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Short filmTranscript
00:00Siento te que se mudo y te quiera hablar, que este ciego ya no puede ver, que este sordo
00:10no te va a escuchar, el amor no tiene que doler, pero hace tiempo que este amor me
00:17duele, todo me duele, me la paso en la calle bien solo y tu en la casa aburrida, me abriste
00:26mil heridas, yo la mantení escondidas, esta serie ya me la vi, y aunque tiene varios
00:32finales, en el proximo capitulo tu ya no sales, necesito un segundo, que este amor es de locos,
00:45va a poder entender, que tu no eres pa tanto, y yo no soy tampoco, necesito un segundo,
00:58pa que cierres esta herida, me partiste el corazon, pa llevarte la mitad, porque tu no
01:09tenias, necesito un segundo, pa que cierres esta herida, me partiste el corazon, pa llevarte
01:28la mitad, porque tu no tenias.
01:58Yo creo que vamos a tener que llamar a mi hermano y confiar en que nos va a ayudar, no mas.
02:03No se nada yo Eveli, a tu hermano no le creo ni lo que reza.
02:06Mira, si miras hacia atras todo el tiempo, jamas miraras hacia en delante.
02:11Maluma baby.
02:13Grandes pesadores.
02:15A ver, y que pasaria si aparece tu otro hermano, y lo echan al agua los dos.
02:19Ay, no creo Rodri.
02:21Eveli, tenemos que pedirle a tu hermano que sea un testigo, pa lo de la nulidad, pa que
02:25nos salga lo antes posible, entendi o no.
02:27Ah, si, sabes que mira, lo voy a llamar, voy a hablar con el y lo voy a convencer,
02:31pero no me presionis.
02:32A ver, queres que salga rapido esto o no?
02:34Voy a llamar al tiro por favor.
02:36Si, ya vos, ya partiste, ya.
02:38Tu echa eso pa alla, ya.
02:40Ya partiste los dos, ya.
02:42Miren los dos.
02:54Oh, que quedo bonito todo, super bacan.
02:57Hola Pancho, como estas ahi?
02:59Bien, tu?
03:00Oye, trajimos empanaditas para recuperar con la causa.
03:02Ya, te pasaste, allá al fondo la podes dejar.
03:04Ya.
03:05Mira como quedo lindo, ah.
03:06Si.
03:08Yo le hubiera puesto mas cositas igual, ah.
03:13Hola Rita.
03:14Hola.
03:15Francisco, ven.
03:17Que paso?
03:19Es que me estoy poniendo muy nerviosa.
03:21No, no, nada.
03:22Que si no resulta.
03:23Si va a resultar Rita, va a resultar.
03:25Ay, que me puedo equivocar mucho.
03:27No, no, pero si tu has tocado desde el colegio.
03:29Bueno, desde el colegio.
03:31Ya, pero rápido.
03:32No tengas que lanzarte nomas, lanzate.
03:34Dale, dale, dale, dale.
03:36Es como andar en bicicleta.
03:37Ya.
03:55Ay.
04:18Tía.
04:20Tía, es chica.
04:22Es cierto, de puras ganas de cantar.
04:24Viste que te ibas a acordar.
04:26Oye, Rita es...
04:29Es precioso.
04:31¿No es cierto, mi amor?
04:32¿Es cierto?
04:34Yo no lo encuentro tanto, le estas poniendo mucho color.
04:36Es música nomas.
04:55Vamos.
05:21Bravo.
05:24¡Bravo!
05:27¡Bravo!
05:30¡Qué pasó!
05:37Abuela, ¿qué onda? ¿Qué pasó?
05:40Onda que los hombres de nuevo le hicieron daño a nuestra familia.
05:44Mamá, no generalice, no fueron todos los hombres.
05:47Solo fueron los toros.
05:49Igual voy a hacer como que no veo al papá de mi nieta.
05:52Ayúdame.
05:53¿Qué pasó?
05:55Que tu abuela una vez más fue a la casa de Manuel Toro.
05:58Lo amenazó con el rifle, pero esta vez salió trasquilada.
