Violento conflicto vecinal en un PH: Agresiones y AMENAZAS CON ARMAS
Un conflicto de medianeras en un PH escaló a niveles de violencia extrema. Una vecina atacó brutalmente a otra, dejándola gravemente herida tras golpearla con un revólver y estrellar su cabeza contra el piso. La víctima, que ya había sufrido varias operaciones cervicales, sobrevivió de milagro. Además, denuncian robos y hasta que le mataron a una mascota.
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00:00This is a conflict of middle-aged women, but it has nothing to do with a conflict of middle-aged women
00:04where one can get angry with a neighbor,
00:06at most this escalates and you have to look for some judicial support.
00:11No, no, this is pure violence.
00:13It was totally out of hand.
00:15Ale Pueblas, you are working with this story
00:17that we want to listen to it from the beginning to understand it.
00:24I told you today, this is the corridor.
00:26This is a pH corridor.
00:28This is a typical pH corridor that divides three properties.
00:32In a corridor you can enter three properties.
00:34Come, we will accompany you.
00:36And now I'm going to tell you the situation.
00:38Here we have a property where the neighbors are,
00:40who were victims of something that I'm going to show you now.
00:43Come with me.
00:44And if I keep walking the corridor,
00:46I keep walking the corridor, I keep walking the corridor,
00:48I should go to the bottom of the corridor.
00:50No, no, well, a quarry.
00:52Well, this is the end of the corridor.
00:54The corridor should continue.
00:56There should be three properties.
00:58Even if you approach the bell, it looks like one or two.
01:01Well, this construction that is here, look.
01:03All this construction that is here,
01:05and these windows that are placed in this place,
01:08the air conditioning, the drain.
01:10This is the patio of the house,
01:13of the apartment of the neighbors that I just showed you,
01:16of those who live in this place.
01:18What happened? Come, let's continue again.
01:20And now I'm going to tell you how this is growing.
01:23Stairs that they made in their patio,
01:25but bedroom window
01:27that instead of now being a patio,
01:30ends up being the dining room of the windows,
01:34which should not be,
01:35of a construction that should not be,
01:37that does not appear in the plans.
01:38What's more, if one goes to the plans,
01:40the lady's patio reaches the wooden door.
01:44Even the wall is inside this.
01:47Well, that was the discussion.
01:49For years.
01:50But in the last few days,
01:52in this same corridor,
01:53in a video that you are going to see, Sole,
01:55one of the women who lived here,
01:57who now has a perimeter,
01:58who was detained for only two days,
02:01took out a revolver first,
02:04and puts it on the belly of one of the neighbors.
02:06He slaps her in the area of the temple.
02:09He leaves her practically unconscious,
02:11all hurt and bleeding.
02:12And that didn't end there.
02:13When they thought that was over,
02:15and they had made the complaint,
02:16that woman comes to look for them in this same corridor.
02:21He grabs them and attacks them brutally.
02:24First, Alicia.
02:26To Cecilia.
02:27Sorry, first to Cecilia.
02:29That Cecilia has three cervical operations,
02:34that she obviously can't receive that kind of blow.
02:37And what you see in the video that you make is catastrophic.
02:40He grabs you by the hair,
02:42and smashes your head against the floor.
02:45I'm alive by miracle.
02:46I'm alive by miracle.
02:48I can't get that image out of my head.
02:50I can't get it out of my head.
02:51I thought he was going to kill me.
02:53I thought he was going to kill me.
02:54If you didn't put your hand on your forehead,
02:56today we were talking about you being a dead witch.
02:58Exactly.
02:59God wanted me to put my hand here,
03:01because I almost finished here.
03:03And then he steps on your head.
03:04Yes, he steps on my head.
03:06That's why he told me today,
03:07you saved yourself, not the next time.
03:09Today he approached you,
03:10raping you on the perimeter,
03:11to threaten you again.
03:12He threatened me again.
03:13He said, you saved yourself.
03:14Yes, you saved yourself, not the next time.
03:16I mean, I'll kill you next time.
03:17Ale, we're looking at the photograph of the lady.
03:20Look.
03:21I can't live.
03:22I can't take it anymore.
03:23I can't take it anymore.
03:24I can't take it anymore.
03:25I can't take it anymore.
03:26I'm going into a depression.
03:27It can't be that I, in my own house,
03:29with papers, with everything,
03:30because this is my house,
03:31they don't have papers,
03:32they don't have anything.
03:33This is not their house.
03:34They are occupants.
03:36I mean,
03:37neither of us,
03:38in this hell,
03:40can be murderers.
03:41It's not that they are people,
03:43they are murderers.
03:44The video, how the son hit us.
03:46The video that Marian is watching now is terrible.
03:48Look, I'm going to get a little closer to the mother.
03:50I'm going to bother her for a second.
03:52She is currently under medical treatment.
