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00:00:00My Outro For My 20th Birthday
00:00:30My Outro For My 20th Birthday
00:00:40My Outro For My 20th Birthday
00:00:50Hello everyone and welcome to another episode of Sunday at 2pm. Today's guest is the singer Zlatan Stipisic Djiboni.
00:00:59He is also the ambassador of Unicef's Goodwill. We will talk a little bit about what Unicef's Goodwill means,
00:01:05about his social commitment. We will also talk about the latest affair, the fact that Djiboni will not participate in the opening of Starograd Moscow-Mostar.
00:01:13We will talk about the situation on the stage. The question of the show is, who do you prefer to listen to?
00:01:19On the one hand, Ed, his mother and cold beer, and on the other hand, Thompson or Skor.
00:01:25And I have to say something else at the beginning of the show. Voting for this TV survey,
00:01:31you give your vote for the program to prevent violence between children in schools, but more on that later, Djiboni himself.
00:01:40Djibo, today we will talk for almost an hour. You will not sing, is that a problem?
00:01:47Yes.
00:01:49What is harder to talk about?
00:01:51It is harder to talk about.
00:01:53Tell me, I said earlier that you are the ambassador of Unicef's Goodwill. What is the ambassador of Unicef's Goodwill?
00:01:58What does the ambassador of Goodwill do?
00:02:00The ambassador of Goodwill does various things in various countries. It depends on how many in certain countries.
00:02:06Some of my colleagues have a solved economic situation, some things that we do not have,
00:02:13or are better solved in our country than in other nations, so it is quite individual.
00:02:17In some richer countries, it is really just a figure.
00:02:21Specifically, do you convince people that they should give you money?
00:02:26I will tell you, extremely banally, ordinary people choose people who are popular and people who are economically independent,
00:02:34so they do not ask for anything, and they can give you a lot.
00:02:38Everywhere in the world.
00:02:40That's how it is with us, I am a volunteer there, and my job is actually more managerial.
00:02:46At least in our case, to motivate both the people and the people who are from the business, I do not know,
00:02:54that community, to put it that way.
00:02:56Hey, the job is managerial, but you do not look like it.
00:02:58I do not look like it, but I have to swim.
00:03:02And what is good, you find each other, and in fact you convince them to give money for a certain project.
00:03:07Today we are talking about the project of the program to prevent violence between children in schools.
00:03:12We are from 1991, I did not have that obligation, from 1991 to 2003, UNICEF was financed from the Central Bank of the United Nations,
00:03:25but since 2003, it has been decided that Croatia has now stood enough on its feet and can take care of itself.
00:03:35They appointed me, now we have to take care of ourselves.
00:03:38Are you satisfied with the money you collect?
00:03:41Well, as you know, it is quite difficult to motivate people like this, I am satisfied,
00:03:45but I can tell you that I participated in some actions that gave results much faster.
00:03:52Are the ones who have more money more stingy?
00:03:55Yes, they are.
00:03:57How so?
00:03:59Well, I have two feelings about it and two answers.
00:04:06I think that there are good people who are over-motivated,
00:04:09because they are really asked by all sports clubs, all my colleagues,
00:04:13and my colleague has 1,200 in the union, you can imagine when someone asks you for something every day.
00:04:18So, there are good people, but unfortunately, there is a reflex that does not listen to you until the end.
00:04:26I see it from the perspective of another person who gives, asks for money,
00:04:31and there are people who simply do not have that chip that it is their thing,
00:04:39it is the thing of some other people and it is good for them.
00:04:42Yes.
00:04:43They have their villas, they have good cars, rims.
00:04:47Well, does that make you angry?
00:04:50Well, you know, it can make you angry for 10 minutes, but if you have some lasting feeling, then it will calm you down.
00:04:55You see that it is rich and rich.
00:04:57It will calm you down.
00:04:59Do you sing along with those actions?
00:05:03Well, because in a way it is, to be honest, the fastest way.
00:05:07The fastest way is to motivate 5-6 fans who are more or less the same.
00:05:13Nina Balec, Diva, Soliver, Teddy, and so on.
00:05:17These are people who always respond.
00:05:19TBF, who respond, and I think they would like to be with the fans,
00:05:23there are certainly a lot of beautiful people far from the ballet, who respond and a concert is made.
00:05:29But I think that in our case it is about the fact that we are not there just to sensitize the public,
00:05:35as Madonna does in America, but we actually solve the problem.
00:05:40We don't send other money, but the money to charity.
00:05:45That's what is not very good.
00:05:48Igor Roginek emailed to the president of the NGO Mladi Kutinek.
00:05:54Now he asks, why Zlatan Stipisic-Dzibonik, the ambassador of goodwill,
00:05:58did not come to Kutin to protest against prejudice,
00:06:01to express public support to HIV-infected girls Eli and Nini.
00:06:05And now he continues to explain.
00:06:07From UNICEF, they first justified themselves with late flights to Split,
00:06:10but the 100-minute explanation did not satisfy us,
00:06:12so in the end they admitted that Dzibonik thought it was better not to come to Kutin,
00:06:15because he is a very sensitive person, so he does not know how to react
00:06:18if someone accuses him of something about those parents.
00:06:20Well, I know that they know me this way, as well as from the UNICEF headquarters,
00:06:24to protect, but maybe not in the right way.
00:06:28In fact, the real reason was that I did not know what to do at that moment.
00:06:32UNICEF has its own program that says that children should be kept away from publicity
00:06:41so that they can develop normally.
00:06:44I think that's right.
00:06:47And again, given the profession I belong to,
00:06:50that I am a musician, I hope a rock musician,
00:06:53although it is not recognized as a pop musician,
00:06:56but it does not matter.
00:06:59I feel a great need, and my team is present,
00:07:02so if nothing else, at least as someone who will pay the ticket.
00:07:05So it's not adequate pressure.
00:07:08Is it true that because of your sensibility, as they say?
00:07:11No, because of my sensibility, I am trying to calm myself down,
00:07:16because I feel invited and invited,
00:07:20and in some way to be present,
00:07:23and in some way to be satisfied with the publicity,
00:07:26I am going without it.
00:07:29I was in Kutin and it was totally private.
00:07:32I asked the members of Oblak how they can help,
00:07:35they told me specifically how they can help,
00:07:38and I specifically helped, and I will always do that.
00:07:41But there was not a single editorial office behind me,
00:07:44normally we exist.
00:07:47Let's talk about the program.
00:07:50Unfortunately, I am not that kind of person,
00:07:53and it is not my wish to be a diplomat,
00:07:56but sometimes based on experiences,
00:07:59which are totally new for us,
00:08:02we have tried to look smarter than us,
00:08:05and people who have had longer experience related to that,
00:08:08and somehow it seems to us that this experience,
00:08:11and Italy specifically, where there are children,
00:08:14anonymous, no one knows what they are doing,
00:08:17except for the principal of the school,
00:08:20which is not him,
00:08:23they are free of physical responsibility,
00:08:26under some other justification,
00:08:29and the most normal thing is to finish school,
00:08:32and go to school.
