#theforsytesaga #poldark
https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
The Forsyte Saga is a British drama television serial that chronicles the lives of three generations of an upper-middle-class family from the 1870s to 1920s. It was based on the books of John Galsworthy's trilogy The Forsyte Saga.
Winifred announces her engagement; young Jolyon reveals his feelings for his June's governess; Soames' search for a wife leads him to Irene.
Cast:
Soames Forsyte, Damian Lewis
Irene Forsyte (née Heron), Gina McKee
Young Jolyon Forsyte, Rupert Graves
Frances Forsyte (née Crisson), Sarah Winman
June Forsyte, Gillian Kearney
Philip Bosinney, Ioan Gruffudd
Old Jolyon Forsyte, Corin Redgrave
James Forsyte, John Carlisle
Emily Forsyte, Barbara Flynn
Aunt Ann Forsyte, Judy Campbell
Aunt Hester Forsyte, Ann Bell
Aunt Juley Small (née Forsyte), Wendy Craig
Uncle Swithin Forsyte, Robert Lang
Winifred Dartie (née Forsyte), Amanda Root
Montague Dartie, Ben Miles
Imogen Dartie, Alice Patten
Valerius Dartie ('Val'), Julian Ovenden
Hélène Forsyte, Amanda Ooms
Holly Dartie (née Forsyte), Amanda Ryan
Jolyon Forsyte ('Jolly'), Christian Coulson
Annette Forsyte (née Lamotte), Beatriz Batarda
Fleur Mont (née Forsyte), Emma Griffiths Malin
Jon Forsyte, Lee Williams
Michael Mont, Oliver Milburn
George Forsyte, Alistair Petrie
Prosper Profond, Michael Maloney
https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
The Forsyte Saga is a British drama television serial that chronicles the lives of three generations of an upper-middle-class family from the 1870s to 1920s. It was based on the books of John Galsworthy's trilogy The Forsyte Saga.
Winifred announces her engagement; young Jolyon reveals his feelings for his June's governess; Soames' search for a wife leads him to Irene.
Cast:
Soames Forsyte, Damian Lewis
Irene Forsyte (née Heron), Gina McKee
Young Jolyon Forsyte, Rupert Graves
Frances Forsyte (née Crisson), Sarah Winman
June Forsyte, Gillian Kearney
Philip Bosinney, Ioan Gruffudd
Old Jolyon Forsyte, Corin Redgrave
James Forsyte, John Carlisle
Emily Forsyte, Barbara Flynn
Aunt Ann Forsyte, Judy Campbell
Aunt Hester Forsyte, Ann Bell
Aunt Juley Small (née Forsyte), Wendy Craig
Uncle Swithin Forsyte, Robert Lang
Winifred Dartie (née Forsyte), Amanda Root
Montague Dartie, Ben Miles
Imogen Dartie, Alice Patten
Valerius Dartie ('Val'), Julian Ovenden
Hélène Forsyte, Amanda Ooms
Holly Dartie (née Forsyte), Amanda Ryan
Jolyon Forsyte ('Jolly'), Christian Coulson
Annette Forsyte (née Lamotte), Beatriz Batarda
Fleur Mont (née Forsyte), Emma Griffiths Malin
Jon Forsyte, Lee Williams
Michael Mont, Oliver Milburn
George Forsyte, Alistair Petrie
Prosper Profond, Michael Maloney
Category
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Short filmTranscript
00:00You
00:30Oh
01:01Evening, sir
01:13How is she?
01:14She's still hot, but she's sleeping
01:21That's something
01:25I believe there's no danger, sir
01:31I'm sorry
01:43How is she?
01:44Much the same
01:46I still don't think the doctor, though, do you?
01:48No
01:49Though we should not go out all the same
01:51Neither of you?
01:52No
01:53I'll, um
01:55I'll write them a line
01:57That's a poor do
01:59There may be that side, but there's still family
02:01You can carry the flag, Dad
02:04Through the valley of death
02:14Well, I hope you know what you're doing
02:16Playing Cupid
02:17Introducing our widowed friend to that darty fellow
02:21Is he a good sort?
