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00:00♪♪
00:09Your wedding ring.
00:11♪♪
00:16I love you so much, Teresa.
00:19♪♪
00:22You're all I have.
00:24♪♪
00:27And that's why it hurts to see you with so much pain because of me.
00:30My heart breaks.
00:33I know you're honest, Marcelo.
00:35But unfortunately, love has very little to do in this situation.
00:39Does something help?
00:40What would really help
00:42is that you get more involved in your tasks.
00:45I get involved?
00:46Well, even more.
00:48I need you to pay attention as if it were the most important thing in your life.
00:51I need you to strive to the limit of your abilities.
00:54I'm telling you, I'm already doing that.
00:55But not enough.
00:58Don't you realize that I have interceded for you among the service leaders?
01:02And that every time you make a mistake,
01:04you not only put yourself in evidence, but also me.
01:09I need you to think about me.
01:12You don't know how hard it is to have to face you every two by three.
01:16I'm sorry.
01:18♪♪
01:22And to top it off,
01:24to top it off, everyone thinks I replaced Feliciano too soon.
01:28And the more comparisons they make between you and him,
01:31the more pain it causes me.
01:33♪♪
01:36This is too much.
01:38You'll see how all this is going to change.
01:40I promise you I'm doing my best.
01:43♪♪
01:47Please, Teresa.
01:49♪♪
01:55No one should have any more complaints about you.
01:58No one. Do you hear me?
02:00No one will have any more complaints about me.
02:03I will do my best to do things right and delicately.
02:08But please don't leave me.
02:11I need you to be by my side.
02:14♪♪
02:19I hope you enjoyed today's visit, ma'am.
02:22If you've learned anything from the recipes of these humble cooks,
02:26I'm satisfied.
02:28The truth is that I thank you very much for your time and dedication.
02:31And I have to say that yes,
02:33I've enjoyed this unconventional snack.
02:36And forceful, huh? You'll see how much energy it's going to give you.
02:40López, we can also prepare a basket for the lady, right?
02:44With some of the leftovers.
02:46Yes, so you can eat them in the palace when you feel like it.
02:49Of course, I'll prepare the basket myself.
02:52No, no, it won't be necessary. I've eaten too much.
02:55Besides, I don't think I can taste a bite again.
02:58If this doesn't cost us anything, López will manage it in a jiffy.
03:01Yeah, but you don't have to abuse even the good stuff.
03:05Wise words, ma'am.
03:07Well, if you don't have anything else to offer ...
03:11Have you forgotten something, ma'am?
03:13Yes, I thought I saw Vera and I would like to talk to her about the notes we took today.
03:18Of course, ma'am.
03:20Vera! Come closer, do me a favor.
03:25Is something wrong?
03:27No, Mrs. Duquesa wants to see you.
03:29Yes, that's right.
03:32Well, thank you very much, it has been a pleasure.
03:34The pleasure has been ours, ma'am.
03:36Come in.
03:46They are delighted, Mrs. Candera and Mrs. Simona.
03:49Yes.
03:50And that López is too.
03:53What's that about you being the girlfriend of a cook?
03:56Who told you that?
03:58The cook?
04:00Who told you that?
04:02The cooks, who are charming and gossipy.
04:05I see.
04:06And the servant himself has also confirmed it to me.
04:08López is not a servant, he is the cook of the palace.
04:11What else? He is a nobody.
04:14And you are the daughter of a duke.
04:16No, I'm not that woman anymore.
04:18Can't you give up your identity?
04:20Can't you give up your lineage?
04:22Yes, I can. And I have already done it.
04:25Please, I beg you, go home with me.
04:28Mother, I remind you that for a father I am simply the person who almost ruins him and puts him in jail.
04:35But everything has a remedy.
04:37Yes, and I have already found it here, in the promise.
04:41No, not like a vulgar maid.
04:44You can't say that nonsense.
04:47A vulgar and happy maid.
04:51And you know what?
04:52I do not regret the decision I have taken.
04:54As much as you insist that I change my mind.
04:58So don't insist.
04:59And leave things as they are.
05:03Do you want me to accompany you to the exit, López?
05:07No.
05:09I already know the way.
05:23A man got off the horse and approached me.
05:28And he demanded that I give him to my brother.
05:31I thought they were going to kill me.
05:34Just like they had done with my mother.
05:37But I thought they were not going to be able to kill a baby.
05:44I thought they were going to kill me.
05:47I thought they were going to kill me.
05:50That's terrible.
05:52Yes, Manuel.
05:56But what is even more horrible
05:59is that the person who killed my mother
06:02belongs to this palace.
06:11The same ring that your grandfather, the Baron of Linaja, left you in inheritance.
06:15The same ring that your grandfather, the Baron of Linaja, left you in inheritance.
06:23Manuel.
06:28I'm going to see Doña Pia.
06:30I just finished my homework and Don Rómulo gave me permission to go.