03:54Marian Sole,
03:55because she has a clot in her head,
03:57her eyes were both purple,
03:58today they are a little better.
04:00Your situation, you were telling me today,
04:02was terrible.
04:03Not only similar to what happened to your daughter,
04:06but the way they hit you,
04:08you just made the gesture of the head and you fainted.
04:11He wanted to kill me.
04:13That's the truth.
04:14Because he hit me.
04:15He hit me.
04:16A blow here,
04:17a man,
04:18you've already seen how big he is.
04:21That man is the one who comes to attack you,
04:23while the woman attacks your daughter.
04:24Exactly.
04:25He hit me.
04:26A blow here,
04:27a blow here,
04:28and a blow here.
04:29After he hit me with those three blows,
04:32I fall on top of my daughters,
04:34he grabs my hair,
04:36I still looked at it and said,
04:38Fabian,
04:39it was the last thing I remember.
04:40He's your neighbor.
04:41He's my neighbor.
04:42He hits me in the head.
04:44I'm a big woman.
04:46He grabs me,
04:47he hits me in the head against the wall,
04:49I lose control of my senses and I faint.
04:54So, later on,
04:55he takes me to the S.A.M.E.
04:57He takes me,
04:58You went to get to know the situation in the S.A.M.E.,
05:00in the ambulance?
05:01In the S.A.M.E.,
05:02in the ambulance,
05:03with the doctor who is attending me.
05:04Up to there,
05:05you thought your mother was dead.
05:06Yes.
05:07Yes.
05:08But because they also took me to the observation,
05:10I was in the observation for two days.
05:12I mean,
05:13it was desperate.
05:14Besides,
05:15that little boy,
05:16who was in white,
05:17who comes running,
05:18is the son of my best friend,
05:19who I was taking care of.
05:20Did your mother call her grandmother?
05:21Yes.
05:22And she was,
05:23she was shocked
05:24because she thought my mother was dead.
05:25In addition,
05:26Marian Soler,
05:27who listens to you,
05:28the granddaughter,
05:29the daughter,
05:30who just came from the police station,
05:32you say,
05:33they should be in jail,
05:34but I went to the police station
05:35making the complaint
05:36because they came to threaten us here.
05:37Every day,
05:38I was in the morning
05:39because the man came to threaten us.
05:41She was in the ambulance,
05:43which she can't be in
05:45because she already has the perimeter.
05:48And what did he say to them?
05:49I approached him and said,
05:51what is Capicante doing?
05:53Then he took her,
05:55left her in the ambulance somewhere
05:57and walked back.
06:00And he faced us here,
06:02made us laugh,
06:03told us that he hit us
06:05because we kidnapped the son
06:08because we didn't let him go out.
06:10Do they kill you?
06:11Do they set you on fire?
06:12Yes.
06:13With a shirt of yours?
06:14Yes.
06:15They have him at the entrance to my house.
06:17They have him at the table.
06:19Let's move on.
06:20Soler, Rolo,
06:21when you want to ask him,
06:22one of the neighbors is connected.
06:24Maybe we'll move in the meantime.
06:25No, let's see.
06:26The main thing is
06:27to pass a little clean.
06:30Because, of course,
06:31when you see that patio structure,
06:34if you can get there for a second,
06:36when you see that patio structure,
06:39it seems quite common,
06:41but no.
06:42What has the windows
06:45should be a smooth wall
06:47because it is the patio of an apartment.
06:49It is not a common space.
06:51That's what you have to understand.
06:53All those two windows,
06:54and if I'm not mistaken,
06:55there is a door too,
06:56that should be a wall
06:58and in that case
06:59the corridor should continue
07:01to access the last apartment.
07:04Imagine this situation.
07:06If the neighbors wanted
07:08they could put a wall here.
07:10Listen to this.
07:11And leave them without a door.
07:12And they could put a wall here.
07:14Of course.
07:15And leave them without windows
07:16and without a door.
07:17Of course.
07:18Just this little corridor
07:19for them to pass
07:20and they're going to have
07:21to put a door here.
07:22Of course.
07:23What is the entrance
07:24to that apartment
07:25that supposedly
07:26has made this irregularity?
07:28They changed everything.
07:29Of course,
07:30they had to follow the corridor.
07:31Here.
07:32What is the original entrance?
07:33In the patio.
07:34In the patio?
07:35The neighbors' patio.
07:36Through the neighbors' patio
07:37because look at the line.
07:39Look at the tiles.
07:40Aha.
07:41It already crosses the line
07:43that would be like
07:44the internal municipal line
07:45in the PH.
07:46The line that they
07:47obviously with a little bit
07:48they were able to delimit
07:49and they made the door
07:50in the patio.
07:51Here, Ale,
07:52there is something that happens
07:53that goes above.
07:54They are cited
07:55by the Faltas trial.
