The Steel Claw | Full Movie | George Montgomery | George Montgomery, Charito Luna, Mario Barri

3 months ago

THE STEEL CLAW
| Drama, War | 1961 |

Plot:
A Marine stationed in the Philippines loses a hand in an accident and is discharged from the Corps. When the Japanese invade the Philippines, he is called back into service to rescue a general held by Filipino guerrillas behind Japanese lines. Attaching a steel prosthetic in place of his missing hand, he and his men set out on the mission, which turns out to be not quite what he was told it was.

Crew:

• Directed by: George Montgomery
• Written by: Ferde Grofé Jr., George Montgomery, Malvin Wald
• Starring: George Montgomery, Charito Luna, Mario Barri, Paul Sorensen, Amelia De La Rama
• Produced by: Al Wyatt Sr.
• Music by: Harry Zimmerman
• Cinematography: Manuel Rojas
• Edited by: Jack Murray

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Transcript

00:00:30♪

00:00:37♪

00:00:44♪

00:00:51♪

00:00:57♪

00:01:04♪

00:01:12♪

00:01:18♪

00:01:24♪

00:01:31♪

00:01:39♪

00:01:46♪

00:01:52♪

00:01:56I heard they might be climbing up on Open City.

00:01:59Yeah, that's the way it looks all right.

00:02:01♪

00:02:03♪

00:02:13Hi.

00:02:15Oh, hello, Coffey.

00:02:17Where have you been?

00:02:19We've been looking for you.

00:02:22Well, I found how you're here.

00:02:25Thanks.

00:02:30Hi.

00:02:32May I help you?

00:02:33Not now, honey.

00:02:34Sooner or later.

00:02:36Maybe sooner.

00:02:38♪

00:02:42Hi, honey.

00:02:43Merry Christmas.

00:02:45I brought something for you.

00:02:48Merry Christmas.

00:02:50I should crack this over your thick scalp.

00:02:53I let you get away with murder.

00:02:55How much mice, huh?

00:02:57Three weeks.

00:02:58For three weeks I tried to see you.

00:03:01To see what?

00:03:02To see this?

00:03:03It could have been worse.

00:03:05Not for me.

00:03:06What the hell good is a man with one hand?

00:03:08I can't even tie my own shoes.

00:03:10Fourteen years and in one split second I'm a freak.

00:03:13Oh, stop it.

00:03:14The doctors can work miracles.

00:03:16They can't give me back a hand.

00:03:19There must be a place for you, John.

00:03:21Sure.

00:03:22Why, they changed the rules.

00:03:23Every man fights with one hand tied behind his back.

00:03:25Oh, come on.

00:03:26You're impossible.

00:03:28Some ice.

00:03:30♪

00:03:33Eeny, meeny, miny, moe.

00:03:36Catch a pretty girl by the toe.

00:03:39Ha, ha, ha.

00:03:55Eeny, meeny, miny, moe.

00:03:58Catch a pretty girl by the toe.

00:04:01Ha, ha, ha.

00:04:02Hey, you're it.

00:04:09Ha, ha, ha.

00:04:16You're a big boy now.

00:04:18You don't play on the floor.

00:04:29Wow.

00:04:31What a hit.

00:04:33Hey, how'd I, how'd I get here?

00:04:35Never mind.

00:04:36Here's some black coffee.

00:04:40John, what is it?

00:04:43Get down.

00:04:57You're sure not wasting any time.

00:05:04Hello.

00:05:10Larson.

00:05:12All leads have been canceled.

00:05:14Look, boy, I just got here.

00:05:16MacArthur's evacuating Manila.

00:05:18What?

00:05:20Catch the next launch to the base.

00:05:23Okay.

00:05:25Okay, mother.

00:05:28Get a report back to base.

00:05:31Manila is surrendering.

00:05:33All U.S. personnel are to pull out immediately.

00:05:36Oh, no, John.

00:05:38When will we ever see each other again?

00:05:41I wish I could answer that.

00:05:53Good morning, Captain.

00:05:54Commander aboard.

00:05:55Down below, sir.

00:06:01Hi, cowboy.

00:06:04You miserable character.

00:06:06You miserable character.

00:06:07When did you get in?

00:06:09A minute ago.

00:06:10Where are you heading with the pea shooter?

00:06:11I got no friend in there.

00:06:13Mind if I tag along?

00:06:15I can show you some fresh air.

00:06:17You get your fresh air, and I'd get my tail in the sling.

00:06:24Hey.

00:06:25Hey, you got your shipping orders down to Colonel, don't you?

00:06:27You'll be heading home now.

00:06:28I'm taking you out of here.

00:06:29That's great.

00:06:31Captain John Larson, U.S. Marine Corps, retired.

00:06:35Combat service?

00:06:36None.

00:06:3814 years.

00:06:39What a crush.

00:06:40The ship's ready whenever you are, sir.

00:06:42OK, I'll be ready in about 10 minutes.

00:06:44I'll see you when I get back tonight.

00:06:47And stay away from that nurse of mine while I'm gone.

00:06:59Coffee?

00:07:01Black.

00:07:03Black.

00:07:04Black.

00:07:07There you are.

00:07:09OK, you win.

00:07:11Where are you headed?

00:07:13Down the coast of Luzon.

00:07:16What's the mission?

00:07:17Pickup.

00:07:18Army officer parachuted out of a plane.

00:07:21Top brass?

00:07:22Brigadier General.

00:07:24McGartha wants to make sure the Japs don't grab him.

00:07:26And he's a personal friend of General Walden.

00:07:29Ah, West Point.

00:07:32Any Japs where you're going?

00:07:33Latest reports say it's still clear.

00:07:35This general was rescued by a kind of a half bandit.

00:07:39Character by the name of Santana.

00:07:41More of a kidnapper than you'd ask me.

00:07:43Oh, how so?

00:07:45He's asking $5,000 American dollars for the cost of the operation.

