EP 4 The Con Sisters Find Out Who Is The Mafia Boss

MSA Creation

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Transcript

00:00A large chair swiveled around to reveal a tiny, skinny guy.

00:04What?

00:05You think all mafia bosses are tall, fat, bald,

00:08and wear gold rings?

00:09Sorry to disappoint you with my looks, but trust me,

00:13I am every bit as ruthless.

00:16Something about his steely gray eyes

00:18sent a shiver down my spine.

00:20I believed him.

00:21His name was Pierre Soufflé, which was obviously a lie.

00:25And the job he had for us was to steal a priceless painting

00:28from a museum and replace it with a fake.

00:30That's the painting?

00:31It's, um, tiny.

00:33What's your problem with tiny things and people?

00:36It's also kind of stupid.

00:38What is that?

00:39Ha, ha, a raccoon eating a cheeseburger?

00:42It's worth $10 million, so the joke's on you, dummy.

00:48Now, the owner of the painting has allowed the museum

00:51to borrow it for only three days,

00:53so we don't have a lot of time.

00:56Wouldn't it be easier to steal it from the owner's house?

00:59Everyone, look at Lady Einstein coming up

01:03with brilliant ideas.

01:05Why didn't we think of that ourselves?

01:08Happy to help.

01:10How else we sort of that ourselves?

01:13Trust me, the museum is easier.

01:15Why choose us?

01:17It's a very stupid security measure,

01:20but the museum's floors are activated by pressure

01:23sensors at night.

01:25Anything above 55 kilograms and they go off.

01:30I haven't been able to find a boy who weighs less than that.

01:34Ellie, get the weighing scale.

01:37Meredith weighed 52 kg, while I weighed 55.1.

01:41How is this possible?

01:42You eat so much more than I do.

01:44What can I say?

01:45I got all the good genes.

01:47OK, you're out, fatty.

01:50Meredith, you're my leading lady.

01:52The plan was to enter the museum

01:54through its large air ducts, carrying

01:56the fake painting with us.

01:57We first had to make a stop in the security room

01:59and disable all the cameras and alarms.

02:01Then we'd crawl back through the ducts

02:03till we reached the exhibit area.

02:05And I'd lower Meredith down along with the painting

02:07so she could switch them out.

02:08As Meredith made it to the bottom,

02:10I dropped the painting to her and she missed it.

02:13And we heard a loud crack.

02:14Oh my god, did you break the frame?

02:16Me?

02:17It's your fault.

02:18Who told you to throw it like that?

02:19I was expecting you to catch it.

02:21But what was I thinking?

02:22You made us lose the Frisbee tournament in eighth grade

02:25because you're so bad at catching things,

02:26unless it's someone's boyfriend.

02:29Seriously?

02:30You were so distracted by that hot boy on the bleachers,

02:32your throwing skills were completely off.

02:35FYI, that boy was totally into me.

02:37Why are we even talking about Frisbees and boys right now?

02:40You started it.

02:41No, I didn't.

02:42OK, shut up.

02:43Let me think how to fix this.

02:44Are you trying to glue it together with your saliva?

02:47You got a better idea?

02:48Any idea would be a better idea than that.

02:50Look, it's a museum.

02:52They must fix broken, ancient things here all the time,

02:54right?

02:55I'm looking at the floor map, and there

02:56are some offices in the left wing.

02:58I'll go get some glue.

02:59It took me an hour to find glue and return to our spot,

03:02and I found Meredith eating a bowl of ramen.

03:04Where did you get that?

03:06I brought a packet of instant ramen with me,

03:07and you were taking forever, so I went

03:09to make it in the staff kitchen.

03:11There was someone's chicken sandwich in the fridge,

03:12so I used the meat from that.

03:14And there was also some tofu, and I

03:16added a dash of oyster sauce.

03:17I'm so happy you chose this moment in your life

03:20to become a gourmet chef.

03:21Just send the painting back up so I can fix it.

03:23I tried to fill in the crack as best I could,

03:26then sent it back down to Meredith,

03:27who took the real one off and put the fake one on the wall.

03:30But just as she started walking back,

03:32the whole floor lit up suddenly, and a blaring sound went off.

03:35Oh my god, what's happening?

03:37I don't know.

03:39Is the painting heavier than the fake one?

03:40Just hurry up.

03:41We got to get out now.

03:42I pulled up Meredith and the real painting

03:44and closed the opening in the ceiling

03:45seconds before security burst in.

03:48We crawled down the ducts and out of the building

03:50as fast as we could.

