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00:00So at first, your idea was to stay longer in America?
00:06That's right, but when we received the news of the sudden death of the Duchess's mother, we had to return.
00:14What a shame.
00:15It is a law of life that children bury their parents, and not the other way around.
00:23It is a reason for greater strength to return, of course.
00:27Yes, of course, although unfortunately the Duchess did not make it in time for the funeral of her late mother.
00:32Normal, America is at the other end of the world.
00:36And yet she had to take care of all the management of the inheritance, what a drag for her.
00:45By the way, Mrs. Arcos, congratulations on your promotion.
00:51You have finally managed to be the key master of the promise, as I so longed for.
00:56Yes.
01:01It's the lady's doorbell.
01:04I'm going.
01:12Be careful, Mrs. Arcos.
01:14I'm sorry, Santa, I was distracted.
01:17You look suffocated. Is something wrong?
01:20No, nothing.
01:24Who is it?
01:27Do you remember, Teresa? The one who was going to be my future wife.
01:35And the man?
01:37Marcelo, her current husband.
01:51What do you mean you have been offered a job on the street in another palace?
01:56Maria, you already know that I am happy in the promise and that my intention has never been to leave.
02:01You're scaring me.
02:03I promise you that I have not moved a finger.
02:05But the Mayor of the County of Matesán has sent me a letter offering me the position of First Lady.
02:10First Lady?
02:12Yes, it would be a unique opportunity because, well, I would charge twice what I am charging here.
02:18I would charge twice what I am charging here.
02:22So are you seriously thinking of leaving?
02:25No, no, I'm not thinking of anything.
02:28In fact, I wanted to talk to you first to see what you think.
02:33And well, and when did they tell you? Since when do you know?
02:39Well, a while ago, but my answer was taking too long.
02:45Why didn't you tell me before?
02:48Because I didn't dare.
02:50And if you dared to launch the wedding plans, knowing that you were going to leave?
02:56Is this a way of telling me that you don't want to marry me, Salvador?
02:59No, no, Maria. Of course not.
03:02Of course I want to. In fact, I love you.
03:05I love you and I will love you even if you are a servant, a blacksmith or a marquis.
03:09So what were you waiting for, huh? To tell me about the job offer?
03:12Well, I don't know. I guess I was waiting for us to get married.
03:18Because once married, it would be easier to make a decision.
03:21Or I wouldn't even have to make any decision.
03:23What do you mean?
03:25Well, after the wedding, you would like to keep the promise.
03:27And I would have no choice but to stay with you.
03:31So you're afraid to make the decision and you make me responsible, right?
03:35It's not that, Maria. But I insist that once married, there would be nothing ...
03:39And let it be the last time, Salvador, that you use me as an excuse.
03:45You're right. Sorry.
03:49Anyway, that's it. The dilemma is over.
03:54I have decided. I want to stay with you wherever you are.
03:57No, Salvador. I'm not telling you that.
04:00You have asked me for my opinion and I believe that ...
04:03That job offer is unique.
04:06But that I'm going to charge double doesn't seem like a piece of cake to me.
04:13So what do I do?
04:15Well, I can't answer that, Salvador.
04:18You have to think about that calmly and with a cool head.
04:22And take a few days to answer the count of Matesán.
04:25This is not decided in two days.
04:31Good afternoon.
04:33Hello. Hello, Hanna.
04:36Well, I'm leaving. I have a lot of homework to do.
04:46Don't tell me you've argued.
04:53Well, let's see. I'll be back at another time when there is not so much traffic.
04:57Yes, because you have left almost all the service without saying goodbye.
05:00And I assure you that I will stay as long as I want, but we are in a bit of a hurry.
05:05And besides, I also wanted to convey my condolences to all of you for Mrs. Pía's death.
05:11Maria Fernández told me.
05:13Maria Fernández told me in one of her letters.
05:16It was a very hard blow.
05:19I know that kind of blows perfectly well.
05:21They leave you breathless and unwilling to live.
05:24But there is no choice but to raise your head and move forward.
05:29And that is what we try to do little by little.
05:32But its loss is irreplaceable.
05:36Well, luckily this gets better being in the family.
05:40That, of course. And you know that here we support each other.
05:45All this becomes easier being close to the people who love you.
05:49Well, tell the family that I threaten to return.
05:53I'm sure they are looking forward to you fulfilling that threat soon.
05:56Thank you, Vera.
06:11Let's see, do they paint the house in bald?
06:14Well, as if they paint it hazy.
06:18The point is that it cannot be denied that this job offer is a candy for Salvador.
06:22I see. And that he deserves to be promoted to the position of first in the street.
06:26And the rooms, Ana, the rooms. That they are going to pay him twice as much.
06:31And that is not a bad thing to start a new life.
06:34Well, in case he doesn't.
06:37What happens is that not everything is going to be good.
06:40That if he accepts that job offer, we are going to have to separate.
06:45Well, but they also offered you one like that and you rejected it.
