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00:00A FEW HOURS LATER
00:07Antonia, how did you come alone?
00:10Well, it wasn't worth it for Petro to come with me again.
00:14I've been quite late this morning.
00:19Well, what did the doctor say?
00:22That I probably have sarampion.
00:25And that I have a lump in my neck that doesn't look good.
00:30Can I help you with something? Maybe I can keep you company in my free time.
00:34No, no, no. I'm perfectly fine on my own.
00:36I just need to rest a bit.
00:38I'm not even dizzy, I don't have a fever.
00:40Don't worry, really, sarampion doesn't kill anyone.
00:43Well, maybe I can ask for a more modern permission, even if I can be alone.
00:47That way I can help you with the house, or the kitchen, or...
00:50No, really, no.
00:52Besides, have you ever had sarampion?
00:54No, I don't think so.
00:55Well, then don't even get close to me, because it's very contagious.
00:58What we're going to do is that you stay at Petro's house.
01:00I'm sure he doesn't mind.
01:02Besides, you have an exam tomorrow, don't you?
01:06Antonia, are you okay?
01:08Yes, yes, yes, I'm fine. It's just that I feel a bit lazy, that's all.
01:10Look, I'm going to stay with you and I'm not going to go to work.
01:13Marta, it won't be necessary.
01:15I've had sarampion.
01:17I could take care of you, Antonia.
01:19No, no, no, really, no.
01:21There's no need, I'm fine.
01:22Antonia, don't be stubborn.
01:24If Alegua notices that she's lacking strength...
01:27I'm fine, really.
01:29Look, Antonia, sarampion is not a joke.
01:32It's much worse in adults than in little ones.
01:34Or maybe he doesn't know.
01:35The best thing is that we go to his house.
01:39There's no need.
01:40Give me your arm to twist.
01:42Otherwise, I won't leave you alone.
01:43Of course, you have to promise me that you'll both be fine.
01:46If not, I'll stay.
01:47We'll be fine, Marta.
01:57Let's go.
02:21Celia, what a surprise.
02:23I'm sorry, I'm half asleep.
02:25But if you want, come in.
02:29I'm sorry I showed up so early.
02:32I'd like you to help me choose a sketch for the suffragists' poster.
02:37Don't worry.
02:39I just made coffee, do you want some?
02:42Thank you, I'd love some.
02:45I've spent the night working between some ideas and others,
02:48and I haven't paid attention.
02:50Well, make yourself comfortable and I'll serve you some.
03:01Look, I brought you three sketches.
03:08This one, this one, and this one.
03:12Wow, you've been working a lot.
03:15You're so talented.
03:18Thank you very much.
03:21But I can't decide which one I like more.
03:28Well...
03:33I think this one is the most eye-catching.
03:36And I think it's prettier.
03:38It's also my favorite.
03:41Would you help me choose a sentence for the poster?
03:45So suddenly?
03:47I don't know, let me think.
03:51What do you think?
03:53Women, equality, and voting.
03:58I like it a lot.
03:59It's short and easy to remember.
04:01Fewer words are always better in the poster,
04:04and in the streets the slogans are heard more clearly.
04:07Very good.
04:08I won't tell you more.
04:09Women, equality, and voting.
04:11And would you put it here?
04:13Yes, here, so it doesn't block the design.
04:17Very good, I think it's a great idea.
04:19Besides, I think women, equality, and voting is catchy.
04:22We should open a big advertising agency.
04:25It would be great.
04:26Yes, I would put the images and you the words.
04:29We would make an unstoppable team.
04:34Celia, I'm glad you came.
04:38But I've been thinking about what you told me yesterday,
04:41that it hurts you to be close to me.
04:43And I want to tell you that I understand and respect it.
04:46I imagine it's not easy for you.
04:49The truth is it isn't.
04:52I also wanted to tell you that,
04:54giving you the space you need,
04:56you're a very important person to me.
04:58You're not only my partner,
05:00you're also my best friend.
05:04I like hearing that.
05:07But if I tell you the truth,
05:09I don't know what the future holds for us.
05:11I think friendship can last forever.
05:14Love is something else.
05:17I can't comment on that.
05:20It's the first time I feel something like that for someone.
05:23I guess I need time to handle the situation.
05:26I'll give you all the time in the world.
05:29Celia, I don't want to lose you.
05:40Mrs. Franza, please, come with me.
05:42There's a mess.
05:43We have to see the people.
05:45Let's see, where?
05:47Here, on that table.
05:51They're already here, the newlyweds.
05:53What a joy to see you.
05:55It's been a long time,
05:57but you don't know how much we've missed you.
06:02What's the matter?
06:03Has the family given you too many hugs at the wedding?
06:05Don't you want more?
06:06Of course.
06:07Now they just want the love from one to the other.
06:09And the rest of us.
06:11Trini, come here.
06:12Two kisses.
06:16So, how was it?
06:18Well, it was exciting.
06:21Anything else?
06:22Any anecdotes?
06:24Well, the typical thing about weddings,
06:26the joy, the laughter.
06:28The nerves, too.
06:29Well, it's better if there are no anecdotes.
06:31Because my family, one day,
06:32my uncle kicked them out.
06:34He went to the other neighborhood,
06:36he sat in a chair,
06:38and we thought he was sleeping on the floor,
06:40but he didn't.
06:41He fainted.
06:42That's life, Miguel.
06:43They're all fine.
06:45As long as it matters.
06:47And the first night?