00:08:35Yes, maybe it is better not to pay so much attention.
00:08:38And there is one more thing,
00:08:41we all have a common enemy,
00:08:44the virus,
00:08:47and we can solve it for each other,
00:08:50if we educate ourselves properly,
00:08:53and someone tells us that the virus will die in 13 seconds,
00:08:56that it can only be transmitted in this way,
00:08:59and nothing else,
00:09:02but you know, we lack that,
00:09:05and in the end I lack that,
00:09:08and I think it is the same in the last half of the year.
00:09:11Here we are talking about the program to prevent violence in schools,
00:09:14here is a colleague of Jelena,
00:09:17I would like to ask you something.
00:09:20Good morning, Jelena VuÄiÄ,
00:09:23you are fighting against child violence in schools,
00:09:26and you once said that you admitted that you were making a living on others,
00:09:29but that others were making a living on you.
00:09:32Did that leave any consequences on you,
00:09:35Well, listen,
00:09:38it sounds a bit unwise,
00:09:41but I was asked if I was malicious,
00:09:44and I said that I was malicious,
00:09:47but that I was malicious.
00:09:50This is not an example of a statement,
00:09:53but it was said in a way to drown the situation.
00:09:56I did not want to talk about myself in a way,
00:09:59I am not the happiest when I am pathetic.
00:10:02I think that we are not all from the same material,
00:10:05and that is the truth.
00:10:08If we all knew what was going to happen,
00:10:11someone would not register it in the children.
00:10:14Something later turns into an anecdote that is remembered,
00:10:17something later turns into a small complex in some children,
00:10:20all the same thing does not withstand long-term consequences.
00:10:23I think that our fight against UNICEF
00:10:26is that we have children,
00:10:29that we try to create an atmosphere
00:10:32for those who are the most sensitive,
00:10:35and for those who are made of the softest material.
00:10:41Children know how to be cruel,
00:10:44as we did.
00:10:47Absolutely.
00:10:50Now you say that I was malicious,
00:10:53and I was malicious,
00:10:56but I would not say that I am not.
00:10:59To be honest, I am not a bad person.
00:11:02I am not a bad person,
00:11:05but I am a bad person.
00:11:08I am a bad person,
00:11:11but I am a bad person.
00:11:14In Dalmatia and Sicily,
00:11:17you get more and more physical abuse.
00:11:20In Dalmatia and Sicily,
00:11:23you get more and more physical abuse.
00:11:26Yes, I hope so.
00:11:29Colleague Hrvoje Hrengik made an article about Zlatan StipeÅ”iÄ.
00:11:32Let's watch it.
00:11:53In the song Dalmatino poviÅ”Äu pritrujena,
00:11:56a kind of Dalmatian anthem,
00:11:59was written by Ljubo StipeÅ”iÄ,
00:12:02a poet, composer, melographer, and Djibonije's father.
00:12:05In the split, they know the saying
00:12:08that he did not do anything but that song,
00:12:11he did a lot.
00:12:14With the peaceful father Ljubo,
00:12:17little Zlatan grew up surrounded by music
00:12:20I told him,
00:12:23son, always
00:12:26listen to the speaker,
00:12:29stop for a moment,
00:12:32you can't get carried away,
00:12:35because when you get carried away,
00:12:38then our mental system,
00:12:41then it doesn't function.
00:12:44Ljubo's father never called him
00:12:47Zlatan StipeÅ”iÄ,
00:12:50he called him Djibo.
00:12:53He started playing heavy metal
00:12:56when he was 8 years old.
00:12:59He spent a year in Germany,
00:13:02in V2 band,
00:13:05and when he came back,
00:13:08he sang in Divlje Jagode.
00:13:11He met guitarist Bruno KovaÄiÄ
00:13:14and became friends with him for a long time.
00:13:23From nothing,
00:13:26from the fact that the two of us
00:13:29performed with guitars
00:13:32in front of 20 guards,
00:13:35I remember,
00:13:38until a few months later,
00:13:41I still remember him.
00:13:44At the beginning of the 90s,
00:13:47he was the most sought-after lyricist.
00:13:50He wrote hits for Dini Dvornik,
00:13:53Severini, Doris DragoviÄ, Oliver.
00:13:56The Empress crowned him among immortals.
00:13:59With each new album,
00:14:02he grew older and attracted more and more audience.
00:14:05Somewhere around his 23rd, 24th year,
00:14:08I remember his poems,
00:14:11which often included
00:14:14some psychological moments
00:14:17of our adult lives.
00:14:23Djibo is the biggest star
00:14:26of the Croatian scene.
00:14:29Today, if you want to be popular in Croatia,
00:14:32everyone has to listen to you.
00:14:36Djibo is a true Split man.
00:14:39He feels the city,
00:14:42dedicates his poems to it and bows to it.
00:14:45Split, unfortunately,
00:14:48has made him available to everyone.
00:14:51UNICEF has hired him
00:14:54as the ambassador of goodwill,
00:14:57the first in Croatia.
00:15:00It is an honor,
00:15:04I don't know,
00:15:07it's hard for me to talk about him objectively.
00:15:10He is a good spirit of Split.
00:15:13His poems have a soul.
00:15:16His concerts have
00:15:19a breath of adrenaline.
00:15:22He writes great poems.
00:15:25I feel that I stand behind them,
00:15:28that he is not a calculator.
00:15:31When it comes to work,
00:15:34those who have worked with him
00:15:37say that he is a perfectionist
00:15:40who is not ready for a compromise.
00:15:43Djibo is a nervous guy
00:15:46who tries to hide it.
00:15:49He wants to change,
00:15:52but from the outside it seems
00:15:55that everything is calm.
00:15:58Djibo's new album has been awarded
00:16:01with 15 awards.
00:16:04The number of fans is growing.
00:16:07His music gives hope.
00:16:10It's very hymnal,
00:16:13and that's what I like.
00:16:16I would separate his temper
00:16:19and I would separate it
00:16:22because he is very close to me,
00:16:25and that's what I like.
00:16:29The album Miracule,
00:16:32most critics and musicians
00:16:35called it a production miracle,
00:16:38and no Croatian musician
00:16:41has reached the top.
00:16:44He showed that he can record an album
00:16:47according to the world standards.
00:16:50He said that he wouldn't make a new album
00:16:53if it wasn't better than Miracule.
00:16:57I would send him to a music diet
00:17:00to listen only to Norah Jones
00:17:03or some horrible simple things.
