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00:00So, I'm going to go over there and pick up the trash.
00:03Okay.
00:04Okay.
00:05Send me an email.
00:06Okay.
00:07Okay.
00:08Bye.
00:09Bye.
00:10Bye.
00:11Bye.
00:12Bye.
00:13Bye.
00:14Bye.
00:15Bye.
00:16Bye.
00:17Bye.
00:18Bye.
00:19Bye.
00:20Bye.
00:21Bye.
00:22Bye.
00:23Bye.
00:24Bye.
00:25Bye.
00:26Bye.
00:27Bye.
00:28Bye.
00:29Ever since Mr. Andres grew up and left for Hazka,
00:32no one has come to give me a hand to take the car with me.
00:35I came back a few months ago.
00:37Yes, and it's also been a long time since you stopped being a kid.
00:41You won't expect me to give you five pesetas for helping me.
00:44Besides, you already know that I like to do this myself.
00:46And in your own way.
00:47And in my own way.
00:49I've spent more time behind the wheel of this old car than with my daughter.
00:54And now that I can spend more time with her, I'm going to Barcelona.
00:58Well, I didn't know anything.
01:00I imagine it's a proposal from Marta.
01:02She will need someone there to trust her.
01:04Yes, yes.
01:06That will be, yes.
01:07The big store over there will take care of it.
01:09Yes, the Paseo de Gracia is beautiful.
01:12A new experience, you will learn a lot there.
01:15Yes.
01:16And you haven't thought about going with her?
01:18No, no, no, I'm not in the mood for that.
01:20Besides, I don't know what I'm going to do there without this old car.
01:23Well, rest and stop taking displeasure
01:25every time my brother and my father take it to the hunting mountain.
01:28And they bring it, it makes me sad.
01:30No, your brother no longer goes hunting.
01:32And your father very few times with Tassio when I was down.
01:35So little war.
01:38Now that I think about it,
01:40my father hired a boy to help him when you were with Valeciente.
01:45Yes, yes, yes.
01:46He comes from time to time for the hard tasks of the garden.
01:50And he has never taken care of cleaning the car?
01:53No, never, never.
01:55In that I have not changed.
01:58And being half dead.
02:03And how is that cushioning going?
02:05Well, it's still as hard.
02:07Quiet, quiet.
02:08Sorry, sorry.
02:10As long as you don't take it down the road of bad luck.
02:12No, luckily we only go from home to the factory and back.
02:17Well, every now and then a little trip to Madrid, but little.
02:21Hey, why are you interested in the departure of this car to the field?
02:25No, nothing, mere curiosity.
02:27I've seen him and we haven't shared you and me for a while.
02:31That's what has to grow.
02:33Children, grandchildren.
02:35As kids you feel admiration for adults, but then ...
02:39No, don't say that.
02:40You will occupy a very important place for us.
02:42And we will always be very grateful to you.
02:45Especially my father.
02:46Yes.
02:47I owe you a lot, believe me.
02:50Anyway, I'm going to pick up some suits from your father.
02:53I'll see you later.
02:54Very well.
02:56Goodbye Isidro.
02:57Goodbye.
03:15Damn it.
03:21Damn it.
03:33Isabel, can you come for a moment, please?
03:43You tell me, what do you need?
03:45The key to this drawer does not open.
03:48In that drawer there are only personal things of Don Jesús.
03:51Are you looking for something in particular?
03:53Yes, a pen in condition.
03:55I'm trying to frame some accounts and there is no way that it works in any of these.
03:59Don't worry.
04:00I know your son has new pens in this drawer.
04:05Here you go.
04:10Perfect.
04:11Do you need anything else?
04:13No, thank you very much.
04:14Excuse me.
04:18Come in, please.
04:19Isabel.
04:25Good afternoon, father.
04:26Yes.
04:37What's up, son?
04:39Nothing.
04:40I just wanted to ask you a question about your fiancée.
04:43Dina will continue to be your aunt.
04:45And stop treating her as if she were a stranger, please.
04:48I didn't mean to bother you.
04:50The fact is that when I returned to the factory after dinner,
04:53I saw her talking to that man who was here last night.
04:59What man?
05:00Yes, the one who ...
05:01Well, that old employee you told me he was.
05:04With whom I met when I came to tell him that Jaime had died.
05:08Ah, yes.
05:10Yesterday it seemed that he was leaving here like the devil's soul,
05:14and today he didn't seem very happy when he was talking to the aunt.
05:17If you say so.
05:19May I know who that old employee is,
05:21whom I had never heard of,
05:23despite the fact that he also knows the aunt?
05:27He knows her because he was a friend of Uncle Gervasio.
05:30He is a topographer and was here working
05:33with all the factory expansion reforms.
05:35That's how they met.
05:36Ah, then more than a simple acquaintance, he would be an old friend, right?
05:39And that's why he walks around the factory and around the house as he wants.
05:47Father.
05:50You could at least tell me his name, right?
05:52What else is there?
05:53That's what I say.
