1987 Delirium FULL HOT MILF MOVIE
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#NowPlayingMovies #EnglishMovie #NowPlayingMovies #EnglishMovie #cdrama #shortfilm #drama #crimedrama #engsub #chinesedramaengsub #movieshortfull #reelshort #comingsoon #fyp
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00:01:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:01:30oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:02:00Look to your left, Kim, and keep laughing, all of you.
00:02:04Remember, you want to be possessed, Kim.
00:02:07Good. That's it.
00:02:10That's it. Keep laughing. Good.
00:02:13Sexier. Make it sexier.
00:02:16Just a few more, then we can stop.
00:02:23Keep it up. You're water nymphs. Have fun. You're drunk with desire.
00:02:26Touch her, laugh. Move around more. Offer yourself, Kim. You love it.
00:02:29You too, Christine. That's it. Good.
00:02:32More abandon. Let yourself go.
00:02:35Surrender to pleasure.
00:02:38You think it was a bright idea, reshooting that story with Kim?
00:02:41Yeah, I guess so.
00:02:44Even if it's not the same thing.
00:02:47Oh, Tommy knows his work. And Kim's beautiful.
00:02:50But you were something else.
00:02:53It's getting cold in here.
00:02:56Don't show it. You're supposed to be hot.
00:02:59I can't believe it's been three years. It's more like a lifetime.
00:03:02Where's the makeup artist?
00:03:05Okay, come on out, girls.
00:03:08Evelyn!
00:03:11Evelyn!
00:03:14Where's the makeup girl? I don't know. I guess she's inside.
00:03:17What do you mean, she's inside? Here I am.
00:03:20The girl's makeup is running.
00:03:23Do you mind getting to work?
00:03:26Look, we're losing the light.
00:03:29Here, Kim, let me help you.
00:03:32Gloria. I'm watching you.
00:03:35Yes, and I'm going crazy.
00:03:38If I told you I was playing with it,
00:03:41would you come over and help me?
00:03:44Now, don't be angry. It's not true.
00:03:47I just wanted to tell you how beautiful you are today.
00:03:50More than usual.
00:03:53Are you wearing your panties now?
00:03:56No, don't pull down your skirt.
00:03:59You don't know how much pleasure I get just watching you.
00:04:02Do you want to let me see you in the nude?
00:04:05I'd be forever grateful.
00:04:08Listen, Mark, you've been watching a show right under your window that isn't so bad.
00:04:11Be happy with that, huh?
00:04:15You could put out my fire, all right?
00:04:18You're a sex goddess. You make my member throb with desire.
00:04:21He wants to penetrate your flower and explode.
00:04:24This is getting boring, Mark. And you're not very funny.
00:04:31Outline her upper lip a little more. Here.
00:04:34Do you have much more to shoot?
00:04:37A couple of hours. I'd say less.
00:04:40The light's going. Come on.
00:04:43Then I'll go inside and help Evelyn.
00:04:46You're all staying for dinner, I hope.
00:04:49Quelle dommage. Kelly and I have to catch a plane tonight.
00:04:52We have a fashion show in Paris tomorrow morning. I'm sorry, Gloria.
00:04:55Thanks anyway.
00:04:58Bon voyage. Au revoir.
00:05:04Okay, Kim, let's start over here.
00:05:07Tony, we're ready.
00:05:11This guy...
00:05:14had just finished making love with a girl.
00:05:17I'm sorry, he said.
00:05:20If I'd known you were a virgin, I'd have taken more time.
00:05:23But honey, she says,
00:05:26if I'd known you had more time, I would have taken my panties off.
00:05:32You're right, Roberto.
00:05:35Evelyn.
00:05:38Evelyn.
00:05:41As usual, the dinner was just perfect.
00:05:44What would Gloria do without you?
00:05:47You're the best at everything.
00:05:50Now, now, don't be unpleasant.
00:05:53He doesn't have to work at it.
00:05:56It's a natural gift.
00:05:59Speaking of natural gifts,
00:06:02I found a gift for you.
00:06:09To my darling Gloria.
00:06:12Thank you. They're sweet.
00:06:15Well, after that little coup de théùtre,
00:06:18I think I shall be going.
00:06:21Good night. Thank you. Good night.
00:06:24I'm coming with you.
00:06:27The night is still young.
00:06:30Good night, Roberto.
00:06:36Tomorrow we'll have to choose the pictures.
00:06:39Okay, boss.
00:06:42Do you need a ride, Kim?
00:06:45No, thank you. I'll stay a while longer. I came with my own car.
00:06:48Okay.
00:06:51Aren't you scared to go home on your own?
00:06:54You never know who you might run into.
00:06:57Just as long as he's cute.
00:07:00Listen, honey, there are times when you and I have the same needs.
00:07:03I'm going to bed now.
00:07:06I want to be at work early tomorrow.
00:07:12The next issue has got to be especially good,
00:07:15seeing as you're back with us.
00:07:18I'm sure it will. Good night.
00:07:21See you soon, Kim. Night.
00:07:27Has it been long since you took an interest in the magazine?
00:07:30It's been over a year now, since the day of the accident.
00:08:00Do you like talking about it?
00:08:03Why not?
00:08:06You know, the day you married Carlo,
00:08:09a lot of people thought you were only doing it for his money.
00:08:12Well, don't you believe it.
00:08:15I married because I was in love.
00:08:18No other reason.