00:17:06I would lock him in the studio
00:17:09without NikÅ”a BratoviÄ,
00:17:12without StefanoviÄ,
00:17:15without KaÄe, Levin, Pina Palladina,
00:17:18with a piano, guitar, drums and bass
00:17:21and I would absolutely forbid him
00:17:24to make all those huge arrangements.
00:17:27I think that Djiboni would make a record
00:17:30that would surprise those who don't like him.
00:17:33One of the hits from Djiboni's last album, Miracule,
00:17:36is the song about forgiveness.
00:17:39So that Djiboni wouldn't be bored
00:17:42until the new album was made,
00:17:45his song took care of it.
00:17:48In the last three months,
00:17:51Djiboni wanted to be in the show.
00:17:54He wanted Djiboni to sing it himself.
00:17:57He announced it to the public before him.
00:18:00One of the things I wanted to happen
00:18:03here on the bridge and under the bridge
00:18:06was the performance of Djiboni's beautiful song
00:18:09about forgiveness.
00:18:12Without any political or other incitements.
00:18:15Before the performance started,
00:18:18Djiboni had some health problems.
00:18:21The director didn't give up on the song
00:18:24and wanted Kambi to sing it.
00:18:27Kambi agreed and gave up.
00:18:30They should come to the bridge
00:18:33so that they would have problems
00:18:36coming back and so that the public
00:18:39would have an unfavorable situation.
00:18:42According to the director Kupusovic,
00:18:45Kambi didn't want to sing about forgiveness.
00:18:48But they gave up too.
00:18:51If no one from Croatia,
00:18:54maybe someone from Mostar would.
00:18:57The director wanted to engage
00:19:00the National Mixed Mostar Choir.
00:19:03Then it came to the Presidency of Bosnia and Herzegovina.
00:19:06I assume that the Croatian representatives
00:19:09demanded from the director
00:19:12to leave the song.
00:19:15At the opening of the bridge,
00:19:18Pavarotti, Kemal Monteno,
00:19:21was supposed to perform.
00:19:24There were supposed to be
00:19:27a lot of world famous people,
00:19:30even an American president.
00:19:33The best reaction of our Presidency,
00:19:36journalists, politicians,
00:19:39would be for Mr. Djiboni
00:19:42to appear under the bridge
00:19:45over his health problems.
00:19:50The situation is unpredictable.
00:19:53Djiboni could lose something
00:19:56in the eyes of the public.
00:19:59But as they say,
00:20:02he is not only an artist,
00:20:05but also a marketer.
00:20:08He could be creative.
00:20:25Djibo, it could be easier to die
00:20:28than to say sorry to people.
00:20:31You see?
00:20:34What's the matter?
00:20:37I don't know how many people
00:20:40are interested in the truth.
00:20:43The truth is benign.
00:20:46I was in the hospital in March,
00:20:49when I came out three days later.
00:20:52They called me from the Rotary Club.
00:20:55Mostar was singing
00:20:58to celebrate the renewal of the bridge.
00:21:01Dino Merlin and I would sing
00:21:04and I said, listen, my friend,
00:21:07I don't have a band,
00:21:10I don't know what my diagnosis looks like,
00:21:13I don't know where I'm going to therapy,
00:21:16I can't focus on that right now,
00:21:19I don't have a commercial gig,
00:21:22and I'm trying to do it.
00:21:25I never close my doors,
00:21:28I don't let anyone find me,
00:21:31and they suggested a gig in the fall.
00:21:34It was always for kids,
00:21:37or for music schools.
00:21:40They said it was a great idea.
00:21:43At the fifth month,
00:21:46I got a call from Mr. Matic.
00:21:49He said that he really wanted to be there.
00:21:52He said there would be a lot of
00:21:55famous musicians from all over the world.
00:21:58I'm not your president, you know. I'd like it to stay at the level I deal with,
00:22:08whether it's music or something related to humanitarian issues.
00:22:15Let's...
00:22:16You know, politics and all that.
00:22:18That's it.
00:22:19Then it somehow distanced me, but it doesn't matter.
00:22:21Did you experience it as if you were supposed to talk to someone?
00:22:24No, I didn't. It's been six months now.
00:22:31They called me a yellow card.
00:22:33I don't know if I saw the website,
00:22:36if I saw the daily news,
00:22:38but I don't think I did.
00:22:40There's already this idea that I have to talk to someone,
00:22:45and I'm invited to a rock concert every hour.
00:22:50Now I have to talk in the name of the Croatian people,
00:22:57which is the bridge that's been destroyed.
00:23:00In fact, everyone had an opinion about it before me,
00:23:03and I really didn't know about it.
00:23:05Djibo wrote a song about it.
00:23:07I have to say that all of this puts a lot of pressure on me.
00:23:10As a person, I'm not the kind of person who is a diesel engine.
00:23:17You know, there was a war in Bosnia,
00:23:19and I'm the kind of person who lived in Sarajevo in 1989,
00:23:22and I know how to send food to my friends,
00:23:25and I know how to send food to Marko.
00:23:28I don't know, I don't know how to send food.
00:23:30I mean, I can't understand at all why they called me.
00:23:33Well, if someone had to talk about it,
00:23:35it wouldn't have to be you anyway.
00:23:37No, no, I don't think so.
00:23:41All in all, it's not a problem that it didn't end at this level.
00:23:46It's a problem that it ended at a human level,
00:23:48how I functioned.
00:23:50I was a singer, I was a wild strawberry.
00:23:53I mean, we were all different nations,
00:23:56it doesn't matter.
00:23:58I mean, I can't understand the dimension of this conversation.
00:24:01Because this is something that,
00:24:03to be honest, I can talk about anything,
00:24:06but I think this is a situation that has grown on me,
00:24:10because this is a chess game,
00:24:13and a man has to be brave and smart about what he does.
00:24:16All in all, I don't have any intentions,
00:24:18but good ones.
00:24:20I don't understand science.
00:24:22What do you say, during the preparation of the show,
00:24:24I received e-mails from people from Bosnia and Herzegovina.
00:24:26Some of them support you, of course,
00:24:28as always, people share everything.
00:24:30However, those who don't support you,
00:24:32I assume they are Bosnians,
00:24:34say they didn't expect you to be a crazy Croatian nationalist.
00:24:36Does that bother you?
00:24:38Listen, you know what?
00:24:40I played, and I will continue to play,
00:24:42if I'm not unwanted.
00:24:44Everything is possible.
00:24:46Everything is possible.
00:24:48I can be unwanted today, tomorrow,
00:24:50and I will certainly receive such e-mails.
00:24:52I had 8,600 in Sarajevo,
00:24:54in Mostar 11,500,
00:24:56in Tuzla 4,500,
00:24:58in BihaÄ 3,000.
00:25:00I can't count them all.
