Category
🎥
Short filmTranscript
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00:00:28Sir, can you do something for me?
00:00:32Sure, sure.
00:00:35What's the problem with the car?
00:00:37The car is ready, but there's no water in the radiator.
00:00:39I'm going to fill water.
00:00:40You didn't get time to drink water in the car, did you?
00:00:42Go, fill it up quickly.
00:00:48Hey, I'll be right back.
00:00:50You come with me.
00:00:52You come too.
00:00:54And listen...
00:00:55Be careful.
00:00:57Keep an eye on it.
00:00:58If you get a chance, I'll give you a ride.
00:01:00But be careful.
00:01:25Here, have a cigarette.
00:01:27Thank you, sir.
00:01:34Where's the gun?
00:01:36Didn't you keep it in the car?
00:01:37Sir, I'll go get it.
00:01:38No, no. Wait, wait.
00:01:41Wait.
00:01:51Where did I keep it?
00:01:55Huh?
00:01:58Rana Pankaj!
00:02:00Yes, sir?
00:02:02Where did you go?
00:02:04Sir...
00:02:05Where is he?
00:02:10He ran away with my gun.
00:02:13Where did you go?
00:02:14Sir, I went that way.
00:02:15Where did you go? Come here.
00:02:17Come here.
00:02:18Find him.
00:02:19Yes, sir.
00:02:25Find him.
00:02:55Where did he go?
00:03:02Where did he go?
00:03:08Where did he go?
00:03:09Where did he go?
00:03:25Where did he go?
00:03:26No, sir.
00:03:27He went that way.
00:03:28Find him!
00:03:29Sir, he went that way.
00:03:55Find him!
00:04:15Hey, kid.
00:04:18What are you doing?
00:04:19Why are you standing here?
00:04:21Go ahead, go.
00:04:22Step forward.
00:04:23Hey, sir. Where are you?
00:04:24Sir, what have you started?
00:04:26Won't you tell me?
00:04:27Sir, I'm coming.
00:04:29Sir, I'm coming.
00:04:30Ah!
00:04:32Ah!
00:04:33Hey!
00:04:34Hey!
00:04:35Madam!
00:04:36Madam!
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00:06:18Ah!
00:06:19Why?
00:06:21What do you want?
00:06:23I'll shoot you right away if you say a word out of question.
00:06:26Did anyone say anything?
00:06:28No one.
00:06:35Really?
00:06:39Yes.
00:06:40No.
00:06:49Please.
00:06:53Please.
00:06:54Please.
00:07:09Huh?
00:07:15Move.
00:07:16Where?
00:07:17This is the study room.
00:07:19Yes.
00:07:21This is the master bed.
00:07:23This is the second bed.
00:07:24Yes.
00:07:24There are five rooms in this house.
00:07:26How did you...
00:07:29Go.
00:07:29Where do I go?
00:07:30Where do I go?
00:07:31I'll search the house.
00:07:33Until then, you'll stay in the study room.
00:07:35Okay?
00:07:35Don't go out.
00:07:36If you go out, you'll be...
00:07:37Please.
00:07:38Move.
00:07:39Okay.
00:07:39Okay.
00:07:40Okay.
00:07:40Okay.
00:07:41Okay.
00:07:42Okay.
00:08:09Okay.
00:08:09Okay.
00:08:39Hmm?
00:08:41Hmm?
00:08:50Hmm?
00:08:51Hmm?
00:08:53Hmm?
00:08:55Hmm?
00:08:56Hmm?
00:08:58Hmm?
00:08:59Hmm?
00:09:07Ask her.
00:09:09Is it possible to stay in this house for a while?
00:09:13No.
00:09:13Yes.
00:09:38Akhil Bandhu Ghosh.
00:09:41I like him.
00:09:43I used to listen to him when I was a kid.
00:09:46Have you heard of him?
00:10:01What do you want?
00:10:04Time.
00:10:05Sorry?
00:10:08Some people are looking for me.
00:10:10I'll stay here until they are found.
00:10:15Why are they looking for you?
00:10:28There is no place to question me.
00:10:32Hmm?
00:10:35Have you committed a crime?
00:10:37I mean...
00:10:39Have you been released from jail?
00:10:45There is ice cream in the fridge.
00:10:47Vanilla.
00:10:50Hmm.
00:11:09Hmm.
00:11:19There was an oven here, right?
00:11:25The timer of the oven was broken.
00:11:30I stayed near the timer and ate ice cream from the fridge.
00:11:39Hmm.
00:11:42What?
00:11:45Did I say something wrong?
00:11:51There was an oven here, right?
00:11:54No.
00:11:57There was.
00:12:00This is called deja vu.
00:12:02I mean...
00:12:03You think that the real incident has happened.
00:12:06But it didn't happen in reality.
00:12:13If it takes a long time to find them, will you stay here?
00:12:18Hmm.
00:12:21It will take a long time.
00:12:24I wouldn't have stayed if I was smart.
00:12:28There are two ways to get here.
00:12:30Through a highway.
00:12:32And through a jungle.
00:12:35I won't be able to find you in the highway.
00:12:38If I had come through the jungle, I would have found you.
00:12:57You are here.
00:12:58Who is here?
00:13:00I don't know.
00:13:02You don't know?
