Rey Valeria, INSPIRED daw tuwing nasa sementeryo?! | SiS (Stream Together)
Bakit kaya nagkakaroon ng peace and quiet si Rey Valeria para makapagsulat ng kanta tuwing nasa sementeryo siya?
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00:00We walk hand-in-hand, we dream together We giggle and laugh like kids forever
00:12We're two different people, but we're having fun
00:16We talk about anything under the sun We are sisters, we are friends
00:23We've got magic that never ends
00:27I got you sis, you got me
00:31The best of friends we'll always, always be
00:39We always have fun being together
00:43You know me the best, we're friends forever
00:47Through good times and bad, I'm here for you sis
00:50Right by your side, hit or miss
00:54We are sisters, we are friends
00:57We've got magic that never ends
01:01I got you sis, you got me
01:05The best of friends, the best of friends
01:09The best of friends we'll always, always be
01:14We are sisters, we are sisters
01:19Good morning mga sis, good morning sis
01:21Good morning
01:22We're going to sing this morning
01:25Whatever, whatever
01:27Whatever, whatever
01:28Whatever, whatever
01:29Whatever, whatever
01:30That's why we have a ganseta
01:32We'll be joined by some of our singers
01:35Who have two common denominators
01:37They are composers and they are also guitarists
01:41They say that the guitar is the easiest instrument to carry
01:47This is also the easiest instrument to use by some composers and singers
01:51But they say that this is the best instrument to play
01:53Yes, because it has a feel
01:57So, to see for yourselves
01:59Just stay there, don't leave
02:01And we'll be joining them
02:03We'll be joined by Ray Valera
02:06Gary Granada
02:08Barbie of Barbie's Cradle
02:10Megan Aguilar
02:12Of course, and Barrio
02:14This is all for
02:16Sis!
02:19Always be
02:20We are sisters
02:22We are sisters
02:27Always be
02:28We are sisters
02:30We are sisters
02:34We just heard their songs
02:36But each singer and composer has their own story before they became famous
02:40What are their experiences?
02:43Let's talk to them
02:44Let's start with our guests today
02:47When it comes to new age
02:49Or alternative music
02:51What comes to mind is
02:53Of course, Barbie of Mavis
02:55Mavis Cradle
02:57Mavis Cradle
02:59And if you like soundtracks
03:01Film titles
03:03Makabag Magdamdami
03:05Love songs
03:06Pinoy na Pinoy
03:07Ray Valera
03:13This is a different kind
03:15It's like he's just telling a story
03:17It's like he's just talking
03:19It's like he's just singing while drinking
03:21He's just singing
03:23He's just telling a story
03:25He's just talking
03:27But of course, winning songs
03:29Always
03:31Of course, Gary Granada
03:35This is the product of a child
03:37He's the son of a child
03:39Son of a child?
03:41Yes
03:43Aguilar
03:45He's the son of a child
03:47Son of a child
03:49Okay
03:51Now, he's the one we hear
03:53Singing
03:55I hope it's not tonight
03:57Because you might embarrass them
03:59He's the one who sings the jingle of Barangay Hine
04:01We always watch
04:03Bayangbaya
04:05I don't know Gary
04:07He's the one
04:09But of course
04:11He's the one who sang the jingle of Barangay Hine
04:13He's the one who sang the jingle of Barangay Hine
04:15And he did the commercial
04:17It's like a package deal
04:19Yes
04:21So what's our first question?
04:23Of course, we have the first ones
04:25First song
04:27That you sang or composed
04:29No, first song
04:31First song that you composed
04:33All of you, you write?
04:35I write
04:37So what's your first song that you composed?
04:39I don't remember the title
04:41I was in high school
04:43It was a love song
04:45Did you record it?
04:47I didn't record
04:49Why?
04:51It's ugly
04:53I didn't let my friends hear it
04:55So you're the only one who knows
04:57Mr. Ray Valera
04:59What's that?
05:01I always mention the story of
05:03Kutsero
05:05In my cemetery
05:07Yes, why?
05:09It's not because I'm an addict
05:11It's not because I'm a weirdo
05:13I really came from a broken home
05:15I live in Kamaganat
05:17And of course, if you don't have
05:19a private space
05:21That's the only place where I can see
05:23Peace and quiet
05:25In the cemetery
05:27Everybody is resting in peace
05:29Let's do this
05:31What's the point?
05:37Tell us about your first song
05:39I did a lot of things in the cemetery
05:41But what I'm afraid of
05:43is not the ghosts
05:45or the spirits
05:47What I'm afraid of
05:49is if you find out that your team song
05:51came from the cemetery
05:53You might kill me
05:55The first song I did
05:57was Ako Si Superman
05:59Superman?
