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00:00But I have a great professional offer at a very bad time
00:21personal.
00:22Look Celia, I'm not to blame for not corresponding your feelings and instead I'm going to be
00:26who's going to pay the duck.
00:27I know.
00:28I didn't decide to fall in love with you.
00:29Yes, but you decided to leave.
00:32I need to leave because I need to forget about you.
00:38Can I know what's going on here?
00:49Celia, I thought you would be my sister, come in.
01:13If you've come to pick up Inés, she's not here, she went out for a walk to get some
01:17air.
01:18No, I've come to see you.
01:22I wanted to ask you a favor.
01:23When I was about to close, they were called by phone.
01:26It was the new supplier with whom we had agreed to meet tomorrow.
01:29I have it on my agenda, if you've come to remind me, I haven't forgotten.
01:35I haven't come to remind you, I came to let you know.
01:39He called to tell me that he had a problem and that he had to postpone the meeting.
01:43I told him yes, but then I remembered that at that same time I had already met with Iñigo.
01:49With Iñigo for what?
01:50To finalize the details of the visit of Marcial Lalanda and his friends to the Madrid Cavalry.
01:54Could you take care of it?
01:58Yes, of course, what remedy someone will have to go.
02:02Laura, if I finally leave, I don't want to leave you in the middle of doing business.
02:13If you finally leave, I thought it was something definitive.
02:17In fact, I was going to tell you that we have to talk to my uncle as soon as possible.
02:20With your uncle for what?
02:22What do you mean, for what?
02:23Well, first of all, because he has to know.
02:25And second, because maybe I don't want to take care of the business alone.
02:27Well, in any case, I'm going to tell your uncle.
02:30So don't worry.
02:31No, no, if that's not what worries me.
02:33What worries me is that you're playing with me because one day you want to leave, the next you don't have it clear.
02:38But it's not easy to make this decision.
02:40And you think it's easy not to know what will be of my future?
02:42Do I have to organize my future or not?
02:44Ah, your future, what about mine?
02:46But how can you be so selfish, Laura?
02:49Look, I don't want to argue, huh?
02:51Well, you're already doing it.
02:56Do you want an answer?
02:58I'm definitely leaving.
03:00It makes no sense to stay by your side.
03:03Thanks for helping me decide.
03:05Wait.
03:06Celia, of everything we've lived, of everything we have, there's only one thing I can't give you.
03:12If you decide to leave the boat, tell me who's the selfish one.
03:15Don't forget about the meeting.
03:17Bye.
03:39Pietro, you know you can trust me for anything.
03:44I know, Marta, I can trust you, but I don't want to worry you.
03:49Well, maybe it's a little late because I've already worried.
03:54And I think it's better to know what's going through your head than to imagine it.
03:57One always gets the worst.
03:59And this time you're right.
04:02Lucia doesn't want to go back to Italy.
04:04What do you mean she doesn't want to go back to Italy?
04:06And what did you tell her?
04:08I didn't say anything.
04:09Because she caught me with my foot changed and I couldn't react.
04:13But where is she going to live?
04:15She won't be with you?
04:16Of course not.
04:19And what did Antonia tell you?
04:20Nothing, nothing.
04:21She hasn't told me anything because I haven't told her yet.
04:23She doesn't know anything and I don't know how to do it.
04:27You see, Marta?
04:29If something can go wrong, it will go wrong.
04:32I'm going to work.
04:33I'll see you later.
04:36Good morning.
04:38Good morning.
04:40What are you doing here?
04:42The days you come to clean, I can't sleep from the excitement.
04:46Do you really think it's going to help you to be so clumsy?
04:49I don't know, but God helps those who wake up early, right?
04:54Well, have you already spoken to your father?
04:56Or is he still thinking that all I want is to take you to the court?
04:59He hasn't brought it up to me, but that doesn't mean anything either.
05:02My father is a man of fixed ideas.
05:04And what kind of man are you?
05:06Of those who let themselves be intimidated or of those who face them?
05:09I am of fixed ideas.
05:10I don't have many, but the ones I have are mine and I plan to fight for them.
05:14And I'm going to show my father how much I appreciate you.
05:17And you too.
05:18Well, look, I don't need anyone to defend me from something I haven't planned to do.
05:22Like, for example, in Gattusarte.
05:24You insist on pretending that you don't like it, and that's because you like it.
05:28Like in Desdén con el Desdén.
05:30A play that Miguel recommended to me and that, by the way, you should read.
05:34And the protagonists end up together.
05:37Of course, like you and me.
05:40Hey, are you going to Miguel Etrini's party tonight?
05:43Because if you don't go, I'm not going to go.
05:45Well, look, I'm going to tell you one thing.
05:48If you see me, it's because I've gone.
05:50And if you don't see me, it's because I haven't gone.
05:55Wait, wait, how is that?
05:57How is that?
06:06As you can see, in the column on the right are all the things we've already got for the party.
06:10And in the column on the left, the things that are missing.
06:13Almost nothing.
06:14Well, sometimes the smallest things are the ones that take up more time.
06:18Besides, Marcial de Alanda doesn't want the decoration to be bullfighting.
06:22He says he's had enough.
06:23No, I think it's reasonable, yes.
06:25I'm sure he's a pretty unpredictable man.
06:28And I don't mean it in a bad way.
06:32Hey, Matilde.
06:33Hi, both of you.
06:34What are you doing here?
06:36If you want to talk to Ñigo alone, I can come back later.
06:40It's not a problem.
