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00:00You
00:30I
00:49Am rockin with our charity
01:00Lolly
01:04Yeah
01:12It'd be Sonia mesh
01:18Yes
01:23Malich good to see
01:27Oh, no, I forgot
01:30I'm inside the section. Can I finish and call you?
01:35Bye
01:37Oh
02:00Sorry
02:08Well, it's a lot of business million Rahman Rahim
02:11Well, you can't imagine how can I mean it?
02:13I'm a father who had come and mean I leave you a heck of an idea
02:17Well, how can mean I leave a you read a slur?
02:20Hey, what's the color by now, ma?
02:22In the law, I can't I leave my copy
02:25suck a lot of
02:27The hotel, you know, it's just what I'm fed. It's the glamour. You can't live my
02:31Well, how do I stop it? No, it's a man
02:34I'm gonna get here. Oh, fuck. I'm a kid
02:38car, it's a lot
02:41Car, I'm here. Well, it's a madame Zaynab. It's much better. What did I need to carry?
02:46I'm not gonna tell you my eyes will be tomorrow. I hear a couple of another flicker. Oh, it's a kid
02:51It's a kid
03:01Oh
03:31Oh
04:01Oh
04:31Okay
04:40In my office, okay, well, I'm not gonna tell you
04:49It's a dirty dirty
04:51Oh
05:21They look
05:26And to talk with me I'll add a leak
05:33Who are you sir?
05:36Okay, well I'm to talk with me I'll add a leak
05:42Well, I'm to talk with me I'll add a leak
05:44Oh
06:14Oh
06:44Oh
07:44Oh
08:14♪
08:21♪
08:28♪
08:35♪
08:42♪
08:49♪
08:55What is this?
08:57♪
09:02♪
09:09Uh...
09:10Can I go to your house?
09:12♪
09:18Come on.
09:19♪
09:21Come on. Yeah, what's the problem?
09:23I don't see a problem.
09:24It's not a problem.
09:25Listen to me.
09:26We're going to come home.
09:27♪
09:30Hold on.
09:31Let me rest.
09:33♪
09:38♪
09:44♪
09:47Lida,
09:48Dinoni called me five times,
09:50but my phone was silent.
09:53I'm sure she called me a lot,
09:56but my phone was silent, too.
09:58♪
10:03♪
10:08♪
10:13♪
10:18♪
10:23♪
10:28♪
10:33♪
10:38♪
10:43♪
10:48♪
10:53♪
10:58♪
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11:08♪
11:13♪
11:18♪
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11:53♪
11:58♪
12:03♪
12:08What's wrong with you?
12:09You know what's wrong with me.
12:11No, I don't.
12:13Every time I try to be nice to you,
12:15you reject me.
12:16I'm asking you now if you miss me
12:18so you can tell me you miss me, too,
12:19but you completely ignored the question
12:21and changed the subject.
12:22Okay, Waleed.
12:23As you wish.
12:24I understand.
12:25But introduce me, by the way,
12:26so we can get along.
12:27But little by little,
12:28this on-and-off bothers me.
12:31Really?
12:33And your on-and-off doesn't bother you, for example?
12:36What do you mean?
12:43I mean, I'm not going to go with your mood.
12:46Suddenly, you take the girl and leave her,
12:49and make financial decisions for the rest of our lives.
12:52It doesn't matter to you what might happen.
12:54It doesn't matter to you what I feel.
12:57How am I going to live without you?
13:00Do you want me to pretend nothing happened?
13:03No, Huda, that's not right.
13:05Is this all because you missed me
13:07and I just wanted to know if I missed you or not?
13:09No, not just because of that.
13:11It's because I want you to appreciate my feelings,
13:13just like you've been asking me to
13:15until I appreciate your feelings and feel you.
13:18Okay, Waleed.
13:20I'm a selfish person who only thinks of myself.
13:24Can we stop talking about this?
13:26I'm here to play with Tito.
13:28Tito!
13:31Where are you?
13:34Oh, my son!
13:37Let's go.
13:39Where's Tito?
13:41Where's Tito?
13:47Let's go.
13:54Just one, Nariman.
13:56You won't be affected by the regime.
13:58We're still in the beginning of the day.
14:00You'll catch up with your loved ones.
14:02I'm really worried, Nadia.
14:04I can't stay at home and open the door to the sea.
14:07It's scary.
