Sorbole Che Romagnola [1976 ] ITALIAN MOVIE Maria Rosaria Riuzzi Ria De Simone
Due to a mistake by the travel agency she works for, a young woman finds herself deeply in debt and stranded in a tourist resort full of incredibly stuck-up travelers.
Transcript
00:00:00Oh Madonna Romagnola, vino buono dai per sale ancora, il tuo amore ti fa male ma c'è vino che ti fa cantare.
00:00:19Oh Madonna Romagnola, sole in piazza e vino ancora, oggi è triste il tuo visino, l'hai bagnato con lacrime e vino.
00:00:33Dai, dai, dai, dai, dai, canta in faccia la luna.
00:00:43Dai, dai, dai, dai, dai, oggi è la volta buona.
00:00:53Come avrete potuto constatare l'influenza dell'arte greca si estende non solo sui centri.
00:00:58A diretto contatto con il mondo ellenico.
00:01:00A diretto contatto con il mondo ellenico, come Agrigento e Siracusa, ma si estende in tutto il territorio controllato dai Romani.
00:01:07Alcune antichità, come potete qui osservare, mantengono lo stile dei templi grezi.
00:01:12Ma che fai, cadere ?
00:01:17Buffone !
00:01:19Soci, che gambe !
00:01:21Non sei un gran sporcaggione ?
00:01:23Perché non ci sposiamo ?
00:01:24Idiota !
00:01:26Come dicevo, lo stile classico dei templi grezi è riportato in tutta la sua severa bellezza negli ampli colonnati e nella linea perfetta nell'intera costruzione.
00:01:38Canta in faccia alla luna.
00:01:43Dai, dai, dai, dai, dai.
00:01:48Oggi è la volta buona.
00:01:52Oh, Madonna Romagnola.
00:01:55Dagli un punto e resta sola.
00:01:58Oh, Madonna Romagnola.
00:02:01Ma era ben qui che viveva Poppea ?
00:02:03Un po' più di vecchio, idiota !
00:02:06Per le strade di Romagna.
00:02:09Una donna cercava l'amore.
00:02:12L'ha trovato e l'ha perduto.
00:02:15E si porta una spia nel cuore.
00:02:19Oh, Madonna Romagnola.
00:02:22Lo sorriso, l'arco e schietto.
00:02:25Che ti amo, te l'ho detto.
00:02:28Ma sei tu che non lo puoi capire.
00:02:33Dai, dai, dai, dai, dai.
00:02:38Canta in faccia alla luna.
00:02:43Dai, dai, dai, dai, dai.
00:02:48Oggi è la volta buona.
00:02:52Oh, Madonna Romagnola.
00:02:54Sulle colline che circondano queste antiche rovine
00:02:57potete notare una serie di piccoli paesi
00:02:59alla vostra sinistra e alla vostra destra.
00:03:01Tutti antichissimi e ricchi di vestigia del passato.
00:03:05E' appunto uno di questi minuscoli centri
00:03:07la meta attuale del nostro viaggio.
00:03:10Sarà lì che noi faremo sosta
00:03:12prima di riprendere definitivamente la via del ritorno.
00:03:16Dai, dai, dai, dai, dai.
00:03:21Oggi è la volta buona.
00:03:47Ben, che cosa c'è? Perché ti sei fermato?
00:03:50Non lo so, ma se è quello che penso sono guai.
00:04:05E allora?
00:04:07Cara Orietta, abbiamo rotto la pompa.
00:04:09E adesso come facciamo?
00:04:11Bisogna trovare un altro mezzo per accompagnarli a Fontebella.
00:04:14Ma è un bel guaio.
00:04:16Posso fermare una macchina,
00:04:18la posso accompagnare al paese più vicino
00:04:20e vi mando un altro pullman.
00:04:21Avvisa tu i turisti, per favore.
00:04:23D'accordo, ci penso io.
00:04:25Signori, niente di grave, ci è guastato il pullman,
00:04:27però io e l'autista provvederemo a farne arrivare un altro
00:04:30dal paese vicino.
00:04:31Sarà questione di un'oretta al massimo.
00:04:33Prego ognuno di provvedere al proprio bagaglio.
00:04:49Prego, si accomodi.
00:04:52No, mi scusi tanto Sam, ma non è per me.
00:04:55Giacomo, ci si è guastato il pullman.
00:04:58Le dispiacerebbe accompagnare l'autista al paese più vicino per provvedere?
00:05:02Prego, si accomodi.
00:05:04Dai Giacomo, ti aspetto.
00:05:18Sono gli imprevisti che succedono quando si viaggia.
00:05:21E se cante, certo.
00:05:23Ma ci vuole pazienza, perché ormai sarà qua...
00:05:26Oh, finalmente!
00:05:27Signori, vi prego, accomodatevi nell'altro pullman.
00:05:29Anche voi, prego.
00:05:30Ecco, questo è quanto ho potuto trovare.
00:05:32Meglio di niente.
00:05:36Prego, accomodatevi.
00:05:38Sì, grazie.
00:05:39Grazie.
00:05:40Grazie.
00:05:41Grazie.
00:05:42Grazie.
00:05:43Grazie.
00:05:44Grazie.
00:05:45Grazie.
00:05:46Grazie.
00:05:47Prego, accomodatevi.
00:05:49Senti, io devo occuparmi del bustle pullman.
00:05:52Tu vai con loro?
00:05:53Naturalmente.
00:05:54Devo accompagnarli in albergo, occuparmi della sistemazione delle camere e tutto il resto.
00:05:58Io intanto aspetterò che mi vengano a rimorchiare.
00:06:00Va bene.
00:06:01D'accordo?
00:06:02Allora io vado.
00:06:03A presto.
00:06:04Ciao.
00:06:17Eh, caro parro, quel bilancio comunale è un po' in ribasso quest'anno.
00:06:31Eh, caro sindaco, fosse soltanto questo.
00:06:36A mio avviso il paesaggio si è deturpato da ben altri spettacoli.
00:06:41E non solo il paesaggio, ma anche la pace dello spirito.
00:06:46Quello che mi non capisco è perché le forze dell'ordine non provvedino in conseguenza.
00:06:52O lo capisco troppo bene.
00:06:55Caro don Gaudenzio, bisogna essere un po' larghi di vedute.
00:07:00Finalmente, ci voleva proprio un po' di movimento.
00:07:05Oggi il paesaggio può anche essere deturpato dall'orrore di ben altre cose.
00:07:09E mai stato sposato, lei?
00:07:11Eh, giusto.
00:07:12Mi?
00:07:13Sposato mi?
00:07:15Non se la prenda, è un modo di dire.
00:07:17Beh, è ora di tornare a casa.
00:07:19Alle tre ho un appuntamento.
00:07:21Anche amico ha un appuntamento.
00:07:23Ma con qualcuno più in alto.
00:07:25Signori.
00:07:28Buongiorno.
00:07:29Signorina, bene arrivata.
00:07:31Prego, accomodatelo.
00:07:33Avete visto che ce l'abbiamo fatta?
00:07:35Siamo arrivati.
00:07:36Salve.
00:07:37Arrivederci.
00:07:39Vai.
00:07:44Certo che quella benedetta ragazza si mette troppo in vetrina.
00:07:48Eh, don Gaudenzio sotto questo aspetto non ha tutti i torti.
00:07:52Avanti, da questa parte.
00:07:55Accomodatevi nelle vostre stanze.
00:07:58Le chiavi le troverete al piano di sopra.
00:08:00Per l'ora del pranzo verrete avvertiti.
00:08:02Se qualcuno ha bisogno di me, mi trova nella mia stanza.
00:08:05Signorina, posso offrirle qualcosa da bere?
00:08:07Volentieri.
00:08:08Due crodini.
00:08:09Prego, si accomodi.
00:08:11Così avremo modo di parlare della posizione economica della committiva.
00:08:15Ecco, volevo chiederle, come preferisce fare per il pagamento?
00:08:19La mia agenzia deve aver spedito un vaglio telegrafico.
00:08:21In giornata dovrebbe arrivare.
00:08:23La prego, signorina.
00:08:24Non vorrei essere frainteso.
00:08:26Mi riferivo solo alle modalità.
00:08:28Nessun dubbio di altro genere.
00:08:30Il motto della nostra compagnia è
00:08:32pagare subito significa risparmiare.
00:08:34Un principio sano che io condivido.
00:08:37E ora lasciamo stare gli affari.
00:08:39Spero mi farà l'onore di sedere al mio tavolo questa sera.
00:08:43E' un piacere.
00:08:44Cin cin.
00:08:58Ecco qua la minestrina.
00:09:00Calda e saporita.
00:09:02Assunta, ma in questa casa abbiamo fatto barufa con la pasta asciutta?
00:09:05La pasta fa male.
00:09:07E chi te l'ha detto?
00:09:08La moglie del maresciallo.
00:09:10E a lei chi gliel'ha detto?
00:09:11Il maresciallo.
00:09:20Da domani pasta asciutta.
