He doesn't eat or let anyone eat.
29:05That's not it either.
29:07Well, you tell me what it is.
29:09Well, it's supposed that Doña Pia has been killed, María.
29:11And that we have to deal with this subject with caution.
29:13Yes, but Laura and Hanna
29:15don't sleep alone either.
29:17Well, if she doesn't tell her tonight, she'll tell her tomorrow.
29:19And anyway,
29:21the important thing here is that Doña Pia's torture is over.
29:23And I didn't expect this, Fina.
29:25And be careful,
29:27I don't feel sorry for Gregorio.
29:29I don't feel sorry for anyone.
29:31I don't either.
29:33Just think about the suffering that Doña Pia has gone through in her life.
29:37Hanna, do you think
29:41it's to be a bad Christian
29:43to wish someone's death?
29:45What are you saying, María?
29:47You haven't wished anyone's death.
29:49Well, but I'm glad
29:51they killed him.
29:53That's not true.
29:55You are glad that Doña Pia can finally live her life.
29:59But if Gregorio had disappeared
30:01under other conditions, you would also be glad, right?
30:05Well, yes.
30:07Well, that's it. Then you didn't wish for his death.
30:11Because the church doesn't want a priest
30:13with a body,
30:15because otherwise she would be a great confessor.
30:17I don't see myself with a necklace.
30:19The black uniform already has it.
30:21I'm wishing
30:23that Doña Pia comes back.
30:25Me too.
30:27Although everyone is going to fall
30:29on their asses.
30:31The first one was María Mandrajoz.
30:33Do you think she will put an impediment
30:35so that Doña Pia comes back to work here?
30:37Sure.
30:39But that doesn't matter, because the last word is hers,
30:41Mrs. Ruiz.
30:43He knows how to do it well.
30:45Well, I imagine that if Doña Pia
30:47doesn't know about Gregorio,
30:49she won't come, right?
30:51I think she will have to
30:53look for Dieguito.
30:55And I want to hug him.
30:57Well, imagine Mrs. Adarre.
31:01And a little man will be made.
31:03Will you have two twins?
31:07Good thing things are starting to go well
31:09in La Promesa.
31:11Well, don't say it too loud,
31:13because you already know how fast things change in this palace.
31:15Well, at least your wedding lasts.
31:17By the way,
31:19do you know anything else?
31:21Tell me.
31:23Nothing.
31:25That we are going to get married in three days
31:27and that it will be in the afternoon.
31:29Oh, Janita.
31:31May you marry us.
31:35I almost broke my ribs.
31:37Oh, my God.
32:07By order of the Civil Guard.
32:09They accused you of poisoning your wife,
32:11isn't that true?
32:13That's what they say, yes.
32:15Why was it like that?
32:17And why did they put him on the street so soon?
32:19A murder attempt for poisoning
32:21is not a trivial matter, is it?
32:23Do you want to leave the subject, please?
32:25But we are here precisely to talk about him.
32:27He sent me to call, sir.
32:29That's right.
32:31And I honestly thought you would come
32:33without the need to notify you.
32:35I understand. Has something happened?
32:37Stop whining.
32:39And explain to us right now what a Civil Guard sergeant
32:41was doing in the palace this morning.
32:43The sergeant came to report
32:45the death of Domínguez Gregorio Castillo.
32:47We already know that.
32:49But why didn't he tell us before?
32:51I'm sorry I didn't come to inform you immediately.
32:53I was going to do it tomorrow morning,
32:55first thing in the morning.
32:57I know how much you are uncomfortable
32:59with the presence of the Civil Guard in the palace
33:01and I didn't want to bother you.
33:03You come to report the death
33:05of an old mayor of this house
33:07and you think it's a good idea to leave it for the next day?
33:09I didn't compromise the family at all, ma'am.
33:11And why did the sergeant come then?
33:13Well, if he came,
33:15he was looking for someone
33:17who could take care of the mortal remains
33:19of Mr. Castillo.
33:21And for that, they alter the peace of the palace?
33:23They bury him in a ditch.
33:25It's a settled matter.
33:27And why did he come here?