02:23Yes, he is, Uncle
02:24At least all the ladies think so
02:27Thank you, young man
02:35Courage, mon brave
02:38They'll adore you
02:40Darty?
02:41Not now
02:42Don't
02:43Come on, Monty
02:53You won't possibly remember everyone, Monty
02:55But Anne's the eldest, and that's her in the plum
02:58Clinging to your brother
02:59She dotes on him
03:00Julie's the Green Gage, and Hester's the Ape
03:04Ripe old fruits
03:06But Anne's top aunt likes it known
03:08Plum, eldest
03:09Mr. Darty, do come and meet Winifred's aunt
03:12I've had the briefing, Mrs. Forsyte
03:14Done the greengrocers
03:16Of all people, it's souls who should carry on the family name
03:21Cart before the horse
03:24What are your thoughts about a wife, Soames?
03:26None as yet
03:28But I assure you, Cousin Julian, you'll be the first to hear
03:30That one will chime in
03:32Sorry, Aunt Anne
03:34Find yourself a wife, Soames, dear
03:37Young Julian sent a very kind apology, Julia
03:41I so hope it's not serious
03:43Oh, serious?
03:45Little girl, Jill
03:47Oh, dear, dear, dear
03:49Slight fever, nothing to worry about
03:51You must be worried, Julian
03:53Children all over, dying of diphtheria
03:55A slight fever
03:57Children get fevers
03:59Don't know why that means they couldn't come
04:01The governess is there, people worry too much
04:03Very attractive, their governess
04:06Julie dotes on her
04:08All right
04:10Is she French?
04:15I think you can go out now, after all
04:18It's rather late now
04:23Cousin's engagement party is awkward to turn up at this hour, isn't it?
04:28I'm sorry, sir
04:30Oh, I don't really mind
04:32And Mrs Forsyte?
04:34She will be upset?
04:36I don't think your mistress particularly minds
04:48Are you happy, Helen?
05:01We do so want you to be happy
05:06Yes
05:10Which, of course, I am
05:19June's improving
05:23Will you go up to her?
05:25Not just yet
05:27Why?
05:28I don't wish to see Miss Hilmer at present
05:32Why not?
05:34Because, quite frankly, she irritates me
05:37Whenever I see her, she appears on the brink of a spiritual collapse
05:41She wasn't born for a servant's life
05:43She's not a servant
05:44Oh, come, Francis, what else is a governess?
05:48When all is said
05:57The Reverend Scoles said in his sermon last Sunday
06:00What shall it profit a man if he gain his own soul and lose all his property?
06:05It is fine of your Scoles as he has no property
06:11Ladies and gentlemen
06:15Look her out for speech
06:17On this auspicious occasion, I would like to
06:22Well, the point is, Winifred
06:26God bless her, but she's the finest filly I've ever clapped eyes on
06:29Now, I won't spare her blushes
06:31She is, ladies and gentlemen
06:32More than that, she has breeding and pedigree
06:35Hear, hear
06:36Was he brought in settlement?
06:39Jim
06:41Further, my future father-in-law, thank you, sir, for welcoming me into your family
06:45To your daughter
06:46Your parents, had they been here, would have rejoiced, sir
06:49To join the name of Forsyte to that of Dartie
06:52Proud as you like, sir
06:54And so, ladies and gentlemen
06:57May I propose a toast to Miss Winifred Forsyte
07:01Winifred
07:02Winifred
07:04Winifred
07:05What are the Darties?
07:07Unfortunately, dead
07:09Morning, Mr Sam's
07:10Morning
07:11Morning, sir
07:12Morning, Mr Sam's
07:13Morning, sir
07:14Morning
07:16Morning, sir
07:17Morning, Mr Sam's, sir
07:19Mr James Ingram
07:20Yes, in your office
07:21And with a slight dyspepsia, I would say, sir
07:25Morning, sir
07:26Good morning
07:27Yeah, I'm not sure about that mutton
07:29Emily, we'll get Welsh
07:30Now then, who's Dartie? Who do you think?