00:09:22Come vuole lei.
00:09:24Siamo nelle mani di Dio.
00:09:27E come sono?
00:09:29Come sono questi durissi?
00:09:31Non lo so.
00:09:32Ho altro da farmi che andare in giro a guardare i turisti.
00:09:35E non c'è mica bisogno di arrabbiarsi tanto.
00:09:38E poi, tra un Mother Day e un Glorio Patris
00:09:41ci si vorrebbe anche guardare in giro, mi sembra.
00:09:44Assunta!
00:09:46Pensa a maniare piuttosto che si raffredda.
00:09:49A parte il fatto che a me la minestre calda non piace,
00:09:52dato che lei non ha il tempo di guardare i turisti,
00:09:55vorrebbe occuparsi di sotto quella svergognata.
00:09:58Insomma!
00:10:00Ha proprio deciso di non farmi mangiare questa boba?
00:10:02Perché? Gli ho forse messo una raparella in bocca.
00:10:05Diga piuttosto che non ha fame.
00:10:07No!
00:10:08Non ho fame!
00:10:18Che caratterine che questo venisse di Dio!
00:10:29Sì!
00:10:45Signora, prende qualcosa?
00:10:47No, grazie, non ho voglia di niente.
00:10:49Agnese, perché non vuoi mangiare?
00:10:51Non ho fame.
00:10:52Allora vai pure, minetta.
00:10:55Scusa se mangio in fretta,
00:10:57ma ho un'importante riunione alla giunta.
00:10:59Hai sempre la giustificazione pronta,
00:11:01per un motivo o per un altro non riusciamo mai a stare insieme.
00:11:04Ma è possibile che non ti renda conto
00:11:06dei problemi che assillano un sindaco?
00:11:08Ah sì, e quali sarebbero questi problemi?
00:11:10Quali?
00:11:11Prima di tutto, poi c'è inoltre,
00:11:15soprattutto e infine...
00:11:18Guarda, io devo scappare,
00:11:20altrimenti faccio tardi, cara.
00:11:25E beh, perché non vai da Marta
00:11:27e ti fai fare un bel vestito,
00:11:30come quelli che...
00:11:32Ciao.
00:11:44Ciao.
00:11:48Ninetta!
00:11:49Porta in tavola.
00:11:51Sì, signora.
00:11:54Grazie.
00:12:15Eh, Ghiam, spicciati per piacere,
00:12:17ho tanto da fare.
00:12:18Ti prego di scusarmi.
00:12:20E non me ne volere, eh?
00:12:21Ma ti pare.
00:12:24Eh beh, allora io me ne vado.
00:12:26Ci vediamo martedì.
00:12:33Ciao.
00:12:43Su, su, non te la prendere.
00:12:45Andrà meglio il prossimo martedì.
00:12:51Ciao.
00:12:54Ciao.
00:13:03Ciao, risolta.
00:13:04Ma sei sicura che non si è accorto di niente?
00:13:08E di che si doveva accorgere,
00:13:10se è entrato dal cortile.
00:13:11Ah, bene, bene.
00:13:19Senti, levami una curiosità,
00:13:21siete quattro gatti in questo paese
00:13:23Mi scusi, signora, va tutto bene?
00:13:25Benissimo.
00:13:27Fa come dico io, non ci sono discussioni.
00:13:30Per me quella non la racconta giusta.
00:13:32E poi tutte le romagnole sono della stessa razza.
00:13:34Quale razza?
00:13:35Lo sai benissimo.
00:13:36Ipocrite.
00:13:37Ma che dici?
00:13:38Zitto.
00:13:39Non è possibile.
00:13:40Ma se le dico che non c'è niente.
00:13:41Mi scusi se insisto, mi chiamo Rieta Foresi.
00:13:43Dovrebbe essere arrivato qui a mio nome
00:13:45un vaglio telegrafico.
00:13:46Eh, va bene.
00:13:53Mi dispiace, non c'è niente, te l'avevo detto.
00:13:55Vedo.
00:13:59Può chiamarmi con urgenza il 382642 di Ravenna?
00:14:03Sul conto della comitiva, per favore.
00:14:05Va bene.
00:14:07Vai a sentire con chi parla.
00:14:08Ma perché?
00:14:09Vai, vai!
00:14:12Buongiorno, qui parlo Rieta Foresi,
00:14:14escursione 425, sto parlando dall'albergo Roma di Fontebella.
00:14:19Ma qui mi dicono che non hanno ancora ricevuto
00:14:21rimessa da parte della nostra agenzia.
00:14:23Mi passa la direzione, per favore.
00:14:25Magari potessi.
00:14:26Li stiamo cercando anche noi.
00:14:28Ma lei non sa niente.
00:14:29Ma niente di che cosa?
00:14:30Stanno portando via tutto, i mobili e il resto.
00:14:33La società è fallita.
00:14:35E il direttore ha tagliato la corda con la zanetta.
00:14:37Il padrone di casa ha sporto denuncia
00:14:39e sembra che voglia farvi ignorare anche noi.
00:14:41Mi dispiace.
00:14:42Ma che cosa?
00:14:43Si sente male?
00:14:44Via qua, via qua.
00:14:45Io non posso dirle niente.
00:14:46Perché nessuno di noi ha più facoltà
00:14:48di effettuare operazioni finanziarie.
00:14:50Guardi, anzi, il curatore fallimentare
00:14:52ci ha diffidato di prendere qualsiasi iniziativa.
00:14:55Ma che cavolo succede laggiù?
00:14:56Ho speso un occhio della testa io per...
00:14:58No, scusi.
00:14:59Per ospitare questo branco di galline spennate.
00:15:01E voglio i miei soldi.
00:15:02Senta.
00:15:03Il resto non mi riguarda, capito?
00:15:05Sporchi truffatori.
00:15:07Il truffatore sarà lei.
00:15:08E vada all'inferno.
00:15:09Può darsi che laggiù i cafoni li accettino.
00:15:11Pronto.
00:15:12Pronto.
00:15:13Ho detto pronto.
00:15:14Pronto.
00:15:15Strillare è inutile.
00:15:16Scusi, che vuol dire inutile?
00:15:18Non c'è più una lira in cassa.
00:15:19Strillare non serve.
00:15:20E neanche io ho una lira.
00:15:22Ah, stupendo.
00:15:23Magnifico.
00:15:24Nessuno ha più una lira.
00:15:25E io, secondo lei, io che cosa dovrei fare?
00:15:28Che cosa succede, Attilio?
00:15:29Oh, niente.
00:15:30Non hanno i soldi per pagare.
00:15:31Ah, lo sapevo.
00:15:32Sono tutte una razza.
00:15:33Ma che cosa vuoi fare?
00:15:34Chiamo il maresciallo.
00:15:36Ma lascia stare, Marianne.
00:15:38Stai zitto, tu.
00:15:39Mamma mia.
00:15:41Che roba.
00:15:42Che fregatura.
00:15:43Mamma mia.
00:15:44Pronto.
00:15:45Pronto.
00:15:46Mi dia il maresciallo Starni.
00:15:47Il signor maresciallo si è momentaneamente assente per importanti ragioni del servizio.
00:15:51E dove sta?
00:15:52All'albergo del signor Attilio.
00:15:53All'albergo Roma.
00:15:54E nessuno può disturbarlo.
00:15:55Neanche lei, signora.
00:15:56Ma che dice?
00:15:57Questo è l'albergo Roma e non c'è nessun maresciallo.
00:16:00Lascia perdere.
00:16:01Come?
00:16:02Qui mi fai succedere un altro casino.
00:16:04Pronto a vendermi?
00:16:05Sono Attilio.
00:16:06Guarda, lo chiamo più tardi il maresciallo.
00:16:08Ciao.
00:16:09E allora?
00:16:10Come la mettiamo?
00:16:11Ma non lo so, signora.
00:16:12Non lo so.
00:16:13Qui nessuno esce dall'albergo.
00:16:14Faccio sequestrare i bagagli.
00:16:15Ma no, signora.
00:16:16La prego.
00:16:17Loro non c'entrano.
00:16:18Hanno pagato la quota prima di partire.
00:16:19E hanno diritto a...
00:16:20Io ho diritto a riavere i miei soldi.
00:16:21Chi me li ridà adesso?
00:16:22Senta, lassi perdere i turisti.
00:16:23Li lassi partire.
00:16:24Resto io qui.
00:16:25In qualche modo vedrà, ci aggiusteremo.
00:16:26E come?
00:16:27Potrei garantire la restituzione della somma entro un certo periodo di tempo.
00:16:28Già.
00:16:29Una volta partita anche lei, chi la rivede più?
00:16:30Ma posso lavorare.
00:16:31E dove?
00:16:32Non lo so.
00:16:33Anche qui.
00:16:34Vale.
00:16:35Un momento.
00:16:36Potrebbe essere un'idea.
00:16:37La signorina conosce un mucchio di lingue.
00:16:38E poi è abituata a parlare con i turisti.