06:48Well, it wasn't like that. It wasn't like that.
06:52María, you had the opportunity to be the personal maid of the Duchess of Abrontes.
06:57And you decided to give the position to Teresa.
06:59Well, but because Teresa was having a bad time and she needed to breathe fresh air.
07:04And I know and I understand, but for you ...
07:07Well, Ana, that's over. And it's over. It's over.
07:11María, you can't tell me that it's over.
07:13Because it was a very good opportunity for you.
07:15And you rejected it for staying here with Salvador.
07:18Well, now it will be the same.
07:20We will take advantage of the time we have free to see each other.
07:23Let's see, the same is not the same, María.
07:25But in the end you would stay here with the position and ...
07:29And Salvador would go to improve his job position.
07:34Ana, it's just that I like to be in the promise.
07:38I like to be with everything.
07:40And with you.
07:44Well, then I won't be the one to complain about you staying.
07:48And Salvador wants to stay.
07:52Or he wants to leave.
07:54You don't know either.
07:55I don't know.
07:57Well, that's the first thing you have to know, María.
08:01Anyway, I'm going to go up to Miss Martina.
08:06She told me that she wants to have a drink before going to the snack.
08:10From the Duchess of Cerezuelos.
08:12So ...
08:30He is a very dangerous man, sir.
08:33I don't think it's a good idea to meet with him, right?
08:36You know what the saying goes,
08:38whoever seeks danger will perish in it.
08:40Yeah.
08:42Besides, just as that man wears out,
08:44I don't think he's going to respect his authority.
08:46That man is obsessed with Mrs. Adarre.
08:49Neither nothing nor anyone is going to make him look good.
08:55Okay, we rule out the idea of meeting with him.
08:57He doesn't know the weight I take off.
08:59But sir, there seems to be something we have to do with Mrs. Pía.
09:02We can't leave Ramona's cabin forever.
09:04Of course not.
09:05But it's better not to rush.
09:07There is no need to make false moves.
09:09I know.
09:11The hurry is not a good advisor.
09:13And neither are good advisors fear and panic.
09:17You have to weigh everything very well before taking the next step.
09:21Besides, Mrs. Adarre hasn't been in that cabin for so long.
09:25The situation is not as desperate as when she was in the cave.
09:29Yes, you're right about that. It's not that hostile.
09:32And it's spacious and more comfortable.
09:34But she can't even go outside.
09:36It's an imprudence.
09:38Of course.
09:39For the moment, and to avoid further confusion,
09:41we will do what we have discussed.
09:44We will make sure that Mrs. Adarre
09:46is accompanied as long as possible.
09:49Loneliness can be very cruel.
09:52The most important thing, like food, is to keep a high spirit.
09:55I think it's good. I think we both agree on that.
09:58First of all, we must prevent Mrs. Adarre from fainting
10:01and making the foolishness of leaving the cabin.
10:05Honestly, I highly doubt you will.
10:07If there is anyone feared by that man, it is Mrs. Pía.
10:10And she is fully aware that both her safety and that of her son
10:14depend on the fact that that man does not find her.
10:16Well, we will keep the plan that we had in mind.
10:18We will ask that Mrs. Expósito and Mrs. Fernández
10:20visit her as often as possible.
10:23And in the event of any news, please ...
10:25Don't worry, we will keep you informed immediately.
10:34Well, thank you very much, Curro.
10:37Because without your mediation,
10:39I don't know if Martín would have agreed to go to the lunch
10:41of the Duchess of Cerezunos.
10:43I am the first surprised that Martín has listened to me.
10:46Don't be silly, because you have a lot of influence over my daughter.
10:49She always listens to you.
10:51Yes, but I assure you that much less than I would like.
10:54Well, my daughter has the character she has.
10:56She is independent and stubborn, so we can't ask her to go to Salón Mojo.
11:00And that is part of her charm, right?
11:02Yes, I think it will be very good for her to go to that lunch
11:05and socialize with girls her age and her social class.
11:08Yes, I think so too.
11:09Once the initial laziness is overcome,
11:11I am sure she will have a lot of fun at that event.
11:14Yes, she deserved a little fun.
11:16I know she has had a very bad time with all this.
11:21The car is ready to take Miss Martina.
11:24Wait, it's not ready yet.
11:26It's true that my daughter is taking a long time.
11:28I think I'm going to go get her.
11:29No, no need. I'm already here.
11:31Please, dear.
11:33You are beautiful.
11:36And those earrings enhance the beauty of your eyes much more.
11:40Yes, the truth is that you have left me speechless.
11:43I think that's a good sign.
11:45Yes, yes.
11:46It's just that I don't know what else to add to what your mother said.
11:50But beautiful is short.
11:53I subscribe to all comments.
11:56You are breathtaking.
12:00Well, I'll go with you.
12:03And I hope you have a great time at that event.
12:06With the best predisposition.
12:10You don't sound credible.
12:12Have you noticed the tongue?