06:02Pero igual me dio el gusto de ver la cara de susto del espantapájaro.
06:06Y del ternero.
06:07Y de la cara de pantruca.
06:10Lo malo es que me fallaron las cañuelas y me desmayé.
06:13Sí, le vamos a tener que amarrar esas cañuelas a la pata de la cama, oiga.
06:17Está peor que la mila cuando se arrancaba.
06:19Ya, no me den tanta pelota, así ya estoy mejor.
06:21Pero entonces no te molestaría que vaya al centine, la verdad.
06:24A una fiesta de karaoke.
06:26¿Qué?
06:27Todo en la casa y se muere de un patatús y tú vas a ir a una fiesta.
06:31Mamá.
06:32¿Y si voy con mi papá? ¿Puedo?
06:34¿Solos?
06:35No, no, no.
06:36Vamos a ir los tres, con tu mamá.
06:38¿Cierto?
06:39Sí.
06:40Vamos.
06:41¿Puedo hablar antes una cosa contigo, mamá?
06:44Eh...
06:45Claro, sí.
06:47Sin pelarme, ¿ah?
06:49Abuela.
06:51No.
06:54A mí también me gustaría ir.
06:56Yo soy re buena para cantar.
06:58Me sé todas las canciones de Shakira, así.
07:00Loro, lore, lore, lola.
07:02Loro, lore, lore, lola.
07:04Lore, lore, lore, lola.
07:22¿No creen que sería mejor tener música en piazada?
07:24No, pero Meche, si esa es la gracia del karaoke piano barco.
07:27Sí, más la Rita está tocando excelente.
07:29Excelente, diría que está tocando increíble.
07:32Ay, ya, ponle un poco más de color.
07:34Yo lo encuentro súper antiguado, además súper fome la canción.
07:37Pero Meche, no te preocupes, tenemos todo tipo de música.
07:39Para eso traje el tablet.
07:40Tenemos Maluma, Rosalía, tenemos hasta Bad Bunny, tenemos...
07:43Sí, pero en piano.
07:44Nada que ver.
07:45Ay, ya, Meche.
07:46No te preocupes.
07:47No te preocupes.
07:48No, nada que ver.
07:49Ay, ya, Meche.
07:50Déjate de ser pinche lobo.
07:52Bueno, si no quieren mi opinión, me quedo callada entonces.
07:55Meche, nunca pierdas la maravillosa oportunidad de quedarte callada.
08:01¿Alguien dejó Maluma por ahí?
08:03Yo.
08:04¡Maluma!
08:11Cuando lo único que pese sea lo que hicimos en vida
08:16Y aunque nada de esto pase
08:21Cuando lo único que pese sea lo que hicimos en vida
08:27Y aunque nada de esto pase
08:32Eres el amor de mi vida
08:38Eres el amor de mi vida
08:46¡Bien!
08:50¡Bien!
08:52¡Bien!
09:01A ver, a ver, a ver.
09:02¿Qué está pasando aquí?
09:03No, mamita.
09:04A ver, no, saliendo ya.
09:05Menos besuqueo y más acción.
09:06Ya.
09:07A ver.
09:08Te llamas a tu hermano, ¿no?
09:09Sí.
09:10¿Y?
09:11Me dijo que sí.
09:12Me dijo que sí, que va a ser testigo.
09:13Es que va a ir a la misma notaría donde nos llevó la tía Rita.
09:15Así que la tía tiene que llamar a avistar para que vaya y haga la cuestión.
09:18Ya le conseguí el procurador.
09:20Así que falta que le quede a mi compadre.
09:22¡Estamos listos para pillar la novedad!
09:24¡Son muy buenas noticias!
09:25¡Al fin el culeto se puso las pilas conmigo!
09:29¡Qué buena noticia!
09:33Uy, ¿en serio también nos podemos quedar los niños?
09:35Pero claro que sí.
09:36En eso habíamos quedado.
09:37Esto es una fiesta familiar y yo no quiero que mi nieta se la pierda.
09:40Entonces le voy a mandar un conchazo a la trini para que se venga.
09:42Sí.
09:44¿Sabes qué? Voy a subir.
