Varshangalkku Shesham (2024) WEB-DL 720p [Hin + Tam + Tel + Mal + Kan] ESub[Trim]4
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Short filmTranscript
00:00Where's the director?
00:25He'll be here in a minute, sir.
00:26Do I have to wait?
00:27Just five minutes. He'll be here in a minute.
00:28Shit!
00:29Okay, whatever.
00:30I have a security company in Dubai.
00:32Fearless Security Services.
00:34So, what was the name of our movie?
00:36Some Jeevida Some Shit, right?
00:38Jeevida Gaal De Ghaale.
00:39Yes, you're right.
00:40It's very cringe, isn't it?
00:41What if we add our company's name to it
00:43and make it Fearless Jeevida Gaal?
00:46It'll be very cringe.
00:47Then let's change it.
00:48I've designed a logo.
00:50With my face.
00:52For Fearless Cinema.
00:53We can keep that, right?
00:54Let's cut off the head and keep the rest.
00:57Okay, let's do that.
00:59Where's everyone?
01:01Sir, they'll be here in five minutes.
01:03Call them.
01:04They'll be here in a minute.
01:05I don't like it here.
01:06It's too hot.
01:07This tropical climate doesn't suit me.
01:09Sir, just take off your sweater.
01:10That's not a sweater.
01:12It's no use telling you.
01:13Call them.
01:14Call them quickly.
01:15Otherwise, we'll go there.
01:16Coming soon.
01:17Let's go.
01:18No, they're coming.
01:19Are they really coming?
01:20They're coming.
01:21Let's go.
01:22Have they reached?
01:26Let's go.
01:41Clear the immigration layers.
01:42It's a task.
01:43It's not like before.
01:44Are our names okay?
01:45Yes, it's safe.
01:46Yes.
01:47Sir, he's the director.
01:49And he's the music director.
01:50Yes.
01:52Radhika.
01:54What's this?
01:55Have they been standing here for years?
01:57They're old players, sir.
01:59We don't have a dance party now.
02:00We'll have to go to Nananani Park.
02:01It's nothing like that.
02:02What if they die during the shoot?
02:03They're not going to die, sir.
02:05How do we know that?
02:06Sir, please come with me.
02:07Okay.
02:08Let's do one thing.
02:09We'll check their full body before recording.
02:10Yes, take him.
02:11This white-haired guy is going to tune.
02:13Tell him.
02:14How can he say that?
02:15I know him, sir.
02:16Yes, beard.
02:25Even I'm in trouble.
02:27And you're helpless too.
02:30We used to record like this in the past.
02:33With the instrument players.
02:35With the singer.
02:37Everyone together.
02:38The songs of our movies.
02:40We used to record like this.
02:42Great.
02:43The first movie of Fearless.
02:45We'll make it like this.
02:47We'll make it like this.
02:50Okay.
02:51We'll make all the movies of Fearless like this.
02:53Will this studio be available for all the movies?
03:23Even I'm in trouble.
03:25And you're helpless too.
03:28But still you're in my heart.
03:30Somewhere safe.
03:33The happiness that I've got from years.
03:36I've accepted every moment.
03:38The past that has gone by.
03:41With the body and soul.
03:44What's the excuse?
03:46Look for hope.
03:49You have to move ahead.
03:54This is the attempt of the world.
03:57The world should listen.
03:59The past that has gone by.
04:01The music has made us cry.
04:04Even I'm in trouble.
04:07And you're helpless too.
04:10But still you're in my heart.
04:12Somewhere safe.
04:15The happiness that I've got from years.
04:18I've accepted every moment.
04:20The past that has gone by.
04:48Even I'm in trouble.
04:51And you're helpless too.
04:54But still you're in my heart.
04:57Somewhere safe.
05:00The happiness that I've got from years.
05:03I've accepted every moment.
05:06The past that has gone by.
05:09With the body and soul.
05:12What's the excuse?
05:15Look for hope.
05:18You have to move ahead.
05:22This is the attempt of the world.
05:25The world should listen.
05:28The past that has gone by.
05:30The music has made us cry.
05:33Even I'm in trouble.
05:36And you're helpless too.
05:39But still you're in my heart.
05:42The music has made us cry.
05:45Even I'm in trouble.
05:48And you're helpless too.
