After their father’s death, estranged sisters stumble upon his hidden fortune, forcing them to decide whether to keep the money or do the right thing
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FunTranscript
00:00:0012 HOURS EARLIER
00:00:17I don't know. I don't know. We're under attack.
00:00:20She's Jessica, and I'm Angela.
00:00:23A week ago, we didn't know each other.
00:00:26There they are!
00:00:27The police are chasing us.
00:00:29Some mobsters are chasing us.
00:00:31Now we are two fugitives.
00:00:34And this suitcase is our biggest problem.
00:00:39Or our salvation.
00:00:48This is a girl
00:00:52who was alone and bored
00:00:54because she had nobody to play with.
00:00:58But suddenly
00:01:01she found another girl
00:01:04just like her
00:01:07and they became friends
00:01:10and they wanted to go play.
00:01:17But they realized
00:01:20that they were just a plastic drawing.
00:01:22She was a ball.
00:01:26Like this, look.
00:01:32Ask Vanessa the rest.
00:01:34What's your name?
00:01:36Jessica, but they call me Jessie.
00:01:38Vanessa, tell Jessica where to start.
00:01:49Are you ok?
00:01:52Yes.
00:01:58Security!
00:02:00Police presence!
00:02:22Breathing.
00:02:24Slowly.
00:02:26Inhale.
00:02:28Exhale.
00:02:30Up.
00:02:34You have to support your feet
00:02:36and flex your legs, ok?
00:02:40I'm going to the bridge of a bar
00:02:42supporting the pelvic floor.
00:02:44Sorry.
00:02:46What are you doing here?
00:02:48I live here, mom.
00:02:50What are you doing here?
00:02:52I live here, Beto.
00:02:55What are you doing here?
00:03:00I don't know what the fuck I'm doing here.
00:03:20This country doesn't give for nothing.
00:03:22This country doesn't give for nothing.
00:03:24This country doesn't give for nothing.
00:03:30I don't want to be here.
00:03:34I can't find my place.
00:03:36I can't find my place.
00:03:40What are you doing here?
00:03:42What's going on?
00:03:44This bitch broke the bag.
00:03:46Wait a second.
00:03:48Sorry, Dad.
00:03:50I'm not a doctor.
00:03:52Let's see if she can be a doctor.
00:03:54Hi!
00:03:56Mom, we're all here for you!
00:03:58No, Jesse, here you go.
00:04:00Who is this?
00:04:02Floor, go to the floor.
00:04:04U, A, go.
00:04:06U, A, U, A, U, A!
00:04:08U, A, U, A, U, A!
00:04:10U, A, U, A, U, A!
00:04:12U, A, U, A, U, A!
00:04:14Where do you stay Florencio Varela?
00:04:16Mariela?
00:04:17Why?
00:04:18My dad died.
00:04:20Wasn't he already dead?
00:04:26I just talked to him last week.
00:04:31He told me he missed me, that he wanted to see me.
00:04:34He sounded sincere.
00:04:35The train will laugh at us in the street.
00:04:38And then, of course, you'll enjoy your apartment in Puerto Madero.
00:04:44Politicians!
00:04:45Marcelo, can you turn down the volume?
00:04:47Trash!
00:04:48I can't listen to this guy now.
00:04:49Scum!
00:04:54Listen, I have to go to work.
00:04:56Do you know if there's a lot left?
00:04:58Do you want to leave?
00:05:00Go.
00:05:03I don't have a sign here.
00:05:04Go, Marcelo, go!
00:05:06I'll be right back.
00:05:16PORTRAIT OF MARIELA
00:05:39Are you family members of Dipache?
00:05:41Me?
00:05:42I'm his daughter.
00:05:44I'm his daughter too.
00:05:46This way, please.
00:06:01Doctor?
00:06:04Excuse me.
00:06:15What are you doing?
00:06:17I wanted to see.
00:06:19I've never been with a dead person.
00:06:23Are we alike?
00:06:24No.
00:06:29There's something for me.
00:06:31No? In the mouth, a little?
00:06:33It has nothing to do with you.
00:06:35What's your name? What are you doing here?
00:06:37You're not alike either.
00:06:40Well, girls.
00:06:41Are you able to recognize the body?
00:06:44No, no idea.
00:06:46You?
00:06:48No, me neither.
00:06:50But I don't understand.
00:06:52Aren't you the daughters?
00:06:54He should have a lunar.
00:06:56I have one here in my neck.
00:06:57Can we turn it around?
00:06:58Yes.
00:06:59There's no need, doctor.
00:07:01I can confirm it.
00:07:03This man is Ernesto Alejandro Dipache.
00:07:07Cover it, please.
00:07:08I don't want to remember it like that.
00:07:10Excuse me, who are you?
00:07:11I'm Inesita Alvarez Ballesta.
00:07:13I was your father's private secretary for more than 25 years.
00:07:18And leave something?
00:07:20I was very disappointed by that false accusation of which I was a victim.
00:07:26What accusation?
00:07:27The Osterfield case.
00:07:29Didn't you hear?
00:07:31For his father, it was an unforgivable offense.
00:07:34Dr. Dipache was a very straight, generous man.
00:07:37He was a doctor?
00:07:38I would have liked to spend more time with him.
00:07:41He too.
00:07:43I'm sure.
00:07:45Those vacations he took you to Brazil.
00:07:48Brazil?
00:07:49To Camboriú.
00:07:50You were very little.
00:07:52He was with you all day.
00:07:54He put you in the sea, put a protector on your nose,
00:07:57made sandcastles.
00:07:59Don't you remember?
00:08:02Don't you remember?
00:08:04Yes, I remember something.
00:08:08A patriot has gone, girls.
00:08:10They have to be proud of who their father was.
00:08:13As it is.
00:08:14Excuse me, leave something?
00:08:16Can you locate yourself?
00:08:17Is it the only thing you care about?
00:08:19Well, well.
00:08:20Obviously it's the only thing I care about.
00:08:21Let's see, what do you mean, my life, when you say if you leave something?
00:08:25I don't know, something, a clock, fields, a TV.
00:08:28Well, in that sense.
00:08:30The only good thing he had in his name was the apartment.
00:08:33You know him, right?
00:08:35No.
00:08:36If you want, tomorrow, after the funeral, I'll take you to meet him.
00:08:40Now rest.
00:08:42Bye, honey.
00:08:44Take care.
00:08:50I'm Jessica.
00:08:52But they call me Jessie.
00:08:57See you tomorrow, Angela.
00:09:01Who is that?
00:09:03Nobody.
00:09:05Come on, Marcelo.
00:09:11This was loyal, warm, a militancy comrade who was looking for the common good.
00:09:24We will miss you.
00:09:26Guys like you belong to a lost race.
00:09:31Goodbye, comrade.
00:09:34Applause.
