Periodistas fueron invitados a un desfile donde se esperaba la presencia de Wanda, Zaira Nara y Benjamín Vicuña. Sin embargo, la organización causó confusión al hacer esperar a la prensa en un lugar mientras las celebridades entraban por otro. La situación escaló cuando los periodistas intentaron obtener declaraciones, enfrentándose a problemas con la seguridad del evento.
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00:00Where we were invited, all the journalists, all the press, to a parade that Wanda, Zaira and Benjamín Vicuña were going to come.
00:10They asked us all to wait on the side that goes to Posadas, all the journalists and cameramen there.
00:18And suddenly we realized that Zaira is already sitting, I don't know where, she appeared like a ghost.
00:30There is Wanda greeting the American breakfast.
00:33Hi Zaira, will you make me a note later?
00:37Ready.
00:45Wanda says no, Zaira says yes.
00:47Let's try to catch both.
00:54Well guys, confirmed.
00:56We were deceived by the production of the parade.
00:58They told us that the two entered through Posadas, they made us wait,
01:03put yourselves here guys, all together, and they put them through Libertador.
01:08Let's make a sign, let's see if we communicate with her.
01:12Wanda, you give us a note.
01:25Let's show this, let's see if we are lucky.
01:29There we show the sign to Wanda.
01:31Let's see, she's looking the other way.
01:35There she reads us, look.
01:37Zaira, you yes.
01:39You Zaira yes.
01:43Wanda yes, we are going to loosen her.
01:45And you too.
01:46And you too.
01:49Oh, they take her up.
01:52They take her up, they take her up.
01:56Well, let's see, let's go to the street.
02:00Let's see, let's run over there, come on.
02:03Zaira, Zaira, how are you?
02:14Look at the amount of security there is.
02:17There are the two sisters.
02:22Let's see if we can get to a question.
02:29There is a problem with security.
02:31Don't touch me, don't touch me.
02:33There is a problem with security.
02:35Don't touch me, don't touch me.
02:39There is a problem, there is a problem with security,
02:42and with the colleagues of the press.
02:44Wanda, Wanda, Wanda.
02:47Can you come closer for a second, because this is falling apart.
02:50Did they ask you for the empty one?
02:52No.
02:53No?
02:54No, but we want to know why we can't talk
02:56if they invited us to talk to Wanda and Zaira.
03:02They are fixing where they take her.
03:04All they want is to avoid the press.
03:06They are talking among the security
03:08to see how they get her out.
03:10They are agreeing, there is a kind of meeting
03:12between the people who organize
03:14Wanda and Zaira and security.
03:17Wanda, for breakfast.
03:19How is your health?
03:24How many questions? I don't concentrate
03:26if they ask me so many questions.
03:32Are you alone or are you separated?
03:42Well, no matter how much they invited the press,
03:45they didn't want to talk to any media.
03:49Scream, screaming.
03:51Was there a promise? What did Zaira do?
03:53She said yes.
03:54Like that, up?
03:55I don't believe her either.
03:57What did Wanda say?
03:58What happened here? Can you explain this to me, please?
04:01Yesterday was the event of Sorosky Argentina
04:03in Bullrich Park.
04:04They were invited.
04:05In fact, there was also a rumor
04:07that Wanda was going to be the ambassador
04:09of the brand here in Argentina.
04:10And, well, obviously the brand, what does it do?
04:12It summons the press, the journalists.
04:14To cover the event and the whole story.
04:16Well, Wanda didn't want to give notes.
04:18You can believe it.
04:19Zaira didn't either.
04:20Because Zaira does this to you
04:22knowing that her sister is going to do this.
04:24If not, don't do it.
04:25Well, but that looked like a game.
04:26First, first.
04:27Journalism is not won.
04:29Journalism is not won.
04:31This looked like La Rural.
04:32We throw them behind the fence and we go to the bone.
04:35If the press summons you
04:36and the journalists are going to cover your work.
