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Short filmTranscript
00:00:00The film was shot in the city of Krasnodar, the city of the Russian Federation.
00:00:05The film was shot in the city of Krasnodar, the city of the Russian Federation.
00:00:10Sirena Grandi,
00:00:14Kvadim Aljer,
00:00:18and Marina Vladin in the film John Franco Mingozzi.
00:00:25Dedication
00:00:31Also in the frames Fabrizio Giosu,
00:00:36François Perrault,
00:00:40Aurélien Ricoeur,
00:00:44Rossetto and others.
00:01:00In the scenes Jean-Claude Garnier, Peter Fleishman and John Franco Mingozzi.
00:01:10In the novel Giuliano Apollinare, the origin of the young Don Giovanni.
00:01:30In the film Jean-Claude Garnier.
00:01:50Cameraman Jacques Saulnier.
00:01:54Montage Alfredo Muschietti.
00:01:58Composer Nicola Piovani.
00:02:01Director Jean-Franco Mingozzi.
00:02:31In the film Jean-Claude Garnier.
00:03:02Good day, I'm Ursulov.
00:03:04Do you remember me?
00:03:05Yes, hello, Ursulov.
00:03:08Of course, it's been three years.
00:03:11Roger, come on, your mother is waiting for you.
00:03:19Let's not hug.
00:03:20Did you get there well?
00:03:21Yes, mom.
00:03:22What is it?
00:03:25How did you get your pants dirty?
00:03:27It's a dog.
00:03:28Now I'll bring a wet rag.
00:03:30You'll never change, Roger.
00:03:32You're still the same.
00:03:34It happens at his age.
00:03:38I've never been like this.
00:03:39And you too.
00:03:40Let me help you.
00:03:42The purity of the soul begins with clothes.
00:03:45Always watch your dress and shoes.
00:03:48Hello.
00:03:51This is Signor Franco.
00:03:53You must remember him.
00:03:55No.
00:03:57He is a friend of my father.
00:03:59He spends almost all his time watching them in the sky.
00:04:06The sky is cold.
00:04:09Shut up, Beto.
00:04:10How many times do I have to tell you?
00:04:12At your age, you can't joke with adults.
00:04:15Hi, Roger.
00:04:18No, you can't.
00:04:27Listen.
00:04:35Do as I do.
00:04:36Close your eyes and listen.
00:04:39Do you hear?
00:04:40No.
00:04:42Pay attention.
00:04:44Do you hear the sounds around?
00:04:46They are beautiful.
00:04:48Do you hear now?
00:04:57Signorina, can you help me?
00:05:00Signora Merle.
00:05:02I was collecting it for you.
00:05:05No, it's not washed.
00:05:12And this is my husband.
00:05:14Don't you find that he has changed?
00:05:17Hello, Signora Merle.
00:05:21One moment.
00:05:26Let's go.
00:05:56Let's go.
00:06:26Let's go.
00:06:56Let's go.
00:06:57Let's go.
00:07:27Hello.
00:07:29Hello, Signorina Roger.
00:07:56Is it straight?
00:07:57Sit straight.
00:08:08Don't keep your hands under the table.
00:08:10How many times do I have to tell you?
00:08:13Mom, what are you talking about hands all the time?
00:08:16Signor Frank always hides them under the table.
00:08:19Americans eat like that.
00:08:21They consider it a good upbringing.
00:08:23Americans don't know what a good upbringing is.
00:08:30Thank you.
00:08:32And when will dad come?
00:08:34He has a lot of work.
00:08:36He will return with Lisa in a few days.
00:08:38And Lisa's fiance?
00:08:40He should come soon too.
00:08:44And what does your future relative do?
00:08:47He is a junior aviation lieutenant.
00:08:50But this is dangerous.
00:08:51Yes.
00:08:53But he is from a beautiful family.
00:08:55Helen.
00:08:57Thank you.
00:08:59Look.
00:09:01Lisa sent me a photo.
00:09:04What a beautiful couple.
00:09:10And they seem to be very in love with each other.
00:09:13That's right.
00:09:17And it seems to me that this is just a picture.
00:09:19Bertha, that's enough.
00:09:21Tell everyone good night and go to bed.
00:09:24Kate.
00:09:26But mom, I would like to stay with Roger.
00:09:28I said go to bed.
00:09:30And don't argue.
00:09:32Kate.
00:09:34Miss, take the girl away.
00:09:36I'll go, but it's not fair.
00:09:39Come on, Betty.
00:09:41Let her pray and immediately go to bed.
00:09:46Let's go.
00:09:48All right.
00:09:50Betty, let's go.
00:09:52Don't call me Betty.
00:09:54My name is Bertha.
00:09:56They speak English.
00:10:06Cover your mouth with your hand.
00:10:11And don't talk until you've finished yawning.
00:10:15Unbelievable.
00:10:17You have to teach him all the time.
00:10:20I'll go to bed too.
00:10:22Yes.
00:10:24Say good night to aunt and senor Frank.
00:10:29You should treat children as little as possible.
00:10:34Good night.
00:10:37Good night.
00:10:39Good night.
00:10:41Good night.
00:10:43And go to bed immediately.
00:10:45Without any games.
00:10:48How are your observations of the stars progressing?
00:10:52Amazing.
00:10:54Right now you can see in the sun flashes of incredible brightness.
00:10:58I have never in my life had the opportunity to observe such a thing.
00:11:02That's actually what I wanted to say.
00:11:05Years ending at seven, as predictors say, are always restless.
00:11:17Good night.
00:11:19Good night.
00:11:48Ah!
00:12:13I don't want to sleep.
00:12:15And you?
00:12:17Can I lie down here?
00:12:19Only in silence.
00:12:24Good night.
00:12:26Sweet dreams.
00:12:29Aunt Margarita is beautiful, isn't she?
00:12:32Yes.
00:12:34The day before yesterday I heard Elaine telling her,
00:12:39Being a virgin at such an age is at least not reasonable.
00:12:45Isn't she married yet?
00:12:47No.
00:12:49Is she afraid of men?
00:12:51As her mother says.
00:12:53And senor Frank?
00:12:55Senor Frank?