00:09:52Excuse me, gentlemen.
00:09:54They are the daughters of Dr. Ripache.
00:09:57Angela and...
00:09:59Jessie.
00:10:00Jessica.
00:10:01Jessie.
00:10:02The mayors, Omar Chichi, Ezequiel Barsenac.
00:10:07Great friends of his father.
00:10:09Dear, I give you my condolences.
00:10:13Your father has always been like a son to me.
00:10:16Yes, for me he has been like a father.
00:10:20Where are you from?
00:10:22From Valentina Alcina, me.
00:10:24Castelar, Casi Tuzengo.
00:10:26Well, I want you to know that you can count on me for anything.
00:10:30For anything.
00:10:32Do you understand?
00:10:49When I was a girl he worked in the municipality.
00:10:52But then I don't know, I kind of lost track of him.
00:10:55I think he was a secretary of something, could it be?
00:10:58Yes, yes, but it didn't last long.
00:11:00His thing was the street.
00:11:02Direct contact with people.
00:11:05But what does he do now?
00:11:07Well, he was...
00:11:09He was a...
00:11:11A facilitator.
00:11:14Because here everything is very difficult.
00:11:17In this country everything is very difficult.
00:11:20Very difficult.
00:11:21Where is the apartment?
00:11:23Here two blocks, Puerto Madero.
00:11:27Ah.
00:11:48Hey!
00:11:51Avellaneda was his whole life.
00:11:54It was his place in the world.
00:11:56But well, he used to say,
00:11:58God is everywhere, but he serves in Puerto Madero.
00:12:05Let's see, come in girls.
00:12:08What was this like?
00:12:10It's an intelligent apartment.
00:12:12Everything is handled from here.
00:12:25Oh, sorry girls.
00:12:27Let's see.
00:12:28Yes, yes, I have to answer this call.
00:12:30Hello.
00:12:33Well.
00:12:36It's okay, I understand.
00:12:38What is a facilitator?
00:12:40No, no, no, no.
00:12:42A facilitator.
00:12:44Facilitates things, the word tells you.
00:12:46Well, what things?
00:12:48I don't know, why are you asking me?
00:12:50Uh-huh.
00:12:51Well, I'm going there.
00:12:53Sorry girls, it was an inconvenience.
00:12:55I'm going to have to come back another day.
00:12:57I'm staying.
00:12:59Why do you want to stay?
00:13:01I want to stay.
00:13:03I'm staying too.
00:13:05Can we?
00:13:06I mean, this apartment is going to stay for us, right?
00:13:09Well, in theory.
00:13:11We would have to start the succession process.
00:13:13And in practice?
00:13:15It is inhibited by justice.
00:13:17What is inhibited by justice?
00:13:19Inhibited.
00:13:22It's because of the Osterfield case.
00:13:24We have to see how it is resolved.
00:13:27And we have to wait for justice, which in this country can take years.
00:13:31Years?
00:13:32Are you kidding me?
00:13:33Can you calm down?
00:13:35How is it then?
00:13:36My dad did have a cause.
00:13:38An invented cause.
00:13:40Treasure.
00:13:41Some bastards set it up to get him out of the way.
00:13:44But hey, the judge took this measure and ...
00:13:48You have to have faith.
00:13:50Your father was a man ...
00:13:52I need to stay.
00:13:54I say because I miss him a lot and I would like to remember him.
00:13:58We all miss him.
00:14:00That's why, before I go, I would like to spend some time with his things.
00:14:04I mean, I'm his daughter, I have a right, right?
00:14:06Ah.
00:14:07Yes.
00:14:08The rights.
00:14:11Well, stay for a while.
00:14:14Don't make noise, the neighbors are all mean here.
00:14:17It's just a while.
00:14:19I'll give you the keys later.
00:14:21No need, I'll get in touch.
00:14:25Don't break anything.
00:14:27Goodbye, girl.
00:14:37We have the same taste, you know?
00:14:49I love you.
00:15:19I love you too.
00:15:50Well, do you want me to bring you a Fernesito?
00:15:53I have, thank you.
00:15:55Where did you get it?
00:15:57There's a bar there, and there's a beer in the fridge if you want.
00:16:00Let's see, Jessica, it was you, right?
00:16:03We just got back from the funeral.
00:16:05Nothing that we are drinking alcohol and living the house as if nothing had happened.
00:16:10And?
00:16:13And what?
00:16:15Come on!
00:16:16You're going, I'm staying.
00:16:17Come on, I'll take the keys.
00:16:18Wait, how do I get out?
00:16:20Do I jump out the window?
00:16:22You could.
00:16:23Let's see, girl.
00:16:25Blanquea, what's your problem with me?
00:16:27None, it's all good, I want to go.
00:16:29No, it's not all good.
00:16:31Eight years ago I asked you for friendship on Facebook and you didn't give a shit.
00:16:33And now I have to smoke, you look at me all the time with a face of ass,
00:16:35as if I were to blame for something, what's up?
00:16:37I don't look at you, if you don't want to, I don't look at you.
00:16:39The curtains go down.
00:16:41I don't know how the curtains go down.
00:16:43What did this girl do when we arrived?
00:16:45Ángela, I'm talking to you.
00:16:48Marthouse.
00:16:51Ángela, don't leave me talking to myself.
00:16:54Hey!
00:16:55It's not my fault that your daddy got his ass kicked.
00:16:58Open the door, will you?
00:17:03What are you doing?
00:17:06Ángela, do you always leave conversations in the middle?
00:17:09Do you think I'm apologizing for not apologizing to you?
00:17:11Come on, Jessica, I'll cut you off.
00:17:13We're not going to be friends on Facebook, or in life, or anything.
00:17:16And on Instagram?
00:17:18Do you have Instagram?
00:17:20Do you listen to me when I talk to you?
00:17:23Let's see, simple so you don't get lost.
00:17:25We're going to leave now.
00:17:27We're going to see what this mess with the apartment is like,
00:17:29we'll see if we can sell it, we'll split the money,
00:17:31and then each one will continue with their lives as before.
00:17:35Okay.
00:17:36I'm not asking you to be friends.
00:17:39We're just sisters.
00:17:40No!
00:17:41You're not my sister.
00:17:42You're nothing to me.
00:17:43Don't you understand? I don't register you.
00:17:45You don't exist.
00:17:46Do I have to send you a message on Facebook?
00:17:48You don't exist for me either.
00:17:51Bitch.
00:17:52Great.
00:17:53Neither of us exists.
00:17:54Great.
00:18:12And this?
00:18:15Is this happening or is it in my head?
00:18:17It's happening.
00:18:19But...
00:18:20They're...
00:18:22Yes.
00:18:23They're a lot of euros.
00:18:26I don't understand. How...
00:18:29I don't know.
00:18:31I used to save a lot, you know.