00:13:04You told me that no one would come.
00:13:06I really don't know.
00:13:08How can I tell you who is here?
00:13:11Then who is ringing the doorbell?
00:13:12I don't know.
00:13:13You cheated me.
00:13:15How? I was with you all the time.
00:13:28Good morning, ma'am.
00:13:30Why did you open the door so late?
00:13:32Sorry.
00:13:34I was in the kitchen.
00:13:36I couldn't hear the doorbell in the kitchen.
00:13:40And I was listening to music.
00:13:44No problem, ma'am.
00:13:46If there is no problem, why are you here?
00:13:49I mean...
00:13:51You were listening to music.
00:13:53There is no problem in listening to music, ma'am.
00:13:54There is no problem in listening to music, ma'am.
00:13:56But there is a problem in running away with a gun.
00:14:01Who ran away?
00:14:03A murderer, ma'am.
00:14:06Murderer.
00:14:08Very dangerous.
00:14:09Shut up. I am not talking.
00:14:11You are talking too much now.
00:14:13What were you doing when he ran away?
00:14:15Sorry, ma'am.
00:14:17We were going in a car with a murderer.
00:14:19Suddenly, ma'am, he ran away with a gun.
00:14:21Oh.
00:14:23That is definitely a problem.
00:14:27Yes.
00:14:29Ma'am.
00:14:31Did you see anyone suspicious around here?
00:14:35No.
00:14:37No.
00:14:39Look.
00:14:40It is confirmed.
00:14:41There is no problem, ma'am.
00:14:43Be careful.
00:14:44If you see anyone suspicious around here, call the police immediately.
00:14:46There is a number, right?
00:14:48Why are you laughing?
00:14:49You should be ashamed of it.
00:14:51A murderer ran away from your house.
00:14:54And you are laughing.
00:14:56Yes, ma'am.
00:14:58We will search this area all night.
00:15:00You will not get scared, ma'am.
00:15:02Okay?
00:15:03Oh.
00:15:05So nice of you.
00:15:07Yes, ma'am.
00:15:16Hey.
00:15:17Wait.
00:15:19I don't think we can find him so easily.
00:15:21Yes, sir.
00:15:22But where will he go?
00:15:24He must be around here.
00:15:26Let's go.
00:15:27Move.
00:15:28Sir.
00:15:29I forgot to look around the highway.
00:15:31Why are you saying that now?
00:15:32Couldn't you say that when we were looking around?
00:15:34Do what I say now.
00:15:35Search.
00:15:36Yes, sir.
00:15:37Move.
00:15:38Look there.
00:15:39Look there.
00:15:51Police.
00:15:52They will search all night.
00:15:54That means you won't go from here so easily, right?
00:16:05Come. Sit.
00:16:09You won't go anywhere from here.
00:16:17Where are you going?
00:16:18Go.
00:16:19Okay.
00:16:39Search.
00:17:02Search in the corner.
00:17:03Search in the corner.
00:17:04Go behind the building.
00:17:05Sir, that way.
00:17:06Sir, that way.
00:17:09Look this way.
00:17:10Sir.
00:17:13Sir, look that way.
00:17:24Sir, look behind the jungle.
00:17:39Sir, look behind the jungle.
00:18:01Nin.
00:18:04Go.
00:18:05How did you feel that I will sit with you and eat together in such a situation?
00:18:11No.
00:18:12I felt that you won't hurt me.
00:18:20It's getting cold.
00:18:31You can eat.
00:18:32You can eat.
00:18:35Don't worry.
00:18:41I am Deepan Nitha.
00:18:44I am Pablo.
00:18:46Nice name.
00:18:47Deepthika Ramin.
00:18:52Just a friendly gesture.
00:19:02Okay.
00:19:32Do you want to be friendly with a murderer?
00:19:40Have you committed a murder?
00:19:43No.
00:19:45But I will.
00:19:51Whom?
00:19:57Shukla.
00:19:59My wife.
00:20:00My love.
00:20:02My faith.
00:20:30Lyrics of the song are translated by Deepthika Ramin.
00:21:00I don't believe in life, I don't believe in you, my friend
00:21:11I don't believe in mind, I don't believe in life, I don't believe in you, my friend
00:21:25The moon rises and sets, the sun goes down
00:21:31I just stay in place, waiting for you
00:21:38I don't believe in mind, I don't believe in life, I don't believe in you, my friend
00:21:55Instrumental
00:22:19I don't believe in mind, I don't believe in life, I don't believe in you, my friend
00:22:33Instrumental
00:22:47Do you know the dust? The dust of the road
00:22:53The dust of the road is as ugly as it wants to be
00:23:00No one wants to see the inside
00:23:04Only the death of the flower can bring the dust back
00:23:16You mean to say, you are the dust and your wife is the flower
00:23:23You mean to say, your wife is not giving you what you want and you want to kill her
00:23:32Your thinking has become a little simple
00:23:38It is a simple matter not to understand each other inside the husband and wife
00:23:43Man complicates it
00:23:45I mean, I am talking from my experience
00:23:49I mean, the problem that I can solve by thinking
00:23:55Why should I kill it?
00:23:58Why does a person do this?
00:24:00No, I mean, I am not talking about you
00:24:05There is a lot
00:24:10What do you think?