09:45A revisar que todo esté bien.
09:46La puerta está cerrada.
09:47No me vayas a robar el vestido como en las fiestas de los Colón.
09:50¡No te juro que me muero, Rodri!
09:52Rodri, acompáñame.
09:53Insiste con ese vestido.
09:55Dios mío, qué monotemática.
09:57Ya, ya.
09:58Ya que entendí.
09:59Pero mucho.
10:03Pero, Rodri.
10:04Pero, ¿cómo tienes?
10:05¿Andas tú?
10:06Yo la dejé cerrada, vos.
10:07Yo también la dejé cerrada, vos.
10:08Yo también la dejé cerrada, vos.
10:09Yo también la dejé cerrada, vos.
10:10¿Y tú?
10:11Yo?
10:12Anda, anda.
10:21No le digas.
10:22No me digas.
10:23Bueno, todavía no le digo.
10:25Ya, ya, ya.
10:27¿No está?
10:32¿Qué pasó, mi amor?
10:33¿Qué pasó?
10:35No, no.
10:36¿Dónde va?
10:37¿Dónde va mi vestido?
10:38De nuevo.
10:39¿Qué maldición.
10:40Fiesta que hay.
10:41Fiesta que se los roban.
10:42Rita, ¿no crees que es hora de dejar ir tu vestido?
10:44Descán.
10:45¡No, no, no!
10:46¡No, no, no!
10:47¡No!
10:48¡No!
10:49¡No!
10:50¡No!
10:51¡No!
10:52¡No!
10:53¡No!
10:54¡No!
10:55¡No!
10:56¡No!
10:57¡No!
10:58¡No!
10:59¡No!
11:00¡No!
11:01¡No!
11:02¡No!
11:03¡No!
11:05¡Del violencia!
11:06Ya.
11:09Ya.
11:14¿Le quiere dar su apellido?
11:17Sí, mamá.
11:19Me dijo que la quería recapitular.
11:22¿Se volvió loco?
11:24¿Es su papá?
11:26Sí, pero la, la acaba de conocer.
11:29I don't know, but sooner or later he'll want to register her anyway.
11:37Is he pressuring you?
11:39No. In fact, he said it very nicely.
11:43So that we could talk about it.
11:46Oh, I don't know. I think it's too soon.
11:52I also think it's too soon.
11:54But you know he told me something that made sense to me.
11:58And that this could be a sign for Trini to know that he cares about her.
12:05And that he wants to recognize her as his daughter.
12:08There are other ways to do it.
12:12I don't know.
12:13What are you worried about?
12:14Mom, it's a role. Trini will always be a brava. Always.
12:21Yes, but...
12:23Emilia, my rifle.
12:26I left it at the scarecrow's house. I have to look for it again.
12:41Dad.
12:42Felipe.
12:43If you keep this up, you'll end up alone.
12:46Seriously, no one will support you in this.
12:48If I'm alone, well, that's life. It's not that hard.
12:51But we're talking about Pablo. He's not just anyone.
12:55Don't tell me you two are fighting again because of the bravas.
12:59Because I'll kill you.
13:01Don't worry, Paula. You won't have to kill anyone.
13:04Because I don't want to keep talking about those women.
13:08Hey, what if we go to the karaoke at the sentinel?
13:13It must be about to start.
13:14I think it's going to be very entertaining.
13:16Yes.
13:17Go ahead. I'll go see if mom needs anything.
13:20You're excited, aren't you, Paula?
13:22Are you inviting me out?
13:24Yes, well, you have to admit that you've always been very refined.
13:28More enthusiastic than refined.
13:31Hey, boss, can I go?
13:33Of course. Come on, let's all go.
13:35Okay, give me a hand, Gato, and let's go.
13:37I'm going to fix it too, then.
13:39That's fine. I take the opportunity to do something important and I want to do it.
13:43Let's go to the sentinel.
13:45I won't be long.
13:50THE SENTINEL
14:15Can we talk?
14:16Don Manuel, don't try to convince me.
14:18I've already made a decision and I'm leaving.
14:22Just listen to me, Pablo.