06:48Esperanza, don't be so indiscreet.
06:50Well, snore or not snore.
06:52Well, obviously I'm not going to tell you
06:53about something so intimate.
06:55No, you're such a snob.
06:57Well, who took the bouquet?
06:59Aunt Odulia or Aunt Ramona?
07:01Ramona.
07:03Let's see, what did we agree on?
07:05Well, we agreed that
07:07both of them fought for the bouquet,
07:09because they both want to go to the altar.
07:11Yes.
07:12Well, but since you didn't fight,
07:13and you went to the altar,
07:14do us a favor and give us a kiss
07:16so that we can enjoy
07:18being married.
07:19Kiss, kiss, kiss.
07:24But what kind of kiss is that?
07:26If you gave her a grandmother's kiss...
07:28No, no, a movie kiss, Miguel.
07:30Like this.
07:31What's melon doing?
07:33Ham.
07:35Well, there will be time
07:36for the love demonstrations,
07:38but now I have a kiss.
07:39Yes, me too.
07:40Bye.
07:43Are you okay?
07:47The poor thing has caught measles.
07:50She won't be able to come to work today.
07:52She asked me to tell you that
07:54and to apologize.
07:55Measles?
07:56Yes, measles.
07:57It seems so.
07:58And it won't have infected her, right?
08:01No, no, don't worry.
08:02I had it when I was a kid.
08:05And I wasn't going to be so irresponsible
08:07to come to work
08:08if it could infect someone.
08:10Well, I'm very glad.
08:12By the way, have you already thought
08:14about what you're going to prepare
08:15for the breakfast at the Puerta del Sol
08:16the day after tomorrow?
08:17Yes.
08:18Thinking of the place,
08:19I think something typical,
08:21like, I don't know,
08:22the San Isidro rolls,
08:24the marquillos,
08:25or the torrijas.
08:27Very good, very appropriate.
08:29But get down to work
08:30because you don't have much time.
08:32Don't worry.
08:33I know how to organize myself.
08:39Mrs. Lázara.
08:41Pietro.
08:42Marta arrives late.
08:44Excuse me,
08:45I had to wait
08:46for someone to stay with Antonia.
08:47The poor woman is sick.
08:49What an excuse.
08:50That's not the problem of the place.
08:52Get to work.
08:58Marta.
08:59Who has been taking care of Antonia?
09:02Well, Pietro,
09:03you won't believe it, but Lucia.
09:05Lucia?
09:06Alone?
09:07Did I hear correctly?
09:08No, no.
09:10My God, this is crazy, Marta.
09:12And how could you
09:13let it happen?
09:15Well, I don't know, Pietro.
09:16You know Lucia is very persuasive.
09:18Even Antonia thought it was a bad idea,
09:20but she insisted and...
09:22well,
09:23that's how it is.
09:24And well,
09:25it's a disaster.
09:37I would go to Santa Lucia...
09:42Lucia, please.
09:43Can you stop singing?
09:46Sorry.
09:47I didn't think it would bother you.
09:50Do I do it that bad?
09:51No, it's not that.
09:52It's just that my head hurts.
09:53Really,
09:54if you need to do anything outside,
09:57you can go.
09:58I'm fine.
09:59I'm just dizzy.
10:01I'm glad you're better,
10:02but you should be more cautious.
10:04The fever weakens a lot.
10:06You should sit for a while
10:07and stay still.
10:16And don't scratch yourself, Antonia,
10:17it's much worse.
10:18Please,
10:19can you stop treating me
10:20like a child?
10:21I know perfectly well
10:22what I need,
10:23and that is to stay alone
10:24and rest.
10:26Well, I agree,
10:27but in half.
10:28Because apart from resting,
10:29you should have a good soup
10:30that will make you feel wonderful.
10:32I'm not hungry.
10:33I'll need to put liquids.
10:35For that,
10:36a soup is the work of a saint.
10:38I already told you I'm not hungry.
10:40You know what?
10:41I'd better go to the bedroom.
10:43But I'm telling you
10:44I made you a soup, Antonia,
10:45and you don't even want to try it.
10:47No, I'm not hungry.
10:48I already had a broth before.
10:49A broth?
10:50Yes.
10:51But a broth,
10:52what is a broth?
10:53It's much better,
10:54a soup,
10:55it's much more healing.
10:56It has pieces of chicken,
10:57fresh vegetables,
10:58ginger,
10:59which is the work of a saint.
11:00Ginger?
11:01Yes, ginger.
11:02It deflates.
11:03All my life,
11:05I've been looking for it.
11:07What's wrong?
11:08You don't trust me?
11:10Look,
11:11I don't trust you.
11:12I think I lack reasons.
11:14Since you arrived,
11:15my world has been shattered.
11:17All my plans
11:18have been ruined.
11:19Yes, I can't stand you.
11:21No, right,
11:22I can't stand you either.
11:23That's not why I have a bad intention.
11:24Oh, it's not because
11:25you want to take Pietro away from me?
11:27Well, that depends,
11:28because I think
11:29you want to take him away from me.
11:31If you didn't exist,
11:32I would be delighted to have you with me.
11:35Antonio, you have a very high fever.
11:38You have a very cold hand.
11:40Look, Antonio, you know what?
11:43It would be great if you stopped behaving like a child.
11:48Let's clear a few things up.
11:50I understand that Pietro has chosen you.
11:53Another very obvious thing is that you have sarampion.
11:56And at this age you have to be careful.
11:59And besides, you need help.