05:51But still you're in my heart.
05:54Somewhere safe.
05:57The happiness that I've got from years.
06:00I've accepted every moment.
06:03The past that has gone by.
06:06Even I'm in trouble.
06:09This is the attempt of the world.
06:12The music has made us cry.
06:16Even I'm in trouble.
06:19But still you're in my heart.
06:23The music has made us cry.
06:26Even I'm in trouble.
06:29And you're helpless too.
06:32But still you're in my heart.
06:36What's up?
06:38Shahji, are you going back to the village?
06:42Sir, the set work and purchasing hasn't started yet.
06:44And all the actors are new.
06:46We haven't even confirmed them yet.
06:50For now, let's stop this.
06:55I'll try to find a new producer as soon as possible.
06:59Okay?
07:01That's why I said it, Pradeep.
07:03Who's going to invest in this project now?
07:05Huh?
07:06Not just that.
07:07You're a very old director.
07:09And you're making movies with new faces.
07:11In the last 20 years of your career,
07:13have you seen a single movie that's been a hit?
07:16Tell me.
07:25Are you going back to the village?
07:28I haven't thought about it yet.
07:34See you.
07:35See you.
07:40Sorry, sir.
07:41I didn't know the producer would be like this.
07:45No.
07:47You tried to help me.
07:51Thank you, Pradeep.
08:28I love you.
08:29I love you.
08:30I love you.
08:31I love you.
08:32I love you.
08:33I love you.
08:34I love you.
08:35I love you.
08:36I love you.
08:37I love you.
08:38I love you.
08:39I love you.
08:40I love you.
08:41I love you.
08:42I love you.
08:43I love you.
08:44I love you.
08:45I love you.
08:46I love you.
08:47I love you.
08:48I love you.
08:49I love you.
08:50I love you.
08:51I love you.
08:52I love you.
08:53I love you.
08:54I love you.
08:55I love you.
08:56I love you.
08:57I love you.
08:58I love you.
08:59I love you.
09:00I love you.
09:01I love you.
09:02I love you.
09:03I love you.
09:04I love you.
09:05I love you.
09:06I love you.
09:07I love you.
09:08I love you.
09:09I love you.
09:10I love you.
09:11I love you.
09:12I love you.
09:13I love you.
09:14I love you.
09:15I love you.
09:16I love you.
09:17I love you.
09:18I love you.
09:19I love you.
09:20I love you.
09:21I love you.
09:22I love you.
09:23I love you.
09:24I love you.
09:25I love you.
09:26I love you.
09:27I love you.
09:28I love you.
09:29I love you.
09:30I love you.
09:31I love you.
09:32I love you.
09:33I love you.
09:34I love you.
09:35I love you.
09:36I love you.
09:37I love you.
09:38I love you.
09:39I love you.
09:40I love you.
09:41I love you.
09:42I love you.
09:43I love you.
09:44I love you.
09:45I love you.
09:46I love you.
09:47I love you.
09:48I love you.
09:49I love you.
09:50I love you.
09:51I love you.
09:52I love you.
09:53I love you.
09:54I love you.
09:55I love you.
09:56I love you.
09:57I love you.
09:58I love you.
09:59I love you.
10:00I love you.
10:01I love you.
10:02I love you.
10:03I love you.
10:04I love you.
10:05I love you.
10:06I love you.
10:07I love you.
10:08I love you.
10:09I love you.
10:10I love you.
10:11I love you.
10:12I love you.
10:13I love you.
10:14I love you.
10:15I love you.
10:16I love you.
10:17I love you.
10:18I love you.
10:19I love you.
10:20I love you.
10:21I love you.
10:22I love you.
10:23I love you.
10:25Husband?
10:27We have run a media company.
10:30We have a theatre business.
10:33We are settled here.
10:36Children?
10:38Two girls.
10:40One in Canada.
10:42One in Bangalore.
10:46Only your family?
10:50I don't have a family or children, Annie.
10:54Did you miss me?
11:25Hello.
11:26This is Annie.
11:27What happened, Annie?
11:28I'll give the phone to my husband.
11:35Yes, Murli.
11:36This is Annie's husband.
11:38John.
11:39Hello, John.
11:40Your film has stopped, right?
11:43Call the director and crew back.
11:46I'll call them.
11:47I'll call them.
