#watchtv #theforsytesaga #damianlewis
https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
The Forsyte Saga is a British drama television serial that chronicles the lives of three generations of an upper-middle-class family from the 1870s to 1920s. It was based on the books of John Galsworthy's trilogy The Forsyte Saga.
A grieving Irene runs away to a life on the streets, where another destitute woman rescues her, while Soames comes to terms with losing her. Elsewhere, Old Jolyon reunites his family at Robin Hill.
Cast:
Soames Forsyte, Damian Lewis
Irene Forsyte (née Heron), Gina McKee
Young Jolyon Forsyte, Rupert Graves
Frances Forsyte (née Crisson), Sarah Winman
June Forsyte, Gillian Kearney
Philip Bosinney, Ioan Gruffudd
Old Jolyon Forsyte, Corin Redgrave
James Forsyte, John Carlisle
Emily Forsyte, Barbara Flynn
Aunt Ann Forsyte, Judy Campbell
Aunt Hester Forsyte, Ann Bell
Aunt Juley Small (née Forsyte), Wendy Craig
Uncle Swithin Forsyte, Robert Lang
Winifred Dartie (née Forsyte), Amanda Root
Montague Dartie, Ben Miles
Imogen Dartie, Alice Patten
Valerius Dartie ('Val'), Julian Ovenden
Hélène Forsyte, Amanda Ooms
Holly Dartie (née Forsyte), Amanda Ryan
Jolyon Forsyte ('Jolly'), Christian Coulson
Annette Forsyte (née Lamotte), Beatriz Batarda
Fleur Mont (née Forsyte), Emma Griffiths Malin
Jon Forsyte, Lee Williams
Michael Mont, Oliver Milburn
George Forsyte, Alistair Petrie
Prosper Profond, Michael Maloney
https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
The Forsyte Saga is a British drama television serial that chronicles the lives of three generations of an upper-middle-class family from the 1870s to 1920s. It was based on the books of John Galsworthy's trilogy The Forsyte Saga.
A grieving Irene runs away to a life on the streets, where another destitute woman rescues her, while Soames comes to terms with losing her. Elsewhere, Old Jolyon reunites his family at Robin Hill.
Cast:
Soames Forsyte, Damian Lewis
Irene Forsyte (née Heron), Gina McKee
Young Jolyon Forsyte, Rupert Graves
Frances Forsyte (née Crisson), Sarah Winman
June Forsyte, Gillian Kearney
Philip Bosinney, Ioan Gruffudd
Old Jolyon Forsyte, Corin Redgrave
James Forsyte, John Carlisle
Emily Forsyte, Barbara Flynn
Aunt Ann Forsyte, Judy Campbell
Aunt Hester Forsyte, Ann Bell
Aunt Juley Small (née Forsyte), Wendy Craig
Uncle Swithin Forsyte, Robert Lang
Winifred Dartie (née Forsyte), Amanda Root
Montague Dartie, Ben Miles
Imogen Dartie, Alice Patten
Valerius Dartie ('Val'), Julian Ovenden
Hélène Forsyte, Amanda Ooms
Holly Dartie (née Forsyte), Amanda Ryan
Jolyon Forsyte ('Jolly'), Christian Coulson
Annette Forsyte (née Lamotte), Beatriz Batarda
Fleur Mont (née Forsyte), Emma Griffiths Malin
Jon Forsyte, Lee Williams
Michael Mont, Oliver Milburn
George Forsyte, Alistair Petrie
Prosper Profond, Michael Maloney
Category
🎥
Short filmTranscript
00:00I am offering you the watch, your memories are not for sale.
00:20Have they reduced us to their level if we sell this?
00:24No.
00:25We're proving to the Forsytes that everything has its price.
00:29We're proving that sometimes property can set one free.
00:35Then we should be really free.
00:38That bar should bring a few shillings.
00:41And that figurine.
00:42You can't sell everything.
00:43Why not?
00:45We shall live like gypsies.
00:47We'll buy a caravan and we shall go wherever work and whim take us.
00:50From little inside to building side.
00:53You can cook my dinner on the campfire and raise a boot of children in the van.
00:56Six.
00:57Seven.
00:58I shall buy another van and hitch it on my back.
01:08I must go.
01:10And so must you, my friend.
01:12No.
01:14We should save it.
01:17It will remind us of a time when every second was precious.
01:21No.
01:22It will remind me of a time when I was forced to share you.
01:41Good day, sir.