12:01And right now, I'm the only one here.
12:17Hello, uncle.
12:18Hello, darling.
12:19Did you know that Mrs. Bárbara has been arrested?
12:22I saw it on the covers of the newspapers when I came here.
12:25Yes, I've already been informed.
12:27The police arrested her right there.
12:29In the office of the Morro Cuente company.
12:32Incredible.
12:33Apparently it was a whole show, nothing gratifying, by the way.
12:36What amazes me the most is the amount of lies
12:39that she and her daughter were hiding.
12:42Well, I hope we lose sight of them.
12:44Because it is clear that having them close only brings us problems.
12:48And I hope it does not affect the reputation of the gallery.
12:51Customers do not think that this has become a nest of criminals.
12:55Don't worry.
12:56People will understand that this is an isolated and punctual case.
13:00Well, just in case, Agustín and I have already met Don Fabio del Moral.
13:03Oh yeah? Have you met Agustín?
13:06I didn't know.
13:07The last time I saw him was yesterday, rehearsing with Inés.
13:10Agustín is being tremendously generous with your sister.
13:14Yes.
13:15The truth is that we are both very lucky to have met him in life.
13:20What Agustín behaves excellently with your sister,
13:23I am not sure, but I wonder if you are also happy with him.
13:29Yes, I am very happy to have met him and to share so many things.
13:34I think I have finally found a man I can trust.
13:37I am very glad that you finally find someone who excites you
13:41after all the bitter drinks you have had, darling.
13:44Yes.
13:45Well, maybe it's not the only one.
13:50If you mean Mrs. Lázara, I think that will go a little slower.
13:55It is something more complicated than yours with Agustín.
13:59Can you tell me why?
14:02I have just asked for more time.
14:08By the way, you and Celia have not arrived at the store. Is something wrong?
14:13No, no. She is at the press.
14:16Collecting some posters for the event that we are going to celebrate in Madrid Cabaret of the suffragists.
14:21I hope it does not bother you that we have done it elsewhere.
14:24No, darling, of course it would not be necessary.
14:26Now yes, be careful, do not get caught in the act.
14:30Do not worry, we will be attentive.
14:33And does Celia know what she is going to do? Is she going to leave? Is she going to stay?
14:37No, she is still thinking about it.
14:40Well, it's a difficult question, but let's hope she decides soon
14:44We will also have to make some decision about the store if she finally leaves.
14:48Yes, I will remind you with all my left hand that I can.
14:52Between you and me.
14:54Thank goodness that in love I am fine, because business is a bit uncertain.
14:59Well, consider yourself lucky.
15:02Love is much more important than business.
15:06Yes.
15:14Well, man, bookkeeper, let go of the garment.
15:18It seems that you have made a point of silence.
15:20Maybe you want to know a lot, Elias.
15:23How was Leonora at the wedding? Was she pretty?
15:26Yes, right? You have to see how pretty.
15:29My mother-in-law was not there.
15:31What? But that can't be, with the illusion that she was.
15:34It seems that the woman did not die of desire to go up in a donkey to the hermit.
15:38She is already of an age.
15:39Well, whatever she has, that is not asked.
15:42And less to her with how well she is.
15:44Miguel, you don't know how eager I am to see her again.
15:47Well, in fact, it was the hardest thing for me not to go to your wedding.
15:50But well, knowing that she has not gone, it hurts me much less, the truth.
15:54With all the affection, I tell you, but I think it's time for you to get that idea out of your head.
15:58Forget about my mother-in-law. You were not wise before and you are not now.
16:02You know that love has reasons that reason does not know.
16:05Yes, that said Pascal.
16:06Well, very well said for that Pascual.
16:08No more talk.
16:09Well, I'm going inside, I have a lot of work to do.
16:11See you later.
16:12Hey, Chacita.
16:13Good morning.
16:15Man, Miguel, how are you?
16:17Congratulations, huh?
16:18Thank you very much.
16:20How about your life as a married man?
16:22Well, as always.
16:24Since I was already married, it did not change.
16:26Well, yes, now we don't have to hide.
16:28You don't know how happy I am, Miguel.
16:30You make a great couple.
16:33And you already know what your father's plans were?
16:38You won't believe it, Miguel, but my father wants to marry me to the daughter of a businessman.
16:43Seriously?
16:44So serious.
16:45Well, I thought those things were no longer happening.
16:48There was a situation and what are you going to do?
16:50I told him it was a horrible idea and that I really liked Marta.
16:53And he told me that if I didn't listen to him,
16:55that I would kick her out of the bookstore and that I would fire her from La Moderna.
16:59Do you understand, Mr. Salvador?
17:02In all these years that we have dealt with each other, I have never seen such attitude.
17:05He says he does it for me, but I don't believe it.
17:08No, of course, I understand.
17:10Even if Marta didn't exist, it seems old to me to deal with those celestinages for a social position.
17:15My father is not a bad man, but he has always been very aware of money and appearances, you know?
17:21Well, I already feel that you are in this situation, Salvita.
17:24Thank you, Miguel.
17:25I just don't know what to do.
17:27I hate having to accept his blackmail, but I know Marta needs the money.
17:30Well, what would you do in my situation?
17:32Well, that has a difficult answer.
17:36I would prefer not to give you my opinion.
17:38It's not going to be that instead of helping you, make the matter even worse.
17:45And about my future, did he mention anything?
17:50Oh, well.
17:52He told me that he had forgotten to call you to congratulate you on the wedding.
