Behave _ Full Movie _ 2024 _ Slasher Horror Movie _ Free Movie
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00:00:00Okay, so we're going to move on and talk about Sean O'Casey, the Irish singer-songwriter
00:00:29and Irish dramatist. He's one of the first dramatists to put urban working class experience
00:00:35on stage at the Abbey Theatre in Dublin. It's the first time a dramatist has actually given
00:00:42a voice to those people who lack status, lack economic support, and lack economic advantages.
00:00:49He is the person who allows those voices to be said.
00:00:53Let's save that for later, yeah? Can't wait that long.
00:01:19Mike, someone might see. Mike and Sophie, give it a rest. Sorry. Sophie, are you wearing ear pods?
00:01:34Take them out, please. So the only dramatist who's thought about trying to put across real working
00:01:46class experience is Sean O'Casey, and we're going to look at the way he represents those people
00:01:52suffering from enormous economic hardship. Did you enjoy that? You can't leave me like this, you know.
00:02:00I won't. You just go ahead and I'll catch up, right? What? I'm just going to pop to the corner shop.
00:02:08We've finished all the, you know, uh, yeah. Why can't I come with? My ex works in there and I don't want all the hassle.
00:02:20Just go on ahead, it's literally a 30 second walk. Okay. Don't take too long. And don't fucking talk to her.
00:02:28I'm serious.
00:02:58Hey. Yeah, I'm fine. Managed to sneak away for a moment.
00:03:27Yeah, I miss you too. Well, you know what my mom's like, if she even knew I was speaking to you.
00:03:44I'll call you back.
00:03:46Fucking prick. Pussy. And that's why you never leave the group on your own. Rule number one of survival, bro.
00:03:54Survival. We're at a villa retreat. You know, this place is haunted, right?
00:03:57Oh, come on, mate. Not this again. Even your mom knows it. Why do you think she got this place for so cheap?
00:04:03What's she like? I'll say we're on a six on the crazy scale right now.
00:04:07Okay, only a six. Well, I guess there's plenty more time left in the day, Cal.
00:04:11Amen, brother. Amen.
00:04:23What do you think about the painting?
00:04:27I think it gives an overwhelming sense of dread.
00:04:30I agree. Really?
00:04:32No. The red emerging behind the black landscape represents hope prevailing through the dread.
00:04:40The red could also represent love conquering death.
00:04:43Maybe it's a microcosm for women's suffrage through the inherent sexism bred into society through generations of male oppression.
00:04:51Who knows? Art is subjective.
00:04:55But I was wrong. Oh, yeah, we are.
00:04:58Rust strokes are far too dramatic. It's more of a caricature than a piece of art.
00:05:01I thought you were here, cretin.
00:05:03Ooh, harsh.
00:05:04Since you're here, why don't you do something useful and find out where the local kids club is or something?
00:05:08Fine. I'll be sure to pick you up some more goth eyeliner on the way back. You look like you ran out this morning.
00:05:19I can't believe your sister's here.
00:05:21I know, but my mum wouldn't let me come without her.
00:05:24She can't even drink. What's she going to do the whole time?
00:05:27What?
00:05:28She's 16.
00:05:29Yeah?
00:05:30You seriously don't think a 16-year-old girl from London has ever drank before?
00:05:35Anyway, Polly seems pretty chill.
00:05:38Does she?
00:05:39I think so.
00:05:40We've done some search. I found him.
00:05:42Where the fuck were you?
00:05:44Yeah, what were you actually doing up there?
00:05:46Just exploring. It's a nice area.
00:05:48All right, Mr. Explorer. Well, Polly is freaking out.
00:05:51Ah, shit. Well, where is she?
00:05:54Upstairs, I think.
00:05:57Andrea.
00:05:59Mama, Jesus.
00:06:01Andrea Luca Carpenese, if you ever disappear like that again, I will strangle you myself.
00:06:07Did she just say he could be in the back of a car, man? He's 19.
00:06:11Yes, but he's still got the face of a baby.
00:06:14Come on, Mama.
00:06:17Well, now that crisis is over, let's get this party started.
00:06:21Yes, this time it's for you guys to relax and have a break from Hackney.
00:06:27What happened to that poor girl was...
00:06:30It's fucked up what happened.
00:06:32Have they found the body yet?
00:06:33No. Mike's still in shock.
00:06:35And now we come to a nice little haunted house to relax.
00:06:38No, Callum. This house is not haunted, okay?
00:06:43Imagine you're not even in England anymore.
00:06:46You're in the Caribbean.
00:06:48And this villa and everything in it is for you guys.
00:06:51To relax, but also to learn a few things.
00:06:54When is Mrs Bloomfield coming?
00:06:56Call her Nancy. She'll be here a bit later.
00:06:59There was some traffic getting out of Kensington.
00:07:01Firstly in pieces with a celebrity, bro?
00:07:03I wonder what she's going to be like.
00:07:05Probably arrogant like anyone else you've seen.
00:07:07No, I've spoken to her over the phone. She seems very sweet, very modest.
00:07:12My favourite video of hers is Arrogance, the hateful tree.
00:07:15Isn't that ironic?
00:07:16What's that supposed to mean?
00:07:26I'm going to need your other phone, Andrea.
00:07:29Fine.
00:07:34You know why we can't have this.
00:07:36Yeah, yeah, because Nancy's mega famous and we can't film her without getting sued.
00:07:41You're not mad about the phone?
00:07:43No.
00:07:44How can I be mad in a place like this?
00:07:46Thanks for sorting all this out, Mama.
00:07:49My pleasure, Tsitsi.
00:07:51Make sure you look after that little girl.
00:07:54I don't think she and her sister get along.
00:07:56Yeah, I'm surprised Indy even brought her along.
00:07:59Have you got her phone?
00:08:05What's happening here?
00:08:06I just told him I haven't seen Freddie the 13th and now he won't talk to me.
00:08:10The origin of Jason Voorhees, one of the most iconic killers of all time?
00:08:14She claims to be a fan of serial killers.
00:08:16Preferably real ones.
00:08:17Oh, sadist.
00:08:18You don't even know what sadist is. You shouldn't use words you don't know the meaning of.
00:08:22Come on, guys. Let's make this a weekend to remember.
00:08:26I can't believe your mum threw a shoe at your head.