04:38They were invited.
04:39You have to bet a lot of time there.
04:42Wanda and Zaira are also working
04:44because they are summoned and they make us die.
04:46Of course, of course.
04:47Journalists are also working.
04:49We are not talking about the Cardassians.
04:51We are talking about the sisters.
04:52They are the Argentine Cardassians.
04:53Okay, perfect.
04:54I don't know if they are the Argentine Cardassians
04:56who give notes because they have given notes
04:57for super fucked up things.
04:59Wanda gave an explanation.
05:00Yes.
05:01She uploaded a story where she explains
05:03that the truth is that she no longer wants to give notes
05:05when on the floor they are killing you.
05:07There it is, there it is.
05:10I regret not giving notes.
05:12I love to greet everyone who comes to me.
05:14I take pictures with everyone.
05:16And with respect to the notaries, I value their work.
05:18That's why I always gave notes.
05:19Always.
05:20That's real.
05:21The lack of respect when they come back to the floor
05:23is something that I no longer want to feed or tolerate.
05:25The lack of respect is violence.
05:27Again, sorry to the notaries and the cameramen
05:30who do their job with respect
05:32and now many times sacrificed.
05:34But what did they tell you?
05:35Well, now who is missing?
05:37No, no.
05:38You know what happens?
05:39The notaries, many times, the cameramen
05:41give their face for what they say on the floor.
05:44The same thing happens to the posates.
05:46But that's why ...
05:47They are not all.
05:48Let's see.
05:49They are not all.
05:50Let's not generalize because if not,
05:51all the journalists, all the notaries.
05:53It is mixed.
05:54It is not generalized.
05:55One thing are the notaries,
05:56another thing are the panelists.
05:57But what does it have to do?
05:58But what did they tell you?
05:59As serious.
06:00Did they tell you that there are drug dealers,
06:01criminals?
06:02No, no.
06:03They are poor people.
06:04The reality is that, let's see,
06:05she has her personal family issues
06:07that there are people who take it as a joke.
06:09Gonza works a lot on the street.
06:11How is this subject?
06:12It seems like a total drama.
06:13The notary, the journalist,
06:14as you want to call him,
06:15the journalist who is on the street.
06:16Yes.
06:17Many times, it's true what Naty says,
06:18many times he gives his face
06:19for what happens on the floor.
06:21So, if the interviewee has put the return
06:23and listens to something,
06:24maybe, you know when they say,
06:25he left his cell phone alive, he left.
06:27It's not for the notary,
06:28it's not for the camera.
06:29It's for what you're saying.
06:30You don't have to tell me the truth.
06:31All the notaries are the same.
06:32No, but ...
06:33Gonza, how many times did it happen
06:35that there is a notary
06:37and as the interviewee knows
06:39that on the floor they kill her,
06:41they try to stop the notary.
06:42No, no, but, sorry.
06:43It's wrong, it's wrong, it's wrong.
06:44But, well.
06:45Let's define what kills her.
06:46Because there are programs
06:47that have a lot of elements
06:48to talk about.
06:49But let's define what kills her.
06:50You have the most beautiful blond hair,
06:51your most beautiful brunette.
06:52Guys, sorry, sorry,
06:53let's make a point here.
06:54No, but where is there a problem here?
06:55No, here what ...
06:56Does the father have a cause
06:57for gender violence?
06:58No.
06:59That, for example.
07:00No, well,
07:01also in all relationships.
07:02What is the separation number
07:033934 of Maury Hardy?
07:04But how many times
07:05have we banked
07:06Wanda's statements
07:07inventing things
07:08to promote her products,
07:09her personal history.
07:10Let's not do this now.
07:11Wanda has to feed everyone
07:12with those statements
07:13that you say.
07:14With those statements
07:15that you say,
07:16she has to feed everyone.
07:17Well, but.
07:18I'm saying.
07:19She's the queen.
07:20I'm saying.
