La promesa - Temporada 3 - Ep 417
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00:00FIVE HOURS EARLIER
00:11I was told you were looking for me.
00:13It's not necessary. I'll be brief.
00:16I want a report on the marmalade business.
00:19Costs, margins, clients, suppliers, everything.
00:22Get on with it because I'm in a hurry.
00:25Why is there such a spontaneous interest in the marmalade business?
00:30I'm co-owner of a business that uses my family as a shield.
00:34It's my right.
00:36I understand.
00:38Although, there must be another reason.
00:41I can think of two.
00:43You can save your theories.
00:45I could, but I won't.
00:47Either it's because of Catalina,
00:49or it's because of Maria Antonia.
00:51There's no other reason than the one I told you.
00:53You know, that's the reason why you're not a businessman.
00:58You're very bad at lying.
01:01Think whatever you want. I want the report tomorrow.
01:05Why don't you tell me the truth?
01:09Whether it's because of your daughter or Maria Antonia,
01:11it's very clear what you're up to.
01:13You want to surprise me.
01:15Find some excuse to kick me out of the business,
01:19but you won't find anything.
01:22And, you know, I should be offended by your request.
01:26But I remember that I've been the one
01:28who has kept this business afloat all these months,
01:30since your daughter and her boyfriend's green floor abandoned it.
01:34I told you that you can think whatever you want.
01:37Do you have a moment, Marquis?
01:39I'm sorry, I didn't know you were meeting.
01:43We just finished.
01:55I'm sorry.
02:10What's wrong?
02:11It's my mother. She's back.
02:13What do you mean, she's back? Is she in the palace?
02:15No, no. She's already left.
02:17But she's back this time.
02:18I don't know. Don Rómulo took care of her
02:20and apparently she had a snack with Mrs. Marquesa.
02:22Really?
02:25That's bad news.
02:26Did she tell her anything about you?
02:28No.
02:29No, my mother didn't tell me.
02:31How can you be so sure?
02:33Because if Mrs. Cruz knew who I am,
02:35I wouldn't be here and it wouldn't have taken me long
02:37to break my promise, don't you think?
02:39And besides, I don't think
02:41she's going to expose herself to such a scandal.
02:44I see.
02:46But I can't take it anymore, Lupe.
02:48I can't take it anymore.
02:49When are they going to realize
02:50that I want to continue living my life without them?
02:52Vera, for a mother it doesn't have to be easy to accept it either.
02:55I don't care.
02:56She doesn't have the right to come here
02:58whenever she wants.
02:59The first thing you have to do is calm down.
03:01And calm down.
03:03Listen to me, so far everything has gone well.
03:06Yeah?
03:07But what if it's not like that next time?
03:09What if all of this is exposed because of her recklessness?
03:15Lupe, I'm afraid of losing you.
03:17My love.
03:19You're not going to lose me.
03:21But what's clear is that your mother doesn't want to lose you either.
03:27But she should respect my decision.
03:29I know.
03:31And she may be right.
03:32But maybe she has a weighty reason
03:34that makes you break your prohibition.
03:37Like what?
03:38Well, I don't know.
03:40Maybe something happened in your family or with your brothers.
03:44Well, whatever it is, I can't ask her anymore.
03:46And I'm not going to go in her search.
03:49But what's clear is that your mother is not going to give up on not coming.
03:53Not coming to see you.
03:55That's why we have to be prepared for when she comes back.
03:59What do you mean?
04:03Well...
04:05I don't know.
04:08Yes, I know.
04:10I'm going to talk to Don Rómulo
04:11and I'm going to ask him to let me know when I step on the promise.
04:14Let you know? But why would he do that?
04:16The last time he didn't come back with the excuse of a recipe?
04:19Yes.
04:20Well, I'm going to tell him that the instructions you wrote to him were wrong.
04:23Well, but then he'll have to write them down on a piece of paper
04:25and send it to my parents' palace, Lupe.
04:27No.
04:28Not if I tell him that it is important to explain it in person,
04:31given its complexity.
04:34And you think you can fool him with that?
04:38That will depend on your mother.
04:40But I trust that she will.
04:42Yes.
04:47I don't know what I would do without you.
04:54It's going to be okay.
04:56You'll see.
05:08So that's the reason for the captain's anger?
05:11You have the right to ask for accounts when you please.
05:14That's right.
05:16But I suppose you didn't come to talk to me about Lorenzo.
05:19In part, yes.
05:20Well, not about your brother-in-law, but about the jam business.
05:25What is your request?
05:27No, I think ... I think you misinterpreted my words.
05:30Well, explain yourself better.
05:33My concern for the production of jams starts and ends with Catalina.
05:37Your daughter has already told me that you are thinking of returning her position.
05:41Do you think it's wrong?
05:42No, no, no. On the contrary.
05:44In fact, I wanted to show you my support and offer you my help, if necessary, of course.
05:49I would also give up being part of the business if that leaves you more at ease.
05:55Marqués, that company is very important to Catalina.
05:59I am aware that you know it, but ...