06:35What's wrong?
06:38Are you okay?
06:40Yes.
06:41Manuel, what's wrong with your hand?
06:46Give me that.
06:49Come on.
06:58So you haven't stopped thinking about the suspicions I told you about your grandfather, the Baron.
07:06I can't get it out of my head.
07:11Manuel, we said we had to leave the past behind.
07:14I know, but...
07:18I've taken out the ring and I've had a lot of sudden memories.
07:27Who would have imagined that there could be so much pain and suffering behind a ring?
07:35You know what?
07:37It's over.
07:39I'm never going to wear it again.
07:42But it's a ring.
07:45And it's a jewel, so it's not to blame for anything.
07:48But I suspect it won't be pleasant to see it every day, right?
07:56I'm not going to allow anything to get in our way.
08:00And I don't want anything to spoil our happiness, my love.
08:04I want to get married and spend the rest of my life with you.
08:10Me too.
08:12But I don't know why I feel like you're worried.
08:21A little.
08:23But it's not because of us.
08:26Mrs. Pia's case has me at a loss.
08:30You see, I can't stop thinking about the conversation I had with Rómulo about Gregorio.
08:35What you're still thinking about is the possibility of meeting him.
08:38I know it's dangerous, but I think I can find a way to make Pia leave once and for all.
08:43Yeah, but to do that, you have to locate him first, and it's not that easy.
08:49Do you have something in mind?
08:53What makes you think that?
08:55Manuel, I know you perfectly well.
08:57And I know what each of your smiles means.
09:04And this one has to do with you.
09:07And this one makes you think I'm up to something?
09:14I can't lie to you.
09:16He's the thought.
09:18Then why don't you tell me what you're thinking?
09:25Let me mature it a little more.
09:28I have to give it another thought.
09:29I still don't know if it's something feasible or an illusion as a result of my desire to end this as soon as possible.
09:37Okay, but keep me informed.
09:40Yes.
09:42And no matter what you're going to do, count on me.
09:47Yes.
09:51This kiss is to let you ask questions.
09:54No.
09:55No.
10:04My love, I swear that when I arrived, they had already left and told your mother everything.
10:08Well, with how gossipy you are, Mrs. Candela was to be expected.
10:10And Mrs. Simona is not short either.
10:12It was an imprudence to have left her alone with your mother.
10:15Lope, you haven't done anything, so don't blame yourself.
10:17No, Vera, it had to have been planned.
10:19Not only have they told her that, don't believe it.
10:22What else have they told her?
10:25Well, they started to warm up and told her my story with María Fernández.
10:28Really?
10:29Yes, really.
10:31Vera, I love those two very much, but they are two big mouths.
10:34Your mother is going to think that I am not a man to defy and that I go from flower to flower.
10:36Come on, Lope, don't exaggerate.
10:37I'm not exaggerating.
10:39I have to talk to them because they have put me at the feet of the horses.
10:41They said it was a Don Juan.
10:43A Don Juan.
10:45What is your mother going to think now?
10:47She has had to take a horrible image of me.
10:49Lope, anyway, she was going to take it.
10:52Even if you were the best person in the face of the earth.
10:54You will never be enough for my mother.
10:57And you don't care about that?
10:58The only thing that matters to me is you.
11:00Yes, Vera, but ...
11:01No, but nothing.
11:03Sooner or later she will find out.
11:06In any case, I'm going to talk to them and I'm going to tell them that they are corrupt.
11:09Come on, don't tell them anything.
11:11I'm sure they have done it with the best will.
11:13To talk about something.
11:15It's not easy to get you into a conversation with a whole duchess.
11:19I guess.
11:20And with all the love and all the effort they are putting into it,
11:23the last thing they deserve is to get a rag.
11:25If the poor knew how little they care about my mother's cooking,
11:28it's more than disgusting.
11:30You saw the face he made when he heard the recipe for the callos.
11:34Lope, leave him alone.
11:39And did he say anything else about me when he left?
11:42Well, what was to be expected.
11:45That is to say, nothing good?
11:47No, nothing good.
11:49Oh my God, Vera.
11:50But Lope, I don't care about any of this.
11:54Now this is my new life.
11:55And neither my mother nor my father have anything to say about it.
12:00I am no longer the daughter of the Dukes of Carril.
12:02Now I am Vera.
12:04A maid and a woman happily in love.
12:08But I'm the only one who wants to be with you.
12:12And it's better that my mother is there, aware of all this.
12:15So the cards are on the table and everyone knows what to do.
12:20Seen like this?
12:21No, this is how it should be seen.
12:31I love you, love.
12:32And me.
12:46I just met Manuel.
12:49Yes, we finished Villar's game.
12:52We had left half this morning.
12:55And because of your expression, I deduce that you have lost.
12:58Well, you're wrong.
13:00I hit him hard.
13:02Well then, I don't understand your attitude.
