1986 Hardbodies 2 FULL HOT MOVIE
#NowPlayingMovies #EnglishMovie #cdrama #shortfilm #drama #crimedrama #engsub #chinesedramaengsub #movieshortfull #reelshort #comingsoon #fyp
#NowPlayingMovies #EnglishMovie #cdrama #shortfilm #drama #crimedrama #engsub #chinesedramaengsub #movieshortfull #reelshort #comingsoon #fyp
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🎥
Short filmTranscript
00:00:00♪ Adventures in paradise. You take me around the world when I close my eyes. You got me walking on fire and ice, and it sure feels nice.
00:00:18Adventures and imagination. Exotic places we can play. We're making movies on location. Pictures that we dream carry us away.
00:00:39Yeah, yeah, yeah, yeah, yeah.
00:00:53We're making movies on location. Pictures that we dream carry us away.
00:01:02Adventures in paradise. You take me around the world when I close my eyes. You got me walking on fire and ice, and it sure feels nice.
00:01:18Oh, oh, oh, oh, Adventures in paradise. You take me around the world when I close my eyes. You got me walking on fire and ice, and it sure feels nice.
00:01:36Adventures in paradise. You take me around the world when I close my eyes.
00:01:44What's that?
00:01:45It's caca.
00:01:46Well, for caca, it's good caca.
00:01:49Logan, I can see the strings on the tray.
00:01:51Oh, Zack, you can see them. No one else can. Lights!
00:01:55It's embarrassing, Logan.
00:01:57Oh, for Pete's sake, Zack, will you calm down? No one of average intelligence can see anything.
00:02:02You didn't notice any strings, did you, Snookums?
00:02:05Oh, no, I didn't see anything, Bobo.
00:02:07Tell it's from Gay Paris.
00:02:09Lucy, my little creeper.
00:02:11About the bathroom set, a real airplane bathroom is just too tight. Could you build me a bigger one, perhaps with some windows?
00:02:20Whatever you want, chief. One loo with a view coming up.
00:02:27Cheese and crackers.
00:02:29What's the matter?
00:02:30Oh, Logan, don't tell me the money fell through.
00:02:32No, those idiot actors. They missed the plane.
00:02:35And the airline refused to permit Scotty's fiancee to bring her pussy aboard.
00:02:39How rude.
00:02:43Dinner time. Here you go, baby Rambo.
00:02:47Rax, you're not going to believe this. Listen to this stuff.
00:02:50All right, man. What's next? Hit me.
00:02:52As Scotty opens the bathroom door, a gust of wind whips his hair to and fro.
00:02:59Oh.
00:03:17Don't keep me in suspense. What happens next?
00:03:20Check this out. The plane shutters, starts doing barrel rolls in a fantastic aerial orgasm.
00:03:28That is sick. The women in this script are just tits and ass with nothing but sex on their minds.
00:03:34I mean, is that really what you want?
00:03:36Yes, please.
00:03:39Well, then you can have it. Both of you.
00:03:43Morgan.
00:03:48Great. Thanks, pal.
00:03:51I'm sorry, man. I didn't know she was so sensitive.
00:03:54I'm not exactly thrilled that our co-stars are going to be topless half the time.
00:03:57Not that I intend to use this movie to entice gorgeous young females to abuse my overdeveloped body.
00:04:03Right.
00:04:04Where are you going?
00:04:06To apologize to a gorgeous young female, who I have to be engaged to.
00:04:14Scott, what are you doing?
00:04:16Morgan, we have to talk.
00:04:18About what?
00:04:19The movie. Look, I think you're confusing me with the character I play in the film.
00:04:23I'm not a dumb surfer kid who walked off the beach with a surfboard and a hard-on.
00:04:28I know that. It's just that for the past few months we've been alone, and now I have to share you.
00:04:33Share me?
00:04:35Morgan, love, would I have given you this if I didn't intend on staying true?
00:04:40You're the only woman I want.
00:04:44Oh, Scotty.
00:04:46You make me just want to throw you down and jump on your bones.
00:04:54Oh, honey.
00:04:57Oh, baby boy.
00:05:08Oh, yes, Morgan.
00:05:14Oh, my God! Morgan!
00:05:16Morgan!
00:05:17Oh, my shirt!
00:05:19It's like all this here, Morgan!
00:05:22Come on! Come on, just pull, pull! Come on!
00:05:24Morgan!
00:05:39Coming through! Look out! Where's the beach?
00:05:42Hey! I think it's on your boy.
00:05:44Is this yours?
00:05:45Yeah.
00:05:46Can you prove it?
00:05:47Creep.
00:05:48Hey, dude, she wants my body. I can tell.
00:05:53Hey!
00:05:55Mitchinson, off my board!
00:05:59George, look, just pretend it's a big bone, okay?
00:06:04Drugs?
00:06:05Nah.
00:06:06Really?
00:06:07Nah.
00:06:08Come on, jump back.
00:06:09That dog of yours is a little high-strung. I think he's a dope.
00:06:12Yeah.
00:06:15Hey, where'd those guys go?
00:06:17Hey, back off!
00:06:20No, no! Not my smartphone!
00:06:25No! No!
00:06:35Look, man, there's no drugs in here!
00:06:37Oh, I'm sorry about that, boy. Enjoy.
00:06:50Oh!
00:07:13What's the matter, bud? You can't be done hassling me.
00:07:15My suitcase is still in one piece.
00:07:17Come on, man, cool down.
00:07:21Open it.
00:07:22What for?
00:07:23Come on, open it.
00:07:25It's obviously unnecessary.
00:07:27Hold on. You're on a power trip, right? I get it.
00:07:30Don't mess up my shirt.
00:07:33What is this?
00:07:36This is obviously not my suitcase.
00:07:42Can you believe that?
00:07:44Drugs in my surfboard.
00:07:46Yeah, I know. Like you'd have put them in such an obvious place.
00:07:49Really?
00:07:57Cut! Print it.
00:07:58Wrap over.
00:08:01Need a pickup of the chainsaw, cutie.
00:08:03Okay, everybody, that's a wrap.
00:08:04Crew bus leaves in half an hour.
00:08:06Cast and cookie comes with me.
00:08:12What has he got that we haven't got?
00:08:16Looks, charm, hit TV series.
00:08:21Oh, shit.
00:08:22This is real.
00:08:27Are you ready to go?
00:08:28Ready?
00:08:30Sure, I've got a headache, my shoulder feels separated, and I'm bored out of my mind.
00:08:34I guess you're ready to go.
00:08:41Come on.
00:08:43That's it.
00:08:46Excuse me, officers, but that's not real.
00:08:48It's just a prop for the movie, you understand?
00:08:51Movie?
00:08:52You understand?
00:08:53Movie, movie.
00:08:55You see, it's just parsley.
00:08:57Cookie, look at those silly cops.
00:09:00They think the kids are smoking real pot.
00:09:03They are.
00:09:04I told Bruce to get the real stuff.
00:09:07You what?
00:09:09It doesn't smell anything like grass.
00:09:10Here, take this back to the prop truck, please.
00:09:18Cookie!
00:09:21God, is that a joint in your hand?
00:09:23It's disgusting, and you promised me you'd give it up.
00:09:26Eat it.
00:09:27God, if you mind, I don't take drugs.
00:09:29You can eat it.
00:09:41Oh.
00:09:51What do you want, plain-bred?
00:09:52Did you want to get us all thrown in a slammer?
00:09:54What I want is reality on the screen.
00:09:57Oh, you want reality?
00:09:58You got it, lady.
00:09:59You're fired!
00:10:03Before you fire me, Logan, I walk.