33:29I mean the promise, specifically.
33:31It was the only place that connected him
33:33with Lujan, since it was here
33:35where he was serving.
33:37So that man has only come for this.
33:39We're not going to see him again around here.
33:41Well, if it weren't for that,
33:43he would be the first surprised, ma'am.
33:45There is no reason for them to have to return.
33:47In that case,
33:49you have done well,
33:51not spreading the scandal.
33:53The less people talk about that man in the palace,
33:55the better for everyone.
33:57I will try to do so, ma'am.
33:59I hope so.
34:01You may leave.
34:07And you'll be happy, Lorenzo.
34:09Don't kill the messenger.
34:11I didn't know anything.
34:13That's why,
34:15on certain occasions, it's better to be prudent
34:17and shut up when necessary.
34:30LONDON
34:54Excuse me, Mr. Curro.
34:57What's wrong, Marcelo?
34:59As I saw you standing there, I thought you needed something.
35:02No, I don't need anything.
35:04You may leave.
35:06Well, wait, wait.
35:08Yes, thinking about it,
35:10I do need something.
35:12Could you bring breakfast for Miss Julia and me
35:14in the piano room?
35:16Right away, sir.
35:27LONDON
35:39Let's see. Give me the potatoes.
35:41Put this aside.
35:45That's it. Let's put this here.
35:47And now, go get help
35:49so they can bring us the rest of the order.
35:53Lope, I need breakfast for two.
35:55For now. Mr. Curro asked for it.
35:59Okay.
36:00Can I take care of it?
36:02Don't worry. I'll make it for you in a second.
36:06Really, Lope?
36:08Do I just put the cups, the juice, the coffee?
36:10If you tell me to serve it with manduka,
36:12I'll make it myself.
36:14Are you sure?
36:16Completely.
36:17Well, you have a sponge cake with nuts in the oven.
36:19Take it out, cut it into slices, that'll be enough.
36:21Six is fine.
36:23Eight, because Mr. Curro has a lot to do in the morning.
36:25And also put a jar of jam on it.
36:27Raspberries. He loves them.
36:29Perfect.
36:31Good.
36:33Rosario, please go get help.
36:39Marcelo, I'm sure you can do it on your own.
36:41Leave me alone! This is bread!
36:44Good.
36:53Good.
37:01Eight pieces of sponge cake.
37:14Well, it's very nice.
37:16Beauty is paid for.
37:17I had to cut a good quarter of it.
37:19And you? A gift is a gift.
37:22That's better. Don't you think?
37:24Fresh out of the water.
37:26And I thought there was another reason to walk it around the house.
37:30Of course.
37:32Let all those envious people see it.
37:34Or wasn't that the reason for the gift?
37:39The truth is that they had never given me
37:41such a beautiful bouquet.
37:45It's not that beautiful.
37:46It's beautiful, Santos.
37:49In fact, you should have seen the ladies' faces
37:51when I took it up to the living room.
37:53They all wanted it to be for them.
37:55I mean, it's not much to thank you
37:58for everything you've done for me, Mrs. Petra.
38:01You know I would do it a thousand times.
38:04Although I really don't know if you have rooms
38:07for so many bouquets.
38:09Don't worry about that.
38:11When at the floristry they saw that
38:13it wasn't a young man trying to seduce a girl,
38:15I fell for it even more.
38:17They gave me a price.
38:20Let's go.
38:27The bouquet is a first.
38:29Agonizing with St. Louis.
38:31And what's the reason?
38:33It's a gift.
38:35Santos wanted to thank me
38:37for taking care of him when he was in bed.
38:39If you couldn't have a better nurse.
38:42The truth is, it's very nice, Santos.
38:46You like it?
38:47Yes.
38:48Yes, it's very nice.
38:50Can I smell it, Mrs. Petra?
38:52No.
38:53And enough with the nonsense.
38:55You all have a lot of homework to do.
38:57Let's go.
38:58Let's go.
39:06I'm glad you like it.
39:08The bouquet?
39:09Of course.
39:11In fact, I'm going to leave it in the dining room.
39:15So everyone can see it.