00:08:21I'm sorry.
00:08:24I'm sorry.
00:08:28Never once did he ask me to stop posing in the nude.
00:08:31Instead, he gave me the chance to start a magazine of my own.
00:08:34I was the one who decided to start modeling and put all that behind me
00:08:37because I wanted to be with him and have his children.
00:08:40I was afraid I wouldn't have time for work.
00:08:43Besides, there was Evelyn, always so efficient and ready to help.
00:08:46But maybe Carlo and I were too happy
00:08:49and fate decided to teach us a lesson.
00:08:52I'll never forget that day he was killed and a wind came up.
00:08:56And his people turned over.
00:08:59He was like a child who was in love with a toy,
00:09:02determined to reach a record of 200 kilometers an hour.
00:09:05Well, he left me well off.
00:09:08The magazine, everything.
00:09:11And the memories of all we shared in this house.
00:09:14Now I have to start to live for myself again, as well as for Carlo.
00:09:17You're right, Gloria.
00:09:25Evelyn, I'm afraid I bored you.
00:09:28Oh, no, on the contrary.
00:09:31If I didn't have to get up early, I'd stay here all night.
00:09:41You don't have to come with me. I know the way.
00:09:44Ah, it stopped raining. I'll call you tomorrow. Bye.
00:09:55Bye.
00:10:25Bye.
00:10:55Bye.
00:11:25No!
00:11:55Hello?
00:12:18Hello?
00:12:21Your blonde model has just been murdered.
00:12:24What?
00:12:27You're not very funny, Mark.
00:12:30I'd much rather hear your vulgarity
00:12:33than this stupid excuse to phone me.
00:12:36She was killed with a pitchfork.
00:12:39Believe me, Gloria, it wasn't a pretty sight to watch.
00:12:42Didn't you hear anything?
00:12:45No.
00:12:48If you wanted to frighten me, you have.
00:12:51I've been able to see the murderer's face.
00:12:54It might have been a woman. She had long blonde hair.
00:12:57Are you listening?
00:13:00Yes.
00:13:03You want me to call the police?
00:13:06You're not putting me on, Mark.
00:13:09Oh, no way. Well, shall I call the police, or will you?
00:13:12No, wait. Let me go and look first.
00:13:15Listen, Gloria, you'd better not. You won't like what you see there.
00:13:18Evelyn?
00:13:36Evelyn?
00:13:41Evelyn!
00:13:49Evelyn?
00:14:07I'm sorry. I didn't mean to scare you.
00:14:10I... I just went into the kitchen to get a drink.
00:14:13Mark just called.
00:14:16He said that he saw Kim murdered in the poultice now.
00:14:19And you believe him?
00:14:22That boy's sick. He's sick in the head.
00:14:25Don't pay any attention to him. Go back to bed and forget it.
00:14:28Nothing has happened, I'm sure.
00:14:31Come on. I'll bet on it.
00:14:34Good night, Gloria.
00:14:37Good night.
00:14:46Good night.
00:15:16Good night.
00:15:46Shit on you!
00:16:12Good morning.
00:16:16Good morning.
00:16:19Yes, the lighting's good. Can you use that one?
00:16:22I don't know. I prefer this one. Look.
00:16:25Yes, it's got movement, but so does this.
00:16:28And I like the line of her body. What do you think, Gloria?
00:16:31Oh, they're all good, Roberto.
00:16:34Tony, I know you'll pick the right ones, and Kim is marvelous.
00:16:39Okay, let's go with these three.
00:16:42Just a moment. I'll be next to you.
00:16:45Oh, before I forget, Evelyn.
00:16:48Kim left her lighter last night at my house.
00:16:51Will you give it to her?
00:16:54She'll be happy to know she didn't lose it.
00:16:57Why don't you go into the other office to choose the pictures?
00:17:00Because it's yours.
00:17:03Well, in there I feel like a fish out of water.
00:17:06Well, then put on your scuba gear.
00:17:09Get her out. She knew you'd come in sooner or later.
00:17:12And so she waited.
00:17:15She's waited in there for a year?
00:17:18Not quite, but over an hour for sure.
00:17:21Come on, find an excuse.
00:17:24She'll just come back another time.
00:17:27Then I was feeling so good.
00:17:30Tear her to pieces, Gloria. Otherwise, she'll tear you to pieces.
00:17:39Ah, welcome back, Gloria.
00:17:42And to what do I owe this pleasure?
00:17:48Are you here for the usual reason?
00:17:51I say suffering has enhanced your beauty, my dear.
00:17:54But not my willingness to deal with you.
00:17:57But why don't you want to sell me your magazine?
00:18:00I know there are better things you'd like.
00:18:03For example?
00:18:06For example, you have plenty of money.
00:18:09Ah, my dear.
00:18:12When I think of how you were when I saw you for the first time.
00:18:15You were so provincial and ready to do anything for money.
00:18:18I had to support Tony and myself then.
00:18:21And as you can see, I did it.
00:18:24It's funny, now you're the one who needs me.
00:18:27Don't you ever think of thanking those who lent you a hand in the past?
00:18:30And who should I thank?
00:18:33Me, for example.
00:18:36You never helped anyone for nothing, Gloria.
00:18:39Don't give me that. You're too selfish.
00:18:42But I was the one who got you started in modeling.
00:18:45Or you'd have turned into a cheap prostitute.