12:14Those words are on my side.
12:16The truth is, if you don't feel well,
12:18you will play to be a very loving father.
12:43Has Teresa really returned?
12:45And she didn't come to see us?
12:47She was in a hurry.
12:49The other day we were talking about her.
12:51We hadn't heard from her for a long time.
12:53But I used to do it in the Americas.
12:55Apparently, the mother of the Duchess of Abrantes passed away
12:57and they had to rush back to Spain.
12:59The park?
13:00Strange and inopportune, as always.
13:02How are you, Vera?
13:03How did you see Teresa?
13:05Just as beautiful and resolute.
13:07Or even more.
13:08But don't worry, because you will be able to see her yourselves.
13:11She promised she would be back soon.
13:13I hope so, because I'm dying to see her.
13:15Yes, I also want to give her a good kiss.
13:18Well, you will see her.
13:19You will see her.
13:20Well, she and her companion.
13:26Her companion?
13:28She didn't come alone?
13:31Well, she came with her husband.
13:34Marcelo, I think he said his name was.
13:38Is Teresa married now?
13:41How do you hear, Mrs. Candela?
13:43In fact, that's why she stopped working at the house of the Duchess of Abrantes.
13:47Because she was married and she couldn't continue working in that palace anymore.
13:50Well, what an absurd rule.
13:52Candela, every palace has its rules.
13:55That's true.
13:56Because here we also have every rule.
13:59Vera, and ...
14:01How is that Marcelo?
14:06Did you put it on? Is it well applied?
14:09Well, I didn't have time to look at it much, but ...
14:12I don't know, the man barely opened his mouth.
14:14But I can assure you something, and that is that he is shy.
14:17That's for sure.
14:18He told me to be discreet, and not a big mouth.
14:21Look who's talking.
14:22The one who doesn't even shut up under the water.
14:25If I do it for you, so that you don't get bored.
14:28Because then, if I shut up, I'll be six times less of Miss Carrillo, huh?
14:31That's also true.
14:33So this Marcelo met Teresa at the Duchess's house.
14:37But was he another member of the service?
14:39No.
14:40He was a waiter in a nearby inn.
14:42And they met shortly after Teresa arrived at that house.
14:46I think he was in charge of taking the wine-growers to that palace.
14:49And little by little, he started to show affection.
14:52That's right.
14:53In fact, they were already in a relationship before Teresa left for the United States.
14:57And on the way back, they got married.
14:59It is known that he missed her on that trip.
15:02That's known, yes.
15:03So it's love of the good.
15:08The truth is that Teresa deserves to be happy.
15:10Well, yes, huh?
15:11The girl has suffered enough.
15:13Feliciano's death put her life on the line.
15:18This only means that Teresa has managed to make her life again.
15:22Yes, but ... I don't know, so ... so fast.
15:26I suppose that now Mario András is not going to be pleased
15:30that Teresa has barely kept a grudge against him.
15:34You'll see when he finds out.
15:35Barder, Troya.
15:36No, no, yes.
15:37Mrs. Arcos has already found out.
15:39And?
15:41Didn't she scream in heaven?
15:43She didn't scream anywhere because she stayed rigid like a statue.
15:47She hasn't reacted yet.
15:48Yes.
15:49Maybe that's it.
15:50She called Mrs. Marquesa and left to attend to her.
15:53I see that Mario András still has a lot to say about this matter.
15:59Maybe he feels it as a betrayal to his son Feliciano.
16:02And is it that Teresa has no right to redo her life and try to be happy?
16:10You're right, Candela.
16:12Life is very short, Simona.
16:15THE END
16:26Well, I hope Martina has a great time at that dinner.
16:31Are you sure?
16:33In part, I feel responsible. I was the one who convinced her.
16:38And Martina hasn't left this palace for a long time.
16:42By her own will, I mean.
16:44Why don't you worry a little?
16:46I'm sure she hasn't forgotten to have fun.
16:50Yes.
16:51You never forget that, do you?
16:54Well, no.
17:02Why are you laughing so much?
17:03Because you smiled first.
17:05Yeah, but not in such an enigmatic way.
17:08What's this about?
17:11Well, nothing, I just want to see how you worry about the young lady.
17:16Well, the normal thing, right?
17:19The normal thing.
17:20Do you think it's normal how you were looking at her?
17:23That your eyes betray you, right?
17:25Let's see, Hanna, what do you mean by all this?
17:28Well, I want to tell you that I think you're still in love with her.
17:32Or not?
17:36Well, yes. Yes, I'm still in love.
17:39Yeah.
17:40And I thought that love was buried and more than buried.
17:43And I thought so too, but at first glance, it's not.
17:46No, no, it's amazing to see how love resists death.
17:49That when you try to cut a plant, then there is an outbreak that makes it reborn.
17:53No, no, don't get poetic here, no.
17:56Well, then what?
17:58What are you going to do with all this?
18:00Well, assume my feelings.