01:42Yes, thank you, Bilson.
01:43Very good.
01:45You ask Mrs. Forsyte.
01:48She'll join me before dinner.
01:49Mrs. Forsyte's still out, sir.
01:51Since when?
01:52Since after lunch.
01:54Did she say where she was going?
01:55No, Mr. Forsyte.
01:57Thank you, Bilson.
02:24I'm so sorry.
02:52What a lovely surprise.
02:54Aunt Hester.
02:56Julie.
02:58How lovely to see you.
03:00Couldn't go to Switzerland without bringing you some chocolates.
03:03Of course.
03:08I'm so happy to see you.
03:10I'm so happy to see you.
03:12I'm so happy to see you.
03:14I'm so happy to see you.
03:16I'm so happy to see you.
03:18I'm so happy to see you.
03:21So?
03:23We received your card, dear kind of you to even think of us.
03:27We had a struggle to decipher your script.
03:31Hester said it looked like a spider had run through the inkwell.
03:35Oh.
03:37But you had a lovely time.
03:39We worked out that much.
03:42I did.
03:44And what about yourselves?
03:46You look well?
03:48You look well? Is everybody else...
03:50Well?
03:52Yes.
03:53Everybody?
03:54Yes.
03:55Yes. Very well.
03:57Good.
04:04Soames and Irene.
04:07Are they ever in town?
04:09Oh, yes.
04:10That business with the house.
04:12They never left.
04:15What business?
04:19Some difficulty.
04:22Hester understands it better than I.
04:30And Hester?
04:34Mr. Bassini was careless once too often with the budget.
04:38Soames is going to sue.
04:44How careless?
04:46£350.
04:49Is that all?
04:51It's a sizeable sum.
04:53Not to a man like Soames.
04:58People will be talking.
05:00We prefer not to listen.
05:02All the same, it matters what they say.
05:09You must understand the delicacy of my position.
05:13I introduced Philip Bassini to Soames to further his career,
05:16not destroy it.
05:18My dear, you can hardly blame yourself.
05:20You introduced him as an architect.
05:27You think he has strayed beyond that role?
05:32I have no idea.
05:36But that is what people say.
05:44And Soames, stupid, stupid Soames,
05:47has trumped up some charge to take Phil to court,
05:49knowing he hasn't the money for the fight,
05:51knowing he has nothing.
05:53Except Irene.
05:57What Soames is doing, he's throwing them together.
06:00How can Irene's heart not go out to Phil?
06:03My heart goes out to him.
06:05He doesn't deserve it.
06:06He doesn't deserve this treatment.
06:08Think what you like about him.
06:10He's a brilliant man.
06:12A visionary.
06:14And all that could be lost.
06:17Damn Soames with his thousands in the bank and nothing in his soul.
06:21Damn him to hell.
06:22June.
06:23If this were anyone but Phil, you would agree.
06:25There'll be the talk of London.
06:27What if they are? Please, June.
06:30Let Bassini go.
06:43Hello. Hello.
06:45No, Phil, not here.
07:13It's wonderful.
07:15It's beautiful.
07:17It's, um...
07:19It has a life.
07:21It's...
07:23Bassini.
07:26I haven't seen you at the club for some time.
07:28No, no.
07:29How are you?
07:30Well, well. And you?
07:32Same.
07:33And you?
07:34Same.
07:35And you?
07:36Same.
07:37And you?
07:38Same.
07:39And you?
07:40Well, well. And you?
07:41Same.
07:48This is Irene Forsyte.
07:50How do you do?
07:51Mr. Julian Forsyte.
07:53How do you do?
07:56Forsyte here's an artist.
07:59No Turner, I'm afraid.
08:03Watercolours, mainly.
08:05On a gloomy day, I find a stroll through here, really,
08:09can raise the spirits like nothing else.
08:12Don't you agree?
08:16Yes.
08:20Poor Mr. Bassini.
08:22He...
08:24He little realized when my husband contracted him to design us a house,
08:29he'd be called upon to advise me on everything from
08:32plants to cushion covers.
08:39We should leave you to your art.
08:41Yes.
08:42Good day.
08:43Good day.
08:52It's June's father.
08:54Who abandoned her to follow his heart.
08:56You heard him.
08:57He more than anyone would wish to protect her from talk.
08:59Nor would he wish upon her a lifetime of pity and resentment,
09:02which is what I would have done had I married June.
09:06What should we have done, you and I?
09:08Never met? Out of our control?
09:10Never fallen in love?