00:18:48You and your brother Tony didn't know where your next view was coming from in those days.
00:18:51Why, if it hadn't been for me, you'd be walking the street.
00:18:54If you hadn't had the good fortune, darling, to have known me.
00:18:57Walking the street, no. A prostitute, maybe.
00:19:00There's nothing else. Even prostitution's a way of keeping alive.
00:19:03How much do you want?
00:19:06This is funny, you know. Here I am the victor.
00:19:09When you fought off all those men...
00:19:12Oh, my men. They never meant anything more than a Kleenex.
00:19:15Something you use and throw away.
00:19:18Girls are precious, though.
00:19:21You know how to hit someone where it hurts most.
00:19:24I do. And you?
00:19:27You and me.
00:19:30You even did your best to turn my husband against me with your vile lies.
00:19:33Well, I'm not selling out, Flora.
00:19:36You better forget it. Now go.
00:19:39Okay. When you're poor again and you're too fat to make out with men, call me.
00:19:42You still have some capital.
00:19:45You know, those pictures you once posed for.
00:19:48I'd always be willing to buy them back again.
00:19:51I'm sure that you'd realize a good profit.
00:19:54Naturally, my dear, I couldn't offer the same price.
00:19:57Those photographs still have some value.
00:20:00But mostly as souvenirs.
00:20:03There was another souvenir that you wanted from me and never got.
00:20:06And that you begged for.
00:20:09Be careful, Gloria.
00:20:12Don't make me change my feeling for you to hate.
00:20:15I warn you, the hate of a woman can be very bad.
00:20:24Hey.
00:20:54Hey.
00:21:24Hey.
00:21:54Hey.
00:22:25Evelyn.
00:22:27You know you shouldn't drink. It's bad for you.
00:22:30What's wrong?
00:22:33I found this under the door.
00:22:39Oh, my God.
00:22:54Damn her.
00:23:02Inspector, take a look at this pitchfork.
00:23:05I found it in the gardener's tool shed.
00:23:13Looks like it's never been used before.
00:23:16Yeah.
00:23:19Strange.
00:23:22I've got a sample of the pool water.
00:23:25Take it to the lab for analysis.
00:23:28Don't think you'll find anything new.
00:23:31Just playing it safe.
00:23:34To the lab, too?
00:23:37Yeah.
00:23:40Any sign of burglary?
00:23:44Did you see him?
00:23:47He looks like anything but a cop.
00:23:50Because you watch television too much.
00:23:53They always make us out to be different than we are.
00:24:01I'm sorry.
00:24:04Forget it. I'm used to it by now.
00:24:07Since I joined the force, my hardest job is to get people to trust me.
00:24:10I usually take me for a hood.
00:24:13Please sit down, Inspector.
00:24:16I questioned that kid, Mark.
00:24:19He didn't try to hold back.
00:24:22He told me exactly what he witnessed here last night.
00:24:25It appears absolutely certain he saw a murder.
00:24:28He's the only witness we have, but I don't think he'll be very useful.
00:24:31All we know is the murderer was blonde.
00:24:34But there are lots of blondes, both men and women, and wigs besides.
00:24:37But why send that photograph?
00:24:40And pose Kim's body in front of a poster of me?
00:24:43And why was she killed? Right here, at my house?
00:24:46If we had the answers to all your questions, the case would be solved now.
00:24:49But by sending that photograph of her here, it looks like it points to me.
00:24:52Why?
00:24:55I don't know. And that's not the only thing that's baffling.
00:25:02It's either a warning or an attempt to implicate you.
00:25:05We'll investigate the background of that model and find out who...
00:25:08Inspector Corsi. Excuse me.
00:25:11Can I send the men back now?
00:25:36Your breakfast is served.
00:25:42You know you shouldn't spy on your neighbors.
00:25:45It's not very nice.
00:25:48Have you finished?
00:25:51I'll do as I like.
00:25:59I'm sorry.
00:26:03Your father called from London last night.
00:26:06But you wouldn't answer. He said he'd call back today.
00:26:09Well, tell him I'm out.
00:26:12What about your mother?
00:26:15She's still on vacation.
00:26:18Enjoying herself.
00:26:21Anyway, I don't give a good damn about either of them.
00:26:24Oh, thanks.
00:26:55Holy God.
00:26:58The beautiful model's corpse was found this morning in a garbage bin...
00:27:01on Via Calderolo.
00:27:04Now, you are the news vendor who discovered Kim's body...
00:27:07whose picture appears on the cover of this magazine.
00:27:10Tell us in your own words how it happened.
00:27:13Well, I'd just finished unwrapping the new issues of Pussycat...
00:27:16and was going to put the plastic in the trash bin when I saw her, poor girl.
00:27:19Then what did you do?
00:27:22And how did you feel? What was your reaction?
00:27:25Well, I was shocked. I felt sick almost.
00:27:28To see her like that, eyes staring at me, blood all over her dress...
00:27:31especially after seeing her so pretty and sexy on that cover picture.
00:27:34What? Hello?
00:27:37Mark, how can you say that?
00:27:40The one who killed her did you a favor.
00:27:43Your magazine's going to sell like hotcakes now with her picture on the cover.
00:27:46Isn't it?
00:27:53A favor?
00:27:56Hmm.
00:27:59Only a sick kid like him could come up with an idea like that.
00:28:02Why do you talk to him?
00:28:05It's just that I pity the kid.