07:21But Wanda,
07:22Wanda has reached a level
07:23that she no longer needs
07:24the scandal that happened to her.
07:25It's over, guys.
07:26It's over, it's over.
07:27How is she not going to need
07:28the scandal?
07:29Permanently, guys,
07:30she's in the middle of the scandal.
07:31Sorry, Luca, what do you say?
07:32Let's see,
07:33the scandal is half part
07:34of Wanda's personality
07:35at the moment.
07:36We are in the house.
07:37It's how she started, guys.
07:38The file says it.
07:39No, no, no,
07:40I don't bank,
07:41that's how she started.
07:42You have to see,
07:43she started in a way,
07:44today she is an entrepreneur.
07:45She was always media, Weber.
07:46What are you going to sell?
07:47How did it go?
07:48She didn't change her profile either.
07:49She's not a thinker
07:50from Tibet now.
07:51No, of course not.
07:52She's not everything, no.
07:53She's going to be
07:54Sheffield's seagull
07:55in San Martín.
07:56Let's stop fucking around.
07:57In a month she debuts
07:58with her TV show
07:59and she's going to separate
08:00from Sima Nobel
08:02She needs to be interviewed,
08:04to be shown.
08:05If she doesn't give notes,
08:06what happens?
08:07Today we are in the house,
08:08let's see if she gets bad grades.
08:09And we are talking
08:10on her floor.
08:11If she doesn't give notes,
08:12she doesn't talk either.
08:13Obviously.
08:14What she needs,
08:15she's provoking it.
08:16So what would this be?
08:17A press strategy?
08:18There may be a reading
08:19that you have,
08:20another that I have.
08:21I think Wanda
08:22already has a level
08:23of becoming famous,
08:24as they say.
08:25Of celebrity.
08:26That, of celebrity.
08:27Whatever she does,
08:28she's going to have to talk.
08:29Perfect.
08:30You are all criticizing,
08:31you are all criticizing,
08:32I'm not.
08:33The only one.
08:34The only one that doesn't give notes.
08:35The only one.
08:36If she had given notes,
08:37today we are criticizing
08:38what she said.
08:39So she's in a moment,
08:40whatever she does,
08:41she's going to be criticized.
08:42But don't you think
08:43it's too much?
08:44In the weeks that
08:45Susana Jimenez
08:46even talks with a post,
08:47because she stops anyone
08:48and talks to everyone,
08:49treats them well.
08:50On the street.
08:51Sometimes with a
08:52kind of weird intention,
08:53she goes to all the
08:54little things,
08:55everything that...
08:56How are you not going to talk?
08:57What's the problem?
08:58Who mistreats you?
08:59Who mistreats her?
09:00Who mistreated her?
09:01Do you know someone
09:02who mistreated her?
09:03Susana Jimenez
09:04gave a conference.
09:05Yes, she gave an interview
09:06to each one.
09:07Martin Fierro
09:08passed directly.
09:09Guys, but she went around here,
09:10here to Olga,
09:11the streaming came out,
09:12she takes pictures with people,
09:13it's not so dramatic.
09:14How did she go around here?
09:15Do you mean that Palermo
09:16is much less top
09:17than El Patio Urbano?
09:18No, as far as I go.
09:19No, but Olga also goes
09:20for the relationship
09:21she has with the production
09:22of Olga,
09:23it's not that she goes
09:24because she wants it.
09:25She also goes to Olga
09:26because the audience
09:27that she consumes with Olga
09:28has a lot to do with her.
09:29In that case,
09:30Bilouta, for example,
09:31it's a Sarovski event
09:32and no one is going
09:33to cover the brand,
09:34they are going to cover
09:35because there is Wanda.
09:36The production summons,
09:37the production told Wanda
09:38to give them notes
09:39because Wanda out there
09:40does not exist.
09:41No, not for me,
09:42not for me.
09:43The brand hires
09:44the celebrity
09:45who pays to attend
09:46and the brand does
09:47what it wants
09:48and gives notes
09:49to the audience.