06:03I don't know that song
06:07We have the album
06:09Mr. Ray Valera
06:11It's not in our house
06:13We have that
06:17Booking
06:19Legend
06:21It's so ugly when you say
06:23Legend
06:25It's like Ray
06:27It's like Ray
06:31Gary, what was your first song?
06:35I wish I were tall
06:41Dahil Pabutin
06:43Where is that song?
06:49The one that Boy sang
06:51I only write
06:53I don't sing
06:55I don't know the song
07:01Of course I don't know
07:03There's a minus one
07:09Megan
07:11My first song
07:13The title is Her Diary
07:15It's in my first album
07:17So you recorded it
07:19I know it
07:21There was one before that
07:23Psychedelic Peace
07:25I didn't record it
07:27My dad doesn't like alternative
07:29It's too much
07:33It's not popular yet
07:35There's no Eraserheads
07:37You can record it now
07:39It's gone
07:43I forgot the chords
07:45I don't know
07:47I was young
07:49My first song
07:51Katribo
07:53I recorded it
07:55I was lucky
07:57At that time
07:59We separated
08:01Joey Ayala
08:03The alternative music is strong
08:05That's the
08:07Popularity of
08:09Alternative bands
08:11When I separated
08:15I had to compose
08:17I can't do anything
08:19It's a personal experience
08:21Katribo is a personal experience
08:23I was young
08:25It's a discrimination
08:29It's heavy
08:31Are you discriminating?
08:33You're beautiful
08:35You're discriminating
08:37It's us
08:39It's hard to play the guitar
08:41How did you learn it?
08:43I've been watching you
08:45It's hard to play the piano
08:47Is it harder?
08:49Barbie is talented
08:51It's hard to hold the piano
08:53Is it heavy?
08:55It's easy
08:57It's harder
08:59Because you have to hold the piano
09:01We're chopsticks
09:05I tried to use both
09:07I noticed that
09:09You're spontaneous
09:11You don't think
09:13The piano
09:15You think more
09:17It's heavy
09:19It's brain work
09:21In the guitar
09:23You can create sounds
09:25In the piano
09:27You can't create sounds
09:29It has a certain note
09:33You can't just play it
09:37In the piano, you can buy 50 guitars
09:39Oh my
09:43How was your first recording?
09:47It's different from the first song
09:49First recording
09:53How was it?
09:55My first recording was in Davao
09:57It's an independent
09:59But I met Joey
10:03He made a play
10:05And we
10:07Recorded
10:09It was recorded in the CR
10:15The sound was good
10:17There's no recording studio
10:19That's where we recorded
10:21The sound was good
10:23Natural reverb
10:25In the CR
10:27That's why the singers in the CR
10:29Sing
10:33How do they make their songs?
10:35Do they just put it
10:37In other people's lives?
10:39Let's find out
10:41Even the singers
10:43They don't care
10:45Anyway, all of that
10:47Will happen when Sis returns
11:05What are your moods
11:07To compose a song?
11:09Do you need to be sad?
11:11I used to be sad
11:13But not anymore
11:15Do you need to be sad?
11:17All of your songs are sad
11:19Before, it's just
11:21You express your sadness
11:23But now
11:25I can do it
11:27Because when you're happy
11:29You'll do a lot of things
11:32Of course
11:34Ray Valera
11:36I don't know about you
11:38But when I compose a song
11:40It's like
11:44It needs to be quiet
11:46Do you know that
11:48I don't live my songs
11:50What do you care about my life?
11:52What I do is
11:54He's still trying to explain
11:56That's Ray Valera's life
11:58What happens there
12:00I put myself
12:02In someone else's shoes
12:04For example
12:06What does a person feel
12:08When they're sad
12:10Or when they're separated
12:12What I'll do is
12:14I'll put myself
12:16In that person
12:18Then you'll feel
12:20What that person feels
12:22You can say
12:24And understand
12:26That way
12:28That person is already one
12:30By becoming one with that person
12:32You'll have an understanding
12:34Once there's an understanding
12:36There's love, there's life
12:38So if you know the song
12:40I'm sure someone will like it
12:42Because it's not your life
12:44I want to do that
12:46Guru
12:48I want to do that
12:50I'm like
12:56How did you get the story
12:58They're still good
13:00It's not just stories
13:04It's a joke
13:06When we were in college
13:08It's good
13:10There's a writer
13:12It's good
13:14There's a calendar
13:16There's a date
13:18There's a mirror
13:20It's good
13:22It's a story
13:24A story of a student
13:26I heard it from others
13:28It's hard to be original
13:30Even from other songs
13:32Yes, I'm just copying
13:38How about alternative music
13:40I don't know
13:46My music
13:48My first two albums
13:50My first album is folk rock and blues
13:52The second one is blues crossover
13:54Pop
13:56I don't stick to one kind of music
13:58I want to grow
14:00And experiment
14:02On different kinds of music
14:04When it comes to writing
14:06I use all of my moods
14:08If I'm happy, if I'm sad
14:10All of those emotions work for me
14:12You use all of your moods
14:14You have a story
14:16A lot
14:18That's just how I write
14:20All I need is a pen and a paper
14:22No matter where I am
14:24Even in an airplane or a tricycle
14:26If I have an idea
14:28I will write it down
14:30What does alternative mean
14:32It's like
14:34She needs a social consciousness
14:36That's Bayang
14:40Is that alternative?
