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00:00Iñigo didn't do it with malice. He was just wrong.
00:08And if he was wrong, shouldn't you forgive him?
00:14I don't know if I can, Clarita. It hurt me a lot that he doubted me.
00:20Well, you're the older sister. You'll know what to do. But I don't want you to be sad.
00:27Of course not. But for that I have my little sister to cheer me up.
00:32Don't worry about me. I'll tell you how things are going. And together we'll solve it.
00:39Do you agree? I agree.
00:42Very good. And now tell me something to cheer me up.
00:46I'm very happy. I have a new friend.
00:51Come on, what's her name?
00:52Lara. She's very, very nice. And she tells me very funny things. We have a lot of fun together.
00:59That's great. That's great that you have a new friend. I haven't seen you smile like that in a long time.
01:06We've been through a lot. But when I'm with Lara, I forget almost everything.
01:13How lucky that a new girl has come to your class.
01:16Yes. Yes, very lucky, right?
01:21What you just told me makes me very happy. See how good we are together?
01:27Oh, my little thing.
01:31Come on, let's go to a ball.
01:33Let's see. And this house, what? Where are you going to put the piano?
01:39We can put it here, look.
01:42Like this.
01:45Is it recovering?
01:47Little by little.
01:50Oh, my God, what a fright.
01:52Poor thing.
01:54It must have been a very big scare. It's been a while and she's still shaking.
01:59Oh, yes. Have you ever been attacked? It's terrible.
02:06Here you go. Be careful, it's very hot. It's a double-sided tape.
02:12Thank you. I hope it covers a little.
02:15A little.
02:19Everything happened so fast that I can hardly tell what happened.
02:24The thief pushed me and I could hardly defend myself.
02:29Did he steal a lot from you?
02:33He couldn't steal much from me. I barely had any coins.
02:38The worst thing is that they stole a silver medal from me with the name of our son.
02:43I had a lot of affection for him and I have carried it with me all these years as my only treasure.
02:52The medal of Giancarlo.
02:56The medal of Giancarlo. Do you know how important it was to me?
03:01You gave it to me the day he was born. You made them engrave his name. Do you remember?
03:10Of course I remember.
03:13It was the happiest day of my life.
03:18It was a silver medal with a virgin and her child on one side and our son's name on the other.
03:26It was just a few grams of silver, but for me it was the most valuable thing in the world.
03:34It cost me a couple of days of work.
03:36And a good time of conversation for them to engrave Giancarlo's name on me at that very moment.
03:42It was a beautiful thing for you.
03:47As much as you have kept it all this time.
03:56The truth is that when they stole it from me, I didn't know what to do.
04:02The truth is that when they stole it from me, I went to the Mount of Piety to beg for it.
04:09And why? You loved him, didn't you?
04:13Yes, but I wanted to have some money to thank you for everything you are doing for me.
04:21You don't have to worry. Here we are. For everything you need.
04:28I think we shouldn't keep complaining.
04:32I mean, the best thing would be to go to the police, to be part of the robbery,
04:36and with a little luck they have found Caco and the matter is settled.
04:42The truth is that I don't feel like going anywhere.
04:47What I need the most is a little peace and quiet.
04:52Of course, of course. We'll let him recover.
04:55We'll let him recover. Let's go, Pietro. We'll let him rest.
05:01Pietro, could you stay a little longer with me?
05:10I'll leave you. Thanks.
05:26I'm getting more and more tired of spending our dead hours in this confinement.
05:32And it's getting harder and harder for me to find excuses to get rid of the service.
05:38The servants around are starting to ask for as many days off as we give them here in this house.
05:44We are promoting a revolution.
05:49In the end they are going to take it for a Bolshevik.
05:52In the end they are going to take it for a Bolshevik.
05:56It's not to take it for a joke. The situation is being unsustainable.
06:00You have to think about what country you want to travel to.
06:06I've always liked Argentina.
06:09A long boat trip will do you good to get some fresh air after your confinement.
06:14That's why I prefer to go to the mountains.
06:16Today, Switzerland is ideal.
06:19I know a hotel in Lausanne that you'll love.
06:23Although it's much better if you go to South America.
06:26Mother, stop beating around the bush. Tell me, what are you up to?
06:30Can you imagine?
06:32I've taken out the train and boat tickets.
06:35You're leaving this house in five days.
06:38I see you're not wasting time.
06:40The situation is not to be taken lightly.
06:42You'll take a train to Lisbon and from there a boat that will take you to America.
06:47You'll be able to start a new life with the identity you choose and in the country you like.
06:53I'm surprised how far he's able to go.
06:56Think about it. We have no other option.
06:59Well, it's easy to say when you're not the one who has to leave your house and pack your bags.
07:05I didn't expect him to do all this behind my back, really.
07:08It hurts me to hear you say that when I've been telling you for so long that you can't delay your departure.
07:14Yes, that's true.
07:16But in the end, it's a decision that only belongs to me.
07:19No, it belongs to both of us.
07:21Because if they end up arresting you, you'll drag me with you.
07:25Not necessarily.
07:27Have you forgotten Fabio's threats?
07:30No, mother. I remember them perfectly.
07:33Well, doesn't it seem so?
07:35To judge by the innumerable exits to the street you keep making.
07:39As Fabio ends up discovering you, don't hesitate to go to the police.
07:43I know perfectly well the risk I'm taking.
07:45The risk we're taking.
07:47Well, the risk we're both taking. Whatever you want to call it.
07:51The thing is, I still can't go anywhere.
07:56Not until I finish a matter. A personal matter.
07:59I'm more and more certain that you're lying to me.
08:02And that you're going back to the charge against Matilde.
08:04No, that's not true.
08:06It's something else.
08:08I can't believe you.
08:11Well, if you're so sure that I'm not being honest, ask Fabio.
08:16Have him investigate with Íñigo to see if something has happened in the environment of that wretch.
08:21And he'll see that he can only tell him that everything is calm.
08:24I don't care what Fabio finds out.
08:28In five days, you take a train to Lisbon.
08:32For better or for worse.
08:35Oh, and you have 40 minutes to get back to work.