17:57And he mentioned something about seeing me in another bookstore by chance.
18:02In another bookstore, no. Why?
18:04No, nothing, nothing. My thing.
18:21Good morning, Don Fabio. Is it a good time?
18:24Of course, come in.
18:27I was reading what has been published about the detention of Doña Bárbara.
18:32And do you know anything else, apart from what the press brings?
18:36Well, no. Unfortunately, I have not tried to talk to her, but they have not allowed me.
18:40At the moment, she is still detained at the police station at Puerta del Sol.
18:45Well, beyond the personal issue, and as I also told you yesterday,
18:48the gallery's businessmen are experiencing all this news with great concern.
18:53Fearing not to know how all this will affect our businesses.
18:59Yes, the crimes of Doña Carla and her mother have been filled with many rumors, many comments.
19:04And what is worse, they have created an atmosphere of uncertainty that is neither good for business nor for investment.
19:13I understand that a stir with such luctuous events worries you.
19:18Believe me, I'm sorry.
19:20I wish I could do something else so that no one suffers from these rumors,
19:23but it is not in my hand to stop these rumors.
19:26No, of course it is not in your hand, even if you wanted it.
19:29But we wanted to ask you, what is going to happen to the Morcuende group?
19:35Doña Carla has fled and her mother is in prison.
19:38Who is going to lead the prison group now?
19:41Maybe you have chosen.
19:43No, no, no. I'm sorry to disappoint you, but no.
19:46I only try to help Doña Bárbara in a provisional way.
19:50I have no idea of the decisions that mother and daughter may make from now on.
19:58Excuse me.
20:02Tell me.
20:05Yes, it's me.
20:09Doña Bárbara.
20:12Good.
20:14Well, thank you for letting me know.
20:20Forgive the indiscretion, but ...
20:24Was it Doña Bárbara?
20:26No, it was a police officer.
20:28He has told me that the judge will release her on probation under bail.
20:43Doña Bárbara.
20:59Oh, what a scare, woman.
21:00What are you doing to me, woman?
21:02Nothing, nothing, I think these days ...
21:04Well, I've put on a little weight.
21:06Well, one only marries once in life, nothing happens to make an excess.
21:10Well, it is also true.
21:12Oh, Trini.
21:13I've been thinking a lot about you these days.
21:15Me too, a lot.
21:16I've been thinking a lot about you.
21:17I was there at the convite, I saw a couple of wrong glasses and I thought ...
21:21If Teresa had seen this ...
21:23Come on, come on.
21:25On such an important day you will be thinking about that.
21:28Well, tell me, how are you?
21:30How do you feel being a married woman?
21:32Well, I'm normal, as always.
21:35Well, with more kilos.
21:37Well, but something will have changed your life,
21:39even if it's just because you go from living alone to living with your partner.
21:43Well, when you get married, you don't get to live together, but to fight.
21:46Because it's getting married and overnight, by magic,
21:49things start to happen like socks lying everywhere,
21:53or dishes without scrubbing, not to mention having a man snoring in your ear every night.
21:59Well, it looks like you've been married half your life.
22:02Well, look, I've realized this in how little I've been married.
22:05Can you imagine?
22:07But, well, everyone says that in the end everything works out, right?
22:10So, let's see if it's going to be true, that love can do anything.
22:15Well, yes.
22:18What?
22:19What's that high school smile you've put on?
22:22Oh, oh, oh, mother, I've been gone a few days and he's fallen in love.
22:29Sit down, I have to tell you something.
22:31Oh, oh.
22:35Oh, mother, what?
22:40I'm only going to say one word.
22:42Well?
22:44Shut up.
22:47No.
22:50Oh, I can't believe it, but how did it go?
22:53Tell me everything, please, what happened?
22:57Well, Trini, I don't know, it was all very fast and very nice.
23:03Oh.
23:06Well, the thing is that Cañete confessed to me that he was still in love with me.
23:10And look, Trini, he told me in such a beautiful way, so honest, so ...
23:17I don't know, Trini, that suddenly I saw it clear.
23:19Well, of course I saw it clear, yes, I see it clear for both of us.
23:23Oh, Trini, I've realized that with him I feel calm, I feel good.
23:28He's there for me and I can be myself, so what's better than that?
23:32That's the most important thing.
23:34The most important thing.
23:35Oh, I can't wait to see Cañete, I can't wait to see him.
23:38No, no, no, please, don't tell him anything, we're going to keep it a secret for now.
23:42But, well, Cañete can talk to him.
23:44No, neither him nor Miguel.
23:47Well.
23:48Do you keep it a secret?
23:52Come here.
24:03Hey, Salmita, you're so nice.
24:05Stop that, come on.
24:06What's up?
24:08And you know that, Poncio, that I'm going to give it to Marquesita,
24:10as soon as she sees that you're wearing this instead of the waiter.
24:13And what about me?
24:14You take the joke, but I've already told you it's true.
24:16In fact, I've made the decision and I'm going to leave it to her, yes or yes.
24:20Well, I know you're going to leave it to her until she sees it, I'm not going to believe it.
24:33That lemonade looks good, darling.
24:36What doesn't look so good is that mania of yours.
24:40What mania?
24:41The one of talking to the slut of the bar.
24:42I don't know what trust she has in you.
24:44I trust her, Vanessa.
24:46But, well, that's what friends do.
24:48You're a friend of the slut?
24:50Really, Salvador, you're a box of surprises, huh?