09:12Before we knew it, it was too late.
09:14We cannot expect this to be easy.
09:16You do love me.
09:17Love you?
09:20I'm prepared to lose everything for you.
09:24I would leave this city, this country at a moment's notice.
09:27Grub in the dirt with my fingers.
09:29Sell my soul to spend my life with you.
09:34Respectability will not keep you warm at night.
09:37You know it.
09:39Jolyon Forsyte knew it.
09:41He had to fight for his happiness.
09:43Which is what we shall have to do.
09:48But we will do it.
09:50And it will taste twice as sweet.
09:53Oh, a little courage, my love.
09:57Letter here proves Bessinie was quoted a lower figure on the tiling by Temple and Son.
10:04Good for him?
10:06Good enough for Lady Charlesworth's home in Kensington.
10:08How are you, Jolyon?
10:09Haven't seen you for an age.
10:11I've come for my will.
10:16You've been to Switzerland, they tell me.
10:18We have.
10:21This young Bessinie's got himself into a mess.
10:25Ah, I knew how to be.
10:27Over 350 pounds?
10:30You know?
10:33Is it common knowledge?
10:36I thought Selms was a man of property.
10:38No, it isn't the money.
10:39What then? The principle?
10:43I doubt if Selms could even spell the word.
10:47You'll be wanting to make an alteration.
10:50I'm taking my business to Herring and Pulgres.
10:55Good day to you, sir.
11:00There's something I need to tell you.
11:03I'm settling a thousand a year on you.
11:06June will have 50,000 of my debt and the rest is for you.
11:08Dad, Dad.
11:09No, no, I'm telling you this merely for your information.
11:11I've been looking back.
11:14I'm taking stock.
11:15I think this London life is responsible for half our troubles.
11:19Dad, we...
11:20I want us to be a family again while we still have the chance.
11:23I want us to make a fresh start.
11:25Away from London.
11:27Where we can introduce ourselves as Forsytes without flinching.
11:33Think about it.
11:35Fresh air instead of fog.
11:36Plenty of room for the children to run wild.
11:39Space.
11:41Light. Landscapes.
11:43You mean everything we don't have now.
11:46Exactly.
11:49Have you somewhere in mind?
11:52Not yet.
11:58How do you feel about that?
12:01What is there to feel?
12:03What can one feel except relief?
12:06Except...
12:07What?
12:08Gratitude?
12:13Why now?
12:14Because now is the right time.
12:19I think we're happy where we are.
12:22Come on, Perry.
12:25Really?
12:27Can one be happy in St. John's Wood?
12:30Yes.
12:33One can be very, very happy.
12:40Come on, Perry.
12:42Good boy.
12:47That wasn't quite how you pictured it, was it, Dad?
12:53You're even less of a Forsyte than I thought.
12:59I suppose I should be grateful for that.
13:09And you'll be able to ride again?
13:12And teach the children?
13:14Depends on where we end up.
13:16Oh.
13:17Summer with stables, I suppose.
13:18He invited us to come and live.
13:22But it will be your father's house.
13:24His choice.
13:26And June will have her say, I suppose.
13:29Ellen, if you have any doubt, then...
13:31I want my children to belong.
13:34It's what I always wanted.
13:37Is this what you always wanted?
13:41I was sure it would never happen.
13:44All those years.
13:47You missed him very much, didn't you?
13:52He's my father.
13:59Ellen, those years made us what we are.
14:02It's given us Jolyon and Holly.
14:05I know.
14:06I'm just frightened.
14:08We'll be so different.
14:14But if you had to choose again...
14:17It would be you. Always be you.
14:21I love you.
14:37I must go.
14:38Don't go.
14:40I must.
14:52Will you miss this place?
14:53Truth, not a bit.
14:55Two days, Phil. Then we shall be free.
14:57You are sure?
14:58The hotel is booked. Everything's in place.
15:01As the judge is announcing his verdict,
15:02we'll be starting our new trial.
15:03Two more days, Phil.
15:04Two more than I'd like.
15:33I love you.
16:03I love you.
16:33I love you.
17:03I love you.
17:33I love you.
17:34I love you.
18:04Yes.
18:06Your husband.
18:10No.
18:11Too much to drink.
18:12Wait. Too long.
18:13No.
18:15No.
18:16No!
18:19No!
18:21No!
18:23No, please!
18:24Please!
18:25Don't do this.
18:26I'm afraid for...
18:34Come on.