11:48I'll call them.
11:49I'll call them.
11:50I'll call them.
11:51I'll call them.
11:52I'll call them.
11:53Call the director and crew back.
11:55My friend is interested in producing your film.
11:59He'll come tomorrow morning.
12:02Okay?
12:03Bye.
12:14Venu, we have found a producer.
12:16Turn the car around quickly.
12:23Turn the car around quickly.
12:42The car is here.
12:43Let's go.
12:54Mr. Keshav Dev.
12:55Not Keshav Dev.
12:57Jain Keshav.
13:02I've heard a lot about your dad's super hit film scripts.
13:07When my dad was dying,
13:10he told me to help him if I ever needed help.
13:14Keshav Dev's son can do this much, right?
13:18Keshav Dev's son can do this much, right?
13:20Keshav Dev's son can do this much, right?
13:46Let's start.
13:51We save maximum money in set work.
13:53We shoot indoors only at the actual location.
13:56There will be multiple shifts.
13:58But if we get a little more money,
14:00we can do this.
14:01That's not possible.
14:03You don't think so, right?
14:04The assistant directors, camera assistants,
14:06costume assistants, art assistants of this film
14:08will get paid.
14:10Apart from the salary,
14:11they will get an additional 1000 rupees for expenses.
14:15But...
14:16But...
14:17But...
14:18But for these bonuses,
14:19according to the daily chart,
14:21you guys will have to end two additional scenes.
14:26That's the spirit.
14:27That's the spirit.
14:28Do we have to end two additional scenes daily?
14:30Shoot gets over in 10 days.
14:32Jain will save minimum 10 lakhs.
14:35Then, we can surely give.
14:37He's not like his father.
14:38He has some brain.
14:40It could be his mom's job.
14:43Jimmy jeep, tracking trolley...
14:45We don't want all these things.
14:47We use good gimbals without the issue of stability.
14:51It's a low-light camera, right?
14:53It will work in low light, but not in low light.
14:57I've seen all the movies released in the last four years.
15:01All the music directors focus on one thing.
15:04They blend traditional music with all the genres of western music.
15:10I'm going to do the same thing.
15:12But in a different way.
15:15In my own way.
15:17In life, every moment
15:21The roads will open, so let's go
15:25The sound of seven notes
15:30Change it in your own way
15:34In life, every moment
15:38The roads will open, so let's go
15:42The sound of seven notes
15:46Anne's husband knows everything.
15:50If you think wrongly, he'll kill you and break your bones.
15:55Don't say anything.
15:57How can he think of such things at this age?
16:00I think there's something fishy.
16:04If you do anything wrong, I'll tell John.
16:07What if he does?
16:08That instead of composing, they're playing love games.
16:12Yes.
16:14Pradeep, that's enough. Let's go.
16:17Venu sir, we need people for the promotion.
16:19We don't need stars.
16:21If we find someone who knows business, it can be useful.
16:29I'll listen to the story, but the payment should be final.
16:33Is it two crore rupees?
16:34We paid for the four movies together.
16:35Tell me less.
16:36I have some work at home.
16:38Yes, okay.
16:39Is there anything like KGF?
16:41I want to be smart from start to finish.
16:44Oh, pan-Indian.
16:45I'll tell you if I get it.
16:47What happened? Did you get it?
16:48I'll get it soon.
16:49He's not making a movie this year.
16:50What happened?
16:50He's going to the Himalayas this year.
16:52He'll come down from the Himalayas someday.
16:53Let's talk about that later.
16:54He'll leave for Europe as soon as he comes from the Himalayas.
16:56Where is he now?
16:57He's out somewhere.
16:58But we won't find him there.
17:00This guy is too much.
17:01What happened, Mr. Shah?
17:02Sir, when it's time to work, they climb mountains.
17:06What kind of people have come here?
17:07What do they lack?
17:10I can't climb the stairs here.
17:12And they want to climb the Himalayas.
17:13Can't they do some work and live?
17:15Mr. Mehndu, there's only one guy available for us.
17:18He's a good guy.
17:19But his last six or seven films have flopped.
17:21He has a little satellite value.
17:23And he's quite famous in the over-sized market.
17:25What's his name?
17:26Nitin Mouli.
17:29What does he do?
17:31It's not a headache, sir.