00:24:12I didn't try
00:24:17If you don't have a job, you can talk to a third person
00:24:24Third person?
00:24:27I mean to say, someone familiar
00:24:31Like your family member or doctor
00:24:38I mean to say, psychiatrist
00:24:40You can discuss with him
00:24:42Or someone who calls you or Shukla
00:24:48I mean, mutual friend
00:24:50Someone who is your friend
00:24:53Friend?
00:24:56Friend?
00:24:58You are my friend, Shatrughna
00:25:01I am your friend
00:25:27Shatrughna
00:25:58Shatrughna
00:25:59Shatrughna
00:26:00Shatrughna
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00:27:00Shatrughna
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00:27:15Shatrughna
00:27:16Shatrughna
00:27:17Shatrughna
00:27:18Shatrughna
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00:27:20Shatrughna
00:27:21Shatrughna
00:27:22Shatrughna
00:27:23Shatrughna
00:27:25Assalamualaikum
00:27:33Waalaikumassalam
00:27:38You are Shukla?
00:27:41With your father-in-law
00:27:46I have a huge request
00:27:49What is it?
00:27:54We were in Antaratta
00:27:58It's a long time now
00:28:02But we are still in touch
00:28:06Where there is Nizamuddin, there is Akhil
00:28:11As far as I know, your name is Sayed Burhanuddin
00:28:15But why is everyone calling you Akhil Bandhu?
00:28:17Akhil Bandhu Ghosh's song
00:28:20I used to sing it a lot
00:28:23That's why everyone used to call me Akhil
00:28:27In your heart, there is a garland of flowers
00:28:35With whose support am I?
00:28:40O Kamalika
00:28:45O Kamalika
00:28:49You won't understand
00:28:53How helpless I am
00:29:00In your heart, there is a garland of flowers
00:29:07With whose support am I?
00:29:11In your heart, there is a garland of flowers
00:29:18No
00:29:20What do you mean?
00:29:22I haven't been able to find him since last evening
00:29:25I have been looking for him everywhere
00:29:31But I can't find him
00:29:33He has left his mobile phone there
00:29:36Has he left his phone there?
00:29:38Yes
00:29:39Let me check
00:29:41Akhil Bandhu Ghosh's song
00:29:45Akhil Bandhu Ghosh's song
00:30:08Who is Rai?
00:30:10It's me
00:30:12He always calls me by that name
00:30:15Akhil Bandhu Ghosh's song
00:30:18Rai means Radha
00:30:21Madan had left her
00:30:26Do you have a room?
00:30:29Yes
00:30:31Can I go to that room?
00:30:34Sure
00:30:45Akhil Bandhu Ghosh's song
00:31:15Akhil Bandhu Ghosh's song
00:31:32Take care of your health
00:31:35Don't smoke
00:31:40Can I have a cup of coffee?
00:31:44Black, hard
00:31:46Sure
00:31:48Pablo
00:32:02Akhil Bandhu Ghosh's song
00:32:14He was my best friend
00:32:19Thank you
00:32:32Akhil Bandhu Ghosh's song
00:32:40Shukla
00:32:42Who is the closest friend of Pablo?
00:32:47Who do you suspect?
00:32:51Hux's son or me?
00:32:53Son?
00:32:55It's possible
00:32:58When there is no strangeness in a person's life
00:33:02Then a person becomes restless
00:33:05A person becomes a hunter
00:33:07All the wonderful experiences and unobtainable things
00:33:11With these, a person is trapped
00:33:15There is no limit or limit to the process of being trapped by a person
00:33:29Anyway, you don't have a son
00:33:34Do you have a daughter?
00:33:46Look Shukla
00:33:48If you don't want to talk, stay
00:33:51But I have understood that Pablo loves a girl
00:33:58Who is beautiful, attractive and colorful like you
00:34:03It's not true
00:34:05Pablo is not interested in anything other than me
00:34:08It's true
00:34:10No, it's not true
00:34:29This letter doesn't prove it
00:34:33Whose letter is this?
00:34:36Pablo's letter
00:34:38He wants to meet you
00:34:40It's possible that he wrote this letter to you
00:34:47When he left this house last evening
00:34:51Can I read it?
00:34:53Of course
00:34:55Hey Pablo
00:34:58Pablo
00:35:01Pablo
00:35:06Pablo
00:35:08Hey Pablo
00:35:10Pablo, are you at home?
00:35:16Sister-in-law, greetings
00:35:18What's up?
00:35:20How are you?
00:35:22We have a club
00:35:25There is a football tournament next week
00:35:26Pablo is a member of that club
00:35:29Come and see
00:35:33He is not at home
00:35:35Where is he?
00:35:37He has gone out of the house
00:35:39What are you saying?
00:35:41Tell me where he is
00:35:54His phone is switched off
00:35:57Okay, sister-in-law
00:35:59Pablo is not at home
00:36:01He wants to meet us
00:36:03Sister-in-law, I have a request
00:36:06What is it?
00:36:08The request is
00:36:10We want to organize a program for all of you
00:36:14We have a football tournament
00:36:16We want to sing and dance
00:36:18Okay, sister-in-law
00:36:20We can give you money
00:36:22But the budget is low
00:36:23Okay, sister-in-law
00:36:25We won't reduce your budget
00:36:27Okay, sister-in-law
00:36:29Greetings
00:36:37Where did he go?