08:39Take advantage of it however you want.
08:58Thank you very much for your visit.
09:00It's the least I could do. Don Fermín told me everything.
09:03Thank you very much.
09:05How are you?
09:07Perfectly, if it weren't for the elf I have in here that is hammering my head.
09:12From what I understand, no relevant injury has been noticed in the medical recognition.
09:17Nothing. I think that in a few days I will be completely recovered.
09:21If you need anything, please, don't hesitate to ask me.
09:25Thank you very much, Íñigo.
09:26But the truth is that Inés and Laura are taking care of me as if I were the queen of Saba.
09:31Not at all.
09:33The doctor has prescribed him a rest and he will not move from here until he is fully recovered.
09:37Inés, I don't want you to disobey your obligations.
09:40But I can work from here, calling the clients and my uncle.
09:45If it is thanks to the phone, the day will come when everyone can work from home.
09:50Well, for that you will have to spend a lot of time.
09:53Businessmen like to see their employees work.
09:56And well, I think the future will be darker than that.
09:59You just have to go out to the street to check it.
10:04Íñigo, is something wrong?
10:08No, no, no. The thing is that I have a lot of problems at work, you know.
10:14And speaking of work, I have to go to Madrid.
10:17I have a meeting with some suppliers.
10:20The party we organized was useful, huh?
10:22Well, yes, the shooting was forgotten.
10:25And besides, yesterday we had a very good night. Nobody wanted to leave.
10:28I'm glad to hear that.
10:30Thank you very much. Yesterday we had the best night since the reopening.
10:34I have thought that we could have more parties like that.
10:38To cheer up a little more in Madrid Cabaret.
10:40Count on me for the next one.
10:42Yes, yes, I think we can do it when he recovers, obviously.
10:45That would be very good for the business and for me too.
10:48So as not to think about those problems.
10:52Well, we'll talk about that.
10:57How did it go? Have you left your mother quiet at home?
11:00No, she didn't want to stay.
11:02Well, we're ready. With that woman loose, anything can happen.
11:05Don't worry, because I convinced her to go for a walk in the Retiro.
11:10And then she's going to see some pictures in the Prado.
11:12And then to the Gran Villa, if she's there, I told her to go have a codfish on Calle Tetuar.
11:16Come on, she's going to be entertained all day.
11:19And when she gets home, she won't have the energy to open her mouth.
11:22I don't think it's going to be like that.
11:24Yes, love, this plan can tire anyone.
11:28I'm telling you no. She's coming in through the door.
11:31What?
11:34Look who I found.
11:36Well, I was serving a table on the terrace and suddenly I saw Leonora approaching.
11:41And she looked at Elías.
11:43Please, don't be so fulfilled that I'm going to rummage.
11:45Let's see, there's no lack of truth, woman.
11:47Seeing you arrive is like seeing spring come.
11:49The waiter is as kind as Elías.
11:51I'm not surprised that this tea room has such a good reputation.
11:54Well, here we are at your service and we are delighted to be able to help you.
11:58And attend to her.
12:00Well, thank you very much, Elías.
12:02Mother, what are you doing here? I was meeting the girls.
12:06Yes, but I have changed my plans.
12:08I have decided to come to see my daughter and my son-in-law.
12:10Your son-in-law? Son-in-law?
12:12I call him son-in-law because in a short time I have taken a lot of affection from him.
12:15And so I am used to when they get married.
12:18Fastidious.
12:20You are not the only one who is beautiful.
12:22You are as foresighted as the camera.
12:24Yes, yes, I always like to go first.
12:26Have you bought the dinner for the three of us?
12:28For both, both, both.
12:30You eat for two and I for one.
12:32A total of three.
12:34Well, yes, yes, I'm going right now.
12:36Excuse me, Mrs. Lenora.
12:38I have to go.
12:40Should I call the duty?
12:42Run, run, don't let them call your attention because of me.
12:44No, a pleasure.
12:46Bye.
12:48Really?
12:50Oh, my daughter, how happy, how lucky you are to work in a place like this.
12:55How dare you come here?
12:57Oh, well, I was looking forward to taking an infusion in such an elegant place.
13:02In addition, the Prado Museum, daughter, let me know.
13:04How boring.
13:06There are only paintings.
13:08Well, mother, you could have thought of another place.
13:10In the end, they will find out that we are married, and I'm pregnant.
13:13She has to leave as soon as possible and without talking to anyone.
13:15Oh, but why?
13:17If you have already seen how well I have come out when I called you yesterday, right?
13:19Well ...
13:21Leonora, if you are not in a hurry and you want to wait for me at my break time,
13:27if you want, we could take a walk in the gallery and show you the surroundings.
13:32Well, and I'll tell you a series of curiosities that very few people know.
13:36Oh, well, what an illusion, it seems to me a divine idea.
13:39Well, look.
13:41Well, said and done.
13:43I accompany you to your table.
13:46Come on.
13:48Are you seeing the same thing I'm seeing or is it a nightmare?
13:52It is not.
13:54It is happening.
13:56Yes.
13:58Yes, don't worry, Mr. Sanz.
14:00My uncle will receive you next Thursday at 11.
14:02Yes.
14:05Very good.
14:07Very good.
14:09Goodbye.
14:11Goodbye.
14:13How is your voice today?
14:15Better than yesterday?
14:17Well, more or less the same, the truth.
14:20Are you still doing gargles with the oregano infusions?
14:23Yes, but it's useless.
14:25I have decided not to return to the specialist that Mrs. Juánez recommended to me.
14:29How?
14:31Inés, please, if she has given you her contacts because she thinks you are a good specialist.
14:35Yes, but I don't trust her as much.
14:37Going to the specialist's consultation seems like a waste of time and money to me.
14:41Inés, I think you are a little lost in this matter.
14:45Yes, I'm desperate.
14:49I'm disappointing so many people that ...
14:52Don't be so hard.
14:54You have to be patient.
14:56You're not going to fix this overnight, much less alone.
14:59So, please, rethink leaving the specialist.
15:04No, what I have to do is continue with my work and that's it.
