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00:01It's about my guest.
00:04But have you all lost your minds? Alonso?
00:07What kind of guest is the old fiancé of your daughter?
00:10That's something they have to decide.
00:13What have you brought him for?
00:15The Count of Añil and I are considering resuming our relationship.
00:19So you don't even have any dignity left?
00:21Cruz.
00:23How dare you talk about dignity
00:25when you've been in charge of airing the family's dirty rags against Pelayo and me?
00:29Again with that?
00:30Because it was very serious.
00:31Look, one thing is clear.
00:33If there are dirty rags to air, it's thanks to you.
00:36You dragged Lujan's last name through the mud
00:38and you're willing to do it again.
00:41And you, Alonso?
00:43What's the matter? Have you already forgotten what the Count of Añil did to us?
00:45No.
00:47But it seems regrettable, or so I want to believe.
00:49No, this is incredible.
00:51If my daughter thinks she deserves another chance, it's her decision.
01:00You'd better not be wrong.
01:06Mr. Baeza, have the Count of Añil's belongings taken away and a dormitory prepared for him.
01:10Thank you, Marques.
01:16Thank you, Father.
01:20I hope I'm doing the right thing.
01:23Mother, I don't know why he's back, but he can leave now.
01:27And if what you want is for him to come back to you, I'm telling you it won't happen.
01:30I think the last time I spoke to you, I was clear enough to tell you again.
01:34I'm not going back.
01:37I'm very happy here and I already told you the last time.
01:40Being the daughter of a Marquis, please.
01:42I don't want him to understand, I just want him to respect it.
01:45Open your eyes, this is not your place.
01:48Open your eyes, this is not your place.
01:51You are my daughter, you are the daughter of a Duke Mercedes.
01:54Don't call me that again.
01:56My name is Vera, here and everywhere, because this is my place.
02:01Honey, I understand perfectly the reasons that led you to take refuge in the promise.
02:07But things have changed a lot since you left.
02:10Your father, although it is difficult for him to recognize it, misses you.
02:13You know that's impossible.
02:14He has given orders that no one touch your room,
02:17that you are always prepared for when you return, because he doesn't want to lose hope.
02:21But every day that passes and this doesn't happen, it goes away.
02:25And the same goes for your brothers, honey.
02:27You have to come back.
02:29I don't understand how he can ask me something like that.
02:31He knows perfectly well why I left.
02:33I'm sure he would be willing to forgive you.
02:36My father is a monster.
02:38And you know it perfectly well.
02:41When I denounced him, I exposed all the abuses he had committed for so many years.
02:45God knows how much money and how many due favors got him out of prison.
02:50But his name is already stained and that won't forgive me.
02:54I know. I know it's very difficult.
02:57But if you showed regret, I'm convinced that he would forgive you.
03:01And I, I could protect you.
03:04I don't regret anything, mother.
03:07And I'm sorry to tell you, but your protection comes too late.
03:13Mercedes.
03:14I don't insist.
03:16Just do me the favor of not coming back.
03:19It's not good for either of us.
03:23So there's nothing I can do for you to change your mind?
03:28You know it perfectly well.
04:07I'm sorry to interrupt you, ma'am, but I bring you your correspondence.
04:12Do you want me to order you to upload something of Pepe?
04:15Is it too soon for a cognac?
04:18No, better a glass of Laudano.
04:20Even the cicuta of Ayala would not disgust him right now.
04:27María Teresa Sánchez de García, this is for you.
04:31Baronesa de Cienfuegos, this one too.
04:34Baronesa de Cienfuegos, this one too.
04:36And what should I answer, ma'am?
04:38Well, tell them whatever you want.
04:39Because in the end, they are going to come up with something much worse against us and they will apologize for all the liars.
04:45But this, read it to me.
04:48It's from the Duchess of Cerezuelos.
04:50I want to know what she takes into account in everything.
04:53Of her feast of coestation.
04:56Dear Marquesa, the reason for these letters is nothing more than the deep ...
05:00To the point, Petra. To the point.
05:03Well, actually, what it is to thank and comment on the good deed of Miss Martina during the evening.
05:11And she is also interested in the state of health of her stepdaughter.
05:14I knew it.
05:15What else does she say?
05:17Well, that she wants her to feel better.
05:20And what else does she say?
05:22Well, that she wants her to feel better.
05:25And that when this is the case, she wants to invite you to a pisco lavis in her gardens.
05:29Will it be gossipy?
05:31Do you want to know about Catalina?
05:33Well, Catalina will know.
05:34Answer her. Answer her.
05:35Tell her that Catalina is not as sick as she assumes.
05:38But that she has been backbiting with the Count.
05:43That is the reason for your anger, isn't it, ma'am?
05:46Not at all.
05:47They can turn against me.
05:49What bothers me is that they have come to make the promise.
05:52It is that Miss Catalina has returned.
05:55You are in deep trouble, Petra.
