• 2 months ago

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00:00♪♪
00:31I don't want to deal with you or any of your people.
00:33I don't want to have anything to do with the Lujans.
00:35The Lujans are all the same to me.
00:37Don't say that now, Catalina.
00:38It's the truth.
00:39The truth is that you dragged my last name through the mud.
00:42And as a result of that, all my doors were closed.
00:45How are you with Santos after the invitations?
00:48Fine.
00:49I asked him to leave me alone and at the moment he's doing it, so...
00:53You shouldn't trust him.
00:55Knowing this guy's tricks, he'll reveal everything to you any day.
00:58And what do you think? That I don't know?
00:59Yes, but he already lied to me once and he won't do it again.
01:02If you want, I'm willing to teach you the tricks.
01:07You can't even imagine how well I could go if you follow my advice.
01:11Someday you could be the mayor of a big house like this.
01:15And you could have a dignified and satisfactory life.
01:19I never thought I would say this,
01:21but seeing the relationship that Mrs. Arcos had with your son,
01:24I think her influence could be good for that boy.
01:27But how is she going to be good, for God's sake?
01:29That woman is a bad person.
01:30She's a bad partner.
01:31She's a bad boss.
01:32That's how it is in general.
01:34But not with your son.
01:35Why can't we get together like this?
01:38No need for papers or a priest.
01:41Not even if we were savages?
01:43Look, I understand that after so many attempts you're not lazy,
01:47but these things have to be done well, as God commands.
01:50And you'll see that when we get into it,
01:52the illusion will go away.
01:55I want you to come back to the promise with me.
01:58Because it has not overcome our breakup.
02:01And I think that only if we are together I could clarify my feelings.
02:05Why are you looking at me like a funeral?
02:07Because we have given up.
02:09Because there is no turning back.
02:10We can't help your son.
02:12My poor virtues.
02:14You have no rights.
02:17Mrs. Josefa.
02:21What are you doing here?
02:25Where is my son?
02:28Martina is against the wedding, from the bottom of her heart.
02:31And that makes me not trust her.
02:33If your life were at stake,
02:35you wouldn't see it as crystal clear as I do.
02:37The only thing I see crystal clear here is that you are a cheater.
02:40Say whatever you want about me.
02:42I'd rather you insult me in life than say nice words at my funeral.
02:45Our wedding is going to be beautiful.
02:47I hope so.
02:48Well, yours is more beautiful than mine.
02:49Come on, why?
02:50Because Manuel does have money.
02:52Manuel has money now.
02:53But you'll see when his mother finds out
02:55that she's going to marry that whore, whatever my name is.
02:58Our love can do anything, my love.
03:01Soon we'll stop imagining and we'll do it in reality.
03:09Don't take this step, Ayala.
03:11You're in time to reconsider.
03:13I've thought about it more than enough.
03:15Let's go.
03:24Let's go.
03:25The nuns are waiting.
03:27You don't have to pull so hard on me.
03:29Ayala, I won't let you take her anywhere.
03:31Get out of here right now.
03:33You'll have to get me out of here.
03:35This is getting interesting.
03:36You're not taking my niece from here.
03:38Yes, I will. Right now.
03:40Don't you realize that you're going to ruin the life of an innocent girl?
03:43Innocent?
03:44She tried to kill me for the love of God.
03:46Going to a convent is the least I can do to pay for what she's done.
03:49If I haven't done anything, I'm tired of all this.
03:51If you want to ask the Guardia Civil, let's go.
03:53If not, step aside.
03:54No, no, no.
03:56Let's not make things worse. Everything is fine.
03:58That's it.
03:59You've heard her.
04:00Step aside.
04:01No.
04:02Enough.
04:03No what, Margarita?
04:05If you take my daughter, I swear I'll never marry you.
04:09Never.
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08:43What we see is returning to our town.
08:46There we have the house where my parents lived.
08:49It needs fixing, but my husband is very handy.
08:52It certainly seems like a good idea.
08:55And we also have a garden right next door.
08:59We need little more to survive.
09:02In fact, and food.
09:04The rest is essential.
09:06The bad thing is that with all the pain in our hearts we can't take care of our grandson.
09:24So, my son?
09:27No.
09:32We all have the right to make mistakes and to rectify them.
09:39And you have done both.
09:43You're going to be a good mother.
09:47The right thing to do is to get your son back.
09:51We weren't very considerate with our demands.
09:55But, get him back? When? Now?
10:00That's precisely why I've come all the way here, to give him to you.
10:04My Adolfito is here?
10:06He stayed with my husband, with some friends from Lujan who have welcomed us with them.
10:12But it can't be.
10:14No, at this moment we can't keep the promise.
10:17We can't abuse the hospitality of our friends who have a small house and two children.
10:25Yes, but understand that this has taken us by surprise.
10:29But this is what you wanted, right? To be with Adolfito.
10:33Yes, yes.
10:36Give us a few days, Mrs. Josefa.
10:39To find a solution. Just a few days.
10:41Just a few days.
10:45But don't kill us, please.
10:48We're running away to find a solution to this matter.
11:12A lemonade?
11:14You've read my mind.
11:16It wasn't hard. With the heat you're in, it's normal to be thirsty.
