Ibbani Tabbida Ileyali ರಕ್ಷಿತ್ ಶೆಟ್ಟಿ ಹೊಸಬರಿಗೆ ಸಿನಿಮಾ ಮಾಡ್ತಿರೋದು ಯಾಕೆ

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ರಕ್ಷಿತ್ ಶೆಟ್ಟಿ ನಿರ್ಮಾದಲ್ಲಿ ಬರುತ್ತಿರುವ "ಇಬ್ಬನಿ ತಬ್ಬಿದ ಇಳೆಯಲಿ " ಸಿನಿಮಾ ಬಿಡುಗಡೆಗೆ ಸಜ್ಜಾಗಿದ್ದು ಪತ್ರಿಕಾಗೋಷ್ಠಿಯಲ್ಲಿ ತಂಡ ಮಾತನಾಡಿದ್ದು ಹೀಗೆ
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00:00Sir, that's it. Let's talk like we did last time.
00:04Hello everyone.
00:06First of all, congratulations.
00:09It was an amazing trailer.
00:11I watched it yesterday.
00:12Even today, when I watched it here on the big screen,
00:14the experience was amazing.
00:16Tan and I have been working together since Kirkpatty.
00:22So, I watched the movie when the first rough cut was ready.
00:27They showed me the movie after the first cut.
00:30They showed me the movie again during the trimming.
00:33They showed me the final version yesterday.
00:37So, when I watched it after a long time,
00:39the experience that the movie gave me
00:43was enough to make me want to watch the movie again.
00:46It was amazing.
00:50When I saw you yesterday,
00:52I was almost connected to the emotions of the movie.
00:55When I saw you yesterday,
00:57I was even more emotional about the journey of Chan.
01:00So, to be honest,
01:02this movie is as sweet and emotional as they said.
01:07So, you were with me when I watched the movie yesterday.
01:10This is a movie that has all the meaning of winning.
01:15Especially, the story is so important for a movie to win.
01:21So, I thought that I would win only if I put in a lot of effort.
01:27So, Chan has put in a lot of effort to make this movie.
01:32Even if I go somewhere, people will call me Rakshisar.
01:37I had a doubt that someone else was producing this movie.
01:40So, both of you have made this movie.
01:44Thank you so much.
01:50Thank you so much for giving me a character.
01:53So, I will leave now. Bye. Thank you.
01:59Hi guys.
02:00This is Abhilash Rajavani.
02:02Why did you have so much faith in Chandrajith in Seven Oaks?
02:07First of all, you said that you had written the script for his movie.
02:10Is there a reason for that?
02:12Then, why do you get the number three so often?
02:15You get it wrong three times.
02:16You get it wrong three times.
02:21So, I had read the blog.
02:26I had the confidence that I would make a romantic movie.
02:34I had a small idea of how to make a romantic movie after reading the blog.
02:42Apart from all these, I think Chandrajith has an honesty inside.
02:49When it comes to cinema and as a person.
02:52When he has that honesty, we have more than him.
03:02When he makes a movie, he makes it as honest as possible.
03:08So, when he has talent and honesty, that is something to look forward to.
03:15So, I think that is the main reason.
03:19And...
03:26When it comes to his personality,
03:30When it comes to his personality,
03:35That kind of movie is very popular in Kannada.
03:39And...
03:43There is no filmmaker like that in Kannada.
03:49The way he can do the film.
03:51That kind of filmmaker is in our industry.
03:57So, we can inspire more people to make films.
04:03This genre.
04:04Many people make romantic films.
04:06But, you should know how to make a romantic film.
04:11You should have a romance inside you.
04:13Chandrajith is sleeping here.
04:24Number 3.
04:31Number 6.
04:33Shambra.
04:43Number 6.
04:48It is 6 and a half.
04:50The first print.
04:57Namaste.
04:58Namaste, sir. Congratulations.
05:01You have directed the first film.
05:03You have got a good opportunity.
05:06Even though there are many talented people like you,
05:09They would not have got the opportunity.
05:11It is a great opportunity for a superstar like you.
05:16How did you prepare for this?
05:18You are making a film on such a big scale.
05:20You are a star cast.
05:22How did you prepare for this?
