• 2 months ago
movie1
Transcript
00:00ORIGINAL SERIAL APPLE
00:05PRODUCTION SONY PICTURES TELEVISION
00:30EPISODE 2
00:45Amazing.
00:47It's not over yet. Go away.
00:53How do you like to write again?
00:56The hand is not hard.
00:59Did you think about what we discussed that evening?
01:04About what?
01:05To leave the gallery and just write.
01:10Be careful with your desires,
01:13or you'll end up in a house full of paintings.
01:16You're too talented to be just a curator.
01:19I'm serious.
01:22Well, let's wait for the conclusion of the deal.
01:26The deal...
01:29is done.
01:37These numbers are insane.
01:42Hey, can you give me a lift?
01:45Where are you going?
01:46Skate park.
01:47Okay, I'll give you a lift.
01:49No, I'll do it myself. Get to work.
01:52I still have to go somewhere.
01:55Are you meeting your friend?
01:58Yes.
02:00Is this a date?
02:02I can walk.
02:04Relax, I won't embarrass you.
02:06Take your stuff and let's go.
02:10And you keep writing.
02:25Are you nervous?
02:28Yes, a little.
02:32Good.
02:34It's good to be nervous. It keeps you in tune.
02:38Yes.
02:40I'm sorry.
02:53Have fun, buddy. You'll be fine.
03:01Hi.
03:02Hi, how are you?
03:10I'm fine.
03:16I see.
03:18You're ready for adventure.
03:22Do you like it?
03:24You're in the right mood, aren't you?
03:26Is this for me?
03:28Yes, take it.
03:33I'll send you my man's contact. He's nice.
03:36I helped him out a couple of times.
03:40Awesome.
03:42Are you sure you want to seal the box?
03:47Are you sure?
03:51Why did you actually come back?
03:56For her, right?
03:58Yes.
04:01That's where you messed up.
04:04You created this instead of a family.
04:08Did I guess right?
04:14Have a nice trip.
04:16Don't forget my directions.
04:19I hope you find what you're looking for.
04:38See you.
04:51See you.
04:58Shall we?
04:59Yes.
05:00Let's go.
05:07I...
05:09I bought you something.
05:14You're late.
05:16I know.
05:20Are you mad at me for spending time with your passion?
05:25Fuck it.
05:26They're going to get me again.
05:28I don't give a shit.
05:30I don't give a shit.
05:32I don't give a shit.
05:34I don't give a shit.
05:36They're going to get me again.
05:38You know, you have to do something about that.
05:42Like what?
05:44I don't know. It's for you to figure out.
05:47If you don't try...
05:49It's easier said than done.
05:51If you don't try, you're going to regret it.
05:54It's going to eat you up inside, so...
05:58What's going on?
06:00Charlie?
06:03What's going on?
06:04Charlie?
06:05What's that?
06:06Oh, God.
06:07Shit.
06:09Is it an allergy?
06:10Yes.
06:12What are you looking for?
06:14A bag?
06:15I'll get it.
06:16What...
06:17What am I supposed to look for?
06:18What am I supposed to look for?
06:19Epipen?
06:21Shit.
06:22What does it look like?
06:23Fuck you.
06:25This?
06:26Hold on.
06:27I'll be right back.
06:28Oh, God.
06:29What am I supposed to do?
06:30Come on.
06:31What?
06:44Hi.
06:45Is he okay?
06:46Yeah, he's fine.
06:47Good.
06:49They're just checking him.
06:51Are you okay?
06:52I'm fine.
06:55How did this happen?
06:57It's my fault.
06:58I bought him ice cream.
07:00What does that have to do with anything?
07:02It had nuts in it.
07:04I didn't read the label.
07:07I just didn't think.
07:09What's there to think about?
07:10Is it hard to remember that he has an allergy?
07:15I know.
07:29I'm sorry.
07:33You're the best.
08:19What are you doing?
08:24Preparing the gallery for the auction.
08:27That's a lot of work.
08:31Uh-huh.