00:10:05Oh, no, no, no, no, I fired you before you walked.
00:10:11Bad news.
00:10:12Trouble in paradise.
00:10:13Nothing a quick poke won't cure.
00:10:16The next time your phone rings, that'll be my attorney.
00:10:19And you'll be hearing from my agents.
00:10:22Cookie, come along.
00:10:24We have script changes.
00:10:26Montino, I need you, presto!
00:10:32I'm sorry, sir, but there's nothing else I can do.
00:10:35Look, you can't put all three of us in one room.
00:10:38That's what the reservation call for.
00:10:40Take it or leave it.
00:10:53I feel sick.
00:11:03Hey, Sean.
00:11:05You share in your room with anybody?
00:11:07Not permanently.
00:11:08How about taking on rags as a roommate and helping me out?
00:11:11I want to get girls in my room, man, not scare them away.
00:11:29Well, I think I'll leave you two lovebirds alone for a while.
00:11:32Thanks, buddy.
00:11:33Yep.
00:11:35Hey, Carl Nasby.
00:11:37When did you get in?
00:11:38Hey, son.
00:11:39Just flew in after 14 and a half hours in a seat designed for a chimpanzee.
00:11:43Well, then come on downstairs so we can toss down a couple of ice cold beers.
00:11:46I'm not quite feeling human yet.
00:11:48Tomorrow's my first day of shooting.
00:11:50I better get a little sleep.
00:11:51Good night.
00:11:52Greg?
00:11:53Hi, Mrs. Logan.
00:11:54Welcome to Greece.
00:11:56Tell me, have you seen my husband around?
00:11:58Uh, not recently.
00:12:01Who's banging at my door?
00:12:06Who's banging at...
00:12:08Oh, what a surprise, if it isn't my little wifey kiss kiss.
00:12:14Darling, just let me straighten up a bit.
00:12:17Make some room for you, huh?
00:12:24Cookie, you'll get those sheets changed.
00:12:26I mean the script sheets changed, right?
00:12:29Oh, yes, yes.
00:12:30Right away.
00:12:31Oh, I'm sorry.
00:12:32That's okay.
00:12:33You need some help?
00:12:34No, I'm okay.
00:12:42Work, work, work, work, work, work, work.
00:12:46Oh, are we a little cranky.
00:12:48Well, it's been a long trip.
00:12:51I know, I know, I know.
00:12:54I love you.
00:12:55I love you.
00:13:00Oh.
00:13:02This place isn't so bad.
00:13:04I mean, it may not be the Ritz.
00:13:07At least it's clean.
00:13:10What's wrong with baby Rambo?
00:13:13Uh, nothing.
00:13:15Just jet lag.
00:13:17Oh, God, I feel like reflating shit.
00:13:21Probably that joint you ate.
00:13:23Getting the buzz yet?
00:13:25Oh, my God!
00:13:27Oh, my God!
00:13:29Morgan, what is it?
00:13:30My period is two days late.
00:13:33Big deal.
00:13:34I missed a few pills last month.
00:13:36So?
00:13:38I'm PG.
00:13:39I'm preggo.
00:13:41My God, I've been knocked up.
00:13:43Are you sure this isn't a hysterical reaction from the grass?
00:13:47Hysterical reaction?
00:13:49I'm pregnant and you're calling me hysterical?
00:13:52Our baby is growing inside my womb
00:13:55and you accuse me of being an emotional basket case.
00:13:58I didn't say that.
00:14:00But you implied it.
00:14:03Like horse shit.
00:14:06Like horse shit?
00:14:14Come on, baby doll.
00:14:15Don't. I don't deserve this kind of abuse.
00:14:18What do I have to do? Get on my hands and knees?
00:14:22Maybe.
00:14:26I feel so good to hold you.
00:14:30Just the three of us together.
00:14:35You know what, honey?
00:14:36What?
00:14:37I think maybe we shouldn't make nookie nookie for a while.
00:14:40Why not?
00:14:42Oh, just to be safe.
00:14:45You know, we're in the family way.
00:14:49Oh, darling, isn't it wonderful?
00:14:52Oh, darling, isn't it wonderful?
00:15:05Man, another hour in this sun and my nose will be fried.
00:15:07Did you bring any nose coat?
00:15:09Yeah.
00:15:10Hey, buddy, we got to face reality.
00:15:12If pennies don't start dropping from heaven, we're going to have to get jobs.
00:15:16Oh, please, God, anything but that.
00:15:18Whose is this?
00:15:23Thank you, Jesus.
00:15:24Saved from the minimum wage.
00:15:26Put it back, man. This isn't ours.
00:15:28Scotty, dude, we're in Europe.
00:15:30I mean, miracles happen all the time over here.
00:15:32That's pretty lame, dude.
00:15:34Look, we'll find the rightful owner and maybe we'll get a cash reward.
00:15:42Ask and ye shall receive.
00:15:53Good evening.
00:15:55Everyone on board, please. Setting sail for another island paradise.
00:15:58Come on, let's go.
00:16:00This is school. Things have sure changed since I dropped out.
00:16:05Gentlemen, I'm Miss Rollins, the chief administrator. May I help you?
00:16:08Uh, yes, uh, Sean Kingsley.
00:16:10Oh, Mr. Kingsley. Thank God you've arrived.
00:16:13We've been holding the boat for you.
00:16:15And this must be your private tutor.
00:16:17That's me, Professor D.W. Rags.
00:16:19PhD, MBA, DDS, DDT, LSD and ABC.
00:16:23Look, Miss Rollins, my name is not Sean. It's Scotty.
00:16:26Scotty?
00:16:28Uh, it's his middle name. Sean Scott Kingsley.
00:16:31You see, he uses it when he travels incognito. You understand.
00:16:34Of course. The son of a billionaire can't be too careful.
00:16:37Son of a...
00:16:39Now, if you'll excuse me, I'll tell the captain we're ready to cast off.
00:16:43Rags, we can't do this. This is crazy.
00:16:46Don't be such a squid, dude.
00:16:47Besides, it's educational.
00:16:50Hey, hey, where are you going?
00:16:53Wait a sec. Hold on. Hold the boat.
00:16:57Hold on.
00:16:58Ashby? Lana?
00:17:00Hi, Scotty.
00:17:02What the hell are you guys doing here?
00:17:04I'm the captain of this crate, and we bought it as an investment.
00:17:07Why, this son of a bitch is a floating tax write-off.
00:17:10Boy, it's sure good to see you, son.
00:17:12Hell, I get hungover just thinking about old times.
00:17:15We sure did raise a lot of hell, didn't we?
00:17:18You know, we don't mind you and Rags being on board,
00:17:21as long as we come to a little understanding.
00:17:23Anything you say, chief.
00:17:25Be on time for class and do your homework.
00:17:39And this is the temple where they worship Roto.
00:17:42The lovely nymph and daughter of Poseidon,
00:17:45built in the third century B.C.
00:17:48According to Pindar,
00:17:50Helios, the god of the sun,
00:17:52fell in love with the nymph Roto on sight
00:17:54and decided to marry her.
00:18:05Okay, sucker, this time wait for Papa.
00:18:13Oh!
00:18:27And over here is the recently restored statue of Roto,
00:18:30the lovely nymph.
00:18:32Even today, centuries after she was chiseled out of rock,
00:18:35we're still struck by her incredible beauty.
00:18:43Cut!
00:18:45I can't get it up for this scene.
00:18:47What's the matter, Cupcakes?
00:18:49The script calls for me to gaze lovingly into her eyes.
00:18:52How can I? She's headless.
00:18:54You seem to want a little head, Madam Director.