00:18:34Or I was a fucking corrupt.
00:18:35What do you know?
00:18:36I don't know.
00:18:37I don't know.
00:18:38I don't know.
00:18:39Or I was a fucking corrupt.
00:18:40What do you know?
00:18:43Don't touch it.
00:18:44Why?
00:18:45Because they can leave your fingerprints.
00:18:47People go to jail for things like this.
00:18:49Weren't they savings?
00:18:55We're leaving.
00:19:06Go to your house. We'll talk later.
00:19:08When?
00:19:09I don't know.
00:19:10I need to think. Do what I tell you.
00:19:14Give me your phone.
00:19:18The number, Jessica.
00:19:19I don't remember the number.
00:19:23It's all broken. How are we going to write?
00:19:25Yeah, I know. It keeps failing.
00:19:27There's my phone.
00:19:28Can I call you?
00:19:29No.
00:19:30Go to your house.
00:19:31Don't tell anyone.
00:19:32See you here tomorrow.
00:19:38Please be careful when entering and leaving.
00:19:51What about the keys?
00:19:52I'll take them.
00:19:53Why?
00:19:55Do you want the keys?
00:19:56Take the top one. I'll keep the bottom one.
00:19:58What about the building one?
00:20:02Rock, paper, scissors.
00:20:03Come on, Jessica.
00:20:04What?
00:20:06Rock, paper, scissors.
00:20:09Rock, paper, scissors.
00:20:11Rock, paper, scissors.
00:20:12It's so hard. Take them.
00:20:30What are you doing?
00:20:31What are you doing? You scared me.
00:20:33When did you get here?
00:20:35When did you get here?
00:20:36Just now.
00:20:38Look what I got.
00:20:39They gave it to me at the office.
00:20:41I can see what's going on in all the buildings all the time.
00:20:44Look.
00:20:45Caballito.
00:20:46Berazategui.
00:20:47Villa Crespo.
00:20:49Why do you want to see what's going on all the time?
00:20:51What do you mean why?
00:20:53There are a lot of guys.
00:20:54You don't know when they might show up.
00:20:57I'm going to make mate.
00:21:03I'm going to make mate.
00:21:33I'm going to make mate.
00:21:43Jessi.
00:21:46I bought some balls.
00:21:49I'm out of money.
00:21:51Did you pay?
00:21:53Can you lend me some money?
00:21:55I just started, Mom. I haven't paid yet.
00:21:57Can't you ask for an advance?
00:21:59Are you crazy?
00:22:01Ask Beto.
00:22:02No.
00:22:04Beto is having a bad time.
00:22:08Ask for an advance.
00:22:10No.
00:22:11Beto takes care of his son and I take care of you.
00:22:14I don't want to mix things up.
00:22:22How did it go with your mom?
00:22:25Good.
00:22:27Normal.
00:22:30Did she say anything?
00:22:33It's the only thing you care about.
00:22:36No, Jessi. It's not the only thing I care about.
00:22:42I'm going to get dressed.
00:22:56What's up, Piru?
00:22:59My dad and I are in Camboriú.
00:23:03What a flash that castle.
00:23:07How did we do it?
00:23:11Can I tell you something?
00:23:13But you can't tell anyone.
00:23:17Marce.
00:23:19Pancaca has this shit on Twitter.
00:23:33Done.
00:23:35What do you want to tell me?
00:23:36Nothing, leave it.
00:23:45Blanco, you're screwing up.
00:24:03Blanca.
00:24:04How much time is left for my order?
00:24:07Listen, I've been waiting for 10 minutes.
00:24:10Did they kill the cow?
00:24:11No, sorry.
00:24:14And the mayonnaise?
00:24:15I'll take care of it.
00:24:18Did the guy from the roof come?
00:24:19Yes, he came.
00:24:21And?
00:24:22No, we won't be able to do it this year at least.
00:24:24But it's all rotten, it's going to fall.
00:24:29Another pizzeria in the neighborhood.
00:24:31It will be from God.
00:24:33People do what they can.
00:24:35Everyone, my love.
00:24:36Yes.
00:24:37The country is difficult.
00:24:38Difficult.
00:24:41Tell me.
00:24:43How are you doing with the classes?
00:24:48Good.
00:24:49I don't know, good.
00:24:52My life.
00:24:54The same goes for mom.
00:24:55You could tell when she lied.
00:24:56Do you remember, Bubi?
00:24:57What a thing, genetics.
00:24:58Yes.
00:24:59Well, I hope I inherited something else, right?
00:25:01Yes, yes.
00:25:03Your mom had a lot of faith in you.
00:25:04And us too.
00:25:05Yes, a lot of faith.
00:25:07You are a decent, hard-working girl.
00:25:16You didn't tell anyone, did you?
00:25:18No, I don't think so.
00:25:20Neither do I.
00:25:22How do I think?
00:25:23Did you tell anyone or not?
00:25:25No, I'm telling you no.
00:25:27Good.
00:25:28I think so.
00:25:30Yes or no, Jessica?
00:25:31No, I didn't tell anyone.
00:25:34So?
00:25:35So what?
00:25:36What do we do?
00:25:37I don't know.
00:25:39But we can't keep this money.
00:25:41Angela, I have 12 pesos in the vault.
00:25:44We don't know where it came from.
00:25:47Could it be stolen money?
00:25:48Did you steal it?
00:25:49No.
00:25:50Well, neither did I.
00:25:51Well, but someone stole it.
00:25:52Yes, daddy.
00:25:54Can I ask you a favor?
00:25:56Don't talk like that about him.
00:25:58Look, I don't know what relationship you had.
00:26:01But my dad, the one I met, was a good man.
00:26:04And I want to remember him like that.
00:26:07And besides, we don't know if this money is his
00:26:10or if it was someone else's
00:26:11and they're going to come looking for him.
00:26:12We don't know anything.
00:26:16I didn't have a relationship.
00:26:17I don't care.
00:26:21Well, what do we do?
00:26:23I don't know.
00:26:24I'm thinking.
00:26:29Are you hungry?
00:26:32There's an uncle who sells panchos here.
00:26:36I'm with Pancho.
00:26:44I'll leave you here.
00:26:59What's wrong with you?
00:27:01What's this neighborhood?
00:27:06You're going to kill me.
00:27:08What?
00:27:29You really didn't have a relationship?
00:27:31With who?
00:27:33With dad, who else?
00:27:36No, never.
00:27:38You neither, right?
00:27:39I did.
00:27:41You didn't even recognize him at the hospital.
00:27:43Well, I hadn't seen him in 15 years, that's why.
00:27:47But I don't know, we loved each other.
00:27:52And what do you do?
00:27:55I'm a gardener teacher.
00:27:56I received it last year.
00:27:57How nice.
00:27:59You?
00:28:00Gastronomy.