24:53And I thought that when they introduced you as my future boyfriend, I was going to get bored with you.
24:57Well, look, I just wanted to talk to you about that subject, the subject of dating.
25:00Don't worry, I'm already in charge of making it official.
25:03What do you think if we go to mass on Sunday?
25:05Then you'll meet my great-aunt.
25:07Your great-aunt?
25:08Don't worry, she's a very good woman.
25:10What happens is that she has to give you a good look.
25:12I'm sure she does, and when you least expect it, we're playing bridge with her.
25:16Bridge, I see.
25:19You've never played?
25:21Don't worry, I'll teach you.
25:23I'm a very good teacher.
25:24Yes, yes, that's for sure.
25:26But I'm not very good at bridging.
25:28And I won't even tell you about going to mass on Sundays.
25:31Vanessa, you and I are very different.
25:35I really think this is not going to work out.
25:37Don't worry, I'll think of another plan for Sunday.
25:40Don't get overwhelmed.
25:41Look, Vanessa, you're going to kill me, but I'm going to take the bull by the horns because ...
25:45The bull by the horns?
25:46Look, no way, Salvador, you can't be a bullfighter.
25:50Let that tradition show, I don't like it at all.
25:52Let's see, I'm not going to take any bull, don't worry.
25:57It's an expression we use here when we want to face reality and tell the truth.
26:02Do you understand?
26:04And what truth do you have to tell me?
26:12Nothing, nothing.
26:17This lemonade, which is very famous, but it's not for that, don't you think?
26:22No.
26:41Hello.
26:43Don't tell me you want to play the piano.
26:46Because I see it cool.
26:48No, it's just that the man just left because, well, he wanted to freshen up.
26:55Well, are you ready for another great night?
27:06Are you okay?
27:07Yes.
27:08Listen to me, as soon as I shoot, you have to go out the back door.
27:11No, I'm not going to leave you here.
27:12Listen to me.
27:14I love you.
27:15And I love you.
27:18Are you okay?
27:20Do you want me to bring you a glass of water or ...?
27:22No, it's ...
27:25It's just that ...
27:27It's just that I remembered ...
27:30Well, you know.
27:35Look, I don't want to bother you, but I don't want to leave you alone either.
27:38No, yes ...
27:40Yes, I'm used to it.
27:43Since the shooting, well ...
27:46Well, I dream every night with the shots.
27:50Listen, I ...
27:53I'm very sorry for everything that happened to you.
27:56And I understand that it still hurts.
28:00But hey.
28:02All that has already happened.
28:06But ...
28:08I don't understand.
28:10I mean, you have a brilliant present and future.
28:17How can you be anchored in that?
28:22It's just that ...
28:25It's just that it's something I can't control.
28:29Nor nightmares, nor ...
28:32Nor the fears that ...
28:36I would love to forget it, but ...
28:40I can't, I can't ...
28:42Hey, hey, hey ...
29:09Hey.
29:37Hey.
29:38Yes.
29:48Let's see, Vanessa.
29:49It's not that I love bulls, that I mispronounced it.
29:52But well, the English also do strange things, huh?
29:54And what strange things do the English do?
29:56Tea, for example.
29:58There is no God who understands that.
30:00The hot water there with ...
30:01Well, at least we don't eat bull's tail, like here.
30:04Ah, it's also an expression.
30:06Or, do you really eat it?
30:08Disgusting.
30:09Well, there are things that are more disgusting, miss.
30:11That's what I say.
30:13I don't know what you mean, girl.
30:15But well, I imagine that people like you are used to it.
30:18No, it's that everything is eaten from the bull.
30:20And we poor people love it.
30:23Can't you see that we are used to eating cats?
30:25Cats?
30:26Oh my God, how disgusting.
30:28Sure, but that doesn't happen with the bull.
30:30Look, you can eat the tail from the bull.
30:34You can eat the testicles, so breaded.
30:37The blood.
30:38Have you ever tried onion blood?
30:42I'm going to the bathroom for a moment.
30:48Marta, I'm trying, really.
30:50Yes, yes, Salvita.
30:52I was expecting it, you're a coward.
30:54That's it.
31:03Trinidad, you have no idea how excited I am
31:05that you will be the first independent housewife of La Boderna.
31:09Thank you very much, Mr. Fermin.
31:10If you are excited, imagine me.
31:13Well, let's see if this makes me the same excitement.
31:18Here.
31:19My gift for your marriage.
31:21No, thank you very much, but no.
31:22The wedding was so modest that we couldn't even invite you.
31:25Trini, here we are like a big family,
31:27so do me a favor and take it.
31:32Trini?
31:33Okay.
31:4150 pesetas?
31:43But, Mr. Fermin, but, but,
31:45you shouldn't have bothered, thank you very much.
31:48If you don't care about the family,
31:50then who do you care about?
31:55Thank you very much, really.
31:59Trinidad?
32:01Congratulations on your wedding.
32:02I am very happy to have you back in the living room.
32:05Thank you very much and I am also very happy.
32:08Well, I'm going back to work.
32:10Goodbye.
32:11Goodbye, Trinidad.
32:16Of course, what a joy to see Trinidad so happy.
32:19Yes, it is what has a whole new beginning.
32:23By the way, Mrs. Lázara,
32:25how are these first days on your return to La Moderna?
32:30Everything is in order.
32:31Thank you very much for your interest.
32:41Are you okay?
32:43Yes, careless.
32:46Mrs. Lázara, if there is something that I should know,
32:50something that worries you or bothers you,
32:52know that you can count on me.