05:56You should be aware of these things.
05:58You forgive me.
05:59But yes.
06:00She has returned.
06:01And from the hand of that incompetent, relentless pussy.
06:05If you think I can do something to alleviate your anguish ...
06:08Yes, you can. Yes.
06:09Leave me alone.
06:18Can we talk?
06:21About what?
06:24About the scene you set in the living room in front of Pelayo.
06:28And what? Do you think it was wrong?
06:30What should I have done?
06:31Receive him with open arms as if he were another son?
06:33I don't agree with his return either.
06:35No, of course.
06:36That's why his luggage is in one of the balconies.
06:39I do everything for my daughter.
06:41If you want to do something for your daughter, Alonso,
06:43you should force her to marry you.
06:45What are you saying?
06:47Well, those two have been living together in the Count's palace without a carabiner.
06:50Do you need me to explain it to you more clearly?
06:52I do not allow you to doubt the virtue of my daughter.
06:55They have said that not even their relationship is firm.
06:57And what did you expect?
06:58That I would explain to you who they have been playing?
07:02If you want to do things right, Alonso,
07:04you should fix the wedding now and then leave.
07:08Or you will have to assume the consequences.
07:10And then leave.
07:12Or you will have to assume the consequences.
07:34Yes?
07:35How are you?
07:40In a very big problem.
07:43What happened?
07:46I lost one of the earrings my mother lent me.
07:50Your grandmother's?
07:52Yes.
07:53And I don't know how it happened.
07:55I had them, they bothered me, I put them in my bag,
07:58and when I was coming back from the Duchess of Cerezo's house,
08:00I realized that one of them had disappeared.
08:02And did you check the bag?
08:04How can I not check the bag?
08:07Well, I don't know.
08:09Well, look at it for the good side.
08:11What good side?
08:13That you still keep one.
08:15Enough to honor your grandmother's memory.
08:17Yeah, it's just that a pendant alone is useless
08:19because there are things that don't make sense without its partner.
08:22Yeah.
08:23But in the meantime, you have to take care of this one.
08:26Until your partner appears.
08:30And what if he never appears?
08:33I have hope.
08:36It's not about hope, it's about reality.
08:39And the reality is that recovering something that has been lost is ...
08:43It's very difficult.
08:45But I think that with time and patience,
08:48anything is possible.
08:52Well, I'm afraid that patience will take too long.
08:57And it will be impossible to recover what has been lost.
08:59No, that's not going to happen.
09:01No?
09:02No.
09:03No if you keep the most important thing.
09:06The will.
09:09I don't lack that.
09:12Neither do I.
09:16Can we ...
09:18speak clearly?
09:22Well, that has never been our forte.
09:24Yeah.
09:34I love you.
09:38And you love me.
09:41True.
09:45But whenever we have tried to formalize it,
09:48even if it has been between us, well ...
09:51It has not gone badly.
09:56Well, maybe ...
09:59we should not name our love.
10:06Yes. Yes, yes.
10:09Okay.
10:10Let's go step by step.
10:12And ...
10:13No matter what comes, whatever it is.
10:22All good?
10:26Uh ...
10:30What's going on here, Martina?
10:35I have asked for one of the pendants that I lend myself.
10:50Thank you very much for receiving me, Mr. Baeza.
10:52Of course, Miss ...
10:54Miss Villamil.
10:57How can I help you?
11:02Look, yesterday ...
11:04I told some colleagues that I was on the promise, just in passing.
11:07I see. But what you need is a job.
11:11The devil knows more about the old man than the devil.
11:15I would not like to put you on a commitment, Mr. Baeza.
11:17You can't put me on any commitment.
11:19Yesterday, as soon as I found out about your visit, I started doing the relevant management.
11:25Really?
11:26So I could go back to work on the promise?
11:30It's been a few months since she left, but do you remember Mrs. Carranza?
11:34Yes, of course. Virtudes, Mrs. Simona's daughter.
11:37Well, a few days ago she left her job as a maid.
11:39I don't mean to degrade her with this, no.
11:42You left the house as a maid and as such you would return to the service.
11:49I don't know how to thank you, Mr. Baeza.
11:51No, don't do it yet.
11:52I still have to talk to Mrs. Arcos.
11:54After all, she is responsible for the female staff.
11:57Of course, I understand, Mr. Baeza.
11:59In fact, I don't understand how I didn't get your request through her.
12:05Because I understand that your relationship in the past was very good.
12:10Yes, in fact, my first intention was to talk to her, but let's say that her reception was rather cold.
12:17And I suspect that my husband's presence had something to do with it.
12:21Leave it to me.
12:23I know how to convince Mrs. Arcos to accept your reincorporation.
12:30As soon as I have news, I will let you know.
12:35Thank you very much, Mr. Baeza.
12:40There is one more thing I would like to ask you.
12:43You will say.
12:45Vera, it's about my husband.
12:48He also had to quit his job after our wedding.