14:42Actually, it's alternative
14:44It's like you're just alternating it
14:46With mainstream
14:48She's not used to it
14:50But if you play it on the radio
14:52It's like you're always
14:54Listening to it on TV
14:56It's an alternative
14:58It's like it's mainstream
15:00I don't want to label it
15:02But
15:04It's like
15:06Maybe you need to
15:08You ask me
15:14They say
15:16Alternative is when you use
15:18Open chords
15:20You know, unfamiliar chords
15:22That you put in
15:24I'm not really sure
15:26We ourselves do not know
15:28Why they call it alternative
15:30Because
15:32When we create
15:34For us, back then
15:36There was no alternative
15:38We have protest songs
15:40Because it's very clear
15:42Political dissent
15:44Social content
15:46For other groups
15:48It's a form
15:50It became a label
15:52It's just a label
15:54We still call it protest music
15:56When a musician or a composer writes
15:58He doesn't think
16:00This is alternative, this is blues, this is jazz
16:02You just write and you create
16:04And then it's other people
16:06Who put the label
16:08Even us, we don't know what our music is called
16:10We just create it
16:12That's what you do
16:14That's your style
16:16Sometimes you categorize
16:18This is AB, this is DE
16:20This is Bacchiato
16:22This is social
16:24For us, we're not concerned
16:26Where the song is placed
16:28Where the song is placed
16:30The music is important
16:32You express it
16:34We have a hard time doing it
16:36Because there are other influences
16:38That's why it's hard to categorize
16:40Because we listen to all kinds of music
16:42Do you have a topic
16:44For example,
16:46Of course there are topics
16:48I always like this
16:50Like you said, there are national issues
16:52You like that
16:54Is there a topic that catches
16:56Your interest
16:58And that's where you get your inspiration
17:00For me, it's always love
17:04I can't write socially relevant
17:06I have no interest of
17:08Tackling it in my songs
17:12Most of my songs are based on
17:14My own emotions of love and anger
17:16But usually, it's really love
17:18I get so much out of it
17:20Whether it's painful or it's good
17:22Sometimes, I get influenced
17:24By political issues
17:26In my songs
17:28But of course, I didn't get to know
17:30Those kinds of songs
17:32That's why I'm still an idol
17:36But there's one thing
17:38Whatever I do
17:40Whether it's love songs, political
17:42Or funny
17:44I make sure
17:46That I communicate
17:48Meaning, I understand
17:50Because if I don't understand
17:52There's no purpose
17:54Of what I'm doing
17:58I just do it
18:00But what's important to me
18:02Is that the message reaches
18:04And is understood
18:08Why don't you just sing?
18:10Why do you have to write?
18:12Do you make money from that?
18:14Do you make money from writing?
18:16Of course
18:18I make money not only from money
18:20You gain something out of it
18:22It's just not about money
18:24Especially if you love what you're doing
18:26It's the song being
18:28Actually heard
18:30Because for me, writing
18:32Is part of my life
18:34From the time
18:36That
18:38Why?
18:42From the time I learned how to write
18:44Up to this day
18:46I don't stop
18:48Even if I haven't made an album
18:50For the past 3 years
18:52From my last one
18:54It's just part of me
18:56That doesn't go away
18:58You'd want to share those things to people
19:00Because
19:02Most of us know that it's songs
19:04That gets us through
19:06Whatever we're going through
19:08Do you make money from making songs?
19:10I don't make songs
19:12Because here in the Philippines
19:14It's not like that
19:16Especially in other countries
19:18But you know
19:20When you get older
19:22You'll see
19:28Actually, performers
19:30Composers and performers
19:32They see when a song gets popular
19:34That they made
19:36Because there are a lot of shows
19:38But in recording
19:40In royalties, there's none
19:42It's really nice
19:44Sometimes, royalties are like a bonus
19:46It's like, oh, I didn't know
19:48It's like, oh, I didn't know
19:50But what if
19:52For example, the title of a movie
19:54Does it have royalties?