00:18:57Sorry, look, I'm an actor.
00:18:59I need something to help me fulfill this moment.
00:19:02How's about 5,000 bucks a week, buttface?
00:19:05Listen, honey buns, until we cast the part of Roto's the nymph,
00:19:09we can't cast the head.
00:19:11Hey, Scotty, is this what you need?
00:19:14Rago's the nympho.
00:19:16Nympho!
00:19:18Oh!
00:19:31Oh, no!
00:19:33Oh, no!
00:19:41Well, hello, everybody.
00:19:43Greg, Scott, Scott, you're a half an hour late.
00:19:45Get your keister in here.
00:19:47It's pretty hard to wake up quickly on your only day off.
00:19:50Oh, I think you'd be well-rested, sugar buns,
00:19:53after sleepwalking through all your scenes.
00:19:55Just following your inspiring direction.
00:19:58Come on, come on, come on. Let's get cracking.
00:20:00If we don't find our nymph today, tomorrow we are screwed.
00:20:04Who are those guys?
00:20:06Well, those are our investors,
00:20:08and they're very good people, Scott.
00:20:10Doctors, lawyers, dentists.
00:20:12Clutches.
00:20:14I just love investors.
00:20:16Yes, I know you do, dear.
00:20:18Cookie, perhaps you could trot out the first young lady.
00:20:21Coming right up, Bobo.
00:20:24Janaye Pilatus?
00:20:26This is our director and producer and his wife.
00:20:29Janaye is wearing a bathing suit underneath her dress,
00:20:33and she wanted to know whether or not you wanted to see her body
00:20:36before or after reading.
00:20:38I think before.
00:20:40Sounds professional to me.
00:20:42Definitely.
00:20:54Dude, what's wrong?
00:20:56Lauren's punishing me.
00:20:58No nookie.
00:21:00Why?
00:21:02When she told me she wasn't pregnant, I was so happy.
00:21:05A French kid's the maid.
00:21:07Thank you, Janaye. A-plus.
00:21:10Now let's hear your reading.
00:21:12I don't know.
00:21:14I don't know.
00:21:16I don't know.
00:21:18I don't know.
00:21:20I don't know.
00:21:23Am I really awake?
00:21:25Let me pinch myself.
00:21:27If you love me, open those lovely lips
00:21:30and tell me in your own sweet voice.
00:21:32Words of love are only words.
00:21:35Therefore, think carefully before you answer me.
00:21:39Are you really in love with me, or is it just with my body?
00:21:43Your body.
00:21:45Next!
00:21:52Your body.
00:22:15Words of love are only words.
00:22:17Therefore think carefully before you answer me.
00:22:21I said, are you really in love with me?
00:22:27Or just with my body?
00:22:28My body.
00:22:29My body.
00:22:30My body.
00:22:31Body.
00:22:31Body.
00:22:32Body.
00:22:32Body.
00:22:33Body.
00:22:33How about Monique Monet?
00:22:35I mean, she wasn't so bad.
00:22:37Wasn't so bad?
00:22:38She can't even say her name and make it sound real.
00:22:41That's because it's not.
00:22:43Can I get you anything else?
00:22:45Oh, just coffee, my dear.
00:22:47Coffee.
00:22:48Make it three.
00:22:49Nothing, just some water.
00:22:54Please.
00:22:56Three coffees and one water. Thank you.
00:22:59Good luck, my dear.
00:23:03Oh, I got it. I got it. We make her a poor little mute girl.
00:23:08That way she can look great and she doesn't have to say a bloody word.
00:23:11I suppose the love scenes will be done in fine language.
00:23:14Yeah, it's just like ordering dinner in a sushi bar.
00:23:17I mean, he points at everything he wants.
00:23:23Excuse me.
00:23:26Excuse me, are you an actress?
00:23:28No, I'm a waitress.
00:23:30So are most the actresses I know.
00:23:32Would you mind reading these lines of dialogue with me?
00:23:35I told you, I'm not an actress.
00:23:36Please, I'll leave you a big tip.
00:23:38Want a glass of water?
00:23:40Come on.
00:23:42Okay, but only if you promise to quit bothering me.
00:23:45All right, look, I'll read this and then I'll cue you.
00:23:48If you love me, let me know by opening those lovely lips and tell me in your own sweet voice.
00:23:54Words of love are just words, therefore think carefully before you answer me.
00:23:58Are you really in love with me or just with my body?
00:24:01Okay?
00:24:02Okay, that was more than okay. That was really good.
00:24:05You didn't even tell me your name.
00:24:06Cleopatra, but I go by Cleo.
00:24:08So Cleo, how would you like to be in a movie?
00:24:12How does it end?
00:24:13Very happily.
00:24:15I mean, do I end up taking off my clothes and jumping into bed with you?
00:24:18That's right. How did you know?
00:24:19I've been in that movie. It doesn't end happily.
00:24:22Hey, I'm serious. We're trying to cast the lead in a film. You'd be perfect.
00:24:26You guys, I just read her and she's great.
00:24:29Try telling that to my stepfather.
00:24:35Oh, what a fine-looking citizen.
00:24:38Well, my dear, perhaps you'll take off your reed for us?
00:24:41Please, try to understand.
00:24:44I don't even go to the movies and I have no desire to be in one.
00:24:47I'm just a student working to save some money for college.
00:24:50Now, I'm flattered that you ask,
00:24:52but there's really nothing you can say to change my mind.
00:24:55How about 150,000 drachmas a week?
00:25:04Perhaps the most outstanding example of the Ionic order
00:25:08is the Erechtheum, located in the Acropolis.
00:25:11At the southern portico of the Erechtheum.
00:25:24Hello there.
00:25:27You're the most beautiful girl I've ever seen.
00:25:35What's your name?
00:25:37I have to talk to you.
00:25:39I'm coming aboard.
00:25:45Keep away from the boat.
00:25:49Get away from the boat.
00:25:55Get him.
00:25:57Bring him over here.
00:25:59Shoot him again. Shoot him again.
00:26:09Shoot him again.
00:26:35Very good.
00:26:40Hey, Cleo, wait up.
00:26:43You were really good today.
00:26:45Me?
00:26:47How do you like making movies?
00:26:49Honestly, it was the most boring day of my life.
00:26:53All that waiting around with nobody to talk to but actors.
00:26:56Sorry, princess.
00:26:58I guess actors are beneath someone of your noble birth.
00:27:03No, you don't understand.
00:27:05Scram. Just, Cleo, scram. That's all.
00:27:07And you, Mr. Popopipolis, out. Out. I want you out.
00:27:11I will not tolerate this trashy, sexist behavior on my set.
00:27:15You are finished.
00:27:17I have a contract, sir. You can do it.
00:27:20Oh, you have a contract, do you?
00:27:23Well, I invoke the morals clause on your contract.
00:27:27Oh, shit.
00:27:29The morals clause? What's going on?
00:27:32Logan caught Mr. Popopipolis with his hand in the cookie jar.
00:27:38Pervert, you're through.
00:27:40Shoot, shoot. Shoot your history. Shoot.
00:27:42Logan, you just fired one of my supporting leads,
00:27:45and he has to work again tomorrow.
00:27:47Replace the degenerate.
00:27:49On one day's notice? How?
00:27:51Oh, throw a souvlaki sandwich into any crowd.
00:27:53Anyone you hit will be a better actor than that turkey.
00:27:55Logan!
00:28:00See you later, princess.
00:28:03Look, Scott, I didn't mean to be a snob.
00:28:06I'm just feeling uneasy for what we're doing.