14:09Don't worry about me. I don't know what to do without you.
14:12Without me?
14:14You're an old woman now.
14:16You'll forget the world one day.
14:18If Ali was his son here,
14:20he'd be so happy.
14:27How are you, Dizi?
14:29What are you doing? I miss you.
14:32Come in.
14:36Okay, I have to go check on the L.C. application.
14:40There's no need to insist.
14:42You know, Nariman, I have to keep an eye on them
14:45or they won't let me finish.
14:47You know.
14:51Do you like it this way?
14:53No, I don't.
14:55Do I look like I'm acting?
14:59Okay, let's get down to business.
15:01Is Hisham doing the transfer?
15:05Yes, he is.
15:08Why are you so upset?
15:10The most important thing for me was him doing the transfer.
15:13And the deadline.
15:15So you don't have to spend money on me.
15:17Why are you so upset?
15:20I'm not upset.
15:22I'm just worried about you.
15:24I'm not talking about this month or this year.
15:28I'm talking about your future.
15:30I'm worried about you.
15:32I don't have the days of your life.
15:34Here, look at the deadline.
15:36Don't leave anything out of it.
15:45300,000 pounds and nothing?
15:47Look at the next paper with the Excel.
15:50The lawyer's fees.
15:52The money you'll get back.
15:54The money for the car.
15:57You'll only have 120,000 pounds from all that.
16:02They're nice. They want me.
16:04No, no.
16:05You'll get them in less than a month.
16:07It's not about what I want.
16:09It's not about what I want or don't want.
16:11You only have one solution.
16:13What is it?
16:14Get a 100,000 pound certificate.
16:16You'll get around 1,000 pounds a month.
16:18Am I supposed to live off 1,000 pounds a month?
16:21You'll see.
16:23We have work to do.
16:44We have work to do.
17:07She needs to do things in a different way.
17:10Let her draw, Ehab.
17:12I know you're supposed to do this with her first.
17:15Then she'll understand and solve it on her own.
17:18I'll see what she's doing now.
17:20Go ahead.
17:47What are you doing now?
17:49Are you still tired?
17:54I don't have time.
17:56I'm tired.
17:58I'm jumping from disaster to disaster.
18:01What's wrong?
18:07I mean, if you want to talk, go ahead.
18:10If you want to talk, go ahead.
18:14Ever since you paid your debts to me,
18:21I've been on the edge.
18:30Look, Zizi. I don't need your money anymore.
18:33No, no, no.
18:35I didn't say that to make you say that.
18:37I didn't say that to make you say that.
18:39Don't put me in this situation.
18:41There's no situation. Forget it.
18:44I'm sorry.
18:46Forget it.
18:51I'm not talking about myself right now.
18:56I'm talking about the future.
18:58I'm worried about the future.
19:00What about the future?
19:03It looks like I have to work.
19:08It looks like you have to work.
19:10And you have to work.
19:12What's the problem?
19:17I've never worked before.
19:28That's it?
19:30Okay.
19:32What about education?
19:34Do you know how to read and write or are you ignorant?
19:37That's why I don't talk to anyone.
19:39I don't talk because I don't want anyone to follow me around.
19:42I have my reasons.
19:43Zizi, calm down. I'm not following you around.
19:45I'm talking to you.
19:49I'm sorry.
19:53What did you graduate from?
19:55Was it good?
20:00It was business.
20:02But I don't know anything about it.
20:05I graduated from university when I was 7 or 8 years old.
20:09I didn't graduate because I didn't have a job.
20:15I just want to tell you that work has nothing to do with education.
20:19There are a lot of hard-working men who are not educated.
20:24Do you want me to work as a hard-working man?
20:28By the way, your blood type is low.
20:33I have a friend.
20:36I think she has a job for you.
20:38What kind of job?
20:39She's a broker.
20:41A broker?
20:43Yes, a broker.
20:45Wait, I'll text her.
20:48Selene, how are you?
20:51I read your post.
20:53I have a great assistant.
20:56She's trustworthy.
20:59I'll send her your number.
21:01Call her.
21:10So she's the teacher?
21:14Yes, she's the teacher.
21:17By the way, real estate is different than it used to be.
21:20It doesn't need experience or certificates.
21:25It just needs someone to trust.
21:27And you used to teach me.
21:29She talks to me.
21:34Selene, how are you?
21:38I know you.
21:40I'm sure you're using a silent phone.
