Aum_2021

Om_Que
Om_Que
  • 2 days ago
"Aum!" bercerita tentang dua pemuda aktivis yang menyuarakan jeritan rakyat-rakyat kecil yang tertindas. Adalah Satriya (Jefri Nichol), yang mewakili suara pemuda yang kritis dan terus memperjuangkan kebebasan. Bersama Adam (Aksara Dena), ia berjuang untuk mengubah Indonesia.

Category

✨
People
Transcript
00:00:00You
00:00:30I
00:01:00I
00:01:02I
00:01:28I have to do it
00:01:32Anybody had a bike
00:02:02I
00:02:32I
00:03:02I
00:03:32I
00:03:53Adam and Satria, I'm the one who's sticking
00:04:02Kamu masingah strata di balik sticker ito
00:04:11Dulu kamu itu pingin beli sticker itu tapi kamu nggak punya duit
00:04:18Terus aku ngambil duit ibu
00:04:23Malah ketawan Papa terus aku dibukulin sama Papa
00:04:32Gak apa-apa dipukulin sama Papa resiko jadi anak paling gede
00:04:40Yang penting sticker nyaga beli
00:05:03I
00:05:08Mana radionya si bagus kan
00:05:20Sorry Brita penting
00:05:22Pemerintah akhirnya menandatangani letter of intent bersama IMF setelah kualahan menghadapi krisis ekonomi
00:05:29Hal ini tentu saja tidak cuma-cuma
00:05:33pemerintah harus mematuhi sejumlah syarat dari pembentukan BPPN hingga penjualan aset
00:05:39BUMN kondisinya ini masih sama kayak pas mobil ini di beli
00:05:45Nilai tukar rupiah terhadap dolar Amerika Serikat anjlok di kisaran 17 ribu rupiah
00:05:52sekitar 70 persen lebih
00:05:54perusahaan yang tercatat di pasar modal mendadak gulung tikar
00:05:59sehingga melahirkan gelombang pemutusan hubungan kerja atau PHK yakni sekitar 20 juta orang atau
00:06:0720 persen lebih dari angkatan kerja
00:06:10harga-harga kebutuhan pokok melambung tinggi sedangkan daya beli masyarakat melemah
00:06:16ini mengakibatkan mahasiswa mengelar unjuk rasa di beberapa kota sebagai reaksi atas mahalnya harga sembaku
00:06:24sekaligus menuntut reformasi ekonomi dan politik
00:06:28Aparat gabungan mulai disiapkan untuk menjaga keamanan
00:06:52Boss is a good soul mate
00:06:59I should have spared you and your friends
00:07:07But you are my brother
00:07:28Buka alamat tengah
00:07:34Sudah lama pergerakan kalian kami awasi
00:07:39Termasuk kamu
00:07:59Aku cuma pengen kamu selamat
00:08:09Ini cara kamu menyelamatin
00:08:17Nitya memang cuma bisa pakai kekerasan
00:08:22Sama kayak bapak
00:08:29Kita harus sembuh
00:08:35Sembuh?
00:08:38Aku gak bisa
00:08:41Aku harus melanjutkan perjuangan bersama kawan-kawanku
00:08:45Kalian ini gak tau apa yang kalian hadapi
00:08:48Kalau kalian tertangkap
00:08:51Kalian sudah pasti mati
00:08:54Kalau kalian mati
00:08:56Perjuangan kalian akan jadi sia-sia
00:09:26Terima kasih
00:09:56Terima kasih
00:10:26Di negeri kami tanah gemah ripah
00:10:31Lautan tanah gemah
00:10:36Di negeri kami tanah gemah ripah
00:10:41Lautan tanah gemah
00:10:46Di negeri kami tanah gemah ripah
00:10:51Lautan tanah gemah
00:10:56Utannya penuh dengan warna
00:11:02Di negeri ini rakyat bersimbah darah
00:11:09Tak pergi sekolah apalagi bekerja
00:11:16Telah dirempas haknya
00:11:22Telah terkusur tempatnya
00:11:29Telah lapar perutnya
00:11:36Ibu relakan kami berjuang atasnya
00:11:52Baik
00:11:55Aku akan ikut sembunyi
00:11:58Tapi sebelumnya aku harus bertemu kawan-kawanku dulu
00:12:01Jangan macam-macam kamu
00:12:03Kita sudah tidak punya waktu
00:12:05Kita harus sekarang sembunyi
00:12:07Ini masalah nyawa, mas
00:12:09Tidak akan terkejat
00:12:11Militer sudah bergerak ke sana
00:12:13Ya makanya kita harus cepat nyelamatin mereka
00:12:17Kamu harus milik selamatan kamu
00:12:19Kawan-kawan kamu
00:12:21Atau kita semua akan mati
00:12:23Kawan-kawanku itu juga nyawa, mas
00:12:26Satu nyawa pun tetap nyawa
00:12:29Lagipula kita masih satu arah
00:13:19Selamat malam
00:13:49Selamat malam
00:14:08Ada yang bisa saya bantu, mas?
00:14:10Bisa
00:14:12Ambil semua pengisian bensin ku, pak
00:14:19Terima kasih
00:14:49Selamat malam
00:15:20Kamu jangan lama
00:15:22Waktu kita terbatas
00:15:49Mas
00:16:07Bagaimana, Sat?
00:16:12Kawan-kawan
00:16:15Kita sudah masuk dalam daftar penangkapan militer
00:16:19Waktu kita tidak banyak
00:16:21Kita harus memberitahu yang lain agar perkirakan dipercepat
00:16:46Dapat dari mana lapor catatan ini?
00:16:49Daftar itu milik kakakku
00:16:51Jadi kakakmu militer?
00:16:54Ya?
00:17:01Cepat
00:17:03Cepat
00:17:04Cepat, kawan-kawan
00:17:05Kita tunggu dia
00:17:07Gila
00:17:08Gila
00:17:09Gila
00:17:12Baca kakakmu, tahu soal kita
00:17:14Baca
00:17:16Baca
00:17:17Baca, kakakmu tahu soal kita
00:17:19Bagaimana dia sekarang?