03:51We ran a few blocks down where Pierre's van was waiting

03:54for us, and we sped away.

03:57Oh, I would have preferred if you hadn't alerted all

04:00of New York about the break-in.

04:02Now I'll have to move this painting around with cops

04:06crawling all over the city.

04:09Never mind.

04:09Here's your check.

04:11And Claire, try to lose some weight.

04:13Au revoir.

04:14And without warning, we were dumped on a dark street.

04:16We scrambled to our feet, headed for the subway,

04:18and made it home.

04:20It was all over the news the next morning

04:21that someone had broken into the museum

04:23and switched off all the security systems.

04:26But apparently, nothing had been stolen

04:28except a chicken sandwich and a block of tofu

04:30from the staff kitchen.

04:31You ate the entire block?

04:34Hey, I'm not the one who needs to watch her wait.

04:36I do not need to.

04:37Ugh, whatever.

04:39Listen, I've been meaning to talk to you about something.

04:41It'll have to wait.

04:42I got a hair appointment.

04:43We'll talk over dinner?

04:44Yeah, sure.

04:46I was going to tell Meredith that I wanted

04:48a break from this life.

04:49And I wasn't sure how she'd react.

04:50As I sat in a cafe later, I suddenly found

04:53a cute guy next to my table.

04:54Mind if I sit here?

04:56No other empty seats.

04:58I won't disturb you.

04:59I promise.

05:00We actually ended up talking for over an hour.

05:03And I found him sweet and charming.

05:05I'd love to meet you again if you're free.

05:08I don't live in New York, but I come every weekend.

05:11You come here for work?

05:12No.

05:13Actually, I came to visit my mom who's

05:15admitted in the hospital here for a medical trial.

05:18She has some rare brain issue that sent her into a coma.

05:21Oh, I'm sorry to hear that.

05:23How long has she been in a coma?

05:25Six years now.

05:27It's been the toughest thing I've ever dealt with.

05:29Actually, she was part of this other really promising

05:31clinical trial before, but that didn't work for her.

05:35He was in a hospital in Connecticut.

05:36As he kept talking, I suddenly felt

05:39like I was spinning around very fast.

05:41And I could hear my heartbeat in my ears.

05:43My chest felt heavy, and I could barely breathe.

05:46I don't know what I said to the boy.

05:48I just ran out of there and didn't stop

05:50till I got to our hotel room.

05:51Hey, I was about to call you.

05:53What's wrong?

05:54Claire, are we in trouble?

05:56I am a terrible person.

05:59Hey, you're not that terrible, just a bit ugly.

06:02You don't have cops after you, do you?

06:04Meredith, I met someone.

06:07It's not a cop, is it?

06:08No, I met a random guy in a cafe.

06:11And his mom was in a clinical trial.

06:13I hope this gets interesting at some point.

06:15In a hospital in Connecticut.

06:18Oh my god, the same hospital mom was in and the same trial?

06:22What a small world.

06:23No, it's not the same trial.

06:25It's a different hospital, too.

06:26OK, I'm bored again.

06:28The coincidence made me interested for a bit.

06:30Meredith, his mom's been in a coma for six years.

06:34We did that to someone.

06:36Didn't you just say it's not the same trial?

06:38Yes, but for a few seconds.

06:40I thought it was the same trial.

06:42And I just realized for the first time

06:44today that we did something awful to someone out there.

06:47When we switched the patient files,

06:49we took away someone else's chance to get better.

06:52You realized this just now?

06:55Are you dumb or something?

06:56Of course that's what we did.

06:58I mean, I never really thought about it like this.

07:00It was just a name on a file.

07:02But meeting someone who's going through that with their mom

07:05for years, it just made it so real.

07:08We're really bad people.

07:10Not really bad, if you consider all the bad people

07:13in the world.

07:14OK, look, we didn't have a choice.

07:16If I had to do something like that to save mom all over

07:18again, I'd do it in a heartbeat.

07:20OK, so we did that to save mom.

07:23But what about everything else?

07:24We had a choice to not continue living this life.

07:27But we didn't stop.

07:29And I want to stop.

07:30What's the big deal, man?

07:31It's not like we're stealing from poor people.

07:34It doesn't matter who we steal from.

07:36It's not about them.

07:37It's about us and the people we've become.

07:39I don't want to be this person anymore.

07:42Look, just calm down.

07:43I'll get you a piña colada, and everything will seem better.

07:46But I pushed her away angrily, and she landed on the floor.

07:49She looked up at me, stunned.

07:51No, I am done.

07:54Meredith and I barely spoke over the next few days.

07:56And I had no idea what was going through her head.