08:35I told them I wouldn't be at the auction.
08:39And I got fired.
08:52Can I help you with anything?
08:58No.
09:07Jay?
09:14Since when do you use a thread?
09:18Always.
09:22If it's the day after you go to the dentist.
09:27I decided to start taking care of my gums.
09:30Is that a problem?
09:32No.
09:34I was just asking.
09:38Okay.
10:10Okay.
10:41Based on the novel by Blake Crouch.
10:44Written by Blake Crouch.
10:53Dark Matter.
10:59Written by Megan McDonnell.
11:01Directed by Roxanne Dawson.
11:10Directed by Blake Crouch.
11:26How's it going?
11:29Almost figured it out.
11:40Village Tap.
11:43Village Tap.
11:48Village Tap.
12:08Village Tap with a red neon sign.
12:18Village Tap with a red neon sign.
12:23Great coffee.
12:25What's up?
12:27There's a wine bar across the street.
12:38Wine bar.
12:49What?
12:51The door's red.
13:00It's not my wife.
13:03It's not my dog.
13:05It's not my door.
13:07It's not my house.
13:09And it's not my fucking day.
13:19Village Tap.
13:31I don't think anyone's home.
13:35But it doesn't matter, because there's no tree of memory.
13:40Oh, shit.
13:43This is worse than those crazy worlds.
13:48A bunch of Chicagos that aren't quite what they're supposed to be.
13:52It's similar, but...
13:55I'm not one of them.
14:00I'm not sure I'm ready to go back to the box.
14:03Me neither.
14:05Let's sleep in a normal bed tonight.
14:13Village Tap.
14:31It's amazing.
14:36Oh, my God.
14:38I'm not sure if it's because I'm hungry or because it's so good.
14:41It's the food.
14:44Hold on.
14:45So...
14:48You didn't say, did you find Amanda in this world?
14:53She's not a psychologist.
14:55Really?
14:57Ready to hear?
14:59She's the White Castle administrator.
15:02No, no.
15:04Well, you're at least an administrator.
15:08Have you ever asked yourself,
15:11if you're going to have to do this lifestyle and all the other things,
15:18what are the core characteristics that make you who you are?
15:26So you're saying I'm the same Amanda from White Castle on a deeper level?
15:31Yeah, yeah, exactly.
15:35Well, personality is just a mixture of emotional reactions and thoughts that are unique to everyone.
15:44We consider them constant, but it's not...
15:47Yeah, I think people change, but the essence stays the same.
15:53Yeah, of course.
15:55Our temperament is set at three a year.
15:58But it's just the intensity of our reactions to the environment.
16:02For example, my Jason was pretty annoying.
16:07Me too.
16:08I thought so.
16:09But you have a lot more empathy, and you're better at holding back than he is.
16:13That's because of your experience and your decisions.
16:16Our personalities change a lot in life, and...
16:21I love this song.
16:26What?
16:29No!
16:30Come on!
16:31No, no, I don't dance.
16:34Of course.
16:36He does.
16:38What are you afraid of?
16:41Whatever.
16:42If you're going to look stupid, you can leave this restaurant,
16:47you can leave this city,
16:49you can leave literally this world.
16:53Let's go.
16:54To hell.
17:00I thought she walked into the outdoor, outdoor.
17:04She wore a raspberry beret.
17:09The kind you find in a second-hand store.
17:13Raspberry beret.
17:17If it was warm, she wouldn't wear much more.
17:21Raspberry beret.
17:24I think I love her.
17:27I love her.
17:29Built like she was.
17:31She had the nerve to ask me,
17:33my plan to do her any harm.
17:36So, yeah.
17:37I put her on the back of my bike, yeah.
17:39We would ride down my old man Johnson's farm.
17:54Well, did you enjoy the dance?
17:57Yeah.
18:28I'm sorry.
18:30It's okay.
18:33You and I,
18:35we had a great evening.
18:39Yeah.
18:42Yeah, we got away with it.