11:24I've also asked the cook to make us some dinner.
11:28So I guess you're not coming with me to the promise.
11:31You've always had a good intuition.
11:33I guess you're not coming with me to the promise.
11:36You've always had a good intuition.
11:41So that's a no.
11:44I know you don't like to eat much, so I asked him to make something simple and frugal.
11:48You haven't answered my question.
11:51And I think I've been pretty direct.
11:54As always.
11:56And I like that, that you don't go around with people.
11:59And I like that they pay me with the same currency.
12:04Okay, so no.
12:06I don't want to go back to the promise.
12:14And can I know why?
12:16Of course you can.
12:18After how it all ended, I don't want to put up with your father's reproachful looks,
12:23the sarcastic answers from the Marquise,
12:26and of course, the comments full of cynicism from Captain De la Mata.
12:29Do you think my reasons are good?
12:31Good reasons?
12:34Of weight, yes.
12:38It's also hard for me to have to put up with my mother,
12:41a star full of Lorenzo.
12:44Yes.
12:46She's kept the business that you and I started, hand in hand.
12:50So it was hard for us to lift it.
12:54We made a good team, yes.
13:02I'm sorry, but I don't want to go back to that place.
13:05I understand.
13:09But I would like to know what you feel for me.
13:18I wish I knew.
13:21Well, you're the only one who can know.
13:24I don't know if what I feel for you is heavier, Catalina,
13:28or all the pain and resentment I've accumulated in these months.
13:32Resentment towards me?
13:34I've lost it all because of those insidious posts.
13:37You know I wasn't to blame.
13:39But I blamed you for everything.
13:41That's why I didn't believe you when I saw you at the door of my house.
13:44I think we should have had something stronger than a lemonade.
13:47This conversation is being too painful.
13:52It hurts, yes.
13:54But it was necessary.
13:59I appreciate that you wanted to talk to me.
14:04I'm sorry.
14:07I'm sorry.
14:09I'm sorry.
14:11I'm sorry.
14:13For me, it was important to clear things up.
14:17For me too.
14:21And I'm glad.
14:26It's true that you've stirred up everything inside me, but...
14:31I admit that I'm also happy that you came.
14:35I'm sorry.
14:42Well, now that you know I'm not going back to La Promesa,
14:45do you want to stay here with me?
14:50That wasn't the idea.
14:54I have a free room.
14:56And it's quite far from mine, for your comfort.
15:00Don't worry, your Bluetooth is safe.
15:19My mother-in-law's visit has taken my time.
15:22And I also forgot that Lope is shopping in town.
15:26Don't worry, mother, we'll have dinner together.
15:29Of course.
15:31I didn't know that woman was so needy.
15:32Neither did I.
15:34I kept it a secret.
15:37She may be poor, but she has dignity.
15:39And she's very respectable.
15:41Anyway, it's good news that you can have kids
15:45without having to pay for your room.
15:47Yes.
15:49Partly, it's a relief.
15:51We took a weight off our shoulders, but...
15:53we'll find another one.
15:55I don't know if it's even worse.
15:57Now I can't take care of Adolfito.
15:59I can't bring him to La Promesa,
16:00and I don't even have a job that allows me
16:03to support him with his upbringing.
16:05It's all too hasty.
16:08The plan we had for you to work with Mr. Fermin was perfect.
16:13I regret more and more every day that I stole that cable.
16:16Don't load the ink where you put it in the past, Virtute.
16:19Besides, the priest has left.
16:22That's true.
16:24Anyway, you couldn't have done anything in that house
16:26because the new priest doesn't love anyone.
16:28End of story.
16:31And what do I do?
16:33If I leave La Promesa, I'll lose my job.
16:36And if I stay, I can't take care of my son.
16:39Besides, the money we had from the collection,
16:42we put it all in the jam.
16:44And we don't have time to get the money back.
16:46It's a dilemma.
16:48The worst part is that we have no choice.
16:50My in-laws want to leave as soon as possible.
16:53And without the kid, of course.
17:01I'm going to do it with Adolfito, Mom.
17:04There will be a remedy, Virtute.
17:06Everything has a solution, except death.
17:09But...
17:11Look, for now, you and I are going to talk to the mayors, Simona.
17:16Here's the promise.
17:18One's problems are everyone's problems.
17:20So something will come up.
17:22No.
17:23What do you mean, no?
17:25What do you mean, no?
17:27No.
17:28What do you mean, no?
17:30We're not going to talk to the mayors alone.
17:33This is too big to do it behind Mrs. Petra's back.
17:37We have to go face to face, otherwise it will be worse.
17:40Well, as long as we have to talk to her.
17:43Yeah, yeah, yeah.
17:45We'll have to think about how to do it.
17:50Come on, daughter. Always be nice.
17:56Come on.
18:06I can't believe I'm going to be able to sleep in my bed and not in a cell in a convent.
18:12I think your mattress is more soft.
18:14Yes, luckily I can enjoy worldly comforts and I don't have to offer sacrifices to God.
18:19Well, daughter, anyway, it's not so bad to be a little pious.
18:23Yes, but not every day, at all hours.
18:26I don't have a vocation.
18:28I just got here, I was taking a walk with Maria Antonia.
18:32This nightmare is finally over, aunt.