19:56Or a commercial
19:58Or a TV show
20:00Or a soap opera
20:02There's a lot of money there
20:04Every dollar
20:06There's a lot of money
20:08But of course
20:10We won't let them pass
20:12Oh, we can't
20:14Today, we won't hear them sing one by one
20:16But of course, let's hear
20:18Ms. Baya first
20:20She'll sing
20:22With Gary, of course
20:24The song
20:28Wow
20:30It's been a while
20:32I've been following
20:34Every game
20:36Of my heart
20:38That's beating
20:40In every ball
20:42That's being thrown
20:44I can't stop
20:46Screaming
20:48Even if it's not religious
20:50I remember
20:52The saints
20:54Where they gave
20:56Where they gave
20:58I hope
21:00I won
21:02I hope
21:04I won
21:06I hope
21:10I mean
21:12I mean
21:14I mean
21:16We are
21:18We are
21:20Sisters
21:32What you've keeping there inside, dragonflies, dragon lies, what you've got inside your ears,
21:54tiny girls, singing 1, 2, 3, skip to 11, but don't forget the seven dwarfs, dwarfs.
22:19What's the taste and sound of Pinoy music? It's hard for us to satisfy.
22:24I think that's right. What do you need to really touch the hearts of the Pinoy people?
22:30What do you need?
22:31Do you need to make them cry?
22:33Do you need to talk about their pain?
22:36Or do you need to talk about...
22:38All of that.
22:40For me, just be honest, just tell the truth.
22:43The music should be true.
22:45I feel that the more you imagine, for example, there's one person you're singing to,
22:50the one person you're talking to, the more you'll be able to touch them.
22:54Because it's very personal.
22:56Compared to when you think, I wrote this for everyone.
22:59It's not very touching.
23:01It really has to come from your heart.
23:03Yeah, it has to be real, it has to be for someone.
23:06Yeah, it's true.
23:08People will also feel if you did that just to make money.
23:11Yes.
23:13That's what I mean by commercial.
23:17That's why sometimes, sometimes I get carried away.
23:22I'm just saying that my song is able to communicate.
23:25At the same time, that's why making money became commercial.
23:29But the truth is, what she's saying is right.
23:32People will feel if what you did is honest.
23:36They will also feel if your lyrics are hypocritical.
23:40They will feel that.
23:42The force.
23:43Yes, they will feel that.
23:44It might be a hit now, but after a while, it's forgotten.
23:49I don't know, the market in the community is different.
23:52You have the general market, the major label.
23:56Target market, something like that.
23:57No, the major label, that's what they like.
23:59The one you buy the most.
24:01It's like pancit, pancit.
24:02Pancit, you know.
24:04You have communities, particular communities,
24:07where your music is at home.
24:10There's a crowd.
24:12For example, in my community, there are activists.
24:15They don't hear my songs on the radio.
24:18They're at home.
24:20That's what we want to hear.
24:23But when it comes to the market,
24:25of course, those are the types of AGs.
24:29But you can make a way to bring them together.
24:33That's what's good.
24:34Is it a secret to make a hit?
24:38It's hard.
24:39It's hard.
24:40Or would you say it's just a hobby?
24:41It's a hobby.
24:42It's hard.
24:43Even if there's a formula, it's still not.
24:44There are people who listen to formula songs.
24:46But the song is really good, right?
24:47Our statistics used to be 1 in 13.
24:50Only 1 in 13 albums were able to...
24:53Recover.
24:54Recover from investment.
24:58They told me that I also had a hitmaker tag before.
25:04But I don't accept that.
25:07It's like you're an egg in a pot.
25:10It's like you always need to be an egg in a pot.
25:13So there's pressure.
25:14Yes.
25:15That's not my type.
25:16That's why I don't accept it.
25:17It's hard to be an egg in a pot.
25:18Yes.
25:20You're a human.
25:21You're like a chicken.
25:23I don't feed you.
25:24You're a chicken.
25:26It's hard.
25:30That's why your songs are like that.
25:34It's different.
25:36Yes, it's like there's pressure.
25:38Yes.
25:39That's why when they tell you that your song needs to be a hit,
25:42it's hard.
25:43You know, I have friends who are really good.
25:46Oh my God.
25:47Alexander, Noel Cabangon.
25:49Yes.
25:50Barrios, Jerks.
25:51You know, there's no market for them.
25:53They don't sell it.
25:55But they're really good.
25:57There are a lot of good people.
25:58They have a particular crowd.
26:01But they have a particular crowd.
26:03Yes.
26:05They don't disappear.
26:06They don't get old.
26:08Yes, they get old.
26:09All of them.
26:10They're still joining us.
26:12Do you think there's music that the Filipino should be exposed to?
26:16Of course.
26:17There's a lot.
26:18Just like you.
26:19There's a lot.
26:20Just like Gariga's music.