00:07:49$5,000?

00:07:51Wow.

00:07:52Who's picking up the tab?

00:07:54You know what I mean.

00:07:55No kidding.

00:07:56I got it right here.

00:08:00Hey, uh, buddy.

00:08:02How about a little trap game, huh?

00:08:03Uh-huh.

00:08:09The place all right?

00:08:11Probably hasn't been frustrating for a...

00:08:13What time are you supposed to meet him?

00:08:15Now.

00:08:20Here, take a look.

00:08:30I can send more, right?

00:08:31Go ready, Skipper.

00:08:32Aye-aye, sir.

00:09:00Get her back.

00:09:31It was a simple milk run.

00:09:33Stinking milk run.

00:09:36I could take a couple of men ashore

00:09:38and try to contact Santana.

00:09:40All you'd contact's a belly full of Japanese lead.

00:09:43They want the general pretty bad, Captain.

00:09:46Yeah.

00:09:47Well, let's go.

00:09:48Aye-aye, sir.

00:09:49Aye-aye, sir.

00:09:50Aye-aye, sir.

00:09:51Aye-aye, sir.

00:09:52Aye-aye, sir.

00:09:53Aye-aye, sir.

00:09:54Aye-aye, sir.

00:09:55Aye-aye, sir.

00:09:56Aye-aye, sir.

00:09:57Aye-aye, sir.

00:09:58Aye-aye, sir.

00:09:59Aye-aye, sir.

00:10:03Hold on, sailor.

00:10:04I'm expendable.

00:10:06With that, with that hand, sir?

00:10:09Drop me off a couple miles down the coast, fast.

00:10:12I'll send two of my men along with you.

00:10:14No, nurse-maid.

00:10:16Give me three days to find Santana.

00:10:19I'll meet you on the third night at 2,200.

00:10:21If I'm not here then, return the next night at 2,300.

00:10:25Hold it, Captain.

00:10:30Take this.

00:10:31You may need it.

00:10:32Thanks.

00:10:33Good luck, Captain.

00:10:34Good luck, Captain.

00:11:25I'm American.

00:11:32American?

00:11:36We're, uh, um, Sunsea, uh, Santana.

00:11:53Santana?

00:11:54Yeah, Santana, gorilla.

00:12:01The mountains?

00:12:03Right up, right up across there, huh?

00:12:08Salamat po.

00:12:10Salamat.

00:12:38Salamat.

00:12:41Salamat.

00:12:44Salamat.

00:12:47Salamat.

00:12:50Salamat.

00:12:53Salamat.

00:12:56Salamat.

00:12:59Salamat.

00:13:02Salamat.

00:13:06Salamat.

00:13:09Salamat.

00:13:13Salamat.

00:13:17Salamat.

00:13:21Salamat.

00:13:25Salamat.

00:13:29Salamat.

00:13:35Salamat.

00:13:41Salamat.

00:13:47Salamat.

00:13:53Salamat.

00:13:59Salamat.

00:14:05Salamat.

00:14:11Salamat.

00:14:18Salamat.

00:14:24Salamat.

00:14:30Salamat.

00:14:36Salamat.

00:14:42Salamat.

00:14:48Salamat.

00:14:54Salamat.

00:15:00Salamat.

00:15:06Salamat.

00:15:12Salamat.

00:15:18Salamat.

00:15:24Salamat.

00:15:30Salamat.

00:15:36Salamat.

00:15:42Salamat.

00:15:48Salamat.

00:15:54Salamat.

00:16:00Salamat.

00:16:06Salamat.

00:16:12Salamat.

00:16:18Salamat.

00:16:24Salamat.

00:16:30Salamat.

00:16:36Salamat.

00:16:42Salamat.

00:16:48Salamat.

00:16:54Salamat.

00:17:00Salamat.

00:17:06Salamat.

00:17:12Salamat.

00:17:18Salamat.

00:17:24Salamat.

00:17:30Salamat.

00:17:36Salamat.

00:17:42Salamat.

00:17:48Salamat.

00:17:54Salamat.

00:18:00Salamat.

00:18:06Salamat.

00:18:12Salamat.

00:18:18Salamat.

00:18:24Salamat.

00:18:30Salamat.

00:18:36Salamat.

00:18:42Salamat.

00:18:48Salamat.

00:18:54Salamat.

00:19:00Salamat.

00:19:06Salamat.

00:19:12Salamat.

00:19:18Salamat.

00:19:24Salamat.

00:19:30Salamat.

00:19:36Salamat.

00:19:42Salamat.

00:19:48Salamat.

00:19:54Salamat.

00:20:00Salamat.

00:20:06Salamat.

00:20:12Salamat.

00:20:18Salamat.

00:20:24Salamat.

00:20:30Salamat.

00:20:36Salamat.

00:20:42Salamat.

00:20:48Salamat.

00:20:54Salamat.

00:21:00Salamat.

00:21:06Salamat.

00:21:12Salamat.

00:21:18Salamat.

00:21:24Salamat.

00:21:32Salamat.

00:21:40Salamat.

00:21:48Salamat.

00:21:54Salamat.

00:22:00Salamat.

00:22:06Salamat.

00:22:12Salamat.

00:22:18Salamat.

00:22:24Salamat.

00:22:30Salamat.

00:22:36Salamat.

00:22:42Salamat.

00:22:48Salamat.

00:22:54Salamat.

00:23:00Salamat.

00:23:06Salamat.

00:23:12Salamat.

00:23:18Salamat.

00:23:24Salamat.

00:23:30Salamat.

00:23:36Salamat.

00:23:42Salamat.

00:23:48Salamat.

00:23:54Salamat.

00:24:00Salamat.

00:24:06Salamat.

00:24:12Perhaps if we helped you?

00:24:14No, I'll wait here for you.

00:24:22Captain, you can still go.

00:24:24Get back as soon as you can.

00:25:12Get back as soon as you can.