18:03What else can I do?
18:05Are you going to share them with her?
18:07Well, I already told her something when we escaped from the asylum.
18:11Curro, this is not about live broadcasts or media.
18:14It's about speaking clearly.
18:16I know.
18:17But you haven't done it, have you?
18:19Well, we haven't had time to go deeper, but everything will work out.
18:24To make a path, first you have to take the first step.
18:27I know, Hanna.
18:29But we have to go calmly.
18:31Martín has suffered a lot and first he has to heal his wounds.
18:35I don't want to pressure her or talk to her about love.
18:40I see.
18:42If it's enough for you.
18:45Yes.
18:47I think so, for now.
18:50I prefer to settle for that than to lose everything.
19:04A year later.
19:14I have spoken to my sisters and they are excited about our next wedding.
19:18So much so that the eldest, Angel Ines, will be the one who accompanies you to the altar.
19:21And for me it will be an honor and a pride.
19:24And you, Margarita, do you already have a godfather?
19:27Well, I would love it if he were one of my children, but living so far away, I don't know if it will be possible.
19:31And the truth is that Canada is not exactly around the corner.
19:34Well, there is still a lot of time for them to get organized.
19:37I trust that they will be able to come.
19:39I hope so.
19:41I'm sure they will be delighted to travel half the world just to see your happy face.
19:48And have you already thought what dress you are going to wear, sister-in-law?
19:52Well, I have nothing decided, really.
19:54I hope you choose one in cream tones, not white.
19:59And why is that?
20:01Well, white traditionally symbolizes purity.
20:07Well, it is clear that it will be a simple dress.
20:10A simple dress for a simple wedding.
20:13That's what Catalina said.
20:15By the way, she still hasn't given any news.
20:21In any case, the truth is that you make a lovely couple.
20:27There is nothing more to see than the samples of affection that you dedicate to each other.
20:31For me, you are a reference of love.
20:34Well, don't exaggerate, Cruz. I mean it.
20:39The respect and trust that you profess are admirable.
20:43I hope they last for the rest of your lives.
20:46Although I do not deny that it is a very complicated company.
20:49I would say, almost impossible.
20:52Fill me the glass, please.
20:56Me too.
20:57But you have to insist.
21:00You have to fight for an eternal love.
21:03Despite the fact that all of us here know that eternity is actually a chimera.
21:12Anyway, I insist that I am worried.
21:15Without knowing Catalina's whereabouts.
21:17Without knowing Catalina's whereabouts.
21:19I'm sure that at this point, she has already become the food of the whole region.
21:24And why would she be, mother?
21:27She is with the Count of Añil.
21:29Yes, we all know that.
21:31And don't you think it's enough juicy gossip for them to gossip about it?
21:36No.
21:37But that's because I think that not everyone is as reprehensible as you think.
21:41Manuel, please don't be naive.
21:43Those harpies enjoy taking out our dirty rags and making us fall from a donkey.
21:50But well, it seems that I am the only one who cares about Catalina.
21:54Mother, she had many issues to deal with with Pelayo.
21:57And they will surely be in her.
21:59I hope so.
22:01I hope something hasn't happened to her and she's not with the Count of Añil.
22:08Where does she want to go?
22:10Nowhere.
22:11I just look at all the possibilities and I worry.
22:16What if she is badly injured?
22:18Lying in a ditch on a road.
22:20Would she care to make such macabre delusions?
22:22Very well.
22:23If none of you care about Catalina, I don't.
22:27More wine.
22:36But how does Mr. Manuel want to talk to Gregorio's criminal?
22:40I thought that with the authority given to him by the future marquis of Lujan,
22:43that man would want to listen to him.
22:45Well, he won't because that man is obsessed with Mrs. Pia.
22:48And all he wants is to hurt her.
22:50But calm down, calm down.
22:52I've already told you.
22:54Well, Manuel ...
22:57Don't worry, Miss Expósito.
22:59Don Manuel is not going to expose himself to danger.
23:04Well, then what's going to happen to Mrs. Pia?
23:06Is she going to stay in that cabin forever?
23:08At the moment, yes. Indefinitely.
23:10I know it's not a good idea, but until we find a solution that convinces us more.
23:15Well, when you find yourself in a dead end,
23:17what you have to do is rumble with everything in front of you.
23:19I know you don't have to back down, but hey.
23:21Things have to be done with common sense and without haste.
23:25Yes, but we can't stay hunting flies for much longer.
23:29Mrs. Pia is having a hard time.
23:31We moved the cave to the cabin, but it was an improvement.
23:35Yes, that was an improvement, but that doesn't mean that little by little,
23:38Mrs. Pia can lose her mind.
23:40And honestly, I wouldn't be surprised either.
23:42That being locked up and unable to go out, and on top of that, thinking about her son all day ...
23:46And then, with the lack of experience that man has, if he is careless, he can take her ahead.
23:51Well, you don't have to repeat it to me.