00:36:41I mean
00:36:43I want to know
00:36:45What was his intention?
00:36:47Or was it an accident?
00:36:54No
00:37:05Whatever it is
00:37:07It is not necessary for this story
00:37:13Maybe
00:37:15Maybe not
00:37:19We can listen to the story at the end
00:37:23Okay
00:37:25Finish the story
00:37:28I have a question
00:37:30Akhil Bandhu Ghosh
00:37:32Or Sayyed Burhanuddin
00:37:34Who is he?
00:37:46Dear mother
00:37:48Your love is in me
00:37:50Your love is in me
00:37:52Your love is in me
00:37:55What is the meaning of love
00:37:57If it is not filled with hatred?
00:38:05Tell me
00:38:07What is the meaning of love?
00:38:10Everything is yours
00:38:14In the dark night
00:38:16Under the pole
00:38:17In the dark night
00:38:19Under the pole
00:38:22I don't know if I will find you
00:38:25This is the thought
00:38:29What is the meaning of this?
00:38:33The meaning of this
00:38:35Don't you know the truth?
00:38:37Don't you understand?
00:38:38No
00:38:41Shukla
00:38:44I
00:38:46I want to ask you a few questions
00:38:49If you allow me
00:38:52I will ask you the questions one by one
00:38:58Yes, you can say
00:39:03In this
00:39:05Letter
00:39:08There are three things
00:39:11That
00:39:13You have to remember
00:39:16One
00:39:17Binodini
00:39:21Two
00:39:23What is the meaning of love
00:39:26If it is not filled with hatred?
00:39:32Three
00:39:34In the dark night
00:39:37Under the pole
00:39:40Rangin Binodini
00:39:42What is the meaning of all this?
00:39:44Okay, Shukla
00:39:46Tell me the truth
00:39:49Do you really love Pablo?
00:39:53Or is he looking for someone else?
00:39:58What do you mean?
00:40:00Someone else
00:40:03In your precious life
00:40:07If Pablo is looking for Binodini
00:40:10In you
00:40:14Did you understand that?
00:40:16If he is looking for Binodini in me
00:40:19What are you trying to say?
00:40:22Pablo is looking for the girls under the pole?
00:40:26No, no
00:40:28Why do you think that the girl under the pole, Rangin Binodini is a bad girl?
00:40:35Listen
00:40:37In your precious life
00:40:40Rangin
00:40:44If you can fill that precious life
00:40:47With happiness
00:40:49With love
00:40:51Fill it
00:40:53Sit
00:40:55Sit
00:41:00Listen
00:41:01You are Shukla
00:41:03A beautiful woman
00:41:05A beautiful woman
00:41:08In your precious life
00:41:10In your precious life
00:41:12What did you give to Pablo?
00:41:16I gave him everything
00:41:18I stayed with him in happiness and sadness
00:41:23That is your responsibility
00:41:25The light of your future love
00:41:30But outside
00:41:32There is a lot left
00:41:36Pablo wants you
00:41:38New
00:41:40He wants to invent something new
00:41:43He wants to get
00:41:45Have you ever thought about that?
00:42:07Close your eyes
00:42:11No
00:42:14Don't stay like this
00:42:19Close
00:42:21Your eyes
00:42:28Now you will lose
00:42:31In some other world
00:42:35The world
00:42:37From your world
00:42:41Far away
00:42:54Now you
00:42:56Are a different person
00:43:02In your worries
00:43:05In your thoughts
00:43:07You are now
00:43:08Shukla
00:43:24You are now
00:43:26A beautiful stranger
00:43:38Shukla
00:44:08Shukla
00:44:18Who are you?
00:44:21Don't you recognize me?
00:44:25Everyone calls me by my name
00:44:29What are you saying?
00:44:33I like you a lot
00:44:36I am a big fan of yours
00:44:42Fan?
00:44:44What does that mean?
00:44:46I know
00:44:48I have a snake
00:44:50What does fan mean?
00:44:52Fan means
00:44:54Fan means
00:44:56A good liar
00:44:59Good?
00:45:01I don't have anyone now
00:45:04My body is your happiness
00:45:08What are you saying?
00:45:10There are a lot of women like you
00:45:14I know
00:45:16Then
00:45:18Why do all the snakes come to me?
00:45:22Your beauty
00:45:24The beauty of your mind
00:45:27What is that?
00:45:28What is that now?
00:45:33This
00:45:35Your beautiful eyes
00:45:39Your beautiful waist
00:45:42In which there are a lot of my dreams
00:45:46Your beautiful eyes
00:45:48Your beautiful smile
00:45:50Your beauty
00:45:52All these make me happy
00:45:58Hmm
00:46:04I don't understand all this
00:46:08Maybe
00:46:11I didn't get a chance
00:46:14Maybe she didn't give me a chance to see
00:46:18Like today
00:46:20It's raining
00:46:22I called my wife and told her
00:46:23I told her
00:46:25Today we have a separate arrangement
00:46:28We will drink all night
00:46:31We will go to the sea of happiness
00:46:34But she didn't agree
00:46:36Oh
00:46:44Will you drink with me?
00:46:48What are you saying?
00:46:50Will you drink with me, Binodini?