00:16:39E quindi, forse potremmo...
00:16:40Non sono d'accordo.
00:16:41Se vuoi far partire i turisti, affari tuoi.
00:16:42Ma lei resta qui e se la sbriga coi carabinieri.
00:16:43Esagerata.
00:16:44Come crede, signora?
00:16:45Federico, lo sai.
00:16:46Tu sei il mio unico grande amore.
00:16:47E io...
00:16:48E io...
00:16:49E io...
00:16:50E io...
00:16:51E io...
00:16:52E io...
00:16:53E io...
00:16:54E io...
00:16:55E io...
00:16:56E io...
00:16:57E io...
00:16:58E io...
00:16:59E io...
00:17:00E io...
00:17:01E io...
00:17:02E io...
00:17:03E io...
00:17:05E io...
00:17:06E io...
00:17:07E io...
00:17:08E io...
00:17:09E io...
00:17:10E io...
00:17:11E io...
00:17:12E io...
00:17:13E io...
00:17:14E io...
00:17:25E io invece lascio la quarantamila.
00:17:29Don't think about these things.
00:17:31Leave a void in my life when you leave.
00:17:36Believe me.
00:17:37You dig my soul when you leave.
00:17:39Listen, Isotta.
00:17:40No, don't speak.
00:17:41A goodbye mute can fill a heart.
00:17:44Did you really read Guido da Verona?
00:17:45Yes, I read it.
00:17:47And then you can fully understand the emptiness of my soul.
00:17:53It was good.
00:17:59Finally, Nicolino, you have arrived.
00:18:12Hi, dear.
00:18:13I was waiting for you.
00:18:14You fill my heart, my life.
00:18:17You fill my house.
00:18:19I know.
00:18:20I have to lose a little weight, really.
00:18:22What bothers you at this moment?
00:18:25Crazy of a child.
00:18:26You can come when you want.
00:18:28But sometimes, you know, the tiredness, the service.
00:18:32Shut up.
00:18:33The night is ours.
00:18:34Really, I would only have half an hour.
00:18:37Shut up.
00:18:38Half an hour is ours.
00:18:39You will always love me.
00:18:40Until nine o'clock for sure.
00:18:42Then I'll take the service.
00:18:43I can't guarantee you anything.
00:18:44I tell you it's better this way.
00:18:46Fortunately, you have the money for the fuel.
00:18:49You can keep the rest.
00:18:50By now the ship has gone to the bottom.
00:18:52What are you going to do?
00:18:53I'll dig it in some way.
00:18:55Don't think about it.
00:18:56And yours?
00:18:57I'll find some excuse.
00:18:58Good luck.
00:19:00Good luck to you.
00:19:02You will need it.
00:19:03Bye.
00:19:04Bye.
00:19:10What do you think of this?
00:19:12Well, it would not be bad.
00:19:14And I think I would be fine.
00:19:17You have a taste.
00:19:19I have the impression of being a little different from her.
00:19:22No, ma'am.
00:19:23What are you saying?
00:19:24It's your idea.
00:19:26Wait a minute.
00:19:27I'll be right back.
00:19:36Paolo.
00:19:37I'm here, auntie.
00:19:39Well said, boy.
00:19:41But is it possible that you spend all day with these things?
00:19:45It's good for the muscle apparatus, auntie.
00:19:48The muscle apparatus in an individual
00:19:50is a wonderful machine
00:19:52that must be kept in perfect efficiency
00:19:54like any other mechanical apparatus.
00:19:56Yes, but you see,
00:19:57there is not only important gymnastics in life, son.
00:20:02And what else is important?
00:20:05Here.
00:20:06If you had from time to time
00:20:08a look in the locker room where my clients ...
00:20:12No, better not.
00:20:13You could ruin yourself for life.
00:20:16I do not understand, auntie.
00:20:17So what should I do?
00:20:19Listen.
00:20:20When the girls, you know ...
00:20:22Yes?
00:20:24Down in the locker room.
00:20:26Yes.
00:20:27Keep lifting the weights.
00:20:29See you later.
00:20:33Now.
00:20:36One moment, I'm still with them.
00:20:38Please, please.
00:20:39Here I am.
00:20:40So, have you decided?
00:20:41Here, ma'am.
00:20:42I would have chosen, but what effect will it have on me?
00:20:44Well, of course, the model has no reference to reality.
00:20:48It is the indication of a line, of a taste.
00:20:52What are you doing, ma'am?
00:20:53Why are you crying?
00:20:54Because my husband does not look at me anymore.
00:20:56I'm three years old and I do not even realize that I exist.
00:20:59And when you realize it, it's worse.
00:21:01But why?
00:21:02He says I suck because I'm fat.
00:21:05Oh, but I would not say.
00:21:06But he says it.
00:21:08This is trouble.
00:21:09I understand.
00:21:10But you do not have to give up like that.
00:21:12You see, his is the problem of all.
00:21:14That of the wife of Attilio,
00:21:15that of the marshal,
00:21:16not to mention others.
00:21:17It seems that obesity is a feature of this area.
00:21:21But Isotta is not fat.
00:21:23She is not thin.
00:21:24It's just that she uses other means.
00:21:27And which?
00:21:28I beg you, ma'am.
00:21:29I do the plait.
00:21:30And not even a plait can do miracles.
00:21:32And then I also have my problems.
00:21:34Always Paolo?
00:21:35Always Paolo.
00:21:36That blessed boy is obsessed with gymnastics.
00:21:40And he does not decide to become a young man like the others.
00:21:44Why do not you talk to Don Gaudenzo?
00:21:46I did, I did, I did.
00:21:47He said he would think about it.
00:21:49What does he want a priest to do?
00:21:51Priests can do anything, Mrs. Marta.
00:21:54If you say so.
00:21:55So, for that dress?
00:21:57I'll think about it.
00:22:01Goodbye.
00:22:02Goodbye, ma'am.
00:22:03And say hello to Paolo.
00:22:04Thank you, I'll introduce you.
00:22:07It's very nice, but I want the opinion of the lady.
00:22:10As you wish.
00:22:12How are you, ma'am?
00:22:13Well, say hello to the lady.
00:22:14So, your daughter wants a modern dress.
00:22:16Or a model that is a love.
00:22:18Do you like this fabric?
00:22:19This color?
00:22:20Rosalia, undress.
00:22:21All?
00:22:22Yes.
00:22:23And for the color of the leaves?
00:22:24No, dear, thank you, there is no need.
00:22:26See you on Monday for the first test, okay?
00:22:28Okay, say hello to Rosalia.
00:22:30Good morning.
00:22:31Mrs. Venantini.
00:22:32Put aside the fabric for the ladies, I recommend.
00:22:34Okay.
00:22:38Nicolino.
00:22:41Nicolino, what are you doing?
00:22:42I speak, you instead sleep?
00:22:45So.
00:22:46Come on, wake up.
00:22:47In short.
00:22:48But in short, you.
00:22:49But what do you want from me?
00:22:52A little attention.
00:22:53Attention?
00:22:54But what attention?
00:22:55You want to put me in the service.
00:22:57And the service is the service.
00:23:02Yes, mom.
00:23:03You know, it's a big opportunity for me.
00:23:05I certainly could not give up.
00:23:08Well, it would be too long to explain on the phone.
00:23:11The selection costs a lot of money.
00:23:14You know, they heard about my degree in physiotherapy and visagism.
00:23:18And then, you understand?
00:23:20But no, do not worry.
00:23:22I'm fine, fine.
00:23:25Yes, I will inform you in the next few days.
00:23:27Yes, mom.
00:23:28Bye.
00:23:29Bye.
00:23:43Come on.