14:24Pablo, you're part of this family.
14:26You've been my right hand, my friend.
14:28I've known you since I was a kid, man, for God's sake.
14:31Don't beat around the bush, I lost it.
14:32I gave him my resignation, please respect me.
14:34It's okay, it's okay.
14:36But, let's see.
14:37I'm here to apologize for getting you involved in something that I obviously shouldn't have done.
14:42And I assure you that you're not going to have anything to do with Miguel's business.
14:47I mean, with any business that has to do with La Fraga.
14:50Do you understand?
14:51But please, don't go.
14:53I mean, this field doesn't work without you.
14:58Pablo.
14:59I know it was complicated for you the fact that you raised a client to La Fraga.
15:05I say it because, well, Popolola is the miracle.
15:07But you can tell him that you had nothing to do with it.
15:09And you're not going to have anything to do with the business I'm going to do with him.
15:12Do you understand?
15:13Don Manuel has nothing to do with the miracle only.
15:16What you're doing is wrong.
15:18I mean, he took away Don Miguel.
15:20Then he's going to take away another client and he's going to leave them without Nuno.
15:23I can't agree with that, understand me.
15:25Pablo, listen to me.
15:26I already told you.
15:27They're just business, nothing else.
15:31Okay, it's fine.
15:33Yes, okay.
15:34It was also to show Emilia that we have strength.
15:38But please don't leave me alone here in the field.
15:43You're not alone.
15:44You have your son who studied to do business here.
15:46Yes, Felipe studied.
15:47But the one who knows, weaves and handles the field is you.
15:50Not him.
15:51You put your foot there in the mud.
15:53Day by day you handle them.
15:57Please re-train.
15:58The one who has to re-train is you.
16:01What La Fraga is doing to you is wrong.
16:03Okay, okay.
16:06I already apologized to you.
16:08Mazón.
16:09I assure you that Miguel is going to be the last client that I'm going to raise to La Fraga.
16:14I'm going to pretend they don't exist.
16:16Do you agree?
16:30Hello, Mr. Francisco.
16:31How are you?
16:32Hey, this place is expensive.
16:33I'm hooked.
16:34Hey!
16:35It's beautiful.
16:36How much is it?
16:37No, no, no.
16:38I pay.
16:39I pay the bill.
16:40Thank you very much.
16:41You're welcome.
16:42It's amazing, Francisco.
16:43Yes, well.
16:44We made a lot of effort.
16:45I hope we recover the investment.
16:46I don't know if it will.
16:47Of course you will recover it.
16:48You have no idea how grateful I am.
16:49I envy you.
16:50Thank you very much.
16:51Go ahead.
16:52Come in.
16:56Go ahead.
16:57Go ahead.
16:58Hi, Dad.
16:59Hi.
17:00Nice party.
17:01But the family is happy together.
17:04You're so lonely, Paula.
17:07Well, as always.
17:09What would you like to drink?
17:12She's Felipe's mother.
17:13She doesn't like me very much.
17:16Hi, Grandpa.
17:21Hi, honey.
17:25Come in.
17:26Go ahead.
17:27Hey, the party is great.
17:29Do you like it?
17:30It's especially made for you.
17:32Really?
17:33Of course.
17:34You have to enjoy it.
17:35You sing.
17:36Enjoy it.
17:37Okay.
17:40This one?
17:41No, no.
17:42Go ahead.
17:46It's nice to see Trini so happy.
17:49It's nice to see her happy, isn't it?
17:52Like you.
17:55Enough.
17:58It's nice that Rita plays the piano.
18:01Really?
18:02Why wouldn't she?
18:03She used to shine so much in church.
18:05Really?
18:06I don't know why she stopped playing the piano.
18:08Yes.
18:09It makes her look good.
18:11It's not that she plays so well.
18:13Okay, okay.
18:14Don't lie to me.
18:15Yes, yes.
18:16They're songs.
18:17No, but...
18:20I have you, Joaquin.
18:22Don't you dare do anything crazy.
18:24Not even move your head.
18:25Not even one song.
18:27Not even one.
18:32Mila.
