Category
📺
TVTranscript
00:00I
00:02Know we've almost an hour waiting and that bastard is not going to show up here, so it doesn't make sense for us to stay here
00:12Yes, you're right
00:14It will be better if we go back to the palace before it gets dark on the road
00:19If Mrs. Petra misses me when it's time to prepare dinner, I'll have a good time with her, so
00:23If
00:28You go to a good step you will arrive before dinner but you are not going to join me
00:37I'll be later
00:41And that because
00:43Because when we go through the town I'm going to approach the tavern
00:47And to do it alone, I already imagine that a maid cannot go with the son of the sea that is the tavern
00:54But
00:56It doesn't matter what they say
01:00And why do you need to go there
01:03I'm going to get closer to ask for Gregorio and find out why he hasn't come to our date
01:10And it's not going to be dangerous for him to come back alone at night
01:14While that man is still free, everything is dangerous
01:18But don't worry, I'll be careful
01:20I promise you
01:50You
02:12Hey mom, no, no, tell you I don't you got better
02:17I'm sorry, what are you doing here alone?
02:22Nothing
02:28Looking at the darkness that comes through the window
02:33I was getting carried away, I think it's time to go to sleep, have a good night
02:40Wait
02:42Are you okay?
02:44Of course
02:47I've noticed you a little serious during dinner
02:50Are you sure everything is fine?
02:53Very sure
02:56Didn't it bother you that we read the news about Manolo's request that you came with Pela and me?
03:02Why would something like that bother me?
03:04Well, I don't know, but it gave me that feeling
03:08You two left in a hurry
03:11Because we were going for a walk
03:14Besides, what they talk about, they don't stop talking about
03:16I don't care
03:18So it didn't bother you?
03:20Don't you give importance to what you don't have?
03:24Well, thank God, because I didn't want to be the one to offend you
03:27You can't stand what?
03:29Not that you were the one who wrote the social news of the newspapers
03:32No
03:34But anyway, this time they didn't say anything bad about you
03:38They just commented on the surprise of seeing you together again at a social event
03:41What contents have been, right?
03:44Well, they even praised you
03:47Yes, that's their game, to lower your guard
03:50And then to hit you again
03:53But I don't care if they mock me or make me look bad, really
03:58Man, it's better if they flatter you, right?
04:02If I tell you the truth, the best thing would be that they ignore me
04:04That they don't talk about me, neither good nor bad
04:07Well, but that's impossible because you're the cousin of the Marquis of Lujan
04:10Yes, I'm afraid of that
04:13That I'm going to have my whole life behind the press
04:16And that I'll never be able to get rid of that San Benito
04:30Good night, mother
04:34Are you going to rest?
04:36Yes, it's late
04:38Good night
04:40Are you going to leave without giving him a goodnight kiss?
04:43No one understands you, son
04:46Now you want a goodnight kiss, but you leave without saying goodbye to me
04:51Mother, but I told him I was leaving
04:53You didn't tell me you were coming back at this time
04:56Yes, you're right about that
05:01I got stuck, I was going to come back earlier
05:03I'm sorry
05:06And why? If you can tell me
05:08Nothing important
05:11It can't be because of a woman
05:14No
05:16I was with the engineers, as I told you
05:19And later I waited for a book I had to deliver and it didn't arrive
05:22And what book is that?
05:24One about airplane designs
05:26You're never going to get tired of those things, are you?
05:29No, so the sooner you add it, the better for everyone
05:33Well, in any case, that has nothing to do with you not saying goodbye to me when you leave
05:38Mother, I told him I was leaving
05:40And I remember you were quite dry
05:43So as not to be
05:45You allowed yourself the luxury of giving me lessons on how my marriage has to be
05:49You're absolutely right
05:52I'm no one to talk to you about those things
05:54As the saying goes, I sell advice that I don't have
05:57A saying full of wisdom
05:59Thank goodness you recognize it
06:01Yes, I do
06:04And I want to compensate you with a little gift
06:07You've let me down
06:09You know I love these pastas
06:11Well, now you can taste them
06:13Thank you, son
06:16It's such a detail
06:18Do you like the disgust you have with me?
06:20Do you think you're going to buy me with some simple pastas?
06:22Mother, I want to be on good terms with you
06:24I suffer a lot when you're angry with me
06:27And what do you think?
06:29That I like it when we're on bad terms?
06:31Then why don't we hug and forget all the disputes we've had these days?
06:35Come here
06:37My son
06:39Oh Manuel
06:45And Simona made Perallo cook
06:47He's never cooked before
06:49But what did he cook?
06:51Well, he tried to make a snack his way
06:53Yes, yes
06:56Look, here's the great cook
06:58Apprentice and thank you
07:00Thank you
07:02Apprentice and thank you
07:04Excuse me if I bother you
07:07But I wanted to tell you something, Catalina
07:09A telegram arrived for us this afternoon
07:11And who sent it?
07:13The same newspaper that published the news about the handwriting in which we appeared
07:16And what do they want?