00:25:02I think I was even more popular there.
00:25:04Does that bother you?
00:25:06Yes, it does.
00:25:08I could die if I'm sued.
00:25:10I don't want to be wrong,
00:25:12but I really think
00:25:14that I'm not the kind of person
00:25:16who, when he draws attention,
00:25:18is the one who does it.
00:25:20I would like the press to find out.
00:25:22I think that's the thing that bothered me the most.
00:25:24If the press finds out
00:25:26that there have been some conversations,
00:25:28then someone would probably listen to my advice.
00:25:30I would say that there are fantastic composers,
00:25:32such as Alfie Cabillo,
00:25:34who has a beautiful song.
00:25:36I don't know,
00:25:38Zdenko ArvoniÄ,
00:25:40Viro Ljubav.
00:25:42There are some great composers.
00:25:44Another message?
00:25:46A colleague from Novi List
00:25:48said,
00:25:50let Džibo sing in Mostar
00:25:52so that you don't become
00:25:54just one of your miscreants.
00:25:56OK, let him become one,
00:25:58but he doesn't know what he's talking about.
00:26:00Maybe he's doing it on purpose,
00:26:02but there are intelligent people
00:26:04who have to read the lyrics
00:26:06and maybe they didn't get into the beat.
00:26:10This is actually
00:26:12a no-win position.
00:26:14I'm the only loser here.
00:26:18A colleague from Jelena
00:26:20wants to ask you something.
00:26:22She's waiting.
00:26:24Kristina, sorry.
00:26:26Kristina ValiÄ, good afternoon.
00:26:28I'm interested in another song
00:26:30about Neoproste.
00:26:32Would you sing it in Mostar?
00:26:34I don't know.
00:26:36I don't think this song
00:26:38has reached
00:26:40the level
00:26:42of precedence.
00:26:44I mean,
00:26:46it doesn't have to be
00:26:48called Neoproste,
00:26:50it could be called Libar.
00:26:52There are some great songs,
00:26:54Tempera,
00:26:56but I don't know
00:26:58what it would mean
00:27:00if I composed it.
00:27:02I wouldn't be happy.
00:27:04You know,
00:27:06I'm not the type
00:27:08to play around.
00:27:10This is a big
00:27:12political crisis.
00:27:16I didn't challenge it.
00:27:18There are people
00:27:20who love this song,
00:27:22and they see it there.
00:27:24It would be great
00:27:26if it didn't appear
00:27:28in the newspapers.
00:27:30So,
00:27:32you wouldn't sing it
00:27:34in Mostar?
00:27:36I wouldn't.
00:27:38I mean,
00:27:40I would, but
00:27:42I wouldn't sing it
00:27:44in Mostar.
00:27:46I would sing it
00:27:48for children,
00:27:50regardless
00:27:52of nationality.
00:27:54You didn't answer
00:27:56my question.
00:27:58It's a political question,
00:28:00but you can answer it
00:28:02as a citizen.
00:28:04I would answer it
00:28:06as a citizen.
00:28:08It's not my job
00:28:10to be so competent.
00:28:12I don't know,
00:28:14Willy Brandt went to Israel.
00:28:16Some important things
00:28:18were done by the ministers
00:28:20of foreign affairs
00:28:22and the president of the state.
00:28:24I don't know,
00:28:26maybe the most moral
00:28:28of all British people
00:28:30was the group Clash.
00:28:32I don't know,
00:28:34they went to Falkland.
00:28:36I don't know
00:28:38if George Balashevich
00:28:40is the most moral
00:28:42of all people
00:28:44in Yugoslavia.
00:28:46I don't know.
00:28:48What do you think?
00:28:50Should Balashevich
00:28:52come to Yugoslavia?
00:28:54I don't know
00:28:56who is good-willed
00:28:58and who is not.
00:29:00For example,
00:29:02good-willed economy,
00:29:04love,
00:29:06no one can stop it.
00:29:08I think the song
00:29:10is good-willed.
00:29:12The most difficult
00:29:14situation in my life
00:29:16is when someone
00:29:18shares my song.
00:29:20My wife got married
00:29:22and she opened the song.
00:29:26I'm kidding.
00:29:28Don't joke,
00:29:30it's fantastic.
00:29:32I imagine the situation
00:29:34when he comes
00:29:36and the song is written
00:29:38by his wife.
00:29:40In Bosnia and Herzegovina,
00:29:42in Croatia,
00:29:44in Slovenia,
00:29:46in Romania,
00:29:48there are good-willed people.
00:29:50What can I say?
00:29:52I hope they are good-willed.
00:29:54They are calling
00:29:56to our TV survey.
00:29:58We had some problems
00:30:00with the interview.
00:30:02We didn't get the results.
00:30:04We are getting them now.
00:30:06Shkoro Thompson,
00:30:08around 1,500 votes,
00:30:10Edo Majka,
00:30:12cold beer,
00:30:14around 1,000.
00:30:16I want to emphasize
00:30:18that this is a program
00:30:20to prevent violence
00:30:22between children in schools.
00:30:24What does faith and nation
00:30:26mean to you?
00:30:28You are now
00:30:30declared a nationalist.
00:30:32Of course, you didn't want
00:30:34this to happen.
00:30:36What does faith and nation
00:30:38mean to you?
00:30:40It's not the same for me.
00:30:42In a way,
00:30:44I think
00:30:46I was lucky
00:30:48to have a quick father
00:30:50and a quick mother.
00:30:52They really
00:30:54answered me
00:30:56in every way
00:30:58possible.
00:31:00I experienced faith
00:31:02as a bridge,
00:31:04as a symbol
00:31:06of tolerance.
00:31:08I believe,
00:31:10not out of habit,
00:31:12but out of deep faith
00:31:14in the teachings
00:31:16of Jesus of Nazareth.
00:31:18Do you judge people
00:31:20by their faith?
00:31:22Do you?
00:31:24It's not the same thing.
00:31:26It's not the same thing.
00:31:28I think that faith
00:31:30in its core
00:31:32is extremely tolerant.
00:31:34When it appeared,
00:31:36and what that teaching
00:31:38was like,
00:31:40compared to the state
00:31:42of Palestine 2,000 years ago,
00:31:44and what God
00:31:46preached,
00:31:48it's something
00:31:50extremely tolerant.
00:31:52Let's talk about Croatia.
00:31:54Do we lack tolerance?
00:31:56No, we don't.
00:31:58We don't lack it.
00:32:00Where do you see it the most?
00:32:02At home.
00:32:04You can start a conversation,
00:32:06find a friend,
00:32:08start a conversation
00:32:10about anything,
00:32:12about rims, tires,
00:32:14Ultimastro,
00:32:16the Croatian national team,
00:32:18anything.
