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02:21-...
02:51...
03:21...
03:51It's the missing painting of Werner Saalfeld.
03:53Who is so childish?
03:55Why should we hide the painting? Why?
03:57Yes, it should give you a nice display.
03:59Yes, okay.
04:01What can he do against strangers?
04:03Exactly.
04:05I refuse to believe that we should have been this eroding gang.
04:09We can't be sure.
04:13Who knows what ideas the mushrooms brought us.
04:15I admit it.
04:21A lot of strange things happened in this night.
04:27But a shadow steal?
04:29Driving through the area in a rush?
04:31None of us would dare to do that.
04:33But the fun stops there.
04:35None of us would do something like that.
04:37Keyword reason.
04:39I studied.
04:41I know exactly where my limits are.
04:43We know exactly where our limits are.
04:45Mushrooms back and forth.
04:47It's absolutely unimaginable.
04:49So let's keep quiet about this.
04:51And then we'll just move on.
04:53No panic. Agreed?
04:55Agreed.
05:13Unbelievable!
05:15Do you like tea, too?
05:17What? What is he doing here?
05:19Vacation.
05:21And it's a coincidence.
05:23Vacation? We've never taken a vacation in a luxury hotel like this.
05:25And I don't think that has changed.
05:27Yes, at least he's here now.
05:31He's supposed to disappear again.
05:35Don't you want to talk to him at all?
05:37No.
05:39Theo, I think he's here because of you.
05:41Maybe he wants to make amends.
05:43I don't want to let him go.
05:45And I'll do everything to make sure it doesn't happen.
05:47And how do you want to do that?
05:49You can just let him go.
05:51And the hotel isn't that big.
05:53I don't know.
05:55I'll find a way.
05:57He won't stay that long.
05:59Why didn't he tell us?
06:05Maybe he did.
06:07Maybe he did.
06:11The letter.
06:13Oh, I really hated it.
06:15Yeah, me too.
06:17It probably said that he was coming.
06:21Man, if I had just read the letter,
06:23then I could have written him that I didn't want to see him.
06:25Or hear him. No, thanks.
06:29Theo.
06:33I know what you had to go through because of him.
06:35And I don't want to talk to you about it.
06:37But maybe a clarifying conversation would help.
06:39I don't think so.
06:43But is that the reason why you're afraid in cramped rooms?
06:47Ask one of your doctors what they think.
06:49I'm pretty sure they'd all say
06:51that I don't have to see anyone I don't want to see.
06:55Yeah, that's true, but maybe...
06:57Again, Lale. I don't want to see him.
07:05I don't want to see him.
07:35I don't want to see him.
07:37I don't want to see him.
07:39I don't want to see him.
07:41I don't want to see him.
07:43I don't want to see him.
07:45I don't want to see him.
07:47I don't want to see him.
07:49I don't want to see him.
07:51I don't want to see him.
07:53I don't want to see him.
07:55I don't want to see him.
07:57I don't want to see him.
07:59I don't want to see him.
08:01I don't want to see him.
08:03I was a little surprised.
08:05After I couldn't buy the other wine with Markus,
08:07it's going so much better now.
08:09And you did it all on your own.
08:11It feels even better, doesn't it?
08:13Absolutely.
08:17It's a whole new chapter in your life, doesn't it?
08:19A very nice challenge.
08:21But I'm looking forward to it,
08:23because, to be honest, it's a lifelong dream
08:25that's coming true.
08:27It's admirable.
08:29But cooking here
08:31is also a big dream of yours.
08:33Of course it is, but you know it.
08:35When you've reached your goal,
08:37you look for the next one.
08:39Your next goal is
08:41the organic green leaf for our hotel.
08:43Who knows what's waiting for you after that?
08:45The re-entry
08:47into the top 500 list.
08:49Of course.
08:57I'll call you back later.
08:59I'll call you back later.
09:01I'll call you back, too, Lexi.
09:03Yes.
09:05Hello, Mr. Licht.
09:07Hello.
09:09I thought you were in a good mood.
09:11Or is it my fault that you looked so surprised
09:13and now you're not saying anything wrong?
09:15No, it's not your fault.
09:17Okay.
09:19All right.
09:21I have to go on.
09:23Ms. Richter's cleaning regime is in her hands.
09:25All right, then, yes?
09:27All right.