12:51I had to say goodbye to the palace of the duchess and he quit his job at the town hall.
12:56And he did it for me.
12:58I understand.
12:59I'm sorry to tell you that right now I have nothing to offer you.
13:02But anyway, tell me what your experience is.
13:06And as far as I can, I will help you find a job.
13:10Really?
13:11Yes.
13:12Well, if he was in charge of the town hall, I suppose he would have accounting options.
13:17No, he worked as a waiter.
13:19And has he served before in a renowned house?
13:22He has always worked in the field, in very simple jobs.
13:26But he is a good man and he is always willing to learn.
13:29Well, we'll see what can be done.
13:31Thank you very much, Mr. Baeza.
13:33As soon as I have news of Mrs. Arcos, I will let you know.
13:49Oh.
13:55Psst.
13:56Jara.
13:57Jara.
14:13What is this?
14:19I don't know.
14:30Well, what do you think?
14:35It seems to me that you have advanced a lot in such a short time.
14:39If my calculations are correct, he will not only have greater autonomy than Gleriot,
14:42but he will also surpass Olgadamente in power.
14:46And that means what?
14:50That we could go to our beach in a Santiameno.
14:54Although soon we will have to escape to be able to be together.
15:05How are things in the service area?
15:08I have heard that Simona's daughter has left La Promesa.
15:11Yes, she had to go to take care of her son.
15:15And how is Simona?
15:16Well, with a broken heart.
15:19Because on the one hand she knows that it is best for virtues,
15:22and also for her grandson.
15:23But on the other hand, she has been separated for a long time.
15:26And it hurts her to leave.
15:28Of course.
15:30And why does she have to leave?
15:32Can't she take care of her son here, in La Promesa?
15:36Well, look at that, if you could ask your mother,
15:38who is the one who does not want the Frilladas to have children here.
15:43I understand.
15:45In any case,
15:46we thought that Virtudes could stay at least in Lujan,
15:50and in fact she got a fantastic job, but ...
15:53Everything went to hell.
15:54Why?
15:56Well, because she was going to work taking care of the parish,
16:00but you know that Don Fermín left Lujan.
16:03If I am honest with you, lately I have been doing very little with the church.
16:08But in any case, the new priest will have arrived, because he does not work for him.
16:11That's what we all think,
16:13but it turns out that the priest who replaces Don Fermín,
16:16well, he is a young priest,
16:18and he wants to do things his way.
16:20And what does that mean?
16:21That he does not want to have anyone at his service.
16:25And then who is going to cook or do the laundry for him?
16:28Forgive me, but I find it difficult to believe a man with a sotana in front of the stoves.
16:31Yeah, and cleaning a stain from the clothes.
16:37He will soon change his mind.
16:38You'll see.
16:40You say it, I'm sure.
16:42I am.
16:44I know he will have arrived with great desire, I do not argue with that,
16:46but I assure you that soon he will be removed.
16:49The moment he meets his new faithful Beatones,
16:52he will have so many gossip and criticism that he will not have time to fry an egg.
16:59Cheer up.
17:01You will see how sooner or later Simona is back with her daughter and her grandson.
17:05Yeah.
17:07I'm not like that for that, I'm like that because ...
17:10when talking about ours, our wedding, the beach ...
17:15I have remembered that Don Romulo knows about us.
17:20We have already talked about it.
17:22There is nothing to worry about.
17:24I'm not worried, Manuel, it's just ...
17:26I'm ashamed.
17:29Ashamed of what?
17:31Well, because I lied to him,
17:33and because now I have to cross him through the corridors and I don't even know what face to put on him.
17:39My love,
17:41those ghosts are only in your head, I assure you.
17:45Do you think I have never thought that ...
17:48I don't know, I would have liked our story to be different.
17:51And do you know what I do when that happens?
17:54I immediately discard that idea.
17:58Wouldn't you have liked ours to be a little easier?
18:04No.
18:07Because our story, as it is with its difficulties,
18:12is what has made us get here.
18:15And I wouldn't change that for anything in the world.
18:20Come.
18:25Manuel, what's going to happen to someone?
18:30Why don't we meet this afternoon?
18:33No, I can't.
18:35This afternoon I have stayed with my mother to go to the theater.
18:39Don't make that face.
18:42You know I would stay with you all afternoon.
18:45But I owe it to you.
18:46I know, fool.
18:47You don't have to make excuses to go see your mother.
18:51Now I have to be with her more than ever.
18:54Because ...
18:56I'm sure that when we get married,
18:59something will break between her and me.
19:04I'm very sorry, Manuel.
19:07You don't have to apologize.
19:10I have already assumed it.
19:12And now my mother will have to assume that there is nothing I say or do
19:15that changes a bit the love I feel for you.
19:20I love you.
19:23And I love you.
19:29What's going on, Manuel?
19:32Sorry, I couldn't help it.
19:49Damn my stamp!
19:51Don't curse me, Candela.