23:53I know that Mrs. Adarre's spirit breaks every day.
23:57And that is why, in order to maintain her morale, her visits have been increased.
24:01Of course, it is better that sorrows accompany.
24:04Well, that way, at least, we can entertain her and cheer her up.
24:07That's why I'm unique, that I prepare a succession of jokes and events,
24:12and until she doesn't smile, I don't stop.
24:14Well, Pia can go preparing a few jokes,
24:17because tomorrow, at the first hour, you will go to the cabin.
24:20But ...
24:21No, don't worry, I'll take care of justifying your absence before Mrs. Alcorza.
24:26Well, don't talk to me anymore.
24:28Yes, but make sure no one follows you.
24:31Absolutely no one.
24:33Be careful, Mr. Baeza.
24:34All precautions are few.
24:36And we know how that man mocked the surveillance and entered Octavillas in the palace,
24:40and even Mrs. Adarre herself arrived.
24:42That man is a ghost.
24:44Be careful.
24:45And just in case, I'll take a big stone, and if a suspect approaches, I'll hit him in the knee.
24:49Well, you don't have to rush.
24:51Well, that's why I'm going up to get the stone.
24:53And I'll only use it in self-defense.
25:00Father, bread is a first-need item.
25:02You can't afford to raise the price in such a disorbited way.
25:05War has shot the cost of flour.
25:08Even so, I think the government should do something.
25:12And you know what?
25:13I think it's good that the Minister of Government has acted at the instances of President Dato.
25:18It seems that in the end they have reached an agreement with the merchants to regulate the price.
25:21Well, very good.
25:23But of course, some taonas have tried to take advantage and deceive their customers by reducing the weight of the bread.
25:29Honestly, I don't know what they call a pickaxe, which is literally stealing.
25:33I see.
25:36Luckily, in La Promesa we don't have to worry about those matters,
25:39as we make our own bread.
25:41Yes.
25:45Father, are you okay?
25:48I notice you're absent.
25:50Yes, yes, I'm fine.
25:52Just a little tired, nothing more.
25:54Sure.
26:00I wouldn't like to get involved in your marital affairs,
26:04but can I ask you if things are going well with my mother?
26:08If I'm honest with you, I don't know.
26:13You're right, she's a bit stubborn at dinner.
26:16And I've noticed some of her indirects.
26:19Your mother is not very subtle.
26:21No.
26:23And we've all suffered her arrogance at some point.
26:29And could I ask you what was the reason for the argument this time?
26:33Well, we haven't really argued about anything.
26:37So what?
26:38She's mad at me, and she hasn't even explained the reason to me.
26:41Have you asked her?
26:42Of course, many times.
26:44But nothing.
26:46And I don't know what to do anymore, son.
26:51You know...
26:53Actually, I think I'm the cause of her anger.
26:58I don't understand.
27:01We were going to a jewellery conference together, and I told her off.
27:04And she didn't like it?
27:06Yes.
27:07She threw a tantrum, but with good reason.
27:09I promised to go with her, and I couldn't keep my promise.
27:11But you apologized.
27:12Yes, I did.
27:15But I really doubt that I managed to appease her.
27:18And something tells me she's paying for her frustration with you.
27:23I don't know.
27:25I'm not sure.
27:27Well, I'll still try to mediate.
27:30It won't work.
27:32Let me at least try.
27:34I'll talk to her, and even if I have to, I'll try not to kick her out because she's mad at you.
27:39Well, thanks for the goodwill.
27:43But I'm going to retire.
27:47Do it, father. Rest and try to put this matter aside.
27:50At least for a few hours.
27:51I hope so.
27:53Because as I told you, I'm exhausted.
27:57Good night.
27:59Good night.
28:22I'm busy.
28:24I'll be back later, whoever you are.
28:29Didn't you hear me?
28:31These are not hours.
28:46If she's locked up here, it's because something's happening to her.
28:49I'm perfectly fine.
28:53I'm getting to know her.
28:55She doesn't have to pretend with me.
28:59Since I met you this afternoon, I know something's happening to her.
29:03It's because of Teresa's arrival, isn't it?
29:07Seeing Feliciano's fiancée...
29:11You've moved her inside.
29:22Yes.
29:27I know you asked me not to mention your son.
29:30Well, I see what you're doing to me.
29:33Because I can understand how you feel, Mrs. Arcos.
29:38Your son's death blinded your life from the beginning.
29:42And yet, to see that other people's lives continue as if nothing happened...
29:48When Teresa told me that the man accompanying her was her husband,
29:52I was shocked.
29:55That woman swore eternal love to my son.
29:59And he loved her madly.
30:01They had plans for the future.
30:04They wanted to spend their lives together until the end of their days.
30:09But your son's life ended too soon.
30:14How?
30:17How could she forget him?
30:19How could she marry another man like that?
30:21In such a short time, as if nothing happened.
30:27And I have nothing against that boy.
30:31But seeing him together...
30:38Making him live all the pain...
