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00:00You haven't lost your faculties, Lorenzo.
00:05What do I owe the pleasure?
00:07You've escaped Ayala's curiosity quite skillfully.
00:12But not mine.
00:15Who was it?
00:17A client.
00:20Not just any client.
00:23Who?
00:26Commander Alcaraz.
00:29He's the chief of staff of the African detachment.
00:32What happened?
00:35It seems that several soldiers have been hospitalized for intoxication.
00:41What are you saying? That's very serious.
00:45They don't know if it was because of my jam.
00:47Well, they'll suspect something if they call you.
00:50How many are those? Are they the suspects?
00:54For your sake, I hope they will never be confirmed.
00:57I will investigate what was the origin.
00:59Do it, yes. But do it discreetly. Alonso can't know this.
01:03He won't find out about me, believe me.
01:05If he finds out, he'll have the perfect excuse to give his beloved Catalina the business.
01:09That's something neither of us want.
01:11Exactly. So get to it.
01:15I don't want any more mistakes, Lorenzo.
01:17He won't find out.
01:19Okay?
01:25Can you repeat the name of that commander?
01:28Alcaraz, sir.
01:30And do you know anything else about the reason for the call?
01:33I retired when I saw that he didn't need anything else from me.
01:36I'm sorry.
01:37Don't apologize for doing your job.
01:39There's something else, sir.
01:41Mr. Pellicer, I can't assure you,
01:43but you have the suspicion that the call is related to the jam business.
01:49Is that so?
01:51Well, I couldn't hear the captain's interlocutor clearly,
01:54but I would dare to assure you that I heard the word jam.
01:58And if I didn't tell you anything, it was not to spread rumors.
02:02This time you did the right thing to let me know.
02:04Well, this time and the next.
02:06I understand, sir.
02:07You can go.
02:08Thank you, sir.
02:09Not you, Mr. Maes.
02:13Tomorrow at 1 o'clock I want you available to make some phone calls.
02:17Very well, sir.
02:18The captain won't say anything,
02:20but we're going to find out what's so important that Commander Alcaraz wanted to tell you.
02:25I'm sorry.
02:43Hanna, have you seen Manuel?
02:45No, sir. I haven't seen him.
02:47But if you need him, I can call someone to pick him up.
02:51Ah, I understand.
02:53No, it won't be necessary.
02:57Consuelo, I'm missing a deck of cards.
03:00Could you go get it?
03:02I'll stay with your tray if you want.
03:04Okay.
03:05I'll be right back.
03:10Do you really need another deck of cards?
03:14Because ...
03:18Ah, sorry.
03:20Anyway, Consuelo won't be back for long, so it has to be quick.
03:25Well, do you know where Manuel is?
03:28Well, no.
03:29He told me he had to do some kind of management, but he didn't give me any more details.
03:33Uh-huh. Where?
03:35Is he in Lujan or when is he coming back?
03:37I'm telling you, I don't know.
03:42What's wrong?
03:44Well, I'd like to know that.
03:48It seems very strange to me that Manuel knows that you and I are brothers
03:51and that he hasn't come to talk to me.
03:54I don't know, I'm starting to think that those managements he has to do in Lujan are excuses to avoid seeing me.
04:01Well, don't think that, Curro. It has nothing to do with it.
04:04He's probably having a hard time assimilating it and that's it, like you liked it at first.
04:09And anyway, why don't you start the conversation? I'm sure he'll appreciate it.
04:14Here are the blankets.
04:17Thank you, Consuelo.
04:35Santos, are you there?
04:40What are you still doing in bed?
04:43What time is it?
04:45It's time to serve breakfast to the gentlemen.
04:55I think I'm not feeling very well.
04:57No, no, it's obvious, it's obvious.
05:02Well, nothing that a warm bath and an infusion can't fix.
05:08You're not going anywhere. You'll be in bed all morning.
05:17Does it hurt?
05:19My throat is burning and I've spent the night coughing and shivering.
05:25My body is numb.
05:27From yesterday's cold.
05:30I'll let Dr. Guillén come as soon as possible.
05:33No, no, it's not necessary, Father.
05:36As you say, a cold. A little rest and I'll be fine.
05:40Well, then I'm going to order a cup of tea with honey and lemon
05:45to calm your sore throat.
05:49Yes, but this afternoon, if you haven't improved, I'm going to call the doctor.
05:53Because I don't want to risk having that cold stabbing your chest.
05:56I'm not a child anymore, Father.
05:58Given your background, the precise thing is to act prudently.
06:03And I don't want arguments.
06:05I'm giving the same treatment I would give to any subordinate.
06:11Now, now I'll bring you the infusion.
06:27Well, we're all here.
06:30We can start now.
06:33Excuse me, ma'am.
06:35Wouldn't it be more appropriate to teach about cooking in the kitchen?