17:33He's a good guy.
17:33But when he gets angry, he leaves the set.
17:35Talk to the association people.
17:36He'll come immediately.
17:37Nitin Mouli.
17:38Mouli, what's his mother's name?
17:39His full name is Nitin Molondruti.
17:42He was removed from Molondruti and kept as Mouli.
17:44Okay, fine.
17:45Mr. Venu, shall we try him?
18:09["Pyaara Mera Veera"]
18:39["Pyaara Mera Veera"]
19:10["Pyaara Mera Veera"]
19:25["Pyaara Mera Veera"]
19:40Hmm?
19:42Sir, I want to see the director.
19:45Why do you want to see him?
19:47I've seen a lot of directors in my eight years of career.
19:52There's no point.
19:54Don't you want to hear the story?
19:56Why do you want to see him?
19:58I haven't read a single script in my eight years of career.
20:03There's no point.
20:05If that's the case, can we fix the date?
20:07Yes, talk to the manager.
20:09What's this?
20:11The manager.
20:13Listen, the schedule is fine.
20:15What's wrong?
20:16We'll have to make some adjustments.
20:18Three inaugurations between the dates you mentioned.
20:21Two on Sunday and one on Valentine's Day.
20:23Valentine's Day is fine.
20:24After Valentine's Day, send brother home by evening.
20:26He'll come, right?
20:27What's the point of eating on a festival day?
20:29Just bless the kids.
20:31We'll get the money.
20:32In full black.
20:33Very nice.
20:35Is everything okay?
20:36Yes, sir. Thank you.
20:39Then why are you standing here?
20:42I don't like talking to people while eating.
20:45Now can I eat peacefully, please?
20:48Sir, eat.
20:49Go.
20:49Pay the bill on your way out.
20:51Let's go.
20:53Come on, get the car.
20:54Yes, it's the first day of the shoot.
20:57That's why I went to the temple to pray.
20:59Take this offering.
21:01Where is Mr. Vinu?
21:05Ready.
21:06Ready.
21:08Clap in.
21:10Sound.
21:13Roll camera.
21:16Ready.
21:18Clap in.
21:19Sound.
21:20Ready.
21:22Clap in.
21:24Action.
21:29Cut.
21:40Hello.
21:41Hello.
21:42Oh.
21:43Yes, I'm starting the movie.
21:45Thank you. Thank you.
21:45I'll call you later.
21:46Okay.
21:48He'll be here soon.
21:50Mr. Vinu, are you ready?
21:51Ready.
21:53Start, action, cut.
21:54You remember all this, right?
21:56People will jump in the well.
21:57Will you jump too?
21:58I've heard this before.
21:59I know my work well.
22:01I know you work well too.
22:04Come on.
22:11What's going on, sir?
22:12So many senior directors have come here.
22:14No one even said good morning to them.
22:16They can at least smile.
22:19We'll see tomorrow.
22:22Sir.
22:26Yes, for cholesterol.
22:28Here, sir.
22:29For blood pressure.
22:30Here.
22:31For blood thinner.
22:32Yes.
22:33Did you take insulin?
22:34Not insulin.
22:35I'll take it tomorrow.
22:36I'll call madam and tell her.
22:37I'll give it today. Give me time.
22:38Okay.
22:40Look, peanuts, sweets and sweets.
22:41Don't give any of these to the boss.
22:44Okay?
22:45Give me an orange juice.
22:46Okay, sir.
22:46With sugar.
22:47Is he my boss or am I his boss?
22:50You have all kinds of diseases.
22:52Who do you think I am?
22:57She's looking good.
22:58New kid in the block.
23:04Where are you going?
23:05Sir, I'm going to the location.
23:06Why are you going to the location?
23:08I'm an artist.
23:09Get in the car.
23:10Okay, sir.
23:17Sir, tea or coffee, sir?
23:18Only Pepsi.
23:19Did you get the rails?
23:20Yes, sir.
23:21Slow motion?
23:21Yes, it'll go viral.
23:23Whatever.
23:24That's what you said last time.
23:28Where are you going?
23:29Don't irritate me early in the morning.
23:30Sir, morning, sir.
23:31Can we meet the director?
23:34What do you want to do after meeting the director?
23:35Nothing, sir.
23:36We'll meet him.
23:37Let's go.