13:05Lately, there are reactions of yours that make me a little out of place.
13:09If you say it because of Julia, it's better, right?
13:10Well yes, yes, I work, I say it because of Julia.
13:12Julia.
13:14It's just that you can't answer in such an abrupt way to a guest,
13:17that the poor thing was left livid.
13:19I was fed up, Martina.
13:21Because apparently, that girl doesn't know how to talk about anything other than that damn war.
13:25Yeah, yeah, but ...
13:27That doesn't justify your tone.
13:29I don't think she wants to bother you.
13:31No, no.
13:32Well, I should have been more tactful.
13:36She's trying to be kind.
13:39Well, I don't know, Martina, but she gets the opposite.
13:42In fact, I have always tried to be polite.
13:46To answer in a kind way.
13:48But not anymore.
13:50Not anymore because I made it very clear how much I was uncomfortable with her questions.
13:53That we are talking about war.
13:55Not about the fashion of Paris, nor about the last premiere of the theater.
13:59It's irritating.
14:08You see how he puts you?
14:09Yes.
14:13Curro, I ...
14:18I know that that war has affected you a lot.
14:21And that it still affects you.
14:24I know you've had to live terrible experiences.
14:28And I can't even imagine
14:31the number of horrible images you'll have in your head.
14:36And that will probably accompany you for the rest of your days.
14:42That's right.
14:44I'm going to have to live with those images.
14:47Yes, I know.
14:53I put myself in your shoes.
14:55And I take care of myself.
14:58Really.
15:03But I think you also have to put yourself in Julia's shoes.
15:08Because she is completely alien to your pain.
15:12And without eating or drinking, she has taken a good rap, right?
15:17It's just ...
15:19Imagine
15:21that you are the guest in a house and they talk to you like that.
15:29Okay.
15:30Yes, I admit that ...
15:33My ways went beyond the decor.
15:38I'm sorry.
15:39What? No, no, no.
15:41You don't have to apologize to me.
15:44It's her.
15:46Right?
15:48Okay, okay. I'll do it as soon as I can.
15:55And she will understand your reasons perfectly.
16:00She's very smart.
16:03A lot.
16:09Well.
16:11I'm going to leave your clothes clean around here.
16:14Thank you for doing the laundry on the promise.
16:16You're welcome.
16:18It is true that if you did it, then ...
16:21it would be an unnecessary risk.
16:23That, of course.
16:26Anyway, try not to obsess.
16:30Here. Thank you.
16:31If I had my son closer ...
16:34I've been hiding for weeks and this is making me eternal.
16:37Well, don't worry because your son is fine.
16:39Mr. Baeza and I are in charge of getting in touch from time to time with Veni
16:43so that she can tell us how it is going.
16:45And I thank you because I know it's not easy.
16:48What's more, you have to put yourself at risk with that ...
16:50scoundrel out there.
16:53If Gregorio showed up, he would attack anyone.
16:56And he's going to show up sooner or later, but he's going to show up, I know.
17:01Unless ...
17:03we meet him first.
17:06I thought it was very clear that he would not look for that man again, Hanna.
17:09Yeah, but ...
17:11But what?
17:14I don't know. Manuel is planning something.
17:17Something like what?
17:19I tell him I don't know what it is, he hasn't given me details, but ...
17:22I'm convinced that if it's about him, it's a good idea.
17:26Besides, Manuel is not going to stop until Gregorio's threats are over.
17:29But I don't want him to put himself at risk for me.
17:32Well, don't worry. Manuel knows what he's doing.
17:36Anyway, I have to go now.
17:41I'll leave you here.
17:45Take care.
18:02A friend of the count is going to compose a waltz in our honor.
18:05Will it be the dance that will open your wedding?
18:08Of course. What better than to start dancing a waltz composed by an ex-professor for the two of us.
18:13Right, dear?
18:14Yes.
18:15And can I know the name of the composer who will be in charge of the piece?
18:18His name is Gaetan Chauvinier. He is a French composer.
18:21He is a great composer.
18:23He is a great composer.
18:25He is a great composer.
18:27He is a great composer.
18:29Gaetan Chauvinier is a French composer that I met on one of my trips.
18:33And I have a certain friendship with him.
18:35He is the same one who composed a piece for His Majesties Alfonso XIII and Mrs. Victoria and Eugenia.
18:42I thought you were preparing an intimate ceremony, but I see that you shoot high.
18:46Well, being intimate does not mean that we give up giving it the relevance that a moment like this deserves.
18:52After all, a wedding is something you do once in a lifetime.
18:55Well, in the case of Margarita, more than one.
18:57But I'm not getting the same excitement as at my first wedding.
19:02And we will not only share a composer with the royal family.
19:05Also, and thanks to the mediation of one of my sisters, we will have the presence of Orfeón Pamplonés.
19:10Who also sang at the wedding of the kings.
19:12I hope that the similarities between the two links remain there.