06:41No, don't worry, Celia. Stay.
06:43What I have to talk to Ñigo also concerns you.
06:47I've been thinking and I'd like to propose something to you.
06:51Of course, sit down.
07:01Well, we're all ears.
07:03Well, I thought I'd like to be part of the party organization.
07:08If you admit me to your team, of course.
07:10Well, of course.
07:12What things do you have, Matilde? Of course.
07:15But you didn't have a job at the salon?
07:17I've talked to Don Fermín, so don't worry.
07:19And since I don't have much to do these days, he's given me permission.
07:22Don Fermín's good man. He's always so understanding.
07:25Then it's perfect.
07:28Well, then, I've been doing a conscious research about Marcial Lalanda.
07:32And I've discovered very interesting things.
07:36Things like what?
07:39For example, did you know he starred in a movie?
07:43No, I didn't know.
07:46And what's the title of that movie?
07:48Viva Madrid, which is my town.
07:50It sounds familiar.
07:51Yes, yes, yes, I was about to go see it.
07:53But in the end, because of work, I couldn't.
07:55And they took it from the box office.
07:57It's a shame.
07:58Because Carmen Biance was acting, and I love that actress.
08:00I also like her a lot.
08:02And what I've come up with has to do with her.
08:06What do you propose?
08:07I thought we could invite Carmen Biance and the director of the movie,
08:11Fernando Delgado.
08:13Well, I think he'd love to meet him, especially if he doesn't expect it.
08:17As a kind of surprise?
08:19It would be very exciting.
08:20What do you think?
08:24Well, I can only think of one thing.
08:27Get up, please.
08:32You've just turned another party into a memorable event.
08:36Congratulations, Matilde.
08:37Thank you, Celia.
08:38Well, I'll leave you to it.
08:40I have a lot of things to do.
08:42Thank you very much for everything, Celia.
08:44You're welcome.
08:45Goodbye.
08:49Goodbye.
08:54Call me Optimist.
08:56But I'd say what just happened here is a sample of...
08:59Of what?
09:01Don't get me wrong, Ñigo.
09:02All I want is to help Celia and you.
09:07The man I love.
09:11And now, Mr. Optimist,
09:13you should give me a kiss.
09:16Because I've earned it.
09:30The dinner with my former classmates at the faculty will be canceled, too.
09:34Are you sure?
09:35But that day is sacred.
09:36It's the only date that can't be changed.
09:38Inés, I've told you I don't want to see anyone all week.
09:42Very well.
09:43Then we only have the meeting with the gallery's businessmen.
09:46The order of the day includes the renewal of the contract of the maintenance company
09:49and I have it marked as a priority matter.
09:51Well, it isn't anymore.
09:53Inés, taking my schedule means that you relocate my appointments,
09:56not that you question them.
09:57That's all.
10:00Do you really think I don't realize how sad she is?
10:04Besides taking her schedule, I'm her niece.
10:07She can trust me and tell me what she needs.
10:09I know, I know, darling, but...
10:11No...
10:12It's not important.
10:13Yes, it is.
10:15Yesterday she told us that Mrs. Názara is not as you thought
10:18and that she had to digest it.
10:21And it's clear that she's not doing it very well.
10:24Uncle, you're always there when I need you.
10:27You've helped me face my problem with my voice
10:30and thanks to you I've managed to overcome it and move on.
10:34Inés...
10:35We have to support each other, the people who love us.
10:39And I'm one of them, uncle.
10:43Bye.
10:49Hello.
10:50Excuse me, Mr. Fermín.
10:52Yes.
10:53I brought you these herbs from the herbalist.
10:56Thyme, ginger, mint and regaliz.
10:59I suppose they're good for the throat.
11:01They enrich the steam baths.
11:03Anyway, I won't interrupt you anymore.
11:07I'll stop by your house later to continue with the voice exercises.
11:10At the same time as yesterday?
11:11Yes, yes, at the same time.
11:12Perfect.
11:13Yes, yes.
11:15I hope so, because I want to thank you
11:17that in these complicated times
11:20you take the reins of the situation.
11:22But you don't have to thank me for anything.
11:24I really enjoy it.
11:27In any case, why do you say that these are complicated times?
11:30Well, at work, sometimes...
11:33things get complicated.
11:36My uncle won't attend the meeting with the businessmen.
11:39But...
11:42Mr. Fermín, I...
11:44I suppose you have plenty of reasons,
11:46but I'd like to remind you of its importance.
11:49Let's try...
11:50Yes, the renewal of the maintenance contract
11:52with the company in charge of the gallery.
11:55Yes, that's it.
11:56I don't know.
11:57And as you know, it's not a trivial matter.
11:59Besides, your opinion is fundamental.
12:01Agustín, I don't feel well.
12:03It's nothing serious, but...
12:05I think I'm going to take the week
12:07more calmly than usual.
12:09And regarding the meeting, I give you my vote.
12:12I fully agree with your criteria.
12:15Okay.
12:16I hope you recover soon.
12:18In any case,
12:19I hope you can attend your niece's performance next Thursday.
12:22Thursday.
12:23Next Thursday.
12:24Thursday.
12:28Put a chair next to you.
12:30I'm not going to miss it.
12:33Thank you again.
12:34And if you haven't had breakfast,
12:36I invite you to my house.
12:40Thank you, Agustín.
12:41But I think you should spend the afternoon with my sister
12:44instead of me.
12:46Why do you say that?