00:12:57He's rich, but his head is always in the clouds.
00:13:00And then he's ugly.
00:13:02Elaine, the one who served at the table?
00:13:05Yes. And what?
00:13:07Nothing. I'm just remembering.
00:13:09What is it?
00:13:11Oh, nothing.
00:13:13Ah, I know.
00:13:15Say no.
00:13:17Kate told me.
00:13:21The Englishwoman?
00:13:23Yes, very nice.
00:13:28There are so many women in the house.
00:13:31Too many.
00:13:33I can't stand it.
00:13:35I can't stand it.
00:13:36There are so many women in the house.
00:13:38Too many.
00:13:40I can't stand it.
00:13:43Ah, there you are.
00:13:47May I know what you're doing in your brother's bed?
00:13:53Aren't you ashamed?
00:14:02Aren't you ashamed?
00:14:03Aren't you ashamed?
00:14:18What are you thinking about?
00:14:26How long can you suffer?
00:14:33How long can you suffer?
00:14:47You should have turned around and run away.
00:14:50I turned around, but I didn't have time to run away.
00:14:54You're just broken.
00:15:00It's so hot.
00:15:04Say thank you for bringing me here.
00:15:07Thank you.
00:15:09How's your husband?
00:15:11Is he getting better?
00:15:13The injections don't help either.
00:15:16Why do you need a husband in this case?
00:15:19But he seems to love you very much.
00:15:21That's the problem.
00:15:23If he didn't love me, he wouldn't suffer.
00:15:25Maybe he'll get along with others?
00:15:27I don't know that.
00:15:29But I don't think so.
00:15:31Who are they talking about?
00:15:33About her husband.
00:15:35I saw him yesterday in the woods.
00:15:37What was he doing there?
00:15:39I don't understand.
00:15:41All we can do is pray to the Virgin Mary and all the saints.
00:15:46I could send him to a pilgrimage,
00:15:48and find someone else for myself.
00:15:53No.
00:16:00Oh, look, three beauties have gathered.
00:16:03Let's take a breath of fresh air.
00:16:05Grazia, Graziella and Graziosa.
00:16:08Hey, what are you talking about?
00:16:10Are you drunk?
00:16:12Pass me some wine, please.
00:16:26Come here.
00:16:27Where are you going?
00:16:32You won't see that in the city.
00:16:34Everyone does that here.
00:16:36I've even seen a priest.
00:16:38Hey, over there!
00:16:40Aren't you interested in such an object?
00:16:42Hey, beware of the frogs.
00:16:44They can bite you.
00:16:46And your dick will turn black and fall off.
00:16:48Do you feel sorry for it?
00:16:50I don't.
00:16:52Maybe Ursula does.
00:16:54Ursula, don't be so strict.
00:16:55She has her own butt.
00:16:59So you refresh your memory.
00:17:01Here's a photo as a keepsake.
00:17:10Daddy's here!
00:17:12Daddy's here.
00:17:14And Liza's with him.
00:17:20Hi, Daddy.
00:17:22Oh, my dear.
00:17:23Hello, hello.
00:17:25Go wash up first.
00:17:27I just wanted to hug you.
00:17:29And I don't like it when kids are around.
00:17:32Hi, Raja.
00:17:34How do you like it?
00:17:36How did you grow up?
00:17:38Good boy.
00:17:40My dear Liza.
00:17:42Good boy.
00:17:44Hi, Bertha.
00:17:46Hello, Liza.
00:17:48Hello.
00:17:50Are you feeling well?
00:17:51Yes, I'm fine.
00:17:53And you?
00:17:55I'm fine.
00:17:57How was your trip?
00:17:59It was fun in the car.
00:18:05And how are things at the factory?
00:18:07Bad.
00:18:09These are hard times.
00:18:11I hope they will pass soon.
00:18:21Look at this.
00:18:23Daddy's samples.
00:18:32Let's look at the competition's products.
00:18:35They offer medals and jewelry
00:18:38at incredible prices.
00:18:40I don't know how this is possible.
00:18:43Look.
00:18:48They have extensive production,
00:18:49but the quality is low.
00:18:51Although they could sell abroad.
00:18:53It seems they are not afraid
00:18:55to produce German medals.
00:18:57But this is too much.
00:19:00Not to mention the accelbants and ribbons.
00:19:03They offer a lot of things for the cavalry.
00:19:05And I have a lot of it at the warehouse.
00:19:08Roland says you need a lot of things for aviation.
00:19:12Yes, but aviation is a very narrow market.
00:19:15And without the future,
00:19:17of course, if the war does not start soon,
00:19:19you will have to turn to the pilots.
00:19:21In fact, I guarantee you.
00:19:23Lunch is served.
00:19:25Okay, let's go.
00:19:28Who has a factory of military accessories?
00:19:31In peacetime, he eats bread and water.
00:19:34Ah.
00:19:36Bastard.
00:19:38Why bastard?
00:19:40It was he who threw me out of the saddle.
00:19:43It happened literally three weeks after the wedding.
00:19:46And here I am,
00:19:47who was going to become a general,
00:19:50stayed at home with a broken leg.
00:19:52I then tried to change myself.
00:19:55But the desire to fight remained.
00:19:58And the hope for victory?
00:20:00Everyone wanted a win-win war.
00:20:02But for 10 years, only one conversation.
00:20:05Here's the bastard.
00:20:07This year it will start.
00:20:09I give a hand to the cross.
00:20:11What did you take it from?
00:20:13The sun never goes wrong.
00:20:17The sun never goes wrong.
00:20:47Look at these.
00:21:14They are not bad people.
00:21:15They're not evil. They're just the way they are.
00:21:22Have you confessed?
00:21:24Not yet. But I have.
00:21:26But I don't tell everything to Father Gabriel.
00:21:29You're deceiving the elders.
00:21:31It might end badly for the elders.
00:21:33Can you imagine what they might think of me?
00:21:36Who is Father Gabriel?
00:21:40Ride me like a horse.
00:21:45He's a monk from a nearby monastery.
00:21:48He always walks barefoot, even in winter.
00:21:51Come, I'll show you something.
00:21:53What?
00:21:54Come, don't ask questions.