09:50No, no, no,
09:51you can also tell her
09:52only at the event
09:53there is talk
09:54about the exclusivity
09:55of the product
09:56that is going to be promoted.
09:57For example.
09:58But you think
09:59the brand knows
10:00who is hiring
10:01and for what?
10:02You think
10:03if you go to a concert
10:04they will tell you
10:05ma'am,
10:06can you tell me
10:07how the jewelry is?
10:08Sure.
10:09Let's see what happened
10:10because there was
10:11Mr. Christian Mercatante
10:12who even made
10:13a little sign
10:14and they passed it
10:15over and treated him badly.
10:16Look what happened,
10:17look,
10:18forgive the hand there,
10:19look,
10:20let's see,
10:21let's see,
10:22let's see,
10:23let's see.
10:24Well,
10:25we are in Bullrich
10:26with Saira
10:27and Benjamín Vicuña.
10:28They asked us
10:29all to wait
10:30on the side
10:31that goes to Posadas,
10:32all the journalists
10:33and cameramen
10:34there
10:35and suddenly
10:36we realized
10:37that Saira
10:38is already sitting.
10:39I don't know where
10:40she appeared
10:41like a ghost.
10:50There is Wanda
10:51greeting
10:52the American breakfast.
10:53Hello, Saira.
10:54Then
10:55you make me a note.
10:56Ready.
10:57I promise you.
11:04Wanda says no,
11:05Saira says yes.
11:06We are going to try
11:07to catch them both.
11:14Well guys,
11:15confirmed,
11:16we were deceived
11:17by the production
11:18of the parade.
11:19They told us
11:20that the two
11:21entered through Posadas,
11:22they made us wait,
11:23put yourselves here
11:24in order,
11:25all together
11:26and they put them
11:27through Libertador.
11:28We are going to make
11:29a little sign
11:30to see if we communicate
11:31with her.
11:32Wanda,
11:37you give us
11:40a
11:43note.
11:45We are going to show this
11:46to see if
11:47we are lucky.
11:49There we show
11:50the sign to Wanda.
11:51Let's see,
11:52she is looking
11:54There she goes.
11:55There she reads us.
11:56There she reads us.
11:57Look,
11:58Saira, you yes.
11:59You Saira yes.
12:02Wanda yes,
12:03we are going to loosen her.
12:04And you too.
12:06And you too.
12:09Oh, they take her up.
12:12They take her up.
12:13They take her up.
12:16Well, let's see.
12:17Are we going to the street?
12:20Let's see,
12:21we are going to run
12:23Saira, Saira,
12:24how are you?
12:34Look at the amount
12:35of security there is.
12:37There are
12:38the two sisters.
12:41Let's see if we can
12:42get to a question.
12:48Don't touch me.
12:49There is a problem
12:50with security.
12:52Don't touch me.
12:53There is a problem
12:54with security.
12:55Don't touch me.
12:56Don't touch me.
12:59There is a problem
13:00with security
13:01and with the
13:02colleagues of the press.
13:05Wanda, Wanda.
13:10Did they ask you
13:11for the empty one?
13:12No.
13:13No?
13:14But we want to know
13:15why we can't talk
13:16if they invited us
13:17to talk
13:18with Wanda and Saira.
13:21They are
13:22arranging
13:23how to get her out.
13:24The only thing
13:25they want is
13:26to avoid the press.
13:27They are talking
13:28among the security
13:29to see
13:30how to get her out.
13:31They are agreeing.
13:32There is a kind
13:33of meeting
13:34between the people
13:35who organize
13:36Wanda and Saira
13:37and the security.
13:38Wanda,
13:39for breakfast,
13:40how are you?
13:44How many questions?
13:45I don't concentrate
13:46if they ask me
13:47so many questions.
13:52Are you alone
13:53or are you separated?
14:02Well,
14:03even if they invited
14:04the press,
14:05they didn't want
14:06to talk to any media.