07:19Nothing bad, calm down
07:21They just want to interview us and take a few photos for their society notes
07:23How fun, with photos and everything
07:25I don't want to know anything about journalists
07:27Especially after what they did to us
07:30What the newspapers want is to sell
07:32And they don't care about looking for the morbid and the unfortunate
07:34Even if it's a lie
07:36But I already told you that in the last news there were no lies
07:38And they even made fun of you
07:40Well, I prefer not to tempt fate by allowing them that chronicle
07:43I think it would be a golden opportunity
07:45To end once and for all with the rumors about us
07:47But I don't care what people say
07:49Well, I don't
07:51And neither do you
07:54And if you don't remember the discomfort we felt
07:56When we got to the party and saw that everyone was looking at us
07:58Maybe
08:00Maybe
08:02Maybe, but then I forget
08:05Well, not me, Catalina, and I tried
08:07Come on, think that it would allow us to give our opinion about what happened
08:09Because so far the world has only heard curses and slander
08:11Pelayo is right
08:13Besides, it's going to be very entertaining
08:16To have the house full of journalists and photographers
08:18Come on, Catalina
08:20Think about it, at least calmly
08:22Okay, I'll think about it
08:24But that doesn't mean I'm going to say yes
08:27I don't know
08:29Will you marry me?
08:54Manuel?
08:55What are you doing in my room?
08:57Don't you think you could have surprised me?
08:59I didn't notice.
09:01I wouldn't see anything I hadn't seen before.
09:05Even so, it's not convenient, and you know it.
09:09Stop it, Truant.
09:12You can't keep coming in like this because they're going to end up finding out.
09:15So what?
09:17I don't care.
09:19My love, in a few days we're going to be husband and wife.
09:22So what else do we have?
09:24They should find out when we get married.
09:28Yeah.
09:31Well, tell me, have they told you anything about Gregorio at the tavern?
09:35Yes.
09:37In fact, he was coming to that.
09:39You see, apparently there was a fight outside the village.
09:43And Gregorio had to see her?
09:45Judging by the description made by those who were present, yes.
09:49Maybe that's why he didn't go to the meeting.
09:51It could be.
09:52Because it was a fight of the fatties.
09:54In fact, the Civil Guard had to come.
09:56And there was some injured.
09:58And they didn't stop anyone?
09:59No.
10:00They just limited themselves to dissolving the mess.
10:03Well, it's a shame.
10:04Because they could have put Gregorio back in the dungeon.
10:07Yes.
10:08And you don't know where he's at.
10:10Neither do I.
10:11But I'm sure he'll drop by the tavern again.
10:15That's why...
10:17I'm going to leave this letter to the taverner.
10:19So he can give it to him as soon as he sees it.
10:22And what have you written?
10:23Nothing new, it's the same location as last time.
10:25And I'm not going to tell you when.
10:27No, because you can show up there again.
10:29But let's see, Manuel, the only thing I...
10:31There are no buts that are worth it.
10:33Hanna.
10:36And why do you think he's coming back?
10:39After this fight, maybe he doesn't feel like it.
10:42After this fight, maybe he doesn't feel like it.
10:46I hope so.
10:48But as long as he feels that Doña Pia is here, he won't go far.
10:53Unfortunately, you're right.
10:55I hope this time he comes to the meeting.
10:58And we can forget about this nightmare once and for all.
11:02I'm afraid it won't be that easy, Manuel.
11:05Gregorio has only one purpose.
11:07Which is to take Doña Pia's life.
11:10And it's going to cost us blood, sweat and tears if he doesn't get it.
11:18And now, please.
11:20Tell me when.
11:25Now.
11:36Santos.
11:37Santos, can you hear me?
11:40Santos, can you hear me?
11:44God.
11:45You're burning up.
11:47I have to go down, too.
11:52Mrs. Hercules.
11:54Mrs. Hercules, what's wrong with me?
11:57I can't see well.
11:58I have tears in my eyes, Mrs. Hercules.
12:01What's wrong with me?
12:04I can't see well.
12:05Nothing's wrong with your eyes, Santos.
12:07Don't worry, you're fine.
12:10It's just the stone.
12:15What a bad time.
12:17What a bad time you've come to me.
12:33How are you, son?
12:37I've been through better times.
12:42Can you please put the pillow back on me?
12:50Hug me, please.
12:52Please.
13:07We should have hugged more.
13:11It's a wonderful feeling.
13:14Yes.
13:16It's also wonderful that you call me that.
13:19A mother.
13:23I don't know why I didn't do it more often.
13:27Why did I insist on reproaching him so much?
13:32It's all my fault, Feliciano.
13:36I shouldn't have left you by my side, son.
13:52I'm sorry.
14:17Aren't you going to ask me about your son Manuel?
14:20I know he's here.
14:22I heard him go into his room last night.
14:24And you don't care to know where he's been?
14:27I imagine you're going to tell me.
14:29Well, yes.
14:30Because it seems I'm the only one here who cares about those things.
14:36He told me he went to talk to some engineers.
14:39Good.
14:40And what's the problem?
14:42Stop suspecting him.
14:44It's just that I have my reasons.
14:45He's been very rude to me.
14:48And when he behaves like that, I know he's hiding something from me.