06:40I remind you, Simona, that my only interest is to make an anthology with your recipes
06:45and that we will be more comfortable here.
06:47Sit down.
06:53I understand.
06:55But how are we going to make him understand things if he doesn't see them?
07:00With a correct use of Spanish.
07:03After our last meeting, I realized that it is not necessary to get your hands dirty
07:07to have a complete description of the preparation of the dishes.
07:11Yeah, but there are problems, doubts that arise while cooking.
07:15Well, then I will ask you for a greater effort in the exercise of memory.
07:19I insist, we will be more comfortable here.
07:22It's a shame, I already had all the ingredients ...
07:24Simona, don't follow, please.
07:26This time I'm going to be the one who decides the recipes.
07:29And we're going to start with the desserts.
07:32Well, at this point, Lope can help you more than I can.
07:36The boy has a pastry chef's wood.
07:40How timely.
07:44What do you want to know?
07:46I would like the recipe for those elongated sweets, like biscochitos,
07:50that have chocolate on top and are filled with cream.
07:53The eclair.
07:55But the eclair is not a Spanish sweet, it is a French sweet,
07:58from the beginning of the last century.
08:00Go on.
08:02Well, it is a recipe that has not undergone many modifications since it was invented.
08:08Curious, coincidence.
08:11And what else?
08:13Well, no ...
08:17It is not well known who was its creator.
08:19There are people who only attribute it to the chef Marie Antoine Cagnes.
08:22Go to the point, Lope.
08:24You're going through the hills of Oueda.
08:26And the lady has asked for the recipe, she has already said it.
08:29No, don't worry. This interests me enormously.
08:33Go on, Lope.
08:35Well, Cagnes is the author of the art of French cuisine,
08:38where he includes all his recipes.
08:40Although, unfortunately, the eclair does not appear among them.
08:44It is not until 1860 that there are written references.
08:52Santos, I have been asked to bring you this, with honey and lemon.
08:56Yes, leave it on the table.
09:02What happened to you? Are you okay?
09:06A cold.
09:08Because of the fortune that they suffered yesterday.
09:11In fact, I was looking for you.
09:14Me?
09:15No, no, don't get up.
09:19Do you have any discomfort?
09:22No, I'm like a rose.
09:24Yes, we get wet, but it's just water.
09:26What can I do?
09:28Sorry, I was saying it for myself.
09:31Leave it, Marcelo.
09:33You've done enough.
09:35Anyway, since I have you both here, I take this opportunity to tell you something.
09:39Since you are well, you will be in charge of replacing Santos
09:43in the care of Mr. Curro while Deva remains in charge.
09:46But father ... sir ...
09:49No buts, Santos.
09:51You are not available to take care of the young man as he should.
09:55But I have never taken care of a young man.
09:58Well, it always has to be a first time.
10:00You have been in charge of his training.
10:02I say he will be prepared, right?
10:04Yes, but he still has a lot to learn.
10:08It will have to be enough, because I don't have another one either.
10:12Do you think you will be up to it?
10:16Of course, sir.
10:18I promise you that I will do everything on my part.
10:20Well, go in search of him, introduce yourself and inform the young man
10:23that it will be Calle who will attend him in the following days.
10:26As you wish, sir.
10:36Take the infusion.
10:46We pour the water until we get the texture we want
10:49and then we pour it hot on the baked sponge cake.
10:52And that's it.
10:54Magnificent, Lope.
10:56I hope it has been useful.
10:58Much more than you think.
11:01Leave us alone.
11:04I hope I can contribute something more in the next recipe.
11:10I hope I can contribute something more in the next recipe.
11:15Don't worry. If I need it, I'll have it called.
11:19And you don't want me to write anything down, ma'am?
11:22Haven't I expressed myself clearly enough?
11:39Finally alone, Lope.
11:42I have to admit that you have pleasantly surprised me.
11:46Where did you learn to cook like this?
11:50My grandmother taught me the base.
11:53And what house did she cook for?
11:55No, she didn't work for any house.
11:58For no noble house, I mean.
12:01She cooked for us and for the people of the town.
12:04But she was versed in foreign recipes.
12:07No, no, no, no.
12:09Her thing was stews and stews.
12:12Some roasts, desserts from here ...
12:14Stop counting.
12:15Of course, everything she prepared she did with great care and affection.
12:19I see. But you haven't answered my question.
12:22Where did you learn to cook like this?
12:25In books and magazines.
12:27Then I must understand that you are a cook.
12:31Yes, Mrs. Simona.
12:33Simona is not your teacher.
12:35Because your knowledge surpasses hers.
12:37So don't make me believe that she was the one who taught you to cook like this.
12:42You have a talent, Lope.
12:46A raw talent.
12:50Don't thank me.
12:52Or at least not yet.
12:56Don't thank me.