07:32Good-looking fellow, knows his mind
07:34He's plausible enough
07:36Spirited, talks well
07:39He's bringing nothing
07:40Well, it's not his fault his parents died, I suppose
07:43Winifred's fond
07:46What are you settling on her?
07:48I was thinking ten thousand to be increased with children
07:52More
07:54Less
07:57Upright
07:59And you seem not upright
08:03Not for life, then
08:06Not for life, even
08:10You're worried about him
08:13You question his nature
08:24When one looks around the pub, Freddie
08:26One can't help thinking about your family
08:28All your uncles and aunts dotted around
08:33Feels as if, between them, they own half of London
08:35I think they almost do
08:38Dash bad luck in our family
08:40All I need's a bit of cash to start me off
08:42And you'll see, Freddie
08:44Your family'll own one half of London, and I'll own the other
08:47Is that what'll happen, Monty?
08:49Once your papa coughs up
08:52The way I see it
08:53It's not so much what James's money will bring to me
08:56It's what I'll bring to James's money
09:00Daddy's not settling on me, Monty
09:03What?
09:04No
09:06We're to find a house, which he'll rent for us
09:09And I'll get an allowance
09:12But as for basic settlement, it's no-go, I'm afraid
09:16I don't understand
09:18I'm afraid that's the case
09:20But
09:22What
09:24I mean to say
09:27Don't be upset
09:30What is it? Doesn't trust me? What's the game?
09:32But we will have a house
09:34Which he'll rent, so it's not ours
09:36Yes
09:40How's a fellow to make his way in the world?
09:42I know
09:46It's a bit thick, old girl
09:50Are you very fearing?
09:53It's not what a fellow expects
09:58The trick is to just draw what you see
10:02No
10:04I can't do it
10:05Anybody can do it
10:06Children are the best artists
10:10They just draw straight from the soul
10:14It's easy
10:17I'd be flattered if you drew me
10:21I'd be flattered
10:24June, are you coming?
10:28Hello, Dad
10:30I thought you were out
10:33No
10:37I wasn't
10:48We'll pick up on this later
11:02June
11:32June
12:00That woman should go
12:03I've done nothing
12:04And if somebody has accused me
12:06That somebody is the most despicable liar
12:10Who is it?
12:11Nobody has accused you
12:12Is there something to accuse you of?
12:16I swear there is not
12:18A governess
12:21If you mean that I show the young lady respect and consideration
12:24Then yes, I stand accused of that
12:26She should go
12:27She has nowhere to go
12:30Why should she go?
12:31Can you say that your behaviour towards her has been beyond reproach?
12:34Yes
12:35Good
12:36That's why she should go
12:37Before there is something to question
12:42Will you tell her to leave?
12:44Francis
12:46What reason can I give?
12:49Your reason is that I'm asking you
12:51She does not need a reason
13:01Good
13:29I've been asked to let you go
13:32I'm not surprised
13:34I wasn't born for this kind of life
13:38I know I can be resentful sometimes
13:41But I never expected to find myself in this situation
13:44The quality of your work is not in question
13:47Oh
13:50I see
13:53I hope you understand
13:55I'm sorry
13:57I'm sorry
13:58I'm sorry
14:01I hope Mrs Forsyte will provide me with a character
14:04You don't understand
14:09It's been an implication
14:11That my conduct towards you has been improper
14:17And I've denied any impropriety
14:18Which, as you know
14:22Has been the case
14:24In my mind I'm guilty
14:26Of the grossest misconduct
14:32I believe
14:36That misconduct can only happen
14:40Where there's no love
14:42That's my belief
14:53I'm sorry
15:24Yes
15:26I'm sorry
15:47Oh
15:48Oh
15:53Whatever was between you, Jolion
15:54I'm prepared to ignore
15:56We will not talk about it
15:59And we will go on as if nothing had happened
16:03Until this evening
16:06Nothing had happened
16:10What?
16:19Be careful
16:21Please be careful
16:22Frances, I am
16:24Truly sorry
16:28I am leaving you
16:31We married in haste
16:33I am not prepared to discuss this in front of a servant
16:35There is no servant here
16:36You don't know what you're saying
16:40Frances, is there love between us?
