Varshangalkku Shesham (2024) WEB-DL 720p [Hin + Tam + Tel + Mal + Kan] ESub[Trim]3
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00:00TAMIL NADU
00:20Tamil, take this.
00:30TAMIL NADU
00:45Hey! Speak up!
01:00TAMIL NADU
01:20I'll see you later, grandpa.
01:22Go and do your work.
01:24Okay, grandpa.
01:30TAMIL NADU
02:00TAMIL NADU
02:31TAMIL NADU
02:44TAMIL NADU
02:47This is what I am asking for.
02:50Give me the money!
02:52What made you do this?
02:54Let go!
02:56I don't understand what you're saying!
02:58I don't understand what you're saying!
03:11Stop! Stop!
03:13Hey!
03:14Watch out!
03:26Life is suffocating
03:30Memories are bursting
03:35My heart yearns
03:56Memories are bursting
04:06Murali
04:08It's been years since I've been to Kodambakkam
04:12I've seen everything here
04:15For those who live without discipline
04:18Kodambakkam is like a Bermuda Triangle
04:21Once you step inside, it's easy to get lost
04:42Bro, how's the movie?
04:45Bro!
04:47You've changed so much!
04:49How are you?
04:50What about me? I'm fine!
04:52Where's Swami sir?
04:53Swami? He's out
04:55And yours is upstairs. Go meet him.
04:57Let's go!
05:21Bro!
05:24Bro!
05:27I couldn't come to your preview.
05:29I was in a recording.
05:31It's okay.
05:33When's the release?
05:34Soon.
05:35I'll go to the theatre first.
05:40I wanted to give you good news.
05:42Shall we go to the tea shop?
05:44Sure. Let's go.
05:51Come.
05:53Let's go.
06:02How's the tea?
06:04Same as always.
06:07Radhi and I are getting married.
06:11What?
06:12In the village?
06:14No.
06:15We've booked a hall in P Nagar.
06:17If it's there, people from the theatre can come.
06:21The family will come from the village.
06:23That's right.
06:24If you need anything, let me know.
06:26I'll help you.
06:27I don't need anything.
06:30You...
06:32Just live your life well.
06:37You beat me up in the studio.
06:40And slept on the road all night.
06:44My friend told me.
06:47Who are these friends?
06:53I'll wear white clothes to your wedding.
06:56I won't bother your friends.
07:01Why are we talking like this?
07:03You must have invited a lot of people.
07:06You go.
07:07Let's go.
07:08Let's go.
07:12See you.
07:13See you.
07:14See you.
07:16See you.
07:17See you.
07:18See you.
07:43Inder Dhanush.
07:44Why did you sing for him?
07:46He used to come and sit here.
07:48Do you know how many musicians he cheated?
07:51He talks about the film industry.
07:53And says how difficult it is to work here.
07:55By offering money to people.
07:57Without any shame.
07:58He sells other people's music.
08:00But...
08:01He didn't ask me for a song.
08:04What were you thinking?
08:05You gave him a song yourself.
08:08He is a man who manipulates everyone.
08:11Now the whole city is singing your song.
08:14What is this?
08:16He was your son.
08:17And you sold him.
08:19What do I tell you now?
08:25Can I talk to you for a minute?
08:31You gave me this song yourself, right?
08:34Yes.
08:36You told me to release this song in my name.
08:40Yes.
08:41Now how do I tell you that this song is yours?
08:44I don't want any credit.
08:47No one should know this.
08:49Just tell him.
08:51Tell Veenu.
08:55Please.
08:58It won't happen.
08:59Please.
09:00Veenu is not just your friend.
09:02He is also the director of my film.
09:09If he comes to know,
09:10there will be a ruckus in the industry.
09:12I can't handle that.
09:14I have reached this level with years of hard work.
09:19Indra Dhanush.
09:20Indra.
09:22No matter what happens,
09:23I won't let this name be erased.
09:28Now do you want to fight?
09:30Then do it.
09:31Sir.
09:32I have not come to fight with you.
09:35I am just a drunkard in his eyes.
09:40He can't even bear it.
09:41No, no, no.
09:45What are you saying?
09:47This is just one song.
09:50Just one bloody song.
09:54You know the music, right?
09:57Make another song.
10:03Look, Murli.
10:06Not just friends.