19:53It's just that it has been cut off.
19:55I already told you that it was not a good idea for me to prepare the mayonnaise.
19:59And why is that? You've done it a thousand times.
20:01Because I'm with those days.
20:03You know.
20:04With Juana Menés, the one who visits you every month.
20:08But are you still in those?
20:10What happens? Do you think it's weird?
20:14It will be better if you do the mayonnaise.
20:16Come on, don't say nonsense.
20:18It has nothing to do with one thing or another.
20:20They are old monsergas.
20:21At least it looks like it.
20:23Have you added the apocryphal oil?
20:25Well, no.
20:26You mix it as if it were tomorrow.
20:28Look, you're crazy.
20:29What surprises me is that it has ever worked out for you.
20:32Listen to me.
20:33You have to add the oil little by little.
20:35Where are you going?
20:36To throw it away.
20:37That's why I've added a little oil.
20:40No, no more oil.
20:41Water.
20:42Water?
20:43Yes, a splash of hot water.
20:45You add it and start to beat well until it binds.
20:48Come on, this is the first time I've heard of water.
20:51Listen to me.
20:56Good afternoon, Mrs. Petra.
20:58What can I do for you?
20:59I just came to inform you that tonight two more dinners will be held with two gentlemen.
21:04Ah, and that?
21:05Do we have guests at home?
21:07No guests.
21:08It's about Miss Catalina.
21:10Ah, that's great.
21:11She has already returned.
21:12And the Count of Añil too.
21:13What?
21:14And how did that man become La Promesa?
21:17He must have had a lot of courage to set foot here again.
21:21Or a few, it will be.
21:23Well, it is better that you get used to it.
21:25Because he probably spent a good season here.
21:29Since he has come.
21:30How has Mr. Marqués allowed it?
21:32Well, enough nonsense.
21:33What they needed to know, I have already told them.
21:36So now to work.
21:45Have you heard the same thing I've heard?
21:47I'm shorter than the mayonnaise.
21:49Now up there you have to be riding a good one, huh?
21:52Yes.
21:53As a father and a very good man.
21:55And why has that bad man come?
21:58So that Marimandra doesn't give him away, huh?
22:01Because he doesn't know anything.
22:03There is a person who does know.
22:05And it's Catalina.
22:06Josefa, bring the water closer.
22:08Yes.
22:09Let's see, let's see what else.
22:11Little by little?
22:12No, just a little bit.
22:13A little bit?
22:14Yes.
22:16It's the first time I do it.
22:23I'm very glad to have you back, sister.
22:26Thank you for doing me the favor of telling me where I had gone.
22:32They don't deserve it.
22:33And of course not.
22:34I'm sure I made a good mess after I left.
22:36And above all, because I had left.
22:38The normal thing.
22:39My mother screamed in heaven and my father didn't like it.
22:43I'm so sorry.
22:46But if I had spoken to them, they would never have let me go.
22:49I know.
22:52And I also know the real reasons for your departure.
22:56Pelayo smuggled weapons.
23:01They told you.
23:04I'm sorry I told you at the time, Manuel, but I didn't want to worry you.
23:08Catalina, you don't have to justify yourself, I'm not judging you.
23:10If you hadn't told me at the time, you'd be right.
23:13But I already told you, be very careful.
23:18Besides, this isn't going to come out for free.
23:22When the time comes, I'm going to ask for your understanding back.
23:26Is this a joke or are you serious?
23:28I've never spoken more seriously.
23:30And what do you want?
23:33All due time.
23:35Why don't you keep talking about Pelayo?
23:37Have you managed to put your feelings in order?
23:41Well, the truth is no.
23:43But yes, we have found something unclear.
23:46Thank goodness.
23:47Hey, don't make fun of me.
23:49Oh, sorry.
23:51Those days we've been together have helped us realize that there is still something alive between us.
23:59And that we can't let the past stain it.
24:02So you're going to give him a new chance.
24:04Yes.
24:05I don't know where this will take us, but ...
24:09But I'm listening to what you told me.
24:11I'm giving myself the luxury of doing something that doesn't make much sense.
24:17What I don't understand is how you're going to do it being here and him in his palace.
24:20No, he's in La Promesa.
24:23In La Promesa?
24:26Well, it's clear that I spend too much time in my studio with my sketches.
24:29I didn't even find out what was going on in the real world.
24:31Well, I thought your mother's screams had been heard all over the palace.
24:38And what did Father say?
24:41Well, at first it was hard for him, but he ended up agreeing.
24:47So you can say later that you're not his favorite.
24:51Are you jealous?
24:53You know, a little bit, yes.
24:57And even more now.
24:59Because I've known him for so long that he hasn't seen you so happy, sister.
25:05Although you wouldn't have made the imprudence of leaving him alone in there.
25:08No, no, no. He's resting in his room.
25:11And I trust they'll leave him alone there.
25:13Don't worry.