12:57Or at least not yet.
13:01You are wasting your time.
13:03What do you mean?
13:04That you are wasting that talent that God has given you between these walls.
13:09You have never thought of working in a restaurant.
13:13I already did that, ma'am.
13:15In Madrid, and the experience was not ...
13:18It was not enriching.
13:20What happened?
13:23Well, it's true that I was in one of the best kitchens in the country.
13:28But my task was reduced to being.
13:31What they wanted from me was to clean the kitchen, to clean dishes, peel potatoes ...
13:36But you have to start with something.
13:38Yes.
13:40But here I can do whatever I want.
13:43I can create dishes, modify the ones we already have.
13:47I can do what I want, which is to cook.
13:52Well, maybe you would have done better staying in Madrid.
14:08No, María, that was in Boston.
14:10But we were in New York before.
14:12And which one do you like more?
14:14Well ...
14:16The truth is that New York is impressive.
14:18It has very tall buildings and there are people everywhere.
14:22But I think that if I had to choose, I would stay with Boston.
14:27And why?
14:29Well, because it has huge avenues and it is full of parks everywhere.
14:34And all the buildings are like palaces. You should have seen our hotel.
14:38If you hurry me, it was even bigger than the one in Madrid.
14:42Well, it's very big, right?
14:44It's just that everything in the United States is very big.
14:46And we were also at Harvard University.
14:48And why?
14:50Did the Duchess want to go back to the pupitre?
14:52No.
14:54We were visiting an old teacher who was a friend of the Duchess during his youth in Paris.
15:00What a coincidence, right? To have coincided there.
15:03Well, he has been teaching philosophy classes at that university for many years.
15:07And we even attended one of his lessons.
15:09How cool.
15:10No, not at all, quite the opposite.
15:12It's not like here, where the teachers talk and everyone shuts up.
15:15Of course, as it should be.
15:17The one who knows has to speak and the others have to listen.
15:20Well, everyone participates there, it's like a debate.
15:23Well, that's good, that everyone participates.
15:25I didn't understand a word.
15:27But it seemed that they expressed themselves very well.
15:29And not a word louder than the other.
15:34And don't you feel ashamed to have left your wife's service?
15:40Well, you know.
15:41After my wedding with Marcelo, I had to stop working for the Duchess.
15:49Yeah, sure.
16:01Didn't you see the smoke? It was quite striking.
16:04The fire reached the doors of the palace of the Duchess of Ormuelos.
16:08But is she okay?
16:10It's a miracle.
16:11The wind changed direction.
16:14Thank God.
16:15Well, half.
16:16It seems that the fire spread through the gardens of Santa Clara
16:19and took a large part of the olive grove.
16:22The lawyer Vergara will be happy.
16:24Well, I think it was probably to be taken to court,
16:26which has caused several thousand pesetas in losses.
16:31It was a matter of time before something like this happened.
16:34But why do you say that?
16:35Was it a lucky thing?
16:37Since the Duchess of Ormuelos became widowed, that farm ...
16:40It's chaos.
16:42If the fire managed to spread, as you say, so quickly,
16:45it is undoubtedly because it was not clean of rastrojo and ojarasca.
16:50And do you think she was alone?
16:52What if not?
16:53The newspaper brings a chronicle of the request of hand that Catalina and Pelayo attended.
16:58And what does it say? Talk about them.
17:00It's a privilege.
17:02Pelayo says that even members of the royal house attended.
17:04Well, read it to us.
17:07It says ...
17:08Among the guests, by the groom,
17:10the couple made up by Count de Añil and Doña Catalina de Luján stood out.
17:16The two young men were the center of attention throughout the evening.
17:20We already know why.
17:24Is there any interesting news?
17:26Well, yes.
17:27One that suits you personally.
17:29Yes.
17:30And that?
17:31Because it is about the request of hand to which you came.
17:35We let them enjoy it then.
17:37But have you already read it, cousin?
17:39I will.
17:41We were going for a walk.
17:43Right, Pelayo?
17:44Yes, yes.
17:45And it is better that we go out soon if we want to be back at lunchtime.
17:55Those two have already read the chronicle.
17:57What happens is that they will be back in an hour and a half and that is why they run away.
18:00No Cruz, nothing further from reality.
18:04Well, keep reading.
18:05Danosa, please.
18:06The two young men were the center of attention throughout the evening
18:10for their elegance and gallantry.
18:12And they enjoyed the favor of the guests.
18:15A bunch of nonsense.
18:17I'm sure they say the same about anyone who passes by the party.
18:19Well, auntie, don't get angry either, huh?
18:21No, I don't.
18:22But I'm not going to waste my time either.
18:25We all know that journalists like Darkova.
18:27But those from La Crónica Social are the worst of all.
18:30Goodbye.