00:17:21Tenang, tenang dulu
00:17:22Tenang dulu
00:17:24Biarkan dia jelaskan
00:17:26Oke
00:17:28Satria, jelaskan
00:17:37Kakakku memang militer
00:17:41Tenang
00:17:42Tenang dulu, kawan-kawan
00:17:43Tenang dulu
00:17:44Biarkan dia jelaskan dulu
00:17:45Baru kalian berbicara
00:17:47Jelaskan
00:17:49Coba jelaskan
00:17:50Jelaskan
00:17:52Dia memang militer
00:17:56Dia seharusnya menangkapku
00:17:59Tapi tadi pagi dia malah menyelamatkanku
00:18:03Karena itu akhirnya dia juga dipuruh
00:18:07Dia disersi
00:18:11Maka dari itu
00:18:12Maka dari itu
00:18:14Kita harus cepat memberitahu yang lain
00:18:16Agar pergerakan bisa dipercepat
00:18:18Sehingga tiga tuntutan reformasi bisa terwujud
00:18:43Jelaskan
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00:19:58Ladies and gentlemen
00:20:01Last night there was an activity
00:20:05between activists and students
00:20:07in various cities that are really starting to collapse.
00:20:14This clearly disrupts political, economic and security stability.
00:20:23The people are starting to fear.
00:20:26Even at the lowest level.
00:20:29The people are almost afraid to do economic activities.
00:20:45We appreciate all forms of aspiration.
00:20:50Please demonstrate.
00:20:56Of course, fellow activists and students.
00:21:03Do it properly.
00:21:07Do not violate the law.
00:21:11And of course,
00:21:15do not violate the rules of the law.
00:21:21Remember, we are in a country of law.
00:21:30And we also need to tell fellow activists and students
00:21:35not to be swayed by the interests
00:21:42that can break the unity and unity of the country.
00:21:47Therefore, fellow activists and students,
00:21:53we will continue all forms of action
00:22:02that threatens the stability of our country's political, economic and security.
00:22:11Sir, how about the activist news and the missing students?
00:22:16Please answer.
00:22:26For that matter,
00:22:29of course we have formed a team of fact-finding.
00:22:36We make sure that in less than 14 days,
00:22:40we have found facts,
00:22:45both empirically and on the ground,
00:22:49that can be held accountable to the public.
00:22:57That's all, fellow activists and students.
00:23:00That's all I can say. Thank you.
00:23:04Sir, one last question.
00:23:07We know that many victims have been raped and raped.
00:23:14How many of our comrades have become victims?
00:23:18Where have they gone?
00:23:22All of that is an expression of our voices.
00:23:28The situation is getting worse.
00:23:31Prices are rising. Corruption. Collusion.
00:23:34Nepotism is getting more and more rampant.
00:23:44Fellow activists and students,
00:23:51we cannot be calm.
00:23:55We have to form a line.
00:23:59We have to fight.
00:24:05We have to fight.
00:24:15And there's only one way out.
00:24:18Reform!
00:24:24Whose land is this?
00:24:27It's our land.
00:24:30Whose land is this?
00:24:34It's our land.
00:24:39Let's vote.
00:24:44Let's fight.
00:24:47Reform is needed.
00:25:00The clear message that helped me
00:25:04to play the role of a patriot
00:25:07is deeper.
00:25:11I mean, I'm more active.
00:25:19I'm more determined to face what's happening around me.
00:25:24And...
00:25:28I'm a change agent.
00:25:32For example, the role of Adam that I played.
00:25:36Adam is not easy.
00:25:39He's full of stubbornness,
00:25:41he's full of mental pressure,
00:25:44dilemmas, and complicated relationships
00:25:47between Adam and his brother, Satria.
00:25:50And this role is different from the roles I usually play.
00:25:58So when I was contacted to play this role,
00:26:01I immediately accepted it.
00:26:04Because it's challenging.
00:26:25Guys, this is Paul Weidberg.
00:26:27He's a reporter from America.
00:26:30He will document the whole process of our film production.
00:26:39Don't worry.
00:26:41Trust him.
00:26:42He's on our side.
00:26:45Okay, let's get started.
00:26:46You've read the script, right?
00:26:49Lin.
00:26:52I just want to make sure before we go any further.
00:26:57Are you sure...
00:27:00you want to make this film?
00:27:02Yes, I'm very sure.
00:27:04Besides, we're all here.
00:27:09But I'm free to do whatever I want, right?
00:27:13Yes, of course.
00:27:14What's important is that our message is delivered.
00:27:19I'll read the script first.
00:27:21If there's anything I need to revise,
00:27:24I'll revise it.
00:27:27The point of this film is to make people believe
00:27:31that reformation is important.
00:27:36And I want all of you to keep the secrets of our production process.
00:27:42Can you do that?
00:27:43Yes.
00:27:48Okay, I borrowed this camera from my brother.
00:27:50He's abroad right now.
00:27:52So, we can use it for a long time.
00:27:54You don't have to worry.
00:27:56Just take care of it.
00:27:59Okay, go ahead.
00:28:01Excuse me.
00:28:14We're not using the usual camera, right?
00:28:17No.
00:28:19It's too attractive.
00:28:22We don't have much time.
00:28:24Let's just use this.
00:28:27It's not complicated.
00:28:29It's simpler.
00:28:33What do you think, Wan?
00:28:38I don't have a problem with it.
00:28:41It's simpler than the usual camera.
00:28:45Have you ever used it?
00:28:47Not bad. A few times.
00:28:52How's the quality?
00:28:57It's maximized.
00:29:03Do you want to look at mine?
00:29:04It looks the same.
00:29:08I think the picture quality is good.
00:29:14Okay.
00:29:18Okay.
00:29:20Not bad.
00:29:25Okay.