10:08Show the whole world what you can do.
10:11You can do this, Murli.
10:12Go and make a new song.
10:14Go.
10:42Murli.
10:48Were you sleeping?
10:51Why have you come at this time?
10:53I want to talk to you.
10:55You have drunk too much.
10:57You know that I am a drunkard.
10:59Your friends must have told you everything.
11:03Where are you, Radhika?
11:06If we meet like this before marriage,
11:08what will the family members say?
11:10Get out of here and come tomorrow.
11:12Radhika.
11:13You go inside.
11:14I will talk to my friends and leave.
11:16I am telling you to talk tomorrow.
11:18Radhika, you go inside.
11:23I didn't like it.
11:28What do you want to say?
11:31I will make the songs for your next film.
11:35You wanted me to make a song for your next film, right?
11:38I will make it.
11:39I will make all the songs for your next film.
11:43We will discuss it tomorrow.
11:45Why are you thinking so much?
11:47Just tell me the situation.
11:48I will make it.
11:51After the release of the film,
11:53I am very tired of running around for the wedding.
11:56We will talk tomorrow.
11:58Now you go from here.
12:00I don't want so much time.
12:02Just tell me the situation for five minutes.
12:05I will make a song.
12:06I will make a song.
12:07You know how fast I can make a song.
12:10Come, sit.
12:14Okay.
12:15Tell me the situation.
12:17Tell me.
12:18We will finish it quickly.
12:20I will tell you.
12:21Tell me.
12:27Two friends come to a city with a lot of dreams.
12:33One of them reaches a big place by winning.
12:40And the other one loses and goes into a pit.
12:48Slowly, they start separating.
12:53Finally, in a bad night,
12:56they fight with each other and separate.
13:02This is the situation.
13:04Now you compose.
13:07Compose.
13:09Compose.
13:10Compose.
13:30There are no dancers and singers here to play your harmonium.
13:37This is Madras.
13:39From the chapparasi of the director's colony,
13:42to the rich kids of the industry,
13:45everyone is an artist.
13:48This city is like an ocean, Murli.
13:52You don't have a drop of water here,
13:55then why are you suffering so much?
13:58What is the reason for your suffering?
14:07I don't know.
14:16Now you will have to ask me to leave.
14:37Madras
15:07Madras
15:37Madras
15:45This piece will start with the piano.
15:478 to 9 bars.
15:49After that, the melody.
16:08Swami, is he up there?
16:16Am I late?
16:27Why are you pushing me?
16:29I will fall.
16:31That's my song.
16:33I didn't cheat.
16:34It's my friend's song.
16:36Did you hit Indra?
16:39I will see you.
16:41Leave me.
16:43You hit me.
16:45You made a mistake.
16:47I will throw you out of the industry.
16:49It's my song.
16:51You have given so many hits.
16:53The boy who came yesterday hits me.
16:55Pandya, take out the car.
16:57Then for a few years,
17:00no news of Murli was found.
17:05Radhika and I got married.
17:08My first film became a super hit.
17:11After that, many of my films became a super hit.
17:15Then one day,
17:17I started forgetting who I am.
17:20This also affected my cinema.
17:23And after making 45 films,
17:26the life of my cinema
17:29ended.
17:31Sir, did you meet Murli
17:33or talk to him?
17:36I talked to him.
17:38In 1999.
17:40I will never forget that night.
17:48Hello.
17:50Mr. Vinod Kutivarnam.
17:52I recognized your voice.
17:54What?
17:56I saw your film today.
17:58It's a very bad film.
18:01I am saying it's bad.
18:04But you understand what I am trying to say, right?
18:07Earlier, you told me
18:10that you are the same director
18:12who plays the harmonium
18:15and dances in the streets of Madras.
18:18Do one thing.
18:20Go straight to the director's colony.
18:23To Manpriya Darshan,
18:25Padma Raj, Paraguna
18:26or anyone else.
18:28Go home and be their servant.
18:31And while cleaning their mess,
18:34keep the kitchen door slightly open.
18:37You will hear the discussion
18:40about the new directors of Badalti Cinema.
18:42Listen to it and learn something.
18:45If you can't do that,
18:47then go to the village
18:49where your father has kept a place for you.
18:52Go there and die.
18:57After that phone call,
19:00for many years,
19:02there was no talk between us.