39:19Well, the fruits and vegetables,
39:21we're going to leave them all here together
39:22and you keep them over there.
39:23Now we take them to the pantry.
39:28Where were you?
39:30Come on, look, the orders for the cornmeal have arrived.
39:33Don't get angry, López.
39:35I didn't entertain myself with a trip
39:36for Mrs. Petra's bouquet.
39:38The bouquet was to see it.
39:39How beautiful.
39:40It's the sign of a Marquis.
39:41That's what Mrs. Cruz thought.
39:43Has the lady seen it?
39:45What happens is that Mrs. Petra has been confused
39:47and thought that the bouquet was from the lady
39:49and went to give it to her.
39:50They should have seen her face.
39:52To paint the paintings, come on.
39:54And I say,
39:55what do you think if they leave the junk
39:57and give me a hand?
39:58Come on, be tasty.
39:59What do you want us to do?
40:01Get with the vegetables.
40:04What does it smell like here?
40:07Pepper, potato, aubergine.
40:09That's not it, Candela, daughter.
40:11What?
40:12That.
40:13That's a biscuit with walnuts.
40:15And can I try a piece?
40:17María, you already know the rules.
40:19You can't try anything
40:20until it passes through the table of the gentlemen.
40:22And the piece that is missing, what?
40:24Marcelo needed it.
40:25Mr. Curro has asked for a separate breakfast for two.
40:28Two breakfasts?
40:29It's not that strange, I don't know,
40:31with this family in front.
40:32I would also prefer breakfast on my own.
40:40Lope?
40:42Who was the other breakfast for?
40:45I don't know, María, she didn't tell me.
40:50What's going on, Lope?
40:52I don't know.
40:53Maybe she thought the other breakfast was for her.
41:10So, did you like the bouquet?
41:13Yes.
41:14I told you I thought it was pretty.
41:17Your opinion is worth a lot more
41:19than that of those whores.
41:22You know why.
41:26Don't bother, Vera, it was a joke.
41:31So you don't want me to make a fool of myself.
41:33Hey, calm down.
41:34It's not funny.
41:35It's not funny.
41:36It's not funny.
41:37So you don't want me to make a fool of myself.
41:39Hey, calm down.
41:40I come in peace.
41:42Yeah, sure.
41:44Come on, Vera.
41:46Since you decided to end the relationship with me,
41:48you barely speak to me.
41:51Santos, I made it very clear to you that I wanted you to leave me alone.
41:54I don't want to keep any more dealings with you than is necessary for work.
41:57And it's true.
41:59But that's been a long time ago.
42:03What do you want us to talk about then?
42:06Well, whatever you want.
42:09How about your mother, for example?
42:11Santos, leave.
42:12Right now.
42:13But what did I say now?
42:14You know perfectly well what you said.
42:15Leave.
42:16Well, that woman has been in the palace day after day too.
42:19I thought that now that you have resumed the relationship,
42:21you would have many things to tell.
42:22You think it's funny, don't you?
42:23You came to that, to make fun of me.
42:25I didn't know you had such fine skin.
42:28Although, of course, coming from where you come from ...
42:30Go to hell, Santos.
42:32Maybe you could have fooled Petra.
42:34Of course, you are of the same skin.
42:35Be careful with what you say.
42:37You're right.
42:39These are going to be the last words you hear from my mouth.
42:43See you later, Santos.
43:00Maybe Mr. Curro is going on an empty stomach and can't have coffee.
43:03He would have told Marcelo, right?
43:05With how clueless he is.
43:07Maybe they told him and he forgot.
43:10I won't rest until he comes back and tells us what happened.
43:13Well, you don't have to wait long.
43:17Maria, what happened?
43:19Isn't the cake good?
43:21The cake has nuts.
43:22And Miss Julia can't eat nuts.
43:25You wanted to poison Miss Martina's guest?
43:28It was a mistake.
43:29Right.
43:30Maria, why didn't you tell me that the breakfast was for Miss Julia?
43:34Maria, how did you know?
43:35Hey, I didn't know.
43:36But white and in a bottle, come on.