00:29:28How's the sound?
00:29:30It's done.
00:29:31We'll record the mic on campus.
00:29:33And we'll also record the lag.
00:29:37Yes.
00:29:38But you know that we can't add Hari.
00:29:41If we add him later, we'll be laughed at.
00:29:46And it's dangerous.
00:29:52Hold on.
00:29:54Paul, can we have a word?
00:30:07Paul.
00:30:08I'm sorry, but you can't join us on the production.
00:30:11Because you're too conspicuous.
00:30:13Oh.
00:30:15I see.
00:30:16It's fine. I know it.
00:30:18I have my assistant to replace me.
00:30:21Assistant?
00:30:23Is he or she Indonesian?
00:30:25Yes, he is.
00:30:26Dodi, my contributor.
00:30:30Paul, using my rules is kind of strange here.
00:30:33I have seen Dodi working.
00:30:35He works good.
00:30:36You can trust him.
00:30:38I trust him.
00:30:39Are you sure?
00:30:40Yes, I'm sure. He's good.
00:30:43Alright then.
00:31:08Ah! Ah! Ah! Ah!
00:31:38What?
00:31:57Hanja.
00:31:58Did you hear that?
00:32:05No.
00:32:08No.
00:32:24You can give your opinion.
00:32:27It's up to you.
00:32:32But don't hurt the other party.
00:32:39I noticed...
00:32:41...that a lot of students' friends are imaginative.
00:32:51Imagination is only in movies.
00:32:54But if we're more thorough,
00:33:00actually, we're in big trouble.
00:33:03Yes, indeed.
00:33:04It's been 30 years.
00:33:06It's been 30 years of our freedom in the boom camp.
00:33:12But let's ask ourselves.
00:33:15Are we still going to stay silent?
00:33:17Are we?
00:33:18We need a clear mind to respond to the situation today.
00:33:24I think now is the right time...
00:33:27...for us together...
00:33:29...to invite people to understand...
00:33:31...that freedom...
00:33:32...can only be achieved through reformation.
00:33:37Reformation opposes all forms of...
00:33:40...corruption, collusion, and nepotism.
00:33:45All of those things make people miserable.
00:33:50People deserve prosperity.
00:33:52And it's not easy.
00:33:54A lot of things need to be done.
00:34:07A FEW HOURS LATER
00:34:10War, are you okay?
00:34:11I'm fine.
00:34:15There's a group of soldiers chasing us.
00:34:18Someone's watching me from behind.
00:34:20There's no one, War.
00:34:21You know you're limited.
00:34:23Hey.
00:34:26What if they see us?
00:34:28It'll be horrible.
00:34:30It'll be horrible.
00:34:31What if they see us?
00:34:33I don't know.
00:34:37I don't know.
00:34:41Give me the watch.
00:34:42Then run.
00:34:43Run there.
00:34:44Satya will be confused.
00:34:46Lin.
00:34:48Ask for a monitor to check the picture.
00:34:50There's no monitor.
00:34:51Once it's up, you can see it on the LCD.
00:34:57When you're there...
00:35:00Satya will be here.
00:35:02Confused, right?
00:35:03Then shout, hey, where are you going?
00:35:05Don't run.
00:35:06Shh.
00:35:08If you can, don't shout.
00:35:13What should we do?
00:35:14We have to make sure they don't see us.
00:35:16Without shouting.
00:35:18Don't draw their attention.
00:35:20It's dangerous.
00:35:31When you're there...
00:35:35Just give them a gesture.
00:35:37Like, where are you going?
00:35:39Satya will hide here.
00:35:40Action!
00:35:51The camera.
00:35:57I'm sorry.
00:36:05Where are you going?
00:36:13Where are you from?
00:36:15Hey!
00:36:17I've prepared the hardtop.
00:36:20Your friends have started working since this morning.
00:36:23The hardtop should be from yesterday.
00:36:25Yesterday was a meeting.
00:36:26Where did you get it from?
00:36:30You...
00:36:31If you came earlier, you could've helped Anwar and Sony.
00:36:34Yes, Mas.
00:36:35I came to help.
00:36:56When you're there...
00:36:58Zoom in.
00:37:01Is it safe?
00:37:02Yes.
00:37:06Makeup!
00:37:10What should we do?
00:37:12Panca, don't shout.
00:37:19This is a used hardtop.
00:37:21I don't want it to be red.
00:37:23I want it to be blue.
00:37:24Have you ever used a hardtop?
00:37:27Okay.
00:37:29So...
00:37:30It's clear now, right?
00:37:34It's clear?
00:37:35Yes.
00:37:36Yes.
00:37:37Follow the player.
00:37:38Adam, Satria.
00:37:40So, later...
00:37:42You two haven't meet each other for a long time, right?
00:37:45You should have a connection.
00:37:46How about you, brother?
00:37:47Get the connection.
00:37:49Especially when you meet him.
00:37:50Adam will immediately call Satria.
00:37:53What's the occasion?
00:37:55It's just a college assignment.
00:38:01For TV?
00:38:03No, Mas.
00:38:05It's just a campus assignment.
00:38:07College assignment.
00:38:08And then?
00:38:09If it's done, where will you watch it?
00:38:13It's not done yet, Mas.
00:38:14So, I don't know where to watch it.
00:38:19I'm sorry, Mas.
00:38:20I'm sorry, Mas.
00:38:21We have to go now.
00:38:22Okay.
00:38:23I'll go now.
00:38:24If it's done, let me know, okay?
00:38:27Okay.
00:38:35Panca.
00:38:36Is it done yet?
00:38:37Can you hurry up?
00:38:38It's getting late.
00:38:39Yes, Mas.
00:38:40He's always joking.
00:38:41Yes.
00:38:42You know, right?
00:38:43It's clear now.
00:38:45Art!
00:38:48Art.
00:38:50Here, Mas.
00:38:53Why did you change it?
00:38:55It's broken.
00:38:56That's the concept.