30:41And seeing him take my son's place breaks my heart.
30:43It breaks my heart.
30:46You've taken him from me.
30:53It's normal.
30:57It's not your fault. He's your mother.
31:00And he has every right in the world to feel that way.
31:05Thank you, Santos.
31:07You know you can talk to me when you need me.
31:14It's nice to be heard.
31:19I feel very alone in this palace.
31:23I know, Mrs. Arcos.
31:26I know.
31:32I know.
31:36I know.
31:52María.
31:54You have no idea how much my feet hurt.
31:56I have no strength left.
31:58Did they want you for a snack or for a dance?
32:00I thought they were going to have us sitting and drinking tea.
32:02And in the end, the Duchess of Cerezuelos wanted us to go around the garden
32:06because she said it was a good time.
32:08Well, that's fine. It's been a breath of fresh air.
32:11Yes, well...
32:13You're already here?
32:15Yes.
32:17Well, have there been many young people at the snack?
32:20Quite a few.
32:22And have you made friends?
32:24And your grandmother's earrings?
32:26In the bag that bothered me a bit and I've kept them.
32:29Well, I want to know everything.
32:30Let's see, what did they give you for a snack?
32:32Well, everything.
32:34And everything was delicious, really.
32:36The only thing is that they served it to us in the garden,
32:38so I chose the shoes wrong.
32:40Well, elegance and comfort don't always go hand in hand.
32:43So, did you have a good time?
32:45A lot.
32:47You don't know how happy I am, daughter.
32:49Some of the faces were familiar,
32:51but the vast majority were new young people
32:53and all of them seemed very nice to me.
32:55Well, they would belong to large families in Spain, I'm sure.
32:58Do you remember any last name?
33:01Well, no.
33:03But judging by the dresses they wore,
33:05I can assure you that they belonged to high-class families.
33:08Well, like you, daughter.
33:12Thank you for encouraging me to go.
33:14I admit that I wasn't very excited,
33:16but I felt great.
33:18Well, you were a bit of leisure and fun.
33:21Well, yes.
33:23And more than I thought.
33:25In fact, even the Duchess of Cerezuelos seemed lovely to me.
33:28Well, that does surprise me.
33:30Because that woman is the most delicate, come on.
33:33Yes, but I think she was in her element here.
33:35Like a hostess.
33:37I love to hear that you enjoyed yourself, daughter.
33:42And now the only thing is that my feet hurt a lot, really.
33:46Well, then you have to soak them in salt water.
33:48I'm going to do that.
33:50In fact, I'm going to do it now.
33:52And so I'll keep telling you tomorrow.
33:54Yes, because I don't want to miss any detail.
33:56María, can you accompany Martín to his room
33:58and ease his pain in his feet?
34:00Take care of it, ma'am. I'll take care of it.
34:05Do you want me to ask Hanna
34:07if she knows of any miraculous remedy to ease her feet?
34:09No, no, no.
34:11Hide that she's looking at my mother,
34:13but something horrible has happened.
34:15I'll tell you now.
34:17Come on.
34:27I'll tell you now.
34:43This knife is broken.
34:45We have to tell the sharpener.
34:47Lately, all the knives have been broken.
34:49Since he took over the business,
34:51the son of the old sharpener.
34:53The boy doesn't know how to leave the edge like his father.
34:55They cut his hair in the air.
34:57This is no use to intimidate us.
35:04Come on.
35:07Here's a letter for you.
35:10For me?
35:23It's a picture of my virtues and Adolfito.
35:28They're handsome.
35:30They're handsome.
35:32They couldn't have come out otherwise.
35:34He must have left virtues before he left.
35:36It's a detail.
35:39Well, I say, apart from the picture,
35:42he must have left some letters, right?
35:44Yes.
35:46Read them, woman, we're anxious.
35:48Well, some more than others.
35:50But yes, I'm also very curious.
35:53Mother,
35:55I'll leave you a picture with Adolfito
35:58so he doesn't forget us.
36:00How can you forget them?
36:02What a big nonsense now.
36:04It would be good for you to get them out of your head.
36:07That's the best thing that's ever happened to me.
36:09Well, come on, go ahead.
36:12I hope these letters
36:14are the first of many.
36:17I promise I'll write to him
36:19at least once a month.
36:21I want him to be aware
36:22of everything that happens to us.
36:25That's good.
36:29You're my mother.
36:31And even if we're far away,
36:33no distance
36:35will ever separate us again.
36:44It's beautiful, isn't it?
36:47Very.
36:49It's beautiful.
36:50There's also a piece of paper here.
36:58A drawing of the boy.
37:00What did you hear, kid?
37:02Look how well he's drawn you.
37:04Look, look.
37:06It's a very expressive drawing.
37:08This boy is an artist.
37:11I know you miss him,
37:13but don't be sad.
37:15No, it's sad,
37:17but it's very sad
37:18and it's good
37:20because I know
37:22that everything has been solved
37:24in the best possible way.