18:35Yes, Ignacio has reconsidered his decision and has decided that Martina can stay in La Promesa.
18:40It's just what they told me, that's why I came straight.
18:43I can't believe I'm going to be free.
18:45The convents, the prisons, the sanatoriums have ended.
18:48My dear, there is nothing like being at home.
18:51Well, and more if that house is La Promesa.
18:53Anyway, I was convinced that Ignacio would end up backing out.
18:56Well, I didn't have them all with me, huh?
18:59Obviously, I was terrified and I didn't expect that change of attitude.
19:02But welcome, right?
19:05Ignacio has put everything on the scale and he has ended up winning our relationship.
19:09Do you really trust the love he professes to you?
19:12Well, whatever it is, Cruz, it has been enough for him to underestimate the idea of ​​inviting Martina to that convent.
19:19And for me, for now, that is more than enough.
19:22I don't know if I'm so benevolent, really.
19:26But anyway, the important thing is that we have our daughter back home.
19:31I'm sure those nuns were angry.
19:34Now that they thought they had caught a beautiful and young novice ...
19:38Well, they haven't gone empty-handed either, have they?
19:40They have caught a good donor.
19:42Oh, and that?
19:43Because Uncle Alonso has decided to give them an ovulation to make up for the annoyance.
19:48How generous, my husband.
19:50Well, I see that you two are very comfortable together, so I'm going to take the opportunity to look for Ignacio.
19:53I don't want this to happen to me.
19:56But don't let him go around many more times.
19:58I don't want him to scare us again.
20:04I hope your mother realizes that he is the only one responsible for you almost ending up in a convent or, what is worse, in jail.
20:11Aunt, you know that I am incapable of trying to poison anyone, but someone had to put the poison bottle in my room.
20:19You don't have to try to convince me, Martina.
20:21We all believe you.
20:23Well, all of us who are your real family.
20:26Not those who have hidden interests.
20:28Yeah, but ...
20:30What if the person I'm trying to poison, Ayala, decides to act again?
20:35What if she tries to end you or me?
20:46Well, I'm glad that the Count of Ayala has changed his mind.
20:51Yes, it has been a surprise for everyone.
20:53But what really matters is that Miss Martina will not have to enter that convent and she will be able to stay with us.
20:59Yes, of course, it is good news.
21:02Yes, I am glad that the Count has reconsidered, because that girl did not deserve that fate.
21:07No, I agree with you.
21:09Besides, it would have been a hard blow for her mother.
21:12I think that's why the Count has done it, to avoid harm to the woman he loves.
21:18Well, maybe.
21:20But that last-minute change, so sudden, is not going to be free for him, the Count.
21:27What do you mean, Mrs. Arcos?
21:29Well, at some point he will have to take care of the generous donation that has been given to the nuns to compensate them for the inconveniences.
21:37And although the Marquis put the money ahead, sooner or later we will have to claim it from the Count of Ayala.
21:45Well, being a collector is certainly not a pleasure.
21:48No.
21:49And why don't you take care of it, Mrs. Arcos?
21:52Me?
21:53Yes, well, after all, you were a confidant for a while of the Count.
21:58He gave me the correspondence, no one better than you to deal with such a delicate issue.
22:03Anyone would say that you are taking care of the dead, Mr. Guaida.
22:07Responsibility is not free, Mrs. Arcos.
22:12Okay, I'll make sure to claim his debt.
22:17And that he pays for all the bad moments he has made us go through.
22:37How is Martina? Calmer?
22:40Above all, she is more relieved.
22:42I still can't believe she's still here, on the promise.
22:45That's why I was looking for you, I wanted to thank you.
22:48What you have done means a lot to me.
22:51If Martina were to enter that convent, I think I would never have forgiven you, Ignacio.
22:58You made it clear enough to me.
23:01That's why I stopped.
23:03Well, I thought there was no way out of this.
23:05Because neither my pleas, nor Curro's, nor Alonso's, seemed to make me and you.
23:10Well, you see that in the end it did.
23:14When I saw in your eyes that I could really lose you, I knew it was too high a price.
23:21And besides, I couldn't punish your daughter all her life for a mistake.
23:27You have to be indulgent with the sins of youth.
23:31We all commit them, don't we?
23:35Yes.
23:37Yes, the truth is that this situation has outdone me.
23:44I hope Martina has learned her lesson.
23:47Don't doubt it, Ignacio.
23:49My daughter has a very strong character, but she must learn.
23:54I hope she changes her attitude.
23:56It will be the best for everyone, for her the first.
23:59Well, I'm sure it will.
24:01I know my daughter has suffered a lot when she saw this.
24:04And that she was about to see her future ruined.
24:08So I think it's a lesson she'll never forget.
24:13I don't think any of us will forget it.
24:17Ignacio, I'm going to change for dinner. See you at the dining room?
24:21Yes. Yes.
24:23The sooner we get back to normal, the better.
24:26Very well.
24:35I just don't understand that man.
24:37He changes his mind like a shirt.
24:39Well, as long as it's a better change.
24:41The important thing is that Miss Martina will not have to enter that convent
24:45and she will stay with us on the promenade.
24:47That today.
24:48That tomorrow the count has already changed his mind and he has another nonsense.