06:02I don't know if you don't know how vital it is to her.
06:07You see, when your daughter and I started the distribution of jams,
06:12she confessed to me that she saw in the business a unique opportunity to show her worth.
06:17My daughter had already shown before her ability to run a complex company.
06:21The farm, for example.
06:23True, but always in your or Manuel's shadow.
06:27And in the case of the jams, it was something completely his.
06:31That's why every small advance she saw as a great success.
06:34Catalina has given up on that company, I would say almost like a mother for her child.
06:40And I am convinced that if you return the command, you will not disappoint her.
06:44Catalina has never disappointed me.
06:47I just want her to be happy.
06:49Don't go on. It took a long time to get the real purpose of this conversation, but in the end it has.
06:54It is not a fake statement. My love for Catalina has always been ...
06:57Words are words, Count.
06:59The acts so far have said quite the opposite.
07:01And tell me, what can I do to regain your trust?
07:04I don't know.
07:06But trying to manipulate me using my daughter's name, I don't think it's the best way.
07:13I'm sorry if that was the impression you got.
07:18Good night.
07:32The next day.
07:39Grease the molds of the cookies well.
07:43And hurry up, the Marquises are about to wake up.
07:46Have you already put the cookies in the oven?
07:48Better, because I have here the nuts, the hazelnuts and the almonds.
07:51Then take that where you came from.
07:53And that?
07:54What do you want? To kill the guest of Miss Martina?
07:57If she doesn't want me to eat them, she doesn't have to deprive herself of the others.
07:59Candela, take that away from here if you don't want your hands to be cut off.
08:02Don't put it on me like you almost put it on me with Mrs. Eugenia in her day.
08:06But that happened at least a century ago.
08:09Don't be spiteful. Besides, you have to see one thing with the other.
08:12Candela, this is the same as yesterday's talk with Hanna, which is very serious.
08:15Take them away.
08:16Okay, okay, I'll take the nuts, the hazelnuts and the almonds.
08:19Look where you're going.
08:20A telegram from Salvador.
08:21Oh, that's great, isn't it?
08:23What do I do? Do I open it?
08:24It's your thing, isn't it? Because it's closed.
08:25You're going to read it badly.
08:27And if something bad happened to her, Candela?
08:29Well, don't you know that a telegram like that, all of a sudden ...
08:32He must have shouted at you to tell you that he had arrived well.
08:35But telegrams are very expensive, Candela.
08:37And my salvation from the brotherhood of El Puño Serrano.
08:40Open it, read it, and we'll get out of doubt.
08:43Open it!
08:49What? What does Maria say?
08:51Maria.
08:57I have arrived well.
09:01Period.
09:08And now what's wrong with you, girl?
09:12I don't know.
09:15You could tell me something else, right?
09:18Not so much, not so expensive, Maria.
09:19You write because you write.
09:21If you don't do it, why don't you do it, Maria?
09:23No one understands you.
09:24You said it yourself.
09:25Telegrams are worth a lot of money.
09:27Very serious.
09:28You could have told me something else.
09:29I don't know, we don't do much.
09:31Oh, you drown yourself in a glass of water.
09:33The boy will have time to calmly write you a letter, as God commands.
09:37Or better not wait for him.
09:39Because you already know that your savior is more stopped than a lizard.
09:42Well, yes.
09:43You write it.
09:44It will make him happy and so we don't miss each other so much.
09:46What to miss?
09:47We are already with the Simonas.
09:49Oh, yes, Candelilla.
09:51They all leave and here we stay, you and me.
09:53Hey, I haven't left yet.
09:55You will.
09:56Don't say it with pity, Maria.
09:58If young people are what they have.
10:00Because they leave to progress.
10:02Or come poor.
10:04Because if we had a room, another rooster would sing.
10:07You're right, Candelilla.
10:09As always.
10:10Come on, take the nuts.
10:12We're not going to have a fair day here.
10:14And the fat ones.
10:15I didn't remember this.
10:19Ma'am.
10:20What do you want, Petra?
10:22I come to consult with you the minute, ma'am.
10:24Well, you'll have to wait because I'm busy.
10:29So do you like this dress, Teresa?
10:31I think you are beautiful, ma'am.
10:33But I think I would still be more if I cut it a little.
10:37Do you think?
10:39Won't it be too daring?
10:41It is not what is taken in America.
10:42And I can check it because I was with the Duchess of Abrantes in New York.
10:46Don't listen to her, ma'am.
10:48That dress looks like a glove to her as it is.
10:51I wouldn't give her the slightest hint.
10:53Has anyone asked you for an opinion?
10:56Ma'am, do you want me to pick it up and see how it would look?
10:59Yes, do it.
11:03Be careful with the pins.
11:05Don't nail one to the lady.
11:08I assure you that I do it with the greatest care I can.
11:10And I give faith, Teresa.
11:19That's it.
11:25Is this really what is taken in America?
11:28It is the most modern there.
11:30And the most vulgar.
11:32But here we are in Spain, which we are much more decent.
11:35Besides, I don't think that's the style of the lady.