14:51Maybe he's just affectionate with his mother.
14:53No, I know him well and I know there's something else.
14:56Cruz, stop looking for trouble.
14:59You have to trust people more.
15:00Especially when it's about your son or me.
15:03You wouldn't have given me reasons to trust you.
15:07Besides, I say that someone will have to worry if our children come or go.
15:11What's this about now?
15:13That Manuel comes in and out.
15:15And you don't even bother to ask where he can be.
15:19Of course, we don't even talk about asking for explanations, right?
15:22I think he's too old to go wherever he wants.
15:24You never need to ask anything, Alonso.
15:27I'm not surprised that the family is like this.
15:29I don't understand you.
15:30Where do you want to go?
15:31That we have become everyone's food, Alonso.
15:35Catalina, for example.
15:36She goes to look for Pelayo and comes back with him without asking anyone's permission.
15:41But what's this about now?
15:42You're skipping from one subject to another.
15:44And besides, your dear daughter decides to go to a party with her old fiancé
15:48so that everyone knows how stupid he is.
15:51And you?
15:52Instead of stopping him, you don't even open your mouth.
15:55It's just that my dear daughter can decide what to do with her life.
15:57Yes, while she ruins ours.
15:59You're taking things out of context again.
16:01I'm not taking anything out of context, Alonso.
16:03The only thing I want is for this to be a decent house and that there are no more scandals.
16:07But you don't care.
16:10And then you come to me with what you want to fix things.
16:12Between you and me.
16:14But I see that you are determined to get my children in the way to mess everything up.
16:19Yes.
16:27Come on, Mrs. Candela.
16:28I need the prisms fixed so I can put them in the drawer.
16:31The day has just begun and we are working like chickens without heads.
16:34And you, Mrs. Simona, how is Clara doing?
16:36Is she about to snow?
16:37One or two minutes to go.
16:40Good morning.
16:41Good morning.
16:43Why are there so many tasks this morning?
16:45We want to advance the work so that Lope and Simona have more time in the afternoon.
16:49Another visit from the Duchess?
16:51Yes, if I catch him, we have to attend to him later.
16:53So, do we advance dinner and food with the porters?
16:58It is what it is.
16:59Well, no.
17:00Because they are making you work more than you can handle.
17:03And for the same day.
17:04Don't believe that no one here has stretched with the issue of the ports.
17:07I think it's very bad.
17:08They should complain to end this nonsense.
17:11Let it go.
17:12If the Duchess comes to the kitchens, it is because the Marquess has allowed it.
17:16And if the Marquess allows it, we have no choice but to shut up and do our job.
17:21But it is unfair.
17:22They are making you work more and more without any compensation.
17:25And even if it was a one-day thing, that Duchess is walking around here constantly.
17:30Yes, it seems that she has taken the pleasure.
17:32One day they will install the promise on us.
17:34Yes.
17:35And if they continue to work like this, the daily dishes will start to go wrong for them.
17:39And the Marquess will end up reprimanding them.
17:41And what do you want us to do, little girl?
17:42Vera is right.
17:43In addition, she is having to work much more with all this.
17:47We have to complain, Mrs. Yesimano.
17:50With education, but complain.
17:52And who does it?
17:53Who puts the cat to sleep?
17:55Who is going to take care of the Marquess?
17:57Of course not me.
17:58It is true that we work more, but we are already used to it.
18:01In addition, everything will happen.
18:03Even the visits of the Duchess.
18:05Of course, she will get tired of so many recipes and so many back and forth here.
18:09Mrs. Yesimano, but we don't have to bear this.
18:12We have worked all our lives.
18:14We have also worked more in the hunts.
18:17Or when the gentlemen organize a party and fill the palace with guests.
18:21Here we have always had to hang out.
18:23This seems something different, but in the end it is the same.
18:27Work.
18:28Work for many, work for one.
18:30But work.
18:31That's what we have come to this world for.
18:33I wouldn't have to be like that.
18:35You can.
18:36But you know what the Bible says, right?
18:38That you will earn the bread with the sweat of your forehead.
18:41There are worse things, because I admit that the visits of a Duchess do not bother me so much.
18:46No, not me.
18:47A very nice lady and who treats us with sympathy.
18:50And she tells you stories where someone important always appears.
18:52Yes, she told us that once she had dinner with the kings.
18:55Then they are not going to tell the Marquess anything.
18:57I'm not crazy.
18:58Me neither.
19:00Do whatever you want.
19:04Pupillo, this has to be.
19:06And this one has a little bit left.
19:20Manuel.
19:27Work.
19:29You arrived just in time.
19:31You were missing.
19:35Actually, I arrived yesterday.
19:37Now I come from Lujan.
19:40Well, if you have arrived now, it means that you left early.
19:46Yes.
19:48Yes, that's right.
19:54Is something wrong?
19:57No.
19:59No, nothing happens.
20:02I think I should go to the studio to ...
20:05Yes.
20:06Yes, of course.
20:07Quiet.
20:08Come.
20:26You and I have a conversation pending.
20:38That's right.
20:56Come.
21:02I guess you know what I'm going to tell you.