00:28:02Do you cook?
00:28:05Excuse me, do you have mayonnaise?
00:28:08Hey, don't shout.
00:28:10You don't have to ask for mayonnaise.
00:28:12Are you always this paranoid?
00:28:14You don't understand what's going on, do you?
00:28:16You know I don't understand this that they brought us.
00:28:18Explain to me what this is.
00:28:19What is this? Tell me.
00:28:21Aren't you a little intrigued to know where all that money came from?
00:28:24What are you afraid of?
00:28:25That someone will come to claim it.
00:28:27No one is going to come to claim it, relax.
00:28:30Good evening.
00:28:32How are you?
00:28:33Very well.
00:28:35I'm Ezequiel Arsenac, we met at his father's funeral.
00:28:40Yes, how are you?
00:28:42What are you doing here?
00:28:43I live around here, on Macalcha Buemes.
00:28:46Excuse me, aren't you the mayor of...
00:28:48Yes.
00:28:50Why do you ask this? What does it have to do with it?
00:28:52No, no, not at all.
00:28:54It has nothing to do with it, right?
00:28:58Well, when you finish eating, if you want to have a glass of champagne,
00:29:01I'll wait for you there at my table.
00:29:03I'm with a great friend of your father, Mr. Osterfield.
00:29:08Oh, by the way.
00:29:10Keep our secret.
00:29:14What secret?
00:29:16The best giraffe in Buenos Aires.
00:29:19Giraffe.
00:29:20Ah, giraffe.
00:29:22Giraffe. Fish semen.
00:29:25Semen?
00:29:26Of fish.
00:29:33How disgusting, God!
00:29:34How strange, people with platans...
00:29:36We have to go.
00:29:37Eh?
00:29:38Get up, we're leaving.
00:29:39Do we always have to go everywhere?
00:29:44Bon appetit.
00:29:46We have to go. How much is it?
00:29:48Is there a problem?
00:29:50No, everything is fine.
00:29:51The thing is, we had to go...
00:29:53We have a business meeting.
00:29:55Okay, but yours is already paid for, ladies.
00:29:58It's an invitation from Mr. Osterfield's table.
00:30:10That guy is accused of paying Coimas in the cause of poverty.
00:30:13That guy is accused of paying Coimas in the cause of poverty.
00:30:16But you say he's the one who gave him the money?
00:30:18I don't know, I don't know, but he just paid us dinner.
00:30:20And what did he pay us for? To be our accomplices?
00:30:22Stop, stop, calm down.
00:30:24Why would they have to know that we found her?
00:30:26And what are we doing here then?
00:30:28What's wrong? Can't we have money?
00:30:30Did you see how you're dressed?
00:30:32Sorry? Did I hurt you?
00:30:34And well, that's why. We don't fit in here.
00:30:36Let's see, you're exaggerating, Angela. What's wrong with you?
00:30:38What's wrong with me?
00:30:39What's wrong with you?
00:30:40You're taking it all for granted, but I'm having a bad time.
00:30:43Do you want to know the truth?
00:30:45I'm an assistant in a garden in Catan.
00:30:47The guys hate me.
00:30:49And it's obvious that at any moment they kick me out.
00:30:51I live with my boyfriend at his grandmother's house
00:30:53and now he thought he wanted to have a son.
00:30:55And I feel like I don't want him anymore.
00:30:58But I don't dare to tell him.
00:30:59And besides, I have nowhere to go.
00:31:01To sum up, I have a shitty life.
00:31:04But I swear I prefer it to be living with this feeling all the time.
00:31:09Those shoes are nice, aren't they?
00:31:15How desperate you are!
00:31:17Let's see, let's see.
00:31:18Stop.
00:31:19I know all this is disgusting, okay?
00:31:21That money is crap.
00:31:23But let's see, Angela.
00:31:24Yesterday, for the first time, I went to sleep thinking that I could have another life.
00:31:27A better life.
00:31:28It's just that it's a lot of money.
00:31:30It's obvious that we're going to get into trouble.
00:31:32Well, let's enjoy it while it lasts.
00:32:09Go!
00:32:13Go!
00:32:14Go, go!
00:32:21Go!
00:32:32Go, go, go!
00:32:33Go!
00:32:34Go, go!
00:32:38Hurry up.
00:32:48Jessica and the potatoes?
00:32:50Come on, hurry up.
00:32:51I'm coming.
00:32:52Hurry up.
00:32:53I'm going!
00:32:54Hurry!
00:33:04Hey!
00:33:05Let's not buy too much and let's not attract attention.
00:33:08Deal?
00:33:09Okay.
00:33:23For the anxious, I brought you a white bear.
00:33:27For the mafioso, I brought you an advance.
00:33:31For the mimosos, a cantilado.
00:33:35For the angry, an armored plane.
00:33:39For me...
00:33:46What are you doing?
00:33:47We said only what we needed.
00:33:50I only need this?
00:33:52Remember we talked about not attracting attention so that no one suspects?
00:33:55Oh, and just that part, I forgot.
00:33:59What are you going to say when they see you like this?
00:34:01Angela, I could enter my house with an elephant and no one would notice.
00:34:04Besides, I was going to leave all this in the apartment, what's the problem?
00:34:08You bought so little.
00:34:10It's not little, it's what I needed.
00:34:12It's little.
00:34:13It's not little!
00:34:22A trip for the pizzeria.
00:34:24And gold for the actors.
00:34:26A seat for the one who cries.
00:34:28Or a cloud for those who drink.
00:34:30Because I can't stand seeing you like this anymore.
00:34:35A base of Miranda for rock.
00:34:39A phrase of Atahualpa for pop.
00:34:42Because they don't sing anymore.
00:34:44Because they don't dance anymore.
00:34:46Because the herd is contaminated.
00:34:51The antiques of Macayayayi.
00:34:53The shoes of the rat, I already saw them.
00:34:55The doors of heaven for me.
00:34:57But I only want tea.
00:34:59Choco-chocolate, choco-choco-tea.
00:35:01Choco-chocolate, choco-choco-tea.
00:35:03Choco-chocolate, choco-choco-tea.
00:35:05No, no, no, no, enough, let's go.
00:35:07Enchanted, looking at what I do.
00:35:11Cornered, thinking about what I win.
00:35:15Enchanted, looking at what I do.
00:35:19Cornered, thinking about what I win.
00:35:25Let's go.
00:35:27Let's go, let's go, let's go, let's go.
00:35:29That's it.
00:35:38Good afternoon.
00:35:39Good afternoon.
00:35:43No.
00:35:45Not that.
00:35:47No, no, no.
00:35:48Twelve salaries I got from the cell phone I bought.
00:35:52What are you doing?
00:36:01What?
00:36:03And what does it have that we are neighbors of a journalist?
00:36:05I don't understand.
00:36:06He is not a journalist.