00:46:57My friend Akhil keeps reducing the distance between imagination and reality
00:47:03I find my colorful Binodini
00:47:07That is a different world
00:47:09A different kind of fantasy
00:47:20I
00:47:23Why do I feel that
00:47:26Akhil Bandhu Ghosh
00:47:28This person is you
00:47:32You are right
00:47:36Didn't Shukla recognize you?
00:47:40He could recognize me
00:47:42But he didn't reveal anything
00:47:44Why?
00:47:50Hmm
00:47:52We couldn't talk to each other naturally
00:47:56Because of doubt
00:47:58But when I used to go to Akhil Bandhu, Feluda, Masood Rana
00:48:02Then we used to talk openly
00:48:07Because I
00:48:09Couldn't tell him as Pablo
00:48:12That Shukla, I want to see you as Rai
00:48:16Oh
00:48:18This
00:48:20This Bhadra, I mean Akhil Bandhu
00:48:23Was he always
00:48:25Indifferent to you?
00:48:27I mean, he never argued with you?
00:48:30Why do you think so?
00:48:33Because your
00:48:35Typical manly worries
00:48:38He never interfered in this matter
00:48:40He was a big shadow all the time
00:48:46You men
00:48:49Don't care about
00:48:51What you don't get
00:48:54And what you get
00:48:56You don't care about it
00:49:00Is this only men's fault?
00:49:02Is it only men's fault?
00:49:06How can you blame a woman?
00:49:08You will have to listen to that later
00:49:12Hmm
00:49:16Hmm
00:49:18Hmm
00:49:20Hmm
00:49:23Hmm
00:49:26Hmm
00:49:28Now I understand
00:49:30Hmm
00:49:32Why a man from Thakur's family
00:49:34Was attracted to you
00:49:38Why did he say that?
00:49:40What I said
00:49:42Your
00:49:43Daughter-in-law, Chitra
00:49:46The ability to
00:49:48Innovate herself
00:49:51His wife didn't understand that
00:49:56I don't know that
00:49:58I think
00:50:00Kadambari
00:50:02Didn't want to keep his wife away
00:50:06That's why
00:50:08Jyotibabu
00:50:09He
00:50:11Was attracted to another woman
00:50:14This is not a crime
00:50:17Because Kadambari
00:50:19Never allowed himself to be
00:50:22Jyotibabu
00:50:24You are saved
00:50:26I used to commit some crimes
00:50:28Now I am at peace
00:50:30But Jyotibabu's wife
00:50:33Was attracted to Abhinanath
00:50:36Your daughter-in-law is not like that
00:50:44I understand
00:50:48You have lost half of your life
00:50:53All you have to do is
00:50:56Drink this wine
00:50:58And forget the bitterness of the wine
00:51:02How is that possible?
00:51:05Drink it
00:51:36What happened?
00:51:38Come
00:51:40Will you drink?
00:51:43I can't
00:51:46Why?
00:51:48Won't you drink with me?
00:52:05I can't sleep
00:52:10How can I leave you?
00:52:17Come back
00:52:21Don't come back
00:52:24My heart doesn't agree
00:52:27My life doesn't agree
00:52:31To leave you
00:52:35Don't leave me
00:52:38The moon will set
00:52:41And the sun will rise
00:52:44I will stay here
00:52:48And wait for you
00:52:56I left
00:52:59I came back to Akhil
00:53:02Why did I leave?
00:53:03What do I want from him?
00:53:06I tried to explain
00:53:09But Shukla doesn't want to understand
00:53:13Did you ever want to know
00:53:16What does Shukla want from you?
00:53:18What do you mean?
00:53:20Your friend Akhil's friend Ghosh
00:53:23If I am not his wife
00:53:25Then what do you want from Shukla?
00:53:29Shukla doesn't want to know
00:53:30If she doesn't want to know
00:53:32Then it's a big problem
00:53:34Whatever it is
00:53:36Bottom line is
00:53:38Shukla is the culprit
00:53:40But if I say
00:53:42It's a different matter
00:53:44Shukla might be the culprit
00:53:47He might want the money
00:53:50Right?
00:53:52Did you ever want to know
00:53:54What does Shukla want from you?
00:54:00I am a blood related person
00:54:03I might feel bad
00:54:06I might want Pablo in a different way
00:54:12That's right
00:54:16I have never thought like this
00:54:20I have never thought like this
00:54:23I have never thought like this
00:54:26I have never thought like this
00:54:28I have never thought like this
00:54:31Do you remember Rabindranath Nasrani's story?
00:54:37In the absence of Shami Bhopati
00:54:40He had turned his back on Amal
00:54:44In the absence of Shami Bhopati
00:54:48He doesn't care about you
00:54:53He cares about my body and my stomach
00:54:59But he doesn't care about my mind
00:55:07Mind?
00:55:09What is your mind?
00:55:13When Satyajit made a plan with Nasrani
00:55:17Do you know what did Ignatius name me?
00:55:21What?
00:55:23The lonely wife
00:55:25That's why?