12:47Well, because Laurita is your girlfriend
12:49and you will have your obligations with her.
12:51And I can do the exercises alone.
12:53No, no, no.
12:54The specialist was strict with that.
12:56You need help to continue with your treatment.
12:58Besides,
13:00one of the obligations I have with my girlfriend
13:03is to worry about her sister.
13:06And Laurita understands this perfectly
13:08and she knows that her health is the priority right now.
13:13Okay.
13:14But even so...
13:15Even so,
13:17see you later.
13:19LOADING...
13:30The first industrial rocket front
13:35with simultaneous entry and payment corresponding to taxes
13:42opened in Madrid in 1917
13:46with a picture of 16 professional women,
13:50which has increased to the 45 that there are today.
13:55How is your body?
13:57Well, regular.
13:58The new Frontón Madrid,
14:01where we go there, girl,
14:04has restaurants, hairdressers,
14:07salons and terraces,
14:08a real social club.
14:11You will not see yourself in one like that again.
14:13Do not hesitate to visit it.
14:15Oh!
14:18You do not say anything?
14:19Would you like something?
14:21Oh, my God.
14:22It will be the best bachelor party that has ever been organized.
14:26The voice will be heard
14:27and everyone will want to know who was the organizer.
14:31You are not satisfied just with being the godmother.
14:34By the way,
14:35changing the subject,
14:37don't you think it's very strange
14:39that the vampire has not come yesterday or today?
14:41It's not her own,
14:43unless she's sick.
14:44And you were the last one to see her leave.
14:46So,
14:47did she have a bad face?
14:48Well, she didn't.
14:50She had red eyes,
14:51as if she had cried.
14:52The vampire crying?
14:54And why didn't they tell me?
14:55Woman,
14:56are you sure?
14:57Very sure.
14:58It's that the fight was from Hordavo.
15:00Well,
15:01and grab the males.
15:02There were also Teresa and Cañete.
15:05Teresa and Cañete.
15:07But don't worry,
15:08because I haven't been left with my arms crossed.
15:10I asked Elías
15:11to get information from Cañete
15:13about what happened there.
15:14And what did he say?
15:16Nothing yet.
15:19What?
15:20About Palique?
15:21Yes.
15:22No.
15:34I was telling Esperanza
15:36that it's very strange
15:37that Lady Alhazara didn't come yesterday or today.
15:40Of course.
15:41And if anyone can know the reason,
15:43it has to be you,
15:44because you're in charge.
15:46Well, yes, I'm in charge,
15:47but I don't know anything.
15:48She's my superior,
15:49so she doesn't have to give me explanations.
15:52But you were also in Mr. Fermin's office.
15:55Do you know if something happened between them?
15:57I just happened to see her leave.
15:59With tears in her eyes,
16:00can you confirm this?
16:01What if I can confirm it?
16:03The only thing I can confirm
16:04is that you're a couple of snitches.
16:06And that it's time to get back to work.
16:08Besides, what Lady Alhazara does or doesn't do
16:10doesn't matter to us.
16:11It doesn't matter to us.
16:12No, if it doesn't, we're worried,
16:14but you seem to be enjoying this topic.
16:17Me?
16:18Esperanza is not the way to say things,
16:21although she's right.
16:22Because, given the circumstances,
16:24and to calm our spirits a little,
16:28could you tell us
16:29what happened in that office?
16:31I would have said the same thing,
16:32but with my left hand.
16:33Well, I guess not.
16:38But, well,
16:39are you trying to get rid of Pepinillos again?
16:42He's going to beat you up, woman.
16:44How long have you had this hobby?
16:45Well, I've always inherited it from my father.
16:48Well, wait a minute.
16:50Come on, both of you, to work.
16:59What are you doing?
17:00Repeating.
17:02Well, so you can understand, boss,
17:04the lion's fight is a fight between two opponents
17:07holding hands on the belt
17:09using strategies called manias
17:12to knock down the opponent and throw him to the ground.
17:15Well, that's where the idea of having more mania than strength comes from.
17:18Great, Elias.
17:20And who are you going to bet on?
17:22Miranda Debro's big man
17:24or Miguel the bookseller?
17:26I'm not going to bet on anyone.
17:28And I think it's very bad that you have appointed Miguel
17:30to that fight without his consent.
17:32But how long will that giant take to rip his head off?
17:35Let's see, to begin with, he's not a violent sportsman.
17:38And as I just told you,
17:40it's about mania, not brute force, boss.
17:43But let's see, no matter how much mania Miguel has,
17:46he has no experience in the matter.
17:48As soon as that giant takes off his belt,
17:50he's going to put him in orbit.
17:52Besides, I don't see him very excited about the subject.
17:55Well, I think it's a perfect plan, boss.
17:58Besides, it came out of my research.
18:00Look, if you promise me you won't say a word,
18:03I'll tell you.
18:13I know a way to talk to my mother.
18:16Yes, it's...
18:18It's a way that...
18:20That they can hear us from heaven and answer us.
18:24Today we can't do it because we don't have what I need,
18:28but tomorrow, if you want,
18:31you'll be able to see it with your own eyes
18:33and you'll be able to talk to your mother.
18:36Do you promise?
18:37I promise.
18:47Mother, how was your morning?
18:50Did you see anyone interesting in the gallery?
18:53Interesting?
18:54I guess you mean Matilde.
18:57Well, it turns out that I ran into her yesterday.
19:01I didn't want to tell you,
19:03but I have a bit in my stomach that I don't like at all.