00:28:11Who are you following, Evelyn?
00:28:14The printer. Ruggiero, is that you?
00:28:17Good. I was afraid you'd already left.
00:28:20Listen, I want another press run.
00:28:23Oh, you'd already figured we'd need one. Good. Yes, that should do it.
00:28:26Thank you. I'll talk to you later.
00:28:29My God, Evelyn, do you think we should be exploiting her murder?
00:28:32Gloria, you're a publisher. You can't afford to pass up this chance.
00:28:35No, it's a mistake, Evelyn.
00:28:38Gloria, I'm always trying to increase our circulation, and now's the perfect chance...
00:28:41I want you to call Ruggiero back and cancel it.
00:28:44What for? By doing that, do you think it would bring Kim back?
00:28:47You know it wouldn't. So why?
00:28:50Yeah. I think Evelyn's right.
00:28:53Even though the killer didn't mean to do you a favor.
00:28:56How many copies are they printing?
00:29:02Well, come on. Here it is.
00:29:05The printer told me how many they ordered a little while ago.
00:29:08Oh, this is awful.
00:29:12Pour me a martini.
00:29:19Oh, forgive me, Lily.
00:29:25Isn't it a little early to be drinking?
00:29:28It's not quite 9.30 yet.
00:29:31Oh, well, my liver's about to explode anyway.
00:29:42The photographer said he should be finished with them by noon.
00:29:45And you say that Sabrina says she won't be coming back.
00:29:48That's right.
00:29:51She signed an exclusive contract with Pussycat.
00:29:54At double the salary that we offered her.
00:29:57That bitch is getting the best we have.
00:30:12Sometimes you just hit on the right idea by accident.
00:30:15Come on. I'll show you the studio.
00:30:18Fine. I'm curious.
00:30:41Here's a set. Well, what do you think of it?
00:30:44You like it? I think it's fantastic.
00:30:47And this is where I see Sabrina.
00:30:50Lost and alone in a world out of time, haunted by surreal nightmares.
00:30:53Well, what do you say?
00:30:56It'll cost me a fortune, but how can I say no to you?
00:30:59I knew you'd like it. Thank you.
00:31:02If you'd brought Evelyn,
00:31:05it wouldn't have been so easy.
00:31:08That's the reason I only brought you along.
00:31:15Oh, I've got to talk to the set designer. You mind waiting?
00:31:18How long will you be?
00:31:21Fifteen minutes. Okay. I'll have a look around.
00:31:39Hey, Johnny, you shouldn't scare the girls like that.
00:31:42Yeah, I suppose you're right.
00:31:45But if she'd seen you without your make-up, she'd have probably fainted.
00:31:55When you see the chief of the other tribe, you pick up your sword.
00:31:58Yeah, but don't forget, they're around you anyway.
00:32:01Gloria. Alex.
00:32:04How are you? Fine, and you?
00:32:07Okay, let me look at you.
00:32:10Ah, you're prettier than ever.
00:32:13Oh, listen, I've got a ten-minute break.
00:32:16Do you want to talk for a while? Do you mind? Why not?
00:32:19I didn't recognize you dressed like this.
00:32:22I know.
00:32:25How long has it been?
00:32:28Over three years, huh? Yeah.
00:32:31And it was my fault. I don't want to rake over the past,
00:32:34but I've always known that you were the perfect girl for me,
00:32:37and that if we kept going together, it would have ended in marriage.
00:32:40And the very thought of marriage really scared me.
00:32:43You're born free, eh?
00:32:46There's a right time for everything.
00:32:49And what frightens you today, for example, tomorrow might seem a good possibility.
00:32:52You mean you're saying you're a changed man, you?
00:32:55I could.
00:32:58Ah, you'll never change. You'll be a villain till the day you die.
00:33:01Am I really that bad?
00:33:04No, but it's very disturbing for the girl you're with.
00:33:07I guess with Carlo it was different.
00:33:10Oh, I'm sorry. I didn't mean to talk about him.
00:33:13I don't mind.
00:33:16After all, if we hadn't broken up, I would never have known Carlo.
00:33:19I guess I owe you one, Alex.
00:33:22Well, hang on. I'm about to make you a proposition.
00:33:25Come on, Alex, you've got me on pins and needles.
00:33:28What's the proposition?
00:33:31Am I supposed to believe that a leopard can change his spots?
00:33:34Yeah, why not?
00:33:37A big bat has been changed into a lamb by a very sexy bogey.
00:33:40Oh, Alex.
00:33:56Bang! Bang!
00:33:59Now, change your expression to one of pleasure.
00:34:02That's it. Good.
00:34:05Thanks.
00:34:08Tony just called. He said the pictures are going to be great.
00:34:11I want you to have a look at the proofs for the next issue.
00:34:14Has Alex called me?
00:34:17No, he hasn't.
00:34:20I don't think so.
00:34:23Has Alex called me?
00:34:26Here? No.
00:34:29He's been gone more than a week and he hasn't even called the house yet.
00:34:32Maybe he's having trouble with the phones in Yugoslavia.
00:34:35I know the problems Alex has.
00:34:38They're either blondes or brunettes.
00:34:41Didn't you say it changed?
00:34:44Yes, but I don't know how much.
00:34:47Look, on page one, a photo of Sabrina. On page three, answers to Gloria's letters.
00:34:51Please don't mention his name or he might come back again.