32:54Don't worry.
32:57It's just that I was moved to see Trinidad like this.
33:01So in love, so corresponding.
33:04She is so lucky to have a man like that by her side.
33:07Yes, Trini and Miguel are two great people.
33:11They are very lucky.
33:14I hope one day fortune smiles on me too.
33:19Anyway, if you'll excuse me, I was just coming for these folders.
33:43And that genius suddenly?
33:45I'm sorry, Matilde, but I get bored a lot.
33:48Come here.
33:55If you want, we can do something, you and me.
33:57Or, I don't know, call your friend Lara.
33:59I've already thought about it.
34:01But I don't know anything about her.
34:03What if she's tired of being my best friend?
34:06Come on, don't be silly.
34:08She'll be bad.
34:09Don't you realize that everyone here is crazy?
34:12I'm sure that as soon as she gets better, she'll come for you.
34:15I hope so, because she's the best friend I've ever had.
34:18I've missed her a lot.
34:21I've missed you too, I'm sure.
34:24Hey, why don't you invite her to have lunch one afternoon?
34:27I really want to meet her.
34:31Which school does she go to?
34:33No idea.
34:35Come on, I thought she was your best friend.
34:38She is, but what does that have to do with anything?
34:40I've never asked her.
34:43Well, she goes to the same school as you.
34:46She's younger.
34:47No, she's older.
34:50She's a year older, not a year older.
35:10Marta, you can't help it.
35:13This tray is not for you.
35:17It's for my friend Clarita.
35:21Marta, thank you so much.
35:26I'm going to get my room and we'll have a snack.
35:30Well, I can't stay.
35:32I have to study for the night school exam.
35:35But I have the grammar book here.
35:38Wait, sit down.
35:41Well, how are you doing?
35:44Good.
35:45I'm not doing well, but I'm doing well.
35:48I want to study, Matilde.
35:50Of course, Marta.
35:52For humble people like us,
35:54it's the most honorable way to get ahead.
35:57So don't say it with your little mouth.
35:59And that's what you have to be in life.
36:01Honorable.
36:02Not like Mrs. Bárbara.
36:04Have you heard what they're saying out there?
36:06That they're two criminals?
36:08Yes, everyone knows that.
36:10No, no, no.
36:11More than that.
36:12That in the end, the two of them will end up leaving Rositas.
36:15With the one they've messed up.
36:17Well, I hope not, Marta.
36:19First, because it wouldn't be fair.
36:21And second, because I couldn't sleep peacefully knowing that...
36:25that my mother's murderer is still free.
36:28I already told you that I caught that liar Cancojo before.
36:31And these two, with how greedy they are, they're going to hook them up.
36:34I've picked up my room, let's have a snack.
36:38Come on, I'm going to prepare the snack.
36:41Well, but I really can't stay long.
36:43I have to study and see how Antonia is.
36:45That poor thing has taken the exam.
36:47Tell her to recover on my behalf.
36:54I'm going to cut you a good piece of cake
36:57to give you energy if you pass that exam.
36:59Oh, Marta.
37:01How delicious.
37:02I'm going to get the plates.
37:04I'll help you.
37:08Marta.
37:19Hi, Lucia.
37:20Hi.
37:21How's Antonia?
37:22Has she woken up? Has she eaten anything?
37:24She's been in her room all day.
37:26But she's woken up to eat.
37:28And since then she's been sleeping.
37:30Something. It's something, isn't it?
37:31Yes.
37:32If she has a problem or needs something,
37:35please call me.
37:36I'll let you know.
37:37Don't worry, Pietro.
37:38I'll take care of her.
37:40Really.
37:41And I'm leaving.
37:43Don't wake her up.
37:45And please, when she wakes up,
37:47tell her that her classmates send her a hug.
37:50That's done.
37:52Don't worry.
38:07Is that Pietro's voice?
38:09Or am I seeing things?
38:10Yes, it was Pietro.
38:11He came to ask about you.
38:14But if you want, I'll run out and let him know so he can see you.
38:17No, no.
38:18I'd rather he didn't see me like that.
38:20He'd be scared.
38:21What's wrong with Antonia?
38:23She told me that her classmates
38:25send her a hug.
38:30Would you like to have a coffee?
38:32It's on the house.
38:34Would you like to have a coffee?
38:36It's freshly made.
38:37Something hot will be good for you.
38:40Yes.
38:41It will be good for me to clear myself a bit
38:44after being there all day.
38:55If you have to do something, really,
38:58go out.
38:59I'm fine.
39:00Don't worry.
39:02I'd rather stay here with you in case you need me.
39:05No.
39:07I'm not that bad either.
39:10Well, you never know with these things.
39:13In the United States, what I thought was a cold
39:17I hardly tell.
39:20Don't tell me.
39:22If it's not because of my neighbor,
39:24I almost die in that room.
39:28She was a very good woman.
39:30She brought me food every day
39:32and cold cloths for the fever.
39:41But Antonia, don't be sad.
39:43That's not going to happen to you.
39:46You have a lot of people who love you
39:48and who take care of you.
39:50I know, yes.
39:54Suddenly I imagined
39:58how she must have felt.
40:01She must have had a very bad time.
40:03A lot.
40:06And she never regretted going so far?
40:10Of course.
40:12But she didn't have any other option.
40:14She was naïve.
40:16She thought she was going there,
40:18she was going to find a good job,
40:20she could bring me my husband, my son.