15:07Well, go, go to work, I can stay alone.
15:10You can't organize everything from here.
15:13Well, the truth is that I have to talk to my uncle and I never pick up on the phone.
15:19But you promise me that you are not going to move from here.
15:22I promise you.
15:24I'm not going to move a finger.
15:26Don't lie to me.
15:28Go, calm down, really.
15:31I just want to rest.
15:34I just want to rest.
15:47Come on, Antonia, hurry up, I'm sure Esperanza is already looking for me.
15:51Don't worry, I've already talked to her, I told her you were with me and she gave us five minutes.
15:55I need to talk to you.
15:58How can we help you?
16:05Did you see anything strange in Lucia after the robbery?
16:09No, the woman was hot, crying and excited.
16:14But well, like anyone who would have been scared like that.
16:17I see.
16:18And did she call Pietro?
16:20Yes, she called him for help.
16:22He was very nervous.
16:24Don't you think she was exaggerating a little?
16:27I don't think so.
16:28A scare like that is not fake.
16:29Come on, I thought she was stuck there.
16:32And if there are no more questions, I'm leaving.
16:34Miguel must already be thinking that I'm cheating.
16:36Yes, if you didn't see anything strange, I don't have anything else to ask you.
16:38Thank you very much.
16:46What is this interrogation for, Antonia?
16:48What is it about?
16:49About that woman?
16:51I don't trust anything about her, Marta.
16:54Neither her nor anything that can tell us what happened to her.
16:57You wouldn't believe it's a robbery story.
16:59I don't believe it.
17:00Look, when she came to you, she was going to give you a heart attack.
17:02Well, I'm not saying anything,
17:03but she's been told to steal Marra's little medal.
17:06I don't know what good it can do to make you want to do the only thing you have.
17:09Oh, well, if that's what it's for,
17:11so that Pietro remembers everything they've lived together,
17:13everything he loved.
17:14The thing came out cheap, huh?
17:16I don't know, Antonia.
17:17You have to have a very twisted fang, Lucia,
17:19to make up such a lie.
17:21Or not.
17:22This happened just when I told him I was going to fight
17:25for what I have with Pietro, with nails and teeth.
17:27It's no coincidence, Marta.
17:28It's no coincidence.
17:30Well, let's see.
17:31Now that you mention it,
17:32Pietro tears up every time he remembers that little medal.
17:36Well, she's already told me three times the story
17:38of how she went to buy it when her boy was born.
17:41Well, and now that she says she's so scared,
17:43they didn't separate, not even with hot water, from her.
17:47Man, seen like this,
17:49it may seem like a scam, yes.
17:51I'm convinced, Marta.
17:52And more and more.
17:55And what is she going to do?
17:56Well, since she's a little careless, Lucia beats Pietro.
17:58Yeah, I don't see any plan.
18:00Well, she'll have to think of something.
18:01Well, she's going to improvise, huh?
18:02And what is she going to improvise?
18:04If I knew what I was going to improvise,
18:05it wouldn't be improvisation, Marta,
18:06which has a few things.
18:07The only thing I'm telling you
18:08is that I'm not going to give her any of this land.
18:10I'm going to have her more watched
18:11than the gold of the Bank of Spain.
18:13Come on, let's go.
18:14The vampire is waiting for us.
18:20Well, with Mr. Sanz's meeting on Thursday,
18:22he has the whole agenda.
18:24My God, I know I'm just a hotelier.
18:27What will the agenda of the President of the Republic be like?
18:31Well, I'm sure he has more free time than you.
18:35Don Fermín, would you have a moment for me?
18:38For you, Agustín, I have all the moments I need.
18:41Come in, please.
18:44Look, I was talking to the other businessmen in the gallery.
18:47We all agree with you
18:49that the only reason I would explain
18:50that Mrs. Bárbara has rejected the purchase offer
18:53is that she is waiting for a counteroffer from us.
18:55Well, of course.
18:56She will try to express everything she can to her tenants.
18:59But we have to remain cautious and safe.
19:03I completely agree.
19:06How are you feeling?
19:08Have you regained your voice?
19:11Well, I'm recovering little by little.
19:12It doesn't make sense for you to lie to Inés.
19:14Tell her the truth.
19:15Tell her that you are sinking more and more
19:18and that you can't find a solution to this problem of yours.
19:20Is that true?
19:24Let's see if this can change things.
19:29I have been in contact with Mrs. Juánez.
19:32She told me that she would be willing
19:34to hold a telephone conference from Paris with you
19:38to deal with the issue of her throat.
19:40That's news, Inés.
19:42I'm sure that woman will get you out of the well you're getting into.
19:45I would even be willing to book a few hours
19:48to see her personally on her next trip to Madrid.
19:54What's going on?
19:56Are you upset because she took the initiative?
19:59Because if that's the case, I'm really sorry.
20:01No, I'm not upset.
20:02Well, I'm very happy.
20:04Because if I've acted like this, it's because of the affection I feel towards you
20:07and also because of my own interest.
20:09But what interest could I have in a singer without a voice?
20:12I know a lot about you.
20:14I know how to perfectly recognize the person who is going to become a star.
20:17Listen to him, Inés.
20:18Agustín has been in this business for a long time.
20:21He knows what he's saying.
20:22Have faith.
20:24I know you can show the world everything that's worth it.
20:26I promise you.
20:28I really feel overwhelmed with so many emotions.
20:31And I'm not exaggerating.
20:33Your recovery depends on you.
20:38I hope I don't disappoint you.
20:40No, no, I'm sure you don't, darling.
20:42But you have more hopes in me than I do.
20:46And I can't guarantee anything.
20:49I don't care about that.
20:50Agustín, there's a function waiting for you.
20:54If you'll excuse me, I have to go and take care of some things.
21:04Agustín, I have to thank you for everything you're doing for my niece.
21:07Everything.
21:08You don't have to thank me.
21:09I really do it with pleasure.
21:10The only thing is...
21:12I'm worried that I'm putting too much pressure on her.
21:14No, no, I don't think so.
21:15That pressure might even be good for her.
21:18Now, the most important thing is that she doesn't give up.