18:35The protagonists of the request were welcomed in their circle of closest relatives.
18:47And López, the biggest one, got away.
18:49As if he could see it.
18:50So he gives it to her and doesn't fall into the water.
18:53He even told her about Candela's story.
18:56That's why.
18:57And then the recipe was blown away in two kicks.
19:01I'm leaving too.
19:02The Duchess doesn't want any recipes.
19:04Candela, she didn't explain it to us.
19:06It's for a book.
19:07I think there's a cat in the room here.
19:09If the Duchess has such a fine skin,
19:11it's because she doesn't spend the day in front of a stove.
19:13Because she doesn't want to cook.
19:14She wants recipes.
19:16That's why she gathered us at Mrs. Petra's office.
19:19There you have it.
19:20This is all very strange, Simona.
19:22And you and me?
19:23A novel.
19:24You see ghosts where there are no ghosts, Candela.
19:27Do you remember the book your master Orengo gave us?
19:31Of course, I remember everything about my Candela.
19:33You don't need to give me details.
19:35I'm not going to give it to you either.
19:37Well, a countess wrote that book too.
19:41Emilia Pardo Bazar.
19:43I knew it too, Liza.
19:45Isn't Lope here?
19:47Not that she wants him, girl.
19:49No, he hasn't been here.
19:51So that can only mean one thing.
19:53Is he still in the office with the Duchess?
19:55Look at his face.
19:57It looks like he's more scared than a little bird.
19:59Or that he's going to eat him.
20:02That's what he wants.
20:04To eat him?
20:05No, not Lope.
20:06His dishes.
20:07That's why he's asking for recipes.
20:09This is a test.
20:10Candela.
20:11Get your feet off the ground.
20:13No, no, no.
20:14Think about it.
20:15With the excuse of the book, he goes into the kitchen.
20:18Tests our dishes.
20:19And you'll see that the next thing he asks for is to go cook at his palace.
20:22And so, little by little,
20:24the Duchess takes it away from him.
20:26The Duchess and us.
20:28And us.
20:29But don't you think all this is very complicated to change a cook?
20:35Mrs. Arcos, what can I do for you?
20:37Well, you have finally finished your annoying meeting in my office.
20:40I'm sorry to inform you that no.
20:42That the Duchess and Lope are still in their office.
20:46Well, I'll have to talk to Mr. Baeza.
20:48Because this is not welcome.
20:50Weren't the lessons supposed to be about cooking?
20:53That's right.
20:54And where has it been seen that someone learns to cook, to bake and to cook?
20:59Out of the kitchen.
21:00Well, that's what I think.
21:01And I myself.
21:02But the Duchess of Carril did want it.
21:05The Duchess.
21:07The Duchess was supposed to be in the kitchen.
21:10And to use my office from time to time.
21:12Simply.
21:16Well, yes, she's angry.
21:18No, no, just a little friend.
21:20To speak like that of a lady?
21:22I wish I were in Mr. Baeza's hair.
21:24He's going to make him look like a donkey.
21:28Well, the chronicle has not been so bad.
21:31Well, if I'm honest with you, daughter, I found out in the middle.
21:35And me?
21:37Do you know why the guys got angry?
21:40I don't know.
21:41They have argued.
21:42But come on, it's not the first time they've fought.
21:44Yeah, but so much.
21:48Well, what do you think of Catalina?
21:50What do I tell her about Catalina?
21:52About what?
21:53Well, has the fright caught your attention with Pelayo?
21:57Well, I suppose that since the newspaper already spoke badly of them at the time,
22:00she will want to cure herself of fright.
22:03I don't know.
22:04Don't you think that's why?
22:07Why not?
22:08I don't know.
22:09But it seems to me that your cousin is not easily intimidated.
22:12I think it was for something else.
22:16Daughter, why don't you talk to her?
22:20I don't know.
22:27I don't care if it wasn't you.
22:29Now you dedicate yourself, Teresa, to accusing your colleagues?
22:32Absolutely, Mrs. Arcos.
22:34Be careful with the tone you use, girl.
22:36Remember who you're talking to.
22:39Excuse me.
22:41Well, do everything I tell you.
22:43And I want you to go and clean all the silverware.
22:46Even the last teaspoon of coffee.
22:48I'll get to it right now.
22:50And this time I don't want any mistakes.
22:52As you wish, Mrs. Arcos.
22:54One more thing, Teresa.
22:57Have you seen Mr. Baeta?
23:03Marcelo!
23:09Don't you have anything to say?
23:12Hello, Teresa.
23:14Are you crazy?
23:18I thought ...
23:20No. I've seen this better, don't you think?
23:23I'm waiting for you to apologize for whistling through the corridors
23:26if you dare to kiss your wife in front of my nose.
23:30I'm sorry, ma'am. I should never have whistled.
23:32That, of course.