00:28:09If my stepfather hears that we have a nuisance together,
00:28:12he'll lock me up and come after you with a knife.
00:28:15Why is it that every time I see that man, he has a weapon in his hand?
00:28:19Maybe it's a sign.
00:28:22Thanks for your help today.
00:28:26Ciao.
00:28:36Ciao.
00:28:52God, Scott, what are you trying to do? Give me a heart attack?
00:28:55I know you've been mad at me, but I did not expect to find you in war paint.
00:28:59Are you making fun of my avocado mask?
00:29:01Me? Make fun of that?
00:29:04It looks pretty stupid.
00:29:07Morby, I was only kidding.
00:29:09Look, if you want to know the truth, that guacamole on your face really turns me on.
00:29:13Oh, yeah, sure.
00:29:15Hey, little girl.
00:29:17I'm Dr. Dan, and I make house calls.
00:29:21Naughty girl. Have you been cleaning your ears?
00:29:25Scotty, don't.
00:29:27You know what that does to me.
00:29:30That's why Dr. Dan is doing it.
00:29:35Mmm. Mmm.
00:29:38Oh, guess what?
00:29:41I ran out of birth control pills.
00:29:43I would see you without them.
00:29:45Oh, honey, do we care?
00:29:53Well, I guess that's your answer, huh?
00:29:56And I thought you loved me.
00:29:58Morgan, let's not fight.
00:30:01We can hold off making love until you get some more pills.
00:30:04In the meantime, Dr. Dan could use a little physical therapy, if you know what I mean.
00:30:09Good.
00:30:11Oh.
00:30:13Morgan, you don't know what it's like on the set all day,
00:30:17surrounded by these beautiful girls with beautiful bodies.
00:30:21Come on, reach out and touch someone.
00:30:24Me.
00:30:26Oh, I got you.
00:30:28So while you lie back and daydream about all those great-looking bodies,
00:30:32Morgie here does all the dirty work, right?
00:30:34Come on, Dr. Dan just needs a little relief.
00:30:37You need relief, honey?
00:30:40Take two of these and call me in the morning.
00:30:43I'm taking a bath.
00:30:45Morgan.
00:30:58♪
00:31:29Oh.
00:31:31Ah.
00:31:33Ah.
00:31:35Oh.
00:31:37Oh.
00:31:39Oh.
00:31:41Oh.
00:31:44Oh.
00:31:46Oh.
00:31:48Oh.
00:31:52Ah!
00:31:54Ah!
00:31:57I'm sorry about the mess, but I had to see you again.
00:32:00Come away with me.
00:32:02Come, come to the disco, tonight.
00:32:04Tonight, okay?
00:32:05Come on, Dixie, come on!
00:32:06The disco!
00:32:08Tonight!
00:32:09Murderer!
00:32:11Drown him!
00:32:12Okay, guys, it's been a long time
00:32:14since I've done any cliff diving.
00:32:16Seriously.
00:32:18I guess the practice makes perfect.
00:32:20Ah!
00:32:22Oh!
00:32:25Oh, my God!
00:32:26Oh!
00:32:28Oh, my God!
00:32:32That was a good rehearsal, my soggy little macaron.
00:32:35Now let's shoot it.
00:32:38Just kidding.
00:32:39Next set up!
00:32:41The desert insert!
00:32:43Where the hell is Sean?
00:32:44Somebody find me Sean!
00:32:48You know, I think he's off learning his lines.
00:32:50Oh, he doesn't have any lines.
00:32:52Take it, babe.
00:32:53Oh, whoop-dee-doo-doo.
00:32:54He-he-he.
00:32:57Hey, princess, what's with the long face?
00:33:00Nothing, just that in spite of my better judgment,
00:33:02I'm beginning to like you.
00:33:04Well, it's a good thing you don't love me.
00:33:06You'd probably commit suicide.
00:33:07I've never had a crush on a playboy before.
00:33:10Playboy?
00:33:11What makes you think I'm a playboy?
00:33:13Hey, Scotty, maybe it's because you've
00:33:15heard all the banging and screaming
00:33:16coming from your dressing room.
00:33:18I mean, everybody else sure has.
00:33:20Sex and traveling.
00:33:21See you.
00:33:22Gotta roll.
00:33:23You don't believe him, do you?
00:33:24Cut me some slacks, will you?
00:33:26I don't believe everything I hear.
00:33:28I'm here.
00:33:29Let's shoot this puppy.
00:33:30Where have you been, Sean?
00:33:31Get out there.
00:33:33Hello, Mrs. Logan.
00:33:35Oh, hello, Jane.
00:33:36How are you today?
00:33:37Wonderful.
00:33:38Tell me something.
00:33:39Has there ever been a time in your life
00:33:41when you haven't been wonderful?
00:33:43Not so far.
00:33:45Everybody ready?
00:33:46Roll fans!
00:33:49Camera!
00:33:51Action!
00:34:00Water!
00:34:02Water!
00:34:06Water!
00:34:10Real cute, Scott.
00:34:11Hey, hey, hey.
00:34:12Cut it off.
00:34:13Knock it off, you uncured ham.
00:34:15Get your poker out there, Sean.
00:34:17Take two, coming up.
00:34:20Oh, Sean didn't have much a sense of humor.
00:34:23That's because what you did was not funny.
00:34:25Oh, and I suppose what he did was.
00:34:27No.
00:34:28Actually, you're both behaving like children.
00:34:31If you think it's impressing me, you couldn't be more wrong.
00:34:35Oh, my God.
00:34:44Aah!
00:34:48Aah!
00:34:49Aah!
00:34:50Aah!
00:34:51Aah!
00:34:52Aah!
00:34:53Aah!
00:34:54Aah!
00:34:55Aah!
00:34:56Aah!
00:35:13Hey, don't forget your spoken force on it.
00:35:16Have you ever been in love with two women at once?
00:35:19Not in this incarnation.
00:35:21Hell, yeah, several times.
00:35:23I just never let my left ball know what my right ball's doing.
00:35:26So we're juggling lovelies, are we, Scotty?
00:35:29I don't know what to do.
00:35:31Hell, move to Saudi Arabia.
00:35:33Legal there.
00:35:34Liquid libations, are not?
00:35:36Mm.
00:35:37Boy, I would be, hell, wouldn't I?
00:35:39Stuck in a desert with two women and no liquor.
00:35:44Okay, so the casting dude says,
00:35:46I'm sorry, but we're looking for the Robert Redford type.
00:35:49I say, dude, that's incredible. He's my father.
00:35:52In fact, that's where I got my blonde hair.
00:35:54I love your hair. It's so spiky.
00:35:56Do American girls like spiky hair?
00:35:58Oh, hell, yeah.
00:35:59I mean, spiky hair and earrings, serious turn-ons.
00:36:02I'll drink to that.
00:36:03All right.
00:36:04Betty!
00:36:05Bottles of Dom Perignon and a funnel right away, huh?
00:36:08And, uh, why don't we plan on getting together later on?
00:36:11We close at midnight, then I'll do the dishes.
00:36:14Would you rather do the dishes or do me?
00:36:16The dishes. Less grease.
00:36:19Where the hell do you find these guys, Logan?
00:36:21They look like a gaggle of pussycats.
00:36:24Say, would you really be frightened if this guy kidnapped your wife?
00:36:28Oh, yeah. I'd be frightened for him, poor bastard.
00:36:32A couple of nights with Lana would drive a guy bananas
00:36:35or turn him into some other kind of fruit.
00:36:37I'm serious, dickbrain.
00:36:39The role of the kidnapper is critical.
00:36:41We've got to find someone who looks real.
00:36:43Real? Oh, you want real?