00:22:15We forgot to close it.
00:22:25We're here.
00:22:30Where?
00:22:32We're at the confessional.
00:22:35Quiet, listen.
00:22:38I thought I'd send him to Lourdes.
00:22:40No, Lourdes doesn't remember.
00:22:42I think it's Senora Möller.
00:22:44And what other bad thoughts?
00:22:48No more.
00:22:50That's boring. I'd better get out of here.
00:22:53Where are you going?
00:22:55I have to do my homework.
00:22:57And you stay.
00:22:59You'll tell me if you hear anything interesting.
00:23:04Go with God.
00:23:23Forgive me, Father, I have sinned.
00:23:26Have you sinned in your actions or in your thoughts?
00:23:29In my thoughts.
00:23:32Only in your thoughts?
00:23:34Yes, Father.
00:23:36Speak, I'm listening to you.
00:23:38It's stronger than me.
00:23:40I can't get rid of certain visions.
00:23:43Visions in which you sin against flesh?
00:23:47Yes, these are images of men.
00:23:50Besides, workers in the farm.
00:23:53And also a child.
00:23:56A child?
00:23:58What child?
00:24:00My nephew.
00:24:02When he came a few years ago,
00:24:05I usually washed him on Sundays.
00:24:13And I watered him with warm water,
00:24:16touching his body,
00:24:18tender skin.
00:24:20One day, looking at his head,
00:24:23I realized that he had already turned into a man.
00:24:27And here he is in front of me.
00:24:30And I don't know why,
00:24:33I go down,
00:24:36and hug him,
00:24:39and kiss him.
00:24:45And then I ran away in despair.
00:24:48I didn't look at him for a few days,
00:24:51and I never washed him again.
00:24:55Yes.
00:24:57And what else?
00:25:00Sometimes I look at myself in the mirror,
00:25:04naked,
00:25:06and with my hand,
00:25:09always alone,
00:25:12I look at myself in the mirror,
00:25:15and with my hand,
00:25:18I look at myself in the mirror,
00:25:21always alone.
00:25:26Yes.
00:25:27No.
00:25:28No.
00:25:29Sometimes in the presence of the governess.
00:25:32And the Englishwoman has no desire to confess.
00:25:38Roger?
00:25:40Roger!
00:25:52Roger!
00:25:54Roger!
00:26:20Errol!
00:26:24Errol!
00:26:36Good afternoon, Errol.
00:26:45Oh, thank you.
00:26:51Let's go.
00:26:54Mom, can I go down?
00:26:57I'll tell you later.
00:27:00This is Roger, my brother.
00:27:03He was rude, and we punish him.
00:27:13This season the nettle is bad.
00:27:18On your knees.
00:27:24Ten blows.
00:27:54Roger, don't cry.
00:27:56Think about it.
00:27:58It's because of the boredom.
00:28:01That's what they did to you.
00:28:04Here you are.
00:28:06You're not alone.
00:28:08You're not alone.
00:28:10You're not alone.
00:28:12You're not alone.
00:28:14You're not alone.
00:28:16You're not alone.
00:28:18You're not alone.
00:28:20It's because of the boredom.
00:28:22That's what they did to you.
00:28:24There's not so much fun here.
00:28:37You'll tell me later what the aunt confessed.
00:28:50Errol!
00:29:20Good night.
00:29:39Good night.
00:29:50Good night.
00:30:13Does it still hurt?
00:30:15Yes.
00:30:17Do you want some ointment?
00:30:19No, you're better.
00:30:21Have you seen Elaine?
00:30:23Yes, poor thing.
00:30:25Who's watching her?
00:30:27It's a mystery.
00:30:29Even she doesn't know.
00:30:31Come on.
00:30:33Every evening the same story.
00:30:36Is it a man?
00:30:38Of course it's a man.
00:30:40What does he do to her?
00:30:42Well...
00:30:45Go to bed.
00:30:47If you walk around like that, you won't get sick for long.
00:31:17Excuse me.
00:31:19Sorry, Rosha.
00:31:21I need to go to the bathroom.
00:31:47Good night.
00:32:18Are you interested in stars?
00:32:22Yes.
00:32:25You can't see them well tonight.
00:32:27Lots of clouds.
00:32:31Is it true what you said about the sun?
00:32:34Of course.
00:32:36There's a theory that processes happening in the sun affect our behavior.
00:32:42When the activity of the sun increases and there's an explosion,
00:32:47people and even whole nations become aggressive.
00:32:51They attack each other and can kill each other in bloody wars.
00:32:55Whole nations.
00:32:57It seems to us that we control our actions.
00:33:01But in fact they are being provoked.
00:33:05And what is sin against flesh?
00:33:08There are many of them, Rosha.
00:33:12War, for example?
00:33:14Of course it's war, Petrov.
00:33:16Signor Frank, were you in my age, too?
00:33:19Yes.
00:33:21And did you have a feeling that everything was bad,
00:33:24that you were played a bad joke,
00:33:27that they were hiding something from you?
00:33:30Sometimes I still have such a feeling.
00:33:34Good night.
00:33:36Good night.
00:33:39Stop! Don't move!
00:33:42Hands up!
00:33:44Who are you?
00:33:46Rick Arelli.
00:33:48What are you doing here at such a time?
00:33:52I ran from the captivity of the enemy.
00:33:55Maybe you're a spy.
00:33:58Now I'm going to torture you.
00:34:01Oh, you little dirtbag.
00:34:04I'll teach you how to wash yourself before going to bed.
00:34:08Did you go out to drink some water?
00:34:11And what do I see?
00:34:13Senorina's pink ass.
00:34:15What will your parents say when they find out?
00:34:18Oh, no, don't tell them anything.
00:34:21First you eavesdrop and confess.
00:34:24Now you'll see how parents make love.
00:34:27Please.
00:34:29Maybe you'll go to the brothel with me someday?
00:34:34I beg you, don't say anything.
00:34:37I'll do whatever you want.
00:34:40Senor Roland.
00:34:42What did you say?
00:34:44Whatever you want, Senor Roland.
00:35:03And the rays shine well.
00:35:06Look how it shines.
00:35:33Oh, no.