14:10Rubia,
14:11was it Rocío
14:12who called
14:13the journalists
14:14to come?
14:15Because someone
14:16is going to talk.
14:17We don't like
14:18celebrities
14:19because there are
14:20a lot of people
14:21who don't know
14:22how the press is.
14:23If someone
14:24calls you,
14:25for example,
14:26the press
14:27of the brand,
14:28in the case of Swarovski,
14:29to the press,
14:30they are not promising
14:31that the celebrity
14:32is going to give a note.
14:33They call you
14:34to cover the event
14:35that is going to be
14:36the celebrity.
14:37If you can catch her,
14:38catch her.
14:39But we don't like her
14:40because we think
14:41that she has to
14:42give a note.
14:43And you,
14:44if you are a journalist,
14:45what do you do
14:46in a program?
14:47Do you go just
14:48to take a picture?
14:49Or is it the other way around?
14:50You didn't get me.
14:51No, I got you.
14:52You said that
14:53the press called.
14:54But the brand said
14:55she was going to come.
14:56No, no, no.
14:57The press calls.
14:58The journalist
14:59is going to cover the event.
15:00If the celebrity
15:01doesn't give you the note,
15:02you can leave.
15:03I didn't ask her
15:04for the note.
15:05Catch her
15:06with the press,
15:07not with Guadalajara.
15:08The call was
15:09because they were
15:10going to talk.
15:11No, no,
15:12wait for them
15:13to call to give the notes.
15:14Wait for them
15:15to call to attend the event.
15:16They are all called.
15:17Wait for them
15:18It's free, too.
15:19He calls him, that it's going to be Wanda, that it's going to be Zaira, and that they're going to give notes.
15:22Yes.
15:23That's what they tell him.
15:24Maybe Mrs. Zaira, very kind, said so.
15:26Then he took it away.
15:27We're not talking about that.
15:28It seems to be an argument.
15:29I give it to you.
15:30I give it to you.
15:31And then I tell you, oh, I'm going to go over there quickly.
15:33Zaira said yes, because the whole camera was with Wanda.
15:36Guys, all right.
15:37All right.
15:38But I can't believe the lack of sensitivity of you with our partner, Cristian Marcatante,
15:43who even wrote a sign.
15:44I don't give up.
15:46Do you think this is the only thing?
15:48No.
15:49There was more.
15:50Look at the second part.
15:51Look, look.
15:54Well, guys, I'll explain to you how all this happened.
15:56Wanda and Zaira, security enters through this door.
16:01Yes?
16:02Notice that it is closed to the public.
16:04No one can enter.
16:06No one can come and enter.
16:09The cameramen and the mobile operators made us stay at the other entrance, on Posadas Street.
16:15They entered through here.
16:17This was all full of people.
16:20They went down each step to be able to get there without contact with the people,
16:26who do not ask for photos, autographs, greetings.
16:29And they sat right here.
16:34Here is Zaira and here is Wanda.
16:36You couldn't access.
16:37Neither that side, nor this one, nor that one.
16:39They were completely armored.
16:42When the parade ends, they take her out in the same place.
16:45All the press was waiting for her there.
16:47They come to take a picture, where the girls are taking pictures now.
16:51Are you Wanda to give you a note?
16:53No, no, it's not Wanda.
16:54False alarm.
16:55Well, Wanda stays here making a note.
16:58All of us there.
17:01They make us the barrier.
17:02They climb it.
17:04They climb it up this mechanical ladder.
17:06Which at that time was running.
17:07They were heavily guarded and without contact with the press.
17:11Up to the car.
17:12And then they didn't let us out to go to the car.
17:15Because we wanted, we said everything, well, now we go and we follow them to the car.
17:19They didn't let us.
17:22They didn't let us.
17:23Obviously, it's clear.
17:25They can talk, they can not talk, they can feel like it.
17:28But they know that if they are going to go, all the journalists are going to look for a note.
