Salón de té La Moderna - Ep 210
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00:00I have not managed to make him come to his senses. He has left without wanting to listen to me.
00:10Well, he shouldn't have allowed it. That he goes around knowing everything he knows puts us in danger.
00:16I told you I had suspicions. Don't try to blame me for all your mistakes.
00:21Enough of useless debates. What happens if he goes to the police station now to report us?
00:26He won't do it. Believe me.
00:28And why not? Have you seen how he looked at us?
00:32He is not so impulsive. He knows that would get him to a point of no return.
00:40With all the time he spends in this house, he knows that it is easy for the matter to get to him.
00:45How can he be so sure? Besides, with the friendships he has and the circles in which he moves, I'm sure everyone would believe him.
00:53Fabio is a very thoughtful man. He thinks a lot about everything he does. He's not going to tell us.
00:59If he kills my reputation, he will also do it with his.
01:03We'd better not. Because he spends all day talking about his morals.
01:08And if he does what he really thinks, I'm sure he'll be entering the police station now.
01:14I'll talk to him as soon as possible. He'll have to listen to me. I'll get him to dissolve. Listen to me.
01:20We'd better not. Because we are in his hands. And it seems he has decided to sink us.
01:51Good morning.
01:53Good morning.
01:54You get up early, don't you?
01:57I have no choice.
01:59I imagine you are waiting for Pietro to go to work.
02:03Yes.
02:04And you would like to stay a little longer in bed, right?
02:07The same thing happened to me when I was your age.
02:09Although tonight I have barely been able to sleep.
02:12So when it dawned, I was tired of going around in bed and I left early.
02:18I imagine it must be difficult to sleep and have a calm head with everything that is happening to you.
02:23Yes, a lot, really.
02:25Although, given the circumstances, I think I'm holding up pretty well.
02:30Well, it's normal, Lucia. You come from abroad, a strange country.
02:34And the shock of finding my husband about to marry another woman.
02:39I knew it wasn't going to be easy to find him.
02:42But I confess that I didn't expect this.
02:44That he was going to get married right now is bad luck.
03:05Matilde?
03:14Matilde?
03:20Good morning.
03:24You left early.
03:26Although you think I don't have my head in my place, I realized that we hardly had anything to eat.
03:32And I bought some snacks for breakfast.
03:34You're right.
03:37I should have been more attentive too.
03:40And although I could have taken advantage, no.
03:43I haven't bought any medals.
03:46I see you're still angry with me.
03:50I think I've already overcome that point.
03:52Rather disappointed.
03:54I understand you.
03:56But I need you to understand me too.
03:58This isn't easy for me.
04:00It's the first time I've seen myself in a situation like this and I'm lost.
04:05Everything I've done has been for you.
04:09For me?
04:10Yes.
04:11Or for you?
04:12Well, I think it would be better if we calm down.
04:16Because talking about being distrustful doesn't solve anything.
04:19You're right.
04:21And I have no interest in convincing you that I'm not crazy.
04:25Neither you nor Dr. Mendoza.
04:27Of course, you don't need my opinion to put a label on me, lock me up in a sanatorium and throw the key.
04:32It hurts me a lot.
04:34To hear you talk like that.
04:37Me too.
04:42And I understand, Antonia. Don't believe me.
04:44Everyone is kind to me.
04:47But I can't help feeling a little lonely.
04:50Has it ever happened to you to feel like a fish out of water?
04:55Well, yes, the truth is yes, Lucia.
04:57Life makes you mature suddenly.
05:00Look, Lucia.
05:01I have nothing against her.
05:03But understand me.
05:04For me, Antonia is like a second mother.
05:07All I want is for her to be happy.
05:09My heart will always be with her.
05:11Of course, Marta.
05:12I understand. Don't worry.
05:14And I don't want you to think that I'm going to try to convince you of something.
05:18But it's good for me to talk to you.
05:21I don't know.
05:22It seemed to me that you understand my situation.
05:25Well, yes.
05:26And I wouldn't like to be in his skin, really.
05:30I wish Pietro's life hadn't appeared this way.
05:34But it couldn't be anything else either.
05:37Que chivuefa.
05:38It is what it is.
05:41Although now all this situation...
05:43I don't know.
05:44It seems like a bad joke.
05:47Look, Lucia.
05:48Sometimes things happen that we can't control.
05:52Good morning.
05:53Good morning.
05:54Good morning.