19:15You don't need me to remind you of the tragic end of the wedding of the kings
19:19with that undesirable anarchist of Mateo Morral attempting against their lives.
19:23Fortunately, we do not have enemies of that style.
19:27For now, but time to time.
19:32Are you still awake at this time?
19:34Well, what a pleasant turtle after dinner.
19:38Besides, we were waiting for you.
19:41For us, why?
19:43Well, I'm dying to know your impressions after returning to social life.
19:49I hope you haven't had a bad time.
19:52You have worse drinks with your own family, I assure you.
19:56So it went well?
19:58It was fun. Right, Pelayo?
20:01That's right.
20:02And who attended that request?
20:04Authorities or members of the royal house?
20:07Yes, not in vain. The groom is a relative of Queen Victoria Eugenia.
20:11Oh yeah? Is he English?
20:12Half English.
20:13There were also members of the European royal houses.
20:16They will be the ones who are fighting us right now.
20:18There are not many.
20:19There was even a photographer and a journalist to immortalize the moment.
20:23And do you portray it together?
20:25Well, I don't know. Of course, I haven't done anything to avoid it.
20:28I don't want to hide.
20:29My intention is to behave normally.
20:31And if you don't like it, don't look.
20:50Santos!
20:53I'll go now.
20:55Where are you supposed to go without the regulatory uniform?
20:58Sorry, Mrs. Petra, but my father has sent me to collect firewood.
21:02And you have to go?
21:03Why doesn't Marcelo, who just arrived, do it?
21:05He's coming too.
21:06Apparently, a lot of hands are needed.
21:08They have hired a truck to collect as much firewood as possible and restore the warehouse,
21:13which is practically empty.
21:15And they have hired a truck just for that?
21:17Well, in fact, they are also going to transport straw and fodder bullets for the animals.
21:23And when will you be back?
21:25Well, I don't know.
21:26In fact, I don't even know where we are going to collect firewood.
21:29I understand that it will be the small forest next to the river.
21:32It may be.
21:33If so, if everything goes well, we should be back in the afternoon.
21:40I wasn't aware of this.
21:43You weren't aware of this?
21:45No.
21:46As always, I'm the last one to find out about things.
21:50Although the truth is, I admit that the lackeys are not in my competition.
21:56The truck is here.
21:58Come on, don't make them wait.
22:00And the sooner you leave, the sooner you will return.
22:04Do you want me to bring you a gift from the forest?
22:06A flower, a stick, a song?
22:10Be very careful, I will be satisfied.
22:13That's always Mrs. Petra.
22:15Don't worry about me.
22:17Come on.
22:35So you got up early this morning.
22:37I wanted to go horseback riding for a while.
22:40I guess you arrived late from that party last night.
22:43That's right.
22:44I haven't slept much, but it pays off.
22:47I love the first hours of the day.
22:50I like the freshness of the earth before the sun rises.
22:53Me too.
22:54Everything seems new.
22:56And even the countryside smells better.
23:01How was it for you and Pelayo last night?
23:04Good, very good.
23:07Did you enjoy the evening?
23:09A lot.
23:10I'm glad.
23:14It seems that this morning you don't really want to talk to me.
23:19Are you still upset about the jam business?
23:23I'd rather not talk about it, father.
23:25Yes, daughter, but ...
23:26I prefer that you make an effort and we try to get closer.
23:32I'm going to be late to go out to ride.
23:34Catalina, please.
23:36Okay, what do you want?
23:38To explain my reasons, so as not to leave you in charge of the business.
23:46I know that in a way I am being a bit unfair to you.
23:50And yet you are still stressed.
23:52I have my reasons.
23:53Yes, Cruz.
23:54Those are your reasons.
23:57Always Cruz.
23:59Stop being afraid of your wife.
24:01No.
24:02It's not fear.
24:03No?
24:05Then what is it?
24:10Look, father.
24:12I understand that you will keep me away from the business as a punishment for everything that happened with the guns.
24:17Or because I abandoned it overnight.
24:20I even understand that you like the way Lorenzo manages it.
24:24Because after all, it does not give losses.
24:26What makes me desperate is that he does all this so as not to anger his wife.
24:29For the love of God.
24:30Cruz.
24:33Father, you have what you have chosen.
24:54Simona, read the letter in full.
24:56You will ask me everything.
24:57That, because I also want to know how Virtudes is doing.
24:59A little patience.
25:01I want to give him a hiccup first.
25:04I'm happy like a worm.
25:07Well, you can tell.
25:08You have a smile that doesn't go away.
25:10And what is that due to?
25:12Well, I was going to see Salvador, it's his day off.
25:14And I feel like kissing him.
25:16But don't cheat on him, more than the account.
25:18My Candelani, let a rib break.
25:20What time did you meet Salvador?
25:22Well, he talks to Petra and as soon as he finishes eating, I go out for a walk.
25:26Good.