00:36:46Real? Oh, you want real?
00:36:48Well, you're gonna get real.
00:36:51Uh, could you come over here, please, Dimitri?
00:36:56Ooh!
00:37:01Darling, you're not going to believe the bargains I got.
00:37:04Everything in the whole marketplace was on sale.
00:37:06And you bought it all.
00:37:08You know, the thing I just love about shopping here
00:37:10is the money just doesn't look real.
00:37:12You can just spin and spin and spin, and it's like confetti.
00:37:15Oh, somewhere here I've got something for you.
00:37:17The bill.
00:37:19Oh, here it is, darling.
00:37:21I ran into Sean, and he helped me pick it out.
00:37:23Hi, Sean!
00:37:25It's one of a kind.
00:37:27What do you think?
00:37:29It certainly is one of a kind.
00:37:31Not many people know how to make them babies.
00:37:35Sean helped pick that out?
00:37:37I'll have to find a unique way of thanking him.
00:37:41You don't like it, do you?
00:37:44I hate it. I can tell.
00:37:46It's beautiful. I love it to death.
00:37:49Well, let me tell you something, bucko.
00:37:51You know, it's not easy being stuck over here
00:37:53with nothing to do all day.
00:37:54You know, I'd go crazy if I couldn't go out
00:37:56and do a little shopping now and then.
00:37:58Morgan, it's just that you're going through our money
00:38:00faster than I can make it.
00:38:02Then I suppose my sanity is only worth $50 a week.
00:38:06$50 a week?
00:38:12Or maybe $75.
00:38:14Good old Morgan.
00:38:15Just lock her up in the hotel room
00:38:17and throw away her credit cards.
00:38:18Is that it?
00:38:19Well, I don't have to take that kind of abuse from anybody.
00:38:22You know, I'll wire Daddy for money if I have to.
00:38:25He knows how delicate and sensitive I am.
00:38:27Here, take your gold card and shove it up your wallet.
00:38:31I'll survive somehow.
00:38:32Morgan, it's...
00:38:35Son, I gotta feel it.
00:38:36She's blown the tires off your credit card.
00:38:38Next time, better leave home without it.
00:38:41Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
00:39:11That man says the dream
00:39:16Passion in the dawn
00:39:18Hey, wait a minute, Mr. Fowler, get back!
00:39:20Hey, Larty, you know what? Blood all over that white suit, be a good doggy, eh?
00:39:25Light the world
00:39:28Lighten up our world, so let it shine, let it shine
00:39:31For we are
00:39:33A-A-A-A-A-A-A-A
00:39:35♪ Children of the night dancing to the beat of a different song
00:39:43♪ Children of the night taking to the beat...
00:39:46Excuse me, sir. This is 380 American dollars.
00:39:48No problem. Just put it on my tab and keep it flowing to those guys, okay?
00:39:52Yes, sir. Mr. Kingsley?
00:39:56♪ Oh, I'm looking for you
00:40:00♪ I want your love
00:40:03♪ Come on tonight
00:40:24You know what happened to me last night?
00:40:26What?
00:40:27We were dancing together just like this.
00:40:29So, in this dream of yours, what happens next?
00:40:32Next, I say, hey, let's blow this joint and watch the sunrise.
00:40:37I'd love to, but my father would never allow it.
00:40:41Funny, that's what you said in the dream.
00:40:43And then I said, hey, let's just sneak out the back door.
00:40:46I wish we could, but my body goes whichever move I make.
00:40:50Well, in my dream, this is where I point out to you that your two gorillas are blotto over there in the corner.
00:40:55Ha!
00:40:59♪ I don't care if I'm forever
00:41:04I've never done anything like this before.
00:41:06I have. In my dreams, and believe me, it's worth it.
00:41:14Hey, you don't happen to know where the semester at C Group is, do you?
00:41:18I heard a couple of the guys are in here.
00:41:21The only guy I want is Sean Kingsley.
00:41:25That's me. I'm Sean Kingsley.
00:41:28Listen, gay boy.
00:41:30This 24-barrel champagne is 280,000 rachmans without tip.
00:41:36That's ridiculous. I don't have that kind of money.
00:41:39Well, I hope you have a gold tip.
00:41:42Ah!
00:41:55Hold it a beat longer.
00:41:59And cut. Very nice.
00:42:02Next set-up.
00:42:04Was that good for you?
00:42:05It was fine.
00:42:06Okay, let's get that camera.
00:42:07Yoo-hoo! Scotty! I'm Scotty!
00:42:10Scotty!
00:42:15Morgan.
00:42:16Didn't expect to see you up so early this morning.
00:42:18I woke up feeling cheap as hell.
00:42:21You snuck out of bed like a one-night stand.
00:42:23You didn't even leave me any breakfast money.
00:42:31Cafe au lait, mademoiselle?
00:42:33Thanks.
00:42:50What are you doing?
00:42:52Just practicing.
00:42:55Someday I want to be a director.
00:42:58Stranger things have happened.
00:43:00Really? You think so?
00:43:02Yeah. One or two.
00:43:10Don't I get any lunch money, Daddy?
00:43:17Thank you, darling.
00:43:19A good boy deserves a good kiss.
00:43:21Morgan, not here, okay?
00:43:24Who's that girl over there?
00:43:26You mean you don't know?
00:43:28That's Scott's fiancée.
00:43:30First team, let's go!
00:43:32On the double before we lose this light.
00:43:34Let's man the oars, lads.
00:43:36You're still angry at me from last night, aren't you?
00:43:38No.
00:43:40Then prove it and give Margie back the gold card.
00:43:43Here. You have it all.
00:43:45Are you satisfied?
00:43:46I will be as soon as the stars open!
00:43:50All right, kiddies.
00:43:52This is where you kiss and the two girls come after you.
00:43:55This will be a master. Ready?
00:43:57Okay. Let's pick up where we left off.
00:43:59Just wait until she calls action, okay?
00:44:02Roll sound!
00:44:05Camera!
00:44:10Action!
00:44:19Cut!
00:44:50A woman and man
00:44:52Under the stars above again
00:44:57Back in the air
00:44:59Hearts run free
00:45:01But he's the third and she's with me
00:45:05We're just going through the motions
00:45:08But it doesn't really feel right to me
00:45:12We're not showing our emotions
00:45:16And I'm not going to let you be
00:45:22I tried finding somebody to take your place
00:45:29I can't hide
00:45:31I close my eyes and see your face
00:45:36Back in the air
00:45:38Hearts run free
00:45:40But he's the third and she's with me
00:45:44We're just going through the motions
00:45:47But it doesn't really feel right to me
00:45:51We're not showing our emotions
00:45:55And I'm not going to let you be
00:45:59I'm in the right place
00:46:03With the wrong girl
00:46:06I've got a bad face
00:46:10Baby, you're the only woman I've ever dreamed of
00:46:26We're just going through the motions
00:46:29But it doesn't really feel right to me
00:46:33We're not showing our emotions
00:46:37And I'm not going to let you be
00:47:07It's symbolic. It's symbolic of how much money can be wasted
00:47:10shooting all this Boo McNutt intellectual crap.
00:47:13Now, you get that camera of yours rolling in five minutes
00:47:16or I'm going to start tearing pages out of your script.
00:47:19Scooter Pie, find me some inserts to shoot.
00:47:21Yes, sir. A map.
00:47:34You're welcome, Mrs. Logan.
00:47:36What are you thanking me for?
00:47:38Oh, for blocking my sun.
00:47:40I love sunbathing with no sun.
00:47:42Well, glad to be of help.
00:48:07I should have stayed in pork bellies.