00:08:28Yeah, well, years of experience.
00:08:30I mean, all things considered, it was pretty hot.
00:08:33Right.
00:08:34That does it for you.
00:08:36A fiery older woman?
00:08:37Oh, yeah.
00:08:41What?
00:08:43Careful, bro. You can't kink shame anymore.
00:08:49Ah, Lily, there you are.
00:08:51Now, I don't know if India mentioned this to you, but we all need to hand in our phones.
00:08:55Don't have one.
00:08:56Huh?
00:08:57I don't have a phone. I don't believe in them.
00:09:00You don't believe in phones?
00:09:02Ask India. They're just a means of the government tracking our whereabouts.
00:09:06Oh, OK.
00:09:07Well, you still watch Nancy's videos on TikTok, don't you?
00:09:10Of course I have TikTok. I'm not on Neanderthal.
00:09:12Oh, OK.
00:09:15What are you looking at?
00:09:17There's a man outside.
00:09:22Oh, it's just a gardener. The landlord said he might be here.
00:09:26Mm-hm.
00:09:27What are you writing?
00:09:29I'm drawing.
00:09:31I didn't know you drew.
00:09:33Anything else, Mrs Carpadesi?
00:09:35No, no, I guess not.
00:09:38Please, call me Bolly.
00:09:40Whatever you say.
00:09:46Dio, she's even worse than the other one.
00:09:58So, who do you think is getting lucky this holiday, then?
00:10:02Getting lucky?
00:10:03Yeah, man, getting lucky, you know.
00:10:05Laying down the wood.
00:10:06Doing the monster mash.
00:10:08Elected mayor of bang town.
00:10:11Hmm.
00:10:12Well, there's India.
00:10:13Hot.
00:10:14Or scary.
00:10:15And gay.
00:10:16Wait, what?
00:10:17Yeah, has she not introduced you to Susie?
00:10:19No.
00:10:20Hmm, I guess you're not as close, then.
00:10:21No, no, no, no, no, man.
00:10:22People just tell you shit.
00:10:23You've got this innocent gospel vibe about you.
00:10:26Well, there's Lily.
00:10:27Ooh, she's got something about her.
00:10:2916.
00:10:31Point taken.
00:10:34Obviously, my mum.
00:10:35I can't rule her out.
00:10:36Oi.
00:10:37God damn it, man.
00:10:39I see you throwing things once in the family.
00:10:41Italian anger.
00:10:42Ah, I see you're an Italian tosser.
00:10:44Hmm?
00:10:45Hmm?
00:10:47Ooh, what about Nancy?
00:10:49Piping a celebrity.
00:10:50That would be a tick on the bucket list.
00:10:52You're a weird guy.
00:10:56Hmm.
00:10:58We seem to have skimmed past Kira.
00:11:00Oh, really?
00:11:02Ooh.
00:11:04It's the great Andre Luca Caponese blushing.
00:11:07Hey, I just forgot about Kira, okay?
00:11:09You know the deal.
00:11:10We've known each other for so long it'd just be a bit weird.
00:11:13Besides, I've got Hayley.
00:11:15Who?
00:11:16Hayley.
00:11:17The girl from work.
00:11:18Bro, do you ever listen?
00:11:20About women?
00:11:21Usually I do.
00:11:22Well, met her at work.
00:11:23We're a bit of a thing.
00:11:24Not official or anything, but exclusive.
00:11:26Does your mum know?
00:11:27Are you kidding me?
00:11:28You know how crazy she gets if she found out I had a bird?
00:11:31Oh, I didn't mean it like that.
00:11:33Hey, man, you said it.
00:11:35Go to your room.
00:11:38Hello, everyone, and welcome back to another episode
00:11:41of The Fine Art of Polite Behaviour with Nancy Bloomfield,
00:11:44where I, Nancy Bloomfield, teach people of all ages
00:11:48how to act accordingly in today's unforgiving social landscape.
00:11:52On today's podcast, we'll be talking about women.
00:11:57What is your perfect age to start dating?
00:12:00For sake, Lily!
00:12:01Hi, Keira.
00:12:02What are you doing in here?
00:12:04Make-up.
00:12:05Don't you have your own?
00:12:07My mum says that make-up hides the imperfections of the weak.
00:12:11Right, so you didn't think of asking your sister?
00:12:13She's not exactly the most giving type.
00:12:16So your next option, naturally, is to break into my room?
00:12:19Saves the inconsequential social interaction of having to ask you.
00:12:22Our dad says that if you have to ask for anything,
00:12:24you've already made a mistake.
00:12:25God, you're a weird family.
00:12:27Yep.
00:12:29What are you listening to?
00:12:32Nothing.
00:12:33Doesn't look like nothing.
00:12:34It's just music.
00:12:37I listened to that podcast this morning.
00:12:40I thought Polly took away all our devices?
00:12:42It's broken, so it can't connect to the Wi-Fi or take any pictures.
00:12:47She said I can keep it as long as I use it for...
00:12:51learning purposes?
00:12:53Alright, well, thanks for the make-up.
00:12:55Still didn't ask.
00:12:59It's not Andrea, by the way.
00:13:01What?
00:13:02The perfect man. Andrea's far from it.
00:13:04Andrea? Why would you think...
00:13:06You and my sister have been friends for, what, 15 years now?
00:13:09In all that time, I've never heard you mention anything about a single boy.
00:13:13And now you're on holiday with Andrea,
00:13:15you happen to listen to a specific Nancy podcast
00:13:17about how to get a boy to like you?
00:13:19Unless you're interested in Callum.
00:13:21Ew, no.
00:13:22Yeah, it's not rocket science.
00:13:24Is it obvious?
00:13:26To a girl, yes.
00:13:28To a boy, anything but.
00:13:31Thank God.
00:13:32Just don't tell India.
00:13:34She hates him.
00:13:35Yeah.
00:13:36If she doesn't know already, she will figure it out eventually.
00:13:42I know.
00:13:43Thanks, Lily.
00:13:44I guess.
00:13:46Thanks, Lily.
00:13:47I guess.
00:14:03On today's podcast, we'll be talking about relationships.
00:14:06What is the appropriate age to start dating?
00:14:09What makes the perfect mate?
00:14:16Thanks.
00:14:30Until at least the age of 21.
00:14:32That's not to say that dating is out of the question.