00:36:08It is Daniel Severino who denounces everything.
00:36:10And?
00:36:11And if it is not a coincidence?
00:36:12What thing?
00:36:13If they gave him the data and the guy is here for the money,
00:36:16would you like to be on TV?
00:36:18On what program?
00:36:19Come on, Jessica.
00:36:20Why would we be on TV?
00:36:22Well, because we are not being very hidden with the situation.
00:36:26We would have to have a slightly lower profile, do you understand me?
00:36:31Hey, do you understand me?
00:36:32Yes, totally.
00:36:35Shall we order sushi?
00:36:36Sushi?
00:36:58We have to go.
00:37:00What time do you start working tomorrow?
00:37:03Early.
00:37:05No, no, no.
00:37:06No.
00:37:07Don't drink any more.
00:37:08Don't drink any more.
00:37:10Oh, I can't get up.
00:37:14Me neither.
00:37:15Shall we stay?
00:37:16We can't.
00:37:17Why?
00:37:18Why not?
00:37:21That camper is mine.
00:37:23No, yours is in the bag over there.
00:37:26Did you buy a camper the same as mine?
00:37:28It's not the same.
00:37:29It has a little detail on it.
00:37:31It's different.
00:37:32I can't believe it.
00:37:33There were two million campers for you to buy.
00:37:35And you go and buy the same one as mine.
00:37:37They are not the same, I'm telling you.
00:37:39Is there a level of indignation?
00:37:47Don't laugh.
00:37:48I have to teach tomorrow.
00:37:52What if you don't go?
00:37:54And we send all the shit.
00:37:55And we stay here and tomorrow we are going to buy more clothes.
00:37:59Come on, don't tell me it's not nice to live like this.
00:38:03It's just that this life is not ours.
00:38:06And whose is it?
00:38:08I don't know.
00:38:10Then it's ours.
00:38:16You bought a camper just like mine.
00:38:18Yes, sorry, I tried.
00:38:33Who are you?
00:38:34I don't know.
00:38:44Who is it?
00:38:46I'm from the 23rd floor.
00:38:49Daniel Severino.
00:38:50I'm dying.
00:38:51What are you doing?
00:38:53Don't open it, don't open it.
00:38:55I told you we were going to get into a mess, I didn't tell you.
00:38:57What's wrong with you, crazy? It's my fault now.
00:38:59Come on, what do we do?
00:39:01Coimialo.
00:39:02What?
00:39:03Coimialo, give him money.
00:39:05I don't know how to coimiar, I've never coimied anyone.
00:39:07Well, look in those papu genes.
00:39:09Come on, Jessica.
00:39:12It's coming.
00:39:14Tell him we're not going to give statements, let him talk to our lawyer.
00:39:18Do you have a lawyer?
00:39:19No.
00:39:20You?
00:39:22Don't open your mouth.
00:39:28Good evening.
00:39:29How are you?
00:39:31Are you related to Ernesto?
00:39:34Who?
00:39:37Ernesto Dipache.
00:39:39Ernesto Dipache?
00:39:44Maybe.
00:39:46We haven't seen him in a long time, we don't know what he did.
00:39:51Let's say yes.
00:39:53My deepest condolences.
00:39:57The last time I saw him, he told me he had something for me.
00:40:04Something?
00:40:07Something.
00:40:08Something.
00:40:10Isn't there something with my name out there?
00:40:15Have you seen his name?
00:40:16No.
00:40:18Nothing.
00:40:20Nothing?
00:40:22How strange.
00:40:24Well, if you find anything, I'd appreciate it if you let me know.
00:40:31Goodbye.
00:40:33Goodbye.
00:40:35Goodbye.
00:40:54Jessica, Tincho is calling you.
00:40:56Me?
00:40:59What do I do now?
00:41:05Tincho, did you call me?
00:41:07Did you call me?
00:41:09Yes.
00:41:10Don't ask people if they want the normal combo or the basic combo.
00:41:13You have to ask them.
00:41:15What? I don't understand.
00:41:17If they want the normal combo or the basic combo.
00:41:19That's it.
00:41:20Okay.
00:41:21Isn't it the same?
00:41:23No.
00:41:24The normal has bacon and extra cheese.
00:41:27It's more expensive.
00:41:28Perfect.
00:41:30Can I ask the other way around?
00:41:31If it's basic or normal?
00:41:33No.
00:41:34Normal or basic?
00:41:35Of course.
00:41:36If I say it like that, they'll always choose the normal, which is more expensive.
00:41:40What's the idea, Jessica?
00:41:43What's the idea, Jessica?
00:41:58Seventy-three.
00:42:02Yes, tell me.
00:42:05A north combo, please.
00:42:07Ninety-four.
00:42:08Normal or basic?
00:42:10Normal, right?
00:42:13It would be three thousand three hundred.
00:42:18Right.
00:42:31Baby.
00:42:33I asked for two combos, didn't you hear?
00:42:35One hundred and three.
00:42:38You guys go on.
00:42:39Where are you going, Jessica?
00:42:40I'll be right back.
00:42:42Okay.
00:42:52Did you guys build that castle?
00:42:54Of course.
00:42:55Yes.
00:42:56We did it all together.
00:42:58I'd take it to the sea.
00:43:00I'd put sunscreen on.
00:43:03It was the light of her eyes.
00:43:05The picture is beautiful.
00:43:08I'll leave you, Angelita.
00:43:10See you tomorrow, guys!
00:43:22Guys!
00:43:40What's up? I'm in class.
00:43:42I swear I'll kick your ass.
00:43:44Okay?
00:43:45Every day I get up and try to be a better person.
00:43:47But everyone steals here, brother.
00:43:49I don't know what you're talking about. Can you calm down?
00:43:51The only two idiots who find a mountain of money and don't take it are us.
00:43:56We didn't steal from anyone. The money was there.
00:43:58The mafias.
00:43:59What mafia?
00:44:00The old man.
00:44:01The one who was at Dad's funeral.
00:44:02He's here, in the garden.
00:44:04What does he want?
00:44:05I don't know. I'll call you later.
00:44:07No, Angela.
00:44:10Guys, let's sit down and be quiet.
00:44:14The teacher has to do something.
00:44:16Angelita, honey, they're looking for you.
00:44:20Excuse me.
00:44:22Good morning, guys.
00:44:23Good morning.
00:44:25Good morning.
00:44:26How are you, dear?
00:44:28Do you remember me?
00:44:30Yes.
00:44:31Chichi.
00:44:32Omar Chichi.
00:44:35Yes.
00:44:36Can I help you with something?
00:44:39I need to go to your dad's apartment.
00:44:44To the apartment for what?
00:44:47I need to take something from there.
00:44:51Something?
00:44:53Something.
00:44:54Something, something, something.
00:44:57Something...
00:44:59Something.