40:22And you see,
40:24one thing are the plans that one has
40:27and another the ones of destiny.
40:29Yes.
40:32But she doesn't seem naïve to me.
40:35She seems like a very brave woman
40:37who was fighting.
40:41But it hasn't helped me much either.
40:44I was hungrier than in Italy
40:46and I had to do horrible things.
40:49It was a real hell.
40:52Well, don't think about it, Mom.
40:54He's here.
40:57And as we say in Spain,
40:59after the storm,
41:01calm always comes.
41:25Celia, what a surprise!
41:27Sorry for showing up like this, without telling you.
41:30But I wanted to propose something to you.
41:33Maybe it's not a good time, you were studying.
41:36No, yes, I have a square head and I have so much to study.
41:39It will be good for me to rest. Come in, come in.
41:43How is Antonia?
41:45They told me she was with the Sarampion.
41:48Yes, well, there she goes.
41:50She'll be fine, but that Sarampion is very stubborn.
41:53That's why I came here with Pietro.
41:55I don't want us to take him too.
41:57Well, don't worry, you'll be with her in a few days.
42:00Well, I hope so.
42:02Well, sit down.
42:05I'm going to the bathroom.
42:07I'm going to the bathroom.
42:09I'm going to the bathroom.
42:11Sit down.
42:13I'm going to leave this here.
42:16And what is that you wanted to tell me?
42:19Well, you see, I don't know if you know about the event
42:21that we are going to organize in Madrid Cabaret.
42:24It's about the female vote.
42:26And very inspiring women are going to come to speak.
42:30Among them, Clara Campoamor.
42:32Clara Campoamor? I want to go.
42:35That's what it's about.
42:37Marta, I want you to take the floor too.
42:40No, no, no, no.
42:42Well, calm down, calm down, breathe.
42:45But what do I paint with Clara Campoamor?
42:47No, not that I was going to say something that was worth it.
42:50No, no, no.
42:51But Marta, you have a very interesting point of view of life.
42:54But I don't even have a bachelor's degree, Celia.
42:56What do I paint talking next to that woman?
42:59No, no.
43:00Well, look, you should know that that woman was like you.
43:03Did you know that she didn't study bachelor's until she was 32 years old?
43:07She was a fashion designer and a freelancer to be able to pay for her studies.
43:10Of course, when she was that age, she took out her bachelor's degree.
43:13And at four years old, she already had her law degree.
43:16Really?
43:17Mother of God, how beautiful.
43:19She is one of the few lawyers in the country.
43:22So, do you dare?
43:25Well, come on, I think I'm going to go.
43:28But just to meet her, because that woman is impressive.
43:31But not to talk, okay?
43:33That just thinking about people listening to me makes my legs shake.
43:43Oh, Marta.
43:46What's wrong?
43:48That there is something that worries me and that I wanted to tell you too.
43:52I don't know.
43:58Cañete, please come with me to review the orders of the week.
44:04Is that all?
44:05Did I miss something?
44:07Disseminate, man.
44:08What people.
44:09Of course, ma'am.
44:11Let's review the order of drinks, which then happens what happens.
44:16Well, let's see.
44:19We have to ask for water with gas.
44:22I think what we have to ask for is ...
44:27I would ask for another walk with you like the one we took the other day.
44:31It's been a while since I enjoyed it so much.
44:35It's not that retirement at this time of year is a wonder.
44:38It's fine with anyone.
44:39To me, even if they fall on tiptoes.
44:41So I'm walking with you hand in hand.
44:45I liked it too.
44:47I liked it.
44:49But hey, let's not make so many mistakes that in the end they're going to catch us.
44:54Deal?
44:55Deal.
44:57But what I am going to ask of the lady in charge is if she would grant me the pleasure of taking another walk today after work.
45:04Oh, again?
45:08Well, yes, of course.
45:10As long as you stop chasing the ducks.
45:14I never imagined they were so violent.
45:16Look how I have the peck that gave me the courage.
45:19Well, it's that the ducks have given me the opportunity to live in such a relaxed environment in the living room.
45:23They are doing a very good job.
45:25So now yes.
45:32This woman is in a very good mood, isn't she?
45:35I thought we were going to drop the one from San Quintín.
45:38She's too tame with us and I don't think that can be good.
45:43It's not good, Teresa.
45:44It's unbeatable.
45:45The one from Vueltas that has been looking for us.
45:47And do you think she's going to stop now?
45:49No, no, I know Mrs. Alazara.
45:52And if she's so calm, it's because she has a guard on her sleeve.
45:56That or something more powerful.
45:58Powerful? What do you mean by powerful?
46:01Well, like our farewell letter, for example.
46:10You're sick for Laura, aren't you?
46:13Yes.
46:15Well, I need to separate from her because I'm still...
46:21In love.
46:22I can imagine.
46:24But you did well to talk about it.
46:26And in the end, I don't know why you're so worried.
46:28If you're okay.
46:29Yes, yes, yes.
46:30But that's not what worries me, Marta.
46:33If I tell you, promise me you won't tell anyone.
46:37I'm like a grave.
46:39If I haven't told anyone about Laurita, I'll tell them now.
46:43I see.
46:46You see, I had to go to Madrid-Cabaret today to deliver some posters.
46:52And I found Inés and Agustín...
46:56Very close.
46:59Agustín, Laurita's boyfriend?
47:02They were hugging.
47:05And they kissed.
47:08And now I'm not sure what I have to do.