00:36:03Oh, no.
00:36:33Oh, no.
00:36:49Ciao, Adolfo.
00:36:51Adolfo.
00:36:57Elena.
00:37:01Look, there's something in my head.
00:37:04Let me see.
00:37:12What are you doing? Are you crazy?
00:37:15Let me go, Adolfo.
00:37:17Adolfo, let her go now.
00:37:20What are you doing?
00:37:23Are you crazy? What do you want from me?
00:37:27Senorina Roger, help me.
00:37:30Let me go now.
00:37:33Now.
00:37:37No, wait a second.
00:37:42What's the hurry?
00:37:45You'd better get out of here.
00:37:48Go, go, go.
00:37:51Go.
00:37:56Go.
00:38:06Hey, Senorina.
00:38:09How's your ass doing?
00:38:26Your nails are clean.
00:38:29Nice hands.
00:38:32You have beautiful hands.
00:38:35It's nice to look at them
00:38:38when you drive a car or eat.
00:38:41All the movements are over.
00:38:44I, for example, hate men who
00:38:47pick their noses.
00:38:50I would never go out for such a thing.
00:38:53I would never go out for such a thing.
00:38:56And I would forbid it to children.
00:38:59This morning there was a performance.
00:39:02One of the maids fell into a pile of manure
00:39:05and everything was smeared from head to toe.
00:39:08That's why she picked her nose.
00:39:11Mom, I'm sorry.
00:39:14Are you sure it's decent to say such things?
00:39:17When you become an adult, yes.
00:39:20But they're not cleaned.
00:39:23That's right.
00:39:26Look, how can you find such boots?
00:39:29You're right.
00:39:32They're a little in the shit.
00:39:35Roger, where did you learn such words?
00:39:38Mom, do you want to know where I found it tonight?
00:39:41At your...
00:39:44At the door of your room.
00:39:47Get out of here.
00:39:50I don't want to see you anymore.
00:39:53Get out of here.
00:39:56I can't raise children.
00:39:59I don't know what to do with him.
00:40:02Punishment doesn't work on him.
00:40:05How can such people, like my husband,
00:40:08and I, have such a bastard?
00:40:11I'm desperate.
00:40:14I couldn't re-educate him,
00:40:17if he had spent a few days in my company.
00:40:20If only you had tried what a pound is worth,
00:40:23you would know what discipline is.
00:40:26Right, darling?
00:40:29Right?
00:40:39I put my heart on your chest.
00:40:43I tremble like a morning rose.
00:40:48I strive to your tongue
00:40:51and offer myself to you
00:40:54from the front and from the back.
00:41:12From the front and from the back.
00:41:28Signorina Roger, is that you?
00:41:31I thought it was someone else.
00:41:34Come here, I'll get you some cold water.
00:41:43Sometimes on the ass, sometimes on the head.
00:41:46That's life.
00:41:51Women always cause pain.
00:41:54Often.
00:41:57But sometimes they give pleasure to men.
00:42:00How? You don't know?
00:42:03Ursula, I'm finished.
00:42:06Look how beautiful they are.
00:42:09Don't you want to try?
00:42:12Where are you going?
00:42:17Good day, Signorina.
00:42:20It will happen today.
00:42:23Today or never.
00:42:39Gustavo, I'm here.
00:42:42It's already begun.
00:42:45You'll finish later.
00:42:48The horse won't wait.
00:42:51Don't you hear what they're telling you?
00:42:54The horse won't wait.
00:42:57Gustavo, I'm here.
00:43:00It's already begun.
00:43:03You'll finish later.
00:43:06Don't you hear what they're telling you?
00:43:09The horse won't wait.
00:43:12Who's there?
00:43:15Oh, it's you, Signorina.
00:43:18Gustavo, are you still there?
00:43:21Come on, let's go.
00:43:24We need to help the horse.
00:43:27Otherwise we'll have to pray for her peace.
00:43:30Gustavo!
00:43:33What are you doing?
00:43:36Are you crazy?
00:43:39Does it hurt?
00:43:42No, it doesn't.
00:43:45You won't be able to do it.
00:43:48Wait.
00:43:51Like this?
00:43:54Yes.
00:43:57Signorina.
00:44:00The war has begun.
00:44:03The war has begun.
00:44:06The war has begun.
00:44:09The war has begun.
00:44:12The war has begun.
00:44:15The war has begun.
00:44:18I want to see who's there.
00:44:21Let me see.
00:44:24Germany,
00:44:27Austria,
00:44:30France,
00:44:33war.
00:44:36Yes, to be honest,
00:44:39it's high time to start the war.
00:44:42It won't be long.
00:44:45I hope it'll last at least a year.
00:44:48They won't be able to resist for a year.
00:44:51You'll come back to the factory?
00:44:54No, I'm suffering.
00:44:57What a bad luck.
00:45:00To victory!
00:45:03To victory!
00:45:06To victory!
00:45:24To victory!
00:45:54Good evening, Signorina.
00:45:57Good evening, Signorina.
00:46:24Good evening, Signorina.
00:46:54© BF-WATCH TV 2021
00:47:24It's terrible.
00:47:27I can't see you anymore.
00:47:30Will you wait for me?
00:47:33How can you ask such questions?
00:47:36I'll wait for you until the end of time.
00:47:39I'll take your photograph with me to heaven.
00:47:42Be careful there.
00:47:45I want you to be with me everywhere.
00:47:48I want you to be with me everywhere.
00:47:51Be careful there.
00:47:54I want you to be with me everywhere.
00:47:57Be careful.
00:48:00Let's kiss.
00:48:21© BF-WATCH TV 2021
00:48:51© BF-WATCH TV 2021
00:49:21© BF-WATCH TV 2021
00:49:52Signorina, can you help me?
00:49:55Signorina, can you help me?
00:49:58Why are you dragging this?
00:50:01Your mother decided to put us in the house.
00:50:04Why?
00:50:07Maybe she's scared now.
00:50:22Signorina, I have to work.
00:50:25Do I help you?
00:50:28You're a liar.
00:50:31You're a liar.
00:50:34Signorina, I have to work.
00:50:37You're a liar.
00:50:40You're a liar.