18:49I feel like my world is disappearing.
18:52I feel like my world is disappearing.
19:00Do you think you'll ever forget it?
19:05Not at all.
19:07I can easily imagine how it stops being real.
19:12What do you mean?
19:15Because it is.
19:19It's reality.
19:22It's the only reality we have.
19:34If you want, I'll move to another bed.
19:38Just tell me.
19:45I don't want to.
19:47I just think that I need to.
19:49Of course.
20:13Jason?
20:15Jason?
20:17Come in.
20:19I have everything I wanted.
20:21Everything.
20:23But I came to talk to you
20:25because I guess it doesn't give you the same feeling
20:30that I imagined.
20:34Believe me, I worked very hard
20:37to get to this point.
20:44Don't you think you've gone beyond your expectations?
20:49You've idealized your vision of this moment.
20:54Maybe you've always dreamed
20:56of how amazing it would be to have
21:01a beloved wife, a son,
21:04the freedom to do whatever you want.
21:07But you've forgotten something.
21:10Life is just life.
21:12Tell me, what did you expect?
21:15What did you expect?
21:19You'll think I'm an asshole if I say
21:23perfection.
21:27He wants me to quit my job at the gallery.
21:30And you're going to quit?
21:33To be honest, I still can't get it all in my head.
21:38But it's a lot of money.
21:39It's crazy.
21:40Yeah.
21:42But there's also a bunch of other little things.
21:47He's been brushing his teeth every day.
21:49And he dresses better.
21:50He needs a divorce lawyer.
21:52I know.
21:53Tiny little things.
21:54But there's too many of them.
21:56Go on.
21:57For example,
21:58he puts the keys on the kitchen table
22:00and doesn't hang them on the door handle.
22:02He takes his shoes off as soon as he enters the house.
22:05Unloads the dishwasher as soon as it's done.
22:08He wants sex all the time.
22:10Wait a minute.
22:11Are you saying he's gotten sexier,
22:13purer, and richer?
22:17But the mistake with Charlie
22:20is no small thing.
22:21A couple of days ago, I made a big mistake.
22:25I bought my son, Charlie,
22:28an ice cream.
22:30It had nuts in it.
22:32And he was in the ambulance.
22:34Is he okay?
22:35Yeah.
22:37Yeah.
22:38I...
22:39I've atoned for my sin.
22:42But Daniella is still upset.
22:46Have you apologized?
22:47Yeah.
22:49Yeah, but...
22:51I feel like I need to show her
22:53that in the future
22:55I will be much more careful.
22:59What's on your mind?
23:02I like the idea of a romantic gesture.
23:05And her?
23:06And you.
23:07Who doesn't like that?
23:09My partner and I
23:10sometimes don't like romantic gestures.
23:13But you're married.
23:16The evening when
23:18we were waiting for Charlie in the ambulance,
23:22I noticed scars on his arm.
23:25Like from an injury?
23:27Like from a needle.
23:28The road from the injections?
23:32You should have started with that.
23:35Did you ask him?
23:37No.
23:39And he's always
23:41leaving in the evenings lately.
23:43Says that it's a sales meeting.
23:46But I don't know.
23:49I should talk to him.
23:50No, don't.
23:52He'll lie to you.
23:53And you'll give yourself away.
23:57You need to watch him.
24:00Really?
24:01Yeah.
24:02Find out what's going on.
24:05No.
24:08I'll talk to him.
24:12By the way, how did you know about me?
24:16From an ex-girlfriend.
24:19Long story.
24:31Jay?
24:34I wanted to talk to you.
24:36I'd love to.
24:38But I'm heading out.
24:40Where are you going?
24:41Where are we going?
24:44That's for me to decide.
24:46And you'll find out.
24:56Is dinner included?
24:58Yes.
25:00Good.
25:01But first,
25:02we need to stop by somewhere.
25:05Okay.
25:06Just a little stop.
25:09We're here.
25:17Did you bring me to a charity auction?
25:20Yes.
25:21No.