09:31Mr. Licht, you know you can talk to me.
09:33Anytime.
09:35You know I'll help you.
09:37You know that.
09:41What's going on?
09:43All right.
09:57So, a beautiful horse.
09:59Yes, isn't it?
10:01Warmbloods are really very special animals.
10:03Gretchen is my perfect first breeding horse.
10:05To be honest, I was quite surprised
10:07that you agreed so quickly.
10:09And I think the breeder was quite beautiful, too.
10:11Well, if it fits,
10:13why wait?
10:15And besides, you examined it thoroughly.
10:17Yes, I did.
10:19And I think the breeder was quite beautiful, too.
10:21Well, if it fits, why wait?
10:23And besides, you examined it thoroughly.
10:25Well, if it fits, why wait?
10:27And besides, you examined it thoroughly.
10:29And it's healthy and lively.
10:31So, what do you think?
10:33Nothing.
10:35Exactly.
10:37And I'm really glad
10:39that he's bringing her directly to Tarnheim.
10:41But that also means
10:43that my breeding really starts now.
10:45Hey, don't worry.
10:47Everything will work out.
10:49And now there's no turning back.
10:51And that's good.
10:53Your breeding will be successful, I promise.
10:55Thank you for everything.
11:09Come in.
11:11Mr. Brandes,
11:13I still have the wine list for next month.
11:15I'll sign it right away.
11:23I'll be right back.
11:27You're welcome.
11:29Oh, wait a minute.
11:31Take a look, please.
11:35That's...
11:37That's him, isn't it?
11:39You mean Werner's wine man
11:41who broke down in the cellar?
11:43Exactly.
11:45How did you find him?
11:47I've been looking for him all day.
11:49The auction went online two hours ago.
11:51I couldn't find him either.
11:53Unbelievable.
11:55And you know what?
11:57The wine is even in Germany.
11:59In Düsseldorf, to be exact.
12:01What a luck.
12:03The wine...
12:05It was just bad luck.
12:07Well, I hope that doesn't cross
12:09your plans too much
12:11if you have to extend at the prince's court.
12:13If he knew...
12:15I hate lying to Vincent about that.
12:17But I'm not going to talk about
12:19that right now.
12:21I've taken the blame.
12:23And now I have to stay with my story.
12:27Is the shock still deep?
12:29Oh, you mean
12:31because of Werner Saalfeld.
12:33Yes, that's the way it is.
12:35And he's right.
12:37I have to do it right again.
12:39Then my departure will be delayed
12:41a little more.
12:43It's not a big deal.
12:45Well, you can breed horses
12:47in Germany.
12:49And tell me,
12:51you really can't buy the wine anywhere anymore?
12:53No, it's totally rare.
12:55Even the name is so special.
12:57Cuvée Royal Doré, 1981.
12:59That's where we were born.
13:01Yes, that's true.
13:03Well, no wonder it's nowhere to be found.
13:05Mrs. Saalfeld and I have already
13:07contacted all the dealers,
13:09but it's just nowhere on the market.
13:13What a pity.
13:17At least we're trying to auction it off.
13:19And you think you're better off
13:21with a bottle of wine at Anna's
13:23after everything that's happened?
13:25No, of course not.
13:27But I'm all about
13:29making up for my mistake,
13:31especially with Mr. Saalfeld.
13:33That honors you,
13:35but the Cuvée Royal Doré of 1981
13:37won't be cheap to auction off.
13:39I'm aware of that.
13:41One of the last bottles on the market.
13:43Basically, you want to take over my account.
13:45It'll work out.
13:47Well, then I'll knock you all down
13:49tonight.
13:51Thank you very much.
13:53See you later.
14:15Yes, and if you turn right here,
14:17it's only a few hundred meters
14:19away, but you'll be rewarded
14:21with a wonderful view.
14:23Thank you very much.
14:25The colleague I checked in with
14:27didn't promise too much.
14:29He said I should turn to you
14:31for the best hiking tips.
14:33And you're always welcome to do that.
14:35Thank you very much again. May I?
14:37Yes, of course.
14:39Maybe you can help me
14:41with something else. I'm looking for my son.
14:43Oh.
14:45He's not our guest either.
14:47No, he works here.
14:49Oh, he works here.
14:51I'm sorry, I didn't realize.
14:53I'm Alphonse Ambechler.