21:08I know that Hanna and you are brothers.
21:10I know.
21:12And yet, the two of us have decided to shut up these days.
21:15And act as if nothing had happened.
21:17Well, I had decided to take the first step if I saw that you were not doing it.
21:22Well, you're going to let me out of the room without saying anything.
21:25Yeah.
21:27You'll see, Manuel, it's just that ...
21:29I've started to think that ...
21:32Maybe you were disgusted when you found out.
21:35Disgusted is not the word.
21:40Surprised?
21:43Yes.
21:45It is not for less.
21:48I needed time to assimilate it.
21:52I understand you.
21:53It's an easy story to summarize.
21:56Imagine.
21:58To think that you are the son of some people.
22:01That your origin is one.
22:03And suddenly ...
22:06Everything is a lie.
22:08Yes.
22:10Everything is a lie.
22:14It's like ...
22:15If you wanted to throw the foundations of a house.
22:19Pretending that they will stand.
22:22It seems impossible.
22:24It is.
22:28And that's why now ...
22:30I'm a very different person than I was before.
22:33Another better. I want to think.
22:36And all thanks to Hanna.
22:39Yes.
22:40For having her as a sister.
22:48Has she changed you so much?
22:51Hanna is the best thing that has happened to me in this life.
22:56Yes.
22:58I've always thought that ...
23:01That the captain has never loved me.
23:04And my mother ...
23:05The poor woman.
23:07She couldn't give me much love.
23:11But Hanna did.
23:13In fact, I would tell you that ...
23:14I have not had more luck ...
23:16Than dating her.
23:19The same thing happens to me.
23:23How do you say?
23:27That Hanna is the best thing that has happened to me in life.
23:39I also have my secrets, cousin.
23:43Ah ...
23:45You ...
23:46You and Hanna ...
23:49Yes.
23:51Since the first day the promise came.
23:54When we saw each other in the gardens and neither of us knew who the other was.
23:58No.
23:59No, no, no.
24:01You're kidding, right?
24:04I fell in love with her from the first moment I saw her.
24:08So ...
24:10So ...
24:12Hanna and you ...
24:14Are you together?
24:19Yes.
24:21But it has not been easy to get here.
24:25Before we had to go through a marriage that made no sense.
24:30For my accidents.
24:31Even for this stupid war.
24:36But nothing has managed to separate us.
24:40Now I understand why he told you that we were brothers.
24:45We have tried to keep it hidden, but we have not always succeeded.
24:51Well ...
24:52It seems that you have succeeded.
24:58You and my sister are dating.
25:02Sooner or later, something more than that.
25:04Let's get married.
25:08Are you going to get married?
25:11Yes.
25:14Wait, you have nothing against the promise of your sister?
25:18No.
25:21Two of the people I love the most
25:24are going to be together,
25:26I can't be bothered.
25:29It's just that ...
25:30I'm going to need a little time to assimilate it, yes.
25:38Here it is, doctor.
25:39Come in.
25:41The fever does not go down and it is very difficult for him to breathe.
25:48Dr. Guillén says he has a cold that has attacked his lungs.
25:52And why did you call me?
25:54I wanted to talk to you.
25:55Dr. Guillén says he has a cold that has attacked his lungs.
25:59And why did you call me then?
26:01Because I wanted your opinion.
26:04The effectiveness of the doctor,
26:06Don Emilio Palomino, is known throughout the region.
26:09And I was calmer.
26:12There, on the table, you have the medicines that Dr. Guillén sent you.
26:26Actually, I asked her to marry me before we went to the front.
26:30So all those letters I saw you write weren't just for your family?
26:35No, most of them were for her.
26:40And I say,
26:41during all this time in the trenches,
26:43didn't you think of telling me?
26:46Curro, I swear I wanted to tell you many times.
26:49Curro, I swear I wanted to tell you many times.
26:55I didn't want to compromise her.
26:58I see.
27:00I understand you.
27:01Yes.
27:04You see, Manuel, I also have to tell you something.
27:08Something I wanted to tell you.
27:10It seems we interrupted.
27:14No, no, no, nothing important.
27:17Right, cousin?
27:20No.
27:23In fact, I ...
27:25I'm leaving.
27:28Curro.
27:32Cousin.
27:33Cousin.
27:34Julia.
27:37Julia has already told me that you apologized to her.
27:41That's right.
27:42And I think she accepted it with pleasure.
27:44That's right.
27:45Besides, I also had a lot of guilt.
27:47I was also tired of the war.
27:50Well, that's in the past.
27:53The point is,
27:55to make you forget my bad ways,
27:59I have thought of compensating you.
28:02Oh yeah?
28:14Yes.
28:18You say you want to learn a dish,
28:21and that we don't care to teach you one or the other.
28:24Well, the truth is that today I didn't want to learn any specific dish,
28:28but something else.
28:30A dessert?
28:31No.
28:32I want you to help me, all of you,
28:34to make a gala menu.
28:38Sure.
28:39We ... Amanda.
28:42That dinner would be for something in particular.
28:45A birthday, a handshake ...