00:25:42You haven't beaten me yet.

00:26:02Well?

00:26:04We're in luck.

00:26:06The train came by just after we got there.

00:26:08What's the layout?

00:26:10There's no rust on the rail.

00:26:12That means this train goes to at least one today.

00:26:14Included with supplies.

00:26:16How about soldiers?

00:26:18Twelve.

00:26:20Two engineers.

00:26:22Good.

00:26:24We'll be on our way tomorrow.

00:26:26Tomorrow? So soon?

00:26:28Time is one thing we don't have much of.

00:26:30Train's our answer.

00:26:32Let's go.

00:26:38Salamat.

00:26:40Salamat.

00:26:42How are you?

00:26:44Salamat.

00:26:46How are you?

00:26:48Good evening, Sir.

00:26:50Good evening, Captain.

00:26:56They're the ones with the house.

00:26:58His wife.

00:27:00And this is their grandchild.

00:27:02Please sit, Captain.

00:27:04Please sit, sir.

00:27:08Like this, Captain.

00:27:16That's in memory of his older son and his wife.

00:27:20The baby's parents.

00:27:22They were both killed in the Japanese landings.

00:27:25Tell him I'm sorry.

00:27:27And I hope the war will end soon.

00:27:29Captain Chong owes you for his brother's death.

00:27:33Thank you.

00:27:36He's the one to blame for the war.

00:27:39He speaks of your hand in the miseries of war.

00:27:43What's in his heart is what I'm talking about.

00:27:47He says the real pain must be in your heart.

00:27:51Let's drink, Captain.

00:27:53Is he courting you?

00:28:05No, he's not.

00:28:07He's just a friend.

00:28:09You haven't changed at all.

00:28:11You're so funny.

00:28:13You're so beautiful now.

00:28:15He's perfect for you.

00:28:17You're so embarrassing.

00:28:19You haven't changed at all.

00:28:22You're so funny.

00:28:24You're so embarrassing.

00:28:28What did he say?

00:28:30He talks about me.

00:28:33I'll tell you later.

00:28:35I want to be a soldier like him.

00:28:37So I can fight the Japanese.

00:28:39You're still young.

00:28:41I can hold a gun.

00:28:43He wants to be a soldier like you.

00:28:45And fight the Japanese.

00:28:48A farmer is as important as a soldier.

00:28:59What did the farmer say about you?

00:29:02He asked if I was your woman.

00:29:05No.

00:29:06What did you tell him?

00:29:08That we are friends.

00:29:10Uh-huh.

00:29:11That all?

00:29:14He said that we make a good couple.

00:29:17Uh-huh.

00:29:22We make good children.

00:29:25Yes, we do.

00:29:27When I was a little girl,

00:29:28I used to play all over this field.

00:29:30With his older son.

00:29:31I thought you were from Manila.

00:29:33I was born in the barrio.

00:29:36The farmer is my uncle.

00:29:39Here in the Philippines,

00:29:40we have big families.

00:29:42Is it so in America?

00:29:44Yeah, some.

00:29:49I have aunt in Manila.

00:29:51My mother was very sick.

00:29:54I had to make some money.

00:29:56No job here.

00:29:58So I go to Manila.

00:30:03I met a man named Smith.

00:30:07He treated me very nice.

00:30:11How long have you been married?

00:30:13Oh, no, no.

00:30:15But he promised we would.

00:30:18He has a wife and some children.

00:30:22I haven't seen him for eight months.

00:30:24When he went away, I had to work.

00:30:27I had no training.

00:30:30Did Santana tell you what I did in Manila?

00:30:34He said you were an actress.

00:30:36That's a story.

00:30:39Just like my being in America.

00:30:41Or my name, Smith.

00:30:43Sure, I'm an actress.

00:30:46Like Christina's girl.

00:30:49Hostess captain.

00:30:51I entertain men.

00:30:54They're only gentlemen.

00:30:56High class.

00:30:58I make good money.

00:31:00My mother,

00:31:02she will not move to Manila.

00:31:06I had to die here.

00:31:10Now I'm alone.

00:31:12Sorry, Lolita.

00:31:14Many people suffer.

00:31:16Not only in war like you.

00:31:21The war had nothing to do with this.

00:31:24It happened three days before the Japanese attack.

00:31:27An accident?

00:31:29Yeah, if you call being crazy drunk an accident.

00:31:32We were on the officer's launch, headed back to base.

00:31:34We had a problem.

00:31:38Have you ever been plastered?

00:31:41Plastered?

00:31:42Yeah, drunk.

00:31:46Once.

00:31:48It makes me sleepy.

00:31:50Out of a boatload of drunken clowns, I had to be the prize, idiot.

00:31:54I went in with my clothes on.

00:31:56I was working on the prop.

00:31:58The boat accidentally started the engine.

00:32:01He was drunk too.

00:32:35Can you help me?

00:32:47Can I help you?

00:32:50Can I help you like a soldier?

00:32:53Okay.

00:33:04Here.

00:33:26What's that?

00:33:28It's nothing.

00:33:30What's that?

00:33:36What's that?

00:33:38It's nothing.

00:33:54What's that?

00:33:56It's nothing.

00:34:00What's that?

00:34:31How many men can you count on for tomorrow?

00:34:34Well armed?

00:34:36Forty-five, maybe more.

00:34:38And all the guns you have?

00:34:40With luck.

00:34:41We get plenty from the Japanese.

00:34:43We have a lot of grenades.

00:34:45Two-shot machine guns in good order.

00:34:48U.S. Army.

00:34:51Any other guerrillas in the area?

00:34:53Yes, but they are not patriots.

00:34:56They make cause.

00:34:57Yeah.

00:34:59When can we meet them?

00:35:01I'll speak to them myself first.

00:35:03Maybe chop rice.

00:35:05Nothing doing.

00:35:06I'll be there too.

00:35:07No more pig swindles.