14:55Nice to meet you. Theodor Licht.
14:57My son's name is the same.
14:59Yes, Theodor.
15:01He works here.
15:03Where can I find him?
15:05I can't tell you that right now.
15:07He's either here at the hotel
15:09or at the stud farm.
15:11Maybe you can give me his address
15:13and I'll stop by.
15:15Thank you very much.
15:17Welcome to the Fürstenhof, Theodor Licht.
15:19Christoph Saalfeld.
15:21I'm the shareholder here at the hotel.
15:23Nice to meet you.
15:25Yes, me too.
15:27I was able to hear your conversation.
15:29I'm sorry.
15:31We don't give sensitive data
15:33to our employees.
15:35Yes, the data protection, you know.
15:37Yes, of course.
15:39We'll meet here sooner or later.
15:41Didn't you announce
15:43your visit?
15:45Yes, I did. I wrote a letter
15:47and asked when I could come,
15:49but Theodor didn't answer.
15:51Well,
15:53it will be a surprise for my boys.
15:55Goodbye.
15:57Goodbye.
16:01It will really be a surprise.
16:03And I don't think it will be a good one.
16:05Goodbye.
16:07Your own father doesn't know
16:09where his son lives
16:11and he obviously doesn't have his cell phone number either.
16:13Not all children have a good relationship
16:15with their parents.
16:17Are you sure that Theo
16:19doesn't know anything about his visit?
16:21Well, I'm not sure.
16:23That would explain his behavior earlier.
16:25Mr. Sonnbichler, I know
16:27that Theo has to fight claustrophobia.
16:29Yes, but he's on the best way
16:31to get the goods under control.
16:33Yes, but earlier
16:35he looked around nervously
16:37as if he was looking for someone
16:39and he couldn't get into the wheelchair.
16:41That doesn't sound good.
16:45Maybe he does know
16:47that his father is here
16:49and that's why he's so upset.
16:51That's possible,
16:53but you should talk to him yourself.
16:55Yes, yes, of course.
17:03What's the matter with you?
17:11What's the matter with you?
17:13It's not like we couldn't
17:15meet at a hotel or a cafe.
17:17Yes, but a secret meeting?
17:19Have you heard of a secret place?
17:21This place isn't secret.
17:23It's just circumstantial.
17:25Half of Bichelheim is a forest.
17:27Anyone can see us.
17:29But no one came
17:31with a proposal.
17:33So, what else is there?
17:35Yes, um...
17:37Let's walk a bit.
17:43Dear Nicole,
17:45it's the first time we see each other
17:47alone after we woke up
17:49in the cabin.
17:51Do you remember anything?
17:53No, God forbid.
17:55Well, not God forbid
17:57because of the situation
17:59but because I can't remember anything.
18:01Good.
18:03Me neither.
18:05And it will stay that way.
18:07The topic is complete for me.
18:09Tell me, how can you
18:11stay so calm?
18:13I'm just trying to avoid
18:15imagining a scenario
18:17when it most likely won't happen.
18:19But most likely isn't safe.
18:21Hope is last.
18:23You didn't tell Michael anything, did you?
18:25I hope you didn't tell
18:27Yvonne that we
18:29woke up half-naked
18:31next to each other.
18:33No.
18:37Okay, good.
18:39And we should stay that way
18:41until we know more.
18:43And funny,
18:45I sleep like this almost every night.
18:47Yes, me too.
18:49Two adults wake up in a bed.
18:51It happens every day in Germany.
18:53I wanted to tell you,
18:55I watched the pictures of Yvonne's phone.
18:57The party was completely harmless.
18:59I was almost disappointed.
19:01Well, it will be like that all night.
19:03We are of the same opinion.
19:05Nice.
19:23I have to get an overview
19:25because I took over
19:27the job as a housewife
19:29only temporarily.
19:31Towels are here.
19:33Soap is here.
19:35The allergic bed linen
19:37we store back there.
19:39What is that?
19:43How did that get here?
19:45Wow, that's a great picture
19:47of the ship.
19:49I don't know.
19:51That's a great picture of the ship.
19:53I painted that.
19:55Oh, okay.
19:57Is that abstract art
19:59or what do I have to think about?
20:01No, someone did it on purpose.
20:03Oh, not good?
20:05No, not good at all.
20:11It was nice in the snow, wasn't it?