00:38:57I've explained it to you since the briefing.
00:39:02It's broken on purpose.
00:39:04But the important thing is that the American symbol is visible.
00:39:06Yes, Mas.
00:39:07Is it broken?
00:39:11Hurry up.
00:39:12It's clear now, right?
00:39:13The motivation.
00:39:14It's clear.
00:39:15Don't rush.
00:39:16Even if you want to save it,
00:39:18everything has to be there.
00:39:20Even the satria.
00:39:21Everyone, ready?
00:39:23Okay, let's go.
00:39:24Hurry up.
00:39:26Let's go.
00:39:30Thank you, Mas.
00:39:31You're welcome.
00:39:40What is this?
00:39:42It's a key.
00:39:44I've been blamed for this.
00:39:46It's my fault.
00:39:47Calm down.
00:39:48You're still a kid.
00:39:50I've been in an accident.
00:39:52I'm in pain.
00:39:53I'm going to die.
00:39:55You're not careful.
00:39:57Don't blame me.
00:40:00Don't do that.
00:40:02You're going to lose your face.
00:40:05But, can you understand...
00:40:08...that this is for Linda?
00:40:10Yes.
00:40:11It's not appropriate.
00:40:13That's right.
00:40:14You're still shocked.
00:40:16Linda is strong.
00:40:17Panca is an idealist.
00:40:19We're done.
00:40:21It's not appropriate.
00:40:23Imagine.
00:40:24This is the first day.
00:40:26What if tomorrow?
00:40:27We're doomed.
00:40:29It's not appropriate.
00:40:31Don't record this.
00:40:33What?
00:40:34Don't record this.
00:40:35It's not appropriate.
00:40:38Don't do that.
00:40:40Are you talking to Nora?
00:40:41Yes.
00:40:42You're back.
00:40:44Let's go.
00:40:45Let's go.
00:40:49Remember.
00:40:50This is an important event.
00:40:53It's okay if you don't say anything.
00:40:55Just enjoy it.
00:40:58Cooperation.
00:41:00One bad acting.
00:41:02This movie won't kill you.
00:41:05So, you have to...
00:41:07...balance it.
00:41:08You have to balance it.
00:41:09You have to help each other.
00:41:12When I said...
00:41:14...I just want you to be safe...
00:41:16...did I mean it?
00:41:19Or did I just make it up?
00:41:21Hold on.
00:41:22This is the previous one.
00:41:26Should I try it?
00:41:27Yes.
00:41:28You can try it.
00:41:36I just want you to be safe.
00:41:39Do you know the second one?
00:41:48I just want you to be safe.
00:41:51Hold on.
00:41:52Which one?
00:41:53Which one is better?
00:41:56The first one.
00:41:57It's more consistent.
00:42:01Okay.
00:42:03Satria, do you have any questions?
00:42:05No.
00:42:06No?
00:42:07It's all clear.
00:42:09Cooperate.
00:42:10He understands.
00:42:11Okay, Anwar.
00:42:12One more thing.
00:42:13For Adam...
00:42:16You just have to be static.
00:42:18Represent his feeling.
00:42:20You have to use your feeling.
00:42:22He's so cool.
00:42:24He's cool.
00:42:25Just follow him.
00:42:27Read the script, right?
00:42:28Read it.
00:42:29Just follow him.
00:42:30Be Adam's character.
00:42:31To represent the audience.
00:42:33For Satria...
00:42:34Just be more dynamic.
00:42:37If you need to zoom in, just do it.
00:42:40Okay?
00:42:41We can do it.
00:42:42Let's do it.
00:43:07Sir.
00:43:12Jini.
00:43:13It's already good.
00:43:14What's wrong?
00:43:15Look at the picture.
00:43:16Yes.
00:43:17You're static.
00:43:18Yes.
00:43:20Really.
00:43:21Just look.
00:43:23Incons...
00:43:25Inconsistent.
00:43:27Look.
00:43:28It's already consistent with your order.
00:43:30Yes.
00:43:31It's consistent.
00:43:32You asked for it.
00:43:33Yes.
00:43:35One is static.
00:43:36The other is consistent with the player's feeling, right?
00:43:38Yes.
00:43:39So, what's the problem?
00:43:40I'm not done yet.
00:43:43Speak.
00:43:44The problem is...
00:43:46Your picture is too vivid.
00:43:50Too vivid.
00:43:51So, the audience can't feel it.
00:43:55It's too beautiful.
00:43:57Let's review it.
00:43:59Just look at it.
00:44:01It's consistent.
00:44:02Mr. Panca's instruction.
00:44:04Here.
00:44:10That's it.
00:44:11It's good, right?
00:44:12You asked for the static one.
00:44:14The audience can feel it.
00:44:16It's good.
00:44:17That's it.
00:44:18That's the problem.
00:44:19It's too good.
00:44:20Too vivid.
00:44:23This is the audience.
00:44:25You can see it.
00:44:27You can be optimistic.
00:44:28But don't be too passionate.
00:44:31It'll be too much.
00:44:33The emotion will be too much.
00:44:35The audience won't be your representative.
00:44:40I'm sorry, sir.
00:44:41But when we're rehearsing, we have to be careful, right?
00:44:45That's it.
00:44:46That's the most important part.
00:44:47So, don't be too passionate.
00:44:51Because it'll be too much.
00:44:54So, the audience...
00:44:55It's okay.
00:44:56They won't feel anything.
00:44:59I want the audience to go down.
00:45:01Because of the image.
00:45:03After this, there will be...
00:45:07We have to hide.
00:45:09We have to hide.
00:45:13I want you to be more...
00:45:16Because it's against your character.
00:45:19It's your principle.
00:45:20You have to hide.
00:45:22Hide.
00:45:24I don't want that.
00:45:25But it'll make you feel better.
00:45:28I'm a gentleman, right?
00:45:30I don't know.
00:45:31Here.
00:45:34This is the most important.
00:45:35Optimistic.