16:44Is there passion?
16:48We have a daughter
16:54Do you know Duel?
16:56You are an excellent mother
16:58Do you intend to leave her too?
17:00How could I take it from you?
17:02Why are you doing this to me?
17:04Why have you brought her in here?
17:09I would give anything not to be cruel
17:10I would give anything not to be cruel
17:18I feel more for Hélène than I have ever felt for you
17:24That is such a disgusting thing to say
17:27But you feel nothing for me
17:29We can at least have honesty and respect
17:32The Master and the Governors
17:37I love him
17:38You love him
17:40And yet you say there's been nothing between you
17:43Yes
17:44I cannot believe it
17:46Until tonight
17:48There's been nothing between us
17:50Except
17:51Except?
17:56I cannot believe it
17:58I cannot believe it
18:00A recognition
18:05What do you mean?
18:07We recognized
18:13There is a bond existing between us
18:20Is it really so easy?
18:22What do you mean?
18:24Is that all it takes?
18:27A recognition
18:30We must be honest
18:33You never wanted me
18:35Of course I wanted you
18:37But how can one show it when one is certain to be rejected?
18:41Don't touch me!
19:00I need you to leave me, Jolien
19:02I will stay at my club
19:07Frances, I am so sorry
19:10No
19:11It was not your fault
19:16There was no recognition
19:29Hello, Dad
19:31I'll say this at once
19:34You knew Frances four months before you married her
19:37And that was on the rebound from Chloe
19:39You've known this woman for
19:41For how long?
19:42Six months?
19:43Yeah
19:45And you throw up everything for her
19:46Your wife
19:47Your child
19:48Your home
19:51And you've never been honest with her
19:53And you've never been honest with her
19:55And you've never been honest with her
19:56And you've never been honest with her
19:57It's all wrong
20:00And in a couple of years you'll see another pretty petticoat
20:02And you'll be doing it again
20:04You're susceptible, Joe
20:05You need to know that
20:06And to fight it
20:08It's not like that
20:11If you have this sort of lienings
20:14There are ways you can deal with them
20:15You know what I'm talking about
20:19You're married for life
20:22To a very good person
20:23person and you're breaking her heart. I know.
20:32A little June.
20:37What do you know about this woman? I know what I feel. Oh silly, silly, silly fellow.
20:53If you force me to choose, you'll be on your own. I won't run with the hare and hunt with the hounds.
20:58I'm reducing your allowance, 300 a year. No. Let me know, you'll get what you're given.
21:03I want nothing, you must give it to Francis. How will you do?
21:09Well I'll work for it, it'll probably do me good. Go to the damn dogs. Well I hope not.
21:18Don't do this my boy.
21:22The whole world will know she's a governess, look at the scandal.
21:28I'm sorry dad.
21:37That's it then. My house is barred to you boy, simple as that. I can't see you.
21:52I've lost you sir.
22:14Goodbye Miss Helmer. Goodbye Parfit. Why is Miss Helmer still here Parfit?
22:19The carriage is to take her to her lodging sir. Well you can get her a cab
22:24and take those things out of the hall. There's a servant's entrance, I had you forgotten.
22:29Very good sir.
22:32Goodbye sir.
22:49It's hardly at its best in this weather Forsyte. This'll do.
23:08Watch where you tread. Rustic spot. Fine view though, smell that air.
23:15Now we construct a road right the way down to the river's edge and the first of the houses will be
23:20down there. Then we build right up to here. There'll be room for eight houses in all, leaving
23:26enough of the woodland to retain a country feel. Will people live here? One day Forsyte, you may
23:32care for a country house yourself. In Bournemouth? My estimation is fifteen thousand pounds in site
23:39fees alone. Well I'll need to have a good look at the figures first. What do you think of the scheme?
23:46I mean if the figures add up. Which they will. At eight and a half percent. It's a trend. People
23:52are moving out of the towns. I'll show you the plans tomorrow. My wife's holding a gathering
23:59in your honor this evening. You're partial to music? Yes. It's been a long time since I was
24:05at a concert. Drive on. I'm sure it'll beat your taste. As long as it's not too modern.