00:24:14The
00:24:15The
00:24:16The
00:24:17The
00:24:18The
00:24:19The
00:24:20The
00:24:21The
00:24:22The
00:24:23The
00:24:24The
00:24:25The
00:24:26The
00:24:27The
00:24:28The
00:24:29The
00:24:30The
00:24:31The
00:24:32The
00:24:33The
00:24:34The
00:24:35The
00:24:36The
00:24:37The
00:24:38The
00:24:39The
00:24:40The
00:24:41The
00:24:42The
00:24:43The
00:24:44The
00:24:45The
00:24:46The
00:24:47The
00:24:48The
00:24:49The
00:24:50The
00:24:51The
00:24:52The
00:24:53The
00:24:54The
00:24:55The
00:24:56The
00:24:57The
00:24:58The
00:24:59The
00:25:00The
00:25:01The
00:25:02The
00:25:03The
00:25:04The
00:25:05The
00:25:06The
00:25:07The
00:25:08The
00:25:09The
00:25:10The
00:25:11The
00:25:12The
00:25:13The
00:25:14The
00:25:15The
00:25:16The
00:25:17The
00:25:18The
00:25:19The
00:25:20The
00:25:21The
00:25:22The
00:25:23The
00:25:24The
00:25:25The
00:25:26The
00:25:27The
00:25:28The
00:25:29The
00:25:30The
00:25:31The
00:25:32The
00:25:33The
00:25:34The
00:25:35The
00:25:36The
00:25:37The
00:25:38The
00:25:39The
00:25:40The
00:25:41The
00:25:42The
00:25:43The
00:25:44The
00:25:45The
00:25:46The
00:25:47The
00:25:48The
00:25:49The
00:25:50The
00:25:51The
00:25:52The
00:25:53The
00:25:54The
00:25:55The
00:25:56The
00:25:57The
00:25:58The
00:25:59The
00:26:00The
00:26:01The
00:26:02The
00:26:03The
00:26:04The
00:26:05The
00:26:06The
00:26:07The
00:26:08The
00:26:09The
00:26:10The
00:26:11The
00:26:12The
00:26:13The
00:26:14The
00:26:15The
00:26:16The
00:26:17The
00:26:18The
00:26:19The
00:26:20The
00:26:21The
00:26:22The
00:26:23The
00:26:24The
00:26:25The
00:26:26The
00:26:27The
00:26:28The
00:26:29The
00:26:30The
00:26:31The
00:26:32The
00:26:33The
00:26:34The
00:26:35The
00:26:36The
00:26:37The
00:26:38The
00:26:39The
00:26:40The
00:26:41The
00:26:42The
00:26:43The
00:26:44The
00:26:45The
00:26:46The
00:26:47The
00:26:48The
00:26:49The
00:26:50The
00:26:51The
00:26:52The
00:26:53The
00:26:54The
00:26:55The
00:26:56The
00:26:57The
00:26:58The
00:26:59The
00:27:00The
00:27:01The
00:27:02The
00:27:03The
00:27:04The
00:27:05The
00:27:06The
00:27:07The
00:27:08The
00:27:09The
00:27:10The
00:27:11The
00:27:12The
00:27:13The
00:27:14The
00:27:15The
00:27:16The
00:27:17The
00:27:18The
00:27:19The
00:27:20The
00:27:21The
00:27:22The
00:27:23The
00:27:24The
00:27:25The
00:27:26The
00:27:27The
00:27:28The
00:27:29The
00:27:30The
00:27:31The
00:27:32The
00:27:33The
00:27:34The
00:27:35The
00:27:36The
00:27:37The
00:27:38The
00:27:39The
00:27:40The
00:27:41The
00:27:42The
00:27:43The
00:27:44The
00:27:45The
00:27:46The
00:27:47The
00:27:48The
00:27:49The
00:27:50The
00:27:51The
00:27:52The
00:27:53The
00:27:54The
00:27:55The
00:27:56The
00:27:57The
00:27:58The
00:27:59The
00:28:00The
00:28:01The
00:28:02The
00:28:03The
00:28:04The
00:28:05The
00:28:06The
00:28:07The
00:28:08The
00:28:09The
00:28:10The
00:28:11The
00:28:12The
00:28:13The
00:28:14The
00:28:15The
00:28:16The
00:28:17The
00:28:18The
00:28:19The
00:28:20The
00:28:21The
00:28:22The
00:28:23The
00:28:24The
00:28:25The
00:28:26The
00:28:27The
00:28:28The
00:28:29The
00:28:30The
00:28:31The
00:28:32The
00:28:33The
00:28:34The
00:28:35The
00:28:36The
00:28:37The
00:28:38The
00:28:39The
00:28:40The
00:28:41The
00:28:42The
00:28:43The
00:28:44The
00:28:45The
00:28:46The
00:28:47The
00:28:48The
00:28:49The
00:28:50The
00:28:51The
00:28:52The
00:28:53The
00:28:54The
00:28:55The
00:28:56The
00:28:57The
00:28:58The
00:28:59The
00:29:00The
00:29:01The
00:29:02The
00:29:03The
00:29:04The
00:29:05The
00:29:06The
00:29:07The
00:29:08The
00:29:09The
00:29:10The
00:29:11The
00:29:12The
00:29:13The
00:29:14The
00:29:15The
00:29:16The
00:29:17The
00:29:18The
00:29:19The
00:29:20The
00:29:21The
00:29:22The
00:29:23The
00:29:24The
00:29:25The
00:29:26The
00:29:27The
00:29:28The
00:29:29The
00:29:30The
00:29:31The
00:29:32The
00:29:33The
00:29:34The
00:29:35The
00:29:36The
00:29:37The
00:29:38The
00:29:39The
00:29:40The
00:29:41The
00:29:42The
00:29:43The
00:29:44The
00:29:45The
00:29:46The
00:29:47The
00:29:48The
00:29:49The
00:29:50The
00:29:51The
00:29:52The
00:29:53The
00:29:54The
00:29:55The
00:29:56The
00:29:57The
00:29:58The
00:29:59The
00:30:00The
00:30:01The others have nothing to do with it.
00:30:02And what do you do?
00:30:04What do I do?
00:30:05Are you interested in other people's affairs?
00:30:06Me?
00:30:07In fact, they even come to you to tell you in the confessional.
00:30:12Assunta, in short.
00:30:14I understand, I understand.
00:30:16But if I don't deal with the binoculars, how can I know what's going on?
00:30:21Why, what's going on?
00:30:23Things of the other world, Don Gaudenzio.
00:30:25One of forlìo, of ravenna.
00:30:29You know, one of those.
00:30:31Do you understand me?
00:30:34So what?
00:30:35Well, he stole I don't know how many millions at the hotel of Mr. Attilio.
00:30:39Come on, I don't know if it's possible.
00:30:42And now the marshal condemned him to forced labor in the sartoria of Marta.
00:30:47Millions, forced labor.
00:30:50But where do you find certain terms?
00:30:52And why did you like one of those?
00:30:55If Don Gaudenzio saw her, a stripped shirt, what an indecency.
00:31:00An air of a saint.
00:31:02For me, she is the daughter of the devil.
00:31:04The devil has no family.
00:31:07And stop it!
00:31:08Go instead to take me the quota for the mass.
00:31:10All right.
00:31:11Listen.
00:31:12Look, Marta's nephew must come.
00:31:14What's his name?
00:31:14Paolino.
00:31:15Here, good Paolino.
00:31:16And already, you know everyone.
00:31:17Make him wait, I have to talk to him.
00:31:19All right.
00:31:19Wait a minute.
00:31:21Take this stuff away.
00:31:22I don't want to see it anymore.
00:31:24All right, Don Gaudenzio.
00:31:31Where are you going, Vendramin?
00:31:33I have to go to the station.
00:31:35At 12.30, the nephew of the marshal arrives from Rome.
00:31:39But at 12.30 there is more than an hour left.
00:31:41Yes, okay, but in the meantime I go to the bar to get a coffee.
00:31:43Come, I'll make you coffee.
00:31:46But I don't know if I can afford it.
00:31:48If I tell you, come.
00:31:51Come.
00:31:55Come.
00:32:03Here we are.
00:32:05Give me the cap.
00:32:09Come, sit down.
00:32:10Sit down.
00:32:12It's good, wait.
00:32:13And what do I have to wait for?
00:32:16One more moment.
00:32:21Oh, Benjamin, where are you coming from?
00:32:23I'm going to heaven.
00:32:29I hope you'll be fine here with me.
00:32:31Since my husband died, I haven't had anyone to keep me company.
00:32:34And sometimes living alone is not fun.
00:32:37The women of the country are what they are.
00:32:39You will have already realized that.
00:32:41They come here hoping that I can perform the miracle of transforming them.
00:32:45And all they do is ruin my poor models.
00:32:49The result is that the business is poor.
00:32:51But if only this were patience.
00:32:54Why? Is there something else wrong?
00:32:56Unfortunately, yes.
00:32:58Paolo.
00:32:59Who is Paolo?
00:33:01My nephew.
00:33:02I inherited him from my sister.
00:33:04He's like a son to me.
00:33:06I understand, he's very sick.
00:33:08On the contrary.
00:33:09He's very healthy.
00:33:11He's only interested in gymnastics.
00:33:13Maybe one day he'll become an engineer.
00:33:15Well, at least I hope so.
00:33:17Excuse me, but I don't see...
00:33:19He's almost 20 years old.
00:33:21But for him, women don't exist.
00:33:24No, no, I'm not saying he's that kind.
00:33:26I don't even want to think about it.
00:33:28It's just that he doesn't have...
00:33:30He doesn't have any drive.
00:33:32Well, I wouldn't worry about him.
00:33:34He'll wake up sooner or later.
00:33:35Excuse me, I feel very hot.
00:33:37Where can I take a shower?
00:33:38Of course.
00:33:39Now I'll show you the bathroom and then we'll talk about work.
00:33:44Well, what are you doing now?
00:33:45I'm going home.
00:33:46Alone?
00:33:47With whom do I have to go?
00:33:48If the wind picks up soon.
00:33:49What are you doing?
00:33:50Take care.
00:33:51All right, take care.
00:33:56One, two.
00:33:57One, two.
00:33:58One, two.
00:33:59One, two.
00:34:00One, two.
00:34:01One, two.
00:34:02One, two.