25:15But why don't the three of us go to Merenar together?
25:18To Merenar?
25:20Do you want to?
25:23Sister, I can't.
25:24I've stayed with my mother to go to the theater.
25:27And she's probably been waiting for me for a long time.
25:31See you another time.
25:33Yes, yes.
25:34Come on.
25:41Go to the theater with the Marquise.
25:51Mrs. Arcos is about to arrive.
25:54Well, while she arrives, I wanted to talk to you about a private matter.
26:00Your son?
26:01No, no, no.
26:02It's not that. No, thank God, no.
26:04The reason is very different.
26:07This morning, the Duchess of Carril has appeared in the palace.
26:11Without warning.
26:13And she wasn't looking for the Marquise, or the Marquis, or ...
26:17or Mrs. Margarita.
26:20And hold on.
26:21She accessed through the service door.
26:25Well, start telling me that nonsense,
26:27because what you're telling me has nothing to do with it.
26:30Well, I'm afraid that no matter how much I tell you, this will continue to be like this.
26:32Who was she looking for then?
26:34Well, according to her own words, the cooks.
26:38She needed the recipe for the cakes that were served at that snack.
26:42It was enough to have sent a note, if she had answered with the recipe, back.
26:47Well, that's what I told her.
26:49Yes, but she excused herself by saying,
26:50saying that, curiously, she was close to the promise,
26:53and she decided to make the message in person, so as not to bother.
26:56Did she tell you that?
26:57Yes, word for word.
26:58And did she get the recipe?
27:00Well, I hope so.
27:01Don't you know?
27:02No.
27:03No, because in the end she didn't talk to ...
27:05neither to Simona nor to Lope.
27:07She talked to Vera.
27:08And why did she talk to Vera?
27:10Well, the Duchess saw her, recognized her from the snack,
27:14and asked her to be the one to serve her.
27:16Yes, Mrs. González has no idea about pastry.
27:20Well, apparently she knows the recipe for the happy cakes.
27:24At that time, the only thing that occurred to me was to give them the office
27:27so that they were away from indiscreet looks.
27:29You did very well.
27:30There is no presence of one who is in the service area,
27:33and it has been at least irregular.
27:35Did anyone else see her apart from Miss González and you?
27:38As far as I know, no.
27:39Well, it's still like that.
27:40Such a strambotic matter should not reach the ears of the Marquis,
27:43much less the Marquise.
27:48Mrs. Alcos is late.
27:51Do you want me to go get her?
27:53No, look, we'd better take the opportunity to update you on the matter we're going to talk about,
27:58which is quite tricky.
28:00Isn't it about the substitute of virtues?
28:02That's right.
28:03My proposal is a young lady you already know, because she was here until recently.
28:07Yes, Miss Villamil.
28:10Yes, you already know the palace, what's so tricky about that?
28:14Well, that girl was the fiancée of the late son of Mrs. Alcos.
28:20And she's not a young lady anymore, because she's married again.
28:26And you already know this, Mrs. Petra.
28:36What do I have to know?
28:50What do I have to know?
29:06Thinking about the mosquitoes?
29:08Yes.
29:09Look, a tree could fall on you, you'd get a bruise.
29:12No.
29:15No, I was thinking about my things.
29:18I've been looking for you all day and we haven't been able to meet or have lunch.
29:22It's been a complicated day.
29:24I see.
29:27Are you worried about the position of first in the street?
29:30Of the count of Matesán, right?
29:37And have you already thought of an answer?
29:40Are you going to leave or are you going to stay?
29:43I just don't want anything you don't want, Maria.
29:46Salvador, please stop calling me dead. We're talking about you, not me.
29:49Okay, okay. I know it's my chance.
29:52And I also feel prepared to be first in the street.
29:54And I know I'm not going to get it here.
29:57Look, I know it's your dream.
29:59No, Maria.
30:00That's not my dream.
30:03I don't want to be the street, or the mayor, or anything.
30:11All I want is to save money to finally be free.
30:16My dream is to be with you.
30:20That's my dream.
30:22And tomorrow, well, to be able to have a house together.
30:27With a garden, with animals.
30:31To be able to have all the children we want.
30:34But without mandates.
30:37To be free. That's all I want.
30:41And I would be so happy.
30:46Well, then.
30:50Then go.
30:54But Maria, you're first.
31:00That's precisely why, Salvador.
31:03Because your dreams are my dreams.
31:07And if we're going to get it, we have to be separated for a while.
31:12Or whatever.
31:16Really?
31:34I promise that as soon as it's enough, we'll leave together.
31:41I'm going to miss you so much.
31:44I live for you, Maria.
31:47Every second of my life.
31:50Why are you exaggerating?
31:53I'm not exaggerating.
31:56I love you with all my soul, Maria.
31:59I live for you. You're so beautiful.
32:13I love you.
32:24Mrs. Villamil's request arrives at the best time possible,
32:28since after Mrs. Carranza's departure,
32:31we have run out of female staff.