28:48Yes, my husband wants to make a dinner for businessmen
28:51with whom he wants to do business.
28:54And do you know more or less how many people it would be?
28:56Yes, around ...
28:5820.
29:00Menu for 20 people.
29:02Uh-huh.
29:04And do you know the tastes of those gentlemen?
29:07No.
29:08But since many of them come from far away,
29:10I would like them to serve products from these lands.
29:14And what do you think, hunting meat?
29:17I don't think it's a bad idea.
29:19What dishes do you suggest?
29:23A gala menu for 20 people.
29:25Men, above all.
29:27I don't think anyone comes with their wives.
29:30Say something, any dish you can think of,
29:33if you're aiming at Vera.
29:35It's not that simple, ma'am.
29:37Ma'am, a gala menu is not decided in a blink of an eye.
29:41You have to think it over.
29:43That's right. In addition, haste is not good advice.
29:46This is not preparing the recipe for a dish.
29:48We have to think of a menu, as a whole.
29:51Yeah.
29:52The truth is that I didn't ...
29:54I didn't imagine it would be so complicated for you.
29:59I'm coming up with several ideas that I think you might like.
30:02Uh-huh.
30:03What do you think about preparing smoked salmon canapés
30:06with cheese cream and caviar?
30:08If you don't like caviar, you don't have to.
30:10No, I've never liked it.
30:12And the truth is that mixing it with salmon seems like a good idea.
30:16To continue, some chicken sandwiches
30:18with a sauce called curry.
30:20They eat it in India and it's delicious.
30:22Besides, it would give the dinner an exotic touch.
30:25Good, so there's variety.
30:27For starters, I propose mushroom cream
30:29with mushroom croutons.
30:32I would flavor it myself with mint.
30:34And the croutons, being crunchy, would give it texture.
30:37It could be.
30:39I can think of two main dishes.
30:42Cocoban with truffle mashed potatoes.
30:44More chicken?
30:45Yes.
30:46The difference is in the truffle.
30:48We have a delicious truffle that they bring us from Camañas.
30:51It's a beautiful village in Teruey.
30:53But if I don't convince you,
30:55we'll prepare a grilled lamb loin
30:57with mint sauce and asparagus risotto.
31:00Look, the Italian touch never goes wrong.
31:03As you can see, what we're doing
31:05is preparing a classic menu with modern touches.
31:08Yes, I see it perfectly.
31:11And for dessert, what do you think?
31:14Crème brûlée with a touch of lavender.
31:18Lavender on a plate.
31:20Yes, it gives it an exquisite touch, I assure you.
31:24I didn't know lavender was used in desserts.
31:27Well, yes.
31:29And if you tell me about the sparkling wines in your winery,
31:32I can recommend you a better wine for your wife with dinner.
31:39Well, young man,
31:41to not know what to recommend,
31:44I brought you a menu out of the blue.
31:47Come on, Shantos.
31:49Open your mouth, this medicine will do you very well.
31:53You'll see.
32:01May I?
32:05Come on, don't be afraid.
32:09I'm not afraid.
32:11I'm not afraid.
32:13I'm not afraid.
32:15Just a few more drops.
32:19That's it.
32:24They told me another doctor came to see him.
32:27Is he worse?
32:29No, but he's not better either.
32:32And his fever doesn't go down.
32:35So I had Dr. Palomino come,
32:38who's a doctor from the region.
32:41And what did he say?
32:43He's sending you this medicine,
32:45which seems to work better
32:47and should improve in a short time.
32:50May God hear you.
32:53Yes.
32:56I wish when my son Feliciano was so bad,
32:58I would have brought other doctors to treat him.
33:02But I didn't.
33:06Don't worry about that, Mrs. Alcos. It's useless.
33:09No.
33:11We didn't do anything.
33:13And we allowed that butcher to operate on him.
33:16That's not true. Of course things were done.
33:19Although they were still done late and badly.
33:22Which is the same as doing nothing.
33:24And we didn't know that the doctor who sent to bring her,
33:26Mrs. Marquesa, would behave that way.
33:29If you kill Sanos, he's a criminal.
33:32And he treated Feliciano without any kind of examination.
33:36Yes.
33:38I'm sure that since Mr. Curro works in a different way,
33:41of course he does.
33:46But as I say, it's not worth turning him around.
33:50We have to look forward.
33:53Forward.
33:58There's no other way.
34:04No.
34:06I want you to look forward.
34:09And that soon you forget, Teresa.
34:12For God's sake, don't start with that again, Mrs. Alcos.
34:15Life goes on.
34:16No. It doesn't.
34:19My life is tied to the recourse of my son Feliciano forever.
34:23While yours changes.
34:24And what did he want me to do?
34:27That I would be single for life?
34:28No. Not that.
34:30But not that you will get married so soon.
34:33Do you remember?
34:36I swear I haven't stopped thinking about him.
34:38No. Don't say his name.
34:42I swear I haven't stopped thinking about him.
34:44Don't say it.
34:47And I'm not going to repeat it.
34:50Do you know the only thing?
34:53The only good thing about Feliciano's death, Teresa,
34:58is that I can't marry you.