00:48:10Mr. Logan! Mr. Logan!
00:48:18Yes, Dimitri.
00:48:19I brought the mutro you wanted.
00:48:22Mutro, mutro. Did I want a mutro?
00:48:25For kidnap. Bank, bank.
00:48:27Oh, yes, yes. The kidnapper.
00:48:29And we need him for the first scene tomorrow.
00:48:31What have you brought me?
00:48:34Ah.
00:48:36Yeah. Nah, nah, nah, nah.
00:48:39Very good.
00:48:41Very good.
00:48:43Oh!
00:48:45You can do this.
00:48:53Very good. Very good.
00:48:56Very good.
00:48:58Very good.
00:49:00Very good.
00:49:02Very good.
00:49:04As long as the price is right.
00:49:14Find something for me, sugar cookie?
00:49:16I think so. We still need an insert of the chainsaw
00:49:18cutting the surfboard in half.
00:49:20Pull the chainsaw and surfboard from props!
00:49:22Right away, chief.
00:49:24You wait here. I'll be right back,
00:49:26you little ginger snapper, you.
00:49:33Hello.
00:49:35Hi.
00:49:37You know, I know it's none of my business,
00:49:39but I think I should warn you about Sean.
00:49:41Suppose you're going to tell me
00:49:43that he's a liar and a cheat. Is that it?
00:49:45Yeah. How'd you know?
00:49:47I guess it takes a liar to know a liar.
00:49:49Hey, Cleo, what are you talking about?
00:49:51I'm talking about the lies you've been spreading about us.
00:49:53Telling everybody that we slept together.
00:49:55I never said that.
00:49:57There are a lot of things you never said.
00:49:59Hey, congratulations on your engagement.
00:50:01You two deserve each other.
00:50:03Cleo.
00:50:05Cleo, all you have to do is take your gun.
00:50:07You know gun?
00:50:09Gun.
00:50:11And aim at that boy over there and abduct him.
00:50:13Think you can handle that?
00:50:29I'll do whatever you want.
00:50:31If money, good enough.
00:50:33Oh, a tough negotiator, huh?
00:50:53Which side of the port is the Carapaz,
00:50:55the right or the left?
00:50:57The left.
00:50:59The right.
00:51:01Or was it the left?
00:51:07Come on.
00:51:09Smooth and hard.
00:51:11Oh, that's it.
00:51:13Someone told Cleo I was bragging about sleeping with her.
00:51:15Now, who'd do a thing like that?
00:51:17Good, perfect. Now, wait a moment.
00:51:19You start. When you bring the left, bow inside completely.
00:51:21From the beginning. Come on.
00:51:23Good.
00:51:25More, more, more.
00:51:27What? Ten percent of the gross?
00:51:29Oh, come on. For the measly little part of the kidnapper?
00:51:31Outrageous. No.
00:51:35Deca, ten.
00:51:37Ten.
00:51:39He wants ten percent.
00:51:41Of what you make of him
00:51:43is only fair.
00:51:45Oh, I see
00:51:47what you mean.
00:51:49What I make of him, like merchandising,
00:51:51like kidnapper dolls
00:51:53and posters and all that crap.
00:51:55Oh, well, no problem.
00:51:57Why didn't you say so in the first place?
00:52:05He wants to know
00:52:07why you want
00:52:09the boy kidnapped.
00:52:11Why? Oh,
00:52:13he's a method actor, of course,
00:52:15because the boy's
00:52:17father is a billionaire.
00:52:19Billionaire?
00:52:21He's worth a hundred
00:52:23and fifty billion
00:52:25drachmas.
00:52:33So, you want to be a
00:52:35director, my little Twinkie?
00:52:37Make this shot while I go see how the fight
00:52:39scene's coming. Really? You want me to
00:52:41direct this shot?
00:52:47Gee, I don't know what to say.
00:52:49Try saying action.
00:52:51Just because
00:52:53you couldn't get in her pants doesn't mean that
00:52:55I won't. Cleo's not that stupid.
00:52:57Yeah? Just leave your window open tomorrow
00:52:59night. You'll hear us.
00:53:01I'll hear her
00:53:03slap your ugly face.
00:53:05Yeah, with the inside of her
00:53:07thighs.
00:53:11Hey, I told you, distance.
00:53:13Are you okay?
00:53:15Son of a bitch.
00:53:37Sorry, honey buns,
00:53:39it just doesn't look real.
00:53:45Oh, my God.
00:54:15Oh, my God.
00:54:45Oh, my head!
00:54:47Oh!
00:54:49Oh!
00:54:51Oh!
00:54:53Oh!
00:54:55Crook, are you okay?
00:54:57Cut. Bridge.
00:55:15Hey, princess.
00:55:17You look even prettier than I remember you
00:55:19from last summer.
00:55:21And you look even taller.
00:55:23Danny says my pituitary
00:55:25must be wired to the stock market.
00:55:27Each day we're both hitting new highs.
00:55:29Ha, ha, ha.
00:55:35Carlton Ashby, my wife
00:55:37and two young sons.
00:55:39Howdy.
00:55:41Please.
00:55:49Beautiful. Cut.
00:55:51Ah,
00:55:53more dribble.
00:55:55Mr. Logan!
00:55:59Mr. Logan!
00:56:03Mr. Logan, you're wanted on the set.
00:56:05Oh, well, you're wanted
00:56:07on my lap.
00:56:09Oh, how I've missed
00:56:11my milk and cookies.
00:56:13Cut it out, Mr. Logan.
00:56:15It's not right.
00:56:17Oh, but it feels so good.
00:56:19Face it, Mr. Logan.
00:56:21It's reality.
00:56:25God, how I hate reality.
00:56:27Boss.
00:56:29Oh, come out, come out into the light
00:56:31where I can see you.
00:56:33Yes, not bad, not bad.
00:56:35A Don Corleone you will never be,
00:56:37but a Mutro you'll do.
00:56:39Ha, ha, ha.
00:56:43Brucey!
00:56:45I got the kidnapper here.
00:56:47Get his gun and ammo right away,
00:56:49will you? Make it snappy.
00:56:51Right away, Chief.
00:56:53Now,
00:56:55the kids are going to come down the gangplank
00:56:57and you're going to abduct them right here.
00:56:59Good, good. Now, you see the boat over there?
00:57:01Barker.
00:57:03Yes, that's the getaway boat.
00:57:05First time it's ever been done.
00:57:07Fresh idea, no?
00:57:09Yes.
00:57:11Hey, Logan, you're holding up the whole damn company.
00:57:13Bitch.
00:57:15Piece of cake for a Mutro like you.
00:57:17Break a leg.
00:57:19Ha, ha, ha.
00:57:23Here we are.
00:57:25Regular 38, quarter loads.
00:57:27Personally,
00:57:29half loads hurt my ears.
00:57:31Why didn't you tell me
00:57:33you're already equipped?
00:57:35In a .45.
00:57:37I see you're a man who likes big pistols.
00:57:39I know I do.
00:57:49Why ain't it great living on a boat?
00:57:51Now, I find it convenient as hell.
00:57:53No matter how much beer you drink,
00:57:55you only got to go ten steps
00:57:57in any direction to pee.
00:57:59You're always in the water,
00:58:01hell, you can't miss.
00:58:03It's sort of like
00:58:05living in a giant toilet bowl, ain't it?
00:58:07I'd like to propose a merger, princess,
00:58:09between two of the richest
00:58:11multinationals on earth,
00:58:13toi et moi.
00:58:15Oh, John,
00:58:17this is so unexpected.
00:58:19I don't know what to say.