00:55:26That's why
00:55:28Normally Shami will work outside
00:55:33The wife will take care of the house
00:55:36At the end of the day the two love each other
00:55:39At night they will have a physical relationship
00:55:44This is called happiness
00:55:47Not me
00:55:49Pablo is against this
00:55:53He is not against this at all
00:55:56The responsibility of the husband
00:55:59Is on the wife
00:56:03I have never thought like this
00:56:07Think about it once
00:56:10If I have any happiness in this world
00:56:15That I want to share with Pablo
00:56:27What is that happiness?
00:56:30Do you know that?
00:56:33If Babu had lived like Rabindranath in the life of Kadambari Devi
00:56:38Then he wouldn't have been against Rabindranath
00:56:44You know
00:56:46After the death of Nasrani
00:56:49My Bhopati is always responsible for this
00:56:51Pablo is my husband
00:56:54Why will he always be like Bhopati?
00:57:00Why can't he be like Amal?
00:57:06Think about me once
00:57:12You are a man created by the patriarchal society
00:57:15You are a man created by the patriarchal society
00:57:18You have given full responsibility to the wife
00:57:21To get what you want
00:57:24Do you know what I did?
00:57:27How much I did?
00:57:29What did I get?
00:57:31At the end of the day I didn't get anything
00:57:35Do you know how much Sukla loves me?
00:57:39Who else?
00:57:41Maybe the police
00:57:42Let me see
00:57:44Don't open the door
00:57:46If I don't open the door
00:57:48They will keep knocking
00:57:50Let me see
00:57:52Please don't open the door
00:57:54If they...
00:57:56They won't let you in
00:57:58What will I do?
00:58:00The way you want to live
00:58:02Ok fine
00:58:10Surprise
00:58:13You?
00:58:15Yes me
00:58:17Why?
00:58:19You wanted someone else?
00:58:21Won't you give me a warm welcome?
00:58:25Hello? Hi?
00:58:27Are you lost?
00:58:29What's the matter? Won't you let me in?
00:58:36Who?
00:58:38My husband
00:58:40Deepa
00:58:46Deepa
00:58:48Are you alright Deepa?
00:58:52Sir, my husband
00:58:55Deepa
00:58:58Open the door Deepa
00:59:10Mobile phone
00:59:12Who?
00:59:14Mobile phone
00:59:33Did you see any police on the way?
00:59:39Yes
00:59:41A lot
00:59:43Keep quiet
00:59:45I won't hurt anyone
00:59:47I'll leave in the evening
00:59:51Are you alright?
00:59:54I'm fine
00:59:58Can I have some water?
01:00:03Ok
01:00:05Go
01:00:10Go
01:00:21Why didn't you tell me you were coming?
01:00:24To give you a surprise
01:00:27Ajay
01:00:29What's the need for a surprise?
01:00:32My husband
01:00:34has taken the responsibility
01:00:36Ok
01:00:38I'll hang up now
01:01:03I'll call you back
01:01:06Ok
01:01:14Pick up the phone
01:01:32Do you know when a surprise happens?
01:01:34When the rules are broken
01:01:36The routine is broken
01:01:39And when
01:01:41no one is there to break the routine
01:01:43There's no need for a big surprise
01:01:48Are you saying
01:01:51Shukla was a prostitute?
01:01:55But I know her
01:01:58She's not a prostitute
01:02:00Wait
01:02:02How do you know her?
01:02:03Do you know Shukla?
01:02:07Because of your pregnancy
01:02:14Ok
01:02:16What's your husband doing?
01:02:20Do you need so much time to drink water?
01:02:22Hello mister
01:02:28Hello
01:02:34Bitcher
01:02:36Hands up
01:02:38No
01:02:42Don't shoot
01:02:44Who were you talking to?
01:02:46Don't shoot
01:02:51Please
01:03:00No
01:03:01No
01:03:03Nothing
01:03:06What are you doing?
01:03:11Bitch
01:03:13I'll kill you
01:03:14I'll kill you
01:03:19Are you ok?
01:03:20Are you alright?
01:03:22Oh my god
01:03:24He's bleeding
01:03:31He's bleeding
01:03:59You know
01:04:00I don't have a gun
01:04:04Anyway
01:04:06Thanks
01:04:08For not killing him
01:04:17You were saying
01:04:20The story of your love
01:04:23The story of how much Shukla loved you
01:04:25You told me that story
01:04:31Everybody says
01:04:32It's all based on expectations
01:04:36But now I see
01:04:37Your expectations are empty
01:04:40Your husband
01:04:42Is working in another room
01:04:45And you want to hear
01:04:46The story of my wife's love from me
01:04:49My husband is not a prostitute
01:04:52He's a strong man
01:04:54He'll be fine
01:04:56And
01:04:58Night is still young
01:05:00Night is still young
01:05:02Let me see
01:05:03Let me see
01:05:04Thank you
01:05:05Thank you
01:05:07I love you
01:05:09I love you
01:05:19I love you
01:05:22I love you
01:05:23I love you
01:05:26I love you
01:05:30O foreigner, I know you very well.
01:05:38O foreigner, I know you very well.
01:05:44Who are you?
01:05:46What are you saying?
01:05:48You don't know me?
01:05:50I am Amul.
01:05:52Today you have dressed up for me.
01:05:55I have dressed up for you?
01:05:57Yes.
01:06:00I have dressed up for you.
01:06:09My husband lives by his own will.
01:06:13He doesn't care about me.
01:06:15I know.