24:11Can't stand the modernist.
24:24The girl with the dark hair and the alabaster skin. What's her name?
24:29Irene Heron. Her father died this year. No money. Could you introduce me to her? If you wish.
24:41Miss Heron, how nice to see you again. Mr. Liversidge. May I introduce Mr. Soames Forsyte,
25:03Miss Irene Heron. Miss Heron, delighted to meet you. Mr. Forsyte. Mr. Forsyte is from London.
25:10Excuse me. Liversidge. Can we have a word? After you. You're the very man I wanted to see.
25:29I'm told you've recently lost your father. Allow me to offer my most sincere condolences.
25:49I've attended one or two of these gatherings. Here in Bournemouth, they're at the edge of
25:55what's respectable for those in mourning. I'm sure no one would take offense. Some would. Some do.
26:01More mourning is a delicate matter. Introduce me, Irene. Mr. Forsyte, my late father's wife,
26:09Mrs. Heron. I'm pleased to make your acquaintance, Mr. Forsyte. Pleasure is all mine, Mrs. Heron.
26:18Can I get back?
26:22It's been enchanting, Miss Heron.
26:23Mrs. Heron.
26:40He seems charming.
26:53Excuse me. Excuse me.
27:23They walk most mornings on the pier.
27:41Mrs. Heron, would you object to my walking with you? It would be most agreeable.
28:01Are you from our part of the world, Mr. Forsyte? From London. Park Lane. In business? I'm a
28:07solicitor in partnership with my father. This is my first visit to Bournemouth. We hope not your last.
28:14I could very well recur. Good.
28:37Irene, I shall walk alone today. Very well. I'm sure you'll miss me violently.
29:38Mr. Forsyte, you have recurred. Mrs. Heron, I trust you are quite well.
30:06Thank you, yes. Your stepdaughter? A slight indisposition. Oh dear. But well enough to play
30:13the piano rather beautifully, I must admit. I should very much like to hear her. We must arrange
30:20it. Did I express my condolences on your sad bereavement, Mrs. Heron? I'm sure I understood
30:25you to have. It was rather a shock, Professor Heron, passing so suddenly and leaving us so
30:31little provided for. I have barely 50 pounds a year for Irene, for example. For a young woman,
30:38I'm sure you will appreciate, Mr. Forsyte. It's rather more expensive. Yes, it must be a concern
30:44for you. Mr. Forsyte. Yes, Mrs. Heron. There is no Mrs. Forsyte, I take it. No, Mrs. Heron.
30:55There is to be an exhibition of paintings tomorrow at the pavilion.
31:02Irene and I will be attending at 10 o'clock in the morning.
31:13I'm fond of art, Mr. Forsyte. Hmm, in its place. And what is its place?
31:30Well, in museums, of course. And it can look well in one's drawing room,
31:34tastefully hung. I think its place is everywhere.
31:42Do you admire this painting, Mrs. Heron? I do. You don't find it rather modern?
32:02It has vigour and honesty.
32:06But is it accomplished as a work of art? If you mean is it strictly representational,
32:11then clearly not. But look at the life in the trees and the vibrant colour.
32:17There's such a strong sense of the artist in it, don't you think?
32:21I believe that whoever painted it has a passionate feel for beauty. Yes, yes, and for life.
32:32Would it look well in one's hallway, for example?
32:34I suspect that the majority of hallways would entirely disgrace it.
32:39Textures, well, nice stroke, yeah, good to hear.
32:46I must leave my card at the door. He's a man of good character and considerable substance.
32:51You know nothing about him. I know a great deal about him. I've made inquiries.
32:56Clearly we're not suited.
32:58I've made inquiries. Clearly we're not suited.
33:05It's been a pleasure, Mrs. Heron. Miss Heron, the last London calls. We're so sorry.
33:13Well, I shall be returning to Bournemouth next week. Perhaps you will do us the honour of calling.
33:21Miss Heron? Mr. Forsyte.
33:28Oh, by the way, that landscape you admired, I've bought it.
33:43For your hallway, Mr. Forsyte.