20:13Yes.
20:15Then go to the warm now.
20:17See you tomorrow.
20:19Nice to see you again.
20:21Hello.
20:23I hope your colleague is doing well
20:25after the little high seat adventure.
20:27Yes, yes, all the best.
20:29She didn't have to stay up there for long.
20:31I'm glad.
20:33Me too.
20:35Unfortunately, I have to ...
20:37One short thing.
20:39Maybe you can help me.
20:41I'm looking for my son, Theo Licht.
20:43Theo Licht?
20:45You must be colleagues, right?
20:47Do you have any business plans?
20:49Yes, there are, but ...
20:51I can't help you.
20:53Maybe you're free today.
20:55I have to ...
21:01Here you are.
21:03Well, I'm very excited.
21:05Ah, the picture.
21:07Did you find it? Where was it?
21:09In the laundry room.
21:11Oh, what's that?
21:13That's what I'm wondering, too.
21:15Do you want something to drink?
21:17No, thank you.
21:19Did someone allow a joke?
21:21Who?
21:23I'm not that unpopular with the staff.
21:25A very stupid joke.
21:27I shouldn't have hung you up here.
21:29I'm sorry.
21:31No one can expect that.
21:33It's not worth that much.
21:35Come on, you put a lot of heart into it.
21:37I'm really wondering who it was.
21:39Because a guest wouldn't hide it
21:41in the laundry room.
21:43I have to go.
21:45Everything as usual.
21:47A handsome man can't do anything, can he?
21:49Well, I mean the ears.
21:51A little big.
21:53But in old age,
21:55the ears grow.
21:57But they're not that big, are they?
21:59No.
22:13No.
22:25Best regards from the laundry room.
22:27Thank you very much.
22:29I don't have time.
22:31I'm busy.
22:33What are you doing?
22:35What are you praying for?
22:37A very rare bottle of wine.
22:39A very rare bottle of wine.
22:41For this amount?
22:59Mrs. Seifeld?
23:01I've already signed your list.
23:03That's not the point.
23:05How can I help you?
23:07I'd like to follow your instructions, if you don't mind.
23:09Yes, yes, come in.
23:11But quickly.
23:13It's actually going pretty well.
23:15Sit down.
23:19So.
23:23Already overdue again.
23:25That's always the same guy.
23:29Okay, whatever.
23:31Next to your birth.
23:33Who's overbidding me all the time?
23:35That doesn't exist.
23:37Exactly.
23:39In any case, Anna didn't drop the bottle on purpose.
23:41Yes, but I can imagine
23:43that Werner would be happy if she replaced him.
23:45Now add a little more.
23:47He had to present a sum
23:49that would be bad for him.
23:57Higher. I can't go higher.
23:59Oh, come on.
24:01Come on.
24:05Now do it again.
24:07Last minute.
24:15This is
24:17the pain limit.
24:19Well, overdue again.
24:21That's out of the question.
24:23Oh, Vincent, I'm sorry.
24:25Too late.
24:41Yes, that's right.
24:43Oh, man.
24:45Okay.
24:47Higher birth.
24:49It's only a few seconds anyway.
24:51If it stays like this, it's okay.
24:53Two births exceeded.
24:57But
24:59your competitor doesn't seem to be bidding anymore.
25:03Yes, that's right.
25:05Or he waits until the last second
25:07to snatch the wine away with you.
25:09Yes, unfortunately also possible.
25:11Four.
25:13Three.
25:15Two.
25:17One.
25:19It worked!
25:21Congratulations!
25:41You were really lucky.
25:43Your dad must have searched the whole hotel for you.
25:47If you even met him at the stables.
25:49He probably thinks I'm totally
25:51balabala.
25:53We had a very nice conversation.
25:55He also helped me with Stella.
25:57I just ran away.
25:59I'm sorry I put you in this situation.
26:01You can't do anything about it.
26:03Nevertheless, thank you
26:05for not betraying me.
26:09Somehow, how I met your dad
26:11now ...
26:13Well, that was only very short.
26:15Yes, but everything I know about him,
26:17everything you told him ...
26:19You don't believe me?
26:21Of course I believe you.
26:23It just doesn't fit together.
26:25The way he acts
26:27doesn't make the impression
26:29that he would treat his child like that.
26:33You mean to lock it in a dark cellar
26:35just because it was too noisy?