05:54Is there any reason why I don't even know what his name is?
05:57I don't know, I couldn't present it to you, so much mystery.
06:00It's okay, his name is Mario Garcés.
06:03And last night he was here to ask me for a job.
06:06And by the way, he's going to congratulate me on the wedding.
06:09I imagine that is the same reason why he would want to see me.
06:12Are you happy?
06:14More calm?
06:15Well, I'll introduce it to you on the day of the wedding.
06:17If he comes.
06:18If he comes.
06:33Come in.
06:44Isabel.
06:47Tell me.
06:50Call this number until you contact Ángel Ruiz and give it to me.
06:54The private detective.
07:03Okay.
07:23Sorry.
07:25I'm looking for the keys to my car that I don't know where they are.
07:28Are these?
07:31They were among the cushions.
07:33They would have fallen before.
07:39What happens? Why are you looking at me like that?
07:42Nothing.
07:44I know I shouldn't get into things that are not my business, but ...
07:47But it's hard for me,
07:49taking into account how badly I've been through because of you.
07:52That is supposed to be none of your business?
07:55I think you already know.
08:00Has Andrés told you?
08:04Do you dare to say that it is not your fault
08:08when you got involved in our marriage from the beginning?
08:11I have never gotten involved in your things, María.
08:14And for my part, you can be calm because I'm not going to tell you anything.
08:17It's up to you to tell the truth.
08:18You've been playing with Andrés.
08:19No, I haven't played with anyone like you have, lying to us all.
08:23María, a pregnancy,
08:26an abortion,
08:27for God's sake, that you have thrown yourself down the stairs and on top of that you have blamed me.
08:31But how can you do something like that?
08:32I was desperate.
08:33That nothing justifies what you have done.
08:34I was just a woman in love who was trying to retain her husband.
08:37Look, if you really loved Andrés,
08:39you would never have lied to him about something as important as a baby.
08:43I was trying to get pregnant. It could have been true.
08:46María, are you aware of what Andrés has suffered with the loss of that baby?
08:50No, you are the only one to blame for this situation,
08:54that Andrés does not pay me the attention I deserve.
08:56María, that attention can never be obtained by lying or hurting anyone.
09:01And you don't hurt anyone by loving someone you don't owe.
09:03I will never be like you, no matter how hard you try.
09:06Please, but you have even accused me of faking a mental disorder.
09:10You mean that disorder that disappeared by magic.
09:13I was feeling sick with a medication,
09:14and you can ask anyone,
09:16Jesus, Damien, Luz.
09:18Yes, I know you are capable of deceiving everyone.
09:20Everyone, except me.
09:22You are the only actress here.
09:24And quite good, by the way.
09:25You forced me to do it.
09:28You know?
09:30I was a normal girl in Hancock.
09:33And I was happy with Andrés.
09:36Until you insisted on taking him away from me.
09:38María, stop it, please.
09:40Stop blaming me for everything that happens to you.
09:43Take responsibility.
09:44It's very easy to say that.
09:46You just have to blink to get me to run to your side.
09:48Do you have any idea how humiliated I feel?
09:51I swear I've never tried to hurt you, never.
09:55Well, you've ruined my life.
09:58And everything I want.
10:01So don't you dare judge me.
10:07Go.
10:10Go, please!
10:23He must protect his sleep hours and rest as much as possible.
10:27If not, on the contrary,
10:28the only thing he will achieve is to lower his defenses and get sick.
10:31Or have a work accident.
10:33That too.
10:35Reconciling night shifts with the life of a husband and father is very complicated, Doctor.
10:40Maybe if he talks to the person in charge of his department.
10:43It is Joaquín who does not want to change my schedules.
10:46Anyway, I will do what I can.
10:48If I want to pay the bills.
10:50Thank you for everything.
10:51You're welcome and take care.
10:56Bye.
10:57Bye.
11:25Doctor.
11:28I am very happy to be able to share this love for medicine with you.
11:32Me too.
11:37Come in.
11:40May I?
11:42What are you doing here?
11:43I told you I couldn't go out to eat.
11:44I'm sick with patients.
11:47I know, I know.
11:48But I wanted to see you before I went back to the lab.
11:51And, by the way, bring you this wonderful tortilla sandwich,
11:55freshly made by Gaspar.
11:57Thank you very much, but I'm not very hungry, to be honest.
12:00Well, you'll have it when you relax a bit.
12:04You have to eat.
12:07How was your day?
12:09Very bad.
12:11It's hard for me to accept that that chair is going to be empty forever.
12:15Before I went to ask for an opinion about a patient as if he were still here.
12:21Jaime ended up being part of that family that he has never had.
12:25I know.
12:28And I also have a place in your heart.
12:32You don't have to be jealous.
12:35Who is jealous?
12:39Jaime and I were together, yes, but it didn't prosper.
12:42Because you were always here.
12:45Luz, you don't have to give me explanations.
12:47I didn't want it to sound like a reproach.
12:49It wasn't my intention, really.
12:51I know.
12:53But I do want to make it clear.