26:22Just like our original music, per se.
26:26Yes.
26:27Because, you know, when we're guests on TV,
26:32they don't let us sing our songs.
26:34They want you to sing something else.
26:36If we're going to sing our song,
26:37we have someone who doesn't know how to sing.
26:40You know, like that.
26:41Oh.
26:43Oh.
26:44Boing.
26:46No.
26:47It becomes too much of a business.
26:51I'm not saying...
26:53You know what I mean?
26:54There's no room for...
26:55No, we didn't say that.
26:57There is no...
26:59There is no room for the artists in entertainment.
27:05It's like that.
27:06It's like you have to join entertainment.
27:09Entertainment will not accept you as you.
27:12You have to...
27:13You have to conform.
27:14You always have to conform.
27:17As songwriters.
27:18She's not good.
27:19The money still comes first.
27:20Yes.
27:21The artistic...
27:24That's why it's hard for Filipino music to grow.
27:26Because of that.
27:27That's right.
27:28Or if they appreciate a certain kind of music,
27:31it's always a foreigner.
27:33You know that?
27:34For example, there's a Filipino...
27:35Sometimes, we have colonial music.
27:37For example, there's a Filipino jazz,
27:38there's a Filipino blues.
27:40Instead of appreciating that,
27:41they should appreciate the foreigner...
27:44But...
27:45You know what I mean?
27:46Of course, that's what they hear on the radio.
27:48Because that's...
27:49It's not like...
27:50Right?
27:51We don't often hear...
27:52Exactly.
27:53Other Filipino artists.
27:56There are a lot of Filipino artists that we don't hear often.
27:59Exactly.
28:00So, for us to familiarize ourselves with their music...
28:02Exactly.
28:03That still remains a question.
28:05As songwriters,
28:06do you feel bad that,
28:08well,
28:09lately,
28:10there are more revivals?
28:11Yes.
28:12Yes.
28:13What do you feel about revivals?
28:15But you're okay with that.
28:16She's okay.
28:17Yes, she's okay with that.
28:18As long as it's you,
28:19it's okay.
28:20As long as it's you.
28:21No, it's just me.
28:22I'll tell you the truth.
28:24I feel sad.
28:25Not because of...
28:27There's no hypocrisy here.
28:30You know,
28:31when I was young,
28:32I felt sad.
28:33When Ray Valera's song came back,
28:35what I felt was,
28:36is there no one making a new song now?
28:39Or,
28:40are the songwriters bringing the songs they made
28:42because the recording company is going to release them?
28:44What?
28:45I feel like that's a small thing.
28:48They're going to get the song,
28:49it's a promise.
28:50And then,
28:51it will go to another company.
28:53And if it's not too good?
28:54Yes.
28:55Then,
28:56that songwriter will be gone
28:57instead of giving us a lot of love songs.
28:59Yes.
29:00Then,
29:01he'll be gone.
29:02It's hard for songwriters now.
29:04Especially now.
29:05Why?
29:06For example,
29:07in the Guild,
29:08in the Guild of Songwriters,
29:09you're right,
29:10there are 800.
29:11800.
29:12Maybe,
29:13there are 500 amateurs.
29:14That means,
29:15they haven't recorded a song yet.
29:16Really?
29:17In those 300,
29:18maybe,
29:19there are 50 practitioners.
29:20The ones who are in the industry,
29:22there are 20.
29:23The ones who can give songs,
29:25there are 10,
29:2612.
29:27Now,
29:28in one album,
29:29maybe,
29:30there are 7 revivals,
29:311,
29:322 original.
29:33So,
29:34there are a lot of possibilities
29:36that you will compose a new one.
29:37Then,
29:38it will be gone.
29:39Then,
29:40the composers and producers will corner you.
29:41Yes,
29:42you're right.
29:43So,
29:44it's hard to...
29:45He's right.
29:46I think for us,
29:47I will include myself,
29:49producers,
29:50record producers.
29:51There are already 20 of us
29:52who are in control.
29:53I will say,
29:54who are in control of the trend.
29:56There are already 20 of us.
29:59Maybe,
30:00there are 10.
30:01Meanwhile,
30:02there's a lot of talent.
30:03A lot.
30:04Yes,
30:05a lot.
30:06A lot of talent,
30:07a lot of composers.
30:08Undiscovered talent.
30:09Undiscovered.
30:10I hope,
30:11they will give us a chance.
30:12Yes,
30:13Filipinos are good,
30:14right?
30:15We will make our own bench.
30:16You're right.
30:17You're right.
30:18Yes,
30:19we should do that.
30:20Right?
30:21We're always listening to foreign composers.
30:23It's because we're not exposed.
30:25Yes.
30:27But,
30:28we're exposed now.
30:29Let's expose ourselves.