32:34But I didn't want to take the step before consulting with you.
32:37Undoubtedly, it is our best option.
32:39And why is that?
32:40Well, because she knows the palace.
32:43She was working here in the past, as a maid.
32:46You said it, as a maid.
32:49And Virtudes was just a maid.
32:51Do you intend to degrade her?
32:53No, if you're right, you're right.
32:55Mrs. Carranza was just a maid,
32:58but the reason was that she didn't know the functions of a maid.
33:01But Mrs. Adarre always had the intention, from the very beginning,
33:05to promote her as soon as she was ready.
33:07So we are willing to hire her as a maid,
33:12if that's what worries you.
33:17I agree.
33:20Are you willing to accept that we hire her?
33:24Are you so surprised, Mr. Baeza?
33:27I thought you would deny me because I've seen you arrive with your husband.
33:32I have to confess that it has hurt me a lot to see
33:35that he forgot about my son so soon.
33:39But here we are judging whether she is suitable or not
33:42to take over Mr. Tello's position.
33:44And indeed, she is the best for it.
33:48So let her join as soon as possible.
33:51There is a lot of work to do.
34:01Well, in the end, it wasn't that complicated.
34:02Seeing is believing.
34:04Now, I hope this doesn't drag on,
34:07but I'm afraid it will.
34:17Don't turn around, Margarita.
34:20We'll go to a jewelry store I know in Seville
34:23and you can choose the earrings you prefer.
34:26Look, Ignacio, I appreciate the effort you make to cheer me up,
34:29but no matter how much I appreciate your gift,
34:32I won't be able to replace that earring.
34:35Are they so important to you?
34:38Well, they are the gift of request from my late husband.
34:43I understand.
34:46Well, then, I propose something else.
34:49This jeweler I know is a true artist.
34:53We'll give him the earring and ask him to make another jewel.
34:56I don't know, a ring, a necklace, whatever you prefer.
35:00That way, you can always keep an eye on him.
35:03What do you think?
35:05I think it's a good idea.
35:07Thank you very much, Ignacio.
35:09I don't know what I would do without you.
35:11Fortunately, there is no need to find out.
35:16I'm sorry.
35:18I interrupted you.
35:20No, not at all. I was leaving.
35:22I have to discuss some matters with Lorenzo before dinner.
35:26Okay.
35:34I'm sorry.
35:36I really am.
35:38I know you're angry with me because my grandmother's earrings were very important to you,
35:42and I really understand, but...
35:44I'm so sorry.
35:46Martina, don't worry.
35:48I know it was...
35:50It was a mistake.
35:52Don't get it wrong, because I'm not angry.
35:54I'm just...
35:57I still remember the first night I put them on.
36:02The night your father gave them to me.
36:05We were having a party at your grandfather's ranch,
36:08and I remember it was a warm night,
36:11and everything was soaked in the sweet smell of orange.
36:15And your aunts were making amberjacks.
36:18Mrs. Andaluz, they called me.
36:20But that didn't last long.
36:22It didn't last long because everyone's heart was immediately won.
36:26Especially mine.
36:29He was so handsome.
36:31So handsome.
36:33With that martial look.
36:35With that beard.
36:37I felt...
36:39I felt like the happiest woman in all of Spain.
36:42And besides, those earrings matched my dress perfectly.
36:46Until I found out they were his mother's.
36:51But what I remember the most is...
36:56When you were dancing with him,
36:59hugging your father...
37:04I felt like I was capable of anything, Martina.
37:08As long as I was by your side.
37:12Well, I guess I've always tied that memory to those earrings.
37:17Don't cry, daughter.
37:20Don't cry because Ignacio is right.
37:24Look at me.
37:26The memories are not in those earrings, Martina.
37:30Because that memory is here.
37:35And now it's also here.
37:42That's it.
37:52Treat them more carefully.
37:54Don't you see that if you wrinkle them...
37:56You'll be in trouble.
38:08Would you like me to help you, ma'am?
38:12No, and I'm not going down for dinner.
38:14So you can pick up all those dresses.
38:17How's the theater department?
38:20It's a mess.
38:22They pretend to pretend to be intellectual,
38:24but it's a mess.
38:26I'm sorry it wasn't to your liking.
38:28In the end, it's better this way.
38:30Because Manuel was also looking horrible.
38:33So we left in the middle of the night
38:35and we took the opportunity to take a walk in the cool afternoon.
38:39I'm glad you were able to enjoy it with your son.
38:45Teresa Villamil has returned.
38:48That's right.
38:50Tomorrow she will be reinstated as a maid.
38:52Yes, Mr. Pellicer has already told me.
38:55In the end, not everyone returns.
38:57What I don't understand is why you didn't tell me.
39:00The mayors arranged it that way, ma'am.
39:03And since when has it been an impediment for you to advance?
39:07You warned him that it was not necessary.