00:35:09Nothing like that, Captain.

00:35:11It's sort of a personal thing.

00:35:14In a way.

00:35:30John!

00:35:32John!

00:35:35John!

00:35:36Oh, John!

00:35:38I dreamt you have already left.

00:35:42I wouldn't leave without saying goodbye, Lolita.

00:35:45Please take me.

00:35:47I'll be a woman.

00:35:50What?

00:35:51Please take me.

00:35:52Take me.

00:35:54Lolita, I'm not going on a picnic.

00:35:57I won't be afraid with you.

00:36:00When we get the general, we'll be coming back through here.

00:36:03I'll see you then.

00:36:04Understand?

00:36:06I'll be a woman?

00:36:08Yes, yes, Lolita, if you wish.

00:36:17I'm late.

00:36:27I'm late.

00:36:53Be careful.

00:36:57Please.

00:36:59Later.

00:37:10Good morning.

00:37:12Good morning.

00:37:13Santana, are you ready to move?

00:37:15Yes, Captain.

00:37:17Good morning, John.

00:37:18Good morning, John.

00:37:19Thank you, sir.

00:37:26Yeah.

00:37:57Tomato, what's wrong?

00:37:59There's a fire, Captain.

00:38:01The Americans are coming.

00:38:03Let's go find them.

00:38:05We'll be killed.

00:38:07Neighbors, the Japanese are here.

00:38:09Hurry up and hide.

00:38:11Hurry up.

00:38:21Hurry up.

00:38:23Hide.

00:38:26Hide.

00:38:52Rosa.

00:38:53Rosa, my pet.

00:38:55It's been a long time.

00:38:57Hey, you're glad to see me?

00:38:59I've got wonderful news, Rosa.

00:39:02I've got an American officer.

00:39:04He wants to talk to you.

00:39:06Rosa, now, Rosa.

00:39:08I should kill you.

00:39:10Rosa, what did you do to me?

00:39:13Do you know how much you embarrass me in front of my people?

00:39:16I have no more pride left.

00:39:18Does this American know what a snake you are?

00:39:20Does he know what a snake you are?

00:39:22Easy there.

00:39:23Hold it there now.

00:39:24We've got important business to discuss.

00:39:26You are an American.

00:39:27How can you have anything to do with this?

00:39:30The fortunes of war.

00:39:34Thief.

00:39:35Bandit.

00:39:36Where is the money you owe me?

00:39:38Soon, Rosa, soon.

00:39:39Soon.

00:39:40I have many expenses.

00:39:41Expenses?

00:39:42What expenses?

00:39:43For whiskey and for the women?

00:39:44Hey, Captain.

00:39:45If we help him, he will pay us.

00:39:48Is this true?

00:39:50We have agreed to pay $5,000 for the delivery of an American general.

00:39:54You want me to help?

00:39:55That's right.

00:39:58I have many men with good guns.

00:40:00And I am the best shot.

00:40:03I will take half of the money.

00:40:05Hey, you're old.

00:40:06Half.

00:40:07Please.

00:40:08Half.

00:40:09Rosa, we can discuss that when we get the general.

00:40:11Now, how many men do you have?

00:40:1350, 60, 100 if you need.

00:40:15We could use 50, well armed.

00:40:17That would be easy.

00:40:18We need them by 2 o'clock.

00:40:19We can be ready.

00:40:21Fine.

00:40:22Santana, tell the men where we'll meet.

00:40:25I'll explain the mission to you on the way.

00:40:50John.

00:40:52John.

00:41:05John.

00:41:19John.

00:41:20Ah!

00:41:22Ah!

00:41:24Ah!

00:41:26Ah!

00:41:28Ah!

00:41:30Ah!

00:41:32Ah!

00:41:34What happened?

00:41:36What happened?

00:41:38We're going to die.

00:41:40We're going to die, but we'll get home.

00:41:42Go find a place where there's no one.

00:41:44They've come to kill my uncle and auntie.

00:41:48What?

00:41:49They've found the money.

00:41:52Lousy 25 bucks.

00:41:55We must get back and make revenge.

00:41:58Hold it, Santana.

00:42:00We must get back and make revenge.

00:42:03We must get back and make revenge.

00:42:06We must get back and make revenge.

00:42:09We must get back and make revenge.

00:42:13Hold it, Santana.

00:42:16How many men would you say were there?

00:42:18Two truckloads.

00:42:19Men in a machine gun.

00:42:21You'd only get yourselves killed.

00:42:23It's too late.

00:42:24We've got to move on and fast.

00:42:26Rosa, have a couple of your men take her back to a barrier

00:42:28where she'll be safe until we get back.

00:42:31No!

00:42:32Don't!

00:42:33Please save me!

00:42:34Lolita!

00:42:35Save me!

00:42:36Lolita!

00:42:37Lolita!

00:42:38Look, I want you to go back there and you'll be safe.

00:42:40You understand?

00:42:43No!

00:42:44Please!

00:42:45Please save me!

00:42:46Please save me!

00:42:47Please!

00:42:54The truck is just below that big oak tree.

00:42:57We'll have a look at it.

00:43:04Santana!

00:43:07Santana!

00:43:08Santana!

00:43:13The train is coming from the central.

00:43:15Are you sure?

00:43:19All the men back here.

00:43:20Let's take a good look at it.

00:43:39Something must have gone haywire.

00:43:44John, they must have had delays.

00:43:47They won't return to the central until tomorrow.

00:43:49How many hours to make this run?

00:43:51About five, six.

00:43:55With two, three hours to load supplies,

00:43:57they could be through here any time after three in the morning.

00:44:08Well, it looks like we'll be here most of the night.

00:44:11Move the men on down to the river and relax.

00:44:15Santana, do you suppose they could rustle up some grub?

00:44:17Sure.

00:44:18Bananas and papayas are fine.

00:44:39How are you, my love?

00:44:41You look fresh.