24:52And you have already said it, Mrs. Simona, that man is a veleta.
24:54The same today the wind comes from the front and tomorrow from the side.
24:58No.
24:59This time he has committed himself to leaving things as they are.
25:02This time he has committed himself to leaving things as they are
25:04and not to make any more complaints against Miss Martina.
25:07I hope you are right, Mrs. Alcos.
25:10I am.
25:11Well, at least the nuns have not gone empty-handed.
25:14They have taken a good tip.
25:16Yes, a tip that the count will have to pay in its entirety.
25:21I imagine we won't be talking nonsense.
25:24I would like to know, just out of curiosity,
25:26how much the grace is worth.
25:28Out of curiosity or gossip?
25:31In any case, I don't know, because that's what Mr. Pellicer was in charge of.
25:35Well, you'll have to ask him the exact amount to claim it from Count D'Aiello.
25:40Anyway, I don't think I will compensate the nuns a donation for losing a vocation.
25:44Much less a Miss Alcurnia like Miss Martina.
25:47Well, the fact is that the nuns never go empty-handed.
25:50That's true, because they have God on their side.
25:53And the mazdalena and the garrapiñas that they sell at a price of gold.
25:56And they are worse than those made by Mrs. Simona.
25:58It has been said.
25:59It's not a matter of comparison.
26:00Well, it's not a matter of comparison or gossip.
26:04I suppose you'll have work to do.
26:06Well, yes.
26:07Because the dinner service will start soon and we have to prepare absolutely everything.
26:12Let's go to work.
26:30A few hours later.
26:42Jara.
26:55I just met Miss Martina.
26:57She is splendid because the last twist of events was not expected.
27:03This time the good guys have won.
27:05And I just hope that from now on there is some peace in this holy house.
27:10I swear to you, my life turned upside down waiting for calm and ...
27:14I found the same.
27:17You know this is the promise.
27:20And since it is the promise, why don't we go to my studio and spend the night together?
27:27Manuel ...
27:30You know I have a burning desire to be with you, but ...
27:32But what?
27:34Everyone is sleeping, no one will discover us.
27:37It's not true.
27:38There are people on duty who are still standing.
27:42We will be vigilant.
27:45We will be vigilant.
27:51Really, don't insist, please.
27:54Are you afraid that if I insist, you will say yes?
27:58Well, of course.
28:02Mr. Baeza.
28:04Sir, here is the newspaper I was looking for this afternoon.
28:10I was ...
28:12I wanted to take a look at the news from the front.
28:16Well, sir, if you don't need anything else, I'm leaving.
28:19Thank you, Hanna.
28:26Mr. Baeza, can you tell me where you found it? I've been looking for it all afternoon.
28:29Captain De la Mata had it in his bedroom.
28:35It seems that they have destroyed a vitally important viaduct.
28:38In the same region in which we were destined, Curro and I.
28:41Yes, something seemed to me to be above, yes.
28:45I hope there have not been many casualties.
28:47No, I don't think there have been any victims, but you did it yourself.
28:50Yes, I will.
28:53You know, I can't get my head out of my head all the comrades we left there.
28:57Yes, sure, but you also have to think that you are lucky to have been able to return home.
29:05I do.
29:06And I assure you that both my cousin and I are very aware that we have been reborn.
29:10Life has given you a second chance and you must take advantage of it.
29:14Exactly.
29:16And if there is something positive about this war, it is that now I want to live more than ever.
29:20And there is no obstacle in front of me.
29:22But you don't have to confuse enthusiasm with imprudence, sir.
29:28It is important not to cross the place that belongs to us.
29:32It is a humble advice that I give you, sir.
29:37And I appreciate it.
29:40Excuse me.
30:06Come in.
30:16Come in.
30:19Mrs. Arcos, can I talk to you?
30:22What do you want?
30:32I haven't noticed anything.
30:34Who hasn't noticed anything?
30:37I'm talking about my father.
30:39I gave him the jacket that I stained by mistake and he didn't warn me about the arrangement.
30:45Well, if Mr. Pellicer, with how meticulous he is, has not observed anything strange,
30:50I assure you that Mr. Albarque is pure.
30:53Thanks to you, my imprudence will have no consequences.
30:56Well, I'm glad that the matter has not transcended.
31:03You don't know how much it means to me to have someone of your professionalism on my side.
31:11Since the promise came, I have the feeling that everyone has put me aside.
31:17Except you.
31:19Well, that's because I know how to recognize potential.
31:24And you have it, Santos.
31:27And you have been able to recognize it despite my mistake.
31:30If you hadn't covered me up, I would have had a very serious problem.
31:34Thank you again.
31:36Enough, Santos.
31:38Praises weaken, so don't give me more disgrace.
31:41I only did what I had to do.
31:44Because I believe in you.
31:47And I will not disappoint you.
31:51You just have to follow my advice, as I told you, and you will be fine.
31:55You'll see.
31:56I promise I'll learn fast.
31:58I have the best teacher.
32:00I've already told you enough praises, Santos.
32:02I'm sorry, Mrs. Petra.
32:04Even in modesty, you are a reference.
32:09Well, since I see you so eager to progress, there is something I would like to ask you.
32:17Whatever.