19:06She was too kind.
19:08Kind?
19:09Well, forget it.
19:11I've come to bring it to you.
19:14The train to Lisbon, where you'll spend the night,
19:16and the next morning you'll take a boat to Cuba.
19:20Of course, in a luxury room.
19:24Thank you very much, Mother,
19:27but I'm not going to need them.
19:30What are you saying, Carla?
19:32That I'm not going.
19:35I have something in my hands.
19:37Something that you can't even imagine.
19:40As you understand, I can't leave it halfway.
19:42I hope you understand.
19:43No.
19:44What I understand is that you're exhausting my patience.
19:47And what's worse, Fabio's too.
19:50Tomorrow you'll take that train and there's nothing more to talk about.
19:53And how are you going to force me?
19:55Are you going to call the police to have me escorted to the station?
19:59Besides, as for Fabio...
20:00As for Fabio,
20:02I think you're taking it too lightly.
20:05Maybe he's the one who ends up calling the police
20:07and ends up reporting us.
20:09Oh, please.
20:11Don't make me laugh, Mother.
20:13Fabio is not going to do anything at all.
20:16And do you know why?
20:17Because he's as involved as you and me.
20:21If I went to the police to report myself,
20:23who do you think I'd tell?
20:25That he knows I've been alive for days,
20:28but he was giving me a little chance to escape.
20:31Or worse,
20:32that he suddenly lost his patience.
20:36Or even worse,
20:37that I was organizing everything with you,
20:39but suddenly he realized that that's not right
20:42and he's very sorry.
20:44Tell me, Mother.
20:46Which of all those options is the least stupid?
20:50Don't you realize you're playing with fire?
20:53That your only chance is to listen to me
20:55and leave tomorrow.
20:56And don't you realize that I'm not afraid
20:59and that I'm not going to leave until I finish what I started?
21:02Which, by the way,
21:03I assure you will be something extraordinary.
21:06Supernatural, I would say.
21:09And what about me?
21:11Because I am afraid.
21:13Because your irresponsibility is putting me in danger.
21:17And for the love of God, Carla,
21:19I don't want to go to jail.
21:20I'm asking you, please,
21:22reconsider for everyone's sake.
21:24For everyone's sake, I have to finish what I started.
21:28You're a fool.
21:30I'm starting to think you've lost your mind.
21:33That the crazy one wasn't Matilde, but you.
21:36Close the door when you leave, please.
21:49Well, what do you think?
21:51Brilliant or not?
21:53Montero.
21:55Well, I think there's something unusual about you, Elias.
21:58Well, you see.
22:00Now, you have to keep the secret from me.
22:02Because only Elvita knows that, and now you.
22:04Don't worry, I'll keep it from you.
22:06But I'll tell you again that I don't see Miguel very excited about that.
22:09Well, I don't think he's the only one.
22:11You tell me about Don Fermín.
22:12He's the one who's not excited.
22:14I've seen him today, heavy-headed,
22:16dragging his feet, and that's weird.
22:18Those are strange things about him.
22:20Because if there's one thing that characterizes him,
22:22it's his grace and elegance when he walks.
22:29And now, besides,
22:31he's been locked up in the office for many hours,
22:33and I'm starting to worry.
22:34So I'd appreciate it if you could give me some information on your end.
22:39Boss, if he's going to die, I have the right to know.
22:42What are you saying, animal?
22:43He's not going to die.
22:44Then what's wrong with him?
22:46Because Esperanza heard the rumor when Mrs. Lázaro was in the office.
22:49And it's a coincidence that you were in that office, Cañete.
22:52So do me a favor, let go.
22:54Well, look, it's a coincidence that I have nothing to tell you.
22:58Not when you asked me before, not when you ask me now,
23:01not when you ask me later.
23:03You're making a snowball out of a rain drop.
23:06Nothing's wrong with Don Fermín.
23:08He's wearing a suit.
23:10Cañete, I'm going home.
23:12Do me a favor and let Teresa know as soon as she sees her.
23:15Very well.
23:18Elias, take a look at the terrace, please.
23:21Of course.
23:22Let's go.
23:26I have the uncomfortable feeling that everyone is looking at me
23:29as if they were asking for explanations.
23:31Especially Elias.
23:34He's unable to continue in the office.
23:37He won't stop thinking about what happened with Mrs. Lázaro.
23:40I understand.
23:41Anyway, I trust your discretion.
23:44As always, Don Fermín.
24:01Don Fermín!
24:02Don Fermín, please listen to me.
24:04Mrs. Lázaro, this is very embarrassing, don't you think?
24:07I'm very sorry, but I can't resign myself to losing him.
24:10I can't resign myself to losing everything we've built together
24:13during all this time.
24:15Because don't deny me, Don Fermín,
24:17that everything we've lived has been real
24:19and that the affection we've felt for each other is sincere.
24:23So please, let me explain.
24:26She had her chance when I called her to my office.
24:29Why didn't she do it then?
24:31How?
24:32In front of two employees? Teresa? Cañete?
24:35No.
24:36I'm sorry, Don Fermín, but that wasn't an opportunity.
24:39That was a trap.
24:40And I think I have every right in the world
24:42to ask her to listen to me.
24:51So, let's see.
24:52In the lion's fight,
24:54you have to grab the other guy by the belt and throw him to the ground.
24:58Exactly.
24:59Isn't it?
25:00It's much better than the pair of shoes
25:02you'd have to wear in boxing.
25:04Let's see, Tini.