11:37Ma'am, I say that I know better than you what my style is or not.
11:42So do you see me well like this?
11:44I think you are very favored.
11:46Well, no more talk.
11:48I'm not going to be less than the ladies of those Lares, right?
11:50So you want me to fix it and cut it a little?
11:52But only a few centimeters.
11:54I think, ma'am, that you have made an excellent decision.
11:57Thank you very much, Teresa.
11:59Let's better look at the minute later.
12:02Now I have to change.
12:08I love you.
12:20Do you really still keep that book?
12:22But how am I not going to keep it?
12:24You said with a lot of love, right?
12:26Yes, everything in the world.
12:28But it is still a book of poetry with dry flowers.
12:31What's more, I don't understand how the ants haven't finished eating it.
12:34Hey, I'm really telling you that I have it in good stock.
12:35I thought it was a beautiful gift.
12:38Come on, Martina, stop making fun of me.
12:40I'm ashamed enough just to remember it, so that's it.
12:43I don't understand why.
12:45And I'm not making fun of you, really.
12:47I know you took care of every detail.
12:49And you picked up those flowers in our corner.
12:52Yes.
12:55Don't you think it's been an eternity?
12:58It's as if everything had changed since then.
13:02The ones who have changed have been us.
13:06Yes.
13:13Julia?
13:15How did you sleep?
13:17I asked the servants not to bother you.
13:19Did you sleep well?
13:21Great. Thank you, Martina.
13:23Wonderful.
13:25Well, I'm going to ask them to serve you breakfast.
13:27We could go to the dining room, but I think we'll be more comfortable here, right?
13:32Julia, are you really okay?
13:35Yes, I'm fine.
13:37Is something wrong?
13:40I'm sorry.
13:42Why?
13:44Since I arrived, I've only caused you problems.
13:47First with my fainting, last night with the cake ...
13:49Well, I'm not going to let you say that, really.
13:51Yes, nothing of what happened is your fault.
13:53But I should have told you before my allergy to nuts.
13:56But you were going to know that that cake had nuts in it.
13:58Yes, and the important thing is that we are now aware.
14:00And that it has recovered soon.
14:01How much?
14:03I think it was thanks to the nuts of that maid, Hanna.
14:07I don't usually trust these scoundrels, but she insisted so much that I agreed.
14:11And you did very well.
14:13Yes, Hanna knows all the plants in the world.
14:16The ones that make you sick and the ones that cure you.
14:18So you can trust her blindly.
14:20Yes, thanks to her nuts, there is no trace of the reaction.
14:24And even better.
14:26I would have died of shame if they had notified the doctor because of me.
14:28Let's see, Julia, you are our guest.
14:30So our greatest wish is that you are comfortable here in La Promesa.
14:33And if you are not, then tell us and we will correct what is needed.
14:38I admit that they are getting it.
14:40I am very happy in La Promesa.
14:43By the way, do you like poetry?
14:46They talked about that before I arrived.
14:48Yes.
14:50I have a compendium of romantic poems in my room that you will love.
15:18Who told you that you are not worthy of me in front of the Marquise?
15:22And you to attack me?
15:24That's not true.
15:26Of course it is.
15:27I am not worthy of you in front of the Marquise.
15:29You sin of arrogance if you think you already know everything.
15:32Not everything, Mrs. Arcos.
15:34But I do know something about sewing and also about fashion, because I have been lucky enough to travel.
15:38In fact, the Marquise was very happy with my advice and not so much with yours.
15:43Sorry, I didn't mean to say that.
15:45Yes, but you said it well.
15:48I apologize, Mrs. Arcos.
15:50I just said it because I'm nervous.
15:53Go away.
15:55I will forget what happened.
15:58No.
16:00In fact, I think it is better that we talk about it.
16:03Because since I arrived, the only thing I have received from him has been hostility.
16:07As if he had something personal against me.
16:11Of course I have something very personal against you.
16:17This is for Marcelo.
16:20You said it.
16:23You have no interest in me.
16:26You have no right to meddle in my marriage.
16:29Your marriage should have been with my son.
16:33You have already forgotten about him.
16:35I swear to God that I have not stopped thinking about Feliciano for a single day.
16:40Do not put God as a witness to a lie.
16:43It is impossible that you will love my son and return to the little time hanging from the arm of anyone.
16:49Tell me.
16:51Did you remember my son when you married Marcelo?
16:53Did you remember him when you fell asleep for the first time?
16:58Tell me.
17:23Mr. Baeza.
17:42Have you seen Mr. Baeza?
17:50Mr. Baeza.
17:51I'm glad to meet you.
17:53Mr. Ruiz, the order of flours that I requested has just arrived,
17:56including the special flours for pastry, which arrived from Madrid.
17:59That's great. That flour will make the difference.
18:02Well, I hope so, because for what they have cost, the expense must be justified.
18:05Don't worry, the gentlemen will pay for it with great pleasure.
18:08In fact, I'm going to release that flour in the cake we will serve tonight.