21:25And ask me for ten bottles of bleach.
21:27To be able to clean the services.
21:29They run out in one breath.
21:31If it wasn't because of the poison, I would say that someone drinks the bottles.
21:36Sorry to tell you, Teresa.
21:38But if I have to wait for you to make the order,
21:40I'm going to have to disinfect the toilets with soda.
21:44Excuse me, I've lost my mind.
21:46I have a lot of things on my mind.
21:49Let's see.
21:50If you want, I'll look at what's needed and I'll bring you the list later.
21:55Ah, perfect.
21:56Perfect, yes.
21:57The only thing is that it's not silk.
21:58Then they tell us that we spend a lot.
22:00I'll ask for the right amount.
22:01But you can't be stingy when it comes to cleaning.
22:03That's like asking a bricklayer to put a few bricks on a wall.
22:07It can't be.
22:09Yes, yes, yes.
22:14Are you absent?
22:19I spoke to Maria Cristina.
22:26And did she tell you everything she knows about Mrs. Lázara?
22:29Well, I had to practically kneel down and beg.
22:32But in the end she realized that this was very important to me
22:35and that I needed to know the story.
22:37So yes, she spoke.
22:40And the story has substance.
22:41And the story has substance.
22:44A lot.
22:45Come.
22:56Well, let's see.
22:58According to Maria Cristina,
22:59Mrs. Lázara was the most insufferable and untreatable in charge
23:03that has passed through the Madrid-Paris warehouses.
23:05I don't miss her at all.
23:07Well, you won't be surprised that she was the bosses' favorite
23:10because she made the employees work to exhaustion.
23:14At the moment, nothing new for us.
23:16Well, hold on, there are curves coming.
23:19It turns out that everything went wrong for Mrs. Lázara
23:21when one of the employees who were in charge had a very serious accident.
23:27And is it Mrs. Lázara's fault for the accident?
23:30It turns out that Mrs. Lázara asked one of the employees
23:33to dispose of the waste of the day,
23:35throwing them in the boiler of the warehouses.
23:38And of course, as the girl was a little thing,
23:40she was exhausted because Mrs. Lázara forced her to double a lot of shifts,
23:44well, when she went to throw them out,
23:47do you know what happened?
23:48She fell into the boiler.
23:51She fell into the boiler?
23:54Well, yes.
23:55On her head.
23:58The employees were concerned,
24:00but little by little they began to point out to Mrs. Lázara
24:02as the culprit of this incident.
24:06And it was such a big scandal that they finally fired Mrs. Lázara.
24:11They should have denounced her for being the only one responsible for this accident.
24:14Well, yes, but they didn't.
24:17Of course, María Cristina cannot understand that this woman
24:19is now again in a position of responsibility with people in her place.
24:23And less in a hall as important as this one.
24:27I am not surprised that she had her head elsewhere.
24:29What a tricky story.
24:32Look, I honestly believe it.
24:34But I also think we should talk to more people about this.
24:37Yes, yes.
24:38This afternoon I will go through the warehouses
24:40to see what is being said out there about the matter.
24:42I just hope that the story is not as serious as that woman has told you.
24:47Because if it is,
24:49and Mrs. Lázara is so dangerous,
24:52you can get out of it and uncover this matter, Teresa.
24:56I see.
24:59Well, it's a risk I'll have to take.
25:04Bye.
25:18I came to invite you to the cinema.
25:21It seems a lie that being the owner I don't know what.
25:23It's closed and there is no session today.
25:25Well, it's closed to the public,
25:28but not for us.
25:30Are you inviting me to a private session?
25:33I got a copy of The Blue Angel,
25:35Marlene Dietrich's latest film.
25:37I'm sure she will love it.
25:39They have never put a film for me
25:41and I would love to see it, but...
25:44I can't today.
25:49But your plans are so important that you can't change them for another day.
25:55Really, I would love to, but no.
25:58I can't change them.
25:59Then I guess we'll have to postpone the cinema and...
26:03Yes, I'm sure she doesn't mind.
26:05Yes, yes, no, no, no.
26:06I understand perfectly well that there are conversations that cannot be postponed.
26:11I myself have had a very important conversation with her sister today.
26:18Did she tell you about Mrs. Juánez?
26:19Just that, yes.
26:21And what? How did she take it?
26:23Well, on the one hand, I think she felt grateful for the interest I was showing her,
26:28but on the other hand, I think she felt that I was pressuring her.
26:32Well, it's okay. Sometimes my sister needs a push.
26:36That's what her uncle said, that he was present while we were having the conversation.
26:41However, I have my doubts.
26:44Don't worry, I'll be watching to see how it fits.
26:48Okay. Well, I'll let her keep working.
26:52Wait, we'll leave the cinema for another day.
26:55Count on it.
26:57Anyway, now you focus on the conversation with Celia.
27:00I imagine it's because of Germany, right?
27:02Yes, yes. That's why.
27:05I don't want to lose her.
27:06She's my best friend, but she chooses what she chooses.
27:09I won't have anything to object to.
27:12Good luck.
27:22Look, I had to make the list myself to order the cleaning products.
27:26Teresa has always been in charge of that, but today she was like in Bavia.
27:30She didn't even listen to me.
27:31Come on, more or less like you.
27:34You're on my side like the one who listens to Llobet.
27:37Oh, sorry, sorry. What were you saying? Let's see.
27:40Nothing, it wouldn't be of great interest either.
27:42It's just that today no one listens to me.
27:46I'm dead. I'm a soul in pain.
27:48And I didn't even realize it.
27:50I'm sorry, Esperanza.
27:51I'm sorry, there are so many problems at work that I'm going crazy.
27:55And you'll have a big problem.
27:57You'll run out of wrapping paper.
27:59Well, I'm sorry, but that would be a problem.
28:02Each job has its secrets, its difficulties.
28:05But you're only dedicated to cleaning.
28:08Well, you didn't get an engineering degree either, let's say.
28:11Hey, aren't you going to set up a scene in the living room?
28:14What's going on?
28:15I don't know what's wrong with Trini.