05:56Marta.
05:57What are you doing up so early?
06:00It doesn't seem to me that today you have to clean in the bookstore, right?
06:03No, no, no.
06:04I don't have to.
06:05The only thing is that Mrs. Lázara had asked me to clean the first floor before opening.
06:08Because of the drugstore convention.
06:10Yes, yes, yes.
06:11Then let's go.
06:12I'll call you later.
06:13Okay.
06:14Goodbye, Lucia.
06:15Have a good day.
06:16Have a good day.
06:22Sit down, please.
06:24Sit down.
06:38Íñigo, I admit that very strange things are happening to me.
06:42For which I have no explanation.
06:45I know it's impossible for you to hear it, but when I hear it, it's very real.
06:49And I would like your first reaction not to question me, but to believe me.
06:54I understand you.
06:57What happens to me is that ...
07:00I don't understand how you can see and hear Carla, knowing that she is dead.
07:05I don't understand it either.
07:08But it happens.
07:10And there has to be an explanation that is not that I'm crazy.
07:13Which is the first thing women think.
07:17And I'm sorry, Íñigo, but I'm not crazy.
07:20It's just that I'm not.
07:22And it's not that I don't want to go to the sanatorium, it's just that I don't see the need.
07:25Because apart from these isolated episodes, my head works just as well as ever.
07:31I'm glad you don't have it so clear.
07:35And I don't see the need to keep seeing Dr. Mendoza either.
07:38Believe it or not, Dr. Mendoza has helped many people.
07:42Yes, Íñigo, but I think it doesn't suit me.
07:45And I think he's confusing us.
07:48And that's why I want to go to the consultation to say goodbye and to make my opinion clear about that medal.
07:54And honey ...
07:58Do you really think it's necessary to face it like that?
08:02I'm just curious to know where he thinks I bought that medal.
08:06And in case I have to ask any dependent if he had a crazy face.
08:12Matilde, please.
08:14Do you know what hurts me the most?
08:18That my husband doesn't believe me.
08:22Íñigo, please tell me if you believe me.
08:25Tell me you believe me, please.
08:26And tell me you believe me when I tell you I didn't buy that medal.
08:29I believe you.
08:31I believe you, my love.
08:33And I promise you that deep down in my heart I know that something is escaping us.
08:48But I assure you that we will deal with it.
08:50Thank you, my love.
08:53Forgive me.
08:56Forgive me.
08:59Forgive me.
09:03Forgive me.
09:24What's wrong with you, Teresa?
09:25I notice you are less martial than usual.
09:27Because I'm tired.
09:29With the absence of Cañete, I have to take care of his obligations plus my own.
09:34There are a lot of them.
09:36It's normal. We are not used to being without Cañete.
09:39By the way, I come from the upper room and I've seen that Marta and you have left him...
09:43Great. Like a goldfish.
09:45I wanted to thank you.
09:47Well, thanks for the compliment.
09:50Are you okay?
09:51Well, it's never too bad to recognize a well-done job.
09:54And not just the one from now, the one from always, which has much more merit.
09:58Have you seen if you have a fever or something?
10:00Leave that man alone, I'm serious.
10:03By the way, how is the cancellation of Miguel and Trini's wedding going?
10:07Regular, not decimal.
10:09I already saw myself as a godmother in the church corridor.
10:12And of course, I have been eager to get married after Antonia's non-wedding.
10:16It's just that Marfario has the weddings here.
10:20Of course.
10:21Good luck, we don't have it here.
10:23What worries me the most is the state in which Trini is.
10:28What do you mean the state in which Trini is?
10:31Nothing, nothing.
10:32Esperanza, tell me.
10:35Okay.
10:37I have always suspected that Trini is in a state of good hope.
10:42Oh, no one has escaped.
10:54Fabio, thank you very much for coming.
10:56And for doing it as early as I asked you.
10:59Sit down.
11:04I know it hasn't been easy.
11:06And you're doing it with a grudge.
11:08But it is important that we have this conversation.
11:10I am willing to listen.
11:12But of course I doubt that I will understand your motives.
11:15All this that has happened is unthinkable.
11:18Inaudible, I would say.
11:20With that attitude, Fabio doesn't seem willing to understand anything at all.
11:23But you know what? I don't care.
11:26After the hell I've been through, I'm not going to bow to his arrogance.
11:30Daughter, please, he has come to listen to us.