00:34:03One, two.
00:34:04One, two.
00:34:05One, two.
00:34:06One...
00:34:07Oh, no!
00:34:08Damn it!
00:34:13Aunt Marta?
00:34:15Aunt Marta?
00:34:22Aunt Marta?
00:34:27Aunt Marta?
00:34:31Aunt Marta?
00:34:38I'm sorry, didn't you see Aunt Marta?
00:34:40No, I didn't see her.
00:34:41It was like a flash, Paolo with those tools, his speech on gymnastics, the fat of the country and the ruined models.
00:34:50Suddenly I asked myself, if the customers of this country do not enter the models, but why not let us in?
00:34:56I have a diploma in physiotherapy, gymnastics, weight loss.
00:35:01The final result? Perfect models on new bodies.
00:35:05And all this from Marta, house of fashion and beauty, is not it great?
00:35:09It's a good idea, it seems to me.
00:35:11It seems to you, but it is exceptional.
00:35:13Gymnastics conquers the world, it is what I have always dreamed of.
00:35:16Gymnastics develops the body, now it is the mind that uses it.
00:35:19Otherwise, what does it develop to do?
00:35:21Oh yeah, I had not thought about it.
00:35:23I'll make you think about it one of these days.
00:35:26Now we just have to get our hands back.
00:35:28It will be hard, but we will do it.
00:35:40A film by
00:35:44A film by
00:35:48A film by
00:35:52A film by
00:35:56A film by
00:36:00A film by
00:36:04A film by
00:36:08A film by
00:36:12A film by
00:36:16A film by
00:36:20A film by
00:36:24A film by
00:36:28A film by
00:36:32A film by
00:36:36A film by
00:36:40A film by
00:36:44A film by
00:36:48A film by
00:36:52A film by
00:36:56A film by
00:37:00I agree, but I need to refresh my ideas.
00:37:03The human body is not a joke.
00:37:05And I can also have a little mental confusion.
00:37:07It is understandable.
00:37:08And what can I do for you?
00:37:10Help me review the muscular apparatus, for example.
00:37:13In particular, that of the legs and arms.
00:37:15With pleasure.
00:37:19Here, you see?
00:37:20From here, the two main adductors radiate.
00:37:23But what do you have?
00:37:24No, nothing.
00:37:25I thought how strange we women are, seen like that.
00:37:29So, as I was saying, this is a female body.
00:37:32Do not you think something is missing?
00:37:34No, no, there is everything.
00:37:36You see, this is the muscular system of the lower part of the body.
00:37:40I understand.
00:37:41Let's do one thing.
00:37:42Let's continue the lesson on a real body.
00:37:44Because I do not find those drawings.
00:37:47Marisa, please, do you want to undress?
00:37:49Yes, miss.
00:37:50And as soon as you are ready, you will lie down here, on the bed.
00:37:53Under the belly.
00:37:55So our teacher will give us a practical demonstration.
00:38:03Our body is basically composed of water.
00:38:06And from the harmonic circulation of this liquid
00:38:09within the lymphatic channels
00:38:11largely depends on the formation of layers of superfluous fat.
00:38:15So it is enough to reactivate or accelerate this circulation
00:38:19through appropriate massages
00:38:21to obtain excellent results in weight loss
00:38:24and in the reconstruction of the lost shape.
00:38:26Sorbole che romagnola!
00:38:28It means that we will become all thin, like the wearers.
00:38:32Not exactly like those.
00:38:34But it is not true that a woman is beautiful only if she is tall and thin.
00:38:37Naturally, physiotherapy must also be added to the face of the person.
00:38:42At this point, Marta will think,
00:38:44confessing the dress you have always dreamed of.
00:38:46I can promise you now.
00:38:48Your husbands will be speechless.
00:38:50It's too beautiful, almost unbelievable.
00:38:53It would be a miracle.
00:38:55Science does not do miracles, but it obtains results.
00:38:58Gymnastics is also based on rigidly scientific criteria.
00:39:02I'm in.
00:39:04Me too.
00:39:05I'll tell my friends.
00:39:07Me too.
00:39:08We'll show her that dirt underneath.
00:39:11I'll bury her.
00:39:15And to think that at first sight I had judged her badly.
00:39:19It does not matter.
00:39:21When do we start?
00:39:23Wait a minute, I'm not done yet.
00:39:25During the period of your treatment,
00:39:27you will have to maintain a very rigid diet.
00:39:29No fat, no sugar and no salt.
00:39:32I'll make you a list of forbidden foods.
00:39:34I recommend it.
00:39:36But the pastries must be eaten.
00:39:39No sweets.
00:39:40On the other hand, tea at will.
00:39:42Tea?
00:39:43Only tea?
00:39:45And who has ever drunk it?
00:39:47You will learn.
00:39:48But do not despair.
00:39:50You get used to everything.
00:39:52From now on, sir, in Fontebelle there is only one word of order.
00:39:55Diet, diet, diet.
00:39:59Damn thief!
00:40:01You do not cook anymore in this house.
00:40:03I'm becoming a rabbit.
00:40:05What do I do with the salad?
00:40:07Moreover, without oil and without salt.
00:40:11The usual story.
00:40:12Raw vegetables contain all the energy substances
00:40:15necessary for the body.
00:40:16Oil and salt are poisons.
00:40:18I want to die poisoned.
00:40:21I want potassium cyanide.
00:40:23I want arsenic.
00:40:24I want strichinina.
00:40:26But I also want to eat.
00:40:28Damn it!
00:40:29Do not scream, Federico.
00:40:31Remember that you are the first citizen of this country.
00:40:33Yes, yes, the first citizen.
00:40:35And also the most famished.
00:40:37But no money for salad.
00:40:46Paolo!
00:40:48Paolo!
00:40:49Yes, Orietta.
00:40:50Can you come here for a moment, please?
00:40:54Here I am.
00:40:55What do you want?
00:40:56Listen, Mrs. Venantini is coming with her daughter today.
00:41:00Can you give me some advice for two dresses I should choose for her?
00:41:03Of course.
00:41:04Sit down.
00:41:07And now be careful.
00:41:15Sorry, Orietta.
00:41:16But I do not understand what you want to show me.
00:41:24So, what do you think?
00:41:27I think something is missing.
00:41:29What are you saying?
00:41:31What is missing?
00:41:33I do not see anything.
00:41:34You do not see anything?
00:41:38I have the impression that with you you will have to start all over again.
00:41:42And why?
00:41:46I do not understand.
00:42:02Come on, be brave.
00:42:04Another ten kilometers.
00:42:06Another ten kilometers?
00:42:08And then check the measurements, I recommend it, Marisa.
00:42:11But how is it going here?
00:42:13Yes, I know, it's boring.
00:42:15But you have to be patient.
00:42:17I know, I know.
00:42:18I recommend it.
00:42:20Do not doubt it.
00:42:25Oh, he's crushing his ass, you know.
00:42:33Hi, Egle.
00:42:34What do we have good today?
00:42:36Oh, he took a certain tangerine in the stomach.
00:42:39Indeed, in the stomach.
00:42:44Excuse me, what is this?
00:42:46Which?
00:42:47This.
00:42:48The tea.
00:42:49Ah, tea.
00:42:50And what is written on it?
00:42:52Sorry, it's written here.
00:42:54An oriental aroma of aromatic leaves, right?
00:42:57Ah, an oriental aroma of aromatic leaves.
00:43:00And where is the rest?
00:43:02What?
00:43:03Everything, right?
00:43:04The maccherone, the meat, the fish, the fruit, the vegetables, the condolences, everything.
00:43:08The rest is not there.
00:43:10Not there?
00:43:11If you cook, I'll eat too, right?
00:43:13Anyway, a lot of people drink it and you can drink it too.
00:43:17Ah, a lot of people.
00:43:21Egle, I feel good.
00:43:26More energy, more rhythm, forward, increase the revolutions.
00:43:29I can not do it anymore.
00:43:30Never be discouraged, madam, insist, insist, courage.
00:43:33Think about it.
00:43:35And here, how are we going, huh?
00:43:37If my husband knew that another man is looking at me in these conditions.
00:43:41Do not worry, madam, there is no man here.
00:43:44Wait a minute.
00:43:45What did you mean by there is no man here?
00:43:48What I said.
00:43:49If it's a physiotherapist, a paramedic, sex does not matter.
00:43:52Orietta, are you sure you mean that?
00:43:55What is it?
00:43:56Are you suddenly waking up by chance?
00:43:58Well, to think about it, I'm not really sure.
00:44:02Another cornetto, please.
00:44:04Good.
00:44:05Another one for me too, please.
00:44:07Me too.
00:44:09But excuse me, but why do not you go to eat at the restaurant?
00:44:12Well, because ...
00:44:13But why do not you do your own shit?
00:44:15Excuse me.
00:44:22Salute.
00:44:24But what are you laughing at?
00:44:26Nothing.
00:44:31Listen, you will not tell me that a wife like yours has started to take care of a pregnant woman.