28:17And besides, since she doesn't listen to me, I also lack respect.
28:20Don't worry, I'll talk to her later.
28:22You could stop by the reservation to take a look.
28:24We have clients later.
28:25And if she were a teacher?
28:34But how dare you poke Esperanza like that?
28:36It seems a lie that you don't know her.
28:37I'm sorry, I'm sorry.
28:38It's just that since Elias and my mother have gone for a walk, I've been...
28:42They haven't come back yet?
28:43No.
28:44And every second that passes, it's an opportunity for my mother to step in and discover the cake.
28:49And on top of that, I've been left alone with this issue.
28:51Because Miguel has gone there to guard the bookshop.
28:54I'm here more alone than ever.
28:55Could you help me?
28:56I don't know how.
28:58Well, when my mother and Elias come, please help me separate them.
29:03Trini, I already told you that this was going to go from bad to worse.
29:07That the ball of lies you've gotten yourself into won't stop growing.
29:11And in the end, it's going to take you down.
29:13I need help.
29:15Not arguments.
29:17Well, count on my help, because Chaparrón is coming.
29:20Sweetie.
29:22How are you?
29:23Oh, look what I bought.
29:25They're ducklings.
29:27No, no, no.
29:28But, but, but, mother.
29:29Why, why did you buy that?
29:33Because it's normal.
29:34So that the newlyweds don't get cold feet.
29:37Well, there's no newlyweds here.
29:40And there won't be, as far as I know.
29:42No, no, not that I know.
29:44But they're for a friend of mine from Fuencarral who got pregnant.
29:48Ah, of course, of course.
29:49Let's see what a detailer you are, Mrs. Eleonora.
29:51Well, I've had a very good guide who has taken me to very shabby shops.
29:55You're worth the same for a seamstress as for a broken one.
29:58Well, it would be worth it to organize weddings, if they let me.
30:01Yes, it's a shame that my daughter doesn't need it, since she's already married.
30:04But, but, what are you saying, mother?
30:06That I'm married?
30:07Well, that you don't need it,
30:09because since she already has everything so well prepared, right?
30:12It's as if she were already married.
30:14The house is full of children.
30:16Well, maybe a little hurry, Eleonora.
30:18Because they haven't even gone on a honeymoon yet.
30:20No, but meeting my Trini, the day I least thought about it, I'm already a grandmother.
30:26Elias, your break seems to be turning into a vacation.
30:30You have a couple of tables on the terrace to attend to.
30:32Ah, I'm flying, boss.
30:34See you soon, Elias. Thank you for everything.
30:36What, what, what? See you soon?
30:38Yes, because we agreed to meet again.
30:40If you don't mind.
30:41Well, thank you.
30:42No, shut up. No, it's not a problem.
30:44I'd love to go for a walk together again.
30:46It's a shame that I have to leave so soon.
30:48Shall I walk you to the door?
30:51I don't know which one of you wants to see each other the most.
30:54I'd say your mother.
30:55Look, it doesn't matter.
30:56I mean, whatever it is, I'm sunk.
31:03I already have the tickets for my daughter.
31:05She already knows that in five days she has to take a train to Lisbon.
31:10I don't know what to do.
31:12I don't know what to do.
31:14I don't know what to do.
31:16I don't know what to do.
31:18I'm planning to take a train to Lisbon and take a boat from there to take her to America.
31:23Very good. The sooner the better.
31:26But she isn't digesting it easily. She already knows her.
31:29I already know her pretty well.
31:33Even too well.
31:36That's why I hope she knows her departure is not negotiable.
31:39She will leave, yes or yes.
31:41Even if it's by force.
31:43I'm willing to put her in a trunk if necessary.
31:45No hará falta llegar a tanto. Espero que entre en razón antes.
31:51Le guste o no, sabe que es la única salida que tiene.
31:56Quiero suponer que desde que se lo pedí no ha vuelto a salir de esta casa.
31:59Por supuesto que no. Habrá asomado un par de veces la cabeza por aquí, pero te garantizo que de esta sala no ha salido.
32:05Te creo, te creo. Por lo que sé, ha dejado en paz a Matilde.
32:09Antes te valía con mi palabra.
32:12¿Cuánto han cambiado las cosas entre nosotros?
32:15Bárbara, no puede ser de otra manera después de lo que ha ocurrido.
32:20Lamento haberte engañado con la falsa muerte de Carla. Pero es que no tenía otra salida.
32:26Me he sentido muy mal desde entonces.
32:30Traicionado en lo más profundo. Nunca pensé que pudieras hacerme algo así.
32:36Lástima que nuestra relación ya no tenga ningún sentido.
32:42Yo lo siento con toda mi alma.
32:46Mi afecto por ti me hacía sentir morir cada vez que tenía que engañarte.
32:51Podrías haberme contado la verdad.
32:53¿Y lo habrías entendido?
32:56Una madre se ve obligada a hacer cualquier cosa para proteger a su hija.
33:01Y por eso me vi obligada a engañarte, a pesar de lo que siento por ti.
33:06Ojalá pudiéramos dar marcha de vuelta.
33:08Y borrar de un plumazo estos últimos meses.
33:12Fabio, yo no quiero perderte.
33:17Mis mentiras lo único que buscaban era protegerte.
33:21Si llegas a saber la verdad desde el principio, te habríamos implicado como cómplice.
33:26Y eso no podía ocurrir.
33:29Lo último que quería era arruinar tu carrera como político y como diplomático.
33:34Lo último que quería era arruinar tu carrera como político y como diplomático.
33:40No dudo, Bárbara, no lo dudo.
33:43No dudo que obraras con la mejor de tus intenciones.
33:46Pero en nuestra relación debería haber prevalecido la sinceridad. ¡Siempre!
33:54Si en algún momento pudiéramos vivir una situación parecida a la de antes,
33:59te juro que así sería.
34:04Aunque hoy todo esto es solo una quimera.
34:08¿Quién sabe? ¿No?
34:12¿Quién sabe lo que nos puede traer el futuro?
34:18Siempre que este asunto esté terminado y Carla por fin esté bien lejos de aquí.