18:37You'll have to be nice to me for once.
18:39No.
18:40No.
18:41No.
18:42No.
18:43No!
18:46No!
18:47Be still, I say.
18:48No!
18:50Be quiet.
18:52Lie back.
18:53It's dark.
18:54Think it's him.
19:04No!
19:05No!
19:06No.
19:07No.
19:08No.
19:09No.
19:10Oh, no!
19:16No.
19:17No.
19:18No.
19:19No!
19:21No!
19:22No!
19:34Please.
19:55See?
19:56Why can't it always be like this?
20:03I'm sorry.
20:04I'm sorry.
20:05I'm sorry.
20:06I'm sorry.
20:07I'm sorry.
20:08I'm sorry.
20:09I'm sorry.
20:10I'm sorry.
20:11I'm sorry.
20:12I'm sorry.
20:13I'm sorry.
20:14I'm sorry.
20:15I'm sorry.
20:16I'm sorry.
20:17I'm sorry.
20:18I'm sorry.
20:19I'm sorry.
20:20I'm sorry.
20:21I'm sorry.
20:22I'm sorry.
20:23I'm sorry.
20:24I'm sorry.
20:25I'm sorry.
20:26I'm sorry.
20:27I'm sorry.
20:28I'm sorry.
20:29I'm sorry.
20:30I'm sorry.
20:31I'm sorry.
20:33Oh, God.
20:34Oh, God.
20:46You put the lamps on, Wilson?
20:49It's gloomy this morning.
20:52It's the fog, Sam.
20:56Mrs. Fawcett goes out today.
20:58Will you be sure to get her a carriage?
21:00Yes.
21:01Can I get you a tincture for that scratch, sir?
21:04It's a cut.
21:05I did it shaving.
21:31Get out of the office, I said!
21:34Office, I said!
21:36Office, I said!
21:39Get out of the office!
22:02Oh, really?
22:03I came to wish you luck.
22:07They just caught me.
22:08I was off to see Shankly this morning.
22:12Final instructions.
22:17Tell a fellow to get a haircut and wear a clean shirt.
22:20And charge three guineas for the privilege.
22:22I'm in the wrong business.
22:24Erin, are you all right?
22:29I didn't sleep.
22:32What's the matter?
22:35Something the matter?
22:43You've come to tell me you've changed your mind.
22:46I've changed my mind.
22:48I've changed my mind.
22:50You've come to tell me you've changed your mind.
22:52No.
22:53That you haven't the courage to leave Soames after all.
22:55No.
22:56Well, then what, Irene?
22:57Please don't do this to me.
22:59What's that?
23:00Nothing.
23:01Well, show me.
23:03I'm sorry.
23:04Sorry.
23:05Let me see.
23:06Shh.
23:15Did he do this?
23:18Last night?
23:22Has he ever hurt you before?
23:24No.
23:26What happened?
23:28If we can just get through tomorrow.
23:30Tell me.
23:31I cannot.
23:32Irene.
23:35I'll pack my things tonight.
23:37He will never know.
23:38You're not going home.
23:39If he did this last night, God knows what he might do tonight.
23:41I will bolt the door.
23:44I won't forget this time.
23:49He, uh, came to your room.
23:57What did he do?
23:59He will kill him.
24:02Irene.
24:03I was sleeping.
24:07He climbed into bed.
24:08He said I should be nice to him.
24:13He said he was my husband.
24:15He was my husband.
24:18He...
24:29I begged him to stop.
24:31He must believe me.
24:36Why did we wait?
24:40We could have left weeks ago.
24:43Why did I listen to you?
24:47Where is he?
24:48He's at his office.
24:50You must not go there.
24:52No.
24:53You will not go there.
24:55You can't get away with this.
24:56We'll have our justice in court.
24:58I'm coming with you.
24:59No, haven't you been through enough?
25:01Then stay.
25:02No, leave me.
25:04I beg your pardon.
25:05I'm so sorry.
25:07Are you all right?
25:08Yes.
25:09Yes, I'm all...
25:13Phil!
25:17Phil!
25:36Phil!
25:37Forsyte, where is he?
25:39Excuse me, sir, can I help you?
25:40Where is the pillar of society?
25:41Forsyte, I know you're in there.
25:43Don't think you can hide behind your pen.
25:46What is going on?
25:47Wrong Forsyte.
25:48What are you doing here this evening?
25:49I'm here with good reasons.
25:51I'm here with good reasons.
25:52Where is your son?