19:05Last year,
19:07my wife's treatment was going on.
19:09And with the help of the association,
19:11I was living in Kochi.
19:15That's when I saw a lounge boy
19:18taking a tape recorder
19:20from near my room.
19:23A similar tape recorder
19:24which I had kept with me
19:27for many years.
19:30I looked at it carefully.
19:35After a while,
19:37from far away,
19:39I heard the sound of a violin.
19:44I had heard this sound
19:47many years ago
19:49while swimming in a small boat
19:51on a river.
19:55It was the same sound
19:57which I heard
19:59many years later
20:01without any note.
20:06Sir,
20:08we have reached the location.
20:10That house.
20:15Once,
20:17I forgot my child.
20:21Come back,
20:23I am leaving you.
20:27Come back.
20:29Come back
20:32Once,
20:34I forgot my child.
20:38Come back,
20:40I am asking you today.
20:44Come back.
20:45You are the light of my life, you are the light of my life, you are the light of my life.
20:52You are the light of my life, you are the light of my life, you are the light of my
20:59life.
21:00You are the light of my life, you are the light of my life, you are the light of my
21:09life.
21:10You are the light of my life.
21:16Within me so many dreams have taken flight.
21:22Memories are refreshed.
21:25Simple memories are left undisturbed.
21:31You are my revenge, you scoundrel!
22:01Venu Bhai, how are you?
22:19Sindhal Bhai, from Swamy Lodge.
22:22Sindhal, where is Murali?
22:25He has left.
22:27Where is he going?
22:28There is a village called Karpagam near Salem.
22:31He has gone there.
22:34He has been staying at my house for the past 2-3 months.
22:37He was looking for a job as a music teacher.
22:40Yesterday, I got a call from Karpagam Sangeet Sabha.
22:44That's why he left in the morning.
22:48Isn't he here?
22:49No, he has left for Salem.
22:51Is he roaming all over Tamil Nadu?
22:54Sir, the last thing we spoke about was your meeting.
22:58I will tell you the rest.
23:00That day, I went to Bombay forcefully.
23:06I knocked on many doors to become a music director.
23:11Once I knock on the door, who is going to open it?
23:16Finally, I met music director Ali Zafar in Mehboob Studio.
23:22I was with him in Bombay till the blast of 1980.
23:26I became his assistant and music conductor.
23:30After the blast, Ali Zafar left Bombay and went to his village.
23:36West Bengal.
23:37Murshidabad.
23:39And with him...
23:42We started a music institute near Katra Mosque.
23:47We taught many people.
23:50Some became popular musicians.
23:52Some became music directors.
23:55Why did you come here after so many years?
24:03A week ago, in Kolkata, I saw you on TV.
24:11Venu Kuttaparamba Lifetime Achievement Award.
24:15Lifetime Achievement Award goes to...
24:17Venu Kuttaparamba.
24:22Venu Kuttaparamba...
24:23Shut up and go away.
24:28Where are the superstars who were supposed to come?
24:30Are you fooling us by calling those who don't know anyone?
24:37When Cinema Jagat used to call Venu Kuttaparamba,
24:41the whole theater used to clap.
24:44What happened to you?
24:47What I thought didn't happen.
24:50Success was on my head.
24:53I wanted to be old Venu again, but it didn't happen.
24:58After losing again and again, people forgot all the days I lived.
25:04You have the ability to tell everyone who you are.
25:09It's not your cup of tea to stay quiet, Venu.
25:12You are a lion.
25:15Our time is over.
25:17This is the world of the young.
25:20This is their time.
25:23Nothing ever ends suddenly, Venu.
25:27This world is made for everyone who lives.
25:31It's been many years since I wrote this.
25:34I will take it with me on my way.
25:37You three read it and tell me.
25:45Where are we going?
25:48An old friend of ours has passed away.
25:51We are going to his house.
25:54I don't know where he is.
25:57We are going to his house.
26:00Who is it?
26:09Shatrath Anjali for Melody's Chakraborty.
26:14Indra Dhanush?
26:17Was he a Malayali?
26:20He was half Malayali.
26:23He was working as a Tamilian.
26:28Will there ever be an artist like him?
26:31Can anyone make songs like Niyavagam?
26:35That was my house, you scoundrel.