47:10You're not sure of what?
47:12Well, Marta, if I tell Laura, she'll think I'm getting in the way of her relationship with Agustín.
47:16And if I don't tell her anything, I feel like I'm betraying her.
47:20No, Celia, you have to tell Laurita this.
47:22If it's what you've seen, take it and explain it to her calmly.
47:26And in the end, she'll thank you.
47:28Because she deserves to know the truth.
47:38Thank you for letting me know.
47:40If something new comes up, let us know.
47:43Good night.
47:49I'm sorry, I didn't mean to interrupt you.
47:55Who were you talking to?
47:58With Jacob.
47:59He called a while ago because he had news.
48:01Did he confirm it?
48:03Jacob called a while ago because he had news.
48:06Did he confirm what Mrs. Bárbara told the police?
48:09Yes. Carla is in a boat on her way to the Americas.
48:13But there's more.
48:14About Carla?
48:15No.
48:16Jacob told me that Mrs. Bárbara will be released on bail.
48:22But that can't be.
48:24It's impossible to buy that impunity.
48:26It doesn't seem so impossible to me.
48:28He must have made contacts, he must have paid a lot of money.
48:30That's how that family solves everything.
48:32By buying people.
48:33But that's a shame.
48:34Two clear culprits, one runs away and the other is released on time.
48:38It's too much.
48:39It's too much.
48:40I don't know how there can be no justice with the number of corpses those two have planted.
48:45Well, my love, I think what we should do is wait and see what happens.
48:49Because we can't do anything else.
48:51No?
48:52Look, if the police, justice or whoever doesn't take action, I'll be the one to do it.
48:58I'm fed up.
48:59Well, Matilde and me too.
49:01But we can't let ourselves be carried away by anger, because that's what they expect.
49:04And what do we do, Íñigo?
49:06Keep our arms crossed while they live their lives freely?
49:09They kidnapped my mother.
49:12They tried to do the same with Clarita and with you.
49:15I was about to lose everything because of them.
49:17But, my love, you said it yourself.
49:20They have tried, but they have not succeeded.
49:22And I'm sure that sooner or later they will get what they deserve.
49:25But we can't take revenge.
49:27Because justice will take care of that.
49:29No matter how far it is, Carla will try again.
49:32And I'm not going to risk that.
49:37What do you mean?
49:38Carla de Morcuendo has made it very clear.
49:42It's her or me.
49:51You don't need me to tell you how important Laura is to me, do you?
49:54What's this for?
49:55Yesterday I saw you at the Madrid Cabaret.
49:57I saw how you and Agustín were kissing.
49:59There's nothing between us.
50:01Nobody kisses like that if it's not because there's something.
50:04It was a mistake and it will never happen again.
50:07I don't believe you.
50:09You're in love.
50:11And what do you want me to do?
50:13Tell her.
50:14It's time to take action.
50:15To use their weapons, to do what they would do.
50:17Excuse me, but what are you talking about?
50:19I'm talking about the police, about justice, about the judges who should have convicted you
50:23and who have failed us, Íñigo.
50:25Mrs. Bárbara would love you to do something against her
50:28because that would give her a reason to report you
50:30and for you to end up in jail.
50:32The time of words has passed.
50:34What do you think if we go to dinner today?
50:36Lately the three of us have been very busy and so we spend a while together.
50:39You speak as if we were the couple.
50:42It's just that...
50:43And I miss you.
50:44Lately you spend so much time together that you even look alike.
50:47It is a very important marriage for my family to become related to the high court.
50:51A lady like you, who has never had to fight for anything
50:54and who only aspires to be a wife without trade or benefit,
50:57well, it will sound Chinese.
50:59Well, this is too much.
51:00Salvador, are you not going to say anything?
51:02Are you going to let this pedigree insult your fiancée impunity?
51:08I'm waiting for you to put her in her place.
51:10Marta, Vanessa is right.
51:12It's time to put you in your place.
51:15Can you know when we will be able to see those wedding photos?
51:18Since we can't attend, we want to see how it was.
51:20Or how it was, right?
51:21Besides, you have to have a lot.
51:23Almost none.
51:25Don't you want to know why I have entertained myself?
51:28It's none of my business.
51:30You're wrong. Yes, it is.
51:32Yesterday I had to use all my persuasion to convince my neighbor, a jeweler,
51:37that I had to make an order in less than 24 hours.
51:41And I told him that I had done it.
51:44I don't know if you are going to allow me to sit with you.
51:48Well, only if you are in favor of the female vote.
51:51Of course I am.
51:52Antonia, I'm ashamed of myself for not being honest from the beginning.
51:57And now that I know her well, there is something that I am especially ashamed of.
52:02Aren't you ashamed to be sitting next to her knowing that you have kissed her boyfriend?
52:06Celia, please, don't do this to me.
52:09You are giving her too much importance.
52:11I already told you no.
52:12That nothing happens.
52:13I wish you hadn't seen it.
52:15But I saw it.
52:16Inés, I saw it.
52:17And I'm not going to erase it from my memory.
52:19You go with your conscience.
52:21But I'm not going to betray Laura.
52:23I'm sorry.
52:25Do you think Matilde would be able to take justice into her own hands?
52:30Man, I don't know.
52:33But well, luckily Carla is far from here.
52:36Out of our reach.
52:37Are you sure Carla got on that boat?
52:40Yes, I assure you.
52:43You and Matilde can be calm.
52:47I'm sorry.
52:48I'm sorry.