30:30Always.
30:31Always.
30:32Always.
30:33Of course,
30:34we're used to hearing
30:35and watching
30:36his dad.
30:37Let's watch
30:38the son of the son.
30:40So,
30:41the viewers will be happy
30:42and you'll be happy too.
30:43My son will also sing.
30:44Okay.
30:45But,
30:46it's a segue.
30:47Because,
30:48I have my own version of anak.
30:49Revival.
30:50Ikaw nga.
30:52Gusto kong,
30:53plano ko i-revive tong anak
30:54in this way.
30:55So...
31:18I love you.
31:19I love you.
31:20I love you.
31:21I love you.
31:22I love you.
31:23I love you.
31:24I love you.
31:25I love you.
31:26I love you.
31:27I love you.
31:28I love you.
31:29I love you.
31:30I love you.
31:31I love you.
31:32I love you.
31:33I love you.
31:34I love you.
31:35I love you.
31:36I love you.
31:37I love you.
31:38I love you.
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31:40I love you.
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31:42I love you.
31:43I love you.
31:44I love you.
31:45I love you.
31:46I love you.
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31:48I love you.
31:49I love you.
31:50I love you.
31:51I love you.
31:52I love you.
31:53I love you.
31:54I love you.
31:55I love you.
31:56I love you.
31:57I love you.
31:58I love you.
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32:00I love you.
32:01I love you.
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33:01I love you.
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33:21I love you.
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33:24I love you.
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33:52I love you.
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33:55I love you.
33:56I love you.
33:57I love you.
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34:00I love you.
34:01I love you.
34:02I love you.
34:03I love you.
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34:15I love you.
34:16I love you.
34:17I love you.
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34:19I love you.
34:20I love you.
34:21I love you.
34:22I love you.
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34:24I love you.
34:25I love you.
34:26I love you.
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34:57I love you.
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34:59I love you.
35:00I love you.
35:01I love you.
35:02I love you.
35:03I love you.
35:04I love you.
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35:06I love you.
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35:09I love you.
35:10I love you.
35:11I love you.
35:12I love you.
35:13I love you.
35:14I love you.
35:15I love you.
35:16I love you.
35:17I love you.
35:18I love you.
35:19I love you.
35:20I love you.
35:21I love you.
35:22I love you.
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35:24I love you.
35:25I love you.
35:26I love you.
35:27I love you.
35:28I love you.
35:29I love you.
35:30I love you.
35:31I love you.
35:32I love you.
35:33I love you.
35:34I love you.
35:35I love you.
35:36I love you.
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35:38I love you.
35:39I love you.
35:40I love you.
35:41I love you.
35:42I love you.
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35:55I love you.
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36:00I love you.
36:01I love you.
36:02I love you.
36:03I love you.
36:04I love you.
36:05I love you.
36:06I love you.
36:07I love you.
36:08I love you.
36:09I love you.
36:10I love you.
36:11I love you.
36:12I love you.
36:13I love you.
36:14I love you.
36:15I love you.
36:16I love you.
36:17I love you.
36:18I love you.
36:19I love you.
36:20I love you.
36:21I love you.
36:22I love you.
36:23I love you.
36:24I love you.
36:25I love you.
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36:27I love you.
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36:29I love you.
36:30I love you.
36:31I love you.
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36:38I love you.
36:39I love you.
36:40I love you.
36:41I love you.
36:42I love you.
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36:45I love you.
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36:49I love you.
36:50I love you.
36:51I love you.
36:52I love you.
36:53I love you.
36:54I love you.
36:55I love you.
36:56I love you.
36:57I love you.
36:58I love you.
36:59I love you.
37:00I love you.
37:01I love you.
37:02I love you.
37:03I love you.
37:04I love you.
37:05I love you.
37:06I love you.
37:07I love you.
37:08I love you.
37:09I love you.
37:10I love you.
37:11I love you.
37:12I love you.
37:13I love you.
37:14I love you.
37:15I love you.
37:16I love you.
37:17I love you.
37:18I love you.
37:19I love you.
37:20I love you.
37:21I love you.
37:22I love you.
37:23I love you.
37:24I love you.
37:25I love you.
37:26I love you.
37:27I love you.
37:28I love you.
37:29I love you.
37:30I love you.
37:31I love you.
37:32I love you.
37:33I love you.
37:34I love you.
37:35I love you.
37:36I love you.
37:37I love you.
37:38I love you.
37:39I love you.
37:40I love you.
37:41I love you.
37:42I love you.
37:43I love you.
37:44I love you.
37:45I love you.
37:46I love you.
37:47I love you.
37:48I love you.
37:49I love you.
37:50I love you.
37:51I love you.
37:52I love you.
37:53I love you.