26:38Where were you when he met Padmashree?
26:41I was at the bar.
26:43He was there all night.
26:46God makes the wicked cross the limits of the sky.
26:51I am a little hungry.
26:55Let's go to Lakshmi's shop and have some food.
27:03So many people are going inside.
27:06You were going to get everything.
27:09Let's go.
27:14Venu, is he a Kamaraj?
27:18What will he do?
27:20All the scoundrels are here.
27:23Do you recognize him?
27:25MLA Pudwal.
27:28He lived for art.
27:31Everything is for art.
27:34Is she your daughter?
27:36No, she is my wife.
27:37What is your name?
27:38Kala.
27:39Hello.
27:40Let me check your body.
27:43Come here.
27:46You are very sick.
27:48Sir.
27:52Sir, I am a big fan of yours.
27:57You are talking to the wrong person.
27:59No, sir.
28:00I am the assistant director in cinema.
28:02Pradeep.
28:03I have seen all your old films.
28:06I am a big fan of yours.
28:08Can I take a photo?
28:10Someone died here, sir.
28:12Let the photo be.
28:13Not you, son.
28:15I met a fan after many years.
28:18Take a photo.
28:20You won't get a chance like this again.
28:24What do you think of Indra Dhanush?
28:26I am a fan of his, sir.
28:27His favorite song.
28:32Who does such compositions these days?
28:35Really.
28:37There is no one like him.
28:42Shall I take a photo of him?
28:55Don't you have any other song in your mind?
28:57This is the only song that comes to my mind when I stand here.
29:00This is the only song to remember such a great legend.
29:03Whatever.
29:07Pradeep.
29:08Are you going to Hethnakulam?
29:09Hello, sir.
29:10We are also going.
29:11Come on.
29:12Thank you, sir.
29:13Pradeep.
29:14Who do you work with?
29:16I work with Mr. Puttu, sir.
29:18Oh.
29:21Who is this guy?
29:23Dileesh Pothan.
29:24Oh, Dileesh Pothan.
29:26I was Shyam Pushkar's script assistant before him.
29:28In Kumlangi Nights.
29:29Oh.
29:31Son.
29:32Can you read this script and give your opinion?
29:35Come to Hethnakulam for 2-3 hours.
29:37Who wrote this, sir?
29:38It's Beenu's.
29:39I will read it right now and tell you.
29:42Listen.
29:43I think this is your best script.
29:45The new generation will like it.
29:46I am sure.
29:47Hmm.
30:01The 4-5 scenes after the interval are very cringy.
30:05Are you saying it will be good?
30:08It will spread all over the globe.
30:10Okay.
30:11What should we do now?
30:12We will have to rewrite all the dialogues.
30:14We will do all that.
30:15How did the rest go in the script?
30:21It is very good and feels good, sir.
30:23All the scenes are very good, sir.
30:25They are made for the theater.
30:28Will the young people like it?
30:30Sir, if it is a good movie,
30:31the new and old people will watch it.
30:33If we make a good movie,
30:34the whole world will come to watch it.
30:39Thank you, sir.
30:42The line producer of my last movie
30:44gave me Rs. 3 lakhs in advance.
30:46To make the movie.
30:48He wanted to make it this year.
30:49I don't have the script.
30:51I liked your script.
30:52If I work with you as an associate,
30:54he will agree.
30:55If that is the case,
30:56why don't you talk to me?
30:57But I have only one doubt.
30:59Sir, I am saying this without looking at the seniority.
31:01Don't feel bad.
31:02Don't look at the seniority.
31:03You can tell us anything.
31:05If they feel that two people are trying
31:07to do something in their old age,
31:09then they might not do the movie.
31:12But that guy is a billionaire.
31:14If you show him a fake show
31:16and make him yours,
31:17then that guy will be trapped.
31:19What is this fake show, son?
31:22I will tell you right now.
31:23I understood that.
31:24Yes, I understood that.
31:25Transfer the advance that you got
31:27into my account.
31:28Why? Do I have to run away with it?
31:29Mr. Vinod told me that you are an expert in running away.
31:33Where will I run away at this age?
31:36What I said...
31:37Fake show.
31:38Yes.
31:39You want to show that, right?
31:40Yes.
31:41Transfer it quickly.
31:43Do you want flowers?