18:33Are you going to get me my rifle?
18:35I feel naked without it.
18:38You were telling me you had it in the cabinet.
18:40Well, because you were going to challenge me.
18:42And I was so weak in the hospital.
18:44Well, I'm still weak.
18:47Mila, you're closer to the bulls.
18:50I'm closer?
18:52But I don't get along with them.
18:54But if you play with the little bone.
18:57What does Pablo have to do with it?
18:59Well, how does he get so romantic with you?
19:02Ask him for the gaucho.
19:04Something good that...
19:20Hey, the party is super cool.
19:22Yes, and the best thing is that we can all sing.
19:24Yes.
19:27How are you having fun?
19:28Good.
19:31Hey, I asked for a song.
19:33Would you like to sing it with me?
19:36It depends on which one.
19:37Look, I don't think you know it because it's a little old, but...
19:49Now?
19:50Now? Let's go?
19:51Let's go.
19:52Let's go.
20:22What side are you on?
20:24You control all my truth
20:28And everything else
20:32Your eyes slowly raise me to the sun
20:35And your mouth speaks to me of love and heart
20:39Your skin has the color
20:43Of a sunset red
20:46And it's for you
20:50That my heart beats
20:54And it's for you
20:57That my eyes shine today
21:01And it's for you
21:04That my mouth speaks to me of love
21:08And it's for you
21:12That calms my pain
21:19And it's for you
21:22That my heart beats
21:25And it's for you
21:28That my mouth speaks to me of love
21:31And it's for you
21:34That calms my pain
21:37And it's for you
21:40That calms my pain
21:43And it's for you
21:46I'm sorry, the pianist ran away, so I don't know if you'll be able to sing.
21:51I can't believe you have no remorse for taking our best client away from us.
21:55And on top of that, you come here to party.
21:59Look, as far as I understand, I have not committed any crime.
22:03And to be honest, I don't like to combine work with personal.
22:07Excuse me.
22:08Let's go.
22:11Excuse me.
22:13It's fine.
22:14It's fine.
22:15It's ok.
22:16How are you?
22:18Did I see her?
22:19No?
22:20How are you so close to her?
22:22What happened, Rascada?
22:23She got in the middle of the trees.
22:24I couldn't see her.
22:25It's like she was smoking.
22:26Well, at least you realized that I was the one who stole your dress, because I'm next to you.
22:30My little mech can't be like that.
22:32No, I don't put my hands on fire, because you could perfectly have been colluding with someone.
22:36How could you?
22:38Go! Go!
22:40With this we are clear that the ghosts of the bride do not exist,
22:44because ghosts are not stolen dresses, right?
22:46The only thing I know is that they screwed up my money.
22:49I understand you have the money.
22:51But we need you to go back to the piano.
22:53Because people are waiting.
22:55Rita.
22:55I...
22:57Sorry.
22:58Sorry.
22:59Rita.
23:00Rita.
23:01Help me with this.
23:02Let's see if you remember this song.
23:04When you left...
23:08Oh
23:38Oh
23:52As a mean because you know seen
23:55No, I guess even better than it. No, I think you okay. Can I see you?
24:01No, sir. Yeah, well
24:03No
24:33For sale
24:35okay, okay, so much here
24:38Today I said, let's go Daniel
24:40Nomena buena espina, bueno toda la brava con que final no, niego que hacen estrenar problemas de casa
24:47tiene por decir tener razón en eso
24:54What the mama Mandonna photo
25:03Good night.
25:12Good.
25:14Do you like each other?
25:16Yes.
25:20I'm craving something.
25:22I'm craving something.
25:24What do you want?
25:26A little bread with melted cheese. Can it be?
25:28Obviously.
25:30I'm going to the movies.
25:31No, I'm good. Thanks.
25:33Are you sure?
25:34Yes.
25:35I'll be right back.
25:55Recognize Trini?
25:57It's in her right, Mom.
26:00But imagine what could happen.
26:03She could start asking for visits every 15 days.
26:06Vacations in Cubicó with her.
26:09And she's going to get involved in all the decisions you make about Trini.
26:13No, no, no, no.