32:20If it is true that you have the firm purpose of starting a new stage in your life,
32:24I want you to promise me that you will control your steel attacks.
32:31My jealousy?
32:32Yes, yes, your jealousy.
32:35Make me promise that you will not continue harassing neither Vera nor Lope.
32:39And I understand that the breakup with that girl still hurts you.
32:44It is true that that wound is still open.
32:47Well, add salt to make it heal quickly.
32:51But I don't want any more fights or more outbursts of tone.
32:54And I don't want Santos Peleón and Malencarado either,
32:56but the efficient street that has a bright future ahead.
33:03You will have that new Santos.
33:06Do I really have your word?
33:08You have it.
33:10It will go well for you.
33:12It's been going well for me since you guided me.
33:14It's better this way.
33:16You trust me.
33:19You know I do.
33:26Well ...
33:37The truth is that there are times when I think that Mrs. Petra has a game up her sleeve.
33:41I don't know, wherever she is ...
33:44I was going out to visit Mrs. Pia.
33:48And she caught me red-handed.
33:50Has she given you a lot of homework?
33:51What is not written.
33:52That if she gave me some shirts,
33:54that if she vaulted a room for it to cool down,
33:56that if a broken sheet of Mrs. Cruz arose ...
34:00No, no, I see that hand in hand you will not be.
34:08You already know that Petra suspects us, right?
34:13Yes.
34:14And that's why she doesn't stop sending and sending homework.
34:18Of course, wherever I go, I have her there looking at me as if she were my shadow.
34:23Yes, I think we have her out of sight.
34:26And that's why she doesn't stop sending us homework.
34:28But come on, it's impossible for her to know the whole truth, right?
34:32No, no, she doesn't have to know the truth.
34:35But I think she's already gathering information and ...
34:37In the end, she ends up setting up her own puzzle.
34:40Yes, that's for sure.
34:41But come on, she will be very far from knowing something that ...
34:44that puts me in danger.
34:45I don't want her to catch me.
34:47Well, that's how it has to be, Maria.
34:49Maria, why, like Doña Petra, have you been in contact with Gregorio?
34:52Shut up, shut up.
34:54I still remember when I saw him in the middle of the night.
34:58As a hidden ghost.
35:01And poor Doña Pia, stuck in that filthy cave.
35:04With hardly any space, no light.
35:08My poor girl is consuming herself.
35:10Like a fist of Nibals.
35:12I see.
35:13And we both know that that cave is horrible.
35:16And we've only been there a few days.
35:19Well, speak for yourself, Hanna.
35:20Because I was locked up for an eternity.
35:23Yeah, yeah, you understand me, Maria.
35:25I'm sorry.
35:26But yes.
35:28As Doña Pia is still there, you will end up losing the trial.
35:32Yeah.
35:33Of course, there is something there, but ...
35:35It's not good.
35:36Well, no, Hanna.
35:37It's bad.
35:38Requete, bad.
35:39Requete, bad.
35:44Well, we have to do something so she doesn't lose it.
35:46We will definitely do it.
35:52Tell me, Mr. Baeza is not talking to the Marquis.
35:55And I don't know what to expect.
35:59Come on.
36:10The bad habit doesn't take anyone away from your niece, huh?
36:14Ayala remained in her thirties until the last moment.
36:17And how do you know?
36:19You were out with me.
36:22The captain told me everything.
36:25Don't trust everything Lorenzo tells you.
36:29What is clear is that it had to be a distressing moment for her.
36:33There were two monks waiting at the door to take her to the convent.
36:36I just hope that with the donation we gave them, they are calmer.
36:41And don't go spreading curses out there.
36:44Women are religious.
36:46You never know.
36:48So ...
36:50A limousine in time and everything solved.
36:54In addition, I understand that Ayala will take care of all that.
36:58So, better than better.
37:01The truth is that I was hoping that last night at dinner the count would bring up the subject, but ...
37:06Nothing.
37:07Thank God.
37:08You don't know how to appreciate his silence.
37:10Finally a little peace.
37:13Although it is clear that poor Martina is still so shocked that she won't even go down to dinner.
37:18I find it hard to believe that the count has forgotten everything in a blink of an eye.
37:22I'm sure he's still rummaging through the subject.
37:25Well, let him be alone.
37:28You don't know anything?
37:31Have you had a chance to talk to him alone?
37:34No, the truth is that no.
37:36Alonso has handled all this.
37:38He has taken care of everything.
37:40And very well, by the way.
37:42He has handled everything carefully and without losing authority.
37:46Until the last minute I was trying to convince Ayala to reconsider her position.
37:52And did Lorenzo tell you that too?
37:55Margarito has corroborated it.
37:56But I don't need it either.
37:58I know Alonso very well and he is a man of firm principles.
38:03Stubborn, but always polite.
38:09Alonso, your husband, had an affair with Maria Antonia.
38:12He kissed her.
38:14That's why he wants to kick her out.
38:17And ...
38:19Tell me, are you already packing your things?
38:23As you said.
38:24Have you already thought about when you are going to abandon the promise?
38:28Yes.
38:30You're in a hurry for me to leave, aren't you?
38:33Don't say that, Maria Antonia.
38:35But a few days ago you told me that you had to prepare everything with the maids, right?