00:32:20But if you start with
00:32:22some ideology,
00:32:24politics,
00:32:26it ends up being
00:32:28very temperamental.
00:32:30I think it starts
00:32:32at home,
00:32:34in the streets,
00:32:36in cafes,
00:32:38and you show your opinion,
00:32:40and you enter a conversation.
00:32:42Well, if I could get a shoe,
00:32:44I would go to the gym.
00:32:46But if I see people,
00:32:48civilization,
00:32:50I would go to any conversation.
00:32:52Why, I ask you,
00:32:54people can't look at each other
00:32:56through faith and nation,
00:32:58who is the father of Serbs,
00:33:00who is the mother of Muslims.
00:33:02I quote you.
00:33:04From 1994.
00:33:06It shouldn't be the main thing.
00:33:08Nice, thank you for correcting me.
00:33:10You lived abroad,
00:33:12now we are on the topic of tolerance.
00:33:14Is it better abroad,
00:33:16or do we just think it is better in Germany?
00:33:18I lived in one of the most
00:33:20extreme situations
00:33:22in Western Europe.
00:33:24I lived in Kreuzberg,
00:33:26that was a quarter in Berlin,
00:33:28I don't know if it still exists.
00:33:30At that time, I'm talking about
00:33:321988-1989, it was a quarter
00:33:34of a quarter of a quarter.
00:33:36It was a demolition,
00:33:38and they couldn't demolish it.
00:33:40It was a quarter of a quarter of a quarter.
00:33:42It had no water,
00:33:44everyone was anarchists.
00:33:46If the police would come,
00:33:48there would be such demonstrations,
00:33:50but it wasn't possible.
00:33:52The German law had
00:33:58a clause,
00:34:00that whoever was born in Berlin
00:34:02didn't have to serve military service,
00:34:04and whoever was born in Berlin
00:34:06until the age of 16
00:34:08didn't have to serve military service.
00:34:10Everyone who had a plan
00:34:12to not serve,
00:34:14lived there.
00:34:16It was a situation that existed
00:34:18everywhere.
00:34:20Without the law, it was there.
00:34:22Is there tolerance without the law?
00:34:24Yes, there is.
00:34:26People share it,
00:34:28they know who belongs to whom.
00:34:30It may sound banal,
00:34:32but it's true,
00:34:34people are suckers.
00:34:38You say that you are
00:34:40a civil movement.
00:34:42What does it mean to you?
00:34:44It's a dialogue.
00:34:46I don't believe that there is
00:34:48a left or a right,
00:34:50that there is a division of labels.
00:34:52They always take you to the ghetto.
00:34:54There are people who know
00:34:56how to talk,
00:34:58so there is a bond.
00:35:00If someone orders something
00:35:02that you don't eat,
00:35:04you don't give it to Perun,
00:35:06you let him eat it.
00:35:08There is a dialogue.
00:35:10I don't think that's all.
00:35:12Is Thompson a man of dialogue?
00:35:14Why now?
00:35:16He is my colleague.
00:35:18I know him.
00:35:20Maybe you are grateful
00:35:22that I ask you this.
00:35:24We are not connected.
00:35:26I know him since 1991,
00:35:28when he sang the song
00:35:30Äavoglava.
00:35:32We were in the same company.
00:35:34Skalinada.
00:35:36It was a great situation.
00:35:38I had a lot of songs
00:35:40that no one knew.
00:35:42He had one song that everyone knew.
00:35:44It was from a radio station.
00:35:46We sent it to a concert together.
00:35:50Do you see
00:35:52on which line
00:35:54of the song
00:35:56you are happy?
00:35:58With Thompson's
00:36:00political messages?
00:36:04With whom?
00:36:08I respect him a lot
00:36:10as a Croatian defender.
00:36:14I respect every man
00:36:16who was in the war.
00:36:18It is a situation
00:36:20that no country
00:36:22in our history
00:36:24can be more difficult
00:36:26than the war.
00:36:28But politically,
00:36:30it is the South and the North Pole.
00:36:32And him?
00:36:34I think so.
00:36:36I give him a hand,
00:36:38he gets a son,
00:36:40I give him happiness.
00:36:42He is a warm person to me.
00:36:44Are you careful when you talk about Thompson?
00:36:46Why not?
00:36:48I don't know.
00:36:50Is it allowed
00:36:52not to talk about you?
00:36:54I don't know.
00:36:56Maybe you, Nenad JelankoviÄ.
00:36:58You have a colleague
00:37:00who is probably
00:37:02the best person in the world
00:37:04to have a cup of coffee with
00:37:06and, I don't know,
00:37:08to slice a ham.
00:37:10But there are some
00:37:12political things
00:37:14that are not so close.
00:37:16Jelka ÄuliÄ's music critic
00:37:18says that you and your music
00:37:20opened the channels for Marko PerkoviÄ's progress.
00:37:22Is that true?
00:37:24When you put it like that,
00:37:26it certainly is.
00:37:28It is like an axiom.
00:37:30Maybe someone says
00:37:32that I opened the way
00:37:34for Vladko StefanoviÄ,
00:37:40for singers from Uganda,
00:37:42for drummers from France.
00:37:44I don't know.
00:37:46Do you think it is pointless
00:37:48when you look at it as a paradox?
00:37:50I read him
00:37:52from the inside
00:37:54when he writes badly about me.
00:37:56I usually draw the enemy
00:37:58to my attention.
00:38:00I mean, I know he is old,
00:38:02but he doesn't like me.
00:38:04He doesn't like me,
00:38:06so he has to do it.
00:38:08I don't know.
00:38:10Someone who is smart verbally
00:38:12can say anything.
00:38:14I remember some latin
00:38:16when Igor MandiÄ
00:38:18was sitting
00:38:20at the end of the show
00:38:22and he said
00:38:24that he would be able
00:38:26to beat me
00:38:28if he was sitting there.
00:38:30Because he is smart verbally.
00:38:32I think he is smart
00:38:34in his state.
00:38:36I don't know
00:38:38what is
00:38:40going on
00:38:42in my head.
00:38:44But he beats you
00:38:46because he doesn't like you.
00:38:48You know,
00:38:50I am a tough guy.
00:38:52My friend told me
00:38:54that he would rather
00:38:56live in Mosul
00:38:58and write good news
00:39:00about me.
00:39:02But you have to be mature
00:39:04and be patient.
00:39:06I am not so modest
00:39:08as I look.
00:39:10I am a tough guy.
00:39:12I don't like bad news,
00:39:14but I have to accept it.
00:39:16If I fight for freedom of speech,
00:39:18you have to be a victim
00:39:20too.
00:39:22You can't love everyone.
00:39:24Absolutely.
00:39:26Daniela.
00:39:28Good afternoon, Daniela LonÄar.