25:22I just want to show you something.
25:24We'll take a quick look.
25:25I don't understand.
25:26Let's go.
25:33What are we doing here?
25:35You just have to trust me.
25:41Hello.
25:42How are you?
25:43Nice to meet you.
25:44Nice to meet you too.
25:50This is...
25:52Jay.
25:53Jay.
25:54Jay.
25:55Jay.
25:56Jay.
25:57Jay.
25:58Jay.
25:59Jay.
26:00Jay.
26:01So, this is behind your back.
26:04What's there?
26:16Take me home.
26:17What's the matter?
26:18I want to go home.
26:20Okay, listen.
26:30I know that I fucked up.
26:33But I don't understand why.
26:35You don't understand?
26:36No.
26:37I just wanted to make you happy.
26:39Yeah.
26:41No.
26:44I'm not happy.
26:46I'm really, really humiliated.
26:50Humiliated?
26:52The picture is great.
26:53You took it without my permission.
26:57And asked my colleagues to hang it.
27:00They were just happy.
27:01They just had no choice.
27:05Then you forced me to wear this hateful dress.
27:09And took me where everyone knows me.
27:12And the picture is not just bad.
27:15It's not even finished.
27:17It's a great picture.
27:18Just great.
27:19It's not up to you, Jason.
27:21It's my work.
27:24And it's personal.
27:26I said I didn't want to sell it.
27:28Then don't sell it.
27:29Who forces you?
27:31Why can't people look at it?
27:34Because I haven't written in years.
27:38And I'm just trying to figure out if I want to do it.
27:43What makes you think it's okay?
27:46Maybe you're just not the person I thought you were.
27:52That's not what I meant.
27:58Maybe you're right.
28:02I want you to be happy.
28:04No.
28:05You want to be happy.
28:13I want you to be happy.
28:43I want you to be happy.
29:13I want you to be happy.
29:43I want you to be happy.
30:13I want you to be happy.
30:43I want you to be happy.
31:13What is this?
31:28I think it's a injection.
31:31What? Like a drug?
31:33No.
31:34It's an injection mark.
31:38Shit.
31:41Okay, wait a minute.
31:43Maybe he's sick.
31:45And he doesn't want to worry you.
31:46He's trying experimental drugs.
31:48I think it's too big of a stretch.
31:52Although he has a secret cell in the warehouse.
31:55Really? And what's in it?
31:56This.
31:57I don't know what else.
31:58I couldn't get in.
32:02Can you analyze it?
32:07It's a small sample, but I can.
32:11When we find out what it is,
32:14then we'll figure out what to do.
32:34Are you okay?
32:38Yeah.
32:40It's just...
32:43I need to be alone for a day.
32:45We'll meet here in the evening.
32:50What if this is my world?
32:54It doesn't matter.
33:24Can I help you?
33:40Is this your painting?
33:45It's amazing.
33:48It's...
33:51It reminds me of John Wayne Beach for some reason.
33:56It does.
34:01Yeah, it's like...
34:04It's like the fall or something.
34:07Actually, it's November.
34:11I love sunrises.
34:12Yeah.
34:16Well, you can just come and walk around.
34:18I'll be sitting over there.
34:20If you have any questions, feel free to ask.
34:22My wife is...
34:26She's an artist, too.
34:29A local?
34:30Yeah.
34:31Yeah, but...
34:33Actually, no.
34:37Formally.
34:38I mean, we're not together.
34:40No, it's not that we broke up.
34:43It's just...
34:45It's complicated.
34:48Yeah.
34:50Would you mind having a cup of coffee with me or something?
34:55Well, I have to sit here all day.
35:00Okay.
35:01Well, maybe after you get out of work...
35:05Or maybe it's just because you're so polite to me.
35:09What a shame.
35:12I'm sorry.
35:13I'm sorry.
35:15Yeah.
35:17I'm sorry.
35:19It's okay.
35:20Thank you for coming.
35:28Hi.
35:29Can I help you?