37:26Well, if it's that kind of sadness,
37:28you cry.
37:30As long as it comes to you.
37:32Well, I'm not in the mood to cry anymore.
37:40My God, what a delicious bun.
37:42And freshly baked.
37:44I took it from the first batch this morning
37:46without anyone noticing.
37:49Mmm.
37:51And it tastes like promise.
37:53Of course.
37:55If it's like promise,
37:57you can't eat it anywhere.
37:59I'm letting it go, María.
38:01I wish I could go there right now,
38:03even if I had to sweep the stairs
38:05day and night.
38:07But you didn't like it when María sent you
38:09to do your homework.
38:11Well, here I also have to sweep and sweep,
38:13even if she didn't send me,
38:15of course.
38:16And look how wrong I was.
38:18Well, Mrs. Piau, you've done better.
38:20This cabin has nothing to do
38:22with the filthy cave where you were.
38:24Yes, but it's on the other side, of course.
38:26I was here for a while
38:28when they didn't let me go back to La Promesa
38:30because of the theft of the so-called captain's watch.
38:32I see.
38:34And the truth is that I had a hard time.
38:36Not a parasite, but I caught it.
38:38And in the end, Ramona lived here as a young woman.
38:40I see, María.
38:42The difference is that both you and her
38:44could go out to get some fresh air and I couldn't.
38:46You're right.
38:48We weren't locked up like you.
38:51Look, yesterday when we moved here,
38:53I was able to see the sky a little bit
38:56and get some fresh air.
38:58And I realized what I longed for.
39:00Pleasures as basic as those.
39:03Basic and fundamental, Mrs. Piau.
39:07You know what?
39:09I can't stop thinking about the words
39:11that Hanna told me at the time.
39:13It's time, Hanna.
39:15I'm afraid of losing the trial, María.
39:18Don't think about that.
39:20I can't help it.
39:22Because my head forgets to play with me.
39:24Don't be strong.
39:26And hold on.
39:28Besides, this is the best place you can be.
39:30The safest place.
39:32Better overwhelmed
39:34than at the mercy of Gregorio's criminal.
39:36Yes.
39:38Look, this cabin is far from everything
39:40and I barely hear any noise,
39:41not even from people, to be honest.
39:43In any case, Mrs. Piau, don't trust him.
39:46Gregorio's brother-in-law is a bad guy
39:48and he sneaks around like a rat
39:50in the most impossible places.
39:52I'm already warned, María.
39:55I hope he doesn't come here.
39:59Well, let's talk about something else
40:01other than that man, please.
40:03Yes, yes.
40:05He doesn't deserve us to spend in Lebanon.
40:07And tell me, are there any news about the promise?
40:10Well,
40:12Salvador and I have been offered a job
40:15in the palace of the count of Matesán.
40:19But you weren't going to get married, María.
40:22Well, I wouldn't know what to tell Mrs. Pia
40:24because he's thinking about accepting the job.
40:26And the truth is that
40:29that job suits us very well.
40:31That money suits us very well for the future.
40:34I see.
40:36But I wouldn't know what to tell him
40:38because he doesn't know what he's doing yet.
40:50You know,
40:52I also love the smell of these flowers.
40:54Well, the truth is that it could be much more intense
40:56if someone watered them.
40:58Can't you see they're asking for water?
41:00I'm really tired of being surrounded
41:02by useless and incompetent people.
41:03Calm down, mother.
41:06This matter doesn't deserve to be lightened so much.
41:10It's not just because of that, Manuel.
41:14I apologize on my behalf.
41:16Believe me, I was the first interested person
41:18to go to that conference.
41:20Yes, you were so interested that you forgot.
41:22An unforgivable oblivion
41:24that I have tried to sublimate, I assure you.
41:26I have searched everywhere
41:28and that cathedral forgot to give that dissertation,
41:30but it has been impossible.
41:31Sometimes trains pass by once,
41:33or they get stuck, or they get lost.
41:35Then I repeat my apologies.
41:37It's just that you haven't even bothered
41:39to come up with an excuse for your oblivion.
41:42Would you have preferred that I had deceived him?
41:46No, the truth is that I haven't.
41:48Then forgive me once and for all.
41:54If I'm honest with you,
41:56I don't care about that conference.
41:58What made me so excited
41:59was spending some time with you alone.
42:01And I thought you had the same excitement.
42:11What is this?
42:13There are two tickets to go to the theater this afternoon.
42:16It's about Othello by William Shakespeare.
42:18But a company from Madrid is touring Andalusia and...
42:22I've seen this play millions of times.
42:24Not this version.
42:26They have modernized the texts.
42:27This time, Othello is a modern man
42:30who serves in a European court.
42:34Come on, Mother.
42:36Theater is the least of it.
42:38I also want to spend time with you.
42:41All right.
42:43I accept the invitation.
42:47Shall we go?
42:57Let's go.
43:10Are you from Carril?