25:53He isn't here, unfortunately for you.
25:55I'll wait.
25:56If you have something to say, say it to the court.
25:58No, I'll wait.
25:59No, sir.
26:00You will leave before I have you thrown out.
26:02You think I don't know where he lives?
26:04It's a threat.
26:06You think I don't know his club?
26:07I'll find him.
26:08I'll find him.
26:09Do, and you'll wake up in the bright world.
26:11Oh, it'll be worthy.
26:12Believe me.
26:15See to the hunter out the door.
26:17Come on.
26:28Where are we going?
26:35Mr. Phillip of Sydney here to see Mr. Sowman's Forsyte.
26:38It is of an urgent nature.
26:39But good sir, if you will kindly wait.
26:43I liked it.
26:44Did you?
26:45How much do you want to pay for it?
27:06Mr. Sowman's Forsyte is not here today, sir.
27:09Well, you're a liar.
27:11I do not like your tone, sir.
27:13You're a liar.
27:14And you would not be so quick to protect him
27:16if you knew what I know.
27:17Sir.
27:18Kindly leave.
27:19Don't call me sir, and then treat me like a piece of dirt.
27:22Forsyte!
27:23Forsyte!
27:24Come out here and be a man.
27:26Forsyte!
27:27Be a man for once in your life!
27:29Go!
27:30Forsyte!
27:31Hear what I tell a man before you really start!
27:34Forsyte!
27:35Come on!
27:36Do it!
27:43Come on!
28:06Get out of the way!
28:08Get down!
28:43I bought you this.
28:50Do you like it?
29:07You deserve the best of everything, Mary Lee.
29:15You look pale.
29:16You should rest.
29:17Excuse me, madam.
29:18Would you like me to serve dinner now?
29:19No.
29:21You haven't eaten anything, sir.
29:22Was something wrong?
29:23No.
29:24Anxiety about this case, I suppose.
29:25I'm sure you had nothing to fear.
29:26Let us hope not.
29:27Let Mrs. Forsyte sleep this morning, Bilson.
29:46She has already wished me luck.
29:51I suppose it'll be on directly.
29:52It's bound to be.
29:53You're sure Poulter was the right man for the job?
29:58I must hope so.
29:59The consolation is, it's no reflection on Forsyte, Bustard, and Forsyte, if it doesn't
30:04go your way.
30:05Not that it won't.
30:06It's down to the barristers now, anyway.
30:07Yours?
30:08Oh, his.
30:09Mine.
30:10Morning, Chancre.
30:11Good morning, Mr. Waterbuck.
30:12I suppose you haven't felt this for centuries.
30:13It is.
30:14Looks like a child let loose in a dressing-up box.
30:15Morning, Boulter.
30:16Morning.
30:17Have you briefed Forsyte?
30:18I have.
30:19What's she doing here?
30:20How did it go?
30:21Smooth enough.
30:22Told him justice.
30:23Bentham was a common sense sort of judge.
30:24Good.
30:25Good.
30:26Good of you to come.
30:27Goodness had nothing to do with it, Uncle.
30:28These small battles must be rigorously fought.
30:29Oh, yeah.
30:30Good architecture requires discipline.
30:31A balance between one's heart and one's mind.
30:32I suppose you're right, Mr. Waterbuck.
30:33I suppose so.
30:34I suppose so.
30:35I suppose so.
30:36I suppose so.
30:37I suppose so.
30:38I suppose so.
30:39I suppose so.
30:40I suppose so.
30:41I suppose so.
30:42I suppose so.
30:43I suppose so.
30:44A balance between one's heart and one's head.
30:45Hmm.
30:46Amen to that.
30:47That Soames cannot separate the two is his tragedy.
30:51You're here to support the other fellow.
30:53Yes, I am.
30:54What happened to family loyalty?
30:55Morning, sir.
30:56Good morning, Uncle.
30:57What's good about it?
30:58I'll have a word with Boulter.
30:59Boulter?
31:00Feeling nervous, Soames?
31:01Other side of the fence and all that.
31:02He'll be wanting to rub his nose in it, I bet.
31:03The old buccaneer.
31:04Not at all.
31:05The principal's got it.
31:06He's got it.
31:07He's got it.
31:08He's got it.
31:09He's got it.
31:10He's got it.
31:11He's got it.
31:12He's got it.
31:14The principal's at stake.
31:15When a man starts talking about principals, he knows he's on a sticky wicket.
31:18Don't worry, old boy.