12:58After many years,
13:01you appeared.
13:04What can I do? I'm one of those who leave a mark.
13:07Thank you for coming to cheer me up.
13:11I remember you every day.
13:14How we made cookies,
13:16how you combed my hair,
13:17how you woke me up every morning.
13:20I want to go home to see you again.
13:24Digna, I love you.
13:28Digna.
13:30What's wrong? Are you okay?
13:31Yes.
13:34I got emotional reading Julia's letter.
13:37And I've read it many times.
13:40This girl writes so well.
13:43She's as talented as her grandmother.
13:48Don't tell everyone.
13:50Then I wouldn't forgive your son.
13:53They'll have to know one day.
13:54At least Julia should know.
13:57Yes, she will.
13:59That's why I gave her time.
14:01Now I just want to have her by my side.
14:04I miss her so much.
14:06Can I force Jesus to let her come?
14:08You just have to ask.
14:10No, let him be.
14:13Let things be calm.
14:15We already have enough problems with him.
14:17I just want some peace.
14:19As you wish.
14:20But I would also like to have our granddaughter here.
14:26There will be a time to celebrate it.
14:30When the course is over.
14:32We could take her on vacation to the beach.
14:35To the beach? Would you like that?
14:37Yes, to the sea. I would love it.
14:39I'm so eager to enjoy it.
14:42It would be the first time I leave here in a long time.
14:45I like to see you so happy.
14:47I have to tell Julia to write to you more often.
14:52Today...
14:54Receiving Julia's letter has not been the only thing that has happened to me.
14:59I've had an encounter with Mario Garcés.
15:03What are you saying?
15:05How dare that man bother you again?
15:09He was looking for me to apologize for all the things he said to me.
15:14Ah.
15:15Ah.
15:17Has he come to admit that he lied to you?
15:22Yes.
15:24Jaime gave his suitcase and some papers to Marta to give me when he left.
15:29But I don't even dare to look at them.
15:32Maybe you should, Luz.
15:34There is important information, right?
15:37There is an envelope that can contain something relevant about a patient.
15:43I'll open it later, Jaime.
15:46And I'll also look at everything else.
15:49I shouldn't postpone this anymore, right?
15:52This way I close Jaime's story completely.
15:57In the end, it will turn out that you are more sentimental than I thought.
16:01I've always been.
16:03Even if I hide it.
16:05But you win me.
16:12The break is over.
16:15Do you want me to come to sleep with you tonight?
16:19I'd love to.
16:23Please tell him that I'll open it.
16:27So he can come in, unless it's urgent.
16:29I need a minute.
16:31It's been so many years looking for a culprit for Gervasio's suicide
16:36that in the end he thought that you were the culprit.
16:42But why me?
16:44Why did he have to take it with me?
16:46I guess because he thought you were the culprit.
16:50I don't know.
16:52I don't know.
16:54I don't know.
16:56I don't know.
16:57Why did he have to take it with me?
16:59I guess because I couldn't be the culprit.
17:04And you were his partner.
17:06And his great friend.
17:08And what was he?
17:10His lover?
17:12Yes.
17:14That's why he came to apologize to me.
17:18He also confessed to me
17:20that it had been very difficult for him to assume
17:23that he also felt guilty.
17:27Well, thank goodness he retracted what he told you
17:31because I was thinking of going to him
17:33to ask for an explanation.
17:35Poor man.
17:37I'm very sorry
17:39to see him so affected after so many years.
17:43Yes, the truth is that both he and Gervasio
17:48had to suffer the consequences.
17:51Yes.
17:54But I didn't want to accept it.
17:57I didn't want to see him
17:59because he was very angry and very hurt.
18:03But they both had a very bad time.
18:07Well, but all that is over.
18:09Yes.
18:11And now we just have to look at the present
18:14and how happy we are going to be.
18:16Oh, worthy, worthy.
18:18Let's get married today in the afternoon.
18:20Are you crazy? How are we going to get married today?
18:22I mean it. What's the need to wait?
18:24But I don't even have the suit yet.
18:25How much is left?
18:27Well, I don't know. Yesterday I saw the fashion designer,
18:29I had the fabric, I put it in a hurry, but not so much.
18:31Well, you talk to her and tell her that you want it for ...
18:33for in two days
18:35I'll pay you twice as much
18:37and hire all the seamstresses in Toledo.
18:39No, I want to pay for that suit, I told you.
18:41But I don't want to ruin myself.
18:43Well, let me ruin myself.
18:45I run with the expenses and I don't admit one at risk.
18:47Oh, Tamián.
18:49Besides, why are you in such a hurry now?
18:52We practically just buried Jaime.
18:55And that's why we're going to have an intimate family celebration,
18:58as is done when mourning is kept.
19:01But it is that ...
19:04I want to get married before Marta leaves for Barcelona.
19:08Do you still have the idea of leaving?
19:11Apparently yes.
19:13And as soon as she settles there,
19:15and starts with all the mess of the company,
19:17she is capable of not coming to the wedding.