00:45:37But flat.
00:45:38Optimistic, flat.
00:45:39Here.
00:45:41I have to continue the fight with my friends.
00:45:45The audience will go down.
00:45:47They'll feel it.
00:45:50It'll be flat.
00:45:51Optimistic, flat.
00:45:52Optimistic, flat.
00:45:53Wait.
00:45:54Wait.
00:45:55Satria.
00:45:56This is supposed to be his part.
00:45:58To explain how big and important his fight with the artist is.
00:46:03And that's the part that has to be explained.
00:46:06That's right.
00:46:07So that the audience can feel it.
00:46:10Because the image...
00:46:13If it's too beautiful and too fiery...
00:46:16The audience can't feel it.
00:46:17It's over there.
00:46:18The audience won't go down.
00:46:20That's what I mean.
00:46:21The clearer it is, the more they can feel it.
00:46:24Linda, this is your job.
00:46:26You're the manager.
00:46:27You have to be creative.
00:46:30Okay?
00:46:31Now, let me work.
00:46:33So, it's clear, right?
00:46:36Don't overdo it.
00:46:37I don't want it to be beautiful.
00:46:39Okay, stop.
00:46:40Let's take a break.
00:46:41It's time for lunch.
00:46:51It's delicious.
00:46:54Padang.
00:47:01Thank you, sir.
00:47:04Padang.
00:47:05Thank you, sir.
00:47:10Let's eat first.
00:47:13I'll go first.
00:47:14Thank you, sir.
00:47:19Panca.
00:47:21We can't stay here for long.
00:47:22We don't have much time.
00:47:26Do you want more?
00:47:28No, thank you.
00:47:30We have to go on.
00:47:33Panca.
00:47:39They said it's still hard to eat.
00:47:44Here.
00:47:47Let's go on.
00:47:48Let's go on.
00:47:51It's quite hard.
00:47:55I often...
00:47:56get criticized by the director.
00:47:59They said my acting is always lacking.
00:48:04It's not like...
00:48:06what the director wants.
00:48:11They said...
00:48:13my understanding of the hero's character...
00:48:17is lacking.
00:48:18That's the challenge.
00:48:24As...
00:48:26As a professional actor,
00:48:28we should be able to...
00:48:30go in and out...
00:48:34to the character we play.
00:48:37But...
00:48:39as far as I know, the hero's character is...
00:48:42pro-reformation.
00:48:44As for me, I'm a commander.
00:48:46And my commander is...
00:48:49the director.
00:48:52If the director says A, I do A.
00:49:05And if the director says B,
00:49:10I do B.
00:49:12I'm an actor.
00:49:14An actor.
00:49:16I joined this project because of the movie.
00:49:19The story.
00:49:21Not the honor.
00:49:22A good player is a player who listens to the director.
00:49:26Not just a player, but also a crew.
00:49:28A movie can't be made by itself.
00:49:31A movie is a collaborative work.
00:49:35So, there must be a lot of importance in it.
00:49:37The director is a gender in the field.
00:49:42I know what I'm doing.
00:49:45I know the message of this movie.
00:49:49Don't underestimate my ability.
00:49:51If we want this movie to be successful,
00:49:53we must have the same vision.
00:49:56If this movie is bad,
00:49:59who's to blame?
00:50:12I'm sorry.
00:50:17This is it, right?
00:50:18Yes.
00:50:19Are you ready?
00:50:21God willing.
00:50:22Can you sing it?
00:50:25I'll try.
00:50:41The world is full of colors.
00:50:47In this country, people shed blood.
00:50:54They don't go to school,
00:50:57let alone work.
00:51:04How is it?
00:51:07It's okay.
00:51:12You're still too emotional.
00:51:20Remember what I always say.
00:51:24Don't overdo it.
00:51:26Hold it.
00:51:27So, the audience can feel it.
00:51:29Don't be yourself.
00:51:33Is this the lyric?
00:51:35Can we change it?
00:51:38Are you sure?
00:51:39But we have to talk to Linda first.
00:51:44So, after she finishes the first and second verse,
00:51:48she'll sing the theme song, right?
00:51:50Yes.
00:51:51That's the picture.
00:51:53I think the theme song will be better...
00:51:57if it's accompanied by the acoustic guitar.
00:52:02I'll try.
00:52:03Okay.
00:52:09The world is full of colors.
00:52:15The world is full of colors.
00:52:23In this country, people shed blood.
00:52:29They don't go to school,
00:52:32let alone work.
00:52:39How is it?
00:52:42It's too quiet.
00:52:47It's too quiet.
00:52:50So, it's still...
00:52:55It's still too emotional.
00:52:59I don't want that.
00:53:01I don't want that.
00:53:07Let's try again.
00:53:23We'll be done soon, sir.
00:53:26And we won't disturb the other guests.
00:53:28But promise me.
00:53:30Don't make any trouble.
00:53:32I'll take care of it.
00:53:34Yes, sir.
00:53:35Just a moment.
00:53:40Please accept this, sir.
00:53:41What's this?
00:53:42This is the money for the cigarettes.
00:53:44Actually, it's not like this, ma'am.
00:53:47It's okay, sir. Just accept it.
00:53:49So that everything will be smooth and safe.
00:53:51Don't worry.
00:53:53If you have any questions, I'll answer them.
00:53:58Thank you so much, sir.
00:53:59You're welcome.
00:54:06It's not like this.
00:54:08What is he doing?
00:54:09He's helping his friend.
00:54:18So, what do we do now?
00:54:21Just wait.
00:54:23Here's the thing.
00:54:24This is the cigarette.
00:54:27This is what it looks like.
00:54:29The cat is opening its mouth.
00:54:31It's snorting.
00:54:32It's zoomed into the cat's mouth.
00:54:34So, the audience will be able to hear it.
00:54:38Get the sound, okay?
00:54:42Come on, Malik.
00:54:43But our camera is too small.
00:54:46It's too far, bro.