25:27Well, perfect.
25:28Because that way we have time to finish the cookies.
25:30And you take them.
25:32Really?
25:33Yes.
25:34Of course, we are making cookies here for a laugh.
25:36A wonderful detail.
25:37Because they are also his favorites.
25:38The chocolate ones.
25:39Of course, there are a lot.
25:40Well, where is the couple meeting going to be?
25:44In Lujan Square.
25:46Do you want me to tell him something about you?
25:48Well, yes.
25:49If possible, tell him that when he has free time, he should come to see us at La Promesa.
25:52I miss him.
25:53Yes, we love him very much.
25:55I was going to say that.
25:56But now also on your behalf.
26:00Is something wrong, Simona?
26:01Are you okay, Virtude?
26:02Yes.
26:03Yes, everything you tell me in the letter is good.
26:05Then what are you sighing about?
26:09Can I read the letter?
26:11No, they are personal things.
26:13Oh, how mysterious.
26:15Well, something can be told, right?
26:17Come on, go for that little mouth.
26:20Well, it's fine.
26:22Let's see.
26:23Do you remember that in the last letter, my Virtudes told us that she was working for a seamstress?
26:28Yes, of course.
26:29Well, apparently she has made great progress.
26:32And every time they give her more complicated orders.
26:35She doesn't just sew.
26:37The truth is that Teresa's lessons have gone very well for her.
26:40And what about the child?
26:42How is Dorfito?
26:43He is eating.
26:45He is very happy there in the field.
26:48And my in-laws too.
26:50They are very happy to have him there.
26:52They don't know how envious I am of them.
26:54But that's wonderful, Mrs. Simona.
26:56In the end, everything has gone well.
26:58And that child is going to have a very happy upbringing, you'll see.
27:01Yes, that is the most important thing.
27:04Maria, a man has brought this for you.
27:07For me?
27:08Really?
27:16Candies!
27:17And who sends you those delights?
27:19Well, there is a note.
27:23Salvador.
27:24Oh, what a detailer, the boy!
27:27That's love of the good.
27:33Yes.
27:34Love of the good, but ...
27:36But he's not coming.
27:38Why? What happened?
27:40Well, an unexpected thing happened to the count of Matesán.
27:43And he can't take the afternoon off.
27:45Oh, my God.
27:46I don't know why.
27:48Well, I know it's not the same, Maria.
27:50But if you want to hug us ...
27:52One after the other.
27:56Can we put our hands in the candies?
27:58Because the pains with sweets are less.
28:00Well, yes.
28:01I don't know.
28:03Do you like them?
28:04No, thanks.
28:05I do.
28:06Come on, I'm going to kiss you on the finger, huh?
28:09Thank you, Maria.
28:10Thank you, Maria.
28:12Thank you, Maria.
28:13Thank you, Maria.
28:14Thank you, Maria.
28:15Thank you, Maria.
28:16Thank you, Maria.
28:17Thank you, Maria.
28:18Take these letters to the box office as soon as possible.
28:21The one that arises the most is the one addressed to my friend José María Lavilla,
28:24admiral of the Spanish Navy.
28:26The poor man has just become a widow.
28:28Oh, yes, yes.
28:29I remember perfectly his wife, Mrs. María Cristina.
28:32An elegant and generous woman.
28:34I know.
28:35She leaves an impossible void to fill.
28:37And since I already had news of the sad event,
28:40I got ahead of myself.
28:41And I have ordered them to prepare their luggage,
28:43because I suppose the burial will take place in San Fernando.
28:46Rómulo, you are as efficient as ever.
28:48But I'm afraid that this time I'm not going anywhere.
28:51I thought you would like to convey your condolences directly to Don José María.
28:56It would make sense if I went with my wife.
28:58But as things stand, I don't think she wants to accompany me anywhere.
29:02I understand.
29:03That is why it is important that the missive arrives on time.
29:05Because it is precisely to excuse my presence.
29:10And ...
29:11And changing the subject ...
29:13Do you have any news about Mrs. Pia?
29:15How is she doing in that cabin?
29:17Precisely.
29:18Yesterday he was visiting Miss Expósito and he found her well.
29:21Taking into account her circumstances, of course.
29:23Yes.
29:24Every time I think about how bad it will be for her.
29:26Yes, the truth is that she lives in fear.
29:28She is scared to death, knowing that this man is out there.
29:32Well, she is a strong woman.
29:33She can handle it.
29:34I hope you are right, sir.
29:36I put myself in her place and I doubt that I have the same strength.
29:39Well, no.
29:40I rectify.
29:41I'm sure I wouldn't have it.
29:43I get the impression that something worries you.
29:45Something, Rómulo?
29:46Everything worries me.
29:48As long as I have few disagreements with my wife,
29:50I do not stop arguing with my daughter Catalina.
29:52But surely the waters will soon return to their course.
29:55Today I have tried to get closer and it has been of no use.