00:39:30We have recently heard
00:39:32about the scandal around Severina.
00:39:34How would you react
00:39:36in this situation?
00:39:40She is sitting here.
00:39:42What would she say?
00:39:44I don't know.
00:39:46I am a bit...
00:39:48To be honest,
00:39:50I saw her story
00:39:52and I see that
00:39:54she is happy
00:39:56and it is a happy end.
00:39:58I don't like that.
00:40:00I was surprised
00:40:02but I haven't seen
00:40:04anything like that in a long time.
00:40:06I know thousands of people
00:40:08with thousands of comments.
00:40:10I think that is what
00:40:12interested me the most.
00:40:14Maybe
00:40:16it is not your question,
00:40:18but the power of the Internet
00:40:20has been put
00:40:22on the ceiling
00:40:24for the first time.
00:40:26OK.
00:40:28For now.
00:40:30My agent and I
00:40:32received a reward
00:40:34for 16.000 downloads.
00:40:36It was a million
00:40:38only in Yugoslavia.
00:40:40We received
00:40:42around 400.000.
00:40:44I don't want to talk about it.
00:40:46Do you know Severina?
00:40:48Yes.
00:40:50What message did you send her?
00:40:54I don't know.
00:40:56I tried.
00:40:58We are not that close.
00:41:00I tried to comment
00:41:02as much as I could.
00:41:08I think it is a gentleman's
00:41:10attitude to put out a fire.
00:41:12That was mine.
00:41:14I would like her
00:41:16to survive
00:41:20and to get well.
00:41:22Nicolina.
00:41:24Good day.
00:41:26I am interested
00:41:28in your campaigns.
00:41:30Do you sing for money
00:41:32or for political confidence?
00:41:34I stopped singing
00:41:36at the moment
00:41:38when I knew
00:41:40it was great
00:41:42that I was in Nice.
00:41:44It is great that
00:41:46they ban it.
00:41:48I am an ambassador
00:41:50of my children,
00:41:52HSP and SDP,
00:41:54HGZ and IDS.
00:41:56I was paid for some elections
00:41:58but not for others.
00:42:00I was paid for some
00:42:02because I wanted money
00:42:04but not for others
00:42:06because the elections
00:42:08were not finished
00:42:10as they should be.
00:42:14There are some elections
00:42:16that I didn't even ask
00:42:18for money.
00:42:22I will say it again.
00:42:24Everything was open.
00:42:26I will say it again.
00:42:28This race between
00:42:30Å kora and Tomsom
00:42:32is relatively dead.
00:42:34Å kora and Tomsom are still in power.
00:42:36I will say it again.
00:42:38You vote for this TV survey
00:42:40and give your money
00:42:42for a program
00:42:44about housing in schools.
00:42:46Are all
00:42:48four names
00:42:50in this survey
00:42:52Estrada?
00:42:54Are they
00:42:56Hladno Pivo,
00:42:58Å kora, Tomsom,
00:43:00Estrada?
00:43:02No.
00:43:04Who is Estrada?
00:43:06Estrada is
00:43:08Radijski festival.
00:43:10I think
00:43:12Estrada is there.
00:43:14I think Estrada has its own...
00:43:16What do you call it?
00:43:18I don't know.
00:43:20People ask me
00:43:22when I am the person
00:43:24who knows the most.
00:43:26Or you would like that?
00:43:28How much can I?
00:43:30When they throw me in fire
00:43:32I can't.
00:43:36I am there
00:43:38as a person
00:43:40of sharing.
00:43:42I love this song.
00:43:44I listen to it.
00:43:46I enjoy it a lot.
00:43:48When I have to go somewhere
00:43:50I don't want to go.
00:43:52We Dalmatians have a saying
00:43:54but it is not for TV.
00:43:56For people like that.
00:43:58Maybe you will only understand in Dalmatian.
00:44:00What do you say?
00:44:02You have a dialect.
00:44:04I would fart and squeeze.
00:44:06It is not a dialect.
00:44:12Let's say
00:44:14that I am serious.
00:44:16You say
00:44:18that Estrada is only
00:44:20from time to time.
00:44:22How many artists
00:44:24make good money
00:44:26just because of money?
00:44:30What I know
00:44:32is that
00:44:3490% is money.
00:44:36I think so.
00:44:38How can that be your colleagues?
00:44:40Imagine yourself in that 1%.
00:44:42How do you deal with those
00:44:44who sing and dance?
00:44:46What do you have in common
00:44:48if you are that 1%?
00:44:50What do we have in common?
00:44:52What did you ask me?
00:44:54You hang out together.
00:44:56If you are at festivals
00:44:58you hang out together.
00:45:00That is my sweet worry.
00:45:02That is my sweet worry.
00:45:04I am...
00:45:08Are you interested in this?
00:45:10I asked you first.
00:45:12I think
00:45:14that there are 4.5 million of us
00:45:16in Croatia.
00:45:18We cannot compare ourselves
00:45:20to America.
00:45:22In America, if a person
00:45:24does not have a good time,
00:45:26he plays in the subway.
00:45:28If he has a good time,
00:45:30he lives in Elton John.
00:45:32He spends tens of thousands
00:45:34of dollars.
00:45:36In our country,
00:45:38when you make
00:45:40a 200-horsepower car,
00:45:42there is no comparison.
00:45:44One room is smaller
00:45:46and 30 horsepower is smaller.
00:45:48It is not...
00:45:50What is the comparison
00:45:52made by GrdojeviÄ
00:45:54who says he did not earn
00:45:56500,000 euros.
00:45:58He says,
00:46:00if I bought a Ferrari,
00:46:02I would be the last fool.
00:46:04He is into fun music
00:46:06and he has his own standards
00:46:08and they are not his standards.
00:46:10I understand them.
00:46:12I wrote in 1991
00:46:14to feed my family.
00:46:16I wrote a song
00:46:18that I am not proud of.
00:46:20It is hard to forget.
00:46:22I wrote a song
00:46:24to live.
00:46:26I got to know
00:46:28a great world
00:46:30of fun music.
00:46:32They have their own priorities
00:46:34which are totally different
00:46:36from Arsena's
00:46:38or Oliver's priorities.
00:46:40Where do you fall?
00:46:42They think you are
00:46:44a fun musician.
00:46:46They think
00:46:48this is too successful
00:46:50to be good.
00:46:52They think so.
00:46:54You can't be a rocker
00:46:56if you are successful.
00:46:58No, you can't.
00:47:00If someone is only
00:47:02100% intelligent,
00:47:04there is a group
00:47:06that is
00:47:08very much alive.
00:47:10Only alive.
00:47:12There are phenomenal people
00:47:14in the world.
00:47:16I think
00:47:18that at least
00:47:20you have people.
00:47:22I like some members
00:47:24from Pipsa.