31:19You can always lay it off.
31:20Lay it off?
31:21Yes.
31:22I'll have a quick word with Buccini's opposite, um, fellow.
31:23What did he say?
31:24250 apiece?
31:25You'll be laughing.
31:26Brought him.
31:27Bet him, man.
31:28Winner pays the loser.
31:29Makes sense, Soames.
31:30Don't be absurd.
31:31It's good business whichever way you look at it.
31:32A tricky case like yours, good luck, old boy.
31:33All the best.
31:34I'll be back.
31:35I'll be back.
31:36I'll be back.
31:37I'll be back.
31:38I'll be back.
31:39I'll be back.
31:40I'll be back.
31:41I'll be back.
31:42I'll be back.
31:43I'll be back.
31:44I'll be back.
31:45I'll be back.
31:46I'll be back.
31:47I'll be back.
31:48I'll be back.
31:49I'll be back.
31:50I'll be back.
31:51I'll be back.
31:52I'll be back.
31:53I'll be back.
31:54I'll be back.
31:55I'll be back.
31:56I'll be back.
31:57I'll be back.
31:58I'll be back.
31:59I'll be back.
32:00I'll be back.
32:01I'll be back.
32:02I'll be back.
32:03I'll be back.
32:04I'll be back.
32:05I'll be back.
32:06I'll be back.
32:07I'll be back.
32:08I'll be back.
32:09I'll be back.
32:10I'll be back.
32:11I'll be back.
32:12I'll be back.
32:13I'll be back.
32:14I'll be back.
32:15I'll be back.
32:16I'll be back.
32:17I'll be back.
32:18I'll be back.
32:19I'll be back.
32:20I'll be back.
32:21I'll be back.
32:22I'll be back.
32:23I'll be back.
32:24I'll be back.
32:25I'll be back.
32:26I'll be back.
32:27I'll be back.
32:28I'll be back.
32:29I'll be back.
32:30I'll be back.
32:31I'll be back.
32:32I'll be back.
32:33I'll be back.
32:34I'll be back.
32:35I'll be back.
32:36I'll be back.
32:37I'll be back.
32:38I'll be back.
32:39I'll be back.
32:40I'll be back.
32:41I'll be back.
32:42I'll be back.
32:43I'll be back.
32:44I'll be back.
32:45I'll be back.
32:46I'll be back.
32:47I'll be back.
32:48I'll be back.
32:49I'll be back.
32:50I'll be back.
32:51I'll be back.
32:52I'll be back.
32:53I'll be back.
32:54I'll be back.
32:55I'll be back.
32:56I'll be back.
32:57I'll be back.
32:58I'll be back.
32:59I'll be back.
33:00I'll be back.
33:01I'll be back.
33:02I'll be back.
33:03I'll be back.
33:04I'll be back.
33:05I'll be back.
33:06I'll be back.
33:07I'll be back.
33:08I'll be back.
33:10Oh, thank you.
33:11I'll wait.
33:12Very good, Madam.
33:39♪
33:49♪
34:09♪
34:19♪
34:29♪
34:37Bill?
34:48I was in court.
34:50I've come to tell him that he lost the case.
34:55Come to tell him?
34:57You didn't turn up.
35:03Don't just stand there as if you were made of stone!
35:09I wished good I were.
35:11I was here first!
35:14What?
35:15You have no right to come.
35:22I have left Serms.
35:25Just as you always wanted.
35:29Presumably before you knew he'd won the case.
35:32I do not care about the case.
35:34You have that luxury.
35:36Bill does not.
35:37He has a talent. He can start again.
35:40Where? How?
35:42We will find a way.
35:45We?
35:48You have been a false friend to me.
35:52What did you used to tell me?
35:56You cannot force love where there is none.
36:01You said Serms tried to buy me body and soul.
36:05Had you stayed with Phil you would be guilty of the same.
36:08Don't you dare compare me to Serms.
36:11Then why are you here?
36:13Hmm?
36:17Why now if not to offer help when you know he'd find it hardest to refuse?
36:22Oh, look at you.
36:27So composed.
36:29So gentle.
36:32You have the softest voice and yet you say the cruelest things.
36:39I don't mean to be cruel.
36:43Your friendship...
36:44Don't talk to me of friendship!
36:46Your friendship saved me, June.
36:48And yours has ruined my life.
36:53It will ruin his too.
36:59I love him.
37:01You know nothing about love.
37:04You have no passion, no feeling.