01:06:17That's why you need someone like Amul.
01:06:22Let's go.
01:06:24Today we will wander in the middle of nature.
01:06:26I will discuss with you whatever you want to discuss.
01:06:35You mean literature?
01:06:37Yes, not just literature.
01:06:39I will discuss dance, music, whatever you want.
01:06:44Let's go.
01:06:46Come.
01:06:56I was looking for the joy of nature.
01:07:04But I was caught in a dilemma.
01:07:11Not really.
01:07:13What do you mean?
01:07:15The end could have been like this.
01:07:20But you stopped it before the end.
01:07:24The last asterisk of the four was in the earth.
01:07:28In the death of a cow?
01:07:30No way.
01:07:32Not in life.
01:07:34Life could have been like this.
01:07:39The four rejected Amul.
01:07:42Because he was looking for his joy in the earth.
01:07:48A little touch, a little talk.
01:07:59That's why my heart is full of joy.
01:08:09A little touch, a little talk.
01:08:26I am very happy today.
01:08:31That's why I like Amul so much.
01:08:36He knows everything about the joy of the four hearts.
01:08:43Your husband doesn't know.
01:08:46Who knows?
01:08:48Even if he knows, he doesn't satisfy me.
01:08:52What does this mean?
01:08:56Actually, I don't remember the story of my happiness.
01:09:00By the way, have you ever heard the stories of your happiness?
01:09:06Why should I know?
01:09:09If he loves me well, then I will know if he wants to know.
01:09:15I know everything about his two-day life.
01:09:18Sometimes he likes to eat tea.
01:09:20It's good to have some fried rice with tea.
01:09:23And the little sparrow in the pond?
01:09:26He loves it very much.
01:09:28After all this, he knew me.
01:09:31I recognized myself.
01:09:34Then why not at my time?
01:09:39Laughing?
01:09:49This is your pride.
01:09:52Actually, you love it very much.
01:09:56I don't know the pain of pride.
01:09:59And love? I love it.
01:10:02Otherwise, how would I understand him?
01:10:07Well, he doesn't love you.
01:10:13He loves me very much.
01:10:15When I am a little unhappy, he becomes very happy.
01:10:19He does all the work and sits next to my head.
01:10:24He is afraid to lose me.
01:10:28He means that he loves you very much.
01:10:43What is this?
01:10:53Time.
01:11:23But that love is like him.
01:11:27There is no value of my effort there.
01:11:33I got it.
01:11:35You want a different kind of love.
01:11:39Which he can't understand.
01:11:45He can't or doesn't want?
01:11:49That's why you like me so much.
01:11:54You can understand everything in the sparrow's mind.
01:11:57You are right.
01:11:59My job is to make the sparrow's life beautiful.
01:12:06Beautiful? How?
01:12:09That's what you want.
01:12:12Being beautiful will make you happy.
01:12:15You will find a new value in your expensive life.
01:12:22Yes, Amol.
01:12:24I want to be alone with you.
01:12:30Then there is no problem.
01:12:32I am also telling you.
01:12:35I will never leave you alone like Amol.
01:12:41You will get me the way you want me.
01:12:54What happened?
01:12:56Why are you silent?
01:13:11What happened?
01:13:13Why are you silent?
01:13:15Come with me.
01:13:17I will make you happy like me.
01:13:24I am scared.
01:13:29Of what?
01:13:33I think,
01:13:35Amol will leave me.
01:13:40I want to share my happiness with Pablo.
01:13:46Foolish girl.
01:13:48Pablo is your husband.
01:13:51Husbands can do anything.
01:13:54But Amol can never be.
01:13:58Why can't he?
01:14:00Can't, can't, can't.
01:14:04He can.
01:14:06He can.
01:14:08Of course, he can.
01:14:12Why did you open your eyes?
01:14:14Amol would have told you why he can't.
01:14:19I will drink some water.
01:14:22A glass of water.
01:14:31What you are saying,
01:14:33Shukla wants to come back to Pablo.
01:14:37If he had someone else in his life,
01:14:40why did he wait so long for Pablo?
01:14:44Why did he wait so long to come back?
01:14:47No, nothing like that happened.
01:14:50And he never came back to me.
01:14:53What if I told you Amol died?
01:14:55Do you know my wife better than me?
01:14:59You don't know her.
01:15:01What if I know her?
01:15:03What if I am your wife's psychiatrist?
01:15:08What if your wife came to me last week
01:15:12to discuss your mental disorder?
01:15:22Why are you laughing?
01:15:24I laughed after a long time.
01:15:27It was not funny.
01:15:31How did you tell a false story?
01:15:36Nothing is false.
01:15:38Your wife has been coming to me for a long time.
01:15:41She is my patient.
01:15:43If that was the case, I would have known.
01:15:45No, you don't know.
01:15:47And you can't recognize me just because you don't know.
01:15:50When she came to me in the beginning,
01:15:52she uploaded a picture on Facebook.
01:15:55You are a very suspicious person.
01:15:58You suspect Shukla a lot.
01:16:01I am not a suspicious person.
01:16:04She was looking for an excuse.
01:16:07You are lying.
01:16:08You are wrong.
01:16:10What did you hide in your house last month?
01:16:16It's a lie.
01:16:18It's a lie.