38:39And you know you came because things were not right.
38:42So now, with this happy ending of Martina's ...
38:46Well, it seems that everything will return to its course.
38:51That seems so.
38:55That seems so.
39:06Well, where do we start?
39:09At the beginning.
39:11And what is the beginning?
39:13Well, for the first thing.
39:15Very good. So we can be all day.
39:18It's about organizing the wedding.
39:20We've talked about it so many times and I've imagined it so many times that I don't know anymore.
39:26And it's hard to believe that it's going to come true.
39:29A lot of talk, but little on paper.
39:32If we had put ourselves as God commands, we would already be married and well married.
39:35And not talking about how to get married, that we are specialists in talking about how to get married.
39:39But come on, we don't even get married and we don't even know how to get married.
39:42I got lost.
39:44Yeah, me too.
39:45I admit that the wedding thing imposes a little on me.
39:47Well, but it's not that big of a deal, is it?
39:49I'm serious.
39:51Really?
39:53But really serious.
39:55Really serious.
39:56Really serious.
40:05Come on, get serious too.
40:08Serious like a funeral.
40:10Where do we start?
40:12Again with this, Salvador?
40:14This is an endless loop.
40:15Endless loop.
40:17Well, I say that the first thing would be to talk to the Marquises.
40:20Yes, I suppose.
40:21No?
40:23Because don't you see that we don't own ourselves and we have to ask for permission for everything.
40:27True, like that time when we couldn't get married because the gentlemen had to get married before.
40:31Because of that absurd tradition that, well, I don't know.
40:34And look how the story of Don Pelayo and Miss Catalina ended in the end.
40:37Well, but don't get mad at that.
40:39And let's be practical.
40:41Who talks to Don Romulo?
40:43If you want, I'll talk to him.
40:45But with Doña Petra?
40:47Well, if you want, I'll take care of that.
40:49And you talk to the parish priest.
40:51Very well.
40:53But he wasn't sick anymore, was he?
40:55No, now there's a new priest.
40:57They say he's very peculiar.
40:59Well, look, I'm peculiar too.
41:01I'm going to get along with him.
41:03Are you going to do it?
41:05Let's see if you're going to get in trouble for talking too much.
41:07María, please, I'm not a priest, but I'm not a...
41:10a scoundrel either.
41:12When I explain myself, I explain myself like an open book.
41:13I know that.
41:15Please.
41:17You have a little bit of gold.
41:19And just for that, I'm going to give you another kiss.
41:44Good morning.
41:46Good morning.
41:53How is your day going?
41:55Fine.
42:03Vera, wait.
42:06Sorry.
42:08Don't touch me again.
42:14No one will know that you are the daughter of the Duchess of Carril.
42:18At least not from my lips.
42:21You've told me that so many times.
42:23What do you want?
42:25Nothing.
42:27Just don't be afraid of me.
42:29You don't have to dodge me when we cross the hallways
42:33or avoid my gaze when we're all together.
42:35Or like now, Vera, that I'm not a monster.
42:38I've learned that I can't force anyone to be with someone they don't love.
42:44It's clear that you don't love me.
42:46And...
42:48I'm not good at revealing your secret either.
42:51You have the right to live in peace.
42:56I'm not going to lie to you, Santos.
42:58I don't trust your words.
43:00And I want you to do it.
43:02Then leave me alone already.
43:04It's not that complicated.
43:05At least I'm trying to make things right.
43:08Let's be clear.
43:35Lorenzo.
43:37Would you like a cup of tea?
43:39Before I change my clothes, I've been walking for a long time.
43:43Then I'm sure you need to hydrate yourself with a good cup.
43:47I need to talk to you, please.
43:51Okay.
44:06You haven't managed to convince me, but you've managed to intrigue me.
44:11What are you going to surprise me with today?
44:14The same thing as yesterday.
44:16What do you mean?
44:18Come on. If you think a little, I'm sure you'll figure it out yourself.
44:22My sister-in-law again?
44:24Cruz again, yes.
44:26She reminded me again that it's time for me to leave the promise.
44:29And it's too much insistence in a very short time.
44:32Why do you find it so funny?
44:34Because I don't find it funny at all, frankly.
44:37That woman is desperate.
44:39She doesn't know what to do to kick you out of the palace.
44:41She just needs to kick you in the ass.
44:43Don't be rude, please.
44:45I'm sorry.
44:47I couldn't help it. I'm sorry.
44:49Well, you should have a little more patience.
44:52I already warned you about my sister-in-law's undiplomatic ways when she wants to get something.
44:56She hasn't been rude.
44:58She's been stubborn.
45:00Too stubborn.
45:02I see.
45:04And she hasn't stopped going back to Alonso.
45:07What about Alonso?
45:09Don't play dumb with me. You know it perfectly well.
45:11The ordinary and inappropriate approach she had with you.
45:15Yes.
45:17That's right.
45:19You yourself told me that Cruz is too smart to see everything that happens to Soledad.
45:23You told me that Cruz is too smart to see everything that happens to Soledad on her own.
45:28But it gives me the feeling that more than suspicions, what you have are certainties.
45:32And that certainty has only been given to one person.
45:36Alonso.
45:37You!
45:38Accusing me again.
45:39It hurts so much.