23:38Where is he?
23:38He's downstairs.
23:39Why doesn't he come upstairs?
23:40Don't let a single person in.
23:41Okay.
23:43He's a junior.
23:44Send everyone else inside.
23:45Yes.
23:46Sir, sir, sir.
23:47The one who's sitting there is the director.
23:49Ask the people to move aside.
23:51What's the matter?
23:51He's dead.
23:52Move to the left.
23:54Sir, not him.
23:55Move.
23:55He's sitting next to him.
23:56Move.
23:57Move a little.
23:57Move a little.
24:01That's perfect.
24:03Perfect.
24:03Which one?
24:05The old man?
24:10I can't even eat properly.
24:11That's what we want.
24:13Come.
24:13I'll go and do my make-up.
24:15Sir, don't you want to hear the story?
24:16Do you want me to explode after hearing the story?
24:20Go away.
24:20Shut up.
24:22Go away.
24:24Why is there so much noise there?
24:26Nitin Mouli is there.
24:28Vinod sir, is the framing okay?
24:31Yes, it's good.
24:32Pradeep, where is the artist?
24:36He's the best actor, right?
24:37Mohanlal is the best actor, sir.
24:39He's a youth icon.
24:39Mammootty is a youth icon.
24:41Promising talent.
24:42Sir, I'll say okay right away.
24:43Yes, I'll get the tickets.
24:44Okay, sir.
24:45Send the tickets.
24:46Will it work economically, sir?
24:49You read the script, right?
24:51Yes, I read it.
24:52You're a friendly school teacher.
24:54Yes.
24:55So, always keep a smile on your face.
24:57Yes, I will.
24:58Do I have to?
24:59It's okay.
25:00Yes, take it.
25:01But it's not necessary to hold the slang.
25:04Just give a little shade.
25:05What shade?
25:06Pradeep will tell you the position.
25:08Why are you looking at me like that?
25:09That's me.
25:10Yes.
25:11What should I say now?
25:12Do you want to rehearse?
25:13Who?
25:14If that's the case, let's take a take.
25:16Yes.
25:17Okay, all the best.
25:19Come there and tell me the position.
25:21He's standing with his chest out.
25:25What's the first shot?
25:26Sir, when you come to the main lobby,
25:28you'll wish the kids sitting there.
25:29And when you go further inside,
25:31you'll see the kids from the choir group.
25:32And when you go ahead,
25:33you'll see some teachers in the corridor.
25:35Male or female?
25:36Full male, sir.
25:37When you look at the teachers,
25:38when you look at the kids in the class,
25:40your reaction changes when you look at one of them.
25:44That's it, sir. First shot.
25:46Is this a single shot?
25:48It's a single shot, sir.
25:49I'll die if I take a retake.
25:51Do I have to go around with all these junior artists?
25:53The camera's choreography should be correct.
25:56Why don't you keep the first shot of the movie simple?
25:58If it's a complicated shot,
25:59we can shoot the whole movie in a simple way.
26:01That's what Vinu sir says.
26:02He's like an old object.
26:05He's not an old thing.
26:06He's an old lion, sir.
26:08Get ready for take.
26:09Ask them to stop pretending and move aside.
26:11I've been watching you for a long time.
26:13If you're here to work in the morning, then work.
26:15Otherwise, the people who work with you shouldn't get angry.
26:17Got it?
26:18And I'm telling everyone.
26:20Pradeep, is everything ready?
26:22ADs, get ready. Vinu sir is waiting for your call.
26:24Sound.
26:25Sound rolling.
26:27Roll camera.
26:28Rolling, sir.
26:30Clap in.
26:32Clap out.
26:33Background action.
26:34AD1.
26:35Okay, sir. Go, go, go.
26:37Go. Go.
26:39Action.
26:44Morning.
26:47AD2. Artist entry.
26:48Okay, copy. Start the song.
27:02Good morning.
27:03AD2. Tell the artist before entering the classroom.
27:07AD3. Artist entry.
27:08Okay, copy.
27:09Go, go, go. Close it. Close it.
27:13Say good morning.
27:14Good morning, sir.
27:18Morning. Sit, sit.
27:25Cut it.
27:26Relax, kids. It's a retake. One more. Reset.
27:29Shot okay.
27:35Shot okay.
27:37Shot okay.