07:59But I'd made my decision.

08:00I was going to go home.

08:02I sent Freddie a text to say I'd be coming next week.

08:05And he called me back.

08:06Hey, I'm actually in New York with my parents

08:08for the weekend.

08:09Can we catch up?

08:10The moment I saw Freddie, I just burst into tears.

08:13And he hugged me tight.

08:15As we talked over dinner, he assured me

08:17that he'd talk to Meredith and try to make her come home, too.

08:19We had just stepped out of the restaurant

08:21and walked two blocks down, when suddenly, a black van

08:24screeched to a halt beside us.

08:26And some men pulled us in, handcuffing and blindfolding

08:29us.

08:30When our blindfolds came off, I realized

08:32we were in Pierre's quarters.

08:33And I found Meredith there, too.

08:35Uh, what's going on here?

08:38Welcome, welcome.

08:40We just gathered here to discuss a teensy-weensy,

08:45itsy-bitsy issue.

08:47Now, Meredith, go ahead and tell them

08:49the moronic thing of titanic proportions that you just did.

08:54Apparently, Meredith had found her way to Pierre's headquarters

08:57and stolen the real painting from him.

09:00She had then tried to sell it to a buyer she'd arranged.

09:02And while the exchange was about to happen on the docks,

09:05the cops had showed up.

09:06Meredith had barely managed to escape,

09:08but the buyer and the painting were in police custody.

09:11The police didn't let it get out in the news.

09:14But they knew the real painting had been stolen and replaced

09:20with a fake.

09:21They were probably watching every dock, airport,

09:25and train station to see if someone

09:27would try and move it out.

09:29And your sister practically handed it to them.

09:33What were you thinking?

09:35It's your whole quitting the biz talk that made me do it.

09:38I did it for us so we could sell the painting

09:40and retire to Bora Bora for good.

09:42And what the heck is Freddy doing here?

09:44Hi, guys.

09:45I'm Freddy, old friend.

09:47Nice to meet you.

09:48Not terrified at all.

09:50You made me lose a fortune, and you double-crossed me.

09:55And Pierre does not take betrayal well.

09:59Harry, Sam.

10:01Yes, sir.

10:02You know what to do.

10:04Uh, boss?

10:06I'm not really sure how I feel about punching a girl.

10:10Yeah, boss.

10:11I am not really comfortable with this.

10:14Maybe we can just punch the boy.

10:17I'm not really a boy.

10:18I used to be a girl.

10:19Ask Claire and Meredith.

10:20We practically grew up like sisters.

10:22Please don't hurt him.

10:24He has nothing to do with this.

10:25Silence!

10:26You buffoons.

10:27I didn't say hurt anyone yet.

10:30I just wanted you to threaten them.

10:32But of course, you're useless.

10:35And I'll do myself.

10:36Torture Harry and Sam after this meeting.

10:39Now, get lost.

10:40Then Pierre shifted his cold gaze to me.

10:44That painting is everything to me.

10:47And I want it back.

10:49And now the only way we can get it is from the owner himself.

10:53You, Claire, will be executing this mission.

10:57The heir of that painting is a young, charming millionaire.

11:01And you will get to know him, become his girlfriend,

11:04kiss, cuddle, yada, yada.

11:07You need to earn his trust completely,

11:09so he lets you into his life and his home.

11:12Then when the time is right, you will

11:14steal the painting from a high-security vault

11:16inside his house and bring it back to me.

11:19You will do this if you care about your Mulan sister

11:23and this girl-slash-boy and his family

11:26and your mother and your stupid husband

11:28and your old neighborhood.

11:31What if I fail?

11:33I don't think you want the answer to that.

11:36But once you succeed, I'll give you

11:39two and a half to go to Bois-Bois and never return.

11:43I'd be ecstatic to never set eyes on you annoying girls

11:46again.

11:51I had my eyes on the target from across the street.

11:54As soon as I saw him walk towards the cafe,

11:56I headed for the entrance.

11:57Just as he opened the door, I bumped straight into him,

12:00spilling coffee all over his shirt.

12:02Oh, god.

12:02I'm so sorry.

12:04I wasn't looking.

12:05I'll pay for the dry cleaning.

12:06His arm rested gently on mine.

12:08Hey, it's OK.

12:09It was an accident.

12:11I looked up into his bright green eyes.

12:13In fact, you're the one who's without a coffee now.

12:16Can I get you a new one?

12:18Sure, I'd like that.

12:20Can we also start over?

12:22Hi, I'm Christina.

12:23Hello, I'm Eric.

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