25:05If Miranda's man takes me by the belt,
25:08he'll probably kick me out
25:10and hit me against the wall.
25:12I see.
25:13What if he feels sorry for you?
25:15What if you tell him you've always been a clumsy and sick kid?
25:21Of course, you're right.
25:23I'll tell everyone I'm sick and I can't go to my own farewell.
25:26Great idea.
25:27No, no, no.
25:29Because if you're sick so you don't go to the farewell,
25:32you'll also be sick so you don't get married,
25:34and we'll have to postpone the wedding,
25:36and this will never end.
25:37But if I break my skull, I won't be able to go to my wedding.
25:40Do you think I like the farewell Esperanza has prepared for me?
25:44I don't like sports.
25:46What's the point of hitting a ball with a racket?
25:50And what's the point of going to see it?
25:52If you want, I'll change it for you.
25:54Well...
25:55At least no one will grab you by the belt
25:57and make you fly against a wall.
25:59Well...
26:00By the way, do you know anything about Don Salvador?
26:03Or is he still without signs of life?
26:05Nothing.
26:06And I don't know if that's good or bad,
26:09and if he's not going to say goodbye.
26:10The thing is, I don't have the body for parties.
26:13David and Goliath.
26:15The other one.
26:16What are you saying?
26:17I was thinking about how you can defeat Miranda de Ebro,
26:20and I remembered the story of David and Goliath.
26:22Ah...
26:23Do you want me to throw a stone at him with a wave?
26:26All I want is that he's not the first boyfriend
26:28who doesn't survive his farewell.
26:30Well, the first fake boyfriend
26:32who doesn't survive his fake farewell.
26:36Salvita...
26:38Your father hasn't called to congratulate me yet,
26:42nor has he sent me any gift.
26:44Don't you find it strange that he hasn't told us anything
26:47knowing that Trin and I are getting married tomorrow?
26:49I know he's okay.
26:51And he is.
26:52Come on, Salvita, you have to be honest, son.
26:55His job is in danger.
26:57Your father is going to say goodbye to him.
26:59Can't you talk to him
27:00and tell him something at least so we can get married in peace?
27:03I'll try, but I can't promise you anything.
27:05He hasn't spoken to me for two weeks.
27:07What about you?
27:08Where are you going to hide when you're getting married?
27:12We'll hide at home and pretend we're not there.
27:15And after a few days, the nightmare will be over.
27:18It's not a very elaborate plan, but it makes sense.
27:22Well, I'm going to make a message.
27:24See you tonight.
27:26Think about David and Goliath.
27:29I'm sure Miranda's big man, Ebro,
27:31has a weak spot like all giants.
27:34Well, actually, I think David and Goliath's story...
27:38I think Goliath was a little myopic,
27:40and that's why he didn't see David very well.
27:42What you have to do is move quickly so he can't see you.
27:45Like this, like this.
27:46What are you doing?
27:47Try it, try it.
27:48Like this, like this.
27:49Change your feet.
27:50To one side, to the other.
27:51Come on, Trini, go.
27:52Try it.
27:53That's it, go.
27:54So he can't see you.
27:55One side, the other side.
27:56That's it.
27:57Forward, backward.
27:58Go.
28:05Good afternoon, Antonia.
28:07Good afternoon.
28:08How was your day?
28:10Good, good, thank you.
28:12What I like most about this corral
28:14is that the neighbors can say hello and see us.
28:17Yes, yes, really.
28:20I'm glad you felt comfortable among us.
28:24A lot.
28:25But don't talk about the past, please.
28:29Pietro didn't tell you?
28:31No.
28:32Pietro didn't tell you?
28:35We will continue to be neighbors.
28:37And I hope that someday even friends.
28:42What are you talking about?
28:45Pietro didn't tell me anything?
28:47Antonia, I've been thinking about it for a long time
28:50and I have no doubt.
28:53I have made the firm decision to stay and live in Madrid
28:56and not separate from my husband.
28:59After all, we are still officially married
29:02and it doesn't seem possible that this can be broken.
29:05And honestly, Antonia,
29:07I have no intention of doing it.
29:10Quite the opposite.
29:12What are you talking about?
29:13That as long as there is a possibility, no matter how small it is,
29:16that Pietro and I can recover what we lost,
29:20I will fight for it with all my strength.
29:22And you know why, Antonia?
29:24Because it's fair.
29:27And you, as a woman like me, know it perfectly well.
29:33I forget a very important detail.
29:36Pietro loves me.
29:39And you forget another one.
29:41My husband has only used you to alleviate his pain.
29:46And I am infinitely grateful.
29:49But it's a matter of time before he realizes it.
29:52Realize what?
29:54Realize that I am the love of his life.
29:56The real one. The original one.
29:59And that he will never be able to fight against such a strong feeling, Antonia.
30:04Lucia, you don't know what Pietro and I have shared.
30:08What we have built together.
30:10It's true, I don't know.
30:12But what I do know
30:14is that Pietro has not dared to tell you that I stay in Madrid.
30:17Doesn't it seem a little strange to you?
30:21Good afternoon.
30:24Good afternoon.
30:43You haven't noticed?
30:45That Elias has no remedy?
30:47Yes, I noticed a long time ago.
30:49No, you have to breathe a much fresher air
30:52and much cleaner air since the room is not there.
30:57What is Elias doing talking to the watchman?
31:02He is determined to find out what happened to the vampire.
31:05And we already know Elias, until he gets it, he won't stop.