01:16:19It's not right.
01:16:20Why is it not right?
01:16:22You have created another personality in yourself
01:16:26which is being done to you by others.
01:16:28Your one personality
01:16:30is trying to cover up the other personality
01:16:34that Shukla is guilty.
01:16:36He has to be punished.
01:16:38He has to be killed.
01:16:40This has never happened before.
01:16:43It's a lie.
01:16:45It's a disease.
01:16:46You are mentally sick.
01:16:48Last night, Shukla called me and made a lot of noise.
01:16:52She is crazy about you.
01:17:01Why are you laughing?
01:17:09Shukla was killed a long time ago.
01:17:12I killed him myself.
01:17:15And what are you saying?
01:17:17Last night, he called you?
01:17:30Yes.
01:17:50Mr. Pablo.
01:17:52Where did you hide the dead body?
01:17:57Oh, my mouth is burning.
01:18:00You are saying this to prove the truth, aren't you?
01:18:04It's not just a disease.
01:18:06Everything that has happened to you so far
01:18:09was all pre-planned.
01:18:11You were taken out of the center
01:18:13due to a lack of mental health.
01:18:16You were thrown into the water.
01:18:18The incident of Jahol Police.
01:18:20All of this.
01:18:22So that I mean...
01:18:24You can share everything with me.
01:18:26Everything.
01:18:31You traitor!
01:18:34Let's go, sir.
01:18:35Quick.
01:18:39Don't you dare.
01:18:43Don't make this mistake.
01:18:45Let her go.
01:18:46Let her go.
01:18:48Let her go.
01:18:50Even if you don't have a bullet in your stomach,
01:18:52there is a bullet in this.
01:18:53Let her go.
01:19:01I may not be her husband.
01:19:04But I have arranged everything to take you to your parents' house.
01:19:08Please don't increase the volume of the reception at your parents' house.
01:19:21Hold him.
01:19:22Hold him.
01:19:23We have to take him to the hospital right now.
01:19:25Ambulance.
01:19:26Ambulance.
01:19:27Hold him.
01:19:28Rana, call the ambulance.
01:19:30Rana.
01:19:31Ambulance.
01:19:32Ambulance.
01:19:37Thank you so much, ma'am.
01:19:38You solved a case after a long time.
01:19:40No problem.
01:19:41Please hospitalize him as soon as possible.
01:19:43Okay.
01:19:44Let me know, please.
01:19:45Okay.
01:19:47Let me know, please.
01:19:48Okay.
01:20:17For a schizophrenic patient,
01:20:19that is the reality.
01:20:22For Pablo, the reality was
01:20:24Kalpana's unarmed gun
01:20:27or Borja's death.
01:20:29Or
01:20:30Shukla's extra-marital affair.
01:20:33Pablo himself was suffering
01:20:35because of this delusion and imaginary character.
01:20:39Shukla was also suffering.
01:20:41Then this murder.
01:20:43Shukla's death.
01:20:45However, Shukla could not accept Pablo's love.
01:20:49He wanted to forget.
01:20:51He killed Shukla.
01:20:54But Pablo could not accept another truth.
01:20:58Shukla's extra-marital affair.
01:21:01So he wanted to kill the dead man again.
01:21:05Again and again.
01:21:07The psychiatrist who saw Pablo before me,
01:21:11She wanted to teach Pablo the story of murder.
01:21:16I wanted to take him back to that memory.
01:21:41Good morning, ma'am.
01:21:42Morning.
01:21:43You?
01:21:44Yes.
01:21:45Who sent this?
01:21:47Pratishabdha Jini sent it.
01:21:50He sent it in a box.
01:21:52He sent it today.
01:21:56Please.
01:21:59Thank you, ma'am.
01:22:11Shukla's death.
01:22:21When a surprise is big,
01:22:24it is not a surprise when it is small.
01:22:41I was not a mistake.
01:23:01Then I came back to Pablo,
01:23:04to my Rai Binodin.
01:23:06To my Rai Binodin.
01:23:09A little before the darkness.
01:23:12That was the last rain.
01:23:15The thought of losing.
01:23:18The last mantra of silence.
01:23:20Mine and Shukla's.
01:23:23That was the last rain.
01:23:28Do I feel like Pablo Rai?
01:23:33Will Pablo come?
01:23:36Who is he?
01:23:38Kothai.
01:23:40Let's go.
01:24:07Rai Binodin
01:24:30My Rai Binodin.
01:24:33Komalini Rai.
01:24:36Komalini Rai.
01:24:52Are you Akhil?
01:24:54Or Pablo?
01:24:57I don't know.
01:25:00We lost ourselves.
01:25:02I was looking for you.
01:25:05I found you again today.
01:25:24Where did you get this?
01:25:27When I came from your father's house.
01:25:29The suitcase you brought.
01:25:32In that suitcase,
01:25:35the pride was hidden for so long.
01:25:38I never told you.
01:25:41This is my pride.
01:25:44How do you know?
01:25:49Because,
01:25:51I love you, Rai.
01:26:00Listen.
01:26:03Start dancing again.
01:26:06I want,
01:26:08if you dance like a bird again,
01:26:12it will be as you wish.
01:26:24I will get wet in the rain.
01:26:26I will get wet too.
01:26:29I will get wet too.