00:14:35In fact, dating without the pressure of having sex with your date
00:14:38is actually quite freeing and should not be frowned upon,
00:14:42even if your peers are laughing at you for being such a square.
00:14:55You must be the gardener.
00:14:58The landlord said you might be working.
00:15:01Always working.
00:15:04I'm Polly.
00:15:05Nice to meet you.
00:15:08Charles.
00:15:13Have you been working alone, Charles?
00:15:15A few years.
00:15:18Ah.
00:15:19One?
00:15:20Two?
00:15:21Ten.
00:15:22Wow.
00:15:23That's more than a few.
00:15:29Don't worry about us getting in your way.
00:15:31Just let me know if any of the kids are bothering you,
00:15:34and I'll sort it.
00:15:36Kids?
00:15:38Yes, when I say kids,
00:15:39they're all about 19 or 20.
00:15:41You just make me feel old.
00:15:48Do you have any kids, Charles?
00:15:52I have a girl.
00:15:54How sweet.
00:15:55How old is she?
00:15:56Every box.
00:15:57Not getting lighter.
00:15:58Thanks.
00:15:59Silly me.
00:16:02I'll see you around.
00:16:06Everybody's so weird.
00:16:09Yeah.
00:16:23Kira!
00:16:24Kira, we'll have something fun to do, right?
00:16:26Please?
00:16:27We're already struggling this bad, guys.
00:16:28It's only been a few hours.
00:16:30Waiting for a celebrity to arrive in a villa is surprisingly dull.
00:16:35Um.
00:16:36Charades?
00:16:37We tried that.
00:16:38Helen ruined it.
00:16:39Right.
00:16:40You lot not getting a shower scene from Psycho
00:16:41is not only a dampen on all our friendships,
00:16:44but a crime against cinema.
00:16:46I knew what it was,
00:16:47but you didn't have to get naked for it.
00:16:48Oh, what can I say?
00:16:49I clearly take this much more seriously than others.
00:16:52Trying to get that image out of my head?
00:16:56Mum's having a nap.
00:16:57We can literally do anything.
00:16:59And yet there's somehow nothing to do.
00:17:01I could tell a story about how this place is haunted.
00:17:03You're going to tell us how a place called Villa Helen is haunted?
00:17:06Don't entertain him.
00:17:09Right.
00:17:10You know the guy that used to own this place went insane, right?
00:17:13Apparently he was a businessman of sorts
00:17:15and gotten pretty fucking wealthy,
00:17:17despite being born an orphan.
00:17:19Growing up in the streets of London
00:17:20caused him to become a pickpocket in order to survive.
00:17:23Which is pretty ironic, isn't it?
00:17:25People say he was good at it, too.
00:17:27He even made a name for himself.
00:17:29But that all changed when he met his wife.
00:17:32Helen.
00:17:34The one and only.
00:17:36She set him on the straight and narrow.
00:17:38And when they got married, he built her this place.
00:17:42Unfortunately, she died right after they moved in.
00:17:44To be honest, I think it was.
00:17:46In any case, the guy must have gone mad with grief
00:17:48because apparently he claimed he could hear her
00:17:52every night calling for him.
00:17:56So he never moved.
00:17:58And he wandered these halls for years,
00:18:00night after night,
00:18:02looking for his wife.
00:18:04After he died, people claimed that he was still here.
00:18:08That you could see him after dark,
00:18:11always searching.
00:18:13Searching for things to steal
00:18:16and for people.
00:18:19Wow.
00:18:21I know!
00:18:22That's the biggest load of shit I've ever heard.
00:18:24There's an 11% chance that spirits and ghosts are real.
00:18:27There just isn't enough evidence to support either side.
00:18:31That's why I went looking for Andrea earlier,
00:18:33to make sure he wasn't taken.
00:18:35Well, I guess you're taken now, eh, buddy?
00:18:38Dude!
00:18:39What's that supposed to mean?
00:18:40Well, it's not like your mum can hear us.
00:18:42Plus, no-one here cares.
00:18:43Yeah, man. Bro.
00:18:45No-one cares.
00:18:48See?
00:18:51I'm kind of seeing this girl from work.
00:18:54Who girl?
00:18:55Well, just no-one tell my mum, alright?
00:18:57Alcohol!
00:18:58What?
00:18:59We need alcohol!
00:19:00It's a Friday night pub.
00:19:01Like, I don't think I've done a Friday night sober since I was 14.
00:19:04Where are we going to find alcohol?
00:19:06There's nothing in any of the cabinets.
00:19:07Alcoholic?
00:19:08Pussy!
00:19:09The gardener.
00:19:11We have a gardener?
00:19:15His name is Charles.
00:19:17He'll have the alcohol.
00:19:18And based off these notes I've been keeping on him since we got here,
00:19:21it'll be in the back shed that he goes back to every 45 minutes.
00:19:24And you're keeping notes on this guy's every movement because...
00:19:29He's cute.
00:19:31Women.
00:19:49I'm coming!
00:19:51Just a second!
00:19:54Dio, Nancy.
00:19:56I'm so sorry.
00:19:58Have you been waiting long?
00:20:00You must be Paula.
00:20:02Polly.
00:20:03Oh, I'm sorry, Polly.
00:20:04It's been a very long day.
00:20:05Oh, I imagine.
00:20:07You must be exhausted.
00:20:09I am.
00:20:10In fact, I could use a drink.
00:20:12Or five.
00:20:15That was a joke, Polly.
00:20:17Ah!
00:20:19I have to say,
00:20:21I have to say,
00:20:23I'm such a huge fan.
00:20:25And the kids are also excited to meet you.
00:20:27Oh, I bet.
00:20:29Oh, and thank you for your rather generous donation.
00:20:32Of course, more than happy.
00:20:34Please, come in.
00:20:46Is everything all right?
00:20:48Yes.
00:20:49Fine.
00:20:51Just fine.
00:20:53My room?
00:20:55Of course.
00:21:00Is this all you had, Lily?
00:21:02Yes.
00:21:05Any sign of the gardener?
00:21:07Not as far as I can see.
00:21:09Well, guys, this isn't exactly Black Ops, I'm sure.
00:21:16Open the door, Andrea.
00:21:17You open the door.
00:21:18You open the fucking door.
00:21:19You have the go-kart.