35:02Because you've done a disgrace to him for life.
35:09Come on, go.
35:12Go.
35:33Yes.
35:36Yes, General. Don't worry.
35:39No, no, no, no.
35:41I assure you that we can't be the origin.
35:43You have my word.
35:46I already told you that's impossible.
35:50Because the raw material we use is of the highest quality.
35:53Excuse me, sir. Do you want coffee with milk?
35:57Yes.
35:59Yes.
36:01No, no, no, no, General.
36:03The process of sterilization of the fruit is still in progress.
36:08It boils, it boils several minutes a day.
36:12That's why I tell you that the origin can't be our jams.
36:15Sir, how many jars do you want?
36:19General, we have several people supervising the process daily.
36:24That's why you have to help me.
36:26Yes, deny that our jams have something to do with the poisoning of those soldiers.
36:33Of course, of course, I would know how to pay that favor with interest.
36:39Always at your disposal, General.
36:43If you had the kindness to let me know if there were any news,
36:47at your command, General.
36:50Goodbye, goodbye.
36:52So, Captain, do you want one or two jars?
36:55You're an idiot, aren't you?
36:57Excuse me?
36:58Do you know what this is?
36:59A phone.
37:00And do you know what it's for?
37:02To talk.
37:03And haven't you been told that when a man is talking, he shouldn't be interrupted?
37:06You don't even know that?
37:08I thought that...
37:09Don't think so much.
37:10Focus on following orders. I don't think it's that difficult.
37:14I'm sorry if I've bothered you.
37:16Well, you have.
37:17I was having a very important conversation and you couldn't think of anything else but to bother me.
37:21It won't happen again.
37:23Of course it won't happen again.
37:24Because since this is repeated, I will personally make sure that you are fired.
37:27Do you understand?
37:29Yes, sir.
37:30Get out of my sight. Come on, I don't want to see you.
37:32But I haven't put the seal on it yet.
37:44It's cold.
37:46It will be useless.
37:49You haven't told me anything about that handshake.
37:53There's not much to tell.
37:55Well, dear, there will be something.
37:57Did you have a good time?
37:59It was exciting.
38:01Right, Pelayo?
38:02Yes. They brought a good orchestra and we made old friends.
38:06What is this about some journalists and even a photographer coming to this house?
38:10What are you saying, Cruz?
38:11What you are hearing, dear.
38:13Here your daughter and the count intend to bring a journalist to interview them.
38:17They want to take pictures all over the palace.
38:20Is that true?
38:22What do you mean if it's true?
38:24Do you think I'm making it up?
38:26I don't know how you dare to say something like that without our consent.
38:29Can I talk, Cruz?
38:31Sure, talk.
38:33Let's see how you justify this nonsense.
38:35First of all, you asked us for permission, Milla Pelayo,
38:38when you quarreled with that journalist who started the persecution against us.
38:42Dear, I'm not the one who has to give explanations here.
38:45Sure, I'll give them to you.
38:48Well, let's try to solve this misunderstanding.
38:51This misunderstanding has nothing to do with it, Alonso.
38:54Let me talk.
38:59Those journalists must be guessed because neither Pelayo nor I have given the yes to that interview.
39:04They just made us the proposal and Catalina said from the beginning that she wanted to think about it.
39:08And she pretends to believe me.
39:09It's the truth.
39:11But seeing how she has behaved, I'm interested in that interview.
39:13I think I'm going to say yes.
39:15This is a provocation, Alonso. Are you listening to her?
39:17Let's see, I don't think we should worry about an interview.
39:21So you think it's good?
39:23What I'm saying is that we've been isolated here for months without doing social life.
39:27Maybe it's even good for us that the press comes.
39:31I'm just saying that I have to be informed about what is going to be done in this palace.
39:35Well, she is informed.
39:37And I'm sorry to contradict you, Father.
39:40But Cruz should be worried about the visit of those journalists.
39:43And why?
39:45Because I'm going to tell everything I think about you and how you have treated me during these years.
39:49That's enough, Catalina.
39:50Don't you dare bring any journalist to this house.
40:11Teresa, are you okay?
40:13Yes.
40:14Yes.
40:15Yes?
40:16And then why are you crying?
40:19No, it's just that I was just removing a stain with aguarras and ...
40:24And the steam got into my eyes.
40:29I'm sorry.
40:30I'm sorry.
40:31I'm sorry.
40:32I'm sorry.
40:33I'm sorry.
40:34I'm sorry.
40:35I'm sorry.
40:36I'm sorry.
40:37I'm sorry.
40:38I'm sorry.
40:40I see.
40:42You can keep lying to me, Teresa.
40:45But you don't lie to me.
40:55Mrs. Arcos has given me a good reprieve.
41:01What did she do for the job?
41:03You don't listen to that woman.
41:04She's a whore.
41:05She's a whore.
41:08You've gone for Feliciano.
41:11She's still asking you to marry Marcelo.
41:17And she's told me very ugly things.
41:20You see, that woman has a very poisonous tongue.
41:25Do you know what I do when I start to let go of Billy?
41:28Of what?
41:29Well, I start to make very difficult accounts for myself.