00:44:36Solidarity.
00:44:37No.
00:44:38Listen, give me a double Fernet.
00:44:40I have a stomach ache.
00:44:42Today Marianne made spaghetti with octopus.
00:44:46And then a roast steak, fat and lean, with potatoes in the oven.
00:44:51And a mixed fish fry, which was a delight.
00:44:55If I had not done the fishing to put three slices of English soup on it.
00:45:01Listen, but ...
00:45:03But Federico!
00:45:04A mayor!
00:45:07One, two.
00:45:09One, two.
00:45:11Without bending your knees.
00:45:13One, two.
00:45:15One, two.
00:45:16Excuse me, can I talk to you?
00:45:18Yes, what is it?
00:45:19There is a person upstairs looking for you.
00:45:21But why did not you let him down?
00:45:23The fact is that he is ashamed.
00:45:25I'll be right there.
00:45:26You too.
00:45:27One, two.
00:45:28Let's go.
00:45:32Mrs. Marianna, I leave you.
00:45:35Excuse me.
00:45:38Good morning.
00:45:39Good morning.
00:45:40So, you're here too?
00:45:42Yes.
00:45:43Please do not say anything.
00:45:45Let me speak first.
00:45:47Speak.
00:45:48I know I was wrong with you.
00:45:51I did not deserve what I said and did.
00:45:54I came to apologize.
00:45:57Apologize?
00:45:58All forgotten.
00:46:00I want to explain.
00:46:01It's my husband's fault.
00:46:03He runs around with all the women he meets.
00:46:06I thought I could keep him at home.
00:46:09With good meals.
00:46:12My mother taught me that love goes through the stomach.
00:46:16And the result was that I was transformed.
00:46:19And he continued to run around with all the women.
00:46:22Do not worry.
00:46:23You'll see, we'll fix everything.
00:46:25I can promise you.
00:46:27You are a treasure.
00:46:28When does it start?
00:46:29Soon.
00:46:30Look who's here.
00:46:33Do not you remember a man who was here the other day?
00:46:37Yes, yes.
00:46:38I did not know.
00:46:40The double Fernet.
00:46:42For three more sweets.
00:46:44Do you remember?
00:46:45Yes, I remember.
00:46:46It's him.
00:46:47It's him.
00:46:48It's him.
00:46:49Marianna forbade me to cook.
00:46:53The duty of a married couple is to divide everything.
00:46:56Good and evil.
00:46:58She's on a diet and I'm on a diet.
00:47:00He also called all the restaurants in the area.
00:47:03He forbade me to cook.
00:47:05The same thing Agnese did.
00:47:07No, look, I think they all agree.
00:47:09I say so too.
00:47:10It's a conspiracy.
00:47:11No, it's a disaster.
00:47:14Roberto, a cappuccino.
00:47:16Two cappuccinos.
00:47:17Three cappuccinos.
00:47:18Four cappuccinos.
00:47:28Four cappuccinos.
00:47:29Four cappuccinos.
00:47:30Four cappuccinos.
00:47:31Four cappuccinos.
00:47:32Four cappuccinos.
00:47:33Four cappuccinos.
00:47:34Four cappuccinos.
00:47:35Four cappuccinos.
00:47:36Four cappuccinos.
00:47:37Four cappuccinos.
00:47:38Four cappuccinos.
00:47:39Four cappuccinos.
00:47:40Four cappuccinos.
00:47:41Four cappuccinos.
00:47:42Four cappuccinos.
00:47:43Four cappuccinos.
00:47:44Four cappuccinos.
00:47:45Four cappuccinos.
00:47:46Four cappuccinos.
00:47:47Four cappuccinos.
00:47:48Four cappuccinos.
00:47:49Four cappuccinos.
00:47:50Four cappuccinos.
00:47:51Four cappuccinos.
00:47:52Four cappuccinos.
00:47:53Four cappuccinos.
00:47:54Four cappuccinos.
00:47:55Four cappuccinos.
00:47:56Four cappuccinos.
00:47:57Four cappuccinos.
00:47:58Four cappuccinos.
00:47:59Four cappuccinos.
00:48:00Four cappuccinos.
00:48:01Four cappuccinos.
00:48:02Four cappuccinos.
00:48:03Four cappuccinos.
00:48:04Four cappuccinos.
00:48:05Four cappuccinos.
00:48:06Four cappuccinos.
00:48:07Four cappuccinos.
00:48:08Four cappuccinos.
00:48:09Four cappuccinos.
00:48:10Four cappuccinos.
00:48:11Four cappuccinos.
00:48:12Four cappuccinos.
00:48:13Four cappuccinos.
00:48:14Four cappuccinos.
00:48:15Four cappuccinos.
00:48:16Four cappuccinos.
00:48:17Four cappuccinos.
00:48:18Four cappuccinos.
00:48:19Four cappuccinos.
00:48:20Four cappuccinos.
00:48:21Four cappuccinos.
00:48:22Assunta!
00:48:23I'm here.
00:48:31What is it?
00:48:32Listen to me, holy woman.
00:48:35You can say it louder.
00:48:36Never did a man's fingers touch me.
00:48:38Who cares if it touches you, blessed woman?
00:48:40Listen.
00:48:41It is written that a priest must run away from the pleasures of flesh.
00:48:46Do you realize this?
00:48:47Words of the Gospel.
00:48:49Well, then you must also realize that a priest must also run away from the pleasures of vegetables
00:48:56and from this, from this evil, blessed soup that you have prepared for me.
00:49:03I want the dry pasta, do you understand?
00:49:05The dry pasta!
00:49:08Don't be angry, Don Gaudenzio.
00:49:10In life, just ask.
00:49:12By the way, there is Mrs. Marta's nephew over there.
00:49:15At this time?
00:49:18Let him pass.
00:49:19So much for what I enjoy eating.
00:49:30Courage.
00:49:39Good morning, father.
00:49:40Come on, come on, come on, Paolo.
00:49:43Come on, come on.
00:49:44Excuse me if I don't finish the Lord's food in the meantime, but...
00:49:47What are you doing?
00:49:48Go away!
00:49:52Listen, listen, Paolo.
00:49:53No, no, no.
00:49:57I don't want to disturb you, father.
00:49:59But it was my aunt who told me that you wanted to talk to me.
00:50:02That's right, that's right.
00:50:03I wanted to talk to you.
00:50:08What did I want to tell you?
00:50:09I don't know, father.
00:50:10You don't know.
00:50:11Do you want a soup?
00:50:12Thank you, I've already eaten.
00:50:14Ah, bless you.
00:50:16So, let's see.
00:50:18How do you feel?
00:50:19Very well.
00:50:21Well, you see, you're big, fat.
00:50:23Well, not so fat.
00:50:25In short, it's right, it's right.
00:50:27How old are you?
00:50:28Almost twenty, father.
00:50:29Twenty years, he said almost.
00:50:30No, stay on your butt, dear.
00:50:34It's a nice age, I remember it too.
00:50:37I used to play ball, sports, seminary,
00:50:40study, field trips,
00:50:43and beautiful girls.
00:50:45Did you go out with women, father?
00:50:47Who, me?
00:50:48What do I have to do with it?
00:50:50I was just saying.
00:50:53At your age, it's natural.
00:50:56Some things are understandable,
00:50:58within the limits of decency, of course.
00:51:00What things, father?
00:51:02What do you mean, what things?
00:51:03Those, those...
00:51:06Well, if you have to do it...
00:51:08But stay still for a moment.
00:51:10Fatima is talking too much.
00:51:13So, listen a little.
00:51:15Listen a little, Paolo.
00:51:18I called you because your aunt is worried.
00:51:21Yes, yes, worried is the right word.
00:51:24And what are you worried about?
00:51:26Well said, Toso.
00:51:28Sport is necessary,
00:51:30study, but we all agree,
00:51:33but you are a healthy man,
00:51:35an honest man, a healthy man,
00:51:37you look around, and when you look around,
00:51:40what do you see?
00:51:42What do I see?
00:51:43What do you see?
00:51:46He sees a wretch who doesn't care about his own business.
00:51:49Get out of here, get out, go to the kitchen,
00:51:51and go to Mayorsega.
00:51:56So...
00:51:59So, we were saying...
00:52:02So, you never had a girlfriend?
00:52:04A girlfriend? No, father.
00:52:05Ah, well.
00:52:06No, bad!
00:52:07What are you making me say?
00:52:08Why didn't you ever have a girlfriend?
00:52:10I never thought about it.
00:52:12He never thought about it, I knew it.
00:52:15Bad!
00:52:16Paolo, you have to think about it.
00:52:18Not too much, but you have to.
00:52:21Flowers have to multiply.
00:52:23The grass in the fields too.
00:52:26And so does man.
00:52:28Do you agree on this point, right?
00:52:30Of course.
00:52:31Be so kind, sir.
00:52:34By the way, I know that in your aunt's house
00:52:38a girl came in to work,
00:52:41a Romagnola.
00:52:43How do you find her?