00:21:20Fuck that.
00:21:21What if there's, like, a sex dungeon in there?
00:21:23What's a sex dungeon?
00:21:26Fine, I'll open the door.
00:21:28Yeah, you guys start searching.
00:21:31I'll be lookout.
00:21:43No.
00:21:44It's a complete mess.
00:21:48Well, at least this is a good sign.
00:21:50All right, guys, let's find out and find the booze.
00:22:13Are these women's clothes?
00:22:15Must be quite the player.
00:22:17Should we tell Polly?
00:22:19Are you kidding?
00:22:20She's paranoid as is.
00:22:21This is the last thing she needs to know.
00:22:27Any luck?
00:22:28Not yet.
00:22:29Well, it's all about the journey, not the destination.
00:22:32What?
00:22:34You know, it's all about the fun of looking for stuff.
00:22:38We all have our own missions.
00:22:39It's cool.
00:22:41Well, I'd rather be cool and drunk than cool and in a dingy orchard.
00:22:46Yeah, fair point.
00:22:57So, this girl from work?
00:23:00Oh, yeah, her name's Hayley.
00:23:04Well, she's not the same Hayley from Fairview, is she?
00:23:08That's the one.
00:23:09The one with the teeth.
00:23:10Hey, you probably saw her when she was, like, ten.
00:23:12She's grown out of them, right?
00:23:14I'm sure she has.
00:23:24Jackpot!
00:23:26Fucking hell.
00:23:28We could just go to some whisky or vodka if we're lucky, but this is a corner shop.
00:23:39Let's go.
00:24:10Oh, shit.
00:24:11No shit.
00:24:13It's really you.
00:24:14It is.
00:24:16What do we have here?
00:24:21My, uh...
00:24:23My welcome gift?
00:24:25Yes, ma'am.
00:24:27Delicious.
00:24:32Okie doke, then.
00:24:33I guess I'll be seeing you bright and early tomorrow morning.
00:24:40Bye.
00:24:53Can't believe that dickhead lost the booze.
00:24:56It's alright.
00:24:57We'll go get some more tomorrow.
00:25:00Don't you think the gardener will notice?
00:25:02By the looks of it, he'll be too drunk to notice.
00:25:10It's good having you here, Ant.
00:25:13It's good having me anywhere.
00:25:16I'm being serious.
00:25:19I feel like I've barely seen you recently.
00:25:22With Susie and life.
00:25:27And I know I'm sorry.
00:25:30I'm always here if you need to talk.
00:25:34Thanks, Ant.
00:25:37You mean a lot to me.
00:25:40Wow.
00:25:41And I thought I was a gay one.
00:25:43Great.
00:25:49How's your dad getting on?
00:25:52Must be hard for him with you gone now.
00:25:55Yeah.
00:25:58He's still Dad.
00:26:00He's just...
00:26:02I don't know.
00:26:04Some little things have changed.
00:26:07For example, when I was younger, he used to go to the off-licence every Sunday to get a copy of a paper.
00:26:15Because he really liked the walk.
00:26:19He'd always come back with three things.
00:26:22The paper for himself, a magazine for me, and a rose for Mum.
00:26:31It was such a small thing.
00:26:34A tiny thing that meant nothing at the time.
00:26:38But now it feels like something.
00:26:42Yeah.
00:26:45Like something.
00:26:51He hasn't done it once since Mum.
00:26:56I don't even think he reads the news anymore.
00:27:06How are you getting on, though?
00:27:09I know you and Sophie were close.
00:27:14I know.
00:27:16It's weird.
00:27:19One day she was there, and then...
00:27:26You can't lose hope.
00:27:28She could still be out there.
00:27:31Exactly.
00:27:34You're so strong, And.
00:27:37I wish I could be like that sometimes.
00:27:47Right, best be off to bed. Big day tomorrow.
00:27:51You're still... you're kind of nervous, aren't you?
00:27:55Only a bit. I mean, I think this whole thing's a bit bullshit, but she's still famous as fuck.
00:28:04Didn't know you cared about stuff like that.
00:28:09I'm like Pandora's box. Open me up and see what's inside.
00:28:15Goodnight, Kira.
00:28:17Night.
00:28:25Night.
00:28:55India?
00:29:25Drill.
00:29:55Drill.
00:30:26Morning.
00:30:28You scared me, child.
00:30:30Sorry, Polly.
00:30:32You're an early bird, just like me.
00:30:35Mum says that if the sun is up, there's no reason for you not to be.
00:30:38Of course she does.
00:30:40Besides, Nancy's here, isn't she?
00:30:42Oh, yes, she is. You excited to meet her?
00:30:45I bet she will impart so much knowledge to you.
00:30:49And the boys?
00:30:51Boys will be boys, my darling.
00:30:54Well, night.
00:30:57You don't really see my eyeliner.
00:30:59Maybe you exhausted the world's supply yesterday.
00:31:01India, good morning, darling.
00:31:04Polly, are you as famous as people like having a lion?
00:31:08I'm sure Nancy will be up soon. Did you sleep well?
00:31:11No.
00:31:13Not really.
00:31:15Someone slammed a door in the middle of the night.
00:31:17Language.
00:31:19I couldn't sleep after that.
00:31:21Well, I didn't hear anything.
00:31:23Did you, Lily?
00:31:26She's outside talking to Chucky.
00:31:28Chucky?
00:31:30Charles Gardner.
00:31:32OK, I guess that's fine.
00:31:34Good morning, Mum.
00:31:36Good morning, darling.
00:31:38It's for breakfast.
00:31:40Ah, that's it?
00:31:42Not how did you sleep, Mama, or you look gorgeous, Mama.
00:31:45Look gorgeous, Mama.
00:31:47Thank you, Callum.
00:31:50Andrea, have you seen my hairbrush?
00:31:53I thought I left it down here last night.
00:31:55Why would I know where it is?
00:31:58Maybe I'll scare her when she's up.
00:32:01I've got to go.
00:32:05I'll go get her.
00:32:09You good, bro?
00:32:11Not too bad, brother.
00:32:13Not too bad.
00:32:17Bit weird, that.
00:32:19Yeah, you reckon she's still hanging on about the booze?
00:32:21Nah, Lily's a unique girl, but she's not a snake.
00:32:25I'm not too sure about that, Charles.