00:44:43Hey, what's the matter?

00:44:45Go to bed.

00:44:49But...

00:44:50Go to bed.

00:44:52Thank you.

00:44:54Good night.

00:44:56Good night.

00:44:58Good night.

00:44:59Good night.

00:45:00Good night.

00:45:01Good night.

00:45:02Good night.

00:45:03Good night.

00:45:04Good night.

00:45:05Good night.

00:45:06Good night.

00:45:07Good night.

00:45:08Good night.

00:45:09Good night.

00:45:10Good night.

00:45:11Good night.

00:45:12Good night.

00:45:18Hello there, Captain.

00:45:20Oh, hi, Santana.

00:45:22Hey.

00:45:23What do they call it in America?

00:45:25Cooling off dog?

00:45:26Yeah, that's what they call it, all right.

00:45:28Got a little hot.

00:45:29Hey, papayas?

00:45:30Yeah, don't mind.

00:45:32Thanks.

00:45:33Okay.

00:45:38Ah!

00:45:40Ah!

00:45:41Ah!

00:45:42Ah!

00:45:43Ah!

00:45:44Ah!

00:45:45Ah!

00:45:46Ah!

00:45:47Ah!

00:45:48Ah!

00:45:49Ah!

00:45:50Ah!

00:45:51Ah!

00:45:52Ah!

00:45:53Ah!

00:45:54Ah!

00:46:08Ah!

00:46:09Ah!

00:46:10Ah!

00:46:11Ah!

00:46:12Ah!

00:46:13Ah!

00:46:14Ah!

00:46:15Ah!

00:46:16Ah!

00:46:17Ah!

00:46:18Ah!

00:46:19Ah!

00:46:20Doesn't do much good to talk to you, does it?

00:46:21You're just a child, and there's only one way to take care of a child.

00:46:22Oh, let me go!

00:46:23Ah!

00:46:24Ah!

00:46:25Ah!

00:46:26Now, maybe next time you'll listen to her.

00:46:27Ah!

00:46:28Ah!

00:46:29Ah!

00:46:30Ah!

00:46:31Ah!

00:46:32Ah!

00:46:33Ah!

00:46:34Ah!

00:46:35Ah!

00:46:37Child!

00:46:38Am I?

00:46:39It's okay!

00:46:45No.

00:46:46Am I a child?

00:46:47Oh!

00:46:48You!

00:46:49I hope I never see you again!

00:46:59Well, Lisa, come back here.

00:47:02No!

00:47:03Go to hell!

00:47:07Lolita! Lolita, come back!

00:47:19Hang on!

00:47:26Where's your home, John? Where do you live?

00:47:30I've got a view of the American geography.

00:47:33Geography?

00:47:35Oh, I was terrible. I hated it. And a teacher.

00:47:42You've probably never heard of Montana.

00:47:45Montana? Mountain? You live in a mountain?

00:47:50No, not right in the mountain. In the valley. On a cow ranch.

00:47:54Oh, you're a cowboy. Like Hopalong Cassidy in the movie?

00:48:00No, not exactly.

00:48:02But when I was 19 years old, I won the Montana State Championship rock riding.

00:48:08My buddy and I, we took two days to drink up my prize money.

00:48:12And when we sobered up, we found ourselves a Marine Corps.

00:48:16Your buddy? Is he here in the Philippines with you?

00:48:19No. No, he was killed in Nicaragua.

00:48:24Fighting, I guess, a lot of bandits.

00:48:27Tell me about it.

00:48:29Some of the time. You'd better try to get some sleep now. I could sure use some.

00:48:36Good night, John.

00:48:38Good night.

00:48:44We'll get Manny on a longer track.

00:48:46Hey.

00:48:52Tito, mamabata!

00:49:09Rosa.

00:49:11Think you can keep those carabao on the track long enough to slow that train down?

00:49:15I'll try.

00:49:17Don't take any chances. As the train slows down, you head for cover.

00:49:21Look, there's a tree about halfway up that cut. Move the carabao under that.

00:49:25Better get rid of that artillery, too. Santana.

00:49:28Get all the men in that cane. Get them on both sides of the track.

00:49:33Yes, sir.

00:49:40Let's get out of here.

00:50:11Santana! Santana!

00:50:14Andre!

00:50:16Rosa, remember what I said. No chances.

00:50:19No chances?

00:50:21Get back to your men.

00:50:26Come on.

00:50:28Come.

00:50:41Come on.

00:50:49Rosa! Get out of there! Get out!

00:51:01Rosa! Are you under cover?

00:51:04Yes, Captain. Almost.

00:51:10Get out of there!

00:51:40Get out of there!

00:52:10Get out of there!

00:52:41Get out of there!

00:52:42Get out of there!

00:53:13Santana!

00:53:15Yes, Captain.

00:53:16Get some of your men in those Japanese uniforms.

00:53:19Yes, Captain.

00:53:26There are a couple down here. Move them out.

00:53:43Are you all right?

00:53:45Yes.

00:53:47Do you know how to run this thing?

00:53:49I used to.

00:53:50Come over here and run it.

00:53:52Santana, have the men in uniform take the same positions we found the Japanese soldiers in.

00:53:57Yes, Captain.

00:54:00Rosa, move the rest of your men out of sight.

00:54:04And keep them there.

00:54:12Move!

00:54:23We've only begun.

00:54:26Give her full steam.

00:54:43Is that as fast as she'll go?

00:54:46Maybe a little faster, Captain.

00:54:52Captain, about to get ahead. Must be a checkpoint.

00:54:59Santana, get four men in uniform.

00:55:01Two on the controls and two to cover us.

00:55:03Slow her down. Stop if we have to.

00:55:11Santana!

00:55:14Make it look like we're prisoners.

00:55:34Everybody move back where you were.

00:55:35C-San, get her moving.

00:55:56Give her the gun.

00:55:58Santana!

00:56:00Santana!