18:12As long as it doesn't bring dry fruits, go ahead.
18:15Of course not. We are on alert.
18:17Be careful that none of the cooks will bring dry fruits while Miss Julia is here in the palace.
18:21The precaution is little.
18:23Well, tell me, what were you looking for?
18:25I wanted to tell you something about desserts.
18:28Has the menu of the week changed or do you need a special ingredient?
18:32No, no, no.
18:34I wanted to talk to you about the pastries that I served at Mrs. Margarita's snack bar.
18:37Ah, yes, yes. And what about that?
18:39Because I heard that the guests liked them very much.
18:42Yes, that's right. Mr. Ricardo sent me the congratulations.
18:45In fact, one of the guests, the Duchess ...
18:47Mr. López.
18:49You don't need to bother Mr. Badeza.
18:52I've already found out what I wanted to know.
18:54Thank you very much, Mr. Rómulo, and I apologize for the inconvenience.
18:57No, no, wait, wait. You have aroused my curiosity.
18:59What's wrong with those pastries?
19:01No, no, nothing important.
19:03Well, something will be when you show so much interest in the guests.
19:07What López wanted to know was what flavor he liked the most.
19:11Yes, that's it.
19:13And you know the answer?
19:14Yes, Mrs. Margarita herself just told me.
19:17The first ones to fly off the plate were the chocolate ones.
19:20Well, mystery solved.
19:22I just know what I have to do next time.
19:24Prepare many chocolate pastries.
19:26Sorry for entertaining you with this nonsense.
19:35But what happened? I was about to ask.
19:37Precisely for that, López.
19:39Wasn't that what you wanted?
19:41I've thought about it better.
19:42I think ...
19:44I'm getting too obsessed with my mother's issue.
19:47And no matter how much we talk to Mr. Rómulo, we won't be able to prevent him from coming back.
19:51I'm sorry for getting you into this mess.
19:53You don't trust me very much because I almost had you in the boat.
19:57It will be better this way, López, believe me.
19:59Yes, you are the only one who believes me.
20:01You have put me on a very serious commitment.
20:04Now I'm going to have to get fed up of preparing chocolate pastries.
20:08How stupid you are.
20:13Look how perfect.
20:15For you to say later that I didn't mess up with the needles.
20:18Of course.
20:20As if it were the same to patch up a sheet that your dress didn't have.
20:23You've gone a bit too far, haven't you?
20:25I don't know how you manage to keep the triple.
20:29Well, are you okay, miss?
20:31We already thought about the fact that you had abandoned us.
20:34With all these sheets to patch up.
20:36Forgive me.
20:38I don't know if you forgive.
20:39I don't know if you forgive.
20:41If we understand that in certain companies, time flies.
20:44I wasn't with López.
20:46Well, yes, but not what you think.
20:48Mr. Baeza was also there.
20:50Oh, well, I don't see Mr. Baeza very much.
20:53And speaking of boyfriends,
20:55I've already found out about the telegram Salvador sent you.
20:57Salvador sent you a telegram and you haven't told me?
21:00Because there wasn't much to tell.
21:02It has arrived well, period.
21:04And?
21:05And that's it.
21:07Well, MarÃa, you know that telegrams are very expensive.
21:09Yes, but it was hard to put a
21:11I love you very much
21:13or a roof of less.
21:14Well, look, exactly twice.
21:17Teresa, what's wrong with you?
21:19Well, it happens to me that first I had to go up
21:21to fix Mrs. Marquesa's dress.
21:23Then change, go down and put on a lot of sheets.
21:25This picture is driving me crazy.
21:27But let's see, have you argued with someone?
21:29Why are you like this?
21:30Don't say anything.
21:31It's MarÃa Mandrago.
21:33I don't want to talk badly about her.
21:35No, if that's what we're here for.
21:37Well, let's see what happened.
21:40Well, she told me horrible things.
21:42She told me that she never loved Feliciano
21:44and that's why I married Marcelo.
21:46That if when I go to bed with my husband,
21:48I remember him.
21:50For God's sake.
21:52That woman's evil has no limits.
21:54You have that woman to get them into life.
21:56I loved Feliciano with all my soul.
21:58We already know that, Teresa.
22:00Although I'm not to argue,
22:02but Mrs. Petra has a little bit of reason.
22:05MarÃa.
22:07It's what everyone expects.
22:09It's what we think.
22:11That we were stunned
22:13when you appeared in La Promesa
22:15with that man on your arm.
22:17I didn't look for him, MarÃa.
22:19It just happened like that.
22:21All of a sudden?
22:23Well, that's it.
22:25Now you're the one who's getting into other people's lives.
22:27And everyone has their times.
22:29Teresa, I'm sincerely glad
22:31that you've found someone to make your life again.
22:34Me too.
22:36I barely knew Feliciano,
22:37the best.
22:39Look.
22:41And I haven't stopped thinking about him for a single day.
22:44Even if Mrs. Petra says otherwise.
22:46Well, let's not start again.
22:48Maria Mandrago won't stop.
22:50Exactly.