00:45:01About the campaign. Don't worry.
00:45:04About the campaign.
00:45:05If you have the key to the apartment,
00:45:07I can go there right now.
00:45:10No, I have the key downstairs
00:45:12and Jessica has the other one.
00:45:15That's great. How can we do that?
00:45:19Were you going to go there?
00:45:26Tonight, yes.
00:45:29Pepiló,
00:45:30when are you going to finish the meeting with that pamphlet?
00:45:36I'll go tonight.
00:45:40We'll wait for you.
00:45:42That's all.
00:45:46Take care of yourself.
00:45:49Bye, guys.
00:45:54It wasn't his money.
00:45:56It was from the campaign. It wasn't a corrupt dad.
00:45:58He wasn't saving it for himself.
00:46:00Well, then?
00:46:01Then nothing. They'll come looking for it.
00:46:03Today?
00:46:04Yes, today. I told you.
00:46:06When?
00:46:07I don't know. In a while.
00:46:10This is very unfair. I think anyone would do it.
00:46:12Well, I told you it wouldn't last.
00:46:15What if we stay for a while?
00:46:17We can't.
00:46:18Don't mess with these people.
00:46:20Besides, look at all the things we bought.
00:46:23Let's see what happens with the apartment.
00:46:24Maybe we can sell it.
00:46:28Okay.
00:46:29You're right. I didn't say anything.
00:46:32Okay.
00:46:33We'll talk a bit before they come.
00:47:04We should talk to Inesita.
00:47:07To see if she has more...
00:47:12Jessica?
00:47:19Motherfucker.
00:47:33Hey.
00:47:35First, that's my camper.
00:47:37And second, what the fuck are you doing?
00:47:42You can't steal money from these people.
00:47:44Jessica, really.
00:47:46This money isn't ours, do you understand?
00:47:48And whose is it?
00:47:49The campaign's. I told you.
00:47:51Well, they'll post less posters. What do you want me to tell you?
00:47:53This is all for me. It changes everything for me, Angela.
00:47:55They're going to look for you.
00:47:57They're going to look for you.
00:47:59They're going to look for you.
00:48:01It changes everything, Angela.
00:48:03They're going to look for you at your house.
00:48:04Let them go.
00:48:05I'm not going back to my house.
00:48:07Where are you going?
00:48:08I don't know. Anywhere.
00:48:10There's a travel agency three blocks away.
00:48:12La Vida del Bondi.
00:48:13I'm going to buy a ticket to Machu Picchu.
00:48:16Or I'll take a taxi.
00:48:17I'll take a taxi to Machu Picchu.
00:48:20Jessica, you're not thinking straight.
00:48:22I don't have anything here, Angela.
00:48:24Do you?
00:48:26Do you?
00:48:32What are you doing, Piru?
00:48:34Listen to me.
00:48:35I'm working tonight.
00:48:36Leave the lights on.
00:48:37When I get there, I won't be a bum.
00:48:41I can't go.
00:48:43I have a life.
00:48:46Okay, do whatever you want. I'm leaving.
00:48:53Stop. Sit down.
00:48:54I told you to sit down, Angela.
00:48:55This is important. Really.
00:48:57If you're going to steal that money, we have to be smart.
00:49:01Are you coming with me?
00:49:03Don't change the subject.
00:49:04Focus on what I'm telling you.
00:49:06You can't leave any traces.
00:49:08You have to throw that phone away.
00:49:10They can follow you.
00:49:11The phone? No way.
00:49:12I'd rather you find me.
00:49:13You have to think straight, Jessica.
00:49:14Are you coming with me or not?
00:49:15No.
00:49:16I don't know.
00:49:17I don't know.
00:49:21Tell me a secret.
00:49:24What?
00:49:25Tell me an important secret.
00:49:27I don't know.
00:49:30Did you ever kill someone?
00:49:32No.
00:49:33You?
00:49:34No.
00:49:37Is there a problem with the law?
00:49:39No.
00:49:40I mean...
00:49:41Besides this?
00:49:42No.
00:49:44Music? What music do you like?
00:49:46Why are you asking me all this?
00:49:47Because we don't know each other.
00:49:48Okay, tell me a secret.
00:49:50I don't have secrets.
00:49:52Me neither.
00:50:00I don't want to be a mother.
00:50:03I don't like boys.
00:50:05What boys?
00:50:06The kids.
00:50:07I don't like little kids.
00:50:08I don't know.
00:50:09They make me nervous.
00:50:10I'm not good for that.
00:50:11But aren't you a kindergarten teacher?
00:50:12Yes.
00:50:13And why do you teach?
00:50:14I don't know why.
00:50:19Why do they call you Piru?
00:50:22Your boyfriend called you that.
00:50:25Because when I was 13 years old...
00:50:27I got really depressed and...
00:50:29I don't know.
00:50:30I had to focus.
00:50:31Because of piromanes.
00:50:34Don't worry.
00:50:35And how are you with that little issue?
00:50:38Better.
00:50:40Okay.
00:50:41Now it's your turn.
00:50:42Tell me.
00:50:43I don't know.
00:50:44Come on, Jessica.
00:50:45I'm telling you from the bottom of my heart.
00:50:46I don't like little kids.
00:50:47No one knows.
00:50:48Not even my boyfriend.
00:50:49Tell me something like that.
00:50:50What do you want me to tell you?
00:50:51I don't know.
00:50:52Tell me.
00:50:53It's an important secret.
00:50:54Tell me who you are.
00:50:55You would have accepted me on Facebook...
00:50:578 years ago if you wanted to know who I am.
00:51:02What's going on?
00:51:07Let's go.
00:51:11Let's get out of here.
00:51:12They're watching us.
00:51:13Who?
00:51:14Those guys over there.
00:51:15What are they doing?
00:51:16They keep looking at us.
00:51:17They're Chichi's men.
00:51:18They're not Chichi's men.
00:51:19You don't understand, do you?
00:51:21By now they must have realized that you took the money.
00:51:24And those people are dangerous.
00:51:25They have connections.
00:51:26They know policemen, journalists, judges, skaters.
00:51:32And I can't.
00:51:34I can't do this.
00:51:37I'm sorry.
00:51:38I'm over it.
00:51:39I wasn't born for this.
00:51:42I'm going back home.
00:51:44Calm.
00:51:45I have a job.
00:51:46I'm going to have a child.
00:51:49It's not that bad, right?
00:51:51No.
00:51:59Good evening.
00:52:01Sorry, we're in a hurry right now.
00:52:04Motherfucker.
00:52:21Shall we buy a car?
00:52:28Good evening, ladies.
00:52:29How are you?
00:52:30How are you? Can I help you?
00:52:32Yes, we want to buy a car.
00:52:37Everything here is high-end?
00:52:39Yes.
00:52:40We want high-end, right?