00:52:45Very intelligent.
00:52:46Alone?
00:52:47No.
00:52:48Ah, well, thank goodness.
00:52:49She's also very good at physiotherapy.
00:52:52And you find her only good at physiotherapy and intelligent?
00:52:55But you never went out together,
00:52:57and you never went on a trip, I don't know.
00:53:00But you are a monk, my son.
00:53:01No, never.
00:53:02Then take her to the cinema,
00:53:03take her out to the sea,
00:53:04an order and take her anywhere.
00:53:05I could show her the beauties of the area.
00:53:07Here, good, show her the beauties of the area,
00:53:09good, show her well,
00:53:10but you have to make her see the blessing of God.
00:53:12May God bless you,
00:53:13and don't be a monk, understood?
00:53:18Oh, what a fatigue.
00:53:22But let's hope.
00:53:57No!
00:54:27Oh!
00:54:58Oh!
00:55:18Paolo, wait, Paolo!
00:55:24Paolo!
00:55:27Morietta!
00:55:33It's a very clear echo.
00:55:35It comes from the special conformation of the valley.
00:55:37The epicenter is there, in the middle of the hill.
00:55:41But what is that?
00:55:42An old abandoned house.
00:55:44It's been years since anyone has lived here.
00:55:46Before you arrived, I always came here.
00:55:48Almost every day.
00:55:49To do what?
00:55:50To think.
00:55:51I want to see it.
00:55:52But there is nothing left.
00:55:54Come on, let's go anyway.
00:56:27Let's go.
00:56:40How beautiful it is.
00:56:41And to think that someone lived here one day.
00:56:44Who knows how tall, blond, thin, ugly they were.
00:56:48Yesterday Don Gaudenzio called me.
00:56:50What did he want?
00:56:51You can not even imagine it.
00:56:52Try to say it.
00:56:53He wanted to know if I ever went out with a girl.
00:56:56What does it matter to him?
00:56:57I do not know.
00:56:59But everyone is worried about the same thing.
00:57:01Even my aunt.
00:57:02They make a lot of strange speeches.
00:57:04And they turn around the topic.
00:57:06Without having the courage to ask what they have in mind.
00:57:08The truth is that they are ashamed to talk about love.
00:57:11Do not you think it's funny?
00:57:13I'm not ashamed of anything.
00:57:14What's wrong with love?
00:57:16I do not know.
00:57:17Nothing, I think.
00:57:19Have you ever been in love?
00:57:20No.
00:57:22But I know a love story.
00:57:23What story?
00:57:25Come with me and close your eyes.
00:57:26Why do I have to close my eyes?
00:57:28Do not ask questions.
00:57:29I said close your eyes and come with me.
00:57:36Here, sit down here.
00:57:38I'm ready.
00:57:39Tell me the story.
00:57:40So.
00:57:41You must know.
00:57:43It happened many, many years ago.
00:57:45I do not know when.
00:57:46It does not matter.
00:57:47Who was he?
00:57:48A poor pimp.
00:57:49He owned a single sheep, thin and sick.
00:57:52But he took care of it as if it were the only good thing in the world.
00:57:57One day he met a girl.
00:57:59Beautiful as a dream.
00:58:01And he fell in love with her.
00:58:02But he did not have the courage to declare his love to her.
00:58:05Because he was poor.
00:58:06Despite this, the girl understood.
00:58:08She was moved.
00:58:09And exchanged the love of the pimp.
00:58:12Every night, the boy came here at sunset to ring the bell of the sheepfold.
00:58:17The echo brought echoes to the ears of the girl.
00:58:20She ran to hug the pimp.
00:58:23One bad day.
00:58:24Her parents, rich and powerful, decided that the two
00:58:28They had to separate.
00:58:29They surprised them together and for revenge
00:58:32They killed the poor sick sheep.
00:58:34But they could not separate the two lovers.
00:58:36Because the moment the sheep died
00:58:38The pimp and his girl disappeared in the air by enchantment.
00:58:41Since then, every night at sunset
00:58:43The pimp and the girl come back here to meet like a time.
00:58:47And to love each other for eternity.
00:58:49What a beautiful story.
00:58:50It's not just a story.
00:58:56I'm convinced.
00:59:01Paolo, but ...
00:59:02Look.
00:59:05I feel a strange sensation.
00:59:10But how is it possible?
00:59:11Everything is possible.
00:59:12Just believe us.
00:59:14Did you see?
00:59:15They are the shadows of the tree.
00:59:17Paolo.
00:59:18I want to come back here with you.
00:59:21Look, I do not have sheep.
00:59:23But only a motorcycle.
00:59:24And I still have to pay six rand.
00:59:26All in all, I'm worse than the pimp.
00:59:29Come on.
00:59:30It's late.
00:59:32We are hungry.
00:59:33We are hungry.
00:59:34We are hungry.
00:59:35We are hungry.
00:59:36We are hungry.
00:59:37So, Isotta.
00:59:39Are these spaghetti coming or not?
00:59:41Come on, we want to eat.
00:59:42Isotta.
00:59:43Spaghetti.
00:59:44Spaghetti.
00:59:45Spaghetti.
00:59:46Spaghetti.
00:59:47Spaghetti.
00:59:49Spaghetti.
00:59:53To Isotta.
00:59:56To me.
00:59:58Here we go.
01:00:00Taste it.
01:00:01This wine is very good.
01:00:04A little more.
01:00:06I told you, Isotta.
01:00:08You almost get better as a chef.
01:00:10If it weren't for my wife, I would hire you at the motel.
01:00:14Do you know what?
01:00:15All of you go to hell. Here you make love, not dry pasta.
01:00:18They have blocked the sources.
01:00:20You have to take it with someone else, sorry.
01:00:22Cucca, feta and romagnola, I'll take it.
01:00:24If it happens to me, I'll do it in pieces.
01:00:27Do not get angry.
01:00:28Isotta, come here, I want to ask you an intimate question.
01:00:31What question?
01:00:32Do you know how to make the rigatoni with sauce?
01:00:34And you know how to do it? The pugnetta with butter and parmesan?
01:00:37Isotta, what did you put in here? Pepper, paprika?
01:00:41But if you do not feel anything.
01:00:43But how can you not feel anything?
01:00:45He did it on purpose to put pepper.
01:00:47What do you want me to feel, Mr. Martedi?
01:01:43Assunta.
01:01:50I'm in the kitchen.
01:01:51Come here.
01:01:52What do you want?
01:01:58Sit down.
01:02:00I heard that there from Marta, strange things are happening.
01:02:11It could be that they are all slander, you know.
01:02:13And it could be the truth.
01:02:15I would have a task, let's say, to trust you.
01:02:20Can I trust you?
01:02:22Don Gaudenzio, you know me well.
01:02:25And precisely because I know you well, I wonder if I can trust you.
01:02:29Paolo, where is Eurida?
01:02:31Down in the physiotherapy room with the broken box of Assunta.
01:02:39Oh, Jesus, Joseph and Mary.
01:02:41And what are all these things?
01:02:43Tools that are used to shape the human body, to transform it, to make it more beautiful, more harmonious.
01:02:48And what is this?
01:02:50This is a vibromassager.
01:02:51And with this you can make a woman more beautiful?
01:02:54We can improve her appearance, that's for sure.
01:02:57Really? I will refer to Don Gaudenzio.
01:02:59And this poor thing is punished.
01:03:01What did he do? He must not speak.
01:03:03Did you shut your mouth?
01:03:05He is waiting for the wax to dry to be disheveled.
01:03:08Disheveled?
01:03:09Yes, his hair is plucked.
01:03:11And that? What is he doing in that tub?
01:03:14It's not a tub, it's a sauna to get rid of the fat.
01:03:18Eurida?
01:03:19Yes, Martha.
01:03:20Excuse me for a moment.
01:03:21In the meantime, take a look around, we have no secrets.
01:03:24I'm coming, Martha.
01:03:27Disheveled.
01:03:29Disheveled.
01:03:33Assunta, come here.
01:03:36I can not, I'm busy, Don Gaudenzio.
01:03:39Stop being stubborn and come here.
01:03:43You know, they gave us those places for children's asylum.
01:03:47I immediately wrote to Bishop Santolei.
01:03:50I hope to get from him a financial help for the restoration.
01:03:54Go immediately to fill out this letter.
01:03:59What did you do to your face?
01:04:01Why can not you see? I'm shaving.
01:04:04Even the beard now, Virgin Mary.
01:04:07What does it suit me?
01:04:19With the most heartfelt compliments for your culinary art.
01:04:23Your admirers.
01:04:28They only think about eating.
01:04:47Thank you, devil.
01:06:42How do you feel the arrival of the season?
01:06:46Right, Vendrami?
01:06:48I feel like a shitter, sir.
01:06:51You are only superficial.
01:06:52You never understand a ...
01:06:54Fuck!
01:06:55What is it that I do not understand, sir?
01:06:57Nothing, nothing, forget it, let's just admire this panorama.