22:52And if she tells you something again,
22:54you come and tell us.
22:56Yes, and we'll tell Don Romulo.
22:58Or Marqués.
23:00Put her in her place.
23:08Vianqué cake?
23:10Viané cake.
23:12But so far we've been making a chocolate cake.
23:15Or that German cake.
23:17The Sacher.
23:19The Sacher is Austrian.
23:21But they are very similar,
23:23although they have some difference.
23:25Try it.
23:27Can I try it too?
23:30Miss Catalina.
23:33Thank you, Candela.
23:35Amanda.
23:37You should have told us about your visit,
23:40so we would have it ready.
23:44This is delicious.
23:46I could eat it all in spoonfuls.
23:48We'll serve it later.
23:50I'll exercise my patience.
23:52Very good.
23:54And what is the reason for your visit?
23:56Lope.
23:58What is it this time, Candela?
24:00They told me you had a little chat with my father.
24:03But I don't know more than that.
24:05What did he want?
24:07Yes, you can tell me, miss.
24:09There is no problem.
24:11Especially since you are one of the interrogators.
24:13I suspected it.
24:15So it has to do with the jam, then.
24:19Mr. Marqués asked me what my opinion was
24:22about the current confections.
24:25And what did you answer?
24:27The truth.
24:29Lope.
24:31The captain is a bad guy.
24:33I didn't say anything against the captain.
24:35I can assure you of that.
24:37But I did say that if they bought
24:39low-quality raw material, it would be noticeable.
24:41Well, you shouldn't have said that.
24:43Don't worry, Lope.
24:45You said what you had to say.
24:47Did he ask you anything else?
24:49Yes, he also asked me about the women of Lujan.
24:51The hired ones, if they were happy.
24:53And you would tell them,
24:55from what they know about the market in Lujan,
24:57that they are complaining about the captain, right?
24:59Miss, what I told them is that they were not happy.
25:02Miss, what's going on?
25:03What's going on?
25:05I guess it's okay if I tell you.
25:08My father is considering putting me
25:10in charge of the jam business.
25:13But that's wonderful!
25:17We could get the old recipes back.
25:19And a raisin?
25:21In the captain's nuts.
25:23And back in charge,
25:25I would like to count on you again.
25:27Come on, what were you thinking?
25:29That we were going to say no?
25:31Well, of course we would come back to you.
25:33By coming back in charge,
25:35do you mean yourself?
25:37Well, my plan is also
25:39for Pelayo to be reinstated.
25:42I understand your reluctance,
25:44the last time we left you at the stake.
25:46No, that's not why, miss.
25:48What we are afraid of
25:50is that the count will hurt him again.
25:53For nothing in the world
25:55do we want that nightmare to happen again.
25:57Don't worry, Simona, that's not going to happen.
25:59I promise you.
26:01And because we celebrate
26:03I have a cake for you.
26:05You're taking too long to tell him.
26:07One moment.
26:09If it's about celebrating,
26:11I have something better.
26:13Oh yeah?
26:30Hanna, do you have a second, please?
26:32I'll take care of all this.
26:43What do you need?
26:46How are you?
26:48I haven't seen you all day.
26:50Well, I haven't stopped for a minute.
26:52And yesterday we barely coincided.
26:54Don't you want to see me?
26:56Or have I done something that has bothered you?
26:58No, it has nothing to do with that.
26:59It's just, well ...
27:01You know, the tasks that Mrs. Petra has assigned to me.
27:07So, is everything okay between us?
27:11There's one thing I want to tell you.
27:15Okay.
27:16Well, here I am.
27:18Do you remember when we distanced ourselves
27:21to hide secrets?
27:24Yes.
27:26Do you think I'm hiding something from you?
27:27No, not at all.
27:29Look, Hanna, I learned the lesson.
27:31And if I did it, it wasn't with bad intentions,
27:33but I read Ramona's letter and I didn't know how to handle it.
27:35I know, I know.
27:36What I'm saying is that ...
27:37I know why you say it, Hanna.
27:38It was a serious thing.
27:39I attacked you too and I should have told you.
27:40It was a mistake.
27:41That's in the past.
27:42No, no, no, it's not in the past, Hanna.
27:44They almost kick you out of the promise because of me.
27:46No, it has nothing to do with that.
27:47Hanna!
27:48I don't hold a grudge against you for this,
27:50nor do I think you're hiding anything from me.
27:51It's something else.
27:52It has nothing to do with that.
27:54So what's going on?
27:57Hanna!
28:00This woman must have gotten involved.
28:03I have to go.
28:05Hanna, Hanna, tell me, please.
28:09Don't worry, Quirre.
28:10It's not that important.
28:14I'm coming, Mrs. Petra, I'm here.
28:28Oh, this coffee is reviving me.
28:41The meals here at La Promesa are so abundant and so excellent
28:45that they invite you to a good nap.
28:47Well, as if you were going to deprive me of it.
28:51Which leads me to make you an indecent proposition, Cruz.
28:54Value your cook.
28:56I want him to work for us when we get married.