29:59In a way, I feel that I have failed you.
30:01I know, sir.
30:03I'll take care of it.
30:04Really?
30:05Well, I don't know the specific details of the conflict you have with your daughter,
30:10but I dare to say, without fear of making a mistake,
30:13that sometimes one is forced to do what is not correct
30:17and has to sacrifice his own principles to avoid greater evil.
30:23Are you trying to tell me something?
30:25No.
30:26I was just philosophizing, sir.
30:28I thought this might help you.
30:31Good.
30:33You can leave now.
30:35With your permission.
30:41A month later
30:54Why is this tea so dark today?
30:56Have they left the herbs longer than usual?
30:59No, I understand that they have prepared it the same.
31:01In fact, I don't see any strange color.
31:03Am I making it up?
31:04If I say it's darker, it's darker.
31:08Can I tell them to prepare it again?
31:10No, pour a good splash of milk to see if it clears up a bit.
31:25Ma'am.
31:33This is colder than an ice cream.
31:36I can assure you that both the tea and the milk were hot.
31:39Are you going to take me against all odds?
31:42Of course not.
31:43I'll tell them to heat it up again right now.
31:46I just want a tea, like every day.
31:48It's not that hard, I say.
31:51Good morning.
31:52Good morning.
31:54What's the matter, mother? Why are you so relieved?
31:56I'm fed up with useless maidens.
31:59Mother, being upset won't get you anywhere.
32:02Look around you, it's a beautiful day. Why don't you take advantage of it?
32:06Weren't you going to leave the palace?
32:08Yes, but I'll do it after lunch.
32:11I've met with some engineers.
32:13I have doubts about the new design of my project.
32:17Your happy little plane, right?
32:19Exactly.
32:20It's the one you love so much.
32:22Damn puppets.
32:24Ma'am, I asked them to heat it up again.
32:28You know, mother?
32:30I think I'm going to sit here with you for a while.
32:32Let's see if I can get that to work.
32:34Hanna, please, can you get me a cup of that tea?
32:37Don't even think about it.
32:38It's loaded and cold.
32:39It's better in cold water.
32:42You know,
32:44that's making me want to sing it even more.
32:47Please.
32:49Mother,
32:53apart from your bad mood,
32:55you're more beautiful when you smile, I knew it.
32:58I'm not that bad, Manuel.
32:59What I'm telling you is completely true.
33:02Look, in reality,
33:04you get ugly when you frown.
33:07You lose part of your natural charm.
33:10But you're not ugly when you frown.
33:13You're beautiful when you frown.
33:15You lose part of your natural charm.
33:21I'm sure that if you smile,
33:23the next tea tastes better.
33:26Manuel, even if you look at me like that,
33:28that tea is horrible.
33:29And you're not going to convince me otherwise.
33:32Mother, I do it for you.
33:35And for those around you.
33:39And I'm particularly talking about father.
33:42I don't know what happened between you two,
33:44but I assure you that father is wrong.
33:46Really wrong.
33:47Manuel, leave him.
33:50I'm sure everything can be fixed if you put a little good will.
33:53If you're going to continue with this nonsense,
33:55let's leave this conversation right now.
33:58Besides, you're not the right person
34:00to give me a thousand lessons
34:01about what an exemplary marriage is.
34:03Or do you want me to remind you how yours ended?
34:05Ma'am, do you want a napkin?
34:07Don't interrupt me.
34:09Did I ask you for anything?
34:11No, forgive me.
34:14No.
34:31Hey, Teresa.
34:33What?
34:37I'm sorry.
34:40What?
34:42What?
34:44I'm sorry I questioned your relationship with Marcelo.
34:49And I'm sorry if my comments have hurt you.
34:54Do you forgive me?
34:58Of course, Maria.
35:01Don't worry, everything is fine.
35:06Maria, what are you doing here?
35:08Isn't today supposed to be your day off?
35:10Yes, it was.
35:12I was supposed to meet Salvador,
35:14but it's known that his boss has asked him for a task
35:17and we had to cancel the appointment.
35:20I'm going to have to put up with the urge to hug him for a while.
35:24Yes, for a while.
35:26Because very soon he's going to start hitting on you.
35:31Tyra, come on.
35:34Can you tell me what happened?
35:36You're naked to the bone.
35:37We fell into the river.
35:39But it looks like they threw a barrel of water on you.
35:42Wait a minute, how did you fall?
35:43Here, take this.
35:44Ask your little husband.
35:46Yes, I tripped and fell.
35:47A stupid accident.
35:48No, a stupid accident, Marcelo.
35:50And thank goodness there was a rock.
35:52If I don't drown, and Santos tried to help me, he fell too.
35:56Next time I won't move a finger for you.
35:59The water was frozen.
36:00Yes, it was.
36:01And the guys took a long time to get us out of there.
36:04A cut, useless all.
36:06Come on, come on.