07:56Yes.
07:57They are usually cited
07:58by the Faltas trial
07:59regarding this.
08:00Let's see,
08:01the PHs, unfortunately,
08:02is like a kind of anarchy.
08:04There is no administration
08:06that regulates,
08:07that stops.
08:08It is not a building.
08:10But this is totally regular.
08:12And it is assumed
08:13that if someone does something
08:14totally regular,
08:15they talk to the neighbors.
08:16Here it is patota.
08:18You knock on the windows
08:20or I grab you
08:21like he hit the neighbors.
08:23The truth is that
08:24they are a lot of crimes together.
08:28Look,
08:29this is the window of the room
08:31that had to be covered
08:33because when he opens
08:34the window of his room
08:35to see his patio,
08:37of course,
08:38he has the dining room
08:40of the windows
08:41that should not be.
08:42That is,
08:43you can not open
08:44the window of your room.
08:46I can not open the room.
08:47I can not open the room.
08:48It is always closed.
08:49They see everything.
08:50You have to take care of this.
08:52Of course,
08:53there is a confusion.
08:54If you want to hang your clothes there
08:55that was your patio,
08:56you would have to do it.
08:57Yes, but no.
08:58There is a confusion, Alejandro,
09:00between what is the common part,
09:02which is the corridor.
09:03The corridor is the common part.
09:05There you can have
09:06maybe a window.
09:08Not everyone can have rights,
09:10but that part of the background
09:11is the patio of the last,
09:13of the penultimate ph.
09:15Yes,
09:16besides this,
09:17it is added,
09:18that is,
09:19it goes over the top,
09:20but how did they kill
09:21their pet?
09:22They set it on fire.
09:23It's a total barbarity.
09:24They broke her head
09:25against a wall.
09:27That is,
09:28it exceeds any analysis.
09:33In addition,
09:34they got into the house,
09:36they entered through that window.
09:38I'm going to show you now.
09:39The camera is going to stay inside.
09:40Look,
09:41I'm going to move away.
09:42You tell me if you hear me.
09:43They are going to open the window.
09:45Where can they enter?
09:46Here I am.
09:47See?
09:48This is part of the apartment.
09:49Yes?
09:50They got in through this middle.
09:51They had to put a fence here
09:53because that day,
09:54what the neighbors denounce,
09:56that they entered,
09:57they set the cat on fire
09:58and they threw it down here
09:59from the table.
10:00Here,
10:01down here from the table
10:02they threw the dead cat,
10:03wrapped in a shirt
10:04and set on fire.
10:06And first they entered.
10:07You see in the upper floor.
10:08Of course.
10:09From there they stole the key
10:10from my sister in the kitchen,
10:12that I found my broken keychain
10:14that my daughter had given me
10:16when she came from Disney.
10:18The keychain was broken
10:19and I found
10:20that the key
10:21of my sister in the kitchen
10:22was not there.
10:24That's when we entered
10:27and my sister started vomiting.
10:29What? What? What?
10:31I entered and said,
10:32who was dead?
10:33And I went to the yard.
10:35Today I just saw
10:36the picture of the cat.
10:38Was it part of the family?
10:40It's like my dog,
10:41which is my son.
10:42I don't have children,
10:43I'm not married,
10:44I'm alone.
10:45In my company
10:46we had two cats.
10:47There were three of them
10:48and two,
10:49I gave them to my mom.
10:50She loved them,
10:51but they were dangerous.
10:52Because she killed one.
10:53You took the cats out of here
10:54to save their lives.
10:55What do you mean?
10:56To save their lives.
10:58Because after they killed us,
11:00we were afraid
11:01that the cats would kill us.
11:03So we had to take them out.
11:05And the poisons they put on us,
11:07for the dogs,
11:08they put rat poison on us.
11:11How did the police
11:12take them out?
11:13Because I sent them
11:14the photo of the police
11:15and I asked them,
11:16please,
11:17because the whole yard
11:18was green poison.
11:19The yard outside?
11:20Come, let's go out again.
11:21Come.
11:22This yard,
11:23what they say,
11:24they don't let us go out anymore
11:25or anything.
11:26What should be the yard
11:27for the dog,
11:28because this is actually
11:29the yard.
11:30This cellar
11:31is full of rat poison
11:32that the police
11:33apparently
11:34put here.
11:35This cellar.
11:36Look,
11:37here are containers
11:38of the jars
11:39that they have put
11:40rat poison
11:41so that the dog
11:42doesn't pee.
11:43But actually,
11:44the dog is his yard.
11:45Sure.
11:46This is the dog's yard.
11:47But still,
11:48I didn't leave it here.
11:49But the simple fact
11:50that the dog comes down
11:51and take it to the door
11:53was full of poison.
11:55The police
11:56got rid of it.
11:57Sure,
11:58because your house
11:59is the one above.