00:54:47This is zoomed in.
00:54:49It's already zoomed in.
00:54:52Come on, Malik.
00:54:54Help your friend.
00:54:59Malik, please.
00:55:00Help him so that the cat can hear it.
00:55:02He's calling it.
00:55:03He's like a lion.
00:55:05Come on, Malik.
00:55:16I'm sorry, sir.
00:55:17I'm doing my job.
00:55:19Yes.
00:55:27What did you get?
00:55:30That's not what I want.
00:55:32I want the cat to open its mouth and you zoomed in.
00:55:37Can you hear it?
00:55:38It's not focused.
00:55:41Where's the other one?
00:55:45What did you get?
00:55:47The cat is sleeping.
00:55:53It's late.
00:55:56It's so hard.
00:55:58Let's try again, bro.
00:56:00What are you doing here?
00:56:02Come here, bro.
00:56:04Are you going to make up the cat?
00:56:06I don't know.
00:56:18What's going on?
00:56:20It's so noisy.
00:56:22It's coming in.
00:56:23We're taking a moment.
00:56:25It's just a miscoordination, sir.
00:56:28You were there to help us.
00:56:31Right, sir?
00:56:33It's safe.
00:56:35It's safe.
00:56:45Ms. Linda.
00:56:49What's going on?
00:56:50I'm sorry.
00:56:52It's just a misunderstanding.
00:56:55I'm the next in-charge.
00:56:58I didn't know that the previous in-charge...
00:57:01...was a new employee.
00:57:04It's okay. It's safe now, right?
00:57:06Yes, it's safe.
00:57:08Thank you, sir. We can go now.
00:57:10Please.
00:57:12I'm sorry.
00:57:31Can.
00:57:33Come on.
00:57:34I'm hungry.
00:57:37He's been quiet for a while.
00:57:40He's been quiet for a while.
00:57:51Can.
00:57:52I'm hungry.
00:57:55I want to sleep.
00:58:00I want to sleep.
00:58:02I'm so lonely.
00:58:05I want to sleep.
00:58:08I want to sleep.
00:58:34Mr. Can!
00:58:37From here, right?
00:58:39Yes.
00:58:40From here, static.
00:58:41Take it from the lamp.
00:58:42Then, we'll play.
00:58:43Oh, yes.
00:58:44The table will be here.
00:58:45The set will be here.
00:58:46Okay?
00:58:47Yes.
00:58:48Okay.
00:58:49This is the player.
00:58:50So, the scene will be tense.
00:58:53Can the camera go there first?
00:58:55I'm doing a brief.
00:58:57I want it to be suspense, but it's cool.
00:59:00Okay?
00:59:01Because my movie is...
00:59:04Cinema Dialectica.
00:59:07So, you don't have to overdo it.
00:59:10Okay?
00:59:11You got it, right?
00:59:12You all got it, right?
00:59:13Yes.
00:59:14Okay.
00:59:15So, you, Cynthia...
00:59:16You as...
00:59:18As Lani.
00:59:20Lani is a character that...
00:59:25Rational.
00:59:26Patient.
00:59:27This...
00:59:28This is the coolness among the friends.
00:59:30So, when...
00:59:31The situation is getting angry...
00:59:33The friends are starting to panic...
00:59:34Panic and tense.
00:59:35You shouldn't be in that mood.
00:59:37You have to be different.
00:59:39You have to be calm.
00:59:40More calm.
00:59:42Calm.
00:59:43Okay.
00:59:44If there's someone...
00:59:46You'll repeat it until you got it, right?
00:59:49Of course.
00:59:50Okay.
00:59:57Why are you sleeping?
00:59:59What's wrong?
01:00:00Wake up!
01:00:05Look at this.
01:00:08This is not a job.
01:00:10When we're working, you're also a worker.
01:00:14Why are you sleeping?
01:00:16I'm lazy.
01:00:18I've been teaching you.
01:00:20I'm lazy.
01:00:33That's it.
01:00:34Okay.
01:00:35I'll wrap it later.
01:00:36Shh.
01:00:49Okay.
01:00:50Let's go.
01:01:07How's the situation?
01:01:09It's safe now, Sir.
01:01:22We have to have a dream.
01:01:24As high as possible.
01:01:27Even though it's hard to achieve...
01:01:29And it's full of sacrifices.
01:01:32It's the same thing...
01:01:33Like making a movie in this time...
01:01:36It's hard to ask for forgiveness.
01:01:40Especially if the theme is politics.
01:01:46But one of the most effective ways...
01:01:48To influence a lot of people...
01:01:50Is through movies.
01:01:52And visually, audio-wise...
01:01:55We have to make it as clear as possible.
01:01:58So that...
01:02:00This movie...
01:02:01Has a clear message.
01:02:03And can be understood by the audience.
01:02:08Wait.
01:02:12How can we manage the audience's perception?
01:02:18As soon as the movie...
01:02:20Goes into the audience's room...
01:02:22That's their right.
01:02:27Right?
01:02:29How do they translate it?
01:02:31So that they have a free imagination...
01:02:35To...
01:02:37Translate that movie.
01:02:38Enjoy that movie.
01:02:41If the audience's perception...
01:02:43In reading the symbol is all the same...
01:02:45It's okay. No problem.
01:02:47If it's different...
01:02:49It's the message of this movie that's gone.
01:02:52Because the symbol...
01:02:54Let go of the audience's imagination.
01:02:56And on the other hand, indirectly...
01:02:59It will tie the audience...
01:03:01Far below their awareness.
01:03:06Both emotionally and rationally.
01:03:12Which is aesthetic.
01:03:14If it's here...
01:03:16Let the Nurani's heart speak.
01:03:26Cut!
01:03:33Is there anything wrong?
01:03:35No.
01:03:36This.
01:03:37Try it.
01:03:38How was the movement?
01:03:39Hey, Manik.
01:03:41Yes, sir.
01:03:42I'm doing a briefing.