23:34In this house, the manners of decorum are kept.
23:37I hope you don't forget from now on.
23:40No, Mrs. Petra. It won't happen again.
23:43I hope not.
23:45If you'll excuse me.
23:46I'm not done with you.
23:52Do you know where Mr. Baeta is?
23:54I need to talk to him.
23:55No.
23:58Are you going to look for him?
23:59I can't right now.
24:01Do you dare to disobey an order of mine, Marcelo?
24:04I'll do it later, I swear.
24:06Don't swear in vain.
24:07Mr. Ricardo has asked me to go to Mr. Curro's room.
24:10You?
24:11What do you have to do there?
24:13Since Santos is in bed,
24:15Mr. Ricardo has asked me to go to Mr. Curro's room.
24:19Santos is sick, then?
24:21Yes.
24:22Mr. Ricardo says he didn't like yesterday's spanking,
24:25but I have my doubts.
24:26Why?
24:27Because I got wet with the same water,
24:29and here I am, like a young Roble.
24:33Go with Mr. Curro.
24:35And you take care of the money.
24:38What? If you did it unintentionally, I didn't notice.
24:40That's your problem, that you don't realize anything.
24:42Not even trying would make it worse.
24:44I've already apologized.
24:45It has nothing to do with the spanking, Marcelo.
24:47Didn't you realize the look on Mrs. Arcos' face
24:49when you talked about Santos?
24:58That woman is not well-behaved, come on.
25:01This blanket is more than ready.
25:03Well, if that's the case,
25:04we fold it and we go to the palace.
25:06What I was telling you,
25:08Santos was dripping with water,
25:10and María Mandrajo tried to dry him like that,
25:13with a love that not even a mother with her child.
25:16That's an exaggeration, María.
25:18Yes, I would say that too.
25:20But we even called him Feliciano.
25:22What are you saying?
25:24With these two ears that God has given me, I heard it.
25:27Well, let's see.
25:28You have to think that both of them have a lot of confidence.
25:31Let's see, you have to think that both of them have a lot of confidence
25:34and that maybe it was the tension of the moment, nothing more.
25:37Hanna, who called him like his son.
25:41Yeah, well ...
25:43We'll have to see it on the positive side.
25:45Maybe this will get him over his death.
25:49I don't know.
25:50What positive will he have?
25:52If all the good that one had of good, of innocent,
25:55the other has it of evil and of low.
25:57Yeah, I've seen it that way.
25:59Well, now that we're alone, I'm going to tell you something else.
26:01About Petra.
26:02About Marcelo.
26:04Don't get involved with him either.
26:06You have to understand that he's learning, María.
26:09And I know that ...
26:10Learning.
26:11Well, he's a special guy.
26:13But hey, we have to support him because he's Teresa's husband.
26:15And maybe not for long.
26:17But what are you saying?
26:19Because I was sewing with Teresa.
26:22And I was watching him peel the turnip with one of our classmates.
26:25What did you see?
26:27Kissing, flirting ...
26:29It's not a sin either.
26:30Well, caresses don't make children.
26:32But they touch at dusk.
26:34And speaking of dusk ...
26:36Do you already have the date with Don Manuel?
26:38No.
26:40So what are you waiting for?
26:42Well, Manuel is now dealing with other matters.
26:46Yeah.
26:47What's going on with your daughter?
26:49Are there any problems in paradise?
26:51What's going on?
26:52It's just that ...
26:54He's collecting information about ...
26:56When Gregorio was in prison.
26:59What has he done?
27:00Nothing.
27:01But I think he can convince him to let Mrs. Pín pass.
27:04Convince him with what?
27:06Well, telling him that he has evidence of ...
27:09The murder of the prisoner that Mr. Baila told us.
27:12But we don't know where Gregorio is, do we?
27:14Manuel has located him.
27:16And in fact, he has mentioned him in ...
27:18In the old slaughterhouse.
27:20Couldn't he have met him in the town square?
27:22With all the people?
27:24Bad news, Hanna, huh?
27:26I just hope everything goes well.
27:32Come on.
27:40Don't look at me like that.
27:50Don't look at me like that.
28:10Can you do me a favor?
28:12Put the pillow back on me.
28:16Hug me, please.
28:33We should have hugged more.
28:38You know, Feliciano ...
28:40Feliciano ...
28:43For many mistakes I have made as a mother,
28:46and God knows there are many,
28:51there is a bond that binds me to you.
28:55A bond that nothing or anyone can ever break.
29:02I love you like I've never loved anyone.
29:05And I can't love anyone in my life, honey.
29:09Feliciano, can you hear me?
29:12Feliciano.
29:16Feliciano.
29:19Son.
29:21Son, for God's sake!
29:23Feliciano, talk to me!
29:25No, Feliciano, for God's sake!
29:27No, talk to me! No!