39:11You're uncomfortable with his return, aren't you?
39:14I thought you had a good relationship with her.
39:18It was your son's promise, wasn't it?
39:20That's right.
39:23Then stop being mysterious and tell me what's going on.
39:31Leave.
39:41She has returned with ...
39:45with a husband.
39:47What?
39:48What?
39:52Well, she's in a hurry, isn't she?
39:55What do they call him?
39:58And why didn't you tell me at first?
40:01You know as well as I do that we don't talk as much as we used to, ma'am.
40:05I just thought it wasn't in your interest.
40:09It is true that our communication is less fluid than before.
40:14As it is also true that your performance in your tasks leaves much to be desired.
40:19I put all my dedication and effort into it, ma'am.
40:24Don't justify yourself, Petra.
40:26I need you to find me a personal maid now.
40:29I only see useless people in my bedroom.
40:32It's not an easy task, ma'am.
40:35But if you allow me to combine my functions as a keymaker ...
40:39No, I need someone who doesn't have as many other important functions as you.
40:43All right, ma'am.
40:45As you say, you have your keymaker tasks.
40:48You know ...
40:50I want Teresa as my personal maid.
40:54Let's see what I've learned with that keymaker.
40:57Would you prefer to try another one? Vera, for example.
41:02I said Teresa.
41:05As you wish, ma'am.
41:07Tonight I will have dinner here in my bedroom.
41:12As you wish, ma'am.
41:18Good night.
41:48Is there anyone available to lend a hand, Mr. Romea?
41:51No, I offered myself to Mr. Pellicer to do it alone.
41:54Don't worry, I'll be in a moment.
41:56For dinner?
41:58Yes.
42:00No, but it's not necessary, sir.
42:02No, that way we'll be calmer, you and me.
42:04Besides, I'm not going to drop the rings.
42:07The more responsibilities of service you acquire, the more humble you have to be.
42:12The important thing is to get the job done, not who does it.
42:16That's good advice.
42:18I'm sure you will apply in the future.
42:24Did I say something wrong?
42:27Don't you want to be the first one to be fired?
42:30That's exactly what I wanted to talk to you about, sir.
42:34Yes, but it's for now.
42:36Right now, in La Promesa, we don't need to cover that position.
42:40It's not in La Promesa.
42:42Have you received a job offer from any other company?
42:45In La Promesa?
42:47In the Palace of the Counts of Matesa, sir.
42:50I see. And do you have any doubts about whether to accept it or not?
42:55Actually, the decision has already been made and I'm going to accept that job.
43:00But I hope it has nothing to do with the old rings.
43:03For my part, it's all in the past.
43:05And for mine too, sir. It's all forgotten.
43:08Well, in that case, I have no choice but to congratulate you.
43:15You have not chosen a bad fate.
43:18I am convinced that you are going to leave the name of La Promesa very high in that house.
43:23I trust that, sir.
43:25And if I do it right, it will be all thanks to you,
43:28who is the best teacher you can have.
43:31Don't give me the pill, because it won't help you at all if you don't work in this house.
43:38Thank you very much, Mr. Noel.
44:00As far as I know, there is no intention of opening a trade route until the situation in the Atlantic calms down.
44:06Well, I hope it's soon.
44:08With half of Europe at war and America blocked, I'm going to lose my crops and with them my savings.
44:13You should have chosen a more lucrative business, like arms.
44:17Yes, I've read it.
44:191,500 million dollars for the Yankee arcs.
44:22And that counting legal sales to the bandit.
44:25Good evening.
44:27Good evening.
44:28Cruz and Alonso have not arrived yet?
44:30Cruz will not have dinner with us tonight.
44:32She is tired after the theatrical performance and has asked me to excuse her.
44:36The play was so bad.
44:38Terrible.
44:39We can't wait to see the whole play in the interact.
44:43We go out with our feet in dust.
44:46When you go to a town theater, you have to go with low expectations.
44:50I don't agree.
44:52I've seen works in Lujan and Tenerantes that were pretty good.
44:55Can I know why there are two extra covers?
45:02Good evening.
45:03Good evening.
45:06Good evening.
45:07Sorry for the inconvenience.
45:09We have gone for a walk and it has taken us a long time.
45:14I think I owe everyone an apology.
45:17It is not necessary, Pelayo.
45:19Even so, if you allow me, Marquis.
45:27I know that my departure from this palace was hasty and I am aware that it was not in the best circumstances.
45:33To put it mildly.
45:34Although I want to add that I am not guilty of the accusations that were later poured on me.
45:40And maybe I don't deserve it, but ...
45:43Even so, I want to take the risk of asking you to give me another chance, just like Catalina did.
45:50It is an immense pleasure for me to welcome you back to the palace, Mr. Count.
45:56Thank you, Manuel.
45:58Welcome, Pelayo.
46:03I was very happy when your sister told me that you had returned from the front safe and sound.
46:10I was happier, I assure you.