26:39My father knows how to act.
26:43His first impression is always
26:45dramatic and friendly
26:47and often even funny.
26:49He knows how to create
26:51a good mood.
26:53And he is really interested
26:55in the other people.
26:57But there is also
26:59this other side of him
27:01that he only shows
27:03when you spend a long time with him.
27:07If something doesn't go
27:09as he imagined,
27:11he can't stand it.
27:15His patience is almost gone.
27:17Then he flips out.
27:19And it doesn't matter how small you are.
27:23I'm so sorry.
27:31Erik, it's getting worse and worse.
27:33That's complete nonsense.
27:35Yvonne, please stop.
27:37Are we that childish?
27:39So childish?
27:41Yes, it can be that we are so childish.
27:43Now,
27:45think about it.
27:47If you were him,
27:49what would you have painted?
27:51A handbag or something glittery?
27:53Right.
27:55That's much more my style.
27:57Because it's your motif, my angel.
27:59But Erik,
28:01now remember our first time in spring.
28:03Back then at the carnival.
28:05I was your sexy bunny.
28:07Isn't that a bit far fetched?
28:09We have a reference
28:11to the crime scene.
28:13That's complete nonsense, Yvonne.
28:15Erik, we were in the hotel at night.
28:17At night!
28:19We must have organized
28:21the key to the cabin.
28:23That has nothing to do with it.
28:25There were 200 people in the hotel.
28:27They could have been all of them.
28:29But I can feel it.
28:31Do you feel it?
28:33Yes.
28:41Ta-da!
28:53Ta-da!
28:55We drink it now.
28:59Oh, nice!
29:03Later?
29:05With our Erik and
29:07Michael.
29:09Michael.
29:15Wrong direction.
29:23It's coming.
29:25It's watching you.
29:29He looks so funny.
29:31Wait.
29:39Here.
29:41Go.
29:43It's in the way.
29:45Go.
29:47Go.
29:49Go.
29:53Go.
29:55Go.
29:57Go.
29:59Go.
30:01Go.
30:03Go.
30:05Go.
30:07It's beautiful.
30:17Eva, you are an artist.
30:35You are an artist.
30:53What's going on in your head?
30:56What do you feel?
30:58Eric?
30:59Yes?
31:01It's all back.
31:02I remember.
31:04What do you remember?
31:06I made Werner's portrait.
31:10I drew his teeth, his glasses, his ears, and...
31:16and Werner's lipstick.
31:19The pinkie-blue.
31:22That's mine.
31:24Pinkie-blue?
31:27That doesn't mean anything good when you come.
31:30I'm looking for Selle.
31:33He's sitting there.
31:35You booked him yourself.
31:37So here you are.
31:39Papa?
31:42Yes, I heard you were there.
31:44I just haven't gotten around to greeting you yet.
31:47You haven't gotten around to it yet, have you?
31:51What has become of you, Theo?
31:53Everything was open to you.
31:55And you decided to become a maid.
31:58It's called housekeeping.
32:00It doesn't matter what you call it, it's pathetic.
32:04I didn't build my attic for years so you could fold towels here.
32:09You should take over the business.
32:14My son is a maid.
32:21You failed, Theo.
32:23Of the guns, mania.
32:53Good morning.
33:05Hey.
33:07You didn't go to bed, did you?
33:10I fell asleep on the couch and then I couldn't close my eyes.
33:15Can I do anything for you?
33:20I don't know what.
33:24I think I'll call the hotel.
33:33Yes.
33:34Good morning, Mr. Sonnenbichler.
33:36Theo here.
33:38I...
33:39I wanted to report sick for today.
33:43I've got a backache.
33:46And I've got a cough and a fever, I think.
33:49And joint pain.
33:51I just don't want to infect anyone.
33:54Yes, thank you.
33:56Okay, see you tomorrow.
33:58Or the days.
34:00Yes, I'll get in touch.
34:01Bye.
34:05Is that your strategy?
34:09Oh, Theo.
34:12You don't even know how long your father will stay here.
34:14And do you want to hide here in the apartment all the time?
34:17Or call and wander around?
34:21I don't know what to do either.
34:24At least I have a day to think about it.
34:27Just tell him you don't want any contact.
34:30Like before.
34:33It's not that easy, Lale.
34:38Peter, the shuttle for Mr. Refflinghaus should be there at any moment.