00:32:27Yeah?
00:32:28Yeah, man.
00:32:30It seems a little less Chucky and a little more Charles play if you catch my drift.
00:32:33How do you like your eggs, Callum?
00:32:35Scramble, please, Polly!
00:32:37I'm not too sure, man. I just don't get a good vibe.
00:32:39Like, have you ever seen a six-foot-three chiseled gardener before?
00:32:44Like, you don't get to that point in your life looking like that without announcing a few kids.
00:32:50Nah, look, Charles may be a bit weird, but I'm sure he's harmless.
00:32:55What are you planting?
00:32:57Mr. Cooningham. He likes flowers.
00:33:01Well, the garden's very pretty, so...
00:33:04Thanks.
00:33:08What's in the box?
00:33:14What's in the box?
00:33:24Just work stuff.
00:33:27Cool.
00:33:30So, have you seen it?
00:33:33Seen what?
00:33:35The ghost. Surely working here you must have seen something.
00:33:41I've seen a lot of things here. Some things you can't explain.
00:33:46When the lights go out and the darkness surrounds the house, it becomes unsettling.
00:33:55What have you seen?
00:34:01I've got work to get on with. You should get a call.
00:34:07Oh, of course. Sorry.
00:34:38What the fuck are you doing?
00:34:42Rough night. I'd rather not talk about it.
00:34:46Right.
00:34:48Polly's asking for you. The first nancy lesson starts soon.
00:34:51I'll be there in five.
00:34:53Alright.
00:34:56I'm going to bed.
00:34:59Good night.
00:35:02Good night.
00:35:05Alright.
00:35:07You good?
00:35:09Yeah, yeah. Don't worry about it.
00:35:25Good. Now we're all here.
00:35:28It is my pleasure to introduce the TikTok sensation, the master of grace and decorum herself, Miss Nancy Bloomfield.
00:35:43You may applaud.
00:35:48Greetings, everybody. Such a pleasure meeting you.
00:35:53I am Nancy Bloomfield, but please just call me Nancy. Politeness and formality are two very different things.
00:35:59Now, Polly has invited me here to spend some time with you lovely young people to teach you some things about how to behave.
00:36:08Now, I know you're sitting there thinking, who is this old bag trying to tell me how to live my life?
00:36:14Pretty much.
00:36:17I respect your candor, sweetheart. What's your name?
00:36:21India.
00:36:22Well, the fact is, dear India, you may have noticed that manners and proper etiquette are unique in this day and age.
00:36:30At a time when most things come with a sort of price, politeness and respect of one another costs virtually nothing.
00:36:39How very inspiring.
00:36:43Miss Bloomfield.
00:36:44Nancy.
00:36:45Yes, Nancy.
00:36:48In your line of work, what do you think of physical punishment?
00:36:54In what regard?
00:36:57If I disrespected one of them, let's just say for argument's sake, I was a naughty boy.
00:37:09Would you punish me?
00:37:13Well, if that aspect of my work interests you, I would be happy to give you a one on one.
00:37:19But for now, please allow me to return to the lesson I have planned.
00:37:25Now, then, my young friends, this is the Galateo.
00:37:31Kudos to anyone who can tell me what it is.
00:37:36Oh, here we go.
00:37:38Please.
00:37:40What's your name, sweetheart?
00:37:41Lily.
00:37:42Lily, please continue.
00:37:44The Galateo is an Italian guide on social behavior.
00:37:47It was written by Florentine Giovanni della Casa and published in 1558.
00:37:51Ladies and gentlemen, the human Wikipedia.
00:37:55Well done, Lily.
00:37:56That's absolutely correct.
00:37:59And I'm actually surprised you use that term, ladies and gentlemen, because since I arrived, I've only seen boys and girls.
00:38:07Exactly.
00:38:10Now, if you would follow me into the dining room, I will take you through some of the more pertinent exercises.
00:38:21I'll catch up with you, kids.
00:38:30Hello, Mrs. Carpanese.
00:38:32Mr. Cunningham, I was wondering when you were going to pop by.
00:38:36How are you finding my villa?
00:38:38Oh, it's quite lovely. Bellissima.
00:38:41And Charles? Has been treating you well?
00:38:44Well, he's a man of few words, but I can't complain so far.
00:38:49Good. Good.
00:38:52Charles has nearly worked here as long as I have, you know.
00:38:55It's just a shame what happened.
00:38:58What do you mean?
00:38:59Oh, God damn it.
00:39:01I didn't forget to tell you, did I?
00:39:04Charles, he unfortunately lost his daughter last year. Poor girl. Fifteen years or so, only.
00:39:13Oh, dear.
00:39:15Yes. So just be patient with him. He's a harmless chap when you get to know him.
00:39:21Thank you for telling me, sir.
00:39:23That's quite all right.
00:39:26What with the history of death in this house, it's just horrid.
00:39:30The history?
00:39:31Yes, you know, there's quite a tale about a previous owner of the house.
00:39:35The ghost?
00:39:37One of my boys, Callum, he has told me about this plenty of times, I'm afraid.
00:39:41A silly story.
00:39:43Oh, no, no, no. My dear, this is the truth.
00:39:47Well, I will keep a lookout for any ghost, Mr. Cunningham.
00:39:51I could give you a tour for an extra fifty pound or so.
00:39:54I'm so sorry, I've got to get back to the children.
00:39:57Of course. Silly me, rambling on.
00:40:00Well, you have my number if you need anything.
00:40:04But, I'll be unavailable over the next few days as I'm taking my sister to the Cotswolds.
00:40:11Oh, how lovely.
00:40:13The Cotswolds.
00:40:18Well, I have to get back.
00:40:21Of course, of course. Well, you enjoy your stay.
00:40:30So, now that we have finished with the introduction, it's time to move on to my favourite part.
00:40:34This is where we put our rather lengthy reading into practice.
00:40:38Let's say we are all attending an exquisite dinner party with prestigious guests.
00:40:43Oh, this will come in handy with all the dinner posies I'll be throwing.
00:40:47You never know, dear.
00:40:49Tell me, gentlemen, what is the first thing you do when dining with a lady?
00:40:53Get them drunk.
00:40:56Not quite, Callum.
00:40:59Alcohol consumed by both men and women should be done in moderation.
00:41:04Now, your first mistake was when we all sat down.