00:50:43You're a liar.
00:50:46You're a liar.
00:50:49It's very difficult to undress a woman.
00:50:52It's very difficult to undress a woman.
00:50:55A woman who undresses must be respectful to her clothes.
00:50:58A woman who undresses must be respectful to her clothes.
00:51:01It's the first time I see a naked man.
00:51:09It's the first time I see a naked man.
00:51:12Thank God, he's almost normal.
00:51:15Thank God, he's almost normal.
00:51:18Thank God, he's almost normal.
00:51:21One minute.
00:52:01I would like to do this with you all the time.
00:52:31Would you teach me what and how to do it?
00:52:34I also want to do it often.
00:52:37And everyone thinks about it.
00:52:39Wonderful, Ursula, I want to marry you.
00:52:42I love you.
00:52:43You start very badly.
00:52:45Why?
00:52:46Because if you talk like this to every girl,
00:52:51you will have a difficult life.
00:52:55But it's true, I love you.
00:52:58I say this to my mother because I have to, but you don't.
00:53:02You are so gentle.
00:53:04I touch you, I kiss you.
00:53:06I am so pleased.
00:53:08I love you for sure.
00:53:10You have a gentle skin too.
00:53:12You are good.
00:53:13You are great.
00:53:14Do you think I am great?
00:53:17Yes, it was...
00:53:21It was the first time, yes.
00:53:28The first time you never forget it.
00:53:31You will see.
00:53:35Your shirt is torn.
00:53:38What happened?
00:53:40With whom?
00:53:41Yes.
00:53:42With whom?
00:53:43I can't say that.
00:53:44With whom?
00:53:45No.
00:53:46Mom is in the living room.
00:53:51With Gabriel's father.
00:53:54Mom is in the living room.
00:53:55With Gabriel's father.
00:53:56Come.
00:54:05His dream was to become an officer.
00:54:09Before he fell from the horse, he was a normal man.
00:54:17And then he became jealous and arrogant.
00:54:20Very jealous.
00:54:21You can't imagine how much.
00:54:23His dreams are broken.
00:54:28That's where these ghosts and visions come from.
00:54:33He makes me take such poses.
00:54:37Do you understand me, Father?
00:54:39What are these poses?
00:54:43Let me clarify.
00:54:45But you...
00:54:48How to say?
00:54:50How to say?
00:54:52Do they give you pleasure?
00:54:56How to say?
00:54:58In general, yes.
00:54:59In a certain sense.
00:55:01Even if they didn't force me, I don't know.
00:55:08So that's what I wanted to ask.
00:55:11Yes.
00:55:13Are there such women, such people with whom he could be satisfied, without humiliating me?
00:55:23These are probably some special people.
00:55:29Are you asking me?
00:55:31Forgive us.
00:55:33There are three answers.
00:55:35First of all, Adulterer does not approve of the Church in any way.
00:55:41It is impossible for your husband to turn to other women.
00:55:46And your duty as a senior is to satisfy her.
00:55:50Think about it.
00:55:51First of all, it is doubtful that your husband could get pleasure from a woman he doesn't know much about.
00:56:03He loves and wants only you.
00:56:07And thirdly, if I dare to advise you, don't complain.
00:56:16It's wonderful that he stays with you.
00:56:21When many beauties lose their peace.
00:56:25In wartime, this is a test for love and loyalty to husbands.
00:56:31Not many women can boast.
00:56:36What's going on there?
00:56:38Roger, come here.
00:56:50Roger, are you eavesdropping again?
00:56:54Oh yes.
00:56:56But all the men have left.
00:56:58What will happen to me?
00:56:59Nothing.
00:57:01La-di-da-di-da.
00:57:05La-di-da-di-da.
00:57:10La-di-da-di-da.
00:57:13La-di-da-di-da.
00:57:18La-di-da-di-da.
00:57:25Ah!
00:57:27Did I scare you?
00:57:30Yes.
00:57:32I'm sorry, I didn't mean to.
00:57:34You never came here before?
00:57:37Yes, but now it's not dangerous.
00:57:40Why?
00:57:42Because men went to war.
00:57:45Are you afraid of them?
00:57:48All women are afraid of them.
00:57:51Why?
00:57:52Why?
00:57:54Because...
00:57:57Because...
00:58:02Look, I'm giving it to you.
00:58:09All right.
00:58:11I heard something about you.
00:58:15What did they say?
00:58:17About me?
00:58:18What did they say?
00:58:20You know very well.
00:58:22No, tell me.
00:58:24They say that you and the maid
00:58:27were hiding and doing something.
00:58:30Do you know what I like about you?
00:58:34Me?
00:58:36Do you want to see how?
00:58:48Oh!
00:59:18Oh!
00:59:49So?
00:59:51All right, all right.
00:59:54I've seen everything.
00:59:56It takes some time for everything to work out.
00:59:59How long?
01:00:01Tomorrow morning at the factory.
01:00:03The workers are going to war.
01:00:05It's not a problem.
01:00:07I'll hire women.
01:00:09They cost much less.
01:00:11It's all right here, darling.
01:00:13Oh, it's just idyllic here.
01:00:15Let's see.
01:00:16Look, it's a picture of Rolando in the newspaper.
01:00:19He's flying another plane.
01:00:21Show me.
01:00:23It's a real ace.
01:00:25It's the third one.
01:00:27What a beauty.
01:00:29Oh, yes.
01:00:31He's wearing a uniform.
01:00:33Aviation is, of course, a miracle.
01:00:35Metal that floats in the air.
01:00:37Look, he has a dad's medal.
01:00:39You can win with such men.
01:00:41In a moment.
01:00:43Let's hope that...
01:00:44We'll need more time to kill.
01:00:47Mom, why do we need this war?
01:00:50Because...
01:00:52Ask your father.
01:00:54He knows what to answer.
01:00:56Dad, then you explain it to me.
01:00:59Well, it's the Germans' fault.
01:01:02Why?
01:01:04What did they do?
01:01:06All sorts of mean things.
01:01:08Like what?
01:01:10I'll tell you tomorrow.
01:01:12Now I have urgent business.
01:01:15And you, aunt?
01:01:17Do you know why there is a war?