29:29No, my son, no!
29:32Son!
29:34No!
29:36No, my son, no!
29:38Not now, please!
29:40Open your eyes, Feliciano.
29:42For God's sake, talk to me!
29:44Talk to me!
29:47No!
30:06Son.
30:20Doña Petra.
30:23Keep your strength, Santos.
30:26You are burning.
30:29Right now I'm going to make you an infusion of thyme
30:32and I'll send a doctor to see you.
30:36He's done it.
30:38Dr. Guillén was here a couple of hours ago
30:41and he's prescribed you the appropriate medication.
30:44But what's wrong with him?
30:46What caused him to have such a high fever?
30:48Since he was a child, his lungs have always been weak.
30:51And the slightest cold ends up making him bedridden.
30:56Pneumonia?
30:58It's probable.
31:01He must see another doctor.
31:04For what reason? Dr. Guillén is not trustworthy.
31:07No, but a lung infection is very serious
31:11and we must not make a mistake in the diagnosis or treatment.
31:16Well, for now we will do what Dr. Guillén has indicated.
31:19But a second time ...
31:21It's just that I haven't been clear enough!
31:25Absolutely, Mr. Pellicer.
31:28Well, go to your tasks.
31:30I'll take care of my son.
31:54Let's go.
32:25Julia, can I talk to you?
32:27One second, Curro.
32:30Okay.
32:39I ...
32:44I would like to apologize.
32:46The way I spoke to you the other day was totally inappropriate.
32:51Don't blame yourself, Curro.
32:53I shouldn't have pressured you to talk about the war either.
32:56You warned me at the time that it was not something you wanted to remember and I ignored it.
33:02I appreciate your words, but my behavior is no excuse.
33:07Then I accept your apologies.
33:10These days I have been able to reflect on it and ...
33:13I have realized that I had to live a real hell.
33:17Even that is short.
33:20Julia,
33:21war has nothing beautiful or epic.
33:25War is destruction and pain.
33:29I'm very sorry.
33:31I was insensitive when I asked you to remember something so horrible.
33:36Can you forgive me too?
33:39Julia?
33:44Julia?
33:46Julia?
33:52I didn't expect to find you here, Curro.
33:57He has come to see the progress in the restoration of the painting.
34:00Oh, I was coming too. How are you?
34:02It would be best if you judge it yourself.
34:12Does it matter?
34:15That's what it's about.
34:16Yeah, yeah, but ...
34:20It doesn't matter.
34:23There is still work to do.
34:25For now, I have removed the old varnish and I am correcting some of the most damaged parts.
34:31Do you see it?
34:33Uh-huh.
34:35Then I will finish cleaning it to recover the original color
34:40and then I will varnish it again.
34:43The more times I do it, the more difficult it seems to me.
34:47Well, I don't know if it's a matter of difficulty or that everything has its time
34:54and a work of art like this has to be handled very carefully.
34:59And do you need help? Because I could bring you anything ...
35:03I prefer to work alone.
35:05I understand.
35:08And how is that cleaning?
35:11I'm going to apologize for leaving you alone.
35:14But why? This is the most interesting part.
35:17Yes, but before I asked to sit on the horse.
35:20And well, I haven't been around the farm for many days.
35:24Of course, donkey. Enjoy the ride.
35:27And if at some point you are curious to see how the painting is going, you know where I am.
35:41Do you want me to explain how the painting is cleaned?
35:43Please.
35:44The most important thing is not to damage the color.
35:47So for this we have different solvents ...
36:00A mayor told me you were looking for me.
36:03That's right. Sit down.
36:07You know, first I would like to know the reason for your call.
36:12I want to hear from your mouth what the commander Alcaraz wanted when he phoned last night.
36:18Once again, in this house, no one respects other people's privacy.
36:23It is that your privacy ends where the others begin. In this case, mine.
36:29Who has left the soul?
36:31That's the least of it, Lorenzo.
36:32It had to be that mayor, Ricardo.
36:35Ayala would not give you the pleasure of humiliating me.
36:37I doubt that Margarita has found out about something and your wife has not gone.
36:40As far as you and I know.
36:42Lorenzo, keep your poison. We are talking about you, not me.
36:45What did the commander want?
36:47Army matters.
36:49Everything is very tedious, but if you have time, I'll tell you.
36:52No, but I have to go.
36:55Everything is very tedious, but if you have time, I'll tell you.
36:57It didn't seem so tedious when I talked to him.
37:02A food poisoning that has left 56 soldiers in Africa hospitalized.
37:08And the suspicion that the cause is our products.
37:10You said it. The suspicion.
37:14How long do you think it will take to confirm it?
37:16They can't.
37:18You know, while you were moving your threads to stab me in the back ...
37:21Lorenzo, to the point.
37:24I've been doing research.