00:34:54He spent days in here asking us all kinds of questions.
00:34:57Come on. Can we go on?
00:35:03Roberto.
00:35:06I'm going with Sabrina.
00:35:09I could see she's the kind of girl who's not exactly lacking initiative.
00:35:14I'll see you later.
00:35:20Tony.
00:35:23Yeah, what?
00:35:26Are you going to take her back to our studio?
00:35:29I don't know.
00:35:32Enjoy yourself.
00:35:39It's so hot in here I can't breathe.
00:35:42The windows are all open.
00:35:45In fact, I'm beginning to feel chilly.
00:35:50Come on, darling.
00:35:53Don't take it so badly.
00:35:56You know it happens to a lot of men sometimes.
00:35:59Yeah?
00:36:02You must be an expert.
00:36:05You don't have to be insulting just because you're angry.
00:36:08Better to just laugh it off.
00:36:11Yeah, you're right. I should.
00:36:14I guess I work too hard.
00:36:21Hello.
00:36:24Spoleto.
00:36:27Hotel Grazia.
00:36:30Oh, good evening.
00:36:33I'd like to speak with Senor Alex Worth.
00:36:36He's an actor.
00:36:39He's shooting a motion picture there.
00:36:42Oh, there's no one shooting a film there now.
00:36:45I'm afraid so.
00:36:48Oh, there's no one shooting a film there now.
00:36:51I'm sorry. Thank you. Goodbye.
00:36:54Let me know if you need me to pose or for anything else.
00:36:57Yeah, sure.
00:37:05Ciao.
00:37:08Ciao.
00:37:18Ciao.
00:37:48Ciao.
00:38:18Ciao.
00:38:48Ciao.
00:39:14Good morning, Tony.
00:39:17Things are booming.
00:39:20They should. Thanks to all the work you've done.
00:39:28I've been calling Sabrina for days.
00:39:31She's probably gone out of town. Perhaps on a job.
00:39:34Just like that?
00:39:37Oh, come on. You know how models are.
00:39:40Yeah, I know. But I find it strange because she was expecting a call from me the next day to let her know how the pictures came out.
00:39:44If she was leaving the next morning, why would she ask me to call?
00:39:49What you're saying is that she asked you to call the night you slept together. Is that it?
00:39:54Oh, no.
00:39:58Oh.
00:40:10Not again.
00:40:20She was found this morning by some children.
00:40:23She was in a pond.
00:40:26The coroner says she's been dead a few days.
00:40:29I was probably the last one to see her alive.
00:40:32The last one, no. You're forgetting her killer.
00:40:39What's that strong odor of perfume I smelled on her? It's strange.
00:40:42That perfume helped kill her. Essence of tuberose.
00:40:47You mind explaining, Inspector? How could perfume kill her?
00:40:50It attracts bees. They must have been infuriated first.
00:40:53Then, attracted to the odor on the model's body, they began to stinger.
00:40:57It's certainly a devilish way to murder.
00:41:01What about that photo?
00:41:05You've convinced yourself the killer's real target is you, right?
00:41:08It seems to be obvious now.
00:41:11Look, try not to worry. And don't look for motives, because that's our work.
00:41:15I think from those photos, it's obvious I'm going to be the next victim.
00:41:18And when I asked Corsi, he said not to worry. He'll find the motive, he said.
00:41:21It's my picture with those dead girls. If it's not for that, for what?
00:41:24It's a threat, that's for sure.
00:41:27But maybe he just wants to scare you.
00:41:30But do you think that someone who's already killed two women only wants to scare me?
00:41:34To commit crimes like that, he must be paranoid.
00:41:37One can't guess what he's thinking.
00:41:43But there's something else.
00:41:46There's some detail I seem to have forgotten.
00:41:49Madam, may I go now?
00:41:52Yes, thank you.
00:41:55What were you saying?
00:41:58That poster of me with the dead girls. It's an old picture and only one person could have the negative.
00:42:01Who? Roberto.
00:42:04I gave him all those old negatives to hold that I got back from Flora.
00:42:07You have to tell Corsi.
00:42:10I better not. Why?
00:42:13The police would suspect him at once. They'd slap him in jail right away.
00:42:16But he's got the bottles and he's gave the signs.
00:42:19He probably doesn't have any alibis for either of those murders.
00:42:22How would you know that?
00:42:25I'm guessing.
00:42:28You know, he spends the night going around looking for men.
00:42:31I didn't want to tell you, stupidly.
00:42:38A lot of those negatives and a lot of valuable other stuff
00:42:41was stolen from my place.
00:42:46I'd invited around a couple of kids.
00:42:49Roberto, are you trying to tell me
00:42:52those negatives are in the hands of the murderer now?
00:42:55Probably.
00:42:58But not necessarily.
00:43:01It's not absolutely certain that the negatives the murderer has
00:43:04are the original ones, Gloria.
00:43:07That big poster of you in the shots with the bodies could have been made from a dupe.
00:43:10I'm sorry, I don't understand, Roberto.
00:43:13Technically, there's no problem.
00:43:16All you've got to do is take a photograph of a photograph.
00:43:19You've got as many negatives as you like.
00:43:22Obviously, when you print them, the quality becomes more grainy.
00:43:27But once you've blown it up to six feet by six feet,
00:43:30it's impossible to tell the difference.
00:43:33Then we're back to where we started from again.