00:41:08When dining with a lady, you must always pull her chair out for her.
00:41:13Ah, the pull-out method. Something I believe Callum is well aware of.
00:41:17Oh, I am a master at this etiquette.
00:41:21That's great. You'll have to give me a demonstration later.
00:41:31Andrea, now, using your Italian, how would you prepare your guests for their meal?
00:41:36I guess I'd lay out the cutlery.
00:41:39And how?
00:41:51Hmm. Almost.
00:41:55Allow me to show you the very precise way in which one lays the cutlery.
00:42:15Anything else?
00:42:17Serve them food and say, Buon appetito?
00:42:21Ah, there's your second mistake.
00:42:24The Galateo points out very clearly that one must never say Buon appetito
00:42:28or Buon appeti, as most people do these days.
00:42:32The reason for this is that the origin of the expression
00:42:35comes from the wealthy landowners who gave their peasants food,
00:42:39drenching it in a stigma of the rich looking down upon the poor.
00:42:43So you're saying maybe we shouldn't live our lives
00:42:46based on a book written hundreds of years ago?
00:42:49I don't know. The Pope seems to be making a killing from doing that.
00:42:55Of course, times change, India, and it is common knowledge
00:42:59that the rules of chivalry in this text may well be based on a time
00:43:04when women's roles were more tailored to...
00:43:07Bearing children and not having opinions?
00:43:10Let's just say they had limited options.
00:43:13Limited options is my saving grace.
00:43:15Right!
00:43:19I see we've come to the end of our proverbial tether.
00:43:22For tomorrow's discussion, I would like you to go through
00:43:25your printout of the Galateo and highlight your favourite passages.
00:43:29Thank you, Nancy.
00:43:32Me, man, it's cold out here.
00:43:34Let's just get the booze and get out of here.
00:43:37Bro, I'm really sorry for losing you the ball earlier.
00:43:40That's OK, man, it happens.
00:43:42It's just that she was wearing that beard,
00:43:44and I didn't want her to see it.
00:43:46It's OK.
00:43:48It's OK.
00:43:50It's OK.
00:43:52It's OK.
00:43:54It's OK.
00:43:56It's OK.
00:43:58It's OK.
00:44:00She was wearing that beautiful blouse of hers,
00:44:02and she just looked so good.
00:44:04I actually can't believe how fit she is.
00:44:06Hey, man, I'm proud of you.
00:44:08Ha!
00:44:10Yo!
00:44:12Oh, hey, Charles.
00:44:14Don't think we've officially met.
00:44:16I'm Andrea, and this is my friend Callum.
00:44:19Hey, dude. I really like overalls.
00:44:24Where were you headed?
00:44:26Ah, man, just out for a walk.
00:44:28It's a lovely area.
00:44:30Just beautiful.
00:44:32Really well-maintained, buddy.
00:44:40It's dark out.
00:44:42Don't think you two want to be out here when it's dark.
00:44:46Why not?
00:44:52Hey, man, we should go do that thing.
00:44:54What?
00:44:56I always talk about that bloody thing.
00:45:08There's something not right about that guy, man.
00:45:12Come on.
00:45:25Hey, Kira, can we speak?
00:45:28Yeah, of course.
00:45:34I guess I'll go for a piss, then.
00:45:36Sounds great, man.
00:45:42Wait.
00:45:46What's that?
00:45:48Are you OK? You seemed a bit off this morning.
00:45:51Oh, I didn't sleep very well last night.
00:45:54Yeah, me neither. Those beds were really hard.
00:45:58Yeah.
00:46:00Well, I'm glad to hear you're OK.
00:46:12Me and Cal couldn't get into Charles' stash, though.
00:46:15Oh, that's too bad. I'd kill for a drink round here.
00:46:18Yeah, tell me about it.
00:46:20But you're probably better off without one anyway.
00:46:22What do you mean?
00:46:24What? Kira Turner, the biggest lightweight on the planet, doesn't ring a bell.
00:46:27I am not.
00:46:29Do you not remember? Callum's 18.
00:46:31You bought me so many fucking shots, man. Don't put that on me.
00:46:34That was such a good night.
00:46:42Not right, is it?
00:46:44Hell, Paul, how long have you been standing there?
00:46:48I'm not a fan of that.
00:46:51Preaching to the choir, Paul.
00:46:53Excuse me?
00:46:55I'm on your side. That is not OK.
00:46:58So what do we do?
00:47:00You got any naked baby pictures of Andrea?
00:47:03You know, ones where his thing's tiny.
00:47:05Sadly not.
00:47:07He was such an adorable little baby.
00:47:09But so camera shy.
00:47:11Well, that's the best I got. What have you got?
00:47:16We could shave all of Kira's hair.
00:47:19Jesus, Paul, that's a bit dark.
00:47:22Fine. But we have to think of something.
00:47:25Sadly, I think we have to let them make their own mistakes.
00:47:28Really?
00:47:30Yeah, I think so. Let them fuck it up themselves.
00:47:33I like that. That's good.
00:47:36I like that. That's good.
00:47:39Your mind's beyond my ears. What can I say?
00:47:55This is bullshit, man.
00:47:57Look at this.
00:48:00Chapter seven.
00:48:02How one should dress in order to not show disrespect to others.
00:48:06Fuck me.
00:48:08Can't believe you've worn unmatching socks today, Cal.
00:48:10I know, Andrea. I'm so sorry.
00:48:13Could you ever find it in the bottom of your heart to forgive me?
00:48:16Never. We must now duel to the death.
00:48:21I like Nancy's stuff online, but this is just...
00:48:24Boring.
00:48:27Where's Lily?
00:48:29Probably in her room doing work.
00:48:31How are we getting on?
00:48:33Brilliant, Polly.
00:48:35Loving it.
00:48:37Listen, guys.
00:48:39I know this isn't what you want to be doing here.
00:48:42And I don't want to be...
00:48:44How do you say it?
00:48:46Uh, uh, clench bum?
00:48:48Tied ass.
00:48:50Tied ass. Yes, that's it.
00:48:52Thank you, India.
00:48:56It's just that I want to protect you.
00:48:59But I've also realized that you are so young.
00:49:04I'm sorry for being like this.
00:49:07So, to say sorry...
00:49:11Please, have fun.
00:49:13We can worry about the Nancy stuff tomorrow morning.