00:56:03Santana! Rosa!

00:56:13Now, we'll slow up just outside the central.

00:56:16Rosa, you'll take about 30 of your men and you'll go in there.

00:56:20Santana, you will take your men this way.

00:56:23We'll take the train through as slow as possible.

00:56:25Give you a chance to get into position.

00:56:27When we're right about in here,

00:56:29I'll give you two short blasts on the whistle.

00:56:31By that time, you should be ready for the attack.

00:56:33Understand?

00:56:35All right, get back to your men.

00:57:01Santana!

00:57:02Rosa!

00:57:17Okay, C-San, take her in.

00:57:33Two, three, one, two, three, four, five, six, seven, eight, nine, ten.

00:57:41One, two, three, four, five, six, seven, eight, nine, ten.

00:58:03Fire!

00:58:05Fire!

00:58:07Fire!

00:58:13Fire!

00:58:16Fire!

00:58:19Fire!

00:58:21Fire!

00:58:23Fire!

00:58:25Fire!

00:58:28Fire!

00:58:33Fire!

00:58:35Fire!

00:58:37Fire!

00:58:39Fire!

00:58:41Fire!

00:58:43Fire!

00:58:45Fire!

00:58:59Fire!

00:59:00Fire!

00:59:04Rosa, Rosa, are you okay?

00:59:12You are a woman.

00:59:14My woman.

00:59:16I'm a woman.

00:59:19But I can still fight.

00:59:31Fire!

00:59:56They've got the general.

00:59:58Hold it!

00:59:59Hold it!

01:00:16They've pulled out with the general.

01:00:18Get back to our train.

01:00:29Get back to our train.

01:00:59Fire!

01:01:03Fire!

01:01:05Fire!

01:01:10Fire!

01:01:14Fire!

01:01:15They've dropped a couple of cars.

01:01:30Lower down.

01:01:31Pick them up.

01:02:03Bring her back.

01:02:14General Fuller.

01:02:20General Fuller.

01:02:21Hold it.

01:02:24Hold it.

01:02:25Ah, General! Glad to see you again.

01:02:32Welcome aboard, General.

01:02:33Glad to see you, man.

01:02:35Well, the feeling is mutual, sir.

01:02:37How'd you find me?

01:02:38Navy intelligence in Manila got word through Santana here.

01:02:41Captain John Larson, 4th Marine Regiment, sir.

01:02:44Brigadier General William R. Fuller.

01:02:47Were you hit, sir?

01:02:51Sprained it when I jumped.

01:02:52You got a cigarette, Pat?

01:02:54General, sir, would you try one of these?

01:02:57I would be honored.

01:03:00With your permission, sir, we'd better move on.

01:03:03By all means, Captain.

01:03:05Back her up!

01:03:12Make yourself comfortable, sir.

01:03:14Thanks, Captain.

01:03:44Nice work, Captain.

01:04:02Thank you, sir.

01:04:03Santana, move all your men in that front car.

01:04:05Drop that last one.

01:04:12Give you a rough time, General?

01:04:14Three days and three nights without sleep.

01:04:17But they didn't crack me.

01:04:19I'll leave in the school.

01:04:21By the way, General Albright will be on hand to greet you at Corregidor when we get in.

01:04:25Albright?

01:04:26Yes, your old school chum.

01:04:28West Point.

01:04:29Oh, yes, yes.

01:04:30I hadn't realized he made general already.

01:04:33I think you'll be a lot safer up in that car ahead of the engine.

01:04:36Your valuable cargo, sir.

01:04:51Are we going back through the central?

01:04:53There is no other way.

01:05:04Captain!

01:05:05What kind of tactics are these?

01:05:07We can't go back through the central.

01:05:08They'll blow us off the tracks.

01:05:10We've got to pick up as many men as possible, sir.

01:05:12They're not worth the risk, Captain.

01:05:14They can make their own way back.

01:05:18Shooting may start any time.

01:05:19You'd better take cover, sir.

01:05:21Captain, I'll hold you responsible.

01:05:24Yes, sir.

01:05:41You step on my toes, Captain.

01:05:43I may have to take over.

01:05:44It worked for these men, General.

01:05:46You'd still be riding north.

01:05:53I've done it.

01:06:22Patrol!

01:06:23Get patrol!

01:06:24Get patrol!

01:06:25Go!

01:06:26Get down there!

01:06:27Seekers!

01:06:28Keep it going!

01:06:50John!

01:06:51Lolita!

01:06:52Back!

01:06:58Lolita!

01:06:59Lolita!

01:07:03First aid!

01:07:19I'll be right back.

01:07:26Sir!

01:07:27We've got to save ammunition, General.

01:07:29The jungle's full of them.

01:07:31Stop this train.

01:07:32We can't let them get away.

01:07:34Captain!

01:07:35I ordered you to stop this train.

01:07:37We can wipe them out in no time.

01:07:39You've wiped out quite enough, General.

01:07:41My orders are to try to get you back alive.

01:07:44Until that's over, I'm in command.

01:07:46I'll have you court-martialed, Captain.

01:07:49If and when we get back, General.

01:08:02How is she?

01:08:03She's unconscious.

01:08:04Shut up.

01:08:06Stop the bleeding.

01:08:07Yes.

01:08:08Captain, it would take the train three more miles.

01:08:11It would be closer to the fishing village I told you about.

01:08:13All right.

01:08:14Pull up when we get there.

01:08:16Lolita!

01:08:17Lolita!

01:08:18Can you hear me?

01:08:19Lolita!

01:08:21Lolita!

01:08:22Can you hear me?

01:08:24Lolita!

01:08:50Captain!

01:08:51Captain!

01:08:52I need help!

01:08:53This thing is killing me!

01:08:54The train is all cracked, I think.

01:08:55All right.

01:08:56Open her up and cut her loose.

01:08:57Dolph, give me some water.

01:08:58Dolph!