00:43:38I hope you're not too disappointed
00:43:41to find out that I'm not the murderer.
00:43:44No, don't think that. I never believed it was you.
00:44:12Don't turn the light on.
00:44:20I have one.
00:44:25I do want to admire you, Gloria.
00:44:41What?
00:44:59No.
00:45:02No, let me go.
00:45:05Shut up. Don't force me to murder you.
00:45:12Who are they?
00:45:21Tell me that you love me.
00:45:24Tell me!
00:45:42Gloria!
00:45:44Gloria, it's okay. It's okay, nothing's happened.
00:45:47It's just a bad dream.
00:45:57Dr. Lorenz is here.
00:46:00Thank you. You may go.
00:46:02Hello, Mark.
00:46:07What are you doing?
00:46:10This is my daily walk.
00:46:12Just stretching my legs, Doc.
00:46:19Keep on treating it as a joke,
00:46:21and you'll never get out of that chair, my boy.
00:46:24You quack.
00:46:26You think I'm enjoying myself being nailed to this chair day after day?
00:46:29No, I know how much you're suffering.
00:46:31But I also know that your paralysis doesn't have any physical cause.
00:46:35That's what you say.
00:46:37My mother is what you all like to think.
00:46:40You say there's no damage to my spine, eh?
00:46:43So you figure all that's wrong is right here in my brain, huh?
00:46:52Therefore, it's simply my fault that I'm crippled.
00:46:57Sounds like you enjoy playing the victim.
00:47:01Yeah, sure. I like being that.
00:47:05You know, Doctor, you're pretty smart after all.
00:47:09The truth is, you don't want to walk.
00:47:12You have a mental block because you feel responsible for Jinxia's death.
00:47:17Yes, you're right.
00:47:19If she hadn't been in my car,
00:47:22Jinxia might still be alive.
00:47:26And I'd be walking.
00:47:30And we'd even have been married.
00:47:35My God.
00:47:41No.
00:47:42Come.
00:47:43No!
00:47:45Oh, God, please.
00:47:47No, please!
00:47:57She work in blue films also?
00:48:00Only this one.
00:48:02You seem to have forgotten.
00:48:05Glory is quite respectable now.
00:48:17Do we have to watch anymore?
00:48:19Leave it alone and sit down.
00:48:23Good morning.
00:48:26This must be important if you called us all here.
00:48:29I've decided to accept Flora's offer.
00:48:31You want to sell the magazine?
00:48:37I have no intention of working any longer here after all that's happened.
00:48:41It seems the best solution.
00:48:43But it's not as though you killed them.
00:48:45But my pictures with those dead girls,
00:48:49Well, it won't help selling the magazine.
00:48:51If the killer wants you, it won't solve the problem.
00:48:55Or are you going to go somewhere and hide?
00:48:57Throwing away all your work and ours won't stop that crazy.
00:49:01But if I stay here, you should have killed me.
00:50:48What?
00:51:19Hey!
00:51:21What's your hurry?
00:51:23Oh, what a fright.
00:51:25Say, what are you doing here?
00:51:27I came to get you.
00:51:29Our appointment, remember?
00:51:31That girlfriend of mine is expecting us.
00:51:34But how did you know I'd be coming here today?
00:51:37I know everything.
00:51:39And what I don't know, I imagine.
00:51:42And what I don't know, I imagine.
00:51:45Isn't today the anniversary of Carlo's death?
00:51:48Yes.
00:52:15There we are.
00:52:44Thank you. Much obliged.
00:53:05Are you really sure you want to do this?
00:53:07Well, since I haven't sold the magazine yet,
00:53:09I thought I'd model again, like in the old days.
00:53:12Hey, I haven't got anything against the idea.
00:53:15I think it's great.
00:53:17I'm coming.
00:53:21Sorry. Hi, Tony.
00:53:23Susan, this is my sister, Gloria.
00:53:25I'm glad to meet you finally.
00:53:27Tony's always talking about you.
00:53:29Oh, what does he say?
00:53:31Oh, he thinks you're the greatest, the most beautiful, the most...
00:53:34Hey, hey, come on now.
00:53:36You always exaggerate.
00:53:46Yeah, this place is perfect.
00:53:50What's over there?
00:53:51Children's clothes.
00:53:53Gee, I didn't know it was so big.
00:53:56Hey, be careful.
00:53:58She'll see us.
00:54:00Frankly, Tony, I think you're asking a lot of personal customer service.
00:54:04How could I refuse Tony anything?
00:54:06He's filled the house with flowers and candy.
00:54:12Yes, phone calls, caviar, champagne.
00:54:16You have a very persuasive brother.
00:54:19What do you think if I posed with just this wind jacket on?
00:54:22Good idea.
00:54:24Or maybe better yet, nude on skis.
00:54:30Or modestly wearing a scarf.
00:54:34Would you like to visit the other floors now?
00:54:36Oh, yes, I would.
00:54:46Pretty good shot, huh?
00:54:48This is the men's department.
00:54:56This is still men's clothing.
00:54:58Men's sportswear, shirts, sweaters, underwear, socks, you name it.
00:55:02They're as fresh as our clothes now, aren't they?
00:55:05Yeah, we do everything we can to please the ladies.
00:55:08They're all becoming more vain than we are.
00:55:10Oh, you're just jealous.
00:55:12Come here a minute.
00:55:13Tony, please.
00:55:14Listen, what are you doing?