21:42So I thought I'd send you a video.
21:45And you too.
21:47I have an ad with Zizi.
21:50I'll send you a voice note.
21:53Yes, in my office.
21:57I'll come to you.
21:59If you don't mind.
22:02Okay, I'll come to you.
22:04I'll send you the location.
22:06Okay, bye.
22:11What?
22:13She called me?
22:17What?
22:26What is this?
22:28Zizi, I'm sorry.
22:30Jimmy.
22:32Calm down, Zizi.
22:35Calm down.
22:41Zizi, I'm sorry.
22:43You can put on your seat belt.
22:46What are you doing here?
22:50Hello, yes.
22:54Did you see that?
22:56What is this?
22:58I swear, it's worse than me and you.
23:06Tell me, the woman we're going to meet is...
23:08Who is she?
23:10Selene?
23:12She's a very smart woman.
23:14She was like this before she got divorced.
23:16She never worked.
23:18After the divorce, she started her own business.
23:20Her social relations have improved.
23:22She's very smart in her field.
23:24Really?
23:26You reassured me.
23:28As long as it's about social relations,
23:30I'm going to break them.
23:32Listen, Zizi.
23:34We can't go through this break-up stage
23:36and enter the building stage.
23:38What do you think?
23:41You know, a long time ago,
23:43I used to love to build things.
23:45I had this game,
23:47which is...
23:49those colorful houses.
23:51The cubes?
23:53Yes, the cubes.
23:55I used to build them on top of each other.
23:57I used to build palaces, villas, houses.
23:59I used to build them too.
24:01I used to build them too.
24:03I used to build them too.
24:05I used to build them too.
24:07I used to build them too.
24:09It's not your personality at all.
24:11It's not like that.
24:13You have to be patient and build things.
24:15You have to be patient and build things.
24:17What do you mean by that?
24:19What's wrong with me playing a game
24:21and focusing on it?
24:23I used to play it like any other kid.
24:25I used to play it.
24:27I wouldn't play Barbie, for example.
24:29I don't mean anything by that.
24:31I'm just saying my opinion.
24:40Was that woman...
24:44a client of yours?
24:47First of all, she wasn't a woman.
24:49Her name was Celine.
24:52Secondly, I don't have the right to say this,
24:55but she made an announcement.
24:57She made an announcement.
24:59I accepted it.
25:01Yes, she was a client of mine.
25:03Yes.
25:07It's perfect, Celine.
25:09But about Noor...
25:11Come to Valina.
25:13The most important thing is that you're comfortable.
25:15Let's see what other options you have in your budget.
25:24As you expected.
25:27To stay in your time,
25:29and with the same quality,
25:31the price range will be completely different.
25:40Imagine this on a flat surface.
25:43Don't you think it's too dark, Alina?
25:45Look, Alina.
25:46The light design has solved all of Alina's problems.
25:49There's nothing stopping the technology.
25:52I'm sure you understand that, Mando.
25:54You're right.
25:55There's nothing that can't be solved.
26:01Let's look at this in a different way.
26:03Because countries like...
26:05Canada, Sweden...
26:07These countries don't get sunlight.
26:09How do you think they did it?
26:11I mean, they're not sitting in the dark, of course.
26:13Of course not.
26:16Alright.
26:18Alina, unfortunately, we have to end the call now
26:21because the next clients have already arrived.
26:24Sorry.
26:25Celine, can you leave me alone until the end of the day so I can think?
26:28My love, if I were you, I would.
26:30But the market is unpredictable.
26:32I have a flat like this in London.
26:34In your price range.
26:36One day or another, you won't find it.
26:38Let me tell you that after Mr. Murad and Mrs. Sara,
26:42there's another family coming to see this flat.
26:46Excuse me, can you give us a minute to talk?
26:50Sorry, Mrs. Sara.
26:51I'm sorry, Mr. Murad.
26:52Just a minute, please.
26:54Of course, take your time.
26:55But hurry up, I have an appointment.
26:57Okay.
26:58I'm sorry, Mrs. Sara.
26:59I'm sorry.
27:00I'm sorry.
27:01I'm sorry.
27:02I'm sorry.
27:06I'm sorry.
27:07You're laughing.
27:08I'm going to laugh.
27:11I really miss you.
27:12I miss you too.
27:13Really.
27:14Hi.
27:15Hi, I'm Zizi.