01:08:59Dolph!

01:09:00Dolph!

01:09:01Dolph!

01:09:02Dolph!

01:09:03Dolph!

01:09:04Dolph!

01:09:05Dolph!

01:09:06Dolph!

01:09:07Dolph!

01:09:08Dolph!

01:09:09Dolph!

01:09:10Dolph!

01:09:11Dolph!

01:09:12Dolph!

01:09:13Dolph!

01:09:14Dolph!

01:09:15Dolph!

01:09:16Dolph!

01:09:17Dolph, give me some water.

01:09:33Santana!

01:09:35Rosa!

01:09:40From here on in, we'll travel light.

01:09:43We'll take about a dozen men.

01:09:44Send the rest back to their families.

01:09:46Aye, Captain.

01:09:47Oh, uh...

01:09:50Rosa, tell him thanks.

01:10:00Captain, I'm sorry.

01:10:03I must have lost my headphone.

01:10:07This echo...

01:10:10Dolph, have a couple men help him.

01:10:11Right.

01:10:13Captain, we're ready.

01:10:15All right, let's move.

01:10:17We're gonna get that boat tonight.

01:10:30We must be careful in crossing this bridge.

01:10:32Captain!

01:10:35I've got to rest.

01:10:37My echo's killing me.

01:10:43John, we will have to stop soon.

01:10:46There's a stream on the other side of this cliff.

01:10:48We can rest there.

01:10:50Send four men ahead to cover us.

01:10:52We'll go across in small groups.

01:10:59We'll go across first.

01:11:13They are ready, Captain.

01:11:15Let's go.

01:11:24My dear, wake up.

01:11:40Sorry it was so rough.

01:11:43It's all right.

01:11:46Captain, it's safe.

01:12:12It's all right.

01:12:43Montana.

01:12:46Lingard.

01:12:53How about dinner?

01:12:55This is good for you.

01:12:57This will help you.

01:13:13How's it going?

01:13:15It's critical.

01:13:16There are some things you have to expect.

01:13:21Staff Sergeant.

01:13:24Sergeant Frank Powers.

01:13:42Come on.

01:14:12Get up.

01:14:42Get up.

01:15:12Santana.

01:15:34Rosa.

01:15:35The soup.

01:15:39Get it on.

01:15:40John.

01:15:42I'd better dress it first.

01:15:44I said get it on.

01:15:56Get the men ready to move.

01:16:11Where's the General?

01:16:13Where's the General?

01:16:15What did you do with him?

01:16:17Dead.

01:16:19Died.

01:16:20How did he die?

01:16:23Parachute broke his neck.

01:16:26I didn't kill him.

01:16:28I didn't kill him.

01:16:30I didn't kill him.

01:16:32I didn't kill him.

01:16:34I didn't kill him.

01:16:36I didn't kill him.

01:16:38I didn't kill him.

01:16:40I didn't kill him.

01:16:42So you decided to play General.

01:16:49Captain.

01:16:51What about him?

01:16:53Drag him along.

01:17:00Hey, Santana.

01:17:02Hey, Santana.

01:17:03Hey, Santana.

01:17:09Hey.

01:17:10Hey.

01:17:12Captain, I figured this would be faster.

01:17:24We're going to move now.

01:17:27All right, C-San.

01:17:33Come on.

01:17:47Hey, give me your hand, will you?

01:17:49Come on.

01:17:59Go.

01:18:00Thank you.

01:18:03Thank you.

01:18:05Come on.

01:18:32Captain.

01:18:34General broke his neck in a fall.

01:18:36I figured...

01:18:38I had a better chance of staying alive if I put on his outfit.

01:18:44Three non-coms were killed by the Japs the minute they caught up to us.

01:18:50Can't you see?

01:18:51This piece of tin saved me.

01:18:54Why didn't you drop the act when we picked you up?

01:18:56How'd I know who you really were?

01:18:58That steel hook?

01:19:00Bunch of guys in Jap outfits?

01:19:02You could have been a lousy corporal.

01:19:03Knock it off, Sergeant.

01:19:05You can tell it to a court-martial if we get back.

01:19:16How do you guys take orders from that one-armed Marine, huh?

01:19:23Lousy officers.

01:19:25They're all alike.

01:19:33Come on.

01:19:56Hey, fellas, give me a hand.

01:20:01You heard me. I said give me a hand.

01:20:04Come back here, you yellow bellies.

01:20:06Come back or I'll blow your heads off.

01:20:09Why don't you set that up?

01:20:12It's up to you.

01:20:14And when I do, I'll blow you all to hell.

01:20:17You and your hook-armed captain.

01:20:33Lieutenant! Lieutenant!

01:20:37You're not going to surrender, are you, Marine?

01:20:39Lieutenant.

01:20:40Dolph, take over.

01:20:43Rose, keep him moving.

01:20:45You're not going to surrender, are you, Marine?

01:21:04When you see the whites of their eyes.

01:21:14Three days and three nights.

01:21:15Three days and three nights.

01:21:32That's Amado.

01:21:43The Sergeant got four.

01:21:44Amado killed the last two.

01:21:47How does he know there were only six?

01:21:50Have the Sergeant buried first chance he gets.

01:21:53Let's move.

01:22:02How is she?

01:22:04I'm afraid the fever has set him in.

01:22:07Any more sulfur powder on that first aid kit?

01:22:09No. Dolph used it all when he redressed the wound.

01:22:11Quillian pills?

01:22:12Yes.

01:22:14Give me a couple.

01:22:16Skipper, we're very close to the busy village.

01:22:18I'll go take a look.

01:22:19Fine.

01:22:22Lolita, these pills, you must take them.

01:22:27Lolita.

01:22:29Give me the top of the canteen.

01:22:43Water.

01:22:50All right, hold her head up.

01:22:52More.

01:22:58Canteen.

01:23:05All right, let her head down.

01:23:08We'll go undercover.