00:52:42Yes.
00:52:44Okay.
00:52:46Which one do you like?
00:52:47This one.
00:52:52It's very beautiful.
00:53:01What are those two doing together?
00:53:03I don't know.
00:53:04But they're looking for us.
00:53:05It's obvious.
00:53:21Have you already made a decision?
00:53:23A few more minutes, maybe.
00:53:26Why don't you come back tomorrow and decide it better?
00:53:31It's not that he wants to rush you, but we're closed.
00:53:35We'll take him.
00:53:38Wonderful, then.
00:53:45How are you going to pay for the bill?
00:53:48In euros.
00:53:52Euros.
00:53:55Let me check, but I don't think there's a problem.
00:53:58Perfect.
00:54:00Why did you say euros? Are you crazy?
00:54:03What are you saying?
00:54:11He reported us.
00:54:14I told you, he reported us.
00:54:16Let's get out of here.
00:54:21Let's go.
00:54:47What?
00:54:48I don't know.
00:54:49I don't know.
00:54:50I don't know.
00:54:55Go, go.
00:54:58Run!
00:54:59Stop!
00:55:00Jessica!
00:55:04God, what the fuck do they want from us?
00:55:10Give it to me.
00:55:11Give it to me.
00:55:12Let's go.
00:55:21I told you we'd get into a mess, didn't I?
00:55:28There he stopped.
00:55:32Why am I doing this if I have a life?
00:55:38I have two lives.
00:55:40What?
00:55:42I'm a singer.
00:55:45Come on.
00:55:47I sing.
00:55:49I sing.
00:55:52Where?
00:55:54Inside.
00:55:56What do you mean inside?
00:55:57That, inside.
00:55:59I'm ashamed to go outside, so I sing inside.
00:56:03In a kind of imaginary life.
00:56:08I don't understand.
00:56:09Are you really telling me?
00:56:11Obviously.
00:56:13For me, really.
00:56:15It's been like this since I was a kid.
00:56:17I'm not going to lie to you.
00:56:18Sometimes,
00:56:19my life gets mixed up
00:56:20and I don't know where I'm standing.
00:56:26Did you want something I never told anyone?
00:56:28There you go.
00:56:34Maybe it's worse to be a gardener teacher
00:56:36and not like reading.
00:56:41I'm going to shit.
00:56:42Are you coming?
00:56:44Yes.
00:56:48What are you doing, Piru?
00:56:50Marcelo?
00:56:52Where are you?
00:56:54Piru.
00:56:55Behind you, Piru.
00:56:56Behind you.
00:57:02What are you doing there?
00:57:03Press the R button or I won't hear you.
00:57:08Hi, Marcelo.
00:57:10I left you a message.
00:57:12I work at night today.
00:57:14I was assigned several buildings here in Puerto Madero.
00:57:17Be careful, that area is full of cops.
00:57:19What are you doing there?
00:57:20Long story.
00:57:23Come here, I'll show you another building.
00:57:30Ok, what time do you come back home?
00:57:32Come here.
00:57:41I'm going home.
00:57:45What? Why?
00:57:46Come here.
00:57:53Because I'm the thief.
00:57:56Piru.
00:57:57Piru, I don't understand.
00:58:01Piru.
00:58:03Come here, Piru.
00:58:05Let's go.
00:58:08Are you scared?
00:58:09Yes, you?
00:58:11Obviously.
00:58:12But everything will be fine.
00:58:14Everything will be fine.
00:58:16Hey.
00:58:17Let's take a taxi to Retiro and we'll see.
00:58:20Do you think it will be faster?
00:58:21Yes.
00:58:32And this?
00:58:34I told you it was my camper.
00:58:36Give it to me.
00:58:38It was in my dad's drawer.
00:58:40On vacation, when I was a girl.
00:58:43And why do you have it?
00:58:45Because I want it, because I want to have it.
00:58:57What's up? There's no taxi.
00:59:00Throw it away.
00:59:02What?
00:59:04Throw it away, break it, I don't know.
00:59:05Why would I throw it away?
00:59:07I want to have it with me, it's my memory.
00:59:09But that's not dad.
00:59:11Dad was a garca, a carpenter.
00:59:14That money wasn't his.
00:59:15I already told you, you don't want to understand, right?
00:59:17I don't care about the money, Angela.
00:59:18He was a garca from before.
00:59:20What are you talking about if you don't remember him?
00:59:22No.
00:59:23The only thing I know is that if I have his last name,
00:59:25it's because mom sued him.
00:59:27And then she deleted it.
00:59:29She broke it, she broke me, and she broke you.
00:59:31But it looks like you don't want to see it.
00:59:32She didn't break anything to me.
00:59:34No, if you started burning things, it's because you were bored.
00:59:37You're making me leave you alone.
00:59:39I've been alone since I was born.
00:59:41Then I'll make it easy for you.
00:59:43If you want us to continue being accomplices in this.
00:59:45I don't need an accomplice.
00:59:47What the fuck do you want then?
00:59:58What are you doing?
01:00:00What are you doing?
01:00:02What do you think I'm doing?
01:00:07You know you have a serious problem, right?
01:00:10Yes.
01:00:12At least I know when I lie to myself.
01:00:16I can't believe it.
01:00:20Me neither.
01:00:29I can't believe it.
01:00:59I can't believe it.
01:01:26You were hiding.
01:01:27And what are you?
01:01:29Oh, well, what a great...
01:01:31You're an Osterfield.
01:01:33Oh, what a fear, the law and the order together.
01:01:35Are you one of these guys?
01:01:37They are my children.
01:01:39What do you say, Severino?
01:01:41I have fresh news.
01:01:43Are we going to have a coffee?
01:01:45You pay.
01:01:47As always.
01:01:49So?
01:01:51We're on our way.
01:01:53Time flies.
01:01:55You have to solve it quickly.
01:01:57Yes.
01:02:14Hand luggage and backpacks, please, on the belt.
01:02:23The backpacks, the bags too, please.
01:02:27The backpacks, please, on the belt.
01:02:32You, miss, the backpacks on the belt, please.
01:02:48One minute, miss.
01:02:50Good evening.
01:02:51Good evening.
01:02:53Can you open the backpack, please?
01:02:55What?
01:02:57I need you to open the backpack.
01:02:59Why?
01:03:01Because I have to see what's inside.
01:03:03There are mine things inside.
01:03:05Open it, come on.
01:03:07Can you open the backpack, girl?
01:03:09Hey, security!
01:03:11Security!
01:03:12Security!
01:03:20Stop!
01:03:40Hey!
01:03:42One last time, girl.
01:03:44Open the backpack.
01:04:12Open the backpack.
01:04:42Open the backpack.
01:05:12Open the backpack.
01:05:42Open the backpack.
01:05:44Open the backpack.