33:50Well, until next week.
33:59Your father left us £50 a year. Do you know how much these morning clothes have cost?
34:03And that's before we even start to think about living.
34:09What people do at times like this is move to a larger house.
34:13Do we need a larger house?
34:14I would like to own somewhere.
34:16I'm happy to rent.
34:18But for you and the children alone. I mean, if something happened to me, it'll be provided for.
34:22We can't afford to buy.
34:23Don't worry, Joe, as long as you don't let anything happen to you.
34:28It was implacable, Forsytes.
34:32My father has never even seen his grandson. Probably never see this one.
34:50Yes, we do need to move.
34:53It's quite clear, you see.
34:57Your grandfather's will states that the interest should be paid to you quarterly,
35:01but that the capital must remain intact.
35:04It also states the capital can be touched in an appropriate circumstance.
35:08My point is, this is such a circumstance.
35:10I'm about to have a second child and we need a larger home.
35:13Now, this you say?
35:16Well, forgive me, I can think of no more appropriate circumstance than the need for a house.
35:22For that woman?
35:25For Hélène and our children.
35:27Quite.
35:28And you see, this is where there is a problem, because the will is again clear
35:31that such a circumstance should be decided at the discretion of the trustees.
35:35Of course.
35:35The trustees being Mr. Septimus Small, deceased,
35:38and my father.
35:40Discretion, as you'll appreciate, involves rather more than expedience.
35:45It involves conscience.
35:48And uniquely in this case, the good name of our family.
35:52Do I take it there is a moral dimension to this discussion?
35:56You'll be paid the quarterly installments as we discussed.
35:59You have no fear in that matter.
36:09Good day to you, Forsyte.
36:11And to you, Forsyte.
36:15Are you still doing your sketching?
36:18I used to like one or two of your things.
36:44Good afternoon, sir.
36:51Good afternoon.
37:21Good afternoon.
37:51I congratulate you, Miss Heron.
38:01That really was accomplished and delightful.
38:16I don't know what the girl's done with the tea.
38:20Do excuse me, Mr. Forsyte.
38:36Miss Heron, I have substantial income,
38:39and I'm currently looking for a commodious house in the region of Hyde Park.
38:43My family are of the very best.
38:44We are all professional people.
38:46And my expectations in respect of my father's property are the very highest.
38:50I'm in good health.
38:59I have the honor, Miss Heron, of asking you for your hand in marriage.
39:06I'm so sorry.
39:08I'm afraid I cannot accept.
39:13I'm aware this has come suddenly.
39:15Yes.
39:16But you see, I've made up my mind.
39:20You have qualities that...
39:23Please, Miss Heron, I will wait any time.
39:27You are charming beyond words.
39:44Your stepmother did encourage my proposal.
39:47Yes, I can believe that.
39:50I suggested she might bring you to London.
39:53My parents would be delighted to entertain you for a day or two.
39:57Has my stepmother agreed?
39:59With your approval, of course.
40:01Of course.
40:14Good morning, madam.
40:16Mrs. Heron, welcome.
40:17I trust you had a good journey.
40:19Chilled today, Mr. Forsyte, in spite of the season.
40:22Miss Heron, welcome to London.
40:25Quick as you can, please, Albert.
40:29Pretty girl.
40:31My father, James Forsyte.
40:32If the journey's tired you, you must rest.
40:33Hello, my dear.
40:35We are all so pleased.
40:38My mother, Hermione Forsyte.
40:39Oh, you are quite lovely.
40:41My sister, Winifred Doughty.
40:42You're here for two days.
40:43We'll have such fun.
40:44And her husband, Mr. Montague Doughty.
40:46Remember a picture, no mistake.
40:48We live in Green Street, just round the corner.
40:50I'll call in, do.
40:52Want some champagne?
40:53Soames has such a life.
40:55You sly old dog, Soames.
40:58I do like whiskers on a man.
41:01Soames is far too smooth.
41:03I don't think I really...
41:05I'm not sure I...
41:06Go and talk to her.
41:07Yes, Soames.
41:09Yes, aunt.
41:11Mine does whiskers and whiskers.