28:58I don't think he would want to work for you.
29:00He would never betray us that way.
29:02Well, who less than you expect can surprise you.
29:06Wow, it seems I've touched on a sensitive subject.
29:09Ignacio, have you ever been told as a child that you shouldn't play with food?
29:13My childhood is getting further and further away,
29:15and there are things that I'm forgetting.
29:17By the way, have you already thought about where you're going to live when you get married?
29:21Wow, it seems you're throwing us out, Cruz.
29:23Well, we haven't made a firm decision yet.
29:26But it will surely be in my palace.
29:28That way I'll be able to dedicate myself better to my business.
29:31The truth is, it's bigger and more comfortable than my house in Madrid.
29:33And what are you going to do with it?
29:35Because I understand that keeping it will cost you a lot of money.
29:37Well, for now, nothing.
29:39The rent pays for the expenses, so ...
29:42Oh, I didn't know it was rented.
29:45Wow, it seems you've been a bit scattered lately, Alonso.
29:47Well, with respect to your question,
29:49I'll probably end up getting rid of her.
29:51My children live in Canada and I don't think they'll need her.
29:54And with what it's costing your daughter to find a husband, she doesn't either.
29:57Ignacio, don't say that, because my daughter is young and she'll end up getting married.
30:00And if she does, she'll go with her husband.
30:02It's the law of life.
30:04I wouldn't sell the house so soon, sister-in-law.
30:07Right now you don't need it, but in the future, who knows?
30:10I don't know.
30:12I don't know.
30:13You don't need it, but in the future, who knows?
30:16No, I don't think my children will demand it.
30:18No, if I don't say it for them, I'll say it for you.
30:22Marriage, at first, promises happiness.
30:24But then, who knows?
30:27Wow.
30:29And that pessimism?
30:31It's clear that this marriage thing is something new for you.
30:34But I'm sure Margarita knows what I mean.
30:36You didn't have a crisis with Fernando, did you?
30:40Yes, of course I did.
30:41Of course I did, but we always solve them.
30:44Right.
30:46Until there comes a day when they are no longer solved.
30:49Well, thank you for the warning.
30:53You're welcome.
30:55I do it with a thousand loves.
30:57I don't want you to make any mistakes.
31:08But you didn't understand anything I told you.
31:11Have you seen the sole?
31:13It protrudes from the shoe.
31:15It's badly glued.
31:17I should have adjusted it a little more.
31:19No, it has to be perfectly adjusted.
31:21I used fine tips, as you told me.
31:23But I never told you to use 50.
31:25This has to be repeated.
31:27And I hope this time you put a little more interest.
31:29It wasn't out of lack of interest, I promise.
31:31Well, you make it worse for me.
31:33If you're not even able to fix a boot's sole ...
31:35I just didn't understand your instructions.
31:37And why don't you ask me?
31:39Instead of doing that nonsense, fix it.
31:41This is the last time I give you a second chance.
31:43Understood?
32:03What are you giving me for the game, Curro?
32:06Perfect, isn't it, Martina?
32:08I'm going to win, as always.
32:09Well, actually, no.
32:11If I can avoid it.
32:15This cake is delicious.
32:17And without nuts.
32:19Why? Don't you like them?
32:21It's allergic.
32:23We had a scare yesterday.
32:25Sorry, I didn't know.
32:27If you spent more time with us, instead of being with your airplanes, it would be better.
32:31And are you feeling better?
32:33Yes, I just ate a little and I only suffered a small reaction.
32:36And Hanna gave him one of her sweets and it's like new.
32:40I didn't know you were a pilot.
32:42And one of the best in the country.
32:44Come on, he builds his own airplanes himself.
32:46Is that true?
32:48No, no, no, don't say it with admiration.
32:50I've ridden a lot of these and I can tell you I had an incredible fear.
32:53What's more, I wouldn't do it again, not even crazy.
32:55Well, I would love to.
32:57It must be a unique experience to be able to touch the clouds up there.
32:59And I'm sure Manuel loves to be accompanied on some of his flights.
33:05Yes, but for that he should have a plane.
33:09What happened to the old one?
33:11It's in a friend's hangar.
33:14Was that what he did in the war? Air combat?
33:18No, we ended up in the infantry.
33:22And for what reason? There must not be many men with his talent.
33:27Well, it was actually where they assigned us to all the Spaniards, we were not only volunteers.
33:33Did they coincide then with many Spaniards?
33:41Some. It depended on fate.
33:45I'm sure they have a lot of very interesting stories to tell.
33:52Sorry, I just realized it's something I don't want to remember.
33:56Sorry for my lack of tact.
33:58Don't worry, it's natural to be curious.
34:07Is something wrong?
34:11I don't know.
34:14Look, now that I look at it, I feel like we've seen each other before.
34:20That's quite unlikely, isn't it, Manuel?
34:24Yes, I know.
34:25But your face looks familiar to me.
34:29It's not the first time they've told me.
34:31I always find myself in a similar situation with a well-known French actress.
34:35Which one? I can't think of one right now.