35:41You're all dressed up.
36:01Great.
36:11Time for a tickle.
36:25Not your world?
36:34Soon we'll run out of ampoules.
36:38And options.
36:43Yeah.
37:05May I?
37:24You describe her length of hair and color,
37:27place of work.
37:31That's not enough.
37:32I'm trying as best I can.
37:34I understand.
37:37But I think you need to dig deeper.
37:41Yeah.
37:48I need to get some fresh air.
37:52I'll bring some food later.
37:53I'll be back soon.
38:51Okay.
39:13Thanks.
39:21Hi.
39:28I thought you left me.
39:32Sorry.
39:33I promise I won't.
39:36Where have you been?
39:39I was watching myself.
39:42Following myself.
39:44Following myself and Daniela to the restaurant.
39:47Then I sat outside and watched.
39:49Then they went to the movies.
39:52I also went inside and sat behind them
39:55and watched them watch the damn movie.
39:59And I started to understand why your Jason
40:03did this to me.
40:04He must have been watching me for a long time.
40:07At work.
40:09Following me and Daniela on a date.
40:12Watching us through the window
40:14walking around the house at night.
40:15Imagining how I'm going to die.
40:16How I'm going to...
40:18Fuck it.
40:19I've got crazy thoughts in my head right now.
40:25Nothing's coming out.
40:27Yeah.
40:29We're stuck.
40:30No, we're getting closer.
40:32Oh, Jason.
40:33No, no.
40:34Think about where we started.
40:36We're getting so much closer.
40:38The world you're looking for
40:42is a pebble on an endless beach.
40:45No, don't say that.
40:47Jason.
40:49Jason.
40:51You've seen how your wife was killed.
40:54You've seen how she died of a terrible disease.
40:57You've seen how she didn't recognize you.
40:59Married another man.
41:01Married another you.
41:03Our brain is not ready for this.
41:05Do you understand?
41:07How much longer will you hold out?
41:10It doesn't matter how long I hold out or not.
41:13The main thing is to find my Daniela.
41:15We have ten ampoules left.
41:17Ten.
41:24Maybe you're right.
41:25It's impossible.
41:26It's possible.
41:27Look at me.
41:30I'm not asking you to leave hope.
41:32I'm just saying we need to find another approach.
41:42I understand her feelings.
41:44It's up to her to show her creativity to anyone.
41:49That's what she said.
41:52What are you feeling right now?
41:55To be honest,
41:58I want to run away.
42:00Because of this fight?
42:02Yes, because of everything.
42:05I worked so hard to achieve this,
42:08and now
42:10everything is falling apart.
42:13What do you imagine when you think about running away?
42:20Corridor.
42:23Endlessly long.
42:25And there are a lot of doors in it,
42:27at equal distance.
42:29As far as the eye can see.
42:32And behind each door
42:34there's an option of my life
42:37that I could live.
42:40If I don't like my current life,
42:43I can just walk into another door.
42:46That's an interesting metaphor.
42:49Makes me want to steal.
42:52You're welcome.
42:54You talk about a lot of doors.
42:57Maybe that's where you feel most comfortable.
43:00Living in a corridor.
43:03You know what it's called?
43:06What?
43:07Fear of commitment.
43:10I've been married for 15 years.
43:14You talk like a bachelor.
43:28Jay.
43:30Hi.
43:31You thought I wouldn't recognize you?
43:34What are you talking about?
43:36Forget it.
43:40Is that why you didn't want to work with me?
43:42Steal my good?
43:44I didn't steal anything from you.
43:47How could you create this?
43:50This team?
43:52Jay, it's like you
43:55peeped at my thoughts.
43:57Ryan.
43:58I swear.
44:00I didn't touch your developments.
44:10Does anyone else work for you?
44:14No.
44:16You know, if I hire lawyers,
44:18they'll shake your life,
44:20your research,
44:21and everything you touched.
44:23You don't have to do that.
44:25Jason, I have pre-negotiations
44:27with several pharmaceutical companies.