41:33I start to add 63 with 45, for example.
41:36And this takes up so much of my brain that I don't think about what you're telling me.
41:42I wish I was able to do something like that, but I don't think I can.
41:46Well, this is getting exposed.
41:49That's OK.
41:51Well, no.
41:52Not because I came to tell you something very urgent.
41:55What happened?
41:56Well, your husband, who was serving coffee to the captain of the Mata,
41:59and he had to do something that was getting him upside down.
42:03Why?
42:04Well, because he interrupted her while she was talking on the phone.
42:08And what did the captain tell him?
42:10Well, you're less handsome.
42:12That's why I came to tell you, to cheer you up a little.
42:15And to correct you, to see if you don't get in trouble.
42:18Thank you very much for letting me know, Maria.
42:19We've been together for a long time.
42:22Well, yes. But for that you have each other.
42:25That's why you're married.
42:29Yes.
42:49Have you put a good ham bone in the broth to give it substance?
42:52A very beautiful bone.
42:54That broth resuscitates a dead man.
42:56Oh, don't say those things, Candela.
42:57They make me very sick.
42:58It's a way of speaking, Simona.
42:59He's so young.
43:00I'm sure he's got a big cold.
43:02You see, in two days we'll have him around here giving us a hard time.
43:04And then we'll regret that he recovered so soon.
43:08Hello.
43:09Has the Duchess of Carría left already?
43:11Yes, thank God.
43:12Because when that woman is here, I can't do anything in the kitchen.
43:15Well, what dish did they teach you today?
43:17No, today I didn't want a specific dish.
43:19Today I wanted a whole menu.
43:21Well, I don't know what your cooks will think,
43:23but of course I don't think they'll find it very funny.
43:25Very funny.
43:26Well, imagine that.
43:27As if now the Marquess would start to plant herself in the kitchens of other palaces
43:31and be interested in her dishes.
43:33That would leave us in a good place.
43:36And then they got a menu they liked?
43:38Lope has started to speak with his golden beak
43:42and we have come a long way.
43:43Yes, boy.
43:44It's worth a little bit.
43:46A menu has been taken out of the sleeve.
43:47The sea of apañado.
43:49Well, let's see if he prepares it for us one day.
43:50One day.
43:54Is there any ice left?
43:56Some are left.
43:58The pantry, along with the fish they brought from the village.
44:01Well, let a maid add a good piece in a jug of water to Santos's room.
44:05Has the fever not gone down to the boy?
44:07Nothing, not a pinch.
44:09We are making a very tasty puixerito, with a good ham bone.
44:12Well, later I will try to make him take it,
44:15although it will be difficult because the fever has him completely numb
44:17and it takes work until he takes the medicines.
44:21Do you want me to go see how he is?
44:24You.
44:25And what are you going to do?
44:27Send him one of your magic remedies?
44:30Maybe I can help him.
44:32Yes, of course.
44:34Like the medicine that you sent my son helped him, right?
44:40Doña Petra, Feliciano was very weak
44:43and the remedies don't work miracles either.
44:45I could see that with my son.
44:47Go if I saw him.
44:49So you don't want me to go.
44:51No, of course not.
44:54Let a maid add ice to Santos's room.
45:05What a pulse you have.
45:07This is nothing.
45:09A miniaturist should go to work.
45:11They are able to paint a picture in a grain of rice.
45:14In a grain of rice?
45:15In a grain of rice.
45:17Let's see, as entertainment it's fine, but ...
45:20I don't know if it's the most practical thing to decorate a wall.
45:26What?
45:28Do you have a favorite painting?
45:30Or a special painter?
45:32No.
45:34There are so many that I like.
45:36I see.
45:38Well, I think my favorite painting would be the birth of Venus.
45:41I saw it once in a photograph in a magazine and I was dazzled.
45:45From Botticelli, yes.
45:47I would love to see it for real.
45:49Well, I'm afraid I'll have to wait because it's in Florence
45:52and with Italy at war it's not a good time to travel.
45:55Let's see if that damn war is over, really.
45:59Did you know that Botticelli also painted part of the Sistine Chapel?
46:03Well, I had no idea.
46:05Well, it's just that ...
46:07Well, I'm pretty ignorant about art, to be honest.
46:09I'm just here to learn.
46:12Julia, Martina.
46:15Do you remember that this morning I told you that I was going to compensate you for being so grumpy?
46:20Of course. One does not forget things like that in a house where there is nothing to do.
46:25Well, the promised is due.
46:27This is the compensation.
46:32A remedy against wrinkles?
46:35You're not going to compensate us with that because I don't have any at the moment.
46:37No, not this one. Look at this one.
46:41I don't understand.
46:43Let's see. I've arranged everything necessary to play the band.
46:48We'll set up a challenge in the garden and we can do a tournament.
46:51Challenge Pelayo, Catalina, Manuel ...
46:53Hey, I've never played, but I think it's a lot of fun.
46:57And you, Julia, have you ever played?
47:01Yes. Just once.
47:04Well, you'll see that we're going to have a great time playing.
47:08And if you don't know, I'll show you.