34:42You could take the luggage downstairs.
34:45See you later.
34:46Yes, of course.
34:52Katja, good to see you so early.
34:54Theo Licht reported sick today.
34:57We're already so busy anyway.
34:59I know, I'm sorry.
35:02I'll take a look at my schedule.
35:04If I can do anything.
35:06Yes, thank you.
35:08Do you know what he's missing?
35:10He probably has a mild flu.
35:14Do you believe him?
35:16Yes, of course.
35:17Mr. Sonnenbichler, you know what I mean.
35:19Yesterday his father showed up here at the hotel.
35:21And today he doesn't come to work.
35:22There's something wrong with that.
35:23Mr. Sonnenbichler...
35:24You know more than I do.
35:27Mr. Sonnenbichler, I want to help Mr. Licht.
35:30And I'm familiar with difficult fathers.
35:33Yes, we are of the same opinion.
35:35But as I said yesterday, if you want to know anything about Theo,
35:39you really have to ask him yourself.
36:05Morning.
36:15Hey.
36:17Did you have an appointment this early?
36:20Um...
36:21No matter how you look at it.
36:26Anne, I have a surprise for you.
36:37Cuvée Royale, 1981.
36:39Philippe, how did you...
36:40I have a lot to make up for.
36:44But the wine is no longer available.
36:47Not anymore.
36:49That was probably the last bottle.
36:52I bought it at an auction in Düsseldorf.
36:55In Düsseldorf?
36:58Good morning.
36:59Hey.
37:01Philippe.
37:02Vincent.
37:09I left the auction yesterday evening.
37:14Philippe, I don't know what to say.
37:17That means you drove all night?
37:20I thought the faster you can do it, the better.
37:29Really.
37:31But I hope you didn't spend any fortune on it.
37:37All within reason.
37:41The wine is worth it.
37:52Hey.
38:00Mr. Seifeld.
38:03Morning light.
38:05May I come in?
38:07Yes.
38:12I just wanted to see you.
38:17Take a seat.
38:27You don't look that ill.
38:29Yes, I'm always rather pale.
38:32Your sudden illness has nothing to do with your father's reappearance.
38:40Where did you...
38:41I met him yesterday and counted one and one together.
38:45Mr. Sonnbichler didn't want to give me any information, so I hope you can help me.
38:51By what?
38:52By explaining to me what's going on.
39:02All right.
39:04Then I'd like to know how long you plan to play the patient.
39:11Preferably not at all, but you know you have to deliver a test in two days.
39:18I haven't planned for that long. I just hope he'll recover quickly.
39:23I thought your father was rather sociable.
39:27Why did you hide from him?
39:33That's a long story. I just don't want to see him.
39:41You know, Mr. Licht, I myself had a very difficult father.
39:47And I suffered under our relationship for a long time.
39:51So I can understand you well.
39:54I want to help you.
39:56But I can only do that if you tell me what's going on.
40:07I don't know what to say.
40:09These hallucinogenic mushrooms have turned us into completely different people.
40:14But with them we have shown our true face.
40:17That's complete nonsense, Yvonne. Please!
40:19We've probably all done things that I would never want to do in my life.
40:25I think we should quit.
40:26What? No!
40:27No, no, no!
40:28If we do that, we'll also bring back the missing shuttle.
40:32Yes, okay, one has nothing to do with the other.
40:34Yes, but it will look like it.
40:35Yes, and they'll push us into the shoes, the marauding gang.
40:38Yes, exactly.
40:39I can't imagine that we stole a shuttle.
40:42Michael, we also couldn't imagine that someone had made a portrait of Werner Seifeld.
40:46You in this case.
40:48Still, where should we have gone?
40:51I mean, we were in Bichelheim all the time.
40:53And we certainly didn't go to the cabin.
40:55You should have just seen Seifeld's sad face.
40:59I have such a bad taste.
41:01Wait a minute.
41:03That's very kind, but that creates more problems if you solve it.
41:06Do you think so?
41:07Yes.
41:08Okay, Yvonne.
41:10Yvonne.
41:12As long as no one can remember what happened to the shuttle that night.
41:17Or if they can remember anything in general.
41:20Yes.
41:21Exactly.
41:22As long as we don't draw any more conclusions.
41:26Very good.
41:27That's good.