05:24First of all,
05:25It is a good opportunity.
05:27Personally, I feel,
05:29The team has told me,
05:31Don't take it as an opportunity.
05:33Take it as a responsibility.
05:35If you take it as a responsibility,
05:37The trust that we have in the team,
05:39We have given it to them.
05:41If we don't deliver it,
05:43They will have more confidence to invest in new filmmakers and teams.
05:51So, I have told them to take it as a responsibility.
05:54That is what we have done.
05:56What I mean by confidence is,
06:02We have not thought too much about the film.
06:05But, for me, each day was important.
06:08So, the planning was for each day.
06:10The overall budget for the film was the first thing.
06:16That was the first projection.
06:19Next,
06:20I will finish the film on that budget.
06:22So, that was part of planning.
06:24Next,
06:25Execution is day by day.
06:27So, the planning is like this.
06:29But, I have to execute on a budget.
06:31That is one thing.
06:32Next,
06:34When they approve the project,
06:36The script will go.
06:38Plus, when I say,
06:40The film will be in this kind of mood,
06:42This kind of visual,
06:43This kind of soundscape,
06:44I have to deliver it.
06:46So,
06:47Preparation was an everyday job.
06:50It has been more than two years since the film started.
06:54Every single day,
06:55Preparation is done.
06:56Even now,
06:57Preparation is done for this.
06:59So, I don't understand.
07:01Preparation is done by me, right?
07:03This is the team.
07:04So,
07:05When the film is released,
07:07There is a team.
07:08When the film is released,
07:09There is a team.
07:10So,
07:11It's a film by the entire team.
07:13When the film is released,
07:14Everyone knows.
07:15So,
07:16To deliver the film,
07:18Preparation was done by the entire team.
07:20Every single department.
07:24Where did you shoot?
07:26We shot in Bangalore.
07:28But,
07:29For this film,
07:31It should have the texture of a dream.
07:34It should feel like a dream.
07:36So,
07:37Location was very important.
07:39So,
07:40We shot in Bangalore.
07:42I don't want you to think that I am watching a story in Bangalore.
07:45It should feel like a dream world.
07:47A dream world is not a fantasy.
07:49Like the song we showed today,
07:51A dream is not limited to fantasy.
07:54A dream is just like a memory.
07:56When you recall your childhood memory,
07:58You don't recall it exactly in the middle.
08:00The texture changes when you recall it.
08:03So, it should feel like a dream world.
08:06So,
08:07Location was shot in Bangalore.
08:10We tried to give you a different texture.
08:13Our executive producer, Sashi Kumar,
08:16Has helped us a lot.
08:18Professional designer, Nandini Mathesh.
08:22Long answer, but yeah.
08:23That's the answer.
08:27If there is a film,
08:28The title should be attractive.
08:30Then, the song should be good.
08:32The title is very good.
08:34The title should be attractive.
08:39When I came to the blog,
08:41It was called Dew Drops Tension in Braid of Grass.
08:44When I said I will make a film,
08:46I needed a Kannada title.
08:50If I translate the English title as it is,
08:52It will have its essence.
08:55When I heard Rashmi's film,
08:57I thought it was a good song.
08:59I heard it a lot when I was a kid.
09:01I liked it a lot.
09:02That's why I brought it here.
09:04So, in that title,
09:05I think the essence of the film is completely captured.
09:08Another thing is,
09:10You have seen the trailer.
09:13Or,
09:14They have used lavish adjectives about the film.
09:17But, for me,
09:18To watch the film,
09:19I had to read the script and experience it.
09:23If you want to watch the film,
09:25Whatever you feel,
09:27I believe the film will give you the experience of reading a book.
09:32In that sense,
09:33Everything is done.
09:35So, to give that experience,
09:37Right from the title,
09:39To the poster,
09:40To the music,
09:41To the cinematography,
09:42Everything has to go in this.
09:44It has to be given somewhere.
09:46So, that's why I brought this title.
09:49The title of the film is a new title.
09:51It is not a title for the industry.
09:53It is a title for the country.
09:58One day, it will be Chandradar.
10:00One day, it will be Chandrakant.
10:03So, whatever you feel,
10:05Okay.

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