34:33No, Marta, eso déjalo, que todavía no está seco. Luego vendré a por ello.
34:40Quería pedirte perdón por no haberte devuelto todavía la caracola que te regaló Salvita.
34:44Es que no hay manera de que Clarita la suelte.
34:47No te preocupes. Puede quedarse el tiempo que quiera.
34:50Si siempre se escucha el mismo mar.
34:53Pues a Clarita la tiene hechizada.
34:56Entre eso y la casa de muñecas, está entretenidísima.
34:59Bueno, pues eso es lo importante, que la niña esté a gusto.
35:04Fue todo un detalle que te regalara eso el hijo del librero, ¿no?
35:09Sí, sí, estuvo muy atento.
35:12Demasiado para ser un simple amigo.
35:15Bueno, igual es algo más.
35:19Pero una chispita más, no te creas.
35:23Vamos, que te gusta el muchacho.
35:27Sí, bueno, estoy muy a gusto con él.
35:29Y eso que somos muy distintos, pero...
35:33Pues disfruta mientras estés bien con él.
35:36Y quería agradecer también que nos hayáis acogido en vuestra casa.
35:40Nada, Antonia y yo estamos contentísimas de que estéis las dos aquí.
35:44Además, a Antonia la viene bien distraerse.
35:46Que desde que llegó Lucía tiene la cabeza llena.
35:49Pobre, está desesperada para que esa mujer se vuelva a su tierra.
35:53Aunque me figuro que Pietro también lo estará pasando muy mal.
35:56Al fin y al cabo es la madre de su hijo.
35:58Y ella no para de recordárselo.
36:00Y desde el atraco más.
36:02Está todo el día intentando llamar la atención de Pietro y él no se la niega.
36:07Espero que esto no termine mal como otras veces.
36:12Bueno, supongo que querrás hablar de otro tema, lo siento.
36:15No, no te preocupes.
36:17Ten en cuenta que la que tomó la decisión de separarme fui yo.
36:23Matilde, no me gusta verte así.
36:26Marta es muy doloroso, pero no pude hacer otra cosa.
36:29Íñigo tuvo que creerme con el tema de Brígida y he hecho lo que tenía que hacer.
36:33Y estoy bien con la decisión que he tomado.
36:37Podrás engañar a otro, pero a mí no.
36:39Dime la verdad, Anda.
36:42Está bien, no sirve de nada engañarse.
36:46Está siendo una ruptura más dura de lo que yo pensaba.
36:50Fíjate que hoy he tenido que hablar con él para que me reservara una mesa en el Madrid Cabaret
36:54para unos miembros de una convención que estoy organizando y...
36:57casi me pongo a llorar en mitad de la conversación.
37:01Eso es porque le sigues queriendo.
37:03No he dejado de hacerlo.
37:05Sigo amando a ese hombre con toda mi alma.
37:09Pues algo tendrás que hacer, Matilde.
37:11O volvéis o ponéis tierra de por medio.
37:16Más bien lo segundo.
37:19Me estoy planteando irme a Jerez con Pablo y mi tía Concha.
37:24Si os vais, os echará mucho de menos.
37:27Todos.
37:30Bueno, ya veremos.
37:32De momento estamos bien aquí.
37:34Clarita está muy feliz.
37:35Tiene una nueva amiga.
37:37Hoy ha estado jugando con ella y ha vuelto muy contenta.
37:40Al menos la mitad de las hermanas está bien.
37:54Con permiso.
37:55Me han dado recado de que quería verme.
37:57Sí, pase, pase.
38:00Pase.
38:02¿He hecho algo mal o...?
38:04Por supuesto que no.
38:07Doña Laza, en primer lugar...
38:10quería verla para proponerle algo.
38:14Es obvio que entre nosotros, entre usted y yo, ha surgido...
38:18cierta confianza.
38:19Y creo que no estaría de más que nos tutelamos.
38:25Me parece bien.
38:27Pero le agradecería que lo hiciéramos en privado.
38:30Como guste.
38:31Como gustemos.
38:32Como gustes.
38:36Bueno, considero que es mejor así.
38:38Y creo que podría perder cierta autoridad.
38:43Si usted me tutea delante de los empleados.
38:45Perdón, perdón.
38:46Si me tuteas delante de los empleados.
38:49Parece que nos va a costar un poco acostumbrarnos a tanta confianza, ¿no?
38:53No lo creo.
38:55¿Hay algo más que me quieras decir, Fermín?
38:59Sí, sí.
39:01Sí, también quería pedirle que volviera.
39:05También quiero pedirle que vuelva.
39:09También quería pedirle que volviera.
39:11También quiero pedirte que vuelvas a acompañarme al teatro.
39:17Me han regalado dos entradas de palco
39:19para la obra de Rafael Alberti, Fermín Galán.
39:23Título es muy apropiado.
39:25A lo mejor hablan de ti.
39:28¿Qué cosas, qué cosas tiene usted, don?
39:32Mazalana.
39:37Bueno, no lo sé.
39:38A lo mejor estamos yendo demasiado rápido.
39:41Quiero decir, primero lo de tutearnos y después hacer planes los dos solos.
39:46La gente es muy malintencionada y a lo mejor hay habladurías.
39:51A mí eso no me importa.
39:53Pero si tú te sientes más cómoda,
39:56volveré a insistir con lo del teatro.
39:59Aunque te recuerdo que tenemos una excursión pendiente.
40:02¿No es correcto?
40:04Bueno, una cosa es una excursión en familia con sus sobrinas
40:08y otra muy diferente es empezar a tener citas los dos solos.
40:14Como te sientas más cómoda.
40:16Gracias.
40:21Buenas, tío.
40:23Venía a visitarle, pero veo que no soy muy oportuna.
40:26Sí, sí que es oportuna.
40:28Te quiero hacer una pregunta.
40:31¿Tú ves algún inconveniente en que doña Lázara y yo
40:36volvamos a ir juntos al teatro?
40:41No sabría decirle.
40:43Imagino que habrá quien no le parezca bien
40:45que vaya acompañada de una empleada.