01:07:01Look, look, how the birds are moving.
01:07:09What do you say, Mancuso?
01:07:10Eh, what do I say? I say, mingia che culo, Mr. Marshal.
01:07:13If a nice pair of flip-flops are serious, Mr. Marshal.
01:07:15Eh, eh, you got it, you even woke up Ventramin.
01:07:18What a nice green carpet.
01:07:20I wish there was a nice match of billiards on it.
01:07:22Think, Andi, you'll come back with balls.
01:07:25Hey, ciao.
01:07:31If you allow me, Mr. Marshal, I'm going to take care of the minister's file.
01:07:34How are you, Mr. Marshal?
01:07:35Eh, go, go, go.
01:07:36But you look a little...
01:07:37Oh, oh, oh, what are you doing there with your nose for air?
01:07:39Go and help a little.
01:07:40Yes, Mr. Marshal, of course.
01:07:41Eh, go, go, go.
01:07:43Bye.
01:07:45Ciao.
01:07:48Juhu.
01:07:49Juhu.
01:07:53Ciao, Miccio.
01:07:54I was passing by and I thought I'd say hello.
01:07:56See you.
01:07:58No, no, wait.
01:07:59I'll go with you.
01:08:00But dear, it's the service.
01:08:03Wait.
01:08:05I don't...
01:08:08The service can wait.
01:08:10If you say so.
01:08:16Oh, I'm sorry.
01:08:19I'm sorry.
01:08:26Ninetta, come here.
01:08:28Who is that lady?
01:08:29His wife.
01:08:30My wife?
01:08:31Yes.
01:08:36Agnese.
01:08:37Yes, dear.
01:08:42Federico.
01:08:43Federico, what's wrong?
01:08:44Are you sick?
01:08:45Oh, God.
01:08:46Federico.
01:08:47Oh, God.
01:08:48Federico.
01:08:49Federico.
01:08:50Federico.
01:09:06Attilio.
01:09:07Marianna.
01:09:08But if someone sees you.
01:09:10You can't really wait tonight?
01:09:13Hold the ladder, come on.
01:09:16Who can hold me?
01:09:26Be praised, Jesus Christ.
01:09:27There are still miracles.
01:09:31Maybe I eat too much.
01:09:32Bring me a little bit of bicarbonate.
01:09:33Here it is.
01:09:35But how did you know I wanted it?
01:09:37I knew you would want it.
01:09:39When one decides to poison himself.
01:09:41And now what goes into the poison with spaghetti?
01:09:44Have you gone mad?
01:09:46Spaghetti contain flour.
01:09:48Little assimilation.
01:09:50Stomach disorders.
01:09:51Precocious fattening.
01:09:53What the hell are you talking about?
01:09:55Everyone knows.
01:09:56The little movement.
01:09:57Promotes the formation of fats.
01:09:59Oh yeah?
01:10:00And now I'll tell you one thing.
01:10:01That I made a single mistake.
01:10:03That of making you come here twenty years ago.
01:10:05If you're not happy with me.
01:10:06You can tell me right away.
01:10:08But I've been telling you for twenty years.
01:10:10Get out of my way.
01:10:11Okay, I'm leaving, Don Gaudenzio.
01:10:13But don't count on me anymore.
01:10:15Get out of my way.
01:10:16Go.
01:10:40Come, darling.
01:10:41Here I am, my love.
01:10:42Hurry up, love.
01:10:43Please don't be impatient.
01:10:50Marianna.
01:10:59Marianna.
01:11:10Marianna.
01:11:12What is it, my love?
01:11:14Try to understand me.
01:11:16Marianna.
01:11:21Mamma mia.
01:11:22What a pain.
01:11:42Marianna.
01:12:13Marianna.
01:12:14Marianna.
01:12:27So?
01:12:31I love you.
01:12:32So much...
01:12:34So much?
01:12:35Very.
01:12:36I keep remembering when I was two.
01:12:39Tell me.
01:12:40Marianna.
01:12:41The wind makes the bell ring, but you won't hear it anymore.
01:12:50I'll hear it with my heart.
01:12:53I love you. I love you, Rieta.
01:13:02I love you. I love you.
01:13:05I love you.
01:13:11I love you with all my heart.
01:13:13I want to be you.
01:13:19Oh, Rieta.
01:13:30All of this is wonderful.
01:13:36I love you.
01:13:41Take me, Paolo.
01:13:49And above all, thank you.
01:13:51Thank you for everything you've done for us.
01:13:54Goodbye, Marisciallo.
01:13:56And say hello to everyone else.
01:13:59You know, I'd be moved.
01:14:01And I'd wipe my make-up.
01:14:04Anyway, I'll send you my address.
01:14:07In case you'd like to have a nice spaghetti.
01:14:10Come, dear, I'll go with you.
01:14:12And excuse me if I don't come all the way to the gate.
01:14:14No, it doesn't matter.
01:14:21Let's shake hands. Goodbye, Mrs. Son.
01:14:24But now? Have you really decided to leave?
01:14:26What can you do? I'll come.
01:14:28It's progress.
01:14:29Now even the wives have learned to cook.
01:14:31And they compete with me.
01:14:33I'm sorry, but I'll never forget this idea.
01:14:36Thank you, dear.
01:14:38Goodbye.
01:15:03Goodbye.
01:15:34It's a real shame that she's leaving.
01:15:38I'm the first to say that young people today...
01:15:41...are all a little crazy and crazy.
01:15:44But if you think about it, they have some good ideas.
01:15:48Absolutely.
01:15:49Times have changed.
01:15:51It's useless to hide it.
01:15:53And the world is no longer just men, Don Gaudenzio.
01:15:57Even the woman has discovered her rights.
01:16:00And she has all the intentions of making them come true.
01:16:03The time of slavery and superstition is over.
01:16:06The flag of freedom flutters on our heads.
01:16:10The woman today is a reality that cannot be erased.
01:16:13The fact is that we women have our needs.
01:16:16Do you understand me, Don Gaudenzio?
01:16:18But you...
01:16:22Lord God, forgive me.
01:16:23But it's not my fault, it's the matter's fault.
01:16:25I have no words to thank you.
01:16:28You've changed everyone.
01:16:31Paolo, the village...
01:16:34We'll never forget you.
01:16:38I'll never forget you.
01:16:42Where's Paolo?
01:16:44I don't know. He disappeared this morning.
01:16:47Maybe he's in Piazza La Corriera.
01:16:49You'll see, we'll find him there.
01:16:51Come, I'll take you.
01:16:53I'll take this one.
01:16:58I'll take this one.
01:17:14Thanks a lot.
01:17:16No, no.
01:17:18You're welcome.
01:17:21See you soon.
01:17:23We'll send you a letter every now and then.
01:17:25You're welcome.
01:17:27My dear young lady, my friends and I...
01:17:30We felt the need to come here and say hello...
01:17:32and shake your hand.
01:17:34It was a pleasure to be with you...
01:17:37for a while.
01:17:39And we'd like to thank you...
01:17:42for what he has done for us and for our families.
01:17:45Are you happy, Agnese?
01:17:46I made a good speech, didn't I, dear?
01:17:49Miss, I came to bring you this.
01:17:52What is it?
01:17:53The account. Sold out, you know.
01:17:55But I...
01:17:56Please, don't make me look bad.
01:17:59Thank you all.
01:18:01Goodbye.
01:18:02Goodbye, Miss.
01:18:03Come back soon.
01:18:04Write a little letter.
01:18:06Have a good trip.
01:18:07We'll meet again.
01:18:10Have a good trip.
01:18:11Have a good trip.
01:18:12Goodbye.
01:18:13Take care of our, a good trip, OK?
01:18:15Write, eh?
01:18:16Take care, Andrieta.
01:18:19Goodbye.
01:18:20Tourism at your service.
01:18:23Bye.
01:18:24See you.
01:18:25Bye.
01:18:28Ciao.
01:18:29Ciao.
01:18:30Ciao.
01:18:33Ciao, Andrieta!
01:18:34Ciao.
01:18:35Bye, Såfi.
01:18:36Goodbye.
01:18:37Bye!
01:19:07I'm sorry.
01:19:09I'm sorry.
01:19:11I'm sorry.
01:19:13I'm sorry.
01:19:15I'm sorry.
01:19:17I'm sorry.
01:19:19I'm sorry.
01:19:21I'm sorry.
01:19:23I'm sorry.
01:19:25I'm sorry.
01:19:27I'm sorry.
01:19:29I'm sorry.
01:19:31I'm sorry.
01:19:33I'm sorry.
01:19:35I'm sorry.
01:19:37I'm sorry.
01:19:39I'm sorry.
01:19:41I'm sorry.
01:19:43I'm sorry.
01:19:45I'm sorry.
01:19:47I'm sorry.
01:19:49I'm sorry.
01:19:51I'm sorry.
01:19:53I'm sorry.
01:19:55I'm sorry.
01:19:57I'm sorry.
01:19:59I'm sorry.
01:20:01I'm sorry.