00:47:26They are great people.
00:47:28I mean, there are people.
00:47:30Mike is a fantastic guy.
00:47:32He is not influenced by antiques.
00:47:34I can give
00:47:36a nice speech.
00:47:38He is the only one
00:47:40who sent me a telegram.
00:47:42He is the only one.
00:47:44I wish him good health.
00:47:46You mentioned
00:47:48some embarrassing songs.
00:47:50You used to have
00:47:52little money.
00:47:54Now you earn a lot.
00:47:56Is it a material
00:47:58blessing?
00:48:00Do you feel authentic
00:48:02if you sing about
00:48:04a black man and you live
00:48:06in a two-story apartment?
00:48:08I stop singing about
00:48:10a black man.
00:48:12It is my good thing.
00:48:14I am used to
00:48:16singing about things
00:48:18I don't believe.
00:48:20Or maybe I do,
00:48:22but I don't feel
00:48:24confident.
00:48:26I am not competent.
00:48:28I wrote a song about a black man
00:48:30in 1992.
00:48:34My wife works
00:48:36in a candle shop.
00:48:38I wrote lyrics
00:48:40for Croatian singers
00:48:42who didn't pay
00:48:44for those songs.
00:48:46I have my own
00:48:48social self-regret.
00:48:50It turned out to be an authentic song.
00:48:52It doesn't matter
00:48:54when your life
00:48:56changes drastically.
00:48:58You stop singing about that song.
00:49:00My colleague Željka
00:49:02has a question.
00:49:04There are duets
00:49:06between Croatian and Serbian singers.
00:49:08For example, Ivana BanfiÄ and Željko JoksimoviÄ
00:49:10are preparing a duet.
00:49:12What do you think about it?
00:49:14Would you record a duet with a Serbian singer?
00:49:16I didn't record a duet,
00:49:18but I had a guest
00:49:20from
00:49:22Mir TadiÄ
00:49:24on the album Miraculous.
00:49:28He lives in America.
00:49:30His magazine
00:49:32Guitar Player
00:49:34is the most influential magazine
00:49:36about guitar playing.
00:49:38It was published in 1997
00:49:40for the best
00:49:42flamenco guitarist in the world.
00:49:44Even
00:49:46Carlos Santana
00:49:48gave his son
00:49:50to learn from him.
00:49:52He was born
00:49:54in Banja Luka.
00:49:56It's not a problem for me.
00:49:58If a person is excellent,
00:50:00he is excellent.
00:50:02But if it's
00:50:04a thing
00:50:06that urban people
00:50:08and non-urban people do,
00:50:10I think it's putting
00:50:12art on the wrong track.
00:50:16Do you really want to hold a concert
00:50:18in Serbia?
00:50:20Or do you want to hold it in the city center?
00:50:22We haven't been there yet.
00:50:24Neither have I and Tomas.
00:50:26You can do it together.
00:50:28That's true.
00:50:30We haven't been there yet.
00:50:32I have some dilemmas
00:50:34with my family.
00:50:36I managed to survive
00:50:38some prices and offers
00:50:40that all of us
00:50:42couldn't get.
00:50:44I simply couldn't solve it with my family.
00:50:46But my efforts
00:50:48were not in vain.
00:50:50Oliver wasn't there.
00:50:52They really want Oliver.
00:50:54They constantly call him,
00:50:56but he says he hasn't been there yet.
00:50:58That's right.
00:51:00We'll talk about it
00:51:02at 4 p.m.
00:51:04But I'm not in power to say
00:51:06what I have to say.
00:51:08I know that
00:51:10when I had a show with Tereza,
00:51:12we talked about this topic.
00:51:14It's always a hot topic.
00:51:16They say
00:51:18that...
00:51:20Who invites them?
00:51:22That's right.
00:51:24I knew the same thing.
00:51:26Now Djiboni won't be there.
00:51:28Who invited him?
00:51:30I had the same topic.
00:51:32What now?
00:51:34We could do
00:51:36without him.
00:51:38We have similar shows.
00:51:40Yes.
00:51:42I don't think
00:51:44that music is
00:51:46completely different
00:51:48than sport.
00:51:50In sport,
00:51:52when you play football,
00:51:54you have a split
00:51:56between yours and ours.
00:51:58You can...
00:52:00What is Djiboni
00:52:02if he comes to Belgrade?
00:52:04When it comes to music,
00:52:06there are no emotions
00:52:08that are empty.
00:52:10There are emotions
00:52:12because
00:52:14someone recognized himself
00:52:16in the song.
00:52:18There are no yours and ours.
00:52:20It's just love.
00:52:22I don't know if it's love
00:52:24or some other emotion.
00:52:26It's my case.
00:52:28It's different.
00:52:30There are no political
00:52:32or individual decisions.
00:52:34It comes or it doesn't.
00:52:36It hasn't come yet.
00:52:38I don't know why.
00:52:40Never seen, never again.
00:52:44Jasmina.
00:52:46Good evening, Jasmina BeŔtek.
00:52:48You didn't perform
00:52:50at Melodija Majadra
00:52:52at RunjiÄ's party in 2002.
00:52:54Exactly.
00:52:56At the beginning of 2004,
00:52:58the same thing happened
00:53:00at the party.
00:53:02It was always the case
00:53:04that no one contacted you
00:53:06and I don't know
00:53:08if there was a mistake
00:53:10in communication.
00:53:12I'll interrupt you.
00:53:14No, it's OK.
00:53:16Or maybe it was the beginning
00:53:18of your illness
00:53:20and you didn't want
00:53:22to publicize it.
00:53:24We can separate everything.
00:53:26I didn't perform
00:53:28at the festival in 2002
00:53:30because, you know,
00:53:32I have to be honest.
00:53:34I'll just comment on the poll.
00:53:36It's almost even.
00:53:38You're leading by about 100 votes.
00:53:40Those who want to speak,
00:53:42let them speak in the next 3 minutes.
00:53:44Go ahead.
00:53:46I think that...
00:53:50I think I wasn't a man for festivals.
00:53:52That's my opinion.
00:53:54Why? I wasn't when I was.
00:53:56It could be a great counter-question
00:53:58and it would be accurate.
00:54:00I had great results then.
00:54:02I sang great songs at the festival.
00:54:04Songs that were alive.
00:54:06Lipa Moja, I don't know,
00:54:08Sve Äu preživit,
00:54:10Kupjela Tedina,
00:54:12I sang songs that were alive
00:54:14and the festival did me a favor.
00:54:18But I have to be honest.
00:54:20I don't know where it leads.
00:54:22I don't feel good there.
00:54:24I'm behind the curtain.
00:54:26I'm shaved.
00:54:28I don't know what it leads to.
00:54:30I don't know.
00:54:32I'm nervous.
00:54:34You know what?