41:14You'll appreciate the benefit.
41:15I will.
41:16They tickle.
41:19I'm not sure I should like them to tickle.
41:22But, my dear, you see, it's where they tickle.
41:25I'm very glad you had the chance to meet her.
41:27It was lovely.
41:28I'm so glad.
41:30Are you eating enough?
41:32Thank you, aunt, and working hard.
41:34Well, June, and what do you think of her?
41:37She's heavenly.
41:39So lovely.
41:40Talk to her.
41:41Julian, don't you think?
41:43Have you asked?
41:43Too lovely for Soames.
41:45We're told that she has no money.
41:47That need not be an obstacle.
41:49My impression is that Mr. Allside has no sense of an obstacle.
41:52Quite the reverse.
41:52Don't worry about that.
41:53The family has an occasion.
41:54I wish you'd look at these oil shares.
41:57She's a fetching little thing.
41:58I'm thinking Cape Copper.
42:01I'm not interested in shares.
42:03What's her secret?
42:04Open.
42:05Laudanum?
42:05What are you talking about, George?
42:07How are you?
42:08She's very beautiful.
42:09Very well, thank you.
42:10He's a dark horse.
42:12All right.
42:13This one is shooting up.
42:15Irene, this is Uncle Julian's granddaughter, June.
42:17How do you do?
42:19I've painted the heels on my shoes.
42:21Do you like them?
42:22Yes, very much.
42:23Did you put the bows on too?
42:25Yes, they're my dancing shoes.
42:27I love to dance.
42:28Do you?
42:29Yes, I adore it.
42:31I have two more months before it's that seemly.
42:34And then suddenly your time is up.
42:35And what yesterday would have seemed a fearful callousness has become respectable.
42:38It is such hypocrisy.
42:41We must dance.
42:43We must dance now.
42:45So, ask George to play a waltz.
42:47A waltz? What are you thinking of?
42:48Dancing, of course. What else?
42:50Minifred, Miss Heron here is in mourning.
42:51It is absolutely not the done thing.
42:53Oh, Sam, you're such a stick.
42:55Monty, you ask him.
42:56Some things, old boy, are best left to the ladies.
42:59When to dance is one.
43:01George, I demand a waltz.
43:07So, ask Miss Heron to dance.
43:08Minifred, this is impossible.
43:10Oh, then I will.
43:11Miss Heron, would you do me the honor?
43:19A shade venturesome.
43:21It may, I think, answer why Soames has not proposed to her.
43:27Such recklessness means he must question her character.
43:32I'm so terribly sorry.
43:34It's not like I have any right to.
43:36Minifred will believe we're disapproved of.
43:38I believe so, too.
43:41Imagine the outrage if they knew I was in an interesting condition.
43:48I say, Forsyte, we can't have this.
44:10Miss Heron, would you care to dance?
44:12Of course.
44:24Right for display.
44:31Pretty, old thing.
44:32Monty?
44:33You are a sport.
44:40Now then, Soames, wasn't it worth it?
45:04Yes, it was wonderful.
45:06More than I can say.
45:08Well, that seemed to have ruffled a few feathers.
45:10How about a polka?
45:12George?
45:14Excuse me.
45:15My blood's up now.
45:15We want something with a bit of life in it.
45:18Something to set the pulse racing.
45:25You do understand I do not intend to marry him.
45:28A man of his resources can give you everything.
45:30I do not wish to be born.
45:32Foolish and selfish.
45:34I would rather squander every penny we have.
45:36I would rather wait and find someone I love.
45:39We cannot afford for you to wait.
45:53Ah, Mrs. Pierce.
45:54Good morning.
45:55Morning, Doctor.
45:56Mrs. Doughty needs plenty of rest.
45:57See she gets it, will you?
45:59Certainly, Doctor.
45:59I shall return this evening.
46:05Drive on.
46:06She has a touch of Hester.
46:09About the eyes.
46:11And the forehead, of course, is James, your grandfather.
46:18And oh, look.
46:22She has Julie's nose.
46:27And the chin is decidedly Jolian's.
46:32And what is there of Monty?