12:00You go up through the yard
12:01of your mother's house.
12:02Sure,
12:03this is the house,
12:04look.
12:05Oh,
12:06and they put half a shadow
12:07there.
12:08Sure.
12:09Let's see,
12:10stop,
12:11come.
12:12Ah,
12:13up here is half a shadow,
12:14look.
12:15This is the other house
12:16that they had to put
12:17double bars
12:18that they shouldn't put
12:19because it's the yard
12:20of their house,
12:21yes?
12:22They put
12:23half a shadow,
12:24in addition to
12:25two surveillance cameras
12:26to watch it
12:27because the cameras
12:28shouldn't be there either.
12:29According to the war.
12:30Let's see,
12:31this is unadapted.
12:32Let's see,
12:33these two are unadapted.
12:34Who are they?
12:35I had put it
12:36focusing directly
12:37on my ladder.
12:38So,
12:39I took a picture
12:40to send it to the police
12:41and when he saw
12:42that I took the picture,
12:43he ran away.
12:44Well,
12:45that's just the role
12:46of the situation.
12:47Listen to them
12:48if you want to talk
12:49to the neighbor
12:50who is desperate.
12:51We will have to
12:52ask Mariana and
12:53Sole who are on the floor.
12:54Well,
12:55good night.
12:56Very good night.
12:57The story was very clear,
12:58we understand perfectly
12:59now what is the conflict.
13:00Who are these people?
13:01Because let's see,
13:04we are not facing
13:06a normal crime.
13:07Here we present it
13:08as a median problem,
13:09but the name
13:10stays very small.
13:11This is something
13:12much more serious,
13:13there are many crimes.
13:14Who are these people?
13:18And watch this,
13:19you can't
13:20You can't call them people, because if they really were people,
13:25this could have been talked about, I don't know,
13:29to say, look, we'll leave you a piece.
13:33They are not people, you can't call them people.
13:40People who lived back here...
13:43They have no writing or anything.
13:45They have nothing, I assure you,
13:47because we talked to the sister, who is a lawyer,
13:51who also beat up her sister.
13:56And they have nothing.
13:58In fact, they can't have anything, because they are ill-educated,
14:01so you can't make a writing or something like that.
14:07In fact, the municipal comes in the name of my grandmother as land.
14:13Sure, it's not even subdivided.
14:15Not even the edification, ma'am.
14:17Nothing, it's not even subdivided.
14:19And is it true that Julia La Picante was in prison?
14:24Julia was in prison because she pointed me with the gun.
14:29After that, a search was made,
14:32they found the gun, they found the bullets.
14:40About 15 days passed.
14:42She didn't have the papers.
14:45Fabián Mendoza said that he had bought it,
14:50and that he didn't have the papers.
14:52Yes, it's a lie, because it was a gun.
14:54He said that he had bought it 20 years ago, but without the papers.
14:57And we took her to prison.
14:59The same one they point at her in the belly.
15:01A bullet in the head.
15:03They point at you, they put it in your belly.
15:05He said, I'm going to kill you.
15:07She came out pointing at you.
15:10He came out of this door in a firing position,
15:13pointing at you directly.
15:15And you were standing here.
15:17And there he grabs you directly.
15:19There you turn.
15:20He gives me like this, and he puts it here.
15:22And he said, I'm going to kill you.
15:24So I swear to God that I said, it's a lie.
15:27But well, when he hit me in the ass,
15:30because he hit me here, I was bleeding,
15:33I was like a week that I couldn't even drink water.
15:37Because we are also talking, beyond the act of violence,
15:40Sole, Marian, of gender violence, very serious, right?
15:43Because we are talking about what?
15:45This is a man who punched you.
15:47His mother was punched and you got a bullet in the head,
15:50and they put it in the belly.
15:52And he's free.
15:53And the threats?
15:54I'm the first one to shoot.
15:56The first one in a white shirt,
15:58the first one to shoot me in the head,
16:00against the wall.
16:01It's me.
16:02You are both alive by miracle.
16:04The man is free.
16:05Well, we have a 29-year-old free killer.
16:11What?
16:12I was saved.
16:13So he didn't kill me.
16:14Did he tell you that?
16:15Yes, but not the next one.
16:16That the next one kills you?
16:17Yes.
16:18Ale.
16:19And what did justice answer you?
16:20Nothing.
16:21Nothing.
16:22Well, here's a story,
16:24there's a story that justice is going to have to hear.
16:26It is raised.
16:28The problem of Medianera is small.
16:30This is a very serious thing.
16:32There are a lot of crimes,
16:34but there is a real danger,
16:36because this man can take revenge,
16:38even until they have decided to talk to the media.
16:42Thanks for raising the issue,
16:44for everything you could explain to us.
16:46It is very clear what happens in the place.
16:48We'll be back in a little while.