26:15I'm against it. No.
26:17We just met him, he's a stranger.
26:19Yes, Mom. I think the same as you.
26:21But maybe Trini would be good for her.
26:23And stop being angry?
26:25For no reason.
26:27I'm strongly against it.
26:31Suppose he's a criminal.
26:33No, Mom, please.
26:35Not a criminal. He looks like a good person.
26:38Another wolf with sheepskin.
26:40Is that your specialty?
26:42Yes.
26:43Imagine that Trini wants to move in with him.
26:46No.
26:47That's never going to happen.
26:49Never say never.
26:51I'm not going to allow it, Mom.
26:54You say you don't know the rules, Emilia Bravo.
26:57In a while Trini will be able to choose who to live with.
27:01If the parents are separated.
27:05I think you should go to the sentry like this.
27:08To look for Gracia and Trini.
27:10Suppose the temporero tells Trini.
27:13And then who gets that out of his head?
27:16You're right.
27:18I'm going.
27:19Mom.
27:20Mom.
27:21You're going to be alone.
27:22Please don't be like that.
27:25Oh, my daughter.
27:27If Patuleka and my rifle are not worth a shot.
27:31Enough.
27:32Enough.
27:33Good luck.
27:34Thank you, Mom.
27:35Good luck, my daughter.
27:36Good luck.
27:39But no one takes it away from me.
27:44Did you really think about giving up?
27:46Yes, my love.
27:47Obviously.
27:48And how did he convince you?
27:50Well, I asked him to make sure he wasn't going to take away any other client.
27:55And that he didn't do anything to hurt them.
27:58And he kept his word.
28:00And if he didn't keep it, we wouldn't get there and he would have to find another woman.
28:05And you did all that for me?
28:07All for you, my love.
28:08For us.
28:09For integrity.
28:11That's why.
28:12I love you.
28:13Me too, my love.
28:14Me too.
28:16I want you to feel safe by my side.
28:21That's what I want.
28:22Well, you see, we don't need a man to feel safe.
28:26No, you don't.
28:27But you will be happy.
28:29And I feel happy with you every day.
28:32Thank you, my love.
28:35Look, I know I'm just a coward, but I want you to be proud of me.
28:41No, you're not just a coward.
28:43And if I were a coward or the owner of the fund, I would say the same thing.
28:46Really?
28:47Yes.
28:48What makes me most proud of you is that you are an honest and consistent person.
28:53That's the most important thing, my love.
28:54Yes.
28:57Come on, let's go get the rifle.
28:59I don't know where it is, I have to try to find it.
29:02Okay.
29:03But don't shoot me if we don't find it.
29:05I don't know.
29:06Come on.
29:07Let's go.
29:12Yes.
29:14Mr. Felipe, I'm sorry, I didn't know you were here.
29:16Excuse me.
29:17Excuse me.
29:19Hi, I know I'm not very welcome here.
29:22No, not really, my love.
29:24No, but I'm here to get my grandmother's rifle.
29:27You can keep it.
29:28Yes, but I have no idea where it is.
29:30My father is the one who knows that, but now it's out.
29:32We're going to ask Mr. Alvarez.
29:33Hey, no, no, no, wait.
29:34I'm the one who's offended here.
29:35No, you.
29:36I don't understand why you're getting mad.
29:38I'm not getting mad.
29:40And if you're offended, it's your problem.
29:42I'm not interested in your game, or your family's, or anything.
29:44So please, leave because I'm working.
29:47You're a coward, Felipe.
29:49No, and that's why my sister isn't with you.
29:51Because the first problem, you started it.
29:53I didn't start it.
29:55I'm here.
29:56I face my problems.
29:57Yes?
29:58Yes.
29:59Okay, then let me tell you a couple of things, man.
30:03Of course.
30:04It's very easy to see the straw in someone else's eye.
30:06You criticized my sister because she got pregnant when she was a little goat.
30:10I don't criticize her for that.
30:11I criticize her because she lied to me.
30:13I didn't know how to face it.
30:15But you, being a big boy, you left a pregnant woman while you were chasing my sister.
30:21Or did you forget?