37:54I love you.
37:55I love you.
37:56I love you.
37:57I love you.
37:58I love you.
37:59I love you.
38:00I love you.
38:01I love you.
38:02I love you.
38:03I love you.
38:04I love you.
38:05I love you.
38:06I love you.
38:07I love you.
38:08I love you.
38:09I love you.
38:10I love you.
38:11I love you.
38:12I love you.
38:13I love you.
38:14I love you.
38:15I love you.
38:16I love you.
38:17I love you.
38:18I love you.
38:19I love you.
38:20I love you.
38:21I love you.
38:22I love you.
38:23I love you.
38:24I love you.
38:25I love you.
38:26I love you.
38:27I love you.
38:28I love you.
38:29I love you.
38:30I love you.
38:31I love you.
38:32I love you.
38:33I love you.
38:34I love you.
38:35I love you.
38:36I love you.
38:37I love you.
38:38I love you.
38:39I love you.
38:40I love you.
38:41I love you.
38:42I love you.
38:43I love you.
38:44I love you.
38:45I love you.
38:46I love you.
38:47I love you.
38:48I love you.
38:49I love you.
38:50I love you.
38:51I love you.
38:52I love you.
38:53I love you.
38:54I love you.
38:55I love you.
38:56I love you.
38:57I love you.
38:58I love you.
38:59I love you.
39:00I love you.
39:01I love you.
39:02I love you.
39:03I love you.
39:04I love you.
39:05I love you.
39:06I love you.
39:07I love you.
39:08I love you.
39:09I love you.
39:10I love you.
39:11I love you.
39:12I love you.
39:13I love you.
39:14I love you.
39:15I love you.
39:16I love you.
39:17I love you.
39:18I love you.
39:19I love you.
39:20I love you.
39:21I love you.
39:22I love you.
39:23I love you.
39:24I love you.
39:25I love you.
39:26I love you.
39:27I love you.
39:28I love you.
39:29I love you.
39:30I love you.
39:31I love you.
39:32I love you.
39:33I love you.
39:34I love you.
39:35I love you.
39:36I love you.
39:37I love you.
39:38I love you.
39:39I love you.
39:40I love you.
39:41I love you.
39:42I love you.
39:43I love you.
39:44I love you.
39:45I love you.
39:46I love you.
39:47I love you.
39:48I love you.
39:49I love you.
39:50I love you.
39:51I love you.
39:52I love you.
39:53I love you.
39:54I love you.
39:55I love you.
39:56I love you.
39:57I love you.
39:58I love you.
40:00And what do you think is the biggest problem of this industry?
40:02Wait, me?
40:03I'm dead.
40:04This is too long.
40:07The biggest problem of the industry is the capacity of the market to buy in the first place.
40:12The payola is low in the countries that have a bigger disposable income.
40:19Sometimes, it's hard because, frankly, I bought pirated CDs for reference.
40:25I want to hear the sound of it.
40:26I can't afford to buy a CD for P450 so that I can hear Bob Marley.
40:31It's affordability.
40:32Right?
40:33That's why you can't blame this market because there's no one to buy it from.
40:39You have to lower it at the same time.
40:43You have to understand.
40:44Lower the CDs and the original bass.
40:47Yes, lower it.
40:48You have to regulate the payola so that the cost of promotion will go down.
40:52Yes.
40:54Wait, wait.
40:56I know that Victor Wood wasn't played because of what he said.
41:01Why?
41:02He wasn't played.
41:04That's okay.
41:07I'll tell him.
41:08Let's not blame each other.
41:10Let's just listen to Mr. Ray Valera.
41:12Yes.
41:13Isn't that right?
41:14Yes.
41:15Wow.
41:18Oh, my God.
41:23Oh, my God.
41:24Oh, my God.
41:25Oh, my God.
41:26Oh, my God.
41:27Oh, my God.
41:28Oh, my God.
41:29Oh, my God.
41:30Oh, my God.
41:31Oh, my God.
41:32Oh, my God.
41:33Oh, my God.
41:34Oh, my God.
41:35Oh, my God.
41:36Oh, my God.
41:37Oh, my God.
41:38Oh, my God.
41:39Oh, my God.
41:40Oh, my God.
41:41Oh, my God.
41:42Oh, my God.
41:43Oh, my God.
41:44Oh, my God.
41:45Oh, my God.
41:46Oh, my God.
41:47Oh, my God.
41:48Oh, my God.
41:49Oh, my God.
41:50Oh, my God.
41:51Oh, my God.
41:52Oh, my God.
41:53Oh, my God.
41:54Oh, my God.
41:55Oh, my God.
41:56Oh, my God.
41:57Oh, my God.
41:58Oh, my God.
41:59Oh, my God.
42:00Oh, my God.