37:08I want to slap you, shake some life into you and into Phil for being taken in by you.
37:13June, you are a leech.
37:15You've no life about yourself so you suck it out of everybody else.
37:26Perhaps he's wiser than we think.
37:29Perhaps that's why he's gone.
37:32Well, he wasn't in court. He's not here.
37:35Tell me, Irene.
37:36Where is your lover now?
37:51Good afternoon, Miss June.
37:53Thank you, Kate.
38:01Ah!
38:03Come here, Muffin.
38:07I haven't seen any of your pals since our trip.
38:10There used to be so many of them.
38:12You should be living.
38:14You need a family around.
38:15You need life, not rubbing along all alone with an old man like me.
38:20So...
38:22I've decided to retire from London.
38:26Your father and his family have consented to join me.
38:30It would be my dearest wish if you should find it in your heart to come to.
38:34I want to put things right.
38:36Mm-hm.
38:38When I cut Joe off, it's as if he'd died.
38:43It's a terrible thing to lose a child.
38:47You'll understand that when you have children, if you know.
38:52Do you have somewhere in mind?
38:55There's always Soames's place.
38:57On Pellier Square?
38:59Robin Hill.
39:01It's exquisitely decorated.
39:03It's exquisitely done. It stands there empty.
39:06A perfect family home.
39:08For the man of property.
39:10He'll never live there now.
39:12No?
39:13The case went in his favour.
39:16But Marini's left Soames at last.
39:22If you bought it, you could settle his claim against Phil.
39:26Have you been seeing Bassini again?
39:28After all that I said?
39:29No.
39:31But I have been to his rooms.
39:33June!
39:34I want to help Phil.
39:36You want me to help him?
39:37It's the same thing.
39:38Let Irene help him.
39:39Gran!
39:40I told you to let him go! I begged you!
39:42I could have begged you to let my father go, but I didn't.
39:48It is a wonderful house.
39:50Everybody says so.
39:51Ideal for what you want.
39:53We could be happy there.
39:55You think you could be?
39:56We would bring the place alive.
39:58Make it our own.
39:59No.
40:00Trust me.
40:01One day you will forget what Phil has done
40:03and see only what he has created.
40:05No.
40:06Gran!
40:08Evening, Wilson.
40:09Evening, sir.
40:11If you ask Henry,
40:13if he'd go down into the cellar,
40:15pick out the Steinberg.
40:1752, I think.
40:18Yes, sir.
40:20A celebratory drink's in order.
40:21Yes, sir.
40:23Is Mrs Forsyte feeling any better?
40:24Yes, sir.
40:25Good.
40:26Perhaps you'd ask her if she'd like to join me in the drawing room.
40:28Mrs Forsyte went out about noon, sir.
40:31She took two bags with her.
40:35Did she leave a message?
40:37No message.
40:40I made sure to get her a carriage, sir.
40:49Thank you, Wilson.
41:59Don't do anything rash.
42:01Go to Stainer's.
42:03If they can't find her, no one will.
42:06She won't blend easily into the mass,
42:08not with her face.
42:10She won't come back.
42:12I know her.
42:13We can still avoid a scandal.
42:15Mr Jolly and Forsyte did.
42:17I'm sure of it.
42:18I'm sure of it.
42:19I'm sure of it.
42:20I'm sure of it.
42:21I'm sure of it.
42:22I'm sure of it.
42:23I'm sure of it.
42:24I'm sure of it.
42:25I'm sure of it.
42:26I'm sure of it.
42:27Jolly and Forsyte to see you, sir.
42:31What can we do for you, uncle?
42:32I gather the new house is a white elephant.
42:34I beg your pardon?
42:36What I was thinking was this,
42:38if you're not going to live there yourself...
42:39Who's told you that?
42:42I'm thinking of a place in the country.
42:44And I don't want to look at it myself at the right price.
42:47Yes, Groudman?
42:48I'm sorry to interrupt, Mr James, sir.
42:51Mr Simon, sir.
42:53There's a policeman here to see you.
42:57Do you identify the body, sir?
43:24That is Philip Baird's baccini.
43:32The poor buccaneer.
43:35She'll be waiting for him.
43:43June.
43:47Mm-hmm.
44:03He's laying here since last night.
44:05There's nothing to identify him,
44:08apart from the court papers.
44:10No possessions of any value.
44:12The Times mentioned a man dead.
44:13It's a wonder Moore won't kill him.
44:15The driver says the fog was not so thick just there, sir.