45:41Don't play dumb with me.
45:42I don't do anything to myself.
45:43And you know it.
45:45It's all too strange.
45:47I don't understand it.
45:49After everything we've been through together,
45:50he's throwing me as if I were a plague.
45:53Don't take it that way.
45:55It's not your fault.
45:58It was Alonso who made that approach.
46:01He's to blame for everything.
46:03But Cruz pays with you because, unfortunately, and as I suppose you know,
46:07life is not fair.
46:10No, it's not.
46:12But we can make it fun.
46:15Well, at the moment I don't see anything fun.
46:18Well, I would love to teach you.
46:21But...
46:24It hurts to see you so down.
46:28I have to get out of here as soon as possible.
46:31That doesn't sound fun at all.
46:35It's been too long.
46:51It's been a long time since we received a letter from Teresa, right?
46:55Yes.
46:56True.
46:57How is she doing in America?
47:00Let's see if something happened to her and that's why she doesn't write.
47:02She's already in agony.
47:04And you're happy with a loss.
47:06You like to get into the worst, Simona.
47:08It's never too much.
47:10One is never prepared for the bad.
47:12I think we don't know anything about Teresa because of the war.
47:15But Teresa is very far from the front, fortunately.
47:17Yes, but the trans-oceanic mail is being affected.
47:20There are fewer ships that leave from one continent to another.
47:23That's what Salvador said.
47:25The Germans had to sink the ships with the submarines.
47:28Mother of beautiful love.
47:30Well, it's a shame.
47:32Teresa's letters were the most entertaining.
47:34I liked to know about her trips around America.
47:37You have to see the difference in life out there.
47:39She tells everything.
47:41And besides, most of us won't have the opportunity to travel so far.
47:44I would be happy to visit some places in Spain.
47:47I would love to go to Burgos, Santander, Castellón de la Plana, for example.
47:53The truth is that Teresa's letters made us travel far without leaving here.
47:58I just hope they solve all that mail problem.
48:02I just sent her a letter telling her the news about Teresa.
48:05And I don't want her to miss my wedding.
48:07Have you already started with the preparations?
48:09Yes.
48:10Salvador has to go talk to the priest.
48:12The new one?
48:14The peculiar one?
48:16Yes.
48:18No matter who he is, I say he has to celebrate weddings.
48:20I guess so.
48:22A priest who doesn't get married is neither a priest nor anything.
48:31How curious.
48:33Every time I enter a room, there is a silence of mass.
48:37That's exactly what we were talking about, Mrs. Petra.
48:40About the mass of my wedding.
48:42In case you want to join the conversation.
48:45Well, I hope you wear the suit I helped you make.
48:49I spent a lot of time on it.
48:51That's a very good idea.
48:53So that I can get a new dress if I have a beautiful one.
48:56I hope the wedding can be celebrated.
48:59Now that there is no longer the impediment of the marriage of Miss Teresa.
49:03Now that there is no longer the impediment of the marriage of Miss Catalina with Mr. Pelayo.
49:08In any case, I have to officially ask permission from Mr. Marquez.
49:13And since you are here, Mrs. Petra, I take the opportunity to ask for your mediation.
49:19I will talk to Mr. Baeza to make the management.
49:22But I already tell you that it is not a priority.
49:25And it will take a while.
49:27Thank you very much.
49:30And have you already thought about what kind of flowers you are going to bring?
49:33Are you going to bring a mantle or a simple veil?
49:36I have a hairbrush from Carey, stored in a box.
49:39Can you use it?
49:40And I could make you some gloves.
49:42They always give a touch of distinction.
49:44It's gorgeous.
49:45But what kind of flowers are you going to bring, María? You haven't answered me.
49:48She hasn't answered you because she's been silent.
49:51She, who is the most interested in the wedding, doesn't say a word.
49:55Are you okay, María?
49:59Yes.
50:01It's just that there are so many things ...
50:03that I can't help but get excited.
50:14How beautiful.
50:15As if we could contemplate this wonder every day,
50:18we almost never stop looking at it.
50:20Sometimes we forget the most important things.
50:23The last time I stopped to see the sunset was with you.
50:26Do you remember?
50:27How to forget it?
50:30It's okay here.
50:31Away from people.
50:33From the noise.
50:35You can stay as long as you want, you know that.
50:40I'm not sure this is my place.
50:47The decision is in your hands, Catalina.
50:50You decide whether you prefer to stay or go back to the promise.
50:55I see.
51:01My idea was to take you with me and not the other way around.
51:05That you would welcome me in your house.
51:09I'm sorry, but that's how things are.
51:25Catalina.
51:27You asked me how I feel about you.
51:31And I answered you.
51:34In a very ambiguous way.
51:35In fact, it happened.
51:37Yes, but it's the truth.
51:40And I still don't know what you feel about me.
51:43Because all that you need to clarify your feelings
51:47is also quite ambiguous.
51:50Look, I don't want to pressure you, okay?
51:54Besides, I already know the answer. Are you going to leave?
52:04Look, I don't want to think anymore.
52:07I've been locked up in a hangar for months.
52:10Away from everything, from everyone.
52:12Without doing anything but think.
52:14I don't want to think.
52:15Away from everything, from everyone.