00:58:21In the language of love,
00:58:23words are obsolete.
00:58:25John!
00:58:27Oh.
00:58:29Hey, hillbilly Joe!
00:58:31Walk the plank, man!
00:58:35Hey, outta here, dude!
00:58:39He's a claimant due to a violation
00:58:41of the International Seamen's Code.
00:58:43International Seamen's Code? Get real!
00:58:45Hey, cut it out!
00:58:47Hey, what's this?
00:58:49It's a proper flotation device.
00:58:51What on earth?
00:58:53It's for your own safety.
00:58:55If you're gonna visit the kiddie pool,
00:58:57he has to be wearing these.
00:59:03Snap! Snap!
00:59:05Snappin' a joint, no problem!
00:59:07Hey, Papa!
00:59:09Snagglefire's sick!
00:59:11Had too much to drink!
00:59:13What is it, son? Beatin' a mighty puny?
00:59:15Hell's bells, boy!
00:59:17Don't hold back, go ahead and vomit!
00:59:19What you got?
00:59:21Ah, Snagglefire,
00:59:23you take your brother right back to the boat,
00:59:25you hear?
00:59:27Well, I'll get him pumped for you.
00:59:29Can't hardly hold a pecker,
00:59:31much less their liquor.
00:59:33Hey!
00:59:35Not so fast there, sport!
00:59:37Ah!
00:59:39Good work!
00:59:41Stop or I'll shoot!
00:59:53No, no!
00:59:55No, cut!
00:59:57No, no, no, cut!
00:59:59Cut the camera!
01:00:01Cut it!
01:00:03Ah!
01:00:05They're shooting real bullets!
01:00:07Bullets!
01:00:09Come on, buddy, they call cut.
01:00:11Turn this tug around.
01:00:13Hey, buddy, come on, they call cut!
01:00:19He said to shut up or he'll blow your head off.
01:00:21Thanks, ha-ha, okay, we laughed,
01:00:23the joke's over.
01:00:31Oh, where's my poor Scotty?
01:00:33What are they doing to him?
01:00:35You don't think they're
01:00:37pulling out his fingernails
01:00:39one by one or
01:00:41burning his feet with cigarettes,
01:00:43do you?
01:00:45Oh, what if they chop off his ears?
01:00:47Oh, he'll look so ugly.
01:00:49Holy!
01:00:51Keep his sunglasses on!
01:00:53You seem very, very upset.
01:00:55Why don't I take you up to bed?
01:00:57I can still see it
01:00:59so clearly,
01:01:01the flash of the gun,
01:01:03the hurtling of the bullets towards me.
01:01:05Snap out of it, Leah Zackerly.
01:01:07You know, sometimes reality is so phony.
01:01:09The reality is we have
01:01:11one more day to shoot this turkey
01:01:13and our stars have been shanghaied.
01:01:15Their ransom note just came.
01:01:1750 big ones.
01:01:19$50,000!
01:01:21$50,000, Mr. Logan, $50 million.
01:01:23It says here
01:01:25$50 million in cash.
01:01:27Tonight, we cut off his pipi.
01:01:29Pipi.
01:01:45What's she saying?
01:01:47He's mad at him for bringing home guests
01:01:49without telling her first.
01:01:59Scoop it!
01:02:15Ritz.
01:02:17You, me, Ritz.
01:02:25Ritz.
01:02:29Ritz.
01:02:33I know you.
01:02:35Timmy.
01:02:37Scott
01:02:39Allen Palmer.
01:02:41That's me, right.
01:02:43Right here in the flesh.
01:02:45Well, Scotty,
01:02:47how do you
01:02:49like Green?
01:02:51It's great.
01:02:53I hope I can come back and visit sometime
01:02:55if I make it out of here alive.
01:02:57I, too,
01:02:59am actress.
01:03:01You're an actress?
01:03:03Of course. I should have known.
01:03:05Have I seen your work?
01:03:07You want to see
01:03:09my work?
01:03:11Yeah, sure, sure.
01:03:13We'd love to see your work, wouldn't we, Cleo?
01:03:15Yeah, sure.
01:03:27I'm going to defeat my enemies.
01:03:29Now I'm going to get my revenge.
01:03:33But I'm dying,
01:03:35and I'm crying
01:03:37for what I'm going to do next.
01:03:39Because I'm going to kill
01:03:41my own hands,
01:03:43my own children.
01:03:57What the hell was that?
01:03:59It's Metea from Euripides.
01:04:01Oh.
01:04:03A woman like
01:04:05me can only take so much.
01:04:07I need to be
01:04:09held. I need to be touched
01:04:11like a woman, not like a cow.
01:04:13Make love
01:04:15to me now, here on the
01:04:17floor by the fire,
01:04:19or else, or else I'll
01:04:21kill myself with this little dagger.
01:04:23Yeah!
01:04:25Yeah, very nice!
01:04:29What was that, Mormedea?
01:04:31I think it was Sue Ellen from Dallas.
01:04:35Now that I have bared
01:04:37my naked soul to you,
01:04:39you must give me something I want very badly.
01:04:45Your autograph?
01:05:01Getting pretty quiet over there, princess.
01:05:03Don't call me that, okay?
01:05:05This whole thing has been nothing but drags.
01:05:07These shoes are killing me.
01:05:09I...
01:05:11Oh, God.
01:05:13I can't go on.
01:05:15Come on, up and at them.
01:05:17Oh, Scott, I can't.
01:05:19I can't walk with shoes. I can't walk without them.
01:05:21Sing?
01:05:23Sing? Sure, a little bit.
01:05:25Why?
01:05:27Just to pass the time.
01:05:29Come on. One, two,
01:05:31three.
01:05:51¶¶
01:06:11Morgan?
01:06:15Morgie?
01:06:21Morgie, dude, you're back!
01:06:23God, man, it's been a killer night.
01:06:25We didn't know whether we'd ever see you again.
01:06:27It's been quite an evening.
01:06:29Look, I'll tell you about it later.
01:06:31I've been looking for Morgan. Have you seen her?
01:06:33Oh, no, man. Not since last night.
01:06:35Who's that hiding in your bed?
01:06:37Olly olly oxen free.
01:06:39All right, guys. Later.
01:06:43Well, as I live and breathe.
01:06:45Hey, Carlton, have you seen Morgan around?
01:06:47No, son. I can't say that I have.
01:06:49Mrs. Logan, hi.
01:06:51So you made it back in one piece.
01:06:53Well, I guess I could go
01:06:55and try to rouse the old goat
01:06:57and tell him the good news.
01:06:59The old goat?
01:07:01Logan put the lights out last night
01:07:03with a couple of reds,
01:07:05and nature just sort of took its own course.
01:07:07Just like in the movies.
01:07:11Son, there's a familiar
01:07:13tinkle to that laugh.
01:07:15Oh!
01:07:25So, darling, did you miss me while I was gone?
01:07:27Where am I?
01:07:29Who are you?
01:07:31How did I get in here?
01:07:33Scott, I think
01:07:35I must have amnesia.
01:07:37Somebody must have drugged me or something.
01:07:39Morgie, love, you're in bed with another man.
01:07:41This is a little awkward.
01:07:43I don't know what to say,
01:07:45except thank you both.
01:07:47Scott, what are you doing?
01:07:49Repossessing
01:07:51my little piece of the rock.
01:07:53Scott, no!
01:07:55By the way, you guys
01:07:57look great together.
01:07:59Scotty, wait!
01:08:01Come back, Scotty!
01:08:03One last thing.
01:08:05I'm calling the police and reporting the gold card stolen.
01:08:07Nighty-night.
01:08:09The gold card?