01:03:48I'm talking for a while.
01:03:50Don't all of you talk here.
01:03:53Okay, sir.
01:03:54Try to repeat it again.
01:03:56The run was good. But...
01:04:01Not close enough. Try it.
01:04:05Okay.
01:04:06This is good.
01:04:08Try to be closer.
01:04:10But don't touch.
01:04:13Remember.
01:04:14This is the motivation.
01:04:16These are two different people.
01:04:18But they want to be together.
01:04:20But they can't.
01:04:22The soul is lacking.
01:04:24Feel it.
01:04:27The movement was okay.
01:04:29But you need to feel it more.
01:04:31Okay?
01:04:32Try it.
01:04:36What is it?
01:04:37It's leaking.
01:04:39It's leaking.
01:04:40There's no need for sound here.
01:04:42The sound of the room.
01:04:43There's no need for sound.
01:04:44Okay, sir.
01:04:48Standby.
01:04:50There has been a movement of activists and students in various cities.
01:04:55Camera.
01:04:57Action.
01:05:01Ladies and gentlemen.
01:05:04There has been a movement of activists...
01:05:08...and students in various cities...
01:05:10...that has really started to grow.
01:05:16Cut.
01:05:17Sound.
01:05:18It's okay.
01:05:24It's okay, sir.
01:05:25What is this camera doing there?
01:05:28How?
01:05:29Here.
01:05:31Don't do it again.
01:05:36Hurry up.
01:05:39Get in.
01:05:48Get in.
01:05:50Follow me.
01:05:51Adam will wash his hands.
01:05:53He'll get in.
01:05:55Follow me.
01:05:56To the face.
01:05:57Tail up.
01:05:58Get the facial expression.
01:05:59Okay?
01:06:00Adam.
01:06:01Remember.
01:06:02This is the scene before...
01:06:04This is after...
01:06:06...you and Satria were in the car...
01:06:09...that...
01:06:10...raised their hands.
01:06:13Remember?
01:06:14Cut to this.
01:06:16Here.
01:06:17I want...
01:06:18...it to be symbolic.
01:06:20So, your feeling when you wash your hands...
01:06:22...is full of regret.
01:06:24Actually, you don't want to do this anymore.
01:06:27It's full of pressure.
01:06:29But you don't have a choice.
01:06:31You have to do this.
01:06:35I have to.
01:06:36You have to.
01:06:38Okay?
01:06:39Okay.
01:06:40Okay.
01:06:42Stand by.
01:06:47Action.
01:07:04Here.
01:07:05Cut.
01:07:07Are you okay?
01:07:15Hurry up.
01:07:21Art.
01:07:24Art.
01:07:25Art, where are you?
01:07:26Yes, sir.
01:07:28How is it?
01:07:29Where's the mask?
01:07:30Here.
01:07:36Here.
01:07:42Here's the mask.
01:07:47The actor is over there.
01:07:49I'm the one who needs to wear the mask here.
01:07:55What are you doing?
01:07:56The actor is over there.
01:07:58Sir.
01:07:59Is this close-up or medium?
01:08:03I'm the cameraman.
01:08:06I'm the cameraman.
01:08:09This shoot is not fun.
01:08:18Cut.
01:08:26Art.
01:08:31Yes, sir. How is it?
01:08:33What mask are you wearing?
01:08:35I'm wearing a mask.
01:08:39Change it.
01:09:03Sir.
01:09:05It's going to take a while.
01:09:08We have to go to Alun-Alun first.
01:09:12I'll go with you.
01:09:13No, sir.
01:09:14No, sir.
01:09:15You can't go.
01:09:16Yes, sir.
01:09:17Move.
01:09:18Yes, sir.
01:09:32Sir.
01:09:34Sir.
01:09:38Sir.
01:09:43Sir.
01:09:44Sir.
01:09:46Sir.
01:09:51Here.
01:09:59No.
01:10:00Try again.
01:10:02Here.
01:10:05Where should I put it?
01:10:06Click this.
01:10:07Here.
01:10:09Try it.
01:10:17Isn't this a catfish?
01:10:21It's a type of catfish.
01:10:28Try it.
01:10:33Here.
01:10:44Try again.
01:11:03This one, sir.
01:11:15This is an important symbol.
01:11:17Every move has to be clear.
01:11:19Sir.
01:11:21Yes.
01:11:22Amukan.
01:11:23Sir.
01:11:25Teges.
01:11:26Yes.
01:11:28So, every move...
01:11:30has to be clear.
01:11:32Give it to the camera.
01:11:33Later...
01:11:35It's talking.
01:11:36Yes.
01:11:37Listen to it.
01:11:38Okay, when the catfish comes here, you zoom in.
01:11:43Get the sound.
01:11:45Okay.
01:11:47Sir.
01:11:50Are you sure it's a catfish?
01:11:55It's not clear.
01:12:01Okay.
01:12:03Try again.
01:12:04Sir.
01:12:07Sir.
01:12:08Got it. Cut.
01:12:09Good.
01:12:10Next.
01:12:11Okay, sir.
01:12:12Move it.
01:12:13Let's continue.
01:12:14Continue. Hurry up.
01:12:16Hurry up.
01:12:18Time out.
01:12:20The situation is getting worse.
01:12:24Prices are soaring.
01:12:27Corruption.
01:12:28Corruption.
01:12:29Collusion.
01:12:31Your nepotism is getting worse.
01:12:38Ladies and gentlemen.
01:12:42We can't be calm.
01:12:45We have to tighten the ranks.
01:12:48We have to fight.
01:12:52As hard as we can.
01:12:54Fight.
01:12:55Fight.
01:12:56Fight.
01:12:57Fight.
01:13:00There's only one way out.
01:13:03Reformation.
01:13:04Reformation.
01:13:05Reformation.
01:13:06Reformation.
01:13:07Reformation.
01:13:11Whose land is this?
01:13:14Our land.
01:13:16They say it's fertile.
01:13:18They say it's fertile.