01:01:20No.
01:01:22Don't tell me about it.
01:01:24I think men like to fight.
01:01:27And kill.
01:01:29Would you like to?
01:01:31No.
01:01:33I'd rather be here.
01:01:38Look.
01:01:40Look.
01:01:47Look, look.
01:02:02A gun.
01:02:09It's useless.
01:02:11I've already done a lot for you.
01:02:13Don't expect mercy.
01:02:15Just one last wish.
01:02:17To say goodbye to your family and friends.
01:02:20No.
01:02:22No.
01:02:24And you'll be left alone.
01:02:26That's what your adventures are all about.
01:02:29It's useless.
01:02:31I've already done a lot for you.
01:02:34Don't expect mercy.
01:02:36Just one last wish.
01:02:37To say goodbye to your family and friends.
01:02:40It's useless.
01:02:42I'd rather be here.
01:02:46Ready to fire!
01:02:49Aim!
01:02:51I...
01:02:53Roger!
01:02:55Don't be angry, mother.
01:02:59Don't be angry, mother.
01:03:01I saved your life.
01:03:08Why does my son-in-law behave like that?
01:03:11Because of love, of course.
01:03:13And my sister likes it.
01:03:15No doubt.
01:03:22What's going on in men's minds?
01:03:25A riddle?
01:03:38Good evening, dear aunt.
01:03:41Roger, what are you doing in my bed?
01:03:44I wanted to kiss you at night.
01:03:47Of course.
01:03:51Now go.
01:03:54I wanted you to kiss me
01:03:57like you did when I was a child.
01:04:00Get out of here immediately.
01:04:02Or I'll call the police.
01:04:04No.
01:04:05Get out of here immediately or I'll call your mother.
01:04:08If you don't leave now,
01:04:10I'll call your mother.
01:04:12Why? You saw her.
01:04:14I told you to leave.
01:04:19Someone's coming.
01:04:21What are you doing?
01:04:23I don't want them to see
01:04:25that you're leaving.
01:04:28Margarita, open the door.
01:04:30We need to talk.
01:04:32But it's impossible at this time.
01:04:33I want to read you something.
01:04:35What is it?
01:04:37It's a poem.
01:04:39If you want, you can read it through the door.
01:04:41Will you listen?
01:04:43Yes, I promise.
01:04:45Among all the stars
01:04:47that burned me
01:04:49and the galaxies
01:04:51where I wandered,
01:04:53there is only one star, Margarita,
01:04:55that captivates me
01:04:57and entices me.
01:04:59She is adorable.
01:05:01She shines in the darkness
01:05:03and makes my difficult path easier.
01:05:05Are you still a virgin, Margarita?
01:05:11Oh, my joy, I dream of you.
01:05:13There is nothing more distant
01:05:16than your tender beauty.
01:05:24Your neck is like a swan's.
01:05:26Your mouth is like a beautiful rose.
01:05:29It is incomparable.
01:05:31Tell me,
01:05:33what is the most beautiful word?
01:05:37Like when I was a child, uncle.
01:05:42Like back then, in childhood.
01:05:50Like the cream of your lips, Apollo.
01:05:52So that even God would fall in love with you.
01:05:54At last I leave your beloved mouth.
01:05:56I would like to be the cream of your lips.
01:05:58I would like to be the cream of your lips.
01:06:00I would like to be the cream of your lips.
01:06:01I'm not sure what to say, but I'm not sure what to say.
01:06:08I'm not sure what to say.
01:06:11I'm not sure what to say.
01:06:15What does the word artist mean?
01:06:26They sent it. They finally sent it.
01:06:31What does the word artist mean?
01:07:01What does the word artist mean?
01:07:10Do you like music?
01:07:15And medicine, too?
01:07:20Do you like these pictures?
01:07:22Well, how can I say? Yes.
01:07:24A little.
01:07:26More or less than the sun?
01:07:29It's a strange question.
01:07:31Sometimes I want to rest from work,
01:07:33and I want to spend a Saturday evening in such a provincial brothel.
01:07:41Of course, you can say thank you to the war,
01:07:44that you don't have to study.
01:07:47Why don't you go to bed with some woman?
01:07:50It's easier said than done.
01:07:52Yes, probably.
01:08:00What a pleasant surprise. Come in.
01:08:07Nothing else happens in the corridor?
01:08:10Everything ended at the beginning of the war.
01:08:13Yes, only Father, Signor Frank, and you, Signorina, remained here.
01:08:17Who could it be?
01:08:19I think it was Signor Merle.
01:08:21Signor Merle?
01:08:23Yes.
01:08:25And who could it be?
01:08:27I think it was Signor Merle.
01:08:29He always had the keys to all the rooms.
01:08:32And he didn't do it with his wife?
01:08:34Yes, he didn't do it with his wife.
01:08:37But now you're calm?
01:08:39Yes, now I'm calm.
01:08:41And why did you come here at such a time?
01:08:44Without any reason.
01:08:46I just thought that maybe the chamomile decoction...
01:08:51You know that I don't need it.
01:08:54I'm already sleeping.
01:08:56Good night, Aileen.
01:09:20Did you do it with Kate?
01:09:22Yes.
01:09:24And how was it?
01:09:26Great.
01:09:28Did she tell you that?
01:09:30Yes.
01:09:32And she also said that you did it with Ursula.
01:09:35And Ursula said that you did it with Elena.
01:09:38Is it true?
01:09:40Yes, it's true.
01:09:42And did you do it with Kate?
01:09:44Yes.
01:09:46And how was it?
01:09:48That I did it with Elena.
01:09:50Is it true?
01:09:52Yes.
01:09:54So you did it with everyone?
01:09:56Almost.
01:09:58And with Aunt Margarita?
01:10:00Yes, but not completely.
01:10:02So everything is ahead?
01:10:04Who knows?
01:10:06Look who has arrived.
01:10:18Good night.
01:10:40Do your legs hurt?
01:10:42Yes, these boots are too small for me.
01:10:44Sit down, I'll take them off.
01:10:48Are you hot?
01:10:50Yes.
01:10:52So why don't you undress?
01:10:54You're right, I'll go change.