37:27The intoxicated were guarding the blockade line. Do you know what that is?
37:32That those bastards were living in mousetraps.
37:35Without hygiene. Drinking stagnant water.
37:38There is no human way to prove that this was our fault.
37:41Yours, you mean.
37:42Whatever.
37:45And it was your fault?
37:48No.
37:50Anything else I can help you with?
37:57Next time, before talking to my superiors, I would appreciate it if you let me know.
38:20Those are my boots.
38:22I beg you to excuse me. I got confused.
38:24Don't worry. It's okay.
38:26Do you want me to help you?
38:27No, no, no. I'll put them on myself.
38:28Yes, man. You're not going to slip with your alchemy. That's why I'm here.
38:33Sit down, please, sir.
38:38Careful, careful. Don't break it.
38:40It's the only way for your foot to go in.
38:42And if you try with a footwear ...
38:44Let's see. Sure. A footwear.
38:46Let's see. Sure. A footwear.
38:48If you want, I can go get one.
38:50You didn't bring it?
38:52No.
38:54And given the hurry you're in, if you want, I can try to put it on myself with a little push.
38:59I have an infallible trick.
39:03Okay.
39:05If you'll excuse me.
39:06Let's see.
39:16Here.
39:19I don't know if this infallible trick is going to work.
39:21Yes, yes. Listen to me.
39:27We did it!
39:29Yes. Now this one, I'll put it on myself.
39:32Are you sure you don't want me to help you?
39:33No.
39:34You go get my horse. He must be nervous to go out.
39:42Let's see. What happens now?
39:44His horse.
39:48Tell me, please, that you have notified the stables so that they have him ready.
39:52I forgot. It was a little misguided.
39:54What was I missing?
39:56I'm sorry, Mr. Coro.
39:58Leave him.
40:00But where are you going?
40:02To notify the stables.
40:04No, not now. It's late. I wouldn't have time to ride before sunset.
40:07So he's not going to ride?
40:09Well, no.
40:10Do you want me to help him take off his boot?
40:11No, no, no. Step aside.
40:13So what do you want me to do?
40:15I want you to leave me alone.
40:17And I don't want to see you all day.
40:19Do you understand?
40:21Okay, sir.
40:33I'm sorry I can't help you, Hanna, but it's just that tonight I've had a cold and all my bones hurt.
40:40Don't worry.
40:41And right now I'm going to give you a herbal tea that in half an hour you'll have dancing Jotas.
40:45No, you can't celebrate your birthday.
40:47But this has nothing to do with the years, Mrs. Darre.
40:50It has to do with the fact that you've been still for too long and your body is resentful.
40:55Hanna, but let's not talk about me, I don't have news to tell.
40:58Tell me about you.
41:00Tell me about you.
41:02How's Manuel?
41:06Well ...
41:07The truth is that better than ever.
41:11You don't know how happy I am, Hanna.
41:14I feel like I'm living a dream.
41:16It's as if God had rewarded me for all the suffering I've experienced and ...
41:20And he has given me the best person there is.
41:23Wow, you look very in love.
41:26A lot.
41:27And more and more every day.
41:29This doesn't sound like a wedding bell, does it?
41:34Hanna, congratulations, when were you going to tell me?
41:37Well, we were dealing with the subject with so much discretion that in the end ...
41:40But who am I going to share it with here?
41:43Well, this has to be celebrated, it has to be celebrated.
41:45This is a secret.
41:47I'm going to prepare the infusion of ajejo.
41:49And there will be time for celebrations, I'll do it.
41:52And when will the link be?
41:55Well ...
41:56Well ...
41:57The truth is that we still don't know.
42:01But it is true that Manuel has spoken to the priest.
42:03And I already have the dress.
42:06Hanna, sit down.
42:08What I'm going to do is give you a hug and congratulate you.
42:11Come on.
42:14I'm very happy.
42:16Well, let's have this.
42:17Come on.
42:18Oh, it burns, huh?
42:20Come on.
42:25You burn like hell.
42:29Well, and what are you going to do next?
42:31Because your job would be to live as husband and wife.
42:33What are you going to do?
42:35That's what we're supposed to do.
42:38But it will no longer be a secret to anyone.
42:40Not even to Mrs. Marquesa.
42:43Well, I guess she'll have to accept it.
42:46We both know it won't be easy.
42:48Especially for Manuel, but ...
42:51I also believe that our love is much greater than fear.
42:55And I know that maybe I may sound a bit innocent,
42:57but when I'm with him, I feel that everything is possible.
43:00I don't think you're innocent, Hanna.
43:03I think you're brave.
43:05And everything will be fine because you deserve it.
43:10And now I want you to tell me the truth.
43:13Before, I asked you about Manuel and I want to know how everything is going.
43:16It seemed to me that I saw a certain fear in your gaze and ...