43:38The young man doesn't want to have breakfast with a lot of people.
43:41That girl has a guardian angel and it's you.
43:44And a particular demon, have you seen it?
43:47I didn't know anything about Miss Julia and the nuts.
43:50Marcelo, you have to open your ears.
43:51We've told you hundreds of times.
43:54A bite of the cake and send it to the other neighborhood.
43:57Poisoned cake.
43:58Don't you see that Mrs. Petra is looking for excuses under the stone to break her promise?
44:02And you go and put it on a silver platter.
44:04Miss Julia can't eat nuts.
44:16Does anyone want to explain to me what's going on here?
44:29I promise you it's the first time I've seen something like this.
44:32Maybe the cake was over.
44:35Or it had just been made.
44:38Well, Maria Fernández is a very capable maid.
44:42I'm sure they'll bring us breakfast back.
44:46And what is this invitation to have breakfast together due to?
44:49I wasn't very happy with our last conversation.
44:52The one at the hangar.
44:55I'm glad you're the one who brought it up.
44:57Because neither am I.
44:59I understand you'll have a lot of questions, right?
45:04That's right.
45:06But only one question.
45:09What is it?
45:11What is it?
45:13What is it?
45:15What is it?
45:16That's right.
45:18But only one question keeps me awake.
45:22How did Paco die?
45:25And before he answers me with ambiguity,
45:28I want him to know something.
45:33It's not the first time I've asked this question.
45:36When José Juan returned to Spain, I asked him.
45:40And he didn't want to give me any details.
45:43It's... natural.
45:45It was very hard for everyone.
45:49I understand that for some, more than for others.
45:54What do you mean, Julia?
45:58José Juan didn't give details.
46:00But there was something he made very clear.
46:03That the one responsible for Paco's death
46:06was you.
46:08Francisco de la Mata.
46:10Francisco de la Mata.
46:17But after all these days I've known him,
46:22I know it can't be true.
46:26What happened?
46:36José Juan is telling the truth.
46:40I...
46:42I'm the only one responsible for Paco's death.
46:45What's going on with Father Samuel?
47:10He still thinks he's going to marry two young people from the village.
47:12What if he gets angry and says he won't marry us?
47:15No.
47:16Besides, I'm going to ask him one last favor when we get married.
47:19I'll ask him to bring a letter to La Promesa
47:21in which I'll explain everything to my parents.
47:24That will happen to me when...
47:26when I solve everything.
47:27Hey, wait.
47:28What if we get to the river and get our feet in fresh water?
47:33Aunt Peral, I'm not in the mood.
47:35And that?
47:36No, I don't feel like it.
47:38And what did you tell me you were writing in that notebook you found?
47:42They were... they were like stories.
47:44Well, the little one you have must be infamous.
47:47Stories about love affairs and silly things like that.
47:51But could you read any of the stories?
47:53Are you sure you're okay?
47:57Well, I can see you don't want to give me explanations either.
48:00It's okay, I'm not going to insist and...
48:03whenever you want, you can tell me.
48:08It's a very beautiful bouquet.
48:10Of those who don't even give it to the Marquise.
48:12Does it bother you?
48:13It's from well-to-be-born and grateful.
48:16Still, you should be more careful with the rooms.
48:18I've earned it by working and I spend it on whatever comes to me.
48:21No one says otherwise.
48:22That woman has lived her life for me without being my family or anything like that.
48:25She deserves a bouquet and a hundred more.
48:27I think I'm going to go to sleep.
48:28López, can you tell me what's wrong with you?
48:30Since yesterday, you've been very dry with me.
48:32And now that we can be alone, you prefer to leave.
48:34Nothing's wrong with me.
48:35Nothing.
48:36Don't tell me nothing's wrong with you.
48:38Because we've already met, you know what I'm talking about.
48:40I think I should wait a few days.
48:42Why? If Gregorio is already dead, there is no danger for either of us.
48:45But if you leave suddenly, the Civil Guard would make you the main suspect in his death.
48:51What do you mean? I haven't done anything.
48:53I know, I know.
48:54But I also know that this idea would go through the heads of the authorities.