00:54:36It's strange.
00:54:38Some topics.
00:54:40I went to my room
00:54:42and something broke.
00:54:44Some topics.
00:54:46I can't run away from myself.
00:54:48I grew up with other people.
00:54:50With someone else.
00:54:52Someone else loves me.
00:54:54I don't know.
00:54:56I feel like you always
00:54:58make compromises.
00:55:00I don't make compromises.
00:55:02That's it.
00:55:04I'm here, but I'm not there.
00:55:06Could you be Toma BebiÄ?
00:55:08Do you think he was different?
00:55:10He was our friend.
00:55:12He was our friend.
00:55:14I thought he was Sandokan
00:55:16when he first came to my door.
00:55:18You are younger than him.
00:55:20I know who Sandokan is.
00:55:22I want to add something.
00:55:24I come from myself.
00:55:26You have worked with RujiÄ
00:55:28many times.
00:55:30I protect him.
00:55:32It was his party.
00:55:34I know that.
00:55:36It was the same thing
00:55:38for children.
00:55:40He didn't invite me to his party.
00:55:42He didn't invite me to his party.
00:55:44He said you didn't want to come.
00:55:46It's not true.
00:55:48He knows that.
00:55:50I can go to any court
00:55:52for that.
00:55:54He didn't invite me
00:55:56because of one of my statements.
00:55:58He was constantly
00:56:00in my head.
00:56:02He had something
00:56:04for me.
00:56:06I didn't want to go
00:56:08to Pjana Playback anymore.
00:56:10He tried to convince me
00:56:12to go to Pjana Playback
00:56:14because it saves money
00:56:16and it's for technical reasons.
00:56:18I don't want to go to Pjana Playback
00:56:20because I'm not
00:56:22a god-given singer.
00:56:24I don't have the talent
00:56:26that Oliver has.
00:56:28I'm not a god-given singer.
00:56:30I don't want to go to Pjana Playback.
00:56:32I can't do that.
00:56:34I don't want to go to Pjana Playback.
00:56:36He explains it in his own way.
00:56:38I don't want to provoke you.
00:56:40The whole affair
00:56:42went in his own way.
00:56:44Who is your heir?
00:56:46He asked
00:56:48Janko JergoviÄ in Globus.
00:56:50I told him that
00:56:52Janko JergoviÄ is his heir
00:56:54in terms of quality.
00:56:56Janko JergoviÄ is a bad guy.
00:56:58Janko JergoviÄ is his little Judas.
00:57:00I told him
00:57:02that Janko JergoviÄ is his little Jesus.
00:57:04That was the communication.
00:57:08You can't call me Judas
00:57:10because I don't want to go to Pjana Playback.
00:57:12Those are difficult words.
00:57:14I'm a religious man.
00:57:16Besides that...
00:57:18I'm trying to be benign.
00:57:20But I can't be benign.
00:57:24His life means a lot to him.
00:57:26It means a lot to me.
00:57:28I have 5-6 songs there.
00:57:30I don't want to be there anymore.
00:57:32If someone asks me about festivals...
00:57:34There are 8 singers from Croatia.
00:57:363 from Italy.
00:57:384 from Spain.
00:57:40I want it to be a Mediterranean level.
00:57:42To have an orchestra.
00:57:44To sing if we are bad singers.
00:57:46To be ashamed if we are good singers.
00:57:48That's my vision.
00:57:50Two more minutes.
00:57:52Two more minutes of voting.
00:57:54Tell me...
00:57:56How are your eyes?
00:57:58How's your health?
00:58:02It was a real show.
00:58:06It looked dangerous.
00:58:08But there were 2-3 pages.
00:58:10Everyone was ready.
00:58:12The news broke.
00:58:14I was a bit blind.
00:58:18I had a problem.
00:58:20I had minus 1.75.
00:58:22I got to minus 9.
00:58:24But it's not dangerous?
00:58:26It is.
00:58:28I get to minus 9 and I don't see anything.
00:58:30If my eye wasn't good,
00:58:32I wouldn't know which is which.
00:58:38But there are cures.
00:58:40There are Swiss people.
00:58:42They will come up with something.
00:58:44I know them.
00:58:48Do you suffer from baldness?
00:58:50Yes.
00:58:52What does that mean?
00:58:54Baldness?
00:58:56You are bald now.
00:58:58You have to know how to hide it.
00:59:00I will tell you...
00:59:04I asked in 1996
00:59:06how much it costs
00:59:08and he said
00:59:10it depends on what you have.
00:59:12I don't know what that means.
00:59:18He asked me what I had.
00:59:20I didn't know what he meant.
00:59:22He said I had a lot of hair.
00:59:24That's the quality of my hair.
00:59:26Then he said it was 1,600 marks.
00:59:28I think it was 1 euro.
00:59:34What about hair transplant?
00:59:36My father doesn't have it.
00:59:38Your father is bald.
00:59:42But he looks good.
00:59:44He looks like Sean Conner.
00:59:46He has that charm.
00:59:48If it continues,
00:59:50will you let it go?
00:59:52Or will you shave like me?
00:59:54I will go to GlubiÄiÄ
00:59:56and I will see the results.
01:00:00Now we are talking about
01:00:02the topic of old age.
01:00:04How do you want to get old?
01:00:06In 15-20 years?
01:00:08Professionally.
01:00:10What would you like?
01:00:12You said you would be satisfied
01:00:14with two songs.
01:00:16That's when you are younger.
01:00:18I would like to be 15.
01:00:24I can't make an investment
01:00:26in my life
01:00:28because I am too young.
01:00:30But I think
01:00:32what I went through in life
01:00:34is better than what I planned.
01:00:36Considering my education,
01:00:38this is a great ending.
01:00:40For now.
01:00:44You can comment.
01:00:46They are almost the same.
01:00:48In the last moment,
01:00:50for the length of the curtain,
01:00:52Edo Majka and Hladno Pivo
01:00:54won.
01:00:56You are the author of the question.
01:00:58I think that...
01:01:02But it's true.
01:01:04I think it's more about
01:01:06the structure of your audience.
01:01:10They were there until the last moment.
01:01:12I think the show was about...
01:01:14Or maybe they are crazy
01:01:16with their thinking.
01:01:18I think the show was about...
01:01:20About someone else.
01:01:22I don't want to give too much importance.
01:01:24But everyone who participated
01:01:26will get a part of the money.
01:01:38Dear viewers,
01:01:40that's all for today.
01:01:42Next week,
01:01:44Jerko IvankoviÄ-LijanoviÄ
01:01:46will be our guest.
01:01:48We will talk about Herzegovina
01:01:50in Croatia,
01:01:52about the help that Croatia
01:01:54has given to Croatia.
01:01:56See you next week.
01:02:24END CREDITS