40:47Así que yo lo evitaría.
40:51Menudo chasco.
40:53Esperaba otra contestación de tu parte, Laurita.
40:56A mí es que realmente no me importa el que diran.
40:59Si las dos lo veis tan claro y veis que es lo mejor,
41:02pues nada, olvido lo del teatro para más adelante.
41:06No, no.
41:08Quiero decir, si le apetece tanto ir al teatro,
41:10pues los dos podríamos obviar las habladurías
41:13en caso de que las haya.
41:15Y podemos disfrutar de la función que le parece.
41:18Me parece perfecto.
41:20Pasaré a buscarla para ir al teatro.
41:22Fenomenal. Sin disculparme.
41:29Ah...
41:35Hola, mi amor.
41:45¿Y esos patucos?
41:47Un regalito de mi madre.
41:49Anda, mira qué detalle.
41:51Pero es un poco pronto, ¿no?
41:53No, no lo digo por eso.
41:54Lo digo porque quería mostrarte los patucos
41:56que me ha regalado mi madre en medio de la moderna,
41:58acompañada por Elías.
42:00¿Pero entonces Elías se ha dado cuenta
42:02de que estás embarazada?
42:03No, no. Yo creo que no.
42:05Porque entre que está embobado con mi madre
42:07y que mi madre ha sabido reaccionar a tiempo
42:10y ha dicho que era para su amiga,
42:11yo creo que sigue en la inopia.
42:13Pero, mi amor, ¿por qué hace estas cosas?
42:16¿Es por despiste o para chincharnos?
42:18Pues yo creo que las dos cosas, un poquito.
42:21¿Y ahora dónde está?
42:23Pues se ha ido a dar una vuelta.
42:25¿Por qué hemos discutido?
42:27Porque le he reprochado que aceptara una cita
42:29con un desconocido.
42:30Vamos, que ha salido de allí ofuscada.
42:32Mi amor, es que no es que sea solo arriesgado para nosotros.
42:37Es que también me parece inapropiado
42:41para una señora como ella esto de citarse con un cualquiera.
42:45Ni aunque el cualquiera sea Elías.
42:47Bueno, pensándolo bien, eso es lo peor.
42:50Ni más ni menos que con Elías.
42:52Es que eso mismo es lo que le he dicho.
42:54Y me ha dicho que es que no le toma en serio
42:56y que no ve que hay de malo en seguirle un poquito la corriente.
43:00Bueno, si es así, tampoco la rusa es tan tremenda.
43:03¿Que no? Pues yo no diría lo mismo.
43:05Porque es que Elías mira a mi madre
43:07como mira un par de hojaldres de crema de Pietro.
43:11Pues si tu madre le da juego, aunque sea un poco,
43:13él va a querer más.
43:14Claro, es que si pasan mucho tiempo juntos,
43:16Elías va a acabar descubriéndolo todo.
43:19Como esto se complique,
43:21nos van a descubrir, nos van a despedir.
43:23Y tú, al final, acabarás llamando padre a Elías.
43:26¡Uf! No, no, no, antes muerta, te lo juro.
43:29No digas eso.
43:31Tenemos que salir de esta con bien.
43:34Aunque sea solo por la cosita que está creciendo aquí dentro.
43:38Pues ya me dirás qué hacemos.
43:41Pues convencer a tu madre de que vuelva a Fuencarral.
43:45Hasta el día del bautizo.
43:46O no, mejor, hasta el día de la primera comunión.
43:49Ah.
43:50¿Y tú qué vas a hacer mientras?
43:52Pues yo a intentar que Elías no se acerque a tu madre.
43:54Aunque tenga que apartarlo con un palo.
43:56No va a ser fácil.
43:58Ya podrían ser rosas, ¿no?
44:23Buenas.
44:24Chao.
44:26¿Cómo te ha ido el día?
44:27¿Te encuentras mejor?
44:30No sé.
44:32Trato de animarme,
44:33pero cada vez que pienso en lo que ocurrió,
44:36me tiembla todo el cuerpo
44:38y no soy capaz ni de levantarme de la silla.
44:41Te he traído un postre.
44:42Aquí lo tienes.
44:44Ahora me pongo a preparar la cena.
44:47Gracias.
44:48Gracias.
44:49Aunque no sé si voy a poder tomar bocado.
44:54Sería la primera vez que no te va
44:57a comer el mío sartudiriso,
44:59que es tu plato preferido.
45:02¿Todavía te acuerdas de lo que me gusta para comer?
45:04Claro que me acuerdo.
45:05Te acuerdo muchas cosas.
45:07Es que no me gusta verte así.
45:10Y me gustaría estar más alegre, Pietro.
45:12Pero...
45:14No sé, desde que he vuelto de América,
45:17no sé, voy cada vez peor.
45:19Es como si el destino estuviera empeñado
45:21en mostrarme de que no hay un sitio para mí.
45:25No digas eso.
45:27Estoy muy contento que estás aquí, ahora.
45:31Que pueda ayudarte,
45:32tras de tu regreso.
45:34Que estás viva.
45:37Eres muy bueno conmigo.
45:39Es lo mínimo.
45:42Pronto tendremos todos los papeles del consulado
45:46y podrás regresar a Italia.
45:54Qué pena lo de la medallita.
45:56Tenerla conmigo era como tener
45:58parte de mi hijo a mi lado.
46:02¿Te acuerdas cuánto eras bello de bíscolo?
46:06Claro que me acuerdo.
46:10Rubio.
46:13Y con rizos.
46:15Como yo.
46:16Como yo.
46:21Sí, tenía la cara de ángel.
46:24Pero solo la cara.
46:25Porque era una buena pieza, ¿eh?
46:27Unos cuñizos.
46:29Sí, como cuando se escondió en una tinaja vacía
46:33que todo el pueblo se pasó horas buscándole,
46:35pensando que estaba perdido.
46:38Para encontrarlo después, plácidamente dormido.
46:42Y cuando le dijimos que estaba siendo ahí,
46:45dijo, no, es que me estaba echando una siesta a la fresca.