31:08Well, Trinidad and Esperanza have also been questioning me,
31:11but I have cut them dry.
31:13The same thing you had to do with him.
31:16Don't make that face, you had to be happy.
31:19I don't have this face for Elias.
31:21I'm just not sure we did the right thing.
31:24The right thing with whom?
31:26With that woman.
31:28No matter how bad the vampire is,
31:30what we have done to her is still a stabbing.
31:33Well, Cañete, and everything she has done, have you forgotten?
31:36I thought we were in this together.
31:38I also agreed that we had to stop her.
31:41Don't you feel bad?
31:43Not a little?
31:45No, what I feel is relief,
31:47because this woman is no longer here.
31:49And also satisfaction,
31:51because we have acted for everyone's good.
31:53Especially Mr. Fermin's.
31:55Come on, they had to give us a medal and everything.
31:58Don't make that face, man.
32:01Bosses, I have fresh news.
32:03The watchman told me that he has seen Mr. Fermin leave La Moderna
32:06and that he was waiting for Mrs. Lázara on the street.
32:09What? Mrs. Lázara what?
32:11They had a brief conversation
32:13and they left together.
32:15Mrs. Lázara was at the door of the tea room,
32:18as if such a thing.
32:20The watchman also told me that he was dressed as usual.
32:23Let's see, this woman was not sick.
32:25Let's see if they have argued like two turtles
32:27and they are going to get out of here much stronger.
32:29Come on.
32:31Well, boss, cheer up, man.
32:33And Mrs. Teresa, you too.
32:35I know you care about them.
32:37But, long live love.
32:41Long live.
32:49Okay.
32:51Please put your hand on the chest
32:55and the other on the abdomen.
32:58The idea is that you control your breathing little by little.
33:04So, breathe in
33:06and when you breathe out, pronounce the sound Z.
33:10Intense.
33:12That's it.
33:14Intense.
33:16A little slower.
33:18Z.
33:20Sorry.
33:22Very good.
33:26You should...
33:28May I?
33:30Chin in.
33:32Chin in and shoulders...
33:34That's it, backwards. Perfect.
33:36Z.
33:38Go ahead.
33:40Perfect.
33:42I'm going to have to tell Miss Juanes
33:44that you are a spectacular patient.
33:47Well, because you are more patient than a saint.
33:50Okay.
33:52Now, let's do the exercise backwards.
33:56So, breathe in
33:58and when you breathe out, pronounce the sound Z.
34:01Soft.
34:03Z.
34:05And little by little, that sound gets more intense.
34:08Intense.
34:10Z.
34:15Chin in.
34:19What happened?
34:20Did a butterfly come in?
34:25Through the window.
34:27No, no, no, please.
34:29No, no, no, it's very good.
34:31I think it's a very interesting contribution.
34:34It reminded me of the butterfly
34:36that in the spring
34:38is going to pollinate a flower.
34:44He's making it up, Agustín.
34:46No, no, I'm an insectologist.
34:48Ah, insectologist.
34:49Ornithologist.
34:50Ornithologist.
34:52An amateur.
34:54Agustín, you're taking too much trouble for me.
34:56No.
34:58Trouble is when you do something you don't want to do,
35:01but I want to come here
35:03to torture her while I pretend to be a language specialist.
35:07Laurita is very lucky
35:09because if she takes care of me like this,
35:11I can't imagine what she'll do to her.
35:15Sorry, sorry, really.
35:17That sounded out of place.
35:19What I'll do to her?
35:20No, no, no, it's very good.
35:22No, no, no, you have to clarify this.
35:27This is not a personal matter.
35:29Then what?
35:30Professional.
35:32I'm defending my investment
35:34in the future function of the court of Pharaoh.
35:37I would do this for any member of the cast
35:39or for a horse if it comes on stage.
35:43Or for a stork if it comes on stage.
35:46I'm sure.
35:48Oh, really.
35:50Hi.
35:51I brought a snack.
35:52I don't know if you won it.
35:54Why are you laughing?
35:56Well, Agustín compared me to a horse
35:59and a stork.
36:01Or a stork, I don't know.
36:03Can I...
36:07explain it?
36:08Are you working or doing a book?
36:10Well, I think both.
36:13With a little laugh, everything goes better.
36:16How are you?
36:18Fine.
36:19I'm in a bit of a hurry.
36:20Today I have a bachelor party
36:22with a co-worker.
36:23We're going to see some racketeers.
36:25Some what?
36:26I'll explain it to you later.
36:29Aren't you going to give me a kiss?
36:31Bye.
36:43I'm so glad you wanted to see me.
36:46You're keeping our secret, aren't you?
36:48Yes.
36:49You know no one can find out.
36:52I was dying to see you.
36:55I can't stop thinking about what you said
36:57that you could get us to talk to our mothers.
37:01That's why we're here.
37:03Because I want to show you.
37:05But first I have to know if you're ready,
37:09if you're old enough.
37:11I am.
37:13Very good.
37:14I trust you.
37:17Look.
37:20Do you see these posters?
37:23The yes, the no,
37:25and the Virgin's stamp?
37:27Yes. What do we have to do?
37:29It's very simple.
37:32When you want to ask your mother something,
37:34close your eyes and the Virgin will answer you.
37:42She's very old.
37:44Because she's been helping girls like you for many years
37:47who want to talk to their mother.
37:51And can I ask her anything?
37:55Yes.
37:56But they have to be simple questions
37:58that can be answered with a yes or a no.