27:16Or Sara.
27:17Hi.
27:19Nice.
27:20Yes, very.
27:21And I like to work with nice people.
27:24Celine, by the way...
27:25Celine.
27:26I'll take it.
27:28Excellent choice.
27:29Bravo, Lina.
27:31Celine...
27:33I'll be waiting for you downstairs.
27:35I'm really sorry.
27:36No, it's okay.
27:37I'm sorry.
27:38No, it's okay.
27:39Congratulations.
27:41Did you get it?
27:42Yes.
27:43Congratulations.
27:44Congratulations.
27:45Group hug.
27:50Congratulations.
27:53Tell me, are you still cooking?
27:55Yes, of course.
27:56Are you kidding me or what?
27:58It's not the first time, of course.
28:00But every time I get a chance to cook, I always cook.
28:03Do you know that Rami is cooking now?
28:05No.
28:06Rami, Rami?
28:07No, that's it.
28:08No, I mean, Rami, Rami.
28:10Not Rami, Rami.
28:11Yes, of course.
28:12What are you talking about?
28:15That's it.
28:16Next semester, I'm going to college.
28:18Really?
28:19Yes.
28:20I'm going to America.
28:23What is this?
28:24And you're okay with this?
28:27I mean, I want what's best for him.
28:30And he's an adult now, so I'm not going to hold on to him forever.
28:37That's very nice.
28:39You've sacrificed a lot to stay with me.
28:45First, he's going to go to his dad's Christmas party.
28:48Then, he's going to New York.
28:52I'll miss him a lot.
28:54Okay.
29:12I'm too cool for that.
29:24Rami is an adult now.
29:27Cheers.
29:28Cheers.
29:34Still?
29:37Of course.
29:41Okay, tell me.
29:44I'll tell you.
29:46What do you think of Zizi?
29:47Zizi.
29:51She wants to know what you think of her.
29:54She wants to know if she'll work with you or not.
29:58She's not on your side.
30:00You can start working tomorrow.
30:02Really?
30:03Yes.
30:04Okay.
30:16By the way, Murad is okay with Seline.
30:18I'm going to start working tomorrow.
30:22I'm not comfortable with this job, Zizi.
30:26Do you have any other suggestions for someone who hasn't worked before?
30:31Murad is okay.
30:345,000 pounds a month.
30:37And 5% commission on any deal I sign.
30:41What do you think?
30:45Is she a good woman?
30:47A nice woman?
30:50She was very nice to Murad.
30:53Of course, she wanted to work with me.
30:57But it's obvious that they've known each other for a long time.
31:08Zizi, I'm not comfortable with Murad at all.
31:13Why?
31:15What do you mean?
31:18I mean...
31:20I heard that he's a bad man.
31:26All of a sudden?
31:27Wasn't Murad a superman a week ago?
31:32I don't understand what you're saying.
31:34What did you hear?
31:38I saw a few strange pictures on Facebook.
31:42I told him to ask about it in the group.
31:46He didn't say anything directly.
31:48But what I understood from what he said was...
31:50He's got a lot of stories.
31:52There's something wrong.
31:53I'm really worried about you, Zizi.
31:57Worried about me?
32:00I'm worried about the whole country.
32:03Forget about the women, the groups, and all that.
32:07It's all nonsense.
32:13I'm worried about your reputation.
32:15You're in a very bad situation right now.
32:18You're a divorced woman now, Zizi.
32:21What do you know about your reputation as a divorced woman?
32:25Or do you think I can't see that you're focusing on Murad right now?
32:29What are you talking about?
32:31I saw Murad and I know him.
32:34He's the one who has Murad to solve your problems.
32:38You sent me to court, to court, to court.
32:41I did it for you, Zizi.
32:43You did it for me?
32:45Do you think I can't see that you're focusing on Murad right now?
32:49Do you think I can't see that you're focusing on Murad right now?
32:53Do you think I can't see that you're focusing on Murad right now?
32:57Do you think I can't see that you're focusing on Murad right now?
33:00Are you out of your mind?
33:01Are you crazy?
33:02Are you crazy to tell me the truth?
33:04Yes, I'm crazy.
33:05Or did you forget what you did to your husband?
33:07What did he do to you?
33:09He threw you out and now you're blaming me?
33:11I'm telling you, Zizi.
33:12If you don't want your husband to die, get out of here.
33:19Get out of here.