47:16It's true that I did everything I could, but Feliciano was very sick, so I don't know what I could do to save him.
47:22You didn't tell Marimandra or is she like that?
47:25But you are already convinced that I am to blame for the death of his son.
47:30And they have been in charge of repeating it to me several times.
47:33That woman is resentful of the world. That's why she says those barbarities.
47:38Well, I wish I could have saved Feliciano.
47:41What do I tell you? Don't listen to her, Leñe.
47:44Santos has more tractors and more venous than usual.
47:48That's true. It's true that he has taken a lot of price from that boy.
47:52Look how far he has gone to look for another doctor to examine him.
47:56But yesterday Dr. Guillen came to see him.
47:59Well, nothing. She went to look for the other doctor today. And do you know who paid her?
48:03Exactly. From her own pocket.
48:07When she has seen Marimandra or does something like that for someone who is not her son.
48:12It's pretty weird.
48:14So you don't listen to what she tells you. Because she is lost.
48:19Now.
48:33A month later.
48:44Well, father, here we are.
48:47But if you are going to convince me for the discussion ...
48:50Wait, Catalina. You still don't know why I called you.
48:53Sit down.
48:56You're right, I'm sorry.
48:59I thought that after the discussion with Cruz I was going to throw a rag at you.
49:03No, I'm not going to do that. Although I didn't like what I saw.
49:07I don't like to argue either. Neither with Cruz nor with anyone.
49:11That's what I want to think.
49:13Someday we'll talk about that. But not today.
49:16So why did you call us today?
49:22Come in, Lorenzo. We're all here. Sit down.
49:24Sit down.
49:26And that? Is this meeting going to last long?
49:29I hope not. But I don't think I welcome you standing and us sitting.
49:33Okay. But be brief.
49:38I'm waiting for a phone call.
49:41Be careful.
49:45I just want to tell you that I have made a decision about the jam business.
49:50What decision should you make? The business is going perfectly.
49:52Is that so?
49:54And then why have we had those problems with the army?
49:57We are not responsible for those intoxications.
50:00What intoxications are you talking about?
50:02It doesn't matter, Catalina. I'll get to the point.
50:05I have decided that the business will go back to Catalina and Pelayo.
50:22I'm sorry.
50:40Curro, did you want to see me?
50:45I have something to tell you.
50:49Is that what you wanted to tell me before you arrived in Julia Martínez?
50:53Yes. Yes, that's right.
50:57Good. Come on, I'm all ears.
51:00You'll see, Manuel.
51:02You have been honest with me.
51:05Telling me about you and Hanna.
51:10And I have to be honest with you.
51:13Okay.
51:15Honest with what?
51:18There's something else I haven't told you.
51:23And I can't keep hiding it from you, so ...
51:30Hanna and I are brothers, yes.
51:34But from different fathers.
51:45And what do you mean by that?
51:50That I have a brother.
51:53Yes, a brother with whom I do share a father.
52:00Well ...
52:02And who is it?
52:09It's you.
52:12Manuel, you and I are brothers.
52:22I sent another doctor to call you.
52:24He prescribed you a different specific.
52:27But why did he do that?
52:29Isn't it clear to you?
52:31At the very least, you should have consulted me.
52:33Don't you think there's a calm atmosphere in the palace?
52:36Let's just say it has something to do with the fact that the Duchess of Carril is not visiting us today.
52:41Well, I'm not going to tell you no.
52:43But let's see, what's wrong with this lady?
52:45It's a disgrace to have her around here.
52:47But come on, it's not that bad after all.
52:48If this infidelity reached my mother's ears, her marriage would be broken.
52:53And both would be devastated more than they already are.
52:56You can be calm.
52:58We're not going to hurt them.
53:01Yes, but then how are you going to get to the origin of what happened to your mother?
53:05How are the visits of the Duchess of Carril going in the kitchens?
53:08Fine.
53:10Fine, ma'am. The Duchess should have no complaints.
53:12I want to know what happens in those painstaking meetings in Petra's office.
53:15How is the husband of Mrs. Ollamí doing?
53:18I only receive complaints from everyone because of him.
53:21That's why I can't do anything else but consider my son Santos' warnings.
53:25He insists that Marcelo is not prepared to perform the functions of a lackey.
53:29Have you bought a badminton game?
53:31That's right. And I don't know why he's being late.
53:34And that's why I want to go ask if something has happened.
53:36Do you want me to accompany you?
53:38I was thinking of going for a walk.
53:40Better. I've been sitting all day and it will be good for me to stretch my legs a bit.
53:43Have you made this decision exclusively to punish me for the distance between us?
53:47This decision has nothing to do with what is happening between us.
53:51I don't intend to punish you, Cruz.
53:53It's not a personal matter, it's business.
53:55Well, you're making a very serious mistake.
53:57One more and I'll be ready.
53:59Nothing new under the sun, dear.
54:01Well, if you do that, I don't think there will be a next time.
54:03This is not working, Marcelo.
54:05If you don't pay attention to your tasks,
54:07the only thing you're going to get is for the truth to come out and for everything to come out.
54:13For more UN videos visit www.un.org