46:13It had to be a pride to fight for good and democracy.
46:16Don't say it with such admiration, Mr. Count.
46:19You have also played a relevant role in that war.
46:25And what is it, if I may know?
46:27Margarita, let's not spoil the dinner by talking about the war.
46:32I think now I understand much better the indisposition of the Marquise.
46:36Ignacio.
46:37What?
46:38She has taken my place.
46:39The least I can afford is to make a joke.
46:42Your place? I didn't know.
46:44Leave him alone, Ayala.
46:46I will not allow you to continue to bother my guest.
46:49If I have bothered you, why didn't you tell me yourself, Mr. Pelayo?
46:54I have already listened to my sister, Mr. Count.
46:57Let him be.
46:58He is our guest.
47:00Of all of us.
47:02Of the family.
47:03That's enough.
47:04What do you want?
47:05For this to become a school fight?
47:11You excuse this totally unjustifiable lack of decor.
47:16The Count is a guest of my daughter Catalina.
47:18He will stay in the palace as long as the two of them agree.
47:22And I don't want a single insidious comment more.
47:28No, no, no.
47:59Come in.
48:07Were you looking for Mr. Manuel, Miss Expósito?
48:09No, no, no. I just came to clean.
48:12At this time of night?
48:14Well, I wanted to take advantage of the fact that Mr. Manuel had gone to the theater with his mother so as not to bother.
48:19You should go down immediately to the service area. Mrs. Arcos is looking for you.
48:23Right away.
48:24One second.
48:27Our key lady may wait a moment.
48:31Do you need anything from me?
48:34We have a conversation pending.
48:39You and I have to speak clearly.
48:54Good night.
49:01Good night.
49:06You did well to retire so soon.
49:10Ayala and Lorenzo's veins have not taken a minute to jump to Pelayo's neck.
49:15He deserves it.
49:18And how about this afternoon with Manuel?
49:21He has already told us that the theater was a tragedy, although he did not intend to be.
49:26If he has already told you, why do you ask me?
49:31Cruz, I know you're mad at me.
49:34But at least tell me the reason.
49:38Whatever it is, I'm sorry.
49:40All I want is for us to be fine.
49:43You don't need to have courage to come to me now with that.
49:47My apologies are sincere. Tell me that I have failed you and I will do everything I can to fix it.
49:51There are things that once broken can no longer be reassembled.
49:56Well, then I will fulfill my penance. But at least tell me what my fault is.
50:00For what? If you know it perfectly.
50:02If I knew it, I wouldn't insist, Cruz.
50:04Don't make me tell you out loud.
50:06That's what I'm asking you.
50:07I'm not going to go through that humiliation.
50:11I won't leave until you tell me.
50:12I know what happened to Maria Antonia.
50:14You were unfaithful to me with my best friend and in my own house.
50:19Is that what you wanted to hear?
50:27Since you stepped foot in the palace, the life of the Lujan has only become more complicated.
50:31And what else does the life of the Lujan give you?
50:33It's nothing more than a guest.
50:34For a very long time, by the way.
50:38I'm not saying anything.
50:40But you have to have little dignity to show up here after what happened.
50:42Well, that's enough.
50:43He's going to accept the job of First Lacayo.
50:46So he's leaving.
50:47Yes, but our wedding will be maintained.
50:50And our time will come.
50:52Because it will come, right?
50:54I'm going to try, really.
50:55It's not enough to try. I also need to work.
50:58There's plenty of work. You should have insisted more.
51:00Talk to whoever you have to talk to and convince them.
51:02Let's not go back to that.
51:04I thought I was over it.
51:05Yes, and for my part, he is not.
51:07But there are people here who seem not to want to forget it.
51:10You've come back with the cause of everything.
51:13You understand that we need time.
51:15I met Marcelo as soon as I arrived at the palace of the Duchess
51:17and two weeks later we were already dating.
51:20You had to like it, huh? To date in such a short time.
51:24Some people forget soon, right?
51:28And then it's Petra, the one who messes with Teresa.
51:30Come on, leave her alone.
51:32I don't mess with anyone, huh?
51:34I just comment on what I see.
51:36The earring I lost at the snack, mother!
51:39I knew it was yours.
51:40But where did you find it?
51:42At the exit of the house of the Duchess.
51:44Inside, I had looked at her earrings because they seemed beautiful to me.
51:48Vera, listen to me.
51:49I feel very bad not being able to help you with all this.
51:51Really.
51:52I know you help me.
51:55The simple fact of talking to you already calms me down.
51:59You can only do it when you need it.
52:01Well, I hope not.
52:02If my mother continues to appear around here,
52:04in the end they will discover who I really am.
52:07I'm Curro.
52:08Nice to meet you.
52:10Curro, from Francisco.
52:13Yes, Francisco de la Mata.
52:14At your service.
52:16Okay.
52:17Julia!
52:18Julia!
52:19Let's sit her down.
52:32The End.