27:39My first take was okay.
27:41Mine?
27:42Sir, there's a slight speed variation here.
27:45I'll take a look at that in the edit.
27:47Next, keep Nitin's image.
27:48Steady block.
27:49Okay, sir.
27:53Makeup.
27:54Wipe sir's sweat and freshen him up.
27:57Freshen.
28:02Subin, the scene is over.
28:04Get up quickly.
28:06Get out of here quickly.
28:07Roll camera.
28:08Clap in.
28:10Clap out.
28:11And action.
28:16Got it.
28:17Cut, cut.
28:19Okay, right?
28:20Nitin sir, keep it subtle. Don't overdo it.
28:23Pradeep.
28:27Don't shout at the mic and insult the artist.
28:30Why should you sing the chorus of the performance to the villagers?
28:32Sorry, sir. I won't do that again.
28:35Sir, I got carried away while overdoing it.
28:38You should overdo it instead of overdoing it.
28:40That's also your choice.
28:43You're doing a good job.
28:45Thank you, sir.
28:46Shall we do a rehearsal?
28:47Who?
28:52Action.
28:53This shot is okay.
28:54Are you sure?
28:55If the director doesn't like it, he cuts it like this.
28:58If he likes it, he raises his hand and cuts it.
29:02This hand was up.
29:03Shot okay.
29:04Wait, wait, wait.
29:06You wait here.
29:07We can talk.
29:08Dear, you go. Go.
29:13No, no, no. Don't sit. Change the costume.
29:15What is this? Let the scene finish.
29:17What?
29:18Take this and go.
29:21What is this? He's been talking nonsense since morning.
29:23James, sir.
29:24What is this?
29:24It's a pack-up.
29:26It's only 5 o'clock.
29:28Shoot more. Shoot more.
29:29Go, go.
29:30Sir, not just today's scenes.
29:31We shot yesterday's scenes as well.
29:33How many additional scenes did you shoot?
29:35Four.
29:36Four?
29:37Yes.
29:39Where is Mr. Venu?
29:43We have come very close to these kids.
29:47It seems like that.
29:49Isn't it?
29:50This is the power of cinema.
29:53Good morning, sir.
29:54Where are you standing?
29:55Good morning.
29:56Okay, I got it.
29:57Good morning, sir.
29:58Things started moving ahead of my expectations.
30:01The scene that was going to be shot for 23 days...
30:04...we finished it in 10 days.
30:07Meanwhile, Jayan's finance company was facing some problems.
30:12Don't be scared.
30:13Just focus on your shoot.
30:16That's what Jayan told me.
30:17But on the 11th day of the shoot...
30:21I am in trouble and so are you.
30:26But still you are in my heart.
30:30Mr. Venu.
30:31Mr. Venu.
30:32Our Mr. Jayan.
30:37Mr. Jayan.
30:40Mr. Jayan.
31:03He had a heart failure.
31:06I'm so sorry.
31:16We've borrowed 250,000 rupees from my father.
31:19We haven't paid our medical insurance since two years.
31:22We don't have money to pay back the money even after discharge.
31:27Dear, don't worry about all that.
31:29We have that money in cash.
31:31All of us are there in your family.
31:33We'll make the film only after it's like it was before and is able to handle the picture.
31:38Listen, uncle. I know you don't like this.
31:42But if we think about it realistically,
31:47I don't think this film will work.
32:04Beenu.
32:18Two and a half years ago,
32:20I was invited to a school function as a guest head
32:23at a place called Pambanar, near my childhood home.
32:28Radhika was there too.
32:30The girl who was studying in the second class.
32:34I still remember her name.
32:37Devika.
32:39She sang the songs of my films very well.
32:44After that, the MLA of that place,
32:48in just 25 minutes,
32:51said a lot of good things about me.
32:54That day, I saw a wave of happiness on her face
32:59on my way back from there.
33:03In the accident,
33:05her feet,
33:08then that same happiness.
33:11Do you know when I saw her?
33:15When she came to listen to our film's song.
33:18What would I have said to her?
33:20My cinema was shut down.
33:34In this world of cinema,
33:36without anyone's knowledge,
33:39I have lived and died in agony.
33:43Without anyone's knowledge,
33:45I have lived and died in agony.
33:49Why did everyone teach me to dream?