52:18Without doing anything but think.
52:19I'm fed up.
52:22I want to propose something to you.
52:45I want to propose something to you.
52:52Manuel.
52:55I brought you a snack so you can get stronger.
53:07Well, if I tell you the truth, I'm not very hungry.
53:10And I'm full of energy, but you bring it to me.
53:12You bring it to me.
53:14Well, actually, I just wanted to bring you the snack to see you.
53:18It was an excuse for Mrs. Petra not to tell me anything.
53:24In that case, I want to eat at all hours.
53:31What are you doing?
53:34I want to hug you.
53:35And I need space to do it.
53:39Manuel.
53:41Manuel.
53:43Wait, please.
53:46I'm not in a good mood.
53:50I'm still worried about Mrs. Pia and I can't get it out of my head.
53:55But I thought that matter was under control.
53:58Didn't María Fernández go to see her recently?
54:00Yes, but ...
54:04Didn't she stay calm? Didn't she say everything was fine?
54:08At first, yes.
54:09But the thing is that when María left, Mrs. Pia was very distressed.
54:13And it can be seen that the confinement is affecting her mood, so ...
54:18I think we have to get her out of there as soon as possible.
54:24Well, we will.
54:26Don't worry.
54:28Yeah, Manuel, but I can't think of how.
54:31I can't think of how to get her out of that cave without Gregorio finding out everything.
54:36What if we ask for help, Mr. Fermín?
54:37The parish.
54:39Hanna, I know it's a perennial idea, but he's a good man.
54:43And he can help us.
54:45Manuel, I'm not telling you it's not a good idea.
54:48But Mr. Fermín is no longer here.
54:50Did he fail?
54:52No, they moved him to another town.
54:54And the thing is that the priest there now doesn't know almost anyone from Luján, so I don't think he can help us.
54:59I see.
55:02I don't know what, Manuel, but we have to do something.
55:05Doña Pia can't be in that cave much longer, do you understand?
55:08Well, we'll have to keep thinking.
55:10But that's what I've been doing for weeks, Manuel.
55:13And I promise you I don't see the way out.
55:16There will be some.
55:20Well, the only thing that has occurred to me is that maybe to end this torture I should face the problem.
55:27That is, face Gregorio.
55:28Face Gregorio.
55:32Dajana, I'm not following you.
55:34Well, I've thought that maybe I should talk to him myself.
55:39And maybe I can make him come to his senses, I don't know.
55:42No, no.
55:44That man is dangerous and he can attack you.
55:47Manuel, I know.
55:49But I can't think of anything else.
55:52Not that.
55:54Besides, if he was a bad beast before going to jail, imagine now.
55:59And it's not so easy to deal with him either, that man is missing.
56:02That's not the case either.
56:04He's lurking in the shadows, waiting for his moment.
56:08And what do you want me to do, Manuel?
56:10Stay with my arms crossed watching how Doña Pia is consumed?
56:12Listen.
56:17Why don't you take me to see Doña Pia before doing something that has nothing to do with it?
56:23To the cave?
56:25Yes.
56:28To the cave.
56:33Does he know anything about Doña Pia?
56:35He wanted to go to his grave and take some flowers and he got very insistent so I ...
56:39Did you have to tell him everything?
56:42Well, yes.
56:44Well, you'll see how Mr. Baeza finds out.
56:46He's going to make a mess of San Quintín.
56:48Virtudes, you have to calm down.
56:50Don Rómulo is a very understanding man.
56:52Yes, I haven't worried Don Rómulo.
56:54Or not so much.
56:56And you scare me, Doña Petra.
56:58We are not even shuffling the possibility.
57:00If I understand it a lot, this is not a charity house.
57:05Cruz, I agree to show our gratitude to María Antonia.
57:09Not only does she have a great heart, she is also patient, she is intelligent, she is sweet, she is ...
57:17beautiful.
57:19I don't understand why you have so much disdain for María Antonia.
57:21I have no disdain for María Antonia.
57:23Do you think I'm an idiot?
57:25Stop bringing Cizaña into my house or there will be two people who leave the promise.
57:28Don't threaten me.
57:30Have you thought about what we are going to do?
57:32Well, there is not much to think about.
57:34We knock on all the doors and the ones that open we ask for work.
57:36And we go to questions everywhere.
57:38In the boutique, to the seamstress, in the tavern.
57:40Even in the blacksmith's shop and in Menester.
57:42I have Margarita totally at my mercy.
57:44But that can vary the moment I tell Margarita.
57:47Why did you change your mind at the last minute and decided not to take Martina with those nuns to the convent?
57:52Because Margarita asked me.
57:53That's what you've made everyone believe.
57:56But I know you backed out the moment you saw me show up.
58:00Salvador, Alma de Cantaro, you had to talk to the priest about our wedding.
58:04Yes, the saint has gone to heaven.
58:06The saint to heaven and the sin that did not step on the church.
58:08I'm very sorry, María.
58:11We are talking about the life of Mrs. Darre.
58:14I think we have to get her out of there.
58:16What we have to do is take her to a place that has some sunlight.
58:18That she can extinguish day and night.
58:20But you know that is not possible because it is very dangerous.
58:23Then I can not think of what else to do.
58:28Gregorio.

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