19:20My God.
19:21My God.
19:23So are you willing to get married in two days?
19:26Like very late?
19:28At sunset, a beautiful light enters the chapel.
19:32I see that you have everything in mind, huh?
19:35I don't think of anything else.
19:38Well, I'll have to talk to the seamstress right now.
19:51I'm sorry.
19:59You don't know how sorry I am to say goodbye to you the day after tomorrow.
20:05There will be something to do, right, Mateo?
20:08No, Gaspar, I don't feel like partying.
20:11This time I prefer to go on a whim.
20:13A lot of fuss has already formed.
20:16In fact,
20:18maybe I'll go where they don't call me, but ...
20:21Okay.
20:28You leave with a clear conscience, knowing that you leave your son here alone.
20:33My son?
20:35Yes, you know.
20:37The creature you are waiting for with Claudia.
20:44Because that son is yours.
20:47Let's see, Gaspar.
20:49There are questions that it is better not to ask.
20:54But what I can assure you is that that boy is not going to miss anything.
20:58But ...
20:59But how?
21:00Let's see.
21:02Capa, put me three coffees to take, please.
21:05Yes, yes, right now.
21:08Sorry, I don't know if I interrupted ...
21:10No, no, no, don't worry, we were just chatting.
21:12Okay.
21:16And you, Carmen?
21:18Have you eaten yet?
21:19Yes, well, more or less.
21:21What does that mean, that you have eaten your nails?
21:23Because, come on, you have to see the nerves you bring me, huh?
21:25The nails?
21:26I'm going to eat my elbows for this step.
21:29It is that I have to deliver the accounting, the private sale,
21:32the accounting classes at night ...
21:35Look, let's do one thing.
21:36Tonight you skip classes,
21:38and I'll help you with the book of accounts, huh?
21:40No, no, no, thank you very much, Gaspar.
21:41I have to learn to value myself and for that I have to go to class yes or yes.
21:44The solution would be for Isabel to give me more time
21:47to deliver the lucky numbers.
21:49But, son, that woman is more like that than I am.
21:52What, Isabel, the director's secretary?
21:55Yes.
21:56She's hurrying me to deliver the accounting,
21:58which is not normal, not normal, Gaspar.
22:00And at all costs, I don't criticize, huh?
22:02I mean.
22:04Do you know her?
22:05No, hardly.
22:06I have rarely seen her around the canteen.
22:09She makes a bad face for me.
22:10Every time she sees me, she looks at me like that.
22:12Over her shoulder,
22:14as if she were above good and evil.
22:18You know her, don't you, Mateo?
22:19No, no, by sight.
22:21Because the chaplain doesn't even step on her.
22:23No, no, since you laughed,
22:24I say, maybe she thinks the same as me.
22:26Let's see, I laughed because you're saying you're not criticizing her.
22:30I'm not criticizing her.
22:31It's a fact.
22:34No, let's see ...
22:36You'll have your reasons to be angry.
22:38Call it whatever you want.
22:39Man, of course.
22:40Of course.
22:41It's his fault.
22:42We're going to the canteen in the store, look.
22:43We have to be at the coffee table
22:44so as not to fall to the ground
22:45from all the homework we have.
22:48Anyway, put me some chocolates too, Gaspar.
22:50Very well.
22:52The chocolates
22:54and some almond cookies for Claudia,
22:56who has to eat for two.
22:57Very well, charge yourself.
22:59And I'm going to pee.
23:00See you later.
23:01Girl, what are you doing?
23:02Nothing, she'll give it to me.
23:11Joaquín.
23:13Joaquín.
23:14I've been looking for you all morning to talk to you.
23:16Man, Mr. Important.
23:18Let's see, what have you done now?
23:19Well, my mother, you don't pass me one, huh?
23:21Come on, I know you, Tassio.
23:22Tell me.
23:23Let's see, I've passed the schedules as you asked me.
23:25The one in charge of packaging has approached me.
23:27Manolo, I don't know if you know who he is.
23:29Yes, of course I do.
23:30I put him in that position.
23:31Well, the man has asked me to change his shift
23:33from night shift to day shift.
23:34I don't know who he is.
23:35I don't know who he is.
23:36I don't know who he is.
23:37I don't know who he is.
23:38I don't know who he is.
23:39From night shift to day shift.
23:40And it's not the first time he's done it.
23:41Wow, he's with that girl again.
23:43Let's see, it's normal.
23:44The man has just had a son and he barely sees him.
23:47Is there any possibility that we put him in the day or afternoon shift?
23:50No.
23:52Let's see if I understand that it's Kike,
23:54who can perfectly replace the work that Manolo does.
23:56Are you listening to me, Tassio?
23:57I don't want changes now.
23:59For what reason?
24:00Do I have to explain it to you?
24:02Let's see.
24:03Manolo is the most veteran in the shift
24:05and we can't do without him.
24:07Although you should already know that because you control everything in this factory.
24:10In the night shift, we need workers who are worth three and he is the best.