46:35Were you expecting something?
46:40A true foresight.
46:45Congratulations.
46:49Goodbye.
46:50Oh, goodbye.
46:50Well done.
46:52And take care.
46:54Well done.
46:57Bye.
47:05All right, old thing?
47:09Imogen.
47:11What?
47:12Don't you think?
47:14It's rather a sweet name.
47:17Imogen.
47:20Immie.
47:22Immie.
47:24Yes, I like it.
47:27Oh, I found myself in Hatton Garden.
47:33Got you this.
47:35Monty.
47:39Oh, Monty.
47:44They're beautiful.
47:49However, can we afford them?
47:51Ways and means, old girl.
47:53Ways and means.
47:57They're beautiful.
48:00They're beautiful, hey?
48:04Oh.
48:06Oh.
48:09Oh.
48:37Miss Heron.
48:39Good afternoon.
48:39Good afternoon.
48:40I'm a little late.
48:42That's it?
48:42Yes.
48:48It's most pleasant to see you out of mourning at long last.
48:50Yes.
48:53Mr. Forsyte, may I present Mr. Beach?
48:57Hello, sir.
48:58Soames Forsyte.
48:59How do you like Bournemouth?
49:01Decorous, but dull.
49:02But money to be made.
49:04Mr. Beach is involved in a property development.
49:06Oh, you too.
49:07Who isn't?
49:08What's yours?
49:09Towards Southbourne.
49:10Nine houses.
49:11Mine's a sanatorium.
49:13A town for invalids.
49:15They're built for health, not gaiety.
49:16Isn't that so, Miss Heron?
49:18Oh, certainly not for gaiety.
49:21So, we must make the most of this afternoon.
49:27Should we?
49:30I'd rather not.
49:38Miss Heron, it's been some time since we first met.
49:40I don't wish to seem importunate, but, uh...
49:42Please.
49:43Please don't ask again.
50:39Forgive me.
50:52Lost my head.
50:52Yes.
50:59Your friend, Forsyte.
51:02Is he encouraged?
51:03No, he is not.
51:06Remarkably beautiful woman.
51:08Why is she glum?
51:09She will pick and choose.
51:11In anyone's book, Mr. Forsyte is acceptable.
51:14And he's very wealthy.
51:15Well, it's the spark.
51:17It's the spark you need.
51:18Don't you think, Mrs. Heron?
51:20The spark is very fine, but three thousand a year is better.
51:23You're a cynic, madam.
51:25Shame on you.
51:27She needs to meet the right fellow.
51:29Has he proposed?
51:30He has.
51:31Rejected?
51:32For now.
51:35I have the three thousand a year.
51:37I'm encouraged to hear it.
51:39What do you think about the spark?
51:40I'm confident about the spark.
51:42She's so beautiful.
51:43I'm captivated, Mrs. Heron.
51:53Will you excuse me?
51:58Irene, we're leaving.
52:01Mr. Forsyte, I do apologize.
52:05I'm feeling a little unwell.
52:08Is there anything I...
52:09No, thank you.
52:10Irene will look after me.
52:12It's the heat.
52:12I must go home.
52:15May I escort you?
52:16No, thank you.
52:18It's been a most memorable afternoon.
52:20Mrs. Heron.
52:22Good afternoon, Mrs. Heron.
52:24Miss Heron.
52:25Good afternoon, Mr. Forsyte.
52:28Goodbye.
52:38No luck with a young beauty, I hear.
52:42More in my words, you do better with a stepmother.
52:52What happened to Mr. Beach?
52:54Why are you interested in Mr. Beach?
52:56I'm not remotely interested in Mr. Beach.
52:59We should have taken a cab.
53:01This is madness.
53:02No, this is poverty.
53:04It's what you've brought us to.
53:05We are not this poor.
53:06I'm not prepared to support you for another year.
53:08If you won't marry, then you must take employment.
53:11What employment can I take?
53:13I have no...
53:13Then you should marry.
53:14It's an exceptional offer.
53:16But I could never love him.
53:17You do not know that.
53:36Life is a dance we must learn Into the night we will turn