00:55:15Maybe we could have dinner or...
00:55:17Okay, but calm down.
00:55:19You come on strong, don't you?
00:55:24Hey!
00:55:25Hey!
00:55:27Come on, it's beautiful up here.
00:55:32Come on.
00:55:50Tony.
00:55:52Susan.
00:55:54Come on, you can play with fire later.
00:55:56You want to leave me alone here, huh?
00:56:00Come on up now, Tony.
00:56:07No!
00:56:10Now it's your turn, Gloria.
00:56:16You can't escape.
00:56:26It's your turn to die.
00:56:29No!
00:56:47Susan?
00:56:59Susan?
00:57:30Susan, where are you?
00:57:32Susan!
00:57:59Fuck.
00:58:29Fuck.
00:58:59Fuck.
00:59:29Fuck.
00:59:59Fuck.
01:00:30Now it's your turn, Gloria.
01:00:34You can't escape.
01:00:54When we went to the department store,
01:00:56there was no trace of either Tony or his girlfriend.
01:00:58They'll probably turn up in a few days,
01:01:00but who knows where.
01:01:27No.
01:01:50No.
01:01:56No.
01:01:59No.
01:02:25Gloria.
01:02:29Drink it.
01:02:35Evelyn, would you open the curtains?
01:02:37It's so dark in here.
01:02:54Is that better?
01:02:56Hmm.
01:02:58It wasn't a nightmare this time, was it?
01:03:01You have to fight it, Gloria.
01:03:03We all have to.
01:03:06I know I have to, Evelyn.
01:03:08I have to go on living.
01:03:10I'll go get your pills.
01:03:12I won't be long.
01:03:13If you need anything, there's the maid.
01:03:15I'll be right back.
01:03:27No.
01:03:38No.
01:03:40No.
01:03:55Oh.
01:04:03Oh, no.
01:04:06Oh, my God.
01:04:10Oh.
01:04:40No.
01:04:46Wonder where we'll find the other body.
01:04:48Yeah, I wonder, too.
01:04:52Hey, wait.
01:05:02All right.
01:05:05Looks like the same killer, all right.
01:05:07Yeah, I'd say so.
01:05:11Oh.
01:05:35What do you think, Inspector?
01:05:37Am I going to be the next victim?
01:05:45Yes, hello?
01:05:47Hi, Gloria. It's me, Alex.
01:05:49Alex.
01:05:51How are you?
01:05:52Oh, I'm so glad you called.
01:05:54You finished your film? You back?
01:05:56No, baby, I'm sorry.
01:05:59But I'll be in Rome Monday.
01:06:02Gloria.
01:06:04I miss you.
01:06:07Oh.
01:06:37Oh.
01:07:07Oh.
01:07:37Oh.
01:08:07Oh.
01:08:37Oh.
01:09:07Come on, hurry.
01:09:08But, Inspector, we don't have a search warrant.
01:09:10I don't care. Break it.
01:09:38Hello, who's speaking?
01:09:40This is Inspector Corsi.
01:09:42Stay away from that photographer, Roberto.
01:09:44But do you suspect him?
01:09:46You mean he's the murderer?
01:09:47I haven't time to explain now.
01:09:49Just do what I say, and don't open your door to him.
01:09:51We're coming right over.
01:09:56Oh, my God.
01:09:58Oh, my God.
01:10:00Oh, my God.
01:10:02Oh, my God.
01:10:04Oh, my God.
01:10:07Gloria, let me in.
01:10:10I have to see you.
01:10:12Evelyn.
01:10:14Evelyn.
01:10:16Evelyn.
01:10:19Gloria.
01:10:22Wait.
01:10:33Gloria.
01:10:35Gloria.
01:10:44Gloria, wait.
01:10:50Help me, somebody.
01:10:52Why are you running away?
01:10:56Gloria.
01:10:58I have to talk with you.
01:11:00It's me, Roberto.
01:11:05Stop. Wait.
01:11:12Help.
01:11:16Oh, my God.
01:11:18Gloria, help me.
01:11:21Oh, my God. I'm sorry.
01:11:36I can't understand any of this.
01:11:38Roberto obviously must have hated women.
01:11:41And especially you, Gloria.
01:11:43And why did he kill Tony? He liked him.
01:11:45It's difficult to know a killer's mind.
01:11:47But in the department store, what I clearly remember had a woman's voice.
01:11:51No, it wasn't a girl.
01:11:53The voice you heard at that moment might have sounded like a girl's voice.
01:11:57Assuming you're right.
01:11:59Then why doesn't the rest of it make sense?
01:12:02The rest of it makes sense.
01:12:04That car that killed him, for example. Why didn't it stop?
01:12:09I've got to blot it out or I'll go mad, too.
01:12:23Who is it?
01:12:24This is Mark. I see the police are there again. What gives?
01:12:27How does it feel to be surrounded by death?
01:12:30Stop calling him fool.
01:12:56Our battle seems to have finished.
01:12:59Though you certainly were a tough adversary.
01:13:01I'm sorry, my dear. I'm putting you out to pasture.
01:13:18You know, I suppose I really ought to thank you.
01:13:21I'm getting rid of a lot of bad memories.
01:13:23It's a shame you're so insensitive, Flora.
01:13:26I would have given it to you for the asking.
01:13:29Are you so proud of yourself now?
01:14:00Evelyn?
01:14:04Evelyn?