44:18So Baccini could have seen his approach.
44:20He would have had more time to see what he was about,
44:24unless his mind was elsewhere.
44:26It was that all right.
44:28He tipped up at the office, ranting and raving like a loon.
44:32When was this?
44:34Yesterday afternoon.
44:36Sir?
44:38I wasn't there.
44:40He was a tempestuous fellow, certainly.
44:42What you might call an artistic temperament.
44:47We found some pawn tickets of Mr. Baccini's rooms.
44:51And his account at the bank is overdrawn.
44:54Legal defense doesn't come cheap.
44:57If it was common knowledge, defeat would have ruined him.
45:02Anxiety about the verdict, financial pressures,
45:06fears for his future, and so on.
45:09It seems quite likely the balance of his mind was upset.
45:13Suicide?
45:18Well, he was a tempestuous fellow.
45:20He was passionate, talented.
45:24A man with everything to live for.
45:30It's done all.
45:32Thank you, sir.
46:03Can I come in, June?
46:05Yes, Brian, come in.
46:23I'm sorry, madam, you can't come in here.
46:25Oh, is Mr. Baccini here?
46:28Mr. Philip Baccini.
46:31He's a member here, I know.
46:34If you'd care to wait there, madam.
46:40Madam.
46:41Excuse me.
46:42Madam.
46:46Good Lord, what's going on?
46:48I'm looking for Mr. Baccini.
46:50Mr. Philip Baccini.
46:52Madam, she's not here.
46:54Madam.
46:55Madam.
46:56Madam.
46:57Madam.
46:58Madam.
46:59Madam.
47:00Madam.
47:01Madam.
47:02Madam.
47:03Madam.
47:04Madam.
47:05Madam.
47:06Madam.
47:07Madam.
47:08Madam.
47:09Madam.
47:10Oh, my God.
47:11Madam, I asked you to wait in the foyer.
47:13I simply...
47:14Ladies are expressly...
47:15The rest of you are distressed.
47:16There is no need for this tone.
47:17I mean...
47:18Joni, they won't tell me if Phil is here or not.
47:20Mr. Baccini, sir.
47:21No doubt.
47:22Get her a brandy.
47:24I don't wish to have a brandy.
47:26Come and sit down, Irene.
47:27Sir, the rules clearly state...
47:28Get her a brandy.
47:31Come and sit down, Irene.
47:34Gentlemen, would you like leaving us?
47:38Please!
47:49There was an accident last night.
47:56Baccini...
47:58was knocked over in the fog...
48:01and killed outright.
48:02I'm so sorry.
48:07Oh...
48:22Irene, sit down.
48:37Sit down.
49:08Oh...
49:20Somes is to blame.
49:22It was an accident.
49:26Phil was looking for him.
49:31He would have killed him if he had found him.
49:37I'll see you home.
49:41I have no home.
49:44I'll...
49:46take you back to...
49:49I'll take you back with me...
49:51if that's what you want.
49:54It's not what June would want...
49:58or your father.
50:00A motel, then?
50:03No.
50:08Oh...
50:12We never set out to hurt June.
50:14I know.
50:16She was my friend.
50:23You have been kinder than I deserve.
50:28Where will you go?
50:33Montpelier Square.
50:37I have no choice.
50:58You look exhausted.
51:03You need to get some sleep.
51:06I didn't think...
51:11Don't do anything you might regret.
51:15I regret every new breath.
51:35You had better come in.
51:50My wife is back where she belongs. Your duty is discharged.
51:53I should explain.
51:54I've been expecting you.
51:55She is still distressed.
51:57Then she will talk to me.
51:59Her husband.
52:00I'll bid you good night.
52:03Irene.
52:21This has happened for a reason.
52:24We were meant to salvage something.
52:29Start again.
52:34In time, you will see it as I do.
52:38We have a new life.
52:41A new house in Robben Hill, should we choose to take it.
52:46We can live in it.
52:48A new house in Robben Hill, should we choose to take it.
52:53We can put all this behind us.
52:57All this?
53:01In time, you will see.
53:19Life is a dance we must learn.
53:23Into the night we will turn.
53:27Time holds the secrets of our song.
53:32Moments are given, then gone.
53:36Come have this dance with me, darling.
53:40Life is a dance we must learn.
53:44Into the night we will turn.
53:48Come have this dance with me, darling.
53:52I'll hold you tight till the dawn.
53:56Let the night see how I love you.
54:01So the moon can tell the sun.