46:49¿Y te acuerdas cuando decía mi madre
46:51que tenía una serpiente en la dispensa
46:53que se comía todo el chocolate?
46:56Y lo peor es que tu madre se lo creía.
46:59Hasta que lo descubrió con sus amigos
47:01comiéndose una tableta interna.
47:03¡Mamá mía! ¡Qué pese!
47:06Avante, avante.
47:07¡Avante, avante!
47:14Hola.
47:16Me alegro que estés recuperado.
47:18Se oye la risa por todo el patio.
47:21Bueno, no se crea. Solo estoy un poco mejor.
47:24Bueno, pues se estaba riendo con gana.
47:26Sí, estábamos contando las trastadas de Giancarlo cuando era pequeño.
47:30Tonterías de familia.
47:32Historia sin importancia, Antonio.
47:34Pues me gustaría oírla. Yo también me quiero reír.
47:52Te he traído ropa y cosas de aseo de tu casa.
47:55Gracias.
47:56Ya las estaba necesitando.
47:58¿Cómo te encuentras?
48:01Aburrida.
48:03Ya.
48:06Tenemos una conversación pendiente.
48:12Yo quería pedirte disculpas por todo lo que te dije
48:15antes de ser arrollada por esas personas.
48:19No.
48:20Las dos dijimos cosas que no debíamos.
48:23Siento.
48:24Las dos dijimos cosas que no debíamos.
48:27Siento tanto haberte llamado egoísta.
48:31Yo tampoco estuve acertada al decir que no te alegrabas por mí
48:34porque te gustaba Agustín.
48:38No te preocupes. Pero no es verdad.
48:42Entonces, ¿nos perdonamos las dos?
48:47No quiero pasar ni un minuto más enfadada contigo.
48:51Además que entiendo perfectamente que te quedarás de pie
48:54de cuando te dije que estaba pensando en irme a Alemania.
48:57Fue un jarrón de agua fría, sí.
49:00Pero...
49:02Elia,
49:04si te soy sincera, tampoco me sorprendió mucho.
49:09Llevas unos días muy extraña conmigo.
49:13¿Qué te pasa?
49:15Sé que te quieres ir a Alemania por algún otro motivo.
49:17¿Pero qué dices? La hora de que estás hablando es que no te entiendo.
49:20Elia, por favor.
49:23Te conozco lo suficiente como para saber que hay algo que no quieres decirme.
49:29O no puedo hacerlo.
49:32¿Pero por qué?
49:34¿No confías en mí?
49:38Ciegamente.
49:40Pues cuéntamelo, sea lo que sea. De verdad, te lo ruego.
49:48Te amo, Laura.
49:52Te amo con todo mi corazón.
50:17Elia.
50:47Elia.
50:57Si Íñigo no es para mí, no será para nadie.
51:03No sabes las ganas que tengo de apretar el gatillo.
51:13Opino que doña Bárbara no es de fiar.
51:17Permín defiende que todo esto se trata de una estrategia para después vender por encima del precio del mercado.
51:23Si esto sea así, eso significa que se ha estado riendo de todos los empresarios de la galería.
51:29Bueno, ya le he dicho que si quiere acertar con esa mujer, lo mejor es imaginar el peor de los escenarios.
51:36Lo tendré en cuenta.
51:37Y qué suerte de madre, ¿no? Que en vez de disgústate de alegría.
51:40Bueno, y ya el lío que se montó en la cabeza con lo de la boda.
51:44Bueno, se nota que le tiene mucho cariño a Miguel.
51:46Bueno, y que iba guapísimo en la boda, decía. ¿Te acuerdas?
51:49Un momento, un momento. ¿De qué boda? Estaba hablando.
51:54Según la investigación que se produjo justo después, lo tomaron como un accidente.
51:58Pues a mí María Cristina, la dependiente a la que yo le pregunté, no me dijo lo mismo.
52:02Pero el testimonio de esa mujer no creo que tenga mucho valor.
52:04Porque desde que doña Lázara la despidió, ella se la tiene jurada.
52:08Y cualquiera se tomaría esa acusación como una venganza.
52:11Trini me ha contado que ayer te fuiste de paseo con mi futura suegra.
52:15Y esto no puede ser.
52:16Fíjate si puede ser, que es que pasó. Y como pasó, pues claro que fue.
52:19Me refiero a que no puede volver a pasar.
52:21Y desde este mismo momento, te prohíbo terminantemente que cortejes a mi, al fin, futura suegra.
52:26Es que qué manía tenéis tú y la Trini con prohibirlo todo.
52:29Pues te voy a decir una cosa, que al campo no se le pueden poner vallas.
52:31¿Con quién hablaba?
52:32Con un funcionario del consulado italiano. Que no puedo volver a casarme.
52:36¿Qué?
52:37Porque si lo hago por la ley italiana, estaría cometiendo un delito.
52:40¿Un delito, pero a ver?
52:41Un delito de bigamia.
52:43Usted estará al tanto de que doña Bárbara, su representada, ha rechazado nuestra oferta de compra.
52:51Solo por ahora.
52:52Solo por ahora.
52:55Por su bien, espero que doña Bárbara cambie de opinión.
52:58O de lo contrario, los empresarios nos veremos obligados a recurrir a nuestro derecho de tanteo y retrato.
53:03Pero Antonio es un paréntesis en nuestra vida que entiende que acepto porque un hombre no puede estar solo.
53:09Pero yo he vuelto, Pietro.
53:11He vuelto.
53:14Y quizá ahora ha llegado el momento de retomar lo que en su día empezamos.
53:20Don Fermín, ¿puedo hacerle una pregunta?
53:23Lo que quiera.
53:26¿Qué somos exactamente usted y yo sentados aquí?
53:31O se lo haré de otra manera.
53:34¿Qué hemos sido yendo al teatro juntos?
53:38Sueño constantemente en besarte y en abrazarte.
53:45Y en no soltarte nunca de mis brazos.
53:48Nunca.
53:51Estoy completamente enamorada de ti.
53:59Hasta nunca, muchacha.
54:02No, no, no, no.
54:04No, por favor, no.
54:06No, no, no, no, no, no.