36:08You're shaking, boy.
36:12Better?
36:13Yes.
36:14Thank you, Mrs. Arcos.
36:16Thanks to you, I'm much better.
36:18You should take care of yourself a little more, Feliciano.
36:20You can catch pneumonia.
36:22If you're right.
36:28Do you see what I'm telling you?
36:30Do you see it?
36:33Yes.
36:48You're beautiful.
36:52What are you doing here, Manuel?
36:53And you?
36:56I came to get some fresh air.
37:00Well, we're lucky to have met.
37:04I'm from Lujan.
37:07And I can't wait to tell you.
37:10My management is giving results, Hanna.
37:13I don't know what management you're talking about.
37:16I know how to attract Gregorio.
37:19But have you located him?
37:21Not exactly, I haven't located him.
37:23But I've found out that from time to time he drops by the Lujan tavern.
37:28So I left him a note in an envelope, quoting him in a remote place.
37:31So, in the end, you're going to meet him.
37:34But what are you going to tell him?
37:36Because I don't know how you're going to get them to let Mrs. Pia pass.
37:39I have a plan.
37:41Manuel, I need you to be careful.
37:45He's a very dangerous criminal and I can't let anything happen to you.
37:48I have everything under control.
37:52You see, I have managed to locate a man who was in the same prison as Gregorio.
37:57And he has confirmed the same thing to me.
37:59And he has confirmed to me the same story that Mr. Baeza told us.
38:03You mean...
38:04Yes.
38:05Yes, the death of that inmate in strange circumstances
38:07and whose evidence pointed out that Gregorio was behind it.
38:11Hanna, he has given me a series of decisive details
38:14that can take that man back to jail.
38:16But let's see, Manuel, what kind of details are you talking about?
38:22I prefer to keep you out of this for the moment.
38:25I promise I'll tell you everything when this is over.
38:29Let's see, and why do you think Gregorio is going to meet you
38:32just because you are Don Manuel de Luján?
38:36It is true that you said the possibility that he does not come,
38:38but I have left him a bait that is difficult not to bite.
38:42I made it very clear in the note that I wanted to talk about Pia Adarre.
38:46And I hope that is enough to attract the curiosity of that bastard.
38:51Manuel, please, I need you to tell me where you have met her.
38:56In the old slaughterhouse in Ruinas.
38:59I'm going with you.
39:00No.
39:03Hanna, and no one can find out about this.
39:06And when I say no one, it's no one, not even Mr. Baeza.
39:12Hanna, give me your word.
39:17Okay, I promise you.
39:20But in return, promise me that you will take care of yourself, Manuel.
39:23Please.
39:25I promise you.
39:30Hanna, you have to be patient with my mother.
39:34I'm sorry.
39:36I feel her ways.
39:38But please be patient.
39:41You know that she has argued with my father and she is quite irascible.
39:44Yes, for one thing or another, she is always irascible.
39:47And in the end, she always ends up paying with the others, the servants.
39:52I'm learning a lot about the relationship and my parents.
39:55Above all, what I don't want to happen to us.
40:26Be careful.
40:30There has been a change of plans, Mrs. Arcos.
40:33In the end, Mr. Marqués will not go to the burial of his friend's wife, Admiral Villa.
40:38No need to prepare the lady's luggage.
40:41If I'm honest with you, Mr. Baeza, it was something I already imagined.
40:44Because it was not normal that Mrs. Cruz had not told me anything about it.
40:48That's all, Mrs. Arcos.
40:50I will be in charge of transmitting the menus we have agreed to the kitchens.
40:52And I will also tell you the budget you have for the meal of the week.
40:57Okay.
40:59By the way, Mr. Baeza.
41:01Do you know if the visits of the Duchess of Carrilacocinas are going to be prolonged?
41:06If I'm honest with you, I don't know.
41:08I know the same as you.
41:10The Duchess will come from time to time to sign the palace recipes.
41:15Neither the Duchess nor the Marquess have been able to confirm the periodicity of these visits.
41:20In other words, the visits can be prolonged indefinitely.
41:25That's right.
41:27Are these visits a nuisance to you?
41:31Well, the truth, Mr. Baeza, yes.
41:34It bothers me that a lady from the court of the Duchess of Carrilacocinas passed by the service floor.
41:39But it still bothers me more than a semi-office.
41:42Well, you offered it yourself.
41:44It was a matter of courtesy, Mr. Baeza.
41:47But that doesn't mean that I can't use my office for months without knowing if I can or can't.
41:52Because I don't know when the Duchess will need it.
41:55Yes, I understand.
41:57I also find all this extravagant, so to speak, in some way.
42:00But even if I agree with you, the Marquess has given her good opinion.
42:06And we have no choice but to obey.
42:09Obey and shut up.
42:11That's right.
42:13Excuse me, but did you call me?
42:16Come in. I have to give you some instructions for tomorrow.