01:14:06Keel, where's Miss Evelyn?
01:14:08She's gone, madam. She took all her things.
01:14:10She left this letter for you.
01:14:16Gloria, forgive me for leaving you.
01:14:18I'm sorry.
01:14:20I'm sorry, Miss Evelyn.
01:14:22I'm sorry, Miss Evelyn.
01:14:24I'm sorry, Miss Evelyn.
01:14:27Gloria, forgive me for leaving like this,
01:14:29but I worked for you, not the magazine.
01:14:31So what sense would it make for me to stay on,
01:14:33regretting what we no longer have?
01:14:35Good luck.
01:14:37She must think I have a will of iron.
01:14:39She wanted me to go on with the magazine
01:14:41after all of those killings.
01:14:56Oh.
01:15:06Yes, hello?
01:15:08Hello?
01:15:26Oh, no.
01:15:57Oh, no.
01:16:08Tony.
01:16:10Oh, dear God, no.
01:16:26Oh, no.
01:16:57Now it's your turn, Gloria.
01:17:03You can't escape.
01:17:09It's your turn to die.
01:17:13Come out! Show yourself!
01:17:15Kill me if you must! I can't take any more!
01:17:18It's your turn, Gloria.
01:17:27Oh.
01:17:31Now it's your turn, Gloria.
01:17:37You can't escape.
01:17:44It's your turn, Gloria.
01:17:47How would you like to die?
01:17:51The police took the pitchfork I used to kill Kim,
01:17:53and I didn't have time to get more killer bees
01:17:55that liked Sabrina so much.
01:17:58But I'll think of something.
01:18:01Maybe on the order of how I did Susan.
01:18:03No, Tony, no!
01:18:05It's me.
01:18:09What's the matter?
01:18:13Don't you like me?
01:18:15No, no, no, no, no, no, no, no.
01:18:17No, no, no, no, no, no, no, no, no, no.
01:18:20No, no, no, no, no, no, no, no, no.
01:18:22No, Tony! No!
01:18:25It's me.
01:18:29What's the matter?
01:18:32Don't you like me?
01:18:34Don't you like me?
01:18:37Oh, no!
01:18:40I haven't become a transvestite.
01:18:44I'm not even very good at that.
01:18:47But why, Tony? But why?
01:18:50You should know, Gloria.
01:18:53You're the only one I love.
01:18:55I've always loved you.
01:18:57Since we were kids.
01:19:00Tony, you killed those poor girls. What made you do that?
01:19:03You ought to thank me.
01:19:05Yeah.
01:19:06That bitch, Kim, was trying to take your place as a model.
01:19:10And Sabrina, your place in bed.
01:19:12And I didn't want that.
01:19:13And that little salesgirl, Susan, was trying to trap me.
01:19:17Even Roberto wanted to betray me.
01:19:20No, Tony, no!
01:19:21I'm dead, Gloria.
01:19:23Everyone thinks I'm dead.
01:19:27I could have run away, but I figured
01:19:30while you're alive, I'll never be free.
01:19:36But first, I want to see you naked one more time.
01:19:40No! No!
01:19:43No! No!
01:19:47Tony, stop!
01:19:52Help! Help!
01:20:00Help! Help!
01:20:16Not now, Sabrina.
01:20:17No, I can't.
01:20:18For the last time.
01:20:21Just for me.
01:20:25No, Tony, please don't ask me that.
01:20:34No!
01:20:36You know what you're doing.
01:20:39Oh, yes, I do.
01:20:40You belong to me. Only me.
01:20:47No!
01:20:49No!
01:20:50Go on.
01:20:56I've always loved you, Gloria.
01:21:00Every part of you.
01:21:06Your lips.
01:21:07Your lips.
01:21:15And your tongue.
01:21:26And the curve of your white throat
01:21:29that leads to the valley between those rose-capped hills.
01:21:38Now.
01:21:47Now I want to see them.
01:21:57Nobody else will ever caress your body again.
01:22:00I love you, Gloria.
01:22:07No.
01:22:08Oh, no.
01:22:10No. No!
01:22:11Now this.
01:22:12Take this off, too.
01:22:14No.
01:22:16I said take them off.
01:22:21Tony!
01:22:31Oh!
01:22:41Is my brother alive?
01:22:42Yes, he'll make it.
01:22:44Though I'm afraid he'll need a wheelchair for the rest of his life.
01:22:48I'm sorry, Inspector, she's still in shock.
01:22:50She has to sleep.
01:22:51Yes, I'm going.
01:22:54I hope that from now on, life will be better for you.
01:22:57We'll see.
01:23:01Get well soon.
01:23:05You must try to sleep now.
01:23:07Call me if you need me.
01:23:30I love you.
01:24:00Tony!
01:24:02Tony!
01:24:30Tony!
01:24:40Did I frighten you?
01:24:41I'm sorry.
01:24:43I just had to see you.
01:24:51Here.
01:24:52Thanks.
01:24:53Gloria, you won't mind if I phone to tell you that you're beautiful.
01:24:57More beautiful.
01:24:58Of course you can, Mark.
01:25:01Do you know that I'm getting better?
01:25:03I'm beginning to walk a little now.
01:25:05I'm so glad.
01:25:07It's good to see you again.
01:25:09And you...
01:25:10You get better, huh?
01:25:11Yes.
01:25:18Don't forget me now.
01:25:19Promise?
01:25:21I won't.