38:01Like, for example,
38:03Mother, is it true that I'm talking to you?
38:06Do you understand?
38:08And if you show fear, the Virgin will notice
38:12and won't want to transmit that fear to your mother.
38:15So you have to be very prepared.
38:20I'm not afraid.
38:23Very good.
38:25Close your eyes and ask the Virgin.
38:30Concentrate.
38:37Mother, the first thing I want to know
38:41is if it's okay up there.
38:45I can't change the question.
38:48I think so.
38:55Mother,
38:59I'd like to know
39:03if I've found Father.
39:09You can open your eyes now.
39:19Your mother answered very quickly.
39:25But I'm really talking to my mother.
39:28That's how the Virgin wanted it.
39:31Can I ask her more questions?
39:34Clarita,
39:36as many as you want.
39:49A few days later.
40:00Can you tell me where you are?
40:03I told you before leaving, but you don't listen.
40:06I'm with Laurita and Matilde.
40:09Do you think it's a good idea to meet the two singles?
40:12We were going to have a great time.
40:14Now we have to put up with the hope.
40:17Don't complain.
40:20Don't tell me about Mrs. Lázara.
40:23I tried to find out the truth.
40:26You like to see Don Fermín like a snitch.
40:29Now we know you've reconciled.
40:31No, we don't know.
40:36I was looking for you two.
40:39I don't know how to thank you
40:41for the wonderful bachelor party you prepared for me.
40:44You have to do it for a great friend.
40:50Don't forget,
40:51in life,
40:52when they say your name through the megaphone,
40:54you have to compete with the grain of gold.
40:56For Miranda Lebro!
40:59We have to celebrate this.
41:02For Miranda Lebro!
41:06And I want to make another dindis for Miguel.
41:09I was impressed.
41:11Your strategy was...
41:14For Miguel!
41:22That look of terror you put on him
41:25seemed real.
41:27A good strategy,
41:28but it didn't work.
41:30It looked like you were going to pass out.
41:32He reaches for your shoulder and says,
41:34congratulations on the wedding.
41:36You knew the joke too?
41:38Salvita, Cayete and I, the chosen ones!
41:41The chosen ones!
41:50Oh my God, poor Elias.
41:52I hope they leave him worse than he is.
41:55I'm sure you haven't been afraid of the big man.
41:58Me?
41:59Only at the beginning, a little.
42:01I got a little dizzy and I thought I was going to die.
42:04What are you whispering?
42:05I can't hear you with the music.
42:07We had a great time at the front door.
42:10Everything was great.
42:12Now you have to recommend me
42:14as a farewell party expert.
42:16Of course, Esperanza.
42:17Tell us how it was with the racketeers.
42:20We had a misfortune,
42:22because the man didn't want us.
42:24He gave me a ball,
42:25and a blow to the head.
42:27It almost hit me in the neck.
42:30You don't know how strong those women are.
42:33They'd be great partners in La Moderna.
42:35At least we'd save some money.
42:38I don't understand you.
42:40Of course, serving the ensaimadas to the racketeers.
42:45Come, I'll introduce you.
42:47Is he single?
42:49I think so.
42:50Then I'll go.
42:55Marta, will you dance with me?
42:58But only if you're friends.
43:00What's the difference?
43:01I'll shake your hand.
43:03I didn't remember we were together.
43:25My friend!
43:29I'd say you missed me.
43:32You don't know how much.
43:33Come in.
43:34Thanks.
43:39You look great.
43:42Sevilla is treating you well.
43:44How's it going over there?
43:46I think it's time to go.
43:48Don't you think?
43:50I think it's great.
43:51How's it going over there?
43:53I can't complain.
43:55The business is doing well.
43:57The weather is great.
43:58The people are great.
43:59The food is great.
44:02But it's true that my two friends,
44:05my only family, are here.
44:07That's perfect.
44:10Where's Matilde?
44:12She's on a bachelorette party
44:14with her friends from La Moderna.
44:16They'll be back soon.
44:17How's Clarita? Is she here?
44:19She's in her room, sleeping.
44:21Jacobo, thank you for coming so quickly.
44:25You called me urgently.
44:27I had to catch the first train.
44:30I haven't stopped to think
44:32what could be so serious.
44:35Sit down, please.
44:40What happened?
44:42Look, it's about Carla.
44:47Matilde and I are convinced
44:50that the calcined corpse she found
44:54wasn't her.
44:57No, that can't be true.
45:02It's impossible.
45:04Jacobo, Carla is alive.
45:08And we want to know where she's hiding.
45:11In her house.
45:21I thought you'd be at the farewell party
45:23of Soltar Aditrini.
45:25Yeah, and I thought you'd be at Miguel's.
45:28No, I was in the mood to watch
45:31a fight in Lucha Leonesa.
45:33I think it was something like that.
45:35Me neither, to go to a racket party.
45:38Anyway, thank you for coming.
45:41I wanted to take advantage of Marta's absence
45:43so we could talk in peace.
45:47Well, if Lucia doesn't interrupt us, of course.
45:51She won't.
45:53I don't know what to believe.
45:55And who?
45:57What do you mean?
46:00Antonia, did you ask me to come
46:02so we could talk again?
46:05Not only do I have to see how things get
46:07with Lucia, now with you too.
46:09Oh, sorry, I didn't know you were
46:11the only victim in this situation.
46:16What did you want to talk about?
46:20As far as I know, the two of us have been
46:22at La Moderna all day,
46:24and we've only exchanged a couple of words, right?