24:15Well, more than enough reason to be able to compensate that poor man, don't you think?
24:18No, the only thing that has to be compensated here is the work,
24:20which has to go ahead every day.
24:23Are you serious?
24:25Do I look like a joke?
24:26No.
24:27But making the workers happy is important, Joaquín.
24:29Well, Tassio, that's enough.
24:31Okay? Your job here is to do the work that I send you, without joking.
24:34Is that clear to you?
24:35Perfectly.
24:36Let him be and limit yourself to doing a job, please.
24:39Can I continue with mine?
24:40Yes, yes, of course.
24:41Very well, thank you very much.
24:43Get to work.
24:44Yes.
24:45Hurry up.
24:50What a jerk.
24:52Jerk.
25:07You're very distracted today.
25:09The flowers are upstairs, you know that.
25:11So what?
25:12Then they sit down to eat and no one notices how the table is set.
25:15I care.
25:17I want things to go well.
25:19Oh, my God, I can't imagine how gossipy you are going to be on your wedding day.
25:24Thank goodness I'm going as a guest and not as a maid.
25:26Of course you're going as a guest, what else would you need?
25:29Anyway, tell me when the date is approaching.
25:31That way I'll get out of the way.
25:32I don't want you to pay for your nerves with me.
25:36The wedding will be the day after tomorrow.
25:38What?
25:39The day after tomorrow.
25:41It's a joke, isn't it?
25:43No.
25:44How?
25:45See, I was going to tell you at home.
25:48But I've already spoken to the dressmaker, this afternoon I have the proof.
25:51Because if they leave, you'll have to sew as if they were unsewn.
25:55But my goodness, I'm doing the silly thing by folding napkins with the things we have to prepare.
25:59You see, Gemma, how can I not tell you anything?
26:01There is still a lot to do here.
26:03Come on, Tere can serve dinner perfectly alone.
26:06And I have to talk to my dressmaker, I have to get Joaquin's suit.
26:09We have to decide many things, the arrangement of the tables, the flowers.
26:12Please, I'm so nervous.
26:13Gemma, stop it, you're making me hysterical.
26:15You're going to be the first bride to enter the church with her feet in front.
26:18No, no, no, I'm not kidding about that, please.
26:27What did you have to tell Begoña?
26:30Begoña had to know.
26:31To stop feeling guilty for the loss of that child who never existed.
26:34Look, if she really felt guilty, she would stay away from you.
26:37And I wouldn't let you tell her confidences.
26:41What confidences?
26:43The whole family has suffered because of that false pregnancy.
26:46And everyone should know that it's a lie.
26:48Admit that you have left me in a very bad place.
26:50No, you have only put yourself in evidence.
26:52Trying to force Jaime to keep the secret from you.
26:55When he was about to die.
26:57He could have been between us, we are husband and wife.
26:59I share my worries with whoever I consider.
27:01As much as we are married.
27:03You will never forget her.
27:05That belongs to my intimacy.
27:07And you have no right to ask for explanations.
27:11Andres is still my husband.
27:14Until death do us part, remember?
27:17Only in front of others.
27:20What do you mean?
27:22What you hear.
27:24That lie of yours has marked a before and after in our marriage.
27:29I want everything to be perfect.
27:32With all that we have already gone through in this family.
27:35You too.
27:38That we deserve a beautiful day.
27:40Despite the sadness that Julia can't be.
27:44Isn't the girl coming?
27:46Her father doesn't give his arm to twist.
27:49He says he has to adapt to the boarding school and it's better if he doesn't come.
27:52Poor Julia.
27:54Damien is willing to force him to bring her.
27:57But I don't want to take a risk.
27:59Knowing him, I can set up a number in the ceremony with the girl in front.
28:02By the way, I have to write to him.
28:04I'm sure he's waiting for an answer to the beautiful letter he sent me.
28:08And what does it say? Is it okay?
28:10Yes, it's okay.
28:12He says he misses my cookies a lot.
28:14That means he misses us all a lot.
28:16And I'm sure he's waiting for an answer to the letter he sent me.
28:18And what does it say? Is it okay?
28:20Yes, it's okay.
28:21He says he misses my cookies a lot.
28:23And I'm sure he's waiting for an answer to the letter he sent me.
28:25And he says he misses my cookies a lot.
28:27And I'm sure he's waiting for an answer to the letter he sent me.
28:33What a joy!
28:34You're laughing in this house today.
28:36Let's not laugh at the things Julia has written to me in her letter.
28:39Let's not laugh at the things Julia has written to me in her letter.
28:41Has she received a letter from Julia?
28:43Yes.
28:44Like you, right?
28:46Teresa told me she wrote to both of us and her father.
28:54Gemma, can you go put the napkins in the living room, please?
29:07Didn't she give you your letter?
29:12She must have forgotten it.
29:14I'll ask her now.
29:17Begoña...
29:19What...
29:23What's on your neck?
29:25I must have scratched myself last night with something.
29:27I'm going to heat up some water for Atila.
29:32Maria, please.