41:28Because as long as there is no evidence, we are innocent.
41:30I mean, all of us.
41:32Yes, then I seem to be right.
41:37Well, I have to go to practice anyway.
41:41I'll probably call you, yes.
41:42Coffee.
41:47Yvonne?
42:00I'm very sorry about what you had to go through in your childhood.
42:04That also explains your claustrophobia.
42:10And that's why you couldn't get on the elevator yesterday, right?
42:16It just didn't work.
42:18Yes, when you're caught up in the past, it's hard to put down old patterns.
42:22Yes, you're right.
42:23But I don't want you to catch me.
42:25I feel so good without you.
42:27Without him.
42:30Then maybe you should tell him.
42:36I don't think that's a good idea.
42:40That your father appeared here.
42:44You feel like a little boy again.
42:48Helpless and powerless.
42:51The fear of not being enough again.
42:57But you're not a little boy anymore.
43:01You've grown up.
43:03Even grown beyond yourself.
43:07But what good is that to me?
43:08That you can finally face him with confidence.
43:13I don't know.
43:16Mr. Licht.
43:18You've accomplished so much.
43:20You're doing an apprenticeship.
43:21You've programmed an app that even sells itself.
43:24You have a great girlfriend.
43:27You've gotten your illness under control.
43:31And all of this by yourself.
43:35Yes, that's true.
43:37When you say that, I even believe it.
43:43You've changed.
43:46Your father can't treat you like he used to.
43:50So tell him that you still don't want to be in contact with him.
43:55You're pushing your limits.
44:22Good morning.
44:23Good morning.
44:25I heard about your fun evening.
44:28Oh, yes?
44:30Yes, from Erik and Yvonne.
44:33They even had to stay over at your place.
44:37Yes, exactly.
44:38That's how it was.
44:40I'd like to go to a really good party again.
44:43Well, just come with me next time.
44:45For dinner.
44:46Yes, I'd love to.
44:48I'm excited.
44:49Great.
44:50I really have to go now.
44:54Unfortunately, I don't know more.
44:56But take a look.
44:57This is where the shuttle keys are stored.
45:01And here are the lists where the drivers enter the routes.
45:05It would be nice if they could find our shuttle as quickly as possible.
45:09And the thief, of course.
45:12Exciting.
45:13What?
45:14What's going on here?
45:15Yes, what's going on here?
45:18Good morning, Mr. Sonnenbechler.
45:20Good day.
45:23THE THIEF
45:34Good morning.
45:36Hey.
45:41So, did your little action at Anna bring you anything?
45:45I was wondering who was so eager to beat me.
45:50It was you.
45:52Congratulations.
45:55Do you really think you could win Anna back with such an action?
46:00And you?
46:02Why did you want to beat the guy who's so important to Anna?
46:07Don't compare yourself to me.
46:09I didn't lie to Anna for one day.
46:14That was a mistake.
46:16But back then I didn't have feelings for her.
46:18Feelings back and forth, Philipp.
46:20That's not how you deal with people.
46:23I will try everything to win Anna back.
46:27I love her.
46:29And she still loves me.
46:31Keep dreaming.
46:33Philipp, there's nothing you can do to get Anna to trust you again.
46:38She's one.
46:40You lost her.
46:48THE THIEF
47:19Theo, my boy.
47:21I thought we wouldn't see each other again.
47:24I looked everywhere for you.
47:25No one knew where you were.
47:28Come on, sit down.
47:29Would you like a coffee?
47:30I want to tell you something first.
47:32Please let me finish, okay?
47:34My boy.
47:35You've grown up so much.
47:38Come here.
47:39I'm so proud of you.
47:44Actually, I don't really care how Philipp is doing.
47:47His feelings say otherwise.
47:49Whether I want to or not, I just can't get him out of my head.
47:53If I take it out on myself, I'll lose my driver's license.
47:56It won't be Rebecca's fault if it turns out that she's taking drugs.
47:59Is that what you want now?
48:00That's not your business, is it?
48:03Well...
48:04You've held her back for so long.
48:06Now let your hormones run free.
48:09You love her, don't you?
48:10Of course I love her.
48:12Well, shouldn't she notice that now?
48:15Tell me, when did you change from a trainee to a boss?
48:19Well, I'm supposed to learn how to manage a studio.
48:21I'm sorry about your poor employees.
48:26No, no.