42:01Oh, my God.
42:02Oh, my God.
42:03Oh, my God.
42:04Oh, my God.
42:05Oh, my God.
42:06Oh, my God.
42:07Oh, my God.
42:08Oh, my God.
42:09Oh, my God.
42:10Oh, my God.
42:11Oh, my God.
42:12Oh, my God.
42:13Oh, my God.
42:14Oh, my God.
42:15Oh, my God.
42:16Oh, my God.
42:17Oh, my God.
42:18Oh, my God.
42:19Oh, my God.
42:20Oh, my God.
42:21Oh, my God.
42:22Oh, my God.
42:23Oh, my God.
42:24Oh, my God.
42:25Oh, my God.
42:26Oh, my God.
42:27Oh, my God.
42:28Oh, my God.
42:29Oh, my God.
42:30Oh, my God.
42:31Oh, my God.
42:32Oh, my God.
42:33Oh, my God.
42:34Oh, my God.
42:35Oh, my God.
42:36Oh, my God.
42:37Oh, my God.
42:38Oh, my God.
42:39Oh, my God.
42:40Oh, my God.
42:41Oh, my God.
42:42Oh, my God.
42:43Oh, my God.
42:44Oh, my God.
42:45Oh, my God.
42:46Oh, my God.
42:47Oh, my God.
42:48Oh, my God.
42:49Oh, my God.
42:50Oh, my God.
42:51Oh, my God.
42:52Oh, my God.
42:53Oh, my God.
42:54Oh, my God.
42:55Oh, my God.
42:56Oh, my God.
42:57Oh, my God.
42:58Oh, my God.
42:59Oh, my God.
43:00Oh, my God.
43:01Oh, my God.
43:02Oh, my God.
43:03Oh, my God.
43:04Oh, my God.
43:05Oh, my God.
43:06Oh, my God.
43:07Oh, my God.
43:08Oh, my God.
43:09Oh, my God.
43:10Oh, my God.
43:11Oh, my God.
43:12Oh, my God.
43:13Oh, my God.
43:14Oh, my God.
43:15Oh, my God.
43:16Oh, my God.
43:17Oh, my God.
43:18Oh, my God.
43:19Oh, my God.
43:20Oh, my God.
43:21Oh, my God.
43:22Oh, my God.
43:23Oh, my God.
43:24Oh, my God.
43:25Oh, my God.
43:26Oh, my God.
43:27Oh, my God.
43:28Oh, my God.
43:29Oh, my God.
43:30Oh, my God.
43:31Oh, my God.
43:32Oh, my God.
43:33Oh, my God.
43:34Oh, my God.
43:35Oh, my God.
43:36Oh, my God.
43:37Oh, my God.
43:38Oh, my God.
43:39Oh, my God.
43:40Oh, my God.
43:41Oh, my God.
43:42Oh, my God.
43:43Oh, my God.
43:44Oh, my God.
43:45Oh, my God.
43:46Oh, my God.
43:47Oh, my God.
43:48Oh, my God.
43:49Oh, my God.
43:50Oh, my God.
43:51Oh, my God.
43:52Oh, my God.
43:53Oh, my God.
43:54Oh, my God.
43:55Oh, my God.
43:56Oh, my God.
43:57Oh, my God.
43:58Oh, my God.
43:59Oh, my God.
44:00Oh, my God.
44:01Oh, my God.
44:02Oh, my God.
44:03Oh, my God.
44:04Oh, my God.
44:05Oh, my God.
44:06Oh, my God.
44:07Oh, my God.
44:08Oh, my God.
44:09Oh, my God.
44:10Oh, my God.
44:11Oh, my God.
44:12Oh, my God.
44:13Oh, my God.
44:14Oh, my God.
44:15Oh, my God.
44:16Oh, my God.
44:18CISS would like to thank
44:20Vampy Fuentes, Moss & Moe, F&H, Folded & Hung,
44:24Wayless Center, Adidas,
44:25Chloe for our Eyewear, Optical Works,
44:28680 Home Appliances,
44:30DuraStar, La Germania, Salon De Manuela,
44:33Diannelene Shoes, Wade Shoes, Manu Mano,
44:37Under the Sea Pet Shop,
44:39JBL Furniture Corporation,
44:41Gran Flora,
44:42Bayo,
44:43Our Home,
44:44The Barnyard and Union Square,
44:46square.
44:48I love you.
45:16In this world, your parents are very happy
45:21And their hands are your light
45:28Snatchers are still good
45:31And there's always someone chasing
45:35My old computer
45:38Still has a compatible
45:42No matter where you are, my dream is
45:49You will be happy
45:52I am the one you love
45:55I will pass
46:00But there's a song
46:05I will leave for you
46:10I love you