43:19Can I help you with anything?
43:21Perhaps you are confused.
43:23This is the service area.
43:25You'd better go through the main door, ma'am.
43:27I don't want to bother the Marquise.
43:29I'm sure she'll be delighted to receive you, ma'am.
43:32Do you want me to tell her?
43:34No, I'd rather you didn't tell me
43:36because it's not welcome to show up in a palace without telling me.
43:39In fact, I'd like you to keep it a secret.
43:42All right.
43:44Tell me, how else can I help you?
43:46Well, I was strolling near La Promesa
43:49when I remembered those excellent pastries
43:51that you put the other day in Mrs. Margarita's snack.
43:54And I thought I could come and ask for the recipe
43:58so that you could make them in my kitchen.
44:00Yes, well, I understand that it sounds eccentric,
44:03but I've been craving pastries.
44:06But you didn't have to come all the way here.
44:08If you had made a request with a note,
44:10I would have personally made it arrive by mail
44:15or with a courier.
44:17Yes, but since I was nearby,
44:19I thought I'd stop by.
44:21I've seen a lot of trouble.
44:23You don't mind, do you?
44:25I'm here to take care of you.
44:27Oh, look.
44:29That's the girl who took care of me during the snack.
44:32I'm sure she can help me.
44:35Miss González.
44:37Come, please.
44:49Can you take care of the Duchess of Carril?
44:53Yes, please.
44:55I'd like to know the recipe for the pastries
44:58that you put the other day in Mrs. Margarita's snack.
45:01Can you give it to me?
45:03Me?
45:05Do you know the recipe?
45:07Yes, of course.
45:09I can help you.
45:11Yes, do you know all the ingredients
45:13and the steps of the recipe?
45:15Of course.
45:17Very well.
45:19If you can, please write them down on a piece of paper.
45:20If you wish, you can use my office.
45:22It'll be quieter and not in front of everyone.
45:25Thank you very much for helping me
45:28with such a capricious request.
45:30You're welcome. Do you need anything else?
45:38Hello, Mercedes.
45:40Why have you come, Mother?
45:48What if you're badly wounded?
45:50I was in a ditch on a road.
45:58Sir, Miss Catalina has just arrived.
46:03Daughter.
46:05Thank God.
46:07Father.
46:10Are you okay?
46:12Of course.
46:14Why would I be bad?
46:16I hadn't heard from you for so long
46:18that I was imagining the worst.
46:20Why did you send me a note saying you were okay?
46:22You're right, Father. I'm sorry.
46:25I've been inconsiderate.
46:27I admit I had my head elsewhere.
46:29But how could you leave like that?
46:31Why are you going to see Belayo?
46:33I'm sorry, Father.
46:35But I had to talk to him.
46:37And I needed to see him.
46:40In fact, I need to keep seeing him.
46:44I confess that I haven't come alone.
46:50I'm sorry.
46:58What are you doing here?
47:01How dare you set foot in my house?
47:03Leave right now.
47:16You have to come back.
47:18I don't understand how you can ask me something like that.
47:20I know perfectly well why I left.
47:22I'm sure he would be willing to forgive you.
47:25My father is a monster.
47:27And you know it perfectly well.
47:29When I reported him, I exposed all the abuses
47:31he had committed for so many years.
47:33I want to thank and comment on Miss Martina's good deed
47:37during the evening.
47:39And I'm also interested in her stepdaughter's state of health.
47:41Do you want to know about Catalina?
47:43Answer her. Tell her that Catalina is not as sick as she presupposes.
47:46But that she has been backstabbing with Conde Descastado.
47:49I love you.
47:51And you love me.
47:54But as long as we have tried to formalize it,
47:57even if it has been between us,
47:59it has not gone badly.
48:01I could go back to work on the promise.
48:03I still have to talk to Mrs. Alcocerri.
48:05After all, she is responsible for the female staff.
48:07My first intention was to talk to her,
48:09but let's say that her reception was rather cold.
48:13And I suspect that my husband's presence had something to do with it.
48:16Leave it in my hand.
48:18You don't have to give me excuses to go see your husband.
48:21Now I have to be with her more than ever.
48:24Because I'm sure that when we get married,
48:28something will break between her and me.
48:31I'm very sorry, Manuel.
48:33Do we have guests at home?
48:35No guests. It's about Miss Catalina.
48:37Ah, that's great. He's already back.
48:39And Conde de Añel too.
48:41I don't want to be a street or a mayor or anything.
48:45All I want is to save money so I can finally be free.
48:49My dream is to be with you.
48:51Pelayo fought back with weapons.
48:53I'm very sorry I told you at the time, Manuel,
48:56but I didn't want to worry you.
48:58Catalina, you don't have to justify yourself. I'm not kidding.
49:00Besides, this is not going to come out for free.
49:04When the time comes, I'm going to ask for your understanding back.
49:07Is it a joke or are you serious?
49:10I've never been more serious.
49:14I'm not kidding.