01:08:13Stop it!
01:08:39Beautiful! Cut!
01:08:41Camera inside for the love scene.
01:08:43On the double!
01:08:45Okay, everybody, that's it.
01:08:47We got a half an hour for the kiss-kiss-push-push scene.
01:08:49Then on to the airport
01:08:51and the great civil revert.
01:09:01You ready for this?
01:09:03Hardly.
01:09:05I've never taken off my clothes in public before,
01:09:07much less in front of a camera.
01:09:11Now, who are those guys?
01:09:15Hey, Logan, come here.
01:09:17Yes, Scott, what is it?
01:09:19What are those clowns
01:09:21doing over there?
01:09:23Clowns? Oh, no, no, no.
01:09:25Those are not clowns, Scott.
01:09:27Those are our dear, dear investors.
01:09:29They just drop by to watch a little filming,
01:09:31see their money at work, so to speak.
01:09:33Well, uh, kindly give them
01:09:35this message from the actors.
01:09:37Oh, certainly, Scott.
01:09:39We're not doing the scene.
01:09:43Come on, boys, time for a drink.
01:09:45But, Mr. Logan, I'm an actor.
01:09:47I belong on the set.
01:09:49I got something for you.
01:09:53Scott, I can't take this.
01:09:55I can't take it back.
01:09:59Okay, honey pies,
01:10:01I know you're both a little nervous, but so am I.
01:10:03Listen, in this scene,
01:10:05you finally admit to yourself that you're in love
01:10:07with Scotty the man, no matter what your father
01:10:09or anybody else has to say about it.
01:10:11I think I can relate to that.
01:10:13Good, good. Let's go for a take.
01:10:17Uh, 43, shot 100,
01:10:19uh, uh, uh, do-do.
01:10:21Uh, take one.
01:10:37So, how's my baby doing?
01:10:39She's doing great.
01:10:41She's doing her big love scene right now.
01:10:43What love scene?
01:10:45The one with Scott, the one where they
01:10:47bang like bunnies.
01:10:49As long as she didn't
01:10:51have to take off her clothes.
01:10:53Oh, I see.
01:10:55I see.
01:10:57I see.
01:10:59I see.
01:11:01I see.
01:11:03I see.
01:11:05She didn't have to take off her clothes.
01:11:07Oh, but she did.
01:11:09The producer had her stripped
01:11:11in front of all those animals on the crew.
01:11:13I mean, it was very humiliating.
01:11:15She was crying.
01:11:19That's showbiz.
01:11:35Showbiz!
01:11:37Showbiz!
01:11:39Showbiz!
01:11:41Showbiz!
01:11:43Showbiz!
01:11:45Showbiz!
01:11:47Showbiz!
01:11:49Showbiz!
01:11:51Showbiz!
01:11:53Showbiz!
01:11:55Showbiz!
01:11:57Showbiz!
01:11:59Showbiz!
01:12:01Showbiz!
01:12:03Showbiz!
01:12:05Showbiz!
01:12:07Showbiz!
01:12:09Showbiz!
01:12:11Showbiz!
01:12:13Showbiz!
01:12:15Showbiz!
01:12:17Showbiz!
01:12:19Showbiz!
01:12:21Showbiz!
01:12:23Showbiz!
01:12:25Showbiz!
01:12:27Showbiz!
01:12:29Showbiz!
01:12:31Showbiz!
01:12:33Hey, bud.
01:12:35Hey, how you doing?
01:12:37Want me to save you a seat on the plane?
01:12:39I'm not going to make it.
01:12:41I got another scene to shoot.
01:12:43Well, if you don't, I guess I'll catch you back in La La Land.
01:12:45Cleo, it was great meeting you.
01:12:47I hope you come to L.A. sometime.
01:12:49Maybe I will.
01:12:51Sometime.
01:12:53The sooner the better.
01:12:55See you later.
01:12:57Ciao.
01:12:59Ah!
01:13:01What is this? 12,000 drachmas to the government?
01:13:03Cleo's passport and visa.
01:13:05What the hell did you do?
01:13:07Buy a real passport and real visa?
01:13:09Don't look at me.
01:13:11Oh, you stupid swisher.
01:13:13Do you do everything people tell you?
01:13:15If I told you to punch me in the nose, would you do it?
01:13:17Hold, please.
01:13:19The swish is my command.
01:13:23Scott!
01:13:25Scott!
01:13:27Scott!
01:13:29Oh, Scott!
01:13:33I thought you were going to leave without me.
01:13:35That's the plan.
01:13:37Oh, I know Morgie's been bad.
01:13:39But life just swept me off my feet
01:13:41and galloped away with me.
01:13:43But you don't know what happened.
01:13:45You see, I've been dumped in the dirt.
01:13:47Oh, Scott, Morgie needs you, honey.
01:13:49It's too late for that.
01:13:51Is it too late for Dr. Dan?
01:13:53Wouldn't Dr. Dan like to make a house call?
01:13:58Scott and Cleo, get your butts out here.
01:14:00We're ready to shoot.
01:14:02Scott, no, no, no, no.
01:14:04Please forgive me. Please, Scott.
01:14:06At least give me my plane ticket home.
01:14:28Caught in the act, you over-sexed, spiky-haired little punk rocker.
01:14:33What's your problem, Logan? We were just saying goodbye.
01:14:35Goodbye? Goodbye?
01:14:37You're massaging her tonsils with your tongue.
01:14:39You call that goodbye?
01:14:41Oh, no, you're fired.
01:14:43Off, off my set.
01:14:45You can't fire me. I'm done working.
01:14:47Besides, this is not your set.
01:14:49This is the airport.
01:14:51Oh, perfidious slut.
01:14:53You're history, too.
01:14:55Off my set. You're fired.
01:14:57Myopic little ditzoid.
01:14:59What did you call her?
01:15:01I called her a myopic little ditzoid.
01:15:03You want to make something of it?
01:15:07Let's just discuss it, Logan, okay?
01:15:09Okay.
01:15:13Let's go! Faster!
01:15:15Let's go!
01:15:27Okay, cutie pies, this is your dash to freedom.
01:15:29On action, I want you to start running towards that plane.
01:15:31Now, the grillers are going to be coming from right behind,
01:15:33so you're going to have to haul ass.
01:15:45Wait for me!
01:15:49Wait for me!
01:16:05Roll sound.
01:16:07Camera. Action!
01:16:15Action!
01:16:31You idiot! Get back here!
01:16:33You're going in the wrong plane!
01:16:41Get back here!
01:16:43Get back here!
01:16:51Stop! Stop!
01:17:01Hurry up!
01:17:07What are we doing?
01:17:09You love me.
01:17:13Excuse me.
01:17:15Excuse me.
01:17:17There seems to be a problem here.
01:17:27I'll see your ticket.
01:17:31Two tickets.
01:17:33And our two passports.
01:17:39Everything seems to be in order.
01:17:43Stop! Stop!
01:17:45Stop!
01:17:47Stop!
01:17:53No!
01:17:55Your history!
01:17:57You'll never work in this town again!
01:17:59You lice!
01:18:01You bums!
01:18:03You rummies!
01:18:05You bunghole sippers!
01:18:07Quit whining, Logan. It's just a dumb movie.
01:18:09Dumb movie?
01:18:11Come here.
01:18:13Dumb movie.
01:18:41Dumb movie.
01:18:43Dumb movie.
01:18:45Dumb movie.
01:18:47Dumb movie.
01:18:49Dumb movie.
01:18:51Dumb movie.
01:18:53Dumb movie.
01:18:55Dumb movie.
01:18:57Dumb movie.