46:27Yes, to ask for a couple of trays, that's it.
46:30So I don't understand why I had to find out
46:32about her and not about you.
46:35Yes, because when I got there,
46:37I was looking forward to hearing the big news.
46:40What big news?
46:41Her firm decision to stay in Spain.
46:44I was hoping you'd have the dedication
46:46to tell me, but...
46:48But no, I had to find out about her.
46:50Why, Pietro?
46:52I'm sorry, Antonia, but it's not the first time
46:54she's told me she wants to stay here,
46:56and we've already talked about it.
46:57No, but this time it's different,
46:59because now she has no doubt, quite the opposite.
47:02I thought I could solve it.
47:05And what did she tell you exactly?
47:08That it's only a matter of time
47:10for you two to get back what you had,
47:12and that she's in no hurry
47:14because she's convinced that you feel the same way about her.
47:17And it's not true, Antonia. It's not true.
47:19And you know it.
47:20No, I don't know, Pietro.
47:21I don't know because I don't know what to believe anymore.
47:23Because you say one thing and then you do another.
47:26You live with that woman, you hear all her sorrows,
47:28you justify her all the time.
47:30Pietro, what's next?
47:33You're being very unfair to me.
47:35I'm being unfair to you?
47:36Yes, because you know
47:37that the consulate could report me.
47:39No, sorry, the consulate doesn't force you
47:41to live with her.
47:42That's your decision, so take it.
47:45Take it!
47:47Maybe it's the best decision.
47:49It's true, because she's your wife, right?
47:52She's your wife and I'm nothing.
47:54That's why...
47:55Antonia, please.
47:57Get out of my house.
48:01Get out, please.
48:05Get out, Pietro, please.
48:06Yes, yes, yes, I'm going, I'm going.
48:15I'm going.
48:26Hi, honey.
48:29Jacobo.
48:31How are you?
48:33Good.
48:35Hi.
48:37How was the bachelor party?
48:39Good, it was interesting.
48:40I'm glad you had a good time.
48:42I'm sorry I'm not so effusive,
48:44but I'm still digesting the news
48:46that Inigo gave me.
48:49He was commenting on Jacobo's arguments,
48:51so we think Carla is still alive.
48:53As incredible as it seems, we are convinced.
48:57The only problem is that we need to prove it
48:59before justice.
49:00That's right,
49:01and that would make sense of what happened to Matilde.
49:04Well, if Carla is hidden in her parasite,
49:07she will be hidden enough
49:09so that it is impossible to access her.
49:13That's what we believe.
49:14It has to be an unknown and inaccessible room
49:17for the service,
49:18and of which only Mrs. Bárbara is aware.
49:21And since her false death she has been there?
49:23Except when she has gone out to cause my hallucinations.
49:29And what is the plan?
49:31Because I suppose you already have one.
49:35Let's sit down.
49:39Come on.
49:44That's why we called you.
49:46Because only you can help us.
49:48The idea is that you watch the palace discreetly
49:51while we show up close to Mrs. Bárbara.
49:54Something that, to her surprise,
49:56she has already begun to do.
49:57Yes, we will make her believe that we have passed page
50:00so that she relaxes and, with a little luck,
50:02lowers the guard.
50:05I think it's good.
50:07I'm looking forward to going back to action.
50:10The countdown has begun.
50:21I'm very proud of you.
50:24Do you think she will be in Madrid too?
50:26Of course.
50:27She will always be with us.
50:29I know.
50:30And now that I can talk to her,
50:32I'm much happier.
50:34What do you mean you can talk to her?
50:36Because of Lucia, I'm going to lose Antonio.
50:38I don't think that woman will let him go
50:40even if he comes to get the shower from Italy.
50:42I think something is going on here,
50:44and if it's something, it's not good.
50:46Don't get into the worst.
50:48Mrs. Lázara has made trouble for him again.
50:50Look, it's true that there was an accident.
50:52It's true that the employee who suffered it
50:54was under my orders.
50:56And it's also true that we were all over
50:58because of the excess of work we had.
51:00I don't know.
51:02I don't know if I should believe Mrs. Lázara.
51:04I should have told you all this much earlier.
51:06I was talking to Jacobo.
51:08He has given me great news.
51:10What is it about?
51:12Well, he has been able to rent a room
51:14in a house that is in front
51:16of Carla's parasite.
51:18So he can control who comes in and who goes out.
51:20Totally.
51:22He can't go up. Fabio told me he was going to stop by the house.
51:24It's a good idea that he sees you.
51:26Besides, at this point, he will think
51:28that we are in South America and not here playing a loner.
51:30I wanted to check what I already suspected.
51:32How long did you think you were going to make fun of me?
51:34At this point,
51:36all I want is for the whole truth to be known.
51:38That woman shows up in our lives,
51:40annoys us at the wedding, gets into Pietro's house
51:42and now she says that they don't even throw hot water at her.
51:44Do you believe it?
51:46If Pietro doesn't decide, I'll knock on the door
51:48and I'll go on with my life. I've already told you.
51:50What happens is that, well, it's a very acute situation.
51:52Come to Chile.
51:56No, no, no.
52:06Did you think we weren't going to notice or what?
52:08One thing is to be discreet
52:10and another is to want to deceive us.
52:12Well, Clarita,
52:14what do you want to ask your mother today?
52:16Mother, are you okay up there?
52:18Can you ask her
52:20what you have to do
52:22to go with her?