44:30If they find out there's a competitor,
44:33it's all over.
44:35Who gave you my ampoule?
44:37What does it matter?
44:41Does the team work?
44:46We're very close.
44:50How do you use it?
44:55It's a safe alternative to general anesthesia.
44:58Therapy for mental injuries, phobias,
45:01a whole new approach to pain relief.
45:05Does yours work?
45:07Yeah.
45:09Mine does.
45:15Wow.
45:18How did you affect Paul Brodman?
45:23I can't tell you.
45:25Come on.
45:28Okay.
45:31Can you at least tell me how you use it?
45:43Let's do this.
45:47Let me show you.
45:54What is this shit?
45:56It's my secret project.
45:59What's it for?
46:03I'll just show you.
46:18Holy shit, Jay.
46:23Wait.
46:24You want me to inject myself too?
46:27If you want to know how it works.
46:30Is it safe?
46:33Yeah.
46:34I've done it a hundred times.
46:37Okay.
47:08I don't understand what I'm seeing.
47:11Jay, what is it?
47:13Well, this...
47:15our mind is trying to interpret
47:17what it's seeing, because it's not yet
47:19sufficiently evolved to understand that.
47:22Which is?
47:25The five elements of the universe.
47:28The five elements of the universe.
47:30The five elements of the universe.
47:32The five elements of the universe.
47:34The five elements of the universe.
47:36The five elements of the universe.
47:38The five elements of the universe.
47:40The five elements of the universe.
47:42The five elements of the universe.
47:44The five elements of the universe.
47:46Jay.
47:49So I'm in a quantum state right now?
47:52Yeah.
47:54Yeah.
47:55Jay.
47:56Jay.
47:57It looks like a corridor.
47:59But it's actually a box
48:01that's repeating in all possible realities
48:03that are in the same coordinates of space and time.
48:07This can't be.
48:12This is real.
48:14Jason.
48:17Oh, my God.
48:19What are those doors?
48:21Endless variations of the world that you know.
48:24Some are slightly different.
48:26Some will blow your mind.
48:29Oh, my God.
48:31Stop.
48:32Why?
48:33This is...
48:35This is the most dangerous moment.
48:38All aspects of your consciousness,
48:40including your emotions...
48:42I see.
48:43...determine which world we open the door to.
48:47Oh, my God.
48:49So all I can do is just try to calm my ears.
48:53I'm trying, I'm trying.
48:55Breathe in. Breathe out.
48:57Breathe in. Breathe out.
49:04Ready?
49:28Chicago.
49:34Is this Chicago?
49:36It's a different version of Chicago.
49:40It's a kinder, more progressive place than ours.
49:50Okay, so how did we get here?
49:55I just thought of a good place for my friend.
50:05I could show you so many things.
50:15We...
50:17We can't stay long.
50:19Give me your phone.
50:21I'll take a picture of you.
50:23I'll be right back.
50:38I can't believe you made a team better than me.
50:46I thought I was the only one in the world who knew how to do it.
50:51But...
50:54There's an infinite number of worlds.
51:02And there's a number of Ryans.
51:20You're not the Jason I know, are you?
51:27Listen.
51:31I'm not going to cause you any trouble.
51:34Okay?
51:40No, wait. Wait. Wait.
51:44Wait!
51:46Wait!
51:48Wait!
51:54Jay!
52:18Daniela Dessin.
52:48Jason?
52:50Yes, it's me.
52:51I'm Anthony.
52:52Hi.
52:53I'm Layton's man.
52:54Yes. Thank you for coming so quickly.
52:57Well, can you do it?
52:59Of course. Let's do it this way.
53:01We'll start by setting up the formwork, and I'll call the guys.
54:19I love you.
54:21I love you, too.
54:23I love you.
54:25I love you.
54:27I love you.
54:29I love you.
54:31I love you.
54:33I love you.
54:35I love you.
54:37I love you.
54:39I love you.
54:41I love you.
54:43I love you.
54:45I love you.