29:34Stop crying.
29:36You know perfectly well what's going on.
29:38What's going on?
29:40Andrés, our marriage was a mess long before I came up with anything.
29:44Even before we got married.
29:47And it's all because of that dead mosquito.
29:51What? Are you going to deny it?
29:53You're right.
29:55I made a huge mistake when I asked you to marry me.
30:01I hoped that one day I would...
30:04What?
30:06That you would love me? Really?
30:09I've tried everything to make this work and make you happy.
30:13But with what you've done, it's impossible. I can't.
30:17And what are you going to do?
30:19Deny me?
30:21Get rid of me so you can be with her?
30:23Maria, please, don't be silly.
30:25Tell me the truth. What are you going to do?
30:27Nothing.
30:29Pretend that everything is fine, like you've done.
30:32And what I do from the inside out is none of your business.
30:37We're still a marriage in the eyes of God.
30:40You're talking to me about God with everything you've done?
30:43Well, at least I'm not unfaithful to you.
30:45On the contrary, I did everything for you.
30:48Andrés, it would have been enough for you to look at me just once,
30:51like you look at her, to make me happy.
30:53Even if you don't believe it, Maria.
30:55I... I've loved you.
30:58I was willing to do anything for our marriage.
31:01You were?
31:02Yes.
31:05So there's nothing left to do.
31:08So there's nothing left to do.
31:19Very well.
31:23Well, if this is what it is,
31:27life doesn't make sense to me.
31:33I'd rather be dead than live without you.
31:37I don't need more TV sets for anyone to believe you.
31:40Because you don't lie to me anymore.
31:42I swear it's the truth.
31:44And what are you going to do?
31:47Jump off the balcony instead of the stairs?
31:50I'm sure you know the way to get up
31:52without getting any scratches.
32:08Come in.
32:12Don Damián.
32:14Father, thank you very much for coming.
32:17I've already told you that I could have come closer to the chapel without any problem.
32:21Would you like something to drink?
32:23No, no, I'm fine, Don Damián. Thank you.
32:25I was just about to go out and stretch my legs
32:28while I was praying the rosary.
32:30So don't talk anymore and tell me
32:32if you need anything.
32:34It's about the wedding.
32:36Dina and I want it to be over tomorrow at sunset.
32:39As soon as possible?
32:41And why wait any longer?
32:43But her son-in-law just died.
32:46Well, yes, that's the only reason
32:48why we thought of delaying it,
32:50but in the end we thought
32:52it would be best to do it as soon as possible.
32:55In that case, I'll have to cancel all my activities
32:58to be able to officiate the wedding.
33:00In that case, I'll have to cancel all my activities
33:02to be able to officiate the wedding.
33:04Or do you prefer that I marry you another one?
33:08We were counting on you, Father.
33:10After all, he is the parish priest of the colony
33:13and he is also the priest who knows us best.
33:16I would have liked Mateo to help him,
33:19but I already understand that he is leaving that same afternoon.
33:22Indeed, Rhodesia is waiting for him.
33:24Thank you for your trust.
33:26Have you already hired the florist?
33:29Excuse me?
33:30The flowers?
33:31I have to know when they are going to decorate the chapel.
33:34Ah, of course, the flowers, yes.
33:36Well, I hadn't even thought of that.
33:38Well, I'm sure Digna has everything under control,
33:41but don't forget to call me to be aware.
33:43It's going to be a very simple ceremony, just the family.
33:46Even so, I hope I haven't forgotten any details.
33:49The mundane procedures are the flowers, the clothes,
33:52the rings, the arras, the invitation,
33:54although for me the important thing is something else.
33:57Yes, the religious ceremony, I imagine.
34:01No, no, that is also secondary.
34:03The primordial thing is how the future spouses present themselves before God,
34:07the cleansing of their souls.
34:09Are they both going to present themselves before the Most High free of sin?
34:13Don't go too far, Father, we're not for nonsense.
34:16Obviously you mean what I confessed to you on your day about Gervasio.
34:20That is already forgiven, son.
34:22Yes, but I can't help but feel guilty before Digna and her children.
34:28The happier I feel with her, the more I regret what I did.
34:36That's because you're still inciting sin.
34:42What do you mean?
34:46Everything that caused Gervasio's suicide.
34:50His family lost their inheritance and were left at your expense.
34:54And that's something you haven't fixed yet, Mr. Damián.
34:57We have to rectify and repair the damage caused to complete forgiveness.
35:03And you know you can't marry Digna without having done justice to them.
35:07It's still time to finish off all the details you have pending.
35:12Tell Digna that I will receive a thousand loves to confess to them.
35:16So they can take communion in the ceremony.
35:21Well, I'm leaving.
35:31Yes, it would be to pick up the bottles and bring them here to the store.
35:35Great, thank you very much.
35:37Call me, I'll be waiting.
35:40Very well.
35:42I haven't told him about Alvarado.
35:44Well, Carmen, you'll tell him later when he calls.
35:47The truth is that I prefer that some of us go.