34:38Oh, it's just that I'm terrible with names.
34:41But if you don't remember, I'll read it.
34:56I'm sorry.
35:07Hello.
35:08Can you tell me what happened to Santos?
35:10I just ran into him and he was cursing at you.
35:12Nothing, just nonsense.
35:14Well, it's clear that it wasn't for him.
35:16That I was wrong to fix the cover of these boots.
35:19Here you go.
35:24Do you really think this is right?
35:26I've had enough with a fight.
35:28Look, Marcelo.
35:29Do you know what would happen if any of the gentlemen saw this?
35:32You'd be on the streets.
35:34Yes, I understand.
35:36I'll do it right this time. Santos has explained himself.
35:40So all this is because you didn't understand.
35:42And why didn't you ask?
35:45It's obvious that I should have.
35:49I understand that Santos respects you.
35:52Because he's very strict.
35:54But you can always ask me.
35:57I know, Teresa.
35:58Calm down.
35:59I can't calm down, Marcelo.
36:01One more mistake like this and the job will last less than a sigh.
36:05I won't make any mistakes again.
36:08I hope so.
36:20SIX MONTHS LATER
36:30Are you okay, Catalina?
36:33You haven't said a word all afternoon.
36:36In fact, you haven't opened your mouth since you went down to the kitchen.
36:39Which is strange because normally your visits to Simona
36:42usually generate the opposite effect on you.
36:44Has something happened?
36:47Do you know why I love Simona so much?
36:51I know what you've told me.
36:52That she's like a second mother to you.
36:55Yes.
36:56But besides that, she's one of the wisest and most prudent people I know.
37:03I understand.
37:06You've turned against me, haven't you?
37:09Don't judge her, please.
37:12How could I?
37:13I understand her perfectly.
37:16She wants what's best for you and I've hurt you in the past.
37:19Although we've agreed to bury that past, haven't we?
37:22Yes.
37:24But I want to see you again with good eyes.
37:29It's important to me.
37:32And as you've said, Simona is like my second mother.
37:36If I'm going to be an impediment to the jam business, I'll leave without a problem.
37:40No, but it's not about the jams.
37:43It's just that the cooks are like my family.
37:46Well, you don't always fit in with your political family, do you?
37:48Look at your stepmother.
37:50You don't understand me.
37:53Okay, I'll talk to her and I'll earn her appreciation again.
37:57Really?
37:59Can't I do it with you?
38:14A YEAR LATER
38:22Teresa told us that Mrs. Arcos had thrown a rag at her for marrying Marcelo.
38:26Apparently, she told him some nonsense.
38:29That's why Mari Mandrago is unique, she knows how to leave a bad body.
38:33And I can't give her the reason, but a girl does.
38:36And I admit that I told Teresa that she hadn't expected Tuda to get married so soon.
38:41MarÃa, one day you could learn the art of keeping quiet.
38:44I prefer the art of speaking. Look at what I'm telling her, Simona.
38:46That's up to you. What did Teresa say?
38:49Well, Teresa said that she didn't forget about Feliciano and that she remembered him every day.
38:54Come on, you're even excited to tell her.
38:56Poor thing.
38:57Teresa has a big heart to love so much.
39:00MarÃa Fernández.
39:01But if I love her, how can I love her more?
39:04But it's just that, after what happened, with Feliciano's death,
39:07it's hard for me to understand his wedding.
39:10And what is it that you don't understand exactly?
39:13That she married that man.
39:15When she keeps saying that she remembers Feliciano every single day.
39:18Yeah, at first I was also surprised, but come on.
39:20She married the one who is alive, or did you want her to marry the one who is dead?
39:23She could not have gotten married.
39:25Or she could have waited for another girl.
39:27If you're not in a hurry to get married, it doesn't mean the others don't have it.
39:31Look at how we are with the girls, huh?
39:33Let's see, if Teresa has decided to move on with her life,
39:36surely getting married to this boy has helped her.
39:38Well, yes, because, look, a man can entertain you.
39:41Although there are times when they bore you with a bad thing.
39:44Besides, Feliciano died a long time ago.
39:47I think that Mrs. Margarita waited much less time
39:50for Conde Dayala to start flirting with her.
39:53You're right about that.
39:54But like Red Sardicho,
39:56the widow does not heal, or get married, or buried, or walled up.
40:01Yes, you don't have to get lost.
40:04Time flies, and the flesh gets wet.
40:07Tell me about it, I stayed.
40:09I was a young widow, I had a lot of money.
40:12Of course, that's why she was in everyone's mouth.
40:14Now there were like three or four waitresses
40:16who would give her back in half an hour,
40:18what would I do? I was not going to stay quiet.
40:22Like to stay quiet you?
40:24And what did she say?
40:25Remember, right?
40:26I remember once, look, that I found her in the market in my town.
40:29I went to her and I told her,
40:31because of the death of her husband, the widow lost her love.
40:34And because of the bad tongues, she lost her honor.
40:36But a widow, honest and honest,
40:38does not fit in the mind of a tongue-tied person.