01:10:56No.
01:10:58You can undress here too.
01:11:00And I'll help you.
01:11:02Will you undress me?
01:11:04Yes.
01:11:06Why not?
01:11:08Horses won't say anything.
01:11:10You've changed a lot.
01:11:12I've changed?
01:11:14Yes.
01:11:16Horses won't say anything.
01:11:18You've changed a lot lately.
01:11:20What are you filming?
01:11:22Leave me alone.
01:11:24We're not primitive people.
01:11:26We're not primitive.
01:11:46What are you doing?
01:11:52It's not possible.
01:11:54Can you imagine?
01:11:56We don't...
01:12:00We don't inhabit the island.
01:12:02What are you doing?
01:12:04It's not possible.
01:12:16It's not possible.
01:12:18It's not possible.
01:12:44How was it?
01:12:46It's as good as in the stable.
01:12:48In the stable?
01:12:50It's good everywhere.
01:13:16After you.
01:13:46After you.
01:14:06Signorina Kate.
01:14:08I've been looking for you.
01:14:10Signor Roger and his aunt Margarita
01:14:12need your help.
01:14:16Signorina Kate.
01:14:36I'm back to help you.
01:14:46I'm back to help you.
01:15:16Signorina Kate.
01:15:28Why are you sleeping?
01:15:30What's wrong?
01:15:32At my age, I need a lot of sleep.
01:15:36Do you know what I'll tell you?
01:15:40I think I'm pregnant.
01:15:42Are you pregnant?
01:15:44Yes, I'm pregnant.
01:15:46And it's serious.
01:15:48It's wonderful.
01:15:50What should I do now?
01:15:52What will my mother say?
01:15:56It's Roland.
01:15:58Let's run.
01:16:00Let's hide under the trees.
01:16:02God forbid he sees us together.
01:16:04Who knows what he'll think.
01:16:06It's so unexpected.
01:16:28It's Roland.
01:16:36It's Roland.
01:16:40It's Roland.
01:17:06It's Roland.
01:17:08It's Roland.
01:17:32You know, I'm already a captain.
01:17:34It's great.
01:17:36It's great.
01:17:38Roland.
01:17:40You're even more beautiful.
01:17:42And you're my hero.
01:17:44Look.
01:17:48I always carry it with me.
01:17:50This hole is a bullet.
01:17:54A daring attack.
01:17:58And another bullet hit my captain's cap.
01:18:06And another bullet hit my captain's cap.
01:18:22I gave you a new one, Roland.
01:18:24I gave you a new one, Roland.
01:18:26I gave you a new one, Roland.
01:18:36I gave you a new one, Roland.
01:18:42I gave you a new one, Roland.
01:19:06I gave you a new one, Roland.
01:19:22To health, captain.
01:19:28It seems we have excellent wine to drink for health.
01:19:32And now Roland will tell us an interesting story.
01:19:36Once upon a time, a soldier was walking along the road.
01:19:40The weather was bad.
01:19:42There was a cloud in the sky.
01:19:46But suddenly, he stepped on something soft and fell.
01:19:52And it turned out to be a dead belly of a horse a few weeks ago.
01:20:02He tried to pull his leg out of there with all his strength,
01:20:04but it got stuck.
01:20:06And while he was struggling to get out,
01:20:08he had time to poison himself with a corpse gas,
01:20:12which rose over him with a malicious cloud
01:20:14and died.
01:20:24I think you can't say such a disgusting thing at the table.
01:20:26I think you can't say such a disgusting thing at the table.
01:20:28Well, Roger, this is war.
01:20:30War is disgusting.
01:20:34You grew up and should understand.
01:20:48Come on, let's get started.
01:20:58Now we need to pull it.
01:21:00Are you sure?
01:21:02The doctors said
01:21:04that you can lengthen his leg
01:21:06if you pull it properly.
01:21:08You need to pull it hard.
01:21:12As hard as you can.
01:21:14Are you ready?
01:21:16And so every day for a year.
01:21:20Pull it hard.
01:21:22Don't let go.
01:21:24Higher.
01:21:28One, two.
01:21:30Take it.
01:21:32Take it.
01:21:38It's better without a leg
01:21:40or without an eye.
01:21:44You can choose.
01:21:46What happened?
01:21:48My husband died.
01:21:50And that's what I have left.
01:21:52The identification plate
01:21:54and the bullet that killed him.
01:21:56And nothing else.
01:21:58You always said
01:22:00that he is not good for anything.
01:22:02But he is my husband.
01:22:04If I don't cry for him,
01:22:06who else should I cry for?
01:22:08Hey, let me go.
01:22:10Elaine, Ursula.
01:22:18What do you want?
01:22:20Roger,
01:22:22I have to tell you one thing.
01:22:24I'm pregnant.
01:22:26So am I.
01:22:28No, but Lisa, my sister, is pregnant.
01:22:30From whom?
01:22:32Why are you asking me?
01:22:34And what should I do now?
01:22:36You need to get married.
01:22:38Married?
01:22:40To you?
01:22:42Perhaps.
01:22:46To Adolf?
01:22:48No, definitely not.
01:22:50With such a leg,
01:22:52he is worse than before.
01:22:54For Valentin, maybe.
01:22:56He is nice, polite.
01:23:02But he is a fool.
01:23:06But I can do anything
01:23:08behind his back.
01:23:10Ursula, do me a favor.
01:23:12Do you have a nail polish?
01:23:14Such a red one.
01:23:16No, but you can find it.
01:23:18Then hurry up, it's very urgent.
01:23:24We need to talk.
01:23:26Of course, come in.
01:23:30About one very delicate
01:23:32and a little awkward thing.
01:23:34Are you expecting a child?
01:23:36How do you know?
01:23:38It's the season.
01:23:40What can I do?
01:23:42Well, of course, get married.
01:23:44Yes, but to whom?
01:23:46To Signor Frank.
01:23:48You will make him happy.
01:23:50What else can I wish for?
01:23:52You will be happy.
01:23:56But he must think
01:23:58that his father is a banker.
01:24:00Voila!
01:24:02Wait here.
01:24:04Then we'll solve your problem.
01:24:16Why didn't you knock?