35:49So we also leave the bottles here.
35:51Let's see, Carmen, if you want, I'll go.
35:53No, no, no, you with the belly, you're not there, up and down.
35:56Fina, do you care and you?
35:58Oh, no, no, no, of course, I'm going.
36:00Very well, I'm going to get the accounts.
36:02That to all this, only two customers have confirmed.
36:05Oh yes, but don't worry, they always confirm at the last minute.
36:08I said, I'm going to get the accounts, don't distract me there, please, I'm in a mess.
36:19Good afternoon.
36:20Good afternoon, Mateo.
36:21Good afternoon, Mateo.
36:22What are you doing here? Can't you come with me?
36:25I can't even come to buy something?
36:28And what do you want to buy?
36:31This.
36:33But if it's soap for women's faces.
36:36Ah, well, Carmen has told me that you are overwhelmed with work and I would like to help you.
36:42What can I do?
36:44Put the bow on Claudia.
36:47Well.
36:51Let's see.
37:02Is that okay?
37:05Is it good?
37:07Well, well, well.
37:10Well, come on.
37:11Take the tray and finish in the warehouse.
37:24Come on, go.
37:35Come on.
38:06Can I know what you're doing in my office?
38:09I'm looking for Julia's letter.
38:11There is no letter for you.
38:13You have no right to keep it. Where is it?
38:22It's broken.
38:25What?
38:26Why?
38:28You already know.
38:29Don't you want to communicate with her?
38:31Julia needs to adapt to the boarding school as soon as possible.
38:33She needs history.
38:34What the girl needs is to be at home with her family.
38:37That's how you punish me.
38:38But you also punish her.
38:39She is a strong girl.
38:40She will overcome it.
38:41And you, who are an adult, will also do it, right?
38:43But you are aware of what the girl has been suffering for a while now.
38:47Since that bastard kidnapped her.
38:50You have also tried to kidnap her.
38:52And you have put her in danger.
38:54I was trying to save her from you.
38:55And I save you?
38:57Have you thought about it before trying to take her away from here?
39:00Jesus.
39:01You still have time to stop this madness.
39:04If you don't let me have contact with the girl, she will think that I don't care.
39:07And she will suffer a lot.
39:09She would have suffered if you had separated her from her father.
39:11That's me.
39:12But what father?
39:13What father, Jesus?
39:14Have you already forgotten how badly you treated her when you found out that she was not your daughter?
39:16Why do you think I wanted to take her away?
39:18Because you are a selfish person.
39:19You know that's not true.
39:20That's not true?
39:22Prove to me that you are sorry for everything you have done.
39:24And I'll see if I open my hand a little so you can talk to her.
39:27What do you want me to do?
39:29You already know what you have to do.
39:31Another thing is that you are capable.
39:35Tell me at least what was in the letter, please.
39:37I need it.
39:39I have not bothered to read it.
39:43You are a miserable.
39:49Leave the table as it was.
39:51Orderly and with everything in place.
39:56Leave.
40:13Man, come here, man.
40:15Give me a hug.
40:16Congratulations on the access.
40:18Very good.
40:19Now I invite you to a wine.
40:20Okay, thank you very much, Rafa.
40:22Something's wrong with you.
40:24It's because of Carmen's work, right?
40:25That the poor thing can't even stop to eat.
40:28Carmen's thing is to sew and sing, compared to mine.
40:31You know that the schedules of the workers depend on me, right?
40:34It will depend on Joaquín, who is in charge, right?
40:37I am the one who reviews them and the one who passes the quadrant to us.
40:39And not only that, but I have to face the workers and listen to their complaints too.
40:43Come on.
40:44Have you realized that when you climb, you can hurt those who are below?
40:48Yes, I realize.
40:49And now there is Manolo, who wants to change from night shift to day shift.
40:52And the truth is that I am in a dilemma that you do not see.
40:54But what dilemma?
40:55Because Joaquín refuses completely.
40:57He says that there is no one to replace him, that he can do his job.
41:00And there is Quique, who can do it perfectly.
41:02Where there is a boss, there is no sailor.
41:04But let's see, Gaspar.
41:05Didn't I tell you that I'm the one who does the quadrants?
41:07You do it.
41:08Or do you just put what Joaquín tells you in his corresponding box?
41:14Oh, mother.
41:16What have you done, Tassio?
41:19Well, put Manolo in the day shift and Quique in the night shift.
41:22That's it, justice has been done, nothing more.
41:34Jesús.
41:36What's up?
41:37Your sister is about to arrive and I wanted to tell you something that I want the three of you to hear.
41:44Let's see what surprise she has for us now.
41:46I'm not going to disappoint you, don't worry.
41:49Do you want me to put a glass for you while your sister arrives?
41:51No, thank you.
41:53Well, sit down if you want.
41:58She's here.
42:00Marta, take a seat, please.
42:05You may be wondering ...
42:09what this is about.
42:10Well, it is that I have made a decision that affects the three of you very directly.
42:16I'm going to make a change in my will.