40:42They would look good together.
40:44No, no, there was more.
40:46Of course, since they had started, I was not going to stay there.
40:48I told them that if they accused me
40:50of flirting with one or the other,
40:53it was because that was what they precisely wanted to do.
40:56Seeing how ugly Mario was.
40:58Oh my God, did she say that?
41:00She didn't say anything else because I dragged her out of there
41:02before they got married.
41:04Maybe I was wrong to hit one of them.
41:07Then they tell me that I talk too much.
41:10It's not talking too much, it's talking what you like.
41:13Look, but since that day the rumors are over.
41:15I don't know if they would end,
41:17but they tried not to get to my ears.
41:19To say something else to you?
41:22It's not talking, it's what is said.
41:25Returning to the subject of Teresa,
41:27I am not surprised that she got married.
41:29What surprises me is that she married that man.
41:31If that man doesn't look like Teresa.
41:33Don't you think it's weird that no one has seen her
41:35kiss or make a face?
41:38They are just married.
41:39That marriage is weirder than a green dog.
41:41I don't know if they are discreet or not.
41:44Do you miss them?
41:45Of course.
42:04Manuel.
42:05Hanna.
42:06You're here.
42:09My God.
42:13Hanna, are you okay?
42:16I just wanted to be with you.
42:23My love.
42:26You know we're getting married, right?
42:30And what happens after that?
42:33If you know what happens, you can tell me.
42:39Well, I'm all ears.
42:49You're going to be late for dinner, Manuel.
43:04No.
43:06They are used to waiting for me.
43:09So don't worry about them.
43:12Tell me.
43:17You see, yesterday was ...
43:19It was a wonderful day.
43:20Did I do something that ruined it?
43:22No, no, it has nothing to do with that.
43:26It was a wonderful day and ...
43:28I had a lot of fun with you.
43:31I had so much fun that I was not able to tell you something that I should have told you a long time ago.
43:35Hanna, you're giving me a lot of wrinkles.
43:39Tell me whatever it is, I'm not going to be scared.
43:42I wouldn't be so sure.
43:47Okay, now you're worrying me.
43:51What's going on, Hanna?
43:55My name is not Hanna, Manuel.
44:01The time has come for you to know the truth about me.
44:15Julia does not stop talking about the war.
44:17And not only does she talk, but she also asks.
44:19And I assure you that it is the last thing I would like to talk about.
44:21I can't believe it. The next time I bring up the subject, you tell her to stop.
44:24As if that would help.
44:26No, and there is something else that I don't quite understand.
44:28Why is she still here?
44:29Maybe it's time to tell her kindly that she has to go.
44:33I'm not going to be calm, I'm going to be myself.
44:35Because I didn't do anything to you, ma'am.
44:36You did well, Mr. Baeza.
44:38Look, it's a true love story.
44:40And love is such a precious thing that you have to cultivate it.
44:43Yes, I think so too, but ...
44:44But nothing.
44:46What would it be good for you to tell Mr. Marquez? Tell me.
44:49It is my obligation, I must do it.
44:51Do you think we can put this dish in the dining room?
44:53That must have happened to me.
44:55Marcelo, a lot of things happen to you.
44:57I really don't understand how they have hired you, with how demanding they are with the service.
45:02Hey, you can always learn, no one does it knowing.
45:05Yes, but to learn you need attitude.
45:08What have I done that bothers you so much?
45:10Better let it bother you.
45:11No, don't throw the stone and hide your hand.
45:14Tell me.
45:15Lorenzo has told me that you want to take the jam business from him to give it to your little daughter Catalina.
45:20I haven't made a decision yet, but yes, I'm thinking about it.
45:23Well, look, for once, it will be better for you to continue like this, without making a decision, as you always do.
45:27Above all, I want to make Catalina happy.
45:30But so far, she has made her a wretch.
45:33Simona will be able to forgive me for the evil I did to her.
45:35Look, think that she is in front of a man who loves her madly and would do anything for her.
45:40Anything?
45:41Yes, that's what I said.
45:43Okay.
45:44Come to the kitchen.
45:47I doubt the Marquise has swallowed the excuse that she wanted the cake recipe.
45:51What lady are you interested in cooking for?
45:54They are more interested in eating well.
45:56Yes.
45:57Go find out what excuse he gave her to get out of the way.
46:05What are you doing, MarÃa Fernández?
46:08Here, patching up the sheets.
46:10Go upstairs to fix the men's bedrooms, they've already gotten up from nap time.
46:14Now?
46:15Of course now. You'll patch that up later.
46:18Leave that for a moment and go up to the music room.
46:21Mrs. Marquise is waiting for you.
46:22What about that?
46:23What happened?
46:24Well, she's worried. Did they do something wrong?
46:26No, not that we know.
46:28But whenever Mrs. Marquise calls you upstairs, it's to patch up.
46:32Well, stop speculating and go up at once.
46:34I'm sure it's not a bad thing, but it will be if you don't go soon.
46:48And as for secrets, how long can a very fat secret that a friend told you hold up?