01:24:18Dig here a little.
01:24:22Don't panic, that's enough.
01:24:24What are you doing?
01:24:26Signorina!
01:24:28I'm trying for your own good.
01:24:30Are you mad?
01:24:32Lisa, wait.
01:24:34Try to understand.
01:24:36Lisa, calm down.
01:24:38It's good that you didn't break.
01:24:40Now, Ursula, go to my room.
01:24:42I'll catch up with you now.
01:24:44It's for your happiness.
01:24:46Now you go to Alan.
01:24:48Tell him that you love him
01:24:50and you can't live without him.
01:24:52What do you want to say?
01:24:54Take him to your bed.
01:24:56But he is so kind.
01:24:58We'll see how kind he is.
01:25:00The woman will be able to cope with him.
01:25:04Tell him that this is a duty before the Motherland.
01:25:06Go, or he'll fall asleep.
01:25:16Let's go, aunt.
01:25:20Wait for me.
01:25:30You always have to knock.
01:25:32Remember.
01:25:36Who's there?
01:25:38Open up, it's me, Margarita.
01:25:42Margarita?
01:25:46The sky is so clear today.
01:25:48I wanted to ask you
01:25:50to show me the stars.
01:26:08Be brave.
01:26:10Let's go.
01:26:12The war continues.
01:26:14I don't want to lose you
01:26:16It's not a sin.
01:26:18I was told
01:26:20Padre Gabriel
01:26:22is not like
01:26:24in peacetime.
01:26:42What do you want?
01:26:44Nothing.
01:26:46I have a lot to do tonight.
01:26:48Just one question.
01:26:50Are you pregnant?
01:26:52No.
01:26:54Why?
01:26:56I have to choose my husband.
01:26:58Good night.
01:27:00No, no.
01:27:02No chamomile tonight.
01:27:04Why?
01:27:06I have to castrate myself.
01:27:14No.
01:27:44No!
01:27:54This will bring me luck.
01:27:58I'll take it with me to heaven.
01:28:02I hope I didn't hurt you.
01:28:04A little bit.
01:28:14Good night.
01:28:32And now
01:28:34I only have to wish
01:28:36that God bless
01:28:38your union
01:28:40and send you children.
01:28:42And remember
01:28:44that this is not only
01:28:46your Christian duty.
01:28:48And in this difficult time
01:28:50it is undoubtedly
01:28:52a patriotic duty.
01:28:54And today, as never before
01:28:56the Motherland
01:28:58needs new forces
01:29:00to protect it.
01:29:02We must
01:29:04replenish the population
01:29:06of our country.
01:29:08Yes, the Motherland
01:29:10needs new forces.
01:29:12We must replenish
01:29:14the population
01:29:16of our country.
01:29:18We must replenish
01:29:20the population
01:29:22of our country.
01:29:24We must replenish
01:29:26the population
01:29:28of our country.
01:29:30We must replenish
01:29:32the population
01:29:34of our country.
01:29:40We must replenish
01:29:42the population
01:29:44of our country.
01:29:46We must replenish
01:29:48the population
01:29:50of our country.
01:29:52We must replenish
01:29:54the population
01:29:56of our country.
01:29:58We must replenish
01:30:00the population
01:30:02of our country.
01:30:10If there is a boy,
01:30:12I will call him Roger.
01:30:14And I will call him Ursula.
01:30:16And you, Ursula?
01:30:18Yes, Ursula.
01:30:20And what will you call him?
01:30:22Maybe me too.
01:30:24But why everyone calls me Roger?
01:30:26Why do I have such an honor?
01:30:28Hi, Bertha.
01:30:30Hi, Kate.
01:30:32Hi.
01:30:34And you?
01:30:36Won't you do anything
01:30:38for me?
01:30:40No, because I am English.
01:30:44These were wonderful
01:30:46holidays.
01:30:52We will not stay long.
01:30:54See you in the city.
01:31:00Goodbye, Roger.
01:31:02Goodbye, Roger.
01:31:04Why goodbye?
01:31:06Because I am leaving
01:31:08to live in the city.
01:31:10And Valentino?
01:31:12Valentino is my husband.
01:31:14Now you know
01:31:16why you need a husband.
01:31:18But if you will be in the city,
01:31:20we will meet there.
01:31:22Don't think, Roger.
01:31:26Do you remember
01:31:28how I wanted to marry you?
01:31:30Don't you feel anything
01:31:32about me?
01:31:34I didn't want to think about it.
01:31:36I pretended that I didn't.
01:31:38But you will see.
01:31:40It will pass.
01:31:44Maybe one day
01:31:46you won't remember my name.
01:31:48I will always remember it.
01:31:50And you?
01:31:52Me too.
01:31:54Roger!
01:31:58Well, I'll go.
01:32:00I still have to load the suitcases.
01:32:04Goodbye.
01:32:12Can I help you,
01:32:14Roger?
01:32:16Elena!
01:32:18You too?
01:32:20Yes, me too.
01:32:22But you need to find a husband.
01:32:24Why?
01:32:26There is no need.
01:32:28Your father is calling you.
01:32:30Thank you.
01:32:34Move, Roger.
01:32:36We are late.
01:32:50I brought you
01:32:52some fruit.
01:32:54I picked it myself.
01:32:56Thank you.
01:32:58Goodbye.
01:33:04I want to warn you.
01:33:06There are many temptations
01:33:08for a young man
01:33:10in the city.
01:33:12Especially
01:33:14in wartime.
01:33:34THE END
01:33:36THE END
01:33:38THE END
01:33:40THE END
01:33:42THE END
01:33:44THE END
01:33:46THE END
01:33:48THE END
01:33:50THE END
01:33:52THE END
01:33:54THE END
01:33:56THE END
01:33:58THE END
01:34:00THE END
01:34:02THE END
01:34:04THE END
01:34:06Roger!
01:34:32THE END
01:35:02THE END
01:35:32THE END
01:35:34THE END
01:35:36THE END
01:35:38THE END
01:35:40THE END
01:35:42THE END
01:35:44THE END
01:35:46THE END
01:35:48THE END
01:35:50THE END
01:35:52THE END
01:35:54THE END