01:05:47Open the backpack.
01:05:48SIREN WAILS
01:06:08RADIO CHATTER
01:06:18RADIO CHATTER
01:06:25SNORING
01:06:36Good evening, miss. How can I help you?
01:06:39Good evening.
01:06:41I'm looking for someone you brought here.
01:06:44Name?
01:06:46Dipache. Jessica Dipache.
01:06:48Dipache all together? Dipache...
01:06:50Di-pache.
01:06:52I'll check, okay?
01:06:53Dipache is the girl who just came in.
01:06:55Are you her lawyer?
01:06:57I just want to see her.
01:06:58Impossible. She's on the phone.
01:07:00Why? What did she do?
01:07:02Trafficking and money laundering.
01:07:04It's a very serious crime.
01:07:05Very serious.
01:07:06And she's going to spend the night here.
01:07:07It's very complicated. Here.
01:07:15RADIO CHATTER
01:07:21Can I help you with anything else?
01:07:23Yes. Yes.
01:07:28Fernandez.
01:07:30To serve her?
01:07:31Yes.
01:07:34Fernandez...
01:07:37Is there any chance that...
01:07:41Between you and me...
01:07:43That we could get to a more intimate situation?
01:07:54It's been two hours.
01:07:56There's a hotel nearby. What do you think?
01:08:00No.
01:08:01No?
01:08:02No, I wasn't talking about that.
01:08:04What's wrong, Fernandez?
01:08:06Nothing.
01:08:07Nothing?
01:08:08Nothing's wrong. I was just leaving.
01:08:11But I was just telling Fernandez...
01:08:15That I thought...
01:08:18Maybe it's no, and if it's no...
01:08:20It's okay, I'm leaving.
01:08:22Nothing happened.
01:08:23But...
01:08:24Maybe it's good for you.
01:08:26And for me too.
01:08:28I have something...
01:08:31That could be useful for you.
01:08:35And maybe we could do an exchange.
01:08:37An exchange?
01:08:38So that no one has to eat a carrot...
01:08:41Or something they don't like.
01:08:46Do you sell food?
01:08:47Ah, that's it.
01:08:48Do you sell food?
01:08:49Do you have empanadas?
01:08:51Empanadas, of course.
01:08:52So I want two with meat and two with vegetables.
01:08:54And humita, three?
01:08:55Humita?
01:08:56I want three with ham and cheese.
01:08:57Let's ask Montenegro.
01:08:58Because I'm sure he'll get mad if we don't ask him to go and eat.
01:09:01He eats meat.
01:09:02He eats meat.
01:09:03Well, I'll write it down for you.
01:09:05Take the girl to the first floor and take her fingerprints.
01:09:22I'm here to pick up my sister.
01:09:34Turn off the cameras.
01:09:51Why did you give them everything?
01:09:52I told you I don't know how to cook.
01:10:04beginnings
01:10:15Bye, euros.
01:10:16Don't say anything.
01:10:18Finally!
01:10:19The girls made us wait.
01:10:21Aunt knows, doesn't she?
01:10:34Let's go.
01:10:54It looks like someone went shopping.
01:10:57We'll charge the guinaldo, right?
01:11:00I'll be right back, Omar.
01:11:04I'll be right back.
01:11:20Drink it. Do you know how that works?
01:11:23No.
01:11:30That's great.
01:11:33They don't know what to make up anymore.
01:11:44Omar, my dear.
01:11:48Here you are.
01:11:58Great.
01:12:01That's all.
01:12:04Thank you very much.
01:12:07God bless you.
01:12:13Goodbye, girls.
01:12:16Bye.
01:12:24Vale.
01:12:25Stop.
01:12:32I'm sorry, girls.
01:12:36It's my duty to inform you...
01:12:39...that according to our sources...
01:12:41...the judge is going to decide...
01:12:43...the public auction of the apartment...
01:12:45...in the next few days.
01:12:48So you're going to have to release the property.
01:12:51I'm very sorry.
01:12:55But I want you to know that...
01:12:58...this is not going to happen.
01:13:01I'm going to dedicate my life, if necessary...
01:13:04...to clean up the memory of Dr. Di Pace.
01:13:08Dad.
01:13:10He's going to tell me about the apartment keys.
01:13:13This is going to be cleaned up.
01:13:15It's going to be impeccable.
01:13:18Make room for me.
01:13:21Okay.
01:13:51I'm sorry.
01:13:57Pamela Troncoso?
01:13:59Yes.
01:14:00I have something for you.
01:14:02Who sent it?
01:14:03No idea. I just came in.
01:14:06Hello.
01:14:07Hello. What do you need, dear?
01:14:09I'm here to do a collaboration with the co-operator.
01:14:11Oh, do you have the mailbox there?
01:14:13No.
01:14:15The thing is, I couldn't get into the mailbox.
01:14:17Um...
01:14:19The backpack was also donated.
01:14:24Bye.
01:14:29Do I know you?
01:14:31No.
01:14:32You're not from the neighborhood?
01:14:34No, no.
01:14:36You didn't come to a class of my own?
01:14:38No.
01:14:39Do I owe you anything for this?
01:14:41I'll pay for everything.
01:14:43Bye, thank you.
01:14:44Let's continue.
01:14:47Okay.
01:14:59Inhale and exhale.
01:15:01No, Julie, your neck is so hung up.
01:15:03It's going to be bad for you and the baby.
01:15:05Good. Inhale and exhale.
01:15:08There you go.
01:15:09Relax.
01:15:11Relax your hands.
01:15:14Close your eyes.
01:15:17Breathe.
01:15:21Think of something good.
01:15:25Think of good things.
01:15:27That sometimes happen.
01:15:34I'll be right back, girls.
01:15:43Okay.
01:16:13Hi.
01:16:14I'm here.
01:16:15Hi.
01:16:16Don't move.
01:16:17Take your time.
01:16:19Yes, next time.
01:16:20I'm so hungry.
01:16:22Did you bring the green onion?
01:16:24I brought the green onion.
01:16:26Give it to me.
01:16:27Give it to me.
01:16:28Here they are, sister.
01:16:30We could put more plants in the entrance, right?
01:16:33Re, I thought the same thing.
01:16:35Let's see, Jessy.
01:16:37What do you think?
01:16:38What do you think?
01:16:39What do you think?
01:16:40I thought the same thing.
01:16:41Let's see, Jessy.
01:17:10Of course, the future.
01:17:13Because it is about to come.
01:17:18When you hear this song,
01:17:22your heart will be happy.
01:17:26There is time to decide.
01:17:30You will find it because
01:17:33a needle in a haystack
01:17:37is hard to find.
01:17:40Stop.
01:17:41Is this happening or is it in my head?
01:17:43It's happening.
01:17:45That's why you don't regret anything
01:17:51and you don't ask for forgiveness.