42:19Well, if you don't need anything else from me, Mr. Baeza.
42:27Are you feeling well, Santos?
42:30More or less.
42:35But you are burning.
42:38You have a high fever.
42:40It was the fall in that damn river.
42:42What happened?
42:43We went to the forest for firewood and we fell into the river.
42:46Well, it was Marcelo who fell into the river.
42:50And Santos, to rescue him, fell too.
42:52And that useless Marcelo doesn't even know how to walk.
42:55Does it hurt?
42:58A little bit on the head.
43:00And my throat bothers me a lot when I swallow.
43:03Well, for God's sake. Let's hope it's nothing and he recovers with a little rest.
43:08That Marcelo doesn't even look where he steps, Mr. Baeza.
43:11It's a danger to everyone.
43:14I'm sure it's nothing.
43:16I'll wake up tomorrow and I'll be fine.
43:20Well, I'll leave you alone so you can discuss your matters.
43:36Well, the two of you were delighted with that request.
43:38It's a shame I didn't find them so they could tell me firsthand.
43:42Well, even if it's second-hand, what I've told you is what happened.
43:45Sister-in-law, Pelayo and Catalina enjoyed that party a lot.
43:50And they're not around.
43:52I think Catalina went out early this morning.
43:55She has always liked the company of animals more than that of people.
43:59Please, don't be malicious.
44:01Sister-in-law, be happy for your stepdaughter.
44:04It's true that Catalina was very relieved.
44:06After going to a social event after so much confinement.
44:10And above all, that everything would have gone perfectly.
44:13Well, the truth is that it surprises me.
44:16Because those publications did not leave neither Catalina nor the count in a happy position, let's say.
44:21You know how high society works. One rumor covers another.
44:24The gossip about Catalina and Pelayo will have been old.
44:28In addition, according to your own stepdaughter, that request was full of members of the European royal families.
44:33So they would have much more juicy gossip.
44:36And who was the boyfriend?
44:38Because all he said was that he was a relative of Queen Victoria and Eugenia.
44:41He would be a grandson of Queen Victoria of England.
44:44He had at least nine children and they all gave him grandchildren.
44:47So there are plenty of candidates.
44:49And at your wedding?
44:51Is there going to be a member of the royal family?
44:53Again with our wedding, Captain?
44:55Anyone would say that you are going to cancel the invitation.
44:57It makes me curious.
44:59I have never been to a wedding of such...
45:00Not so young guests.
45:09Who will call at this time of night?
45:15House of the Marquises of Rouen.
45:18That gentleman is here.
45:20Right now, sir.
45:25It's for you, Captain de la Mata.
45:30Yes, sir.
45:38Tell me.
45:41Yes.
45:43Yes, sir.
45:53Tomorrow morning I want you available to make some phone calls.
45:57Very well, sir.
45:58I don't want to say anything.
46:00But we are going to find out what is so important that the Commander Alcaraz wanted to tell you.
46:05I'm going to call the doctor.
46:07Because I don't want to risk that cold grabbing your chest.
46:10I'm not a child anymore, father.
46:12Given your background, the precise thing is to act with prudence.
46:16They will suspect something if they have called you.
46:18At the moment, they are that.
46:20They are suspicions.
46:22For your sake, I hope they are never confirmed.
46:24I will investigate what was the origin.
46:25But do it discreetly.
46:27Alonso can't know about this.
46:29Your husband won't find out.
46:31This time I'm going to be the one who decides the recipes.
46:33And we're going to start with the desserts.
46:35Well, at this point, Lope can help you more than me.
46:39The boy has a lot of work.
46:42How timely.
46:44Since you are well, you will be in charge of replacing Santos
46:48with the care of Mr. Curro while Deva remains in charge.
46:51You have been in charge of his training.
46:53I say he will be prepared, right?
46:55You still have a lot to learn.
46:58It will have to be enough.
47:00Among the guests, on the part of the groom,
47:02the couple formed by Count de Añil and Doña Catarina de Luján stood out.
47:06The two young men were the center of attention throughout the evening.
47:10We already know why.
47:12But we don't know where Gregorio is, do we?
47:14Anon has located him.
47:16And in fact, he has mentioned him in the old slaughterhouse.
47:19And couldn't he have mentioned him in the town square?
47:21With all the people?
47:23Bad news, Hanna, huh?
47:25Marcelo!
47:28Don't you have anything to say?
47:30Hi, Teresa.
47:32But you're mad.
47:34I thought ...
47:35No, I've seen this better, don't think.
47:37Go with Mr. Curro.
47:40What? If you do it without wanting to, I didn't notice.
47:43That's your problem, that you don't realize anything.
47:45Before I asked you about Don Manuel and I want to know how everything is.
47:48It seemed to me that I saw a certain fear in your gaze
47:51and it seems to me that it has to do with Gregorio.
47:52It is possible that ...
47:54that this afternoon the whole nightmare ends.