43:20I think it has to do with Gregorio.
43:22It is so.
43:27It is possible that ...
43:29that this afternoon the whole nightmare ends.
43:33Are you sure?
43:46Gregorio?
43:55Gregorio?
44:02Gregorio, it's me!
44:16Gregorio?
44:46Gregorio?
45:12Come.
45:15Why weren't you looking for me?
45:17Because I didn't know I had to talk to you.
45:19How are you?
45:21Fine.
45:22And you?
45:24Is something wrong?
45:26Of course something is wrong, López.
45:27It happens to me that you have been alone for an hour talking to my mother.
45:30Is that what worries you?
45:32And how can I not be worried?
45:34What did you talk about?
45:36I don't know, did she ask you something about ...
45:38about us being a couple?
45:39No, no, no. She asked me about my life.
45:42About my past.
45:43How I started cooking, where I worked.
45:47And what did you tell her?
45:49The truth.
45:53What's wrong? I shouldn't have told her the truth.
45:55Well, no, López, no.
45:57You should have lied to her.
45:58Why?
45:59Because my mother doesn't give up easily.
46:01And if she's so interested in you, it's because she's up to something.
46:04But what is your mother up to now?
46:05What do I know? You tell me.
46:08I don't know, has she told you ...
46:10Has she told you anything? Any strange comment?
46:14Well, all she told me is that I should have stayed at the restaurant in Madrid and that's it.
46:17See? That's a threat.
46:19Listen to me, that's what I thought at first.
46:22But then we continued to talk normally and I came to the conclusion that they were my imaginations.
46:26No, López, no. They are not.
46:28She's up to something.
46:29Vera, I swear I haven't told her anything that could be used against us.
46:32I swear.
46:36My love, I understand that you are tense, but you have to calm down.
46:40I don't want your mother to show up here when she wants to.
46:44But we have to stay calm.
46:48I know.
46:50But I can't take it anymore.
46:52I know.
46:54How long is this nightmare going to last?
46:56I don't know.
46:58I don't know.
46:59But what I do know is that I want to be by your side.
47:03And what we have to live, we're going to live together.
48:11Gregorio!
48:30Do you remember that this morning I told you that I was going to compensate you for being so stubborn?
48:35Of course.
48:36One does not forget things like that in a house where there is nothing to do.
48:40Well, you promised, didn't you?
48:42This is the compensation.
48:45Do you like the discomfort you have with me?
48:47Do you think you're going to buy me with some simple money?
48:50Mother, I want to be good to you.
48:52He told me that he went to talk to some engineers.
48:55Good.
48:56And what is the problem?
48:58Stop suspecting him.
49:00I have my reasons.
49:02He has been very rude to me.
49:04And when he behaves like that, he keeps something from me.
49:07And why do you think he's coming back?
49:09After this fight, maybe he doesn't feel like it.
49:12I hope so.
49:14But as long as he feels that Doña Pia is here, he will not go far.
49:17Unfortunately, you are right.
49:19Gregorio has a single purpose, which is to take Doña Pia's life.
49:24And it will cost us blood, sweat and tears if he doesn't get it.
49:28Another visit from the Duchess?
49:29Yes.
49:30It seems that he has taken the pleasure.
49:32One day they will install us in La Promesa.
49:34But it is unfair.
49:35They are making them work more and more without any compensation.
49:38And what do they want us to do, little girl?
49:39They should complain to end this nonsense.
49:42Vera is right.
49:43We have to complain, Doña Simona.
49:46Here it is, doctor. Come in.
49:48The fever doesn't go down and it's hard for him to breathe.
49:55Dr. Guillén says he has a cold that has attacked his lungs.
49:59And why are they calling me then?
50:01What is this about some journalists and even a photographer coming to this house?
50:05What are you saying, Cruz?
50:06What you are hearing, dear.
50:08Here your daughter and the count intend to bring a journalist to interview them.
50:12They want to take pictures all over the palace.
50:14You're an idiot, aren't you?
50:16I'm sorry, sir. I'm sorry to have bothered you.
50:18Well, you have.
50:19I was having a very important conversation and you couldn't think of anything else but to bother me.
50:23It won't happen again.
50:24Of course it won't happen again.
50:25Because as this is repeated, I will personally make sure that you are fired.
50:29Do you understand?
50:30I'm just saying that I have to be informed about what is going to be done in this palace.
50:34Well, it's been informed.
50:35And I'm sorry to contradict you, father, but Cruz should be worried about the visit of those journalists.
50:40Because I plan to tell everything I think about you and how you have treated me during these years.
50:45That's enough, Catalina.
50:46I've always thought that the captain has never loved me.
50:50But I hope so.
50:52I have not been more lucky than when I dated her.
50:56The same thing happens to me.
50:59How do you say?
51:00That Hanna is the best thing that has happened to me in life.