01:13:20The people are still suffering.
01:13:23The people are still suffering.
01:13:25Let's speak up.
01:13:27Let's speak up.
01:13:29Let's fight.
01:13:31Let's fight.
01:13:32Reformation.
01:13:33Reformation.
01:13:34Reformation.
01:13:35Reformation.
01:13:43Why did you tie him up?
01:13:45He's a good boy.
01:13:50He's not like that.
01:13:52What's wrong with you?
01:13:54This is what I'm supposed to do.
01:13:56I told you from the start.
01:13:58As a director, I want him to be free.
01:14:00I've given you the freedom.
01:14:02What freedom?
01:14:03You should know.
01:14:04What?
01:14:05You've never given me the freedom.
01:14:07You set the rules.
01:14:08I can't direct the players.
01:14:10I have to react.
01:14:11Every time there's an incident, you're involved.
01:14:15I've given you the freedom.
01:14:17From where?
01:14:20I've given you the freedom.
01:14:22You're involved.
01:14:23It's not clear.
01:14:24You erased my scene without my knowledge.
01:14:27It's not clear.
01:14:28It's an aesthetic film.
01:14:30It's not clear.
01:14:33Do you remember?
01:14:35At first, I only asked you to focus on one thing.
01:14:39One thing.
01:14:41The purpose of this film.
01:14:43Answer me.
01:14:44What's the purpose of this film?
01:14:46What?
01:14:48Reformation.
01:14:54What else do you want?
01:15:05Sir.
01:15:06Sir.
01:15:09Where's Mr. Anca?
01:15:11Anca.
01:15:14Anca.
01:15:18Okay.
01:15:19Players.
01:15:20Crew, get ready.
01:15:21Let's continue with the last scene.
01:15:23Continue.
01:15:24Wait.
01:15:25This is not a game.
01:15:27Do you think this is a game?
01:15:31I just want the scene to be as I want it to be.
01:15:34Ma'am.
01:15:36You can't do that.
01:15:38We've been following Mr. Anca.
01:15:43Anca?
01:15:44Anca.
01:15:48Let's continue with the last scene.
01:15:50But, ma'am.
01:15:51Anu.
01:15:52What else?
01:15:53Anu.
01:15:54Ma'am.
01:15:55We're running out of time.
01:15:56The rest of you, use this building.
01:15:58These are all heavy objects.
01:16:00Take care of them.
01:16:01Just a moment, sir.
01:16:02We're done, sir.
01:16:03We're running out of time, ma'am.
01:16:14We're running out of time, ma'am.
01:16:16We're running out of time, ma'am.
01:16:42Excuse me.
01:16:46Mr. Anca.
01:16:47I'm coming down.
01:16:51Excuse me.
01:17:05Put the camera down.
01:17:10What are you doing?
01:17:13We want to interview you.
01:17:14What interview?
01:17:17We want to interview you.
01:17:22Is the project going on?
01:17:24It's not just an interview.
01:17:31Did Linda ask you to do it?
01:17:37I never want to learn.
01:17:41I just want this film to be finished soon.
01:17:44So that the reformation can really happen.
01:17:48I'm optimistic that this film will be good.
01:17:52I'm not satisfied.
01:17:55And I'm not sure this film will be good.
01:18:00It's not just my work.
01:18:02There's no place for a stubborn person like you.
01:18:07For a stubborn person,
01:18:09especially if it's his own will.
01:18:11It's up to the producer.
01:18:14I'm just saying what I think.
01:18:16It's up to the producer.
01:18:19I'm done with the interview.
01:18:21This film has to be made.
01:18:25It has to be watched by a lot of people.
01:18:28And it has to make people know...
01:18:31that this is important for the reformation.
01:18:34Ma'am.
01:18:35What's going on?
01:18:36Someone's running.
01:18:52What's going on?
01:18:56What do you mean?
01:18:57Nothing.
01:19:03Lonnie!
01:19:04Lonnie!
01:19:06Lonnie!
01:19:07Lonnie!
01:19:08Lonnie!
01:19:12What are you doing?
01:19:13Lonnie!
01:19:17Lonnie!
01:19:27Lonnie!
01:19:57Lonnie!
01:19:58Lonnie!
01:20:27What are you doing?
01:20:28Lonnie.
01:20:29Lonnie.
01:20:30Lonnie.
01:20:31Lonnie.
01:20:52What's going on?
01:21:27I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't
01:21:57know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know
01:22:27why I'm doing this, I don't know why I'm doing this, I don't know why I'm doing this, I don't know why.
01:22:57What is it that we defend to be loved?
01:23:02Arise, Indonesia!
01:23:05Independence is in vain
01:23:08If we can't hold hands
01:23:12For peace
01:23:15For decades we have been independent
01:23:18And all heroes are willing to sacrifice
01:23:21Bravely defending the nation
01:23:24Will we be like them?
01:23:27Look at everything that has happened
01:23:30Independence is still corruption
01:23:33We should repeat again
01:23:36The spirit of heroes defending the country
01:23:40Fighting for the nation
01:23:43No matter how hard it is
01:23:46What is it that we defend to be loved?
01:23:53Arise, Indonesia!
01:23:56Independence is in vain
01:23:59If we can't hold hands
01:24:03For peace
01:24:05Arise, Indonesia!
01:24:08Independence is in vain
01:24:11If we can't hold hands
01:24:15For peace
01:24:22For peace
01:24:28For peace
01:24:42Arise, Indonesia!
01:24:45Independence is in vain
01:24:48If we can't hold hands
01:24:52For peace
01:24:54Arise, Indonesia!
01:24:57Independence is in vain
01:25:00If we can't hold hands
01:25:04For peace
01:25:06Arise, Indonesia!
01:25:09Independence is in vain
01:25:12If we can't hold hands
01:25:16For peace
01:25:19Arise, Indonesia!
01:25:22Independence is in vain
01:25:25If we can't hold hands
01:25:29For peace