42:18We are already.
42:20What kind of change?
42:24As worthy my wife will be.
42:27I want to leave half the company to her when I die.
42:31What did you say?
42:32No, no, he didn't say that.
42:34It can't be.
42:36He's lost his mind, father.
42:39How is he going to leave that whore the same as us?
42:42How is he going to leave that whore the same as us?
42:45Jesus, let him explain himself.
42:47There is nothing to explain, Andrés. He is running away.
42:50But it is incredible that he has let himself be carried away by that woman.
42:52That woman is your aunt and she has never asked me for anything.
42:57It is something that I have been meditating on for a long time because it is fair.
43:02Fair?
43:03Does it seem fair to you to take away the inheritance of your own children?
43:07That when your dear Digna dies, Joaquín and Luis will have more than the three of us for the love of God?
43:12Yes.
43:20Look, Gaspar, if we lose Manolo and he leaves the factory for whatever reason,
43:23we would be losing our best worker and we can't afford it.
43:26You don't know how much work that man raises alone.
43:28I believe that he leaves things as they are.
43:31Or you are the one who leaves the factory, listen to me.
43:33But Gaspar, it is Joaquín who is doing things wrong.
43:35He treats everyone as if they were machines, as much as we said about Jesus.
43:38And I say that Joaquín knows what he is doing, right?
43:40He puts the roosters in front of him and everything works like a shot.
43:43And besides, I don't think he's a bad person.
43:45That's easy to say when you don't have him all day on top of you,
43:47sending you absurd orders.
43:49Look, now I have the opportunity to do things right.
43:51And it's the only thing I try, nothing else.
43:53Fuck off, Estasio.
43:55You messed up a lot last week by falling asleep.
43:59Yes, that was a mistake, I admit it.
44:02But Manolo's thing is a mistake that can be avoided.
44:05Well, let Joaquín be the one who makes a mistake, man.
44:08And stop playing with the squares.
44:10Come on, please.
44:18Man, Manolo.
44:20Do you have a moment to talk?
44:22Sure, you tell me.
44:25You don't have to come to the night shift anymore.
44:29I've given you the shift tomorrow.
44:32Really?
44:33Yes, it was hard for me, but it's done.
44:35Thank you, Estasio, thank you very much.
44:37What a disgrace, man.
44:39You really don't know how happy my wife is going to be.
44:41I'm going home.
44:43I owe you one.
44:45See you tomorrow, Gaspar.
44:47Goodbye, man.
44:55And what about you?
44:57Aren't you going to say anything?
44:59Do you care that they expose us like this, what is ours by right?
45:01Uncle Gervasio sold me his share of the company.
45:04So it is fair that Father now returns to them what has always belonged to them.
45:08This is regrettable.
45:10And you, Marta, do you think the same?
45:12I don't know what to think right now, Jesus.
45:14You can understand that it has been a very long day for me.
45:18What I can say is that perhaps it is a somewhat hasty and risky decision.
45:22Marta is with me.
45:24No, I didn't say that.
45:26I just said that we should think about it.
45:29There is nothing to think about.
45:31Everything is more than thought.
45:33Marta, please.
45:35Let's do something.
45:36We can't let him do this barbarity.
45:38The decision is his and we say what we say, he will do whatever he wants.
45:41Great!
45:43I have two brothers who are in the inopia.
45:45But don't worry, I'll fight for you two.
45:48You can fight whatever you want.
45:50Let's see, Father, I don't care what he says, but we have to talk about it.
45:54I think the fairest thing would be for him to make a fair distribution.
45:57Because the company would not be where it is if Uncle Gervasio was still in charge.
46:00What do you know?
46:02The numbers speak for themselves.
46:04Because we, not them, we have given ourselves the skin to multiply the profits
46:08and to grow as we would never have grown with him.
46:12When your mother died, your uncle Gervasio took care of the company alone
46:18because I was unable to make a single decision.
46:21We survived thanks to him.
46:23And that's why he agreed to buy his share of the company for a misery?
46:26Then he was the one who had a bad time.
46:29He was unable to make a right decision.
46:31And yes, I took advantage of it, if that's what you want to hear.
46:34And now I want to amend it.
46:37Well, bad time for him to get a bad conscience, Father,
46:39because we are the affected, his own children.
46:42The discussion is over, it is already decided, there is nothing more to talk about.
46:45Of course there is more to talk about, this cannot go on like this.
46:48Anyway, Jesus, you can scream, kick, whatever you want, but not here.
46:53My head hurts from listening to you.
46:55Well, he will continue to listen to me.
46:57That I already had to go through the ring when the prodigal son returned
47:00and gave him the same power as me, as if he had worked all his life here.
47:03Andres is as my son as you are.
47:05And that's why I ended up accepting it, but my cousins, no.
47:08My cousins are not going to take a piece of what is mine because I have earned it.
47:14Make it clear that this time he is not going to go out with his father,
47:17even if it is the last thing he does to prevent it.
47:20It is warned.
47:27No.