00:49:16I fall?
00:49:18You're the best, Polly.
00:49:20Thank you, Mama. You didn't have to.
00:49:22But I wanted to teach you.
00:49:24Have fun!
00:49:30Let's get fucked!
00:49:54I love you.
00:49:56I love you.
00:49:58I love you.
00:50:00I love you.
00:50:02I love you.
00:50:04I love you.
00:50:06I love you.
00:50:08I love you.
00:50:10I love you.
00:50:12I love you.
00:50:14I love you.
00:50:16I love you.
00:50:18I love you.
00:50:20I love you.
00:50:22I love you.
00:50:36What do you want?
00:50:44Um, this is for you.
00:50:47We thought you deserved it.
00:50:53Thanks, Blair.
00:50:55Well, I'll have this tomorrow.
00:50:58Cool. Any special occasion?
00:51:04Yes.
00:51:22Thanks.
00:51:52I love you.
00:52:22I love you.
00:52:24I love you.
00:52:49Stop it.
00:52:51I don't know.
00:52:54I literally just came for Keira.
00:52:57The work she's got us doing here is so fucking boring.
00:53:05I miss you too.
00:53:07I know, it's only a few more days.
00:53:24Okay.
00:53:54Lily, have you seen my mum's necklace? I can't seem to find it.
00:54:08Lily, are you okay?
00:54:11India's gone.
00:54:13What? What do you mean she's gone?
00:54:15I can't find her.
00:54:17We can't find her anywhere.
00:54:19Come on, pick up.
00:54:21Pick up!
00:54:23Fuck!
00:54:25Why aren't your parents picking up the phone, Lily?
00:54:28They have training on Sundays.
00:54:30They won't be back until tomorrow.
00:54:32Training on Sunday?
00:54:34No luck outside.
00:54:39She's not here, guys.
00:54:41What's going on?
00:54:42We can't seem to find India.
00:54:43What?
00:54:44It's okay, we'll find her.
00:54:45Oh, easy for you to say.
00:54:46What's that supposed to mean?
00:54:47You two hate each other.
00:54:49So? Doesn't mean I don't want to find her.
00:54:51Look, she's probably just gone into town or something.
00:54:53What if...
00:54:54Don't.
00:54:55What?
00:54:56I know what you're going to say.
00:54:57Fine, I won't.
00:54:58Say it.
00:54:59What if it was a ghost?
00:55:00It's not a fucking ghost.
00:55:02Pardon me, there's a ghost here.
00:55:03Can we stop talking about this fucking ghost?
00:55:06Sorry, Mama.
00:55:07Sorry, Paul.
00:55:09Please, no panic.
00:55:11We need to think rationally.
00:55:14Nancy, can you go speak to the gardener and see if he saw anything?
00:55:18I'll do it.
00:55:20Fine.
00:55:22You guys, India's phone is gone.
00:55:25Is there anyone India would have contacted?
00:55:27A friend? A boyfriend?
00:55:29Oh, well, there's Susie.
00:55:30Okay, Susie. What's her number?
00:55:34Don't look at me.
00:55:36What about her socials?
00:55:37She doesn't have any. She's basically off the grid.
00:55:40Fine.
00:55:41You guys go outside to look for anything that might help.
00:55:44We just...
00:55:45I know. Check again.
00:55:47Okay, Mama.
00:55:51Bye.
00:56:03How did I fuck up so badly, Nancy?
00:56:06Children are difficult.
00:56:08I should know. I made a career out of it.
00:56:20Shit.
00:56:36Charles?
00:56:39Charles!
00:56:42Tell me everything.
00:56:44What?
00:56:45Everything.
00:56:46I want to know everything about this fucking ghost and why it took my sister.
00:56:50What happened to your sister?
00:56:52You tell me.
00:56:53You know everything about this house and the weird shit that goes on.
00:56:59Quit being mysterious and fucking tell me.
00:57:04You're a strong-headed girl.
00:57:07Reminds me of someone.
00:57:13Well?
00:57:17I'm going to be real with you.
00:57:19It's all bullshit.
00:57:22What?
00:57:23The ghost. The story. It's all bullshit.
00:57:29A lie Mr. Cunningham came up with to get more people to come to the house.
00:57:35But what about all our things?
00:57:38The ghost pickpocket.
00:57:41The ghost pickpocket?
00:57:45Look.
00:57:47I'm ashamed to admit it, but I stole those.
00:57:53He makes me do it to keep up the story of the house.
00:57:59I don't understand.
00:58:04I'm sorry.
00:58:06I am.
00:58:07But I don't have a clue about what's happened to your sister.
00:58:23Here.
00:58:28I'll pull the stuff I took in the shed tomorrow.
00:58:32But today, it's an important day.
00:58:38Thanks, Cass.
00:58:55What's that?
00:58:59Eye masks?
00:59:00But only one.
00:59:01So a motorbike.
00:59:03But nobody here drives a motorbike.
00:59:05I thought you know who does?
00:59:07Susie.
00:59:08Well, that settles that then.
00:59:10Are we really going to settle for that?
00:59:12It doesn't add up.
00:59:14Why would she leave Lily?
00:59:15What of the rest of us?
00:59:16I know she's your friend, Kieran, but you know what she's like.
00:59:18She flops on any motor.
00:59:20She is a serial flopper, so I would assume so.
00:59:23Anyways, let's go tell Polly.
00:59:28You coming?
00:59:29I'll catch up in a sec.
00:59:31See yourself then.
00:59:35Bye.
01:00:05Bye.
01:00:36Alright.
01:00:52Oh, hi Callum.
01:00:54Hi Nancy.
01:00:56What can I do for you?
01:00:58Nothing. Nothing at all.
01:01:01I just thought we'd let you know that we think India got picked up by a girlfriend.
01:01:06So, you know, crisis averted.
01:01:12Would you like to come in?
01:01:17Sure.
01:01:25Wow.
01:01:27I really like what you've done with the place.
01:01:51Nancy.
01:01:52Nancy, please.
01:01:53What the fuck?
01:01:56What the actual fuck?
01:02:00That's how hard I want it.
01:02:02What?
01:02:03That's how hard I want it.
01:02:05When we fuck.
01:02:07Oh, Jesus.
01:02:08Oh, Jesus can't help you now.