01:23:13Come on.

01:23:26Santana, over here.

01:23:31We've got to move fast.

01:23:33Hold it, Santana. Where to?

01:23:35A funeral procession is crossing the day for the graveyard.

01:23:37I have made arrangements to join them.

01:23:39A jet patrol is near here.

01:23:40We must be careful, fast and quiet.

01:23:42They have taken the pills,

01:23:44but the milo is still up today for the headquarters.

01:23:46Just how do you figure to get us across?

01:23:48You will be dead.

01:23:50Be what?

01:23:52How I'm going to say, Skipper, you will be going to play dead.

01:23:54We'll have to put you and Lolita into coffins.

01:23:56This is another one of your harebrained ideas, Santana.

01:23:58Skipper, aren't you ever going to trust me?

01:24:03Yeah, be right back.

01:24:08We've got to move fast.

01:24:10Let's go.

01:24:23Santana, behind that tree.

01:24:41Hurry.

01:25:01They will meet us here.

01:25:04If we move in closer,

01:25:06when their preparations are made,

01:25:08they'll come for us.

01:25:11Let's go.

01:25:22Skipper, they're coming.

01:25:25What are you going to do?

01:25:27We'll take care of them.

01:25:29Let's go, Skipper.

01:25:40Let's go, Skipper.

01:26:05Okay, my brothers.

01:26:07Come on.

01:26:08Let's go.

01:26:21I understand, Santana.

01:26:23Keep your voice down.

01:26:25Where is Maria?

01:26:27A few feet ahead.

01:26:29We'll be putting you aboard in a couple of minutes.

01:26:39Take it easy, Santana.

01:26:41Quiet, Skipper.

01:27:09Let's go.

01:27:35Santana, did I hear motors?

01:27:38Yes.

01:27:40But I think they're guessing.

01:27:42How far are we?

01:27:44Halfway across the bay.

01:27:46We're catching up with the other procession.

01:27:48We're trying to work our way to the mill.

01:27:55We're almost there, Skipper.

01:27:58We'll make our way

01:28:00to the far side of the procession.

01:28:02As soon as we're out of sight

01:28:04of the town,

01:28:06where will we start the motors?

01:28:08I don't want any music to my ears.

01:28:39Can I come out now, Santana?

01:28:41In a minute. I'll help you.

01:28:45Whoa.

01:28:47Now, what a relief that is.

01:28:56I'll go lead them.

01:28:58Fine.

01:29:09Lolita.

01:29:12If our luck holds out,

01:29:14we should be on that ship in a few hours.

01:29:24Separate.

01:29:26Spread out.

01:29:39Santana!

01:29:41Come back here!

01:29:42Santana!

01:29:44Come back here!

01:30:13Move out!

01:30:15Move out to sea!

01:30:43We're about three miles out.

01:30:45The ship should pass within a mile of us.

01:30:48Keep listening.

01:30:50Listen hard.

01:31:12Lolita.

01:31:18Lolita, please.

01:31:23Drink.

01:31:25We must stop this coughing

01:31:26so we can hear the ship.

01:31:31Skipper.

01:31:34That's coming from that direction.

01:31:38Forty millimeters.

01:31:40When they pull out,

01:31:41we'll be on hell.

01:31:43We've got to find a way to signal them.

01:31:49Cecil,

01:31:50get me about a half a gallon of gas out of the tank.

01:31:52Rosa, give me a hand.

01:32:03Hold on to her.

01:32:06Santana,

01:32:07throw me the black ropes out of your boat.

01:32:12Come on.

01:32:24How does it feel?

01:32:26I think it's almost passing us.

01:32:28Have you got a match?

01:32:29I don't have any.

01:32:30Santana.

01:32:31I did have some.

01:32:34Grab on to it.

01:32:42Can you reach it now?

01:32:43A little further.

01:32:45I can't.

01:32:47I can't.

01:32:48I can't.

01:32:49I can't.

01:32:50I can't.

01:32:51I can't.

01:32:52I can't.

01:32:53I can't.

01:32:54I can't.

01:32:55I can't.

01:32:56A little further.

01:33:02Get it lit.

01:33:03Hurry.

01:33:13Get the damn match lit, Santana.

01:33:27Quiet.

01:33:46They have turned.

01:33:49Let us hope it's one of ours.

01:33:54Circle around the coffin.

01:33:56Let's circle around the coffin.

01:34:01There it is, Captain Larson.

01:34:03The luck of the Marines.

01:34:05Captain Larson!

01:34:22Welcome back, Captain.

01:34:23Good to be back, sailor.

01:34:24She's a pretty bad hit.

01:34:26Bring a stretcher.

01:34:32Any luck with the General, sir?

01:34:34That's a long story, sailor.

01:34:49You're in good hands now.

01:34:51Take her to sick bay.

01:34:52Take her to sick bay.

01:35:04Rosa.

01:35:05Thank you.

01:35:07Thank you.

01:35:08Cesar.

01:35:10Thanks.

01:35:11Salamat skipper.

01:35:14Skipper.

01:35:16It's a shame you're leaving.

01:35:18Things have been very exciting.

01:35:19Santana, if it were any more exciting,

01:35:21I'm afraid none of us would be here.

01:35:24Oh, by the way,

01:35:26you've earned this.

01:35:28If it were up to me,

01:35:30you'd get a darn sight more.

01:35:32You have taught us many things,

01:35:34more than money.

01:35:38I'm afraid you don't need this anymore.

01:35:40No, but your families do.

01:35:43Let's hope soon you can use it.

01:35:45Good luck.

01:35:49Rosa, I think you have a new man.

01:35:56So long, Dove.

01:35:57Goodbye, Captain John.

01:35:59Godspeed.

01:36:06Santana.

01:36:09Hang on to this for me.

01:36:12With my life.

The Steel Claw | Full Movie | George Montgomery | George Montgomery, Charito Luna, Mario Barri

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