17:31Nothing happens.
17:33Talk to Mrs. Canosa who has the invitation here.
17:36You are defending everything as a football player.
17:40No, no, stop, stop, stop.
17:41But you are saying that Cristian didn't give you the note, he didn't get it.
17:44No, because we would have gone together with Cristian Mercatante.
17:47What I say is that in the invitation it says,
17:50Mrs. Wanda Nara and her sister, Zaira Nara, will be at the event.
17:54That's already kind of ugly, right?
17:55It says there that they are going to give notes, it says there and they will give notes.
17:58Don't put the brand.
17:59Done, perfect.
18:01If they don't put that they are not going to give notes, I can assume that they are going to give notes.
18:04But if they don't give notes, they don't go to the Loro.
18:06Okay, but you assume, it's not reality, Canosa.
18:08Okay, but neither is reality yours.
18:10The debate is not what you assume.
18:12Nor what you assume either.
18:13No, but I'm not assuming anything.
18:14I'm saying, they go to an event, they don't have an obligation to give the note.
18:18Now, if the journalists and the journalists are offended because they don't want to give the note,
18:21it's the problem of the journalists.
18:22She doesn't have to give the note, she is obliged.
18:24Pay her and she will give it to you.
18:25What do you mean pay her?
18:27Of course.
18:28If you pay her, if you, no, if you pay her, well, she has an obligation because you paid her.
18:33But Wanda, Wanda, guys, Wanda is the environment, she is part of the television industry.
18:37It seems to me that we cannot erase, let's say, how Wanda started and I'm not saying let's go back,
18:43I don't pretend to be Mrs. Pacata.
18:44I say, I say, that always, always the media have given her a good push for a lot of promotions.
18:50And it yields a lot.
18:51It seems to me that it is not good that she leaves the chroniclers planted and does not speak.
18:56She is not planted, she was a consultant, we are going to assist you.
19:00Speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak, speak.
19:06They send me to cover an event, to interview Wanda because the press is calling you to give her a note and you arrive,
19:12they tell you, enter through posadas and enter through libertador.
19:14Well, they are already discrediting you.
19:15You start with your ass face.
19:16Obviously.
19:17Wait, why are you telling me?
19:18Then he turns around and walks through everything.
19:20But who told you, Wanda enters through posadas and you say, why do we hold on to Wanda?
19:23No, but wait, if the press calls you, Wanda's press, to interview her at an event,
19:27and the press tells you, come in through posadas and enter through libertador,
19:30here you feel like an idiot.
19:31Totally.
19:32You would not like it.
19:33But what does it have to do with feeling like an idiot?
19:35Obviously I would not like to go to cover a note and not give it to me.
19:39I understand the work of the chronicler, but I also understand Wanda's position,
19:44that she does not want to give notes because many times she is killed.
19:47You understand?
19:48They give her a note, they tell her everything is fine and when she finishes giving the note, they kill her in the programs.
19:52How many times, Wanda?
19:54She can choose to give the note or not.
19:56Now, this girl Rocío, who was the press of the event, is not the press of Wanda.
20:01She is from the event.
20:02I ask a question with a hand in my heart.
20:05She does not know who she is calling.
20:06She is calling a media personality.
20:08Does it hit her so much on the floors when they interview her?
20:10Yes, it kills her.
20:12Yes, it kills her, guys, please.
20:14Sorry, with all due respect to Wanda, with her trajectory and all that.
20:17How long has Wanda been talked about so brutally, as it was done in the beginning of the 2000s or even in the beginning of the 2010s?
20:23It seems to me that Wanda's personality was kind of shocked by this world and now these things happen to her.
20:28Now, when they invite you to an event like this, you are expected to give at least one note.
20:32If you don't give it, it's your fault.
20:33Now, offending you because you didn't give the note, because they are chasing you, is a stupidity.
20:37Exactly.
20:38Wanda is in the wrong place.
20:39Exactly.
20:40Here comes the show of...