01:02:10Oh, fuck.
01:02:11Just like that.
01:02:12Yeah, no, just like that.
01:02:13Harder. Harder. Grab me harder.
01:02:15Yeah, like that.
01:02:16Yeah.
01:02:26Andrea, what are you doing?
01:02:30Couldn't sleep.
01:02:32So you thought you'd just Freddy Krueger your way into my bedroom?
01:02:35Yeah, basically.
01:02:37How come you get the nicest room?
01:02:40Because I'm the coolest and the funniest and the prettiest.
01:02:46You're not wrong.
01:02:50I was scared today.
01:02:53This might sound bad, but the whole time we were looking for India,
01:02:58all I could think about was, what if that was you?
01:03:11Andrea?
01:03:22Andrea?
01:03:52Freddy?
01:04:23Polly?
01:04:24You're the only one up?
01:04:27Polly?
01:04:29Oh, my God, Polly.
01:04:30What's wrong? Are you okay?
01:04:32Polly, what's wrong?
01:04:34Andrea.
01:04:37My baby.
01:04:40He's gone.
01:04:42What? Andrea's gone?
01:04:44Lily, what's happening?
01:04:46I don't know.
01:04:48What? Andrea's gone?
01:04:50Lily, what's happening?
01:04:52I don't know. We all woke up and we can't find Andrea.
01:04:54He's not anywhere.
01:04:56I'm calling the police. This is all too fucked.
01:04:58All our phones are gone.
01:05:00No one knows what's happening. I'm going to go talk to Charles.
01:05:02Okay.
01:05:03Where's Callum?
01:05:04Gone to talk to Nancy, I think.
01:05:15Nancy!
01:05:17Nancy, it's Callum! Open up!
01:05:19Come on, it's pretty urgent!
01:05:21Nancy!
01:05:23Oh, fuck this. I'm going in.
01:05:27What the fuck is going on?
01:05:29Who the fuck is this?
01:05:31It's Brandon, man.
01:05:33Very nice to meet you.
01:05:35Nancy.
01:05:36Oh, not now, babe. I had the most vile hangover.
01:05:40Oh.
01:05:41Have you won last night?
01:05:43We were fucked up.
01:05:45What, you could say she was fucked while I got up?
01:05:48Know what I'm saying?
01:05:52Anyway, gotta go.
01:05:55Baby, I'll see you later.
01:06:01So pretty.
01:06:03Bye.
01:06:13Nice meeting you, brother.
01:06:17Ciao.
01:06:20Of course he rides a motorbike.
01:06:23Get out, Sol!
01:06:25What, you thought you were the only guy I had going?
01:06:29Everybody's full of themselves.
01:06:31And fuck you too.
01:06:45What's up with you?
01:06:46I'd rather not get into it.
01:06:48Where's Polly?
01:06:49Sleeping upstairs.
01:06:50Bless her, I thought she was going to pass out.
01:06:52It's been a fucked up couple of days.
01:06:54Lily, what's going on?
01:06:56It's Charles. I can't find him anywhere now.
01:06:59First India, then Andrea, and now Charles?
01:07:02It doesn't make any sense.
01:07:03Maybe Charles is behind all this. I mean, he's a bit of a fucking weirdo.
01:07:06No, I don't think it's him.
01:07:07Is that why you're going off? A hunch?
01:07:09Ghosts don't need any reason to take people.
01:07:11Sick!
01:07:12What?
01:07:13It's not the ghost.
01:07:14How would you know? Yesterday you said you were on board.
01:07:16Charles told me it's all bullshit. The owner made it all up to get people to stay here.
01:07:20Charles has our shit.
01:07:22What? Where is it all?
01:07:25He said he'd put it in the back shed.
01:07:28He gave me the key.
01:07:30Well, I'm going to get my necklace.
01:07:32Maybe our phone's out there.
01:07:36Let's go!
01:07:47Charles? Charles!
01:07:51He's alive, but I think he might have been drugged.
01:07:54I'll go get some water. See if you can find the phones.
01:08:05Lily!
01:08:17Nancy! Help! Please!
01:08:19What in the hell are you girls shouting about now?
01:08:21Please!
01:08:22You don't understand.
01:08:24Nancy, run!
01:08:26Nancy, run!
01:08:28A prank, really? You can't film me without my consent.
01:08:40What was that?
01:08:42It's not a thing. It's a person.
01:08:44Get that nightstand.
01:08:47The door!
01:08:49Here I come! He just broke through the door!
01:08:51Robin!
01:09:16Robin!
01:09:18Robin!
01:09:45Polly?
01:09:48Polly!
01:09:50Polly!
01:09:54You will never believe what a mother would do to protect her son from bitches!
01:10:18Polly!
01:10:34Poor killer.
01:10:36You always had the worst hair.
01:10:49I don't know what happened.
01:10:51He just left.
01:10:56He stole all those things from us.
01:10:59Poor children.
01:11:02I managed to do.
01:11:04I'm sorry.
01:11:06I'm sorry.
01:11:08I'm sorry.
01:11:10I'm sorry.
01:11:12I'm sorry.
01:11:14I'm sorry.
01:11:16I managed to do.
01:11:19I was the maid.
01:11:23Thanks, ma'am.
01:11:25We're so sorry for your loss.
01:11:38Andrea.
01:11:39We found him locked in a box in the gardener's house.
01:11:41Mama, what happened?
01:11:43I'm an inquisitor.
01:11:45And I'm with you.
01:12:13I'm with you.
01:12:43I'm with you.
01:13:13I'm with you.
01:13:15I'm with you.
01:13:43I'm with you.
01:13:45I'm with you.
01:13:47I'm with you.
01:13:49I'm with you.
01:13:51I'm with you.
01:13:53I'm with you.
01:13:55I'm with you.
01:13:57I'm with you.
01:13:59I'm with you.
01:14:01I'm with you.
01:14:03I'm with you.
01:14:05I'm with you.
01:14:07I'm with you.
01:14:09I'm with you.
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01:14:17I'm with you.
01:14:19I'm with you.
01:14:21I'm with you.
01:14:23I'm with you.
01:14:25I'm with you.
01:14:27I'm with you.
01:14:29I'm with you.
01:14:31I'm with you.
01:14:33I'm with you.
01:14:35I'm with you.
01:14:37I'm with you.
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