11:32But doesn't he realize, mother?
11:35He has already made a decision before coming.
11:37I don't know why he has come if he doesn't want to believe us.
11:40Fabio, excuse my daughter.
11:42As you will understand, the time she has been locked up has affected her emotional stability.
11:47Well, I see her very calm.
11:49You see, Fabio.
11:51Carla is absolutely innocent of all the crimes she is accused of.
11:56She has not killed Aguirre.
11:58And of course, she has not planned the accident of Íñigo, Matilde and the girl.
12:03Nor has she sent a hitman to her wedding.
12:06It's hard for me to say how ridiculous it sounds.
12:10A long list of accusations.
12:12Surely it has nothing to do with Aguirre.
12:14A long list of accusations.
12:16Surely it has nothing to do with any of those matters.
12:19Of course not.
12:21Everything is part of a plan that Íñigo and Matilde have plotted
12:24to blame Carla and thus ruin her life.
12:27I don't understand, Bárbara.
12:30Why would they want to do something like that to your daughter?
12:32Well, ask them.
12:35That in addition to being the victim of all this, I have to be giving explanations.
12:39This meeting is a waste of time.
12:41I've heard that before, that you are innocent.
12:43Well, it doesn't seem so.
12:45On the contrary, it seems that anger moves you, it is seen in your face.
12:48You don't know what you're talking about.
12:50That is the best argument for you to create your version of the story.
12:54That you have considered that the only possible solution
12:57was to pretend Carla's murder and blame Íñigo.
13:12Irini.
13:14Yes?
13:15Look, I don't want to be indiscreet or get into where they don't call me, but...
13:20Are you pregnant?
13:23Me, pregnant?
13:24Well, let's see.
13:26I've eaten a little more than usual lately, but I'm not pregnant.
13:29I see.
13:30You're a little chubbier.
13:31Yes, a little.
13:32I had noticed, but you have to be polite and those things are not to be said.
13:38Yes, I already knew that what Esperanza had told me could not be true.
13:41That they are the typical rumors that arise when a couple wants to get married a little fast.
13:45You have to see how people are.
13:47I was thinking, Íñigo, it's impossible.
13:50Would you have told me something like that?
13:52Well, of course.
13:53And thank you for the trust.
13:55Well, I'm glad for you.
13:56That everything is always much easier if you get married without a gift.
14:00Of course.
14:01Well, I'm going to continue with the work and with so much work that Mrs. Lázaro has put on me,
14:05that I don't give up.
14:06How are you with her?
14:09Well, bad, Trini.
14:10Bad.
14:11I hope things get better, but if they don't get better,
14:15maybe we'll all get a surprise.
14:17You're scaring me.
14:19Well, don't worry.
14:22God willing.
14:24Come on, get to work.
14:27I look at you and it seems incredible to me that you have not realized the gravity of what you have done.
14:33Even if it were only because it is impossible that you do not end up paying for it.
14:37Fabio, please.
14:39We have done nothing but save Carla's life
14:43and keep her out of jail for crimes she has not committed.
14:46Tell me, what will happen?
14:48What will happen when Íñigo and Matíles find out about all this nonsense?
14:52What will happen when Íñigo and Matíles find out about all this nonsense?
14:56What do you mean?
14:58Are you threatening us, Fabio?
15:01No.
15:02No, it's just a warning of what could happen.
15:05And now I'm leaving.
15:07I've heard too many inconsistencies for today.
15:09Fabio, for God's sake, wait.
15:16And now what are we going to do?
15:18I'm not going to tell you out there.
15:20No.
15:21You don't allow your class and your condition
15:25and neither the bond that unites us.
15:27Well, it has sounded like a threat to me.
15:29And a very real one.
15:35Celia, is Laurita here?
15:38No.
15:39Your brother has gone to see your uncle to talk about the new radio bunch.
15:42And then he told me he was going home.
15:44That he works there with more concentration.
15:46She is always so busy.
15:48Yes, she needs to deliver it as soon as possible and with the agitation of the store she hasn't been able to advance much.
15:53Yes, yes, it's very dynamic, but then it's hard for her to get to everything.
15:56By the way, how did it go with Mrs. Juanes? Laura told me you had finished the sessions.
16:01Yes, a shame. Mrs. Juanes is wonderful. She opened my head in a way. It was a before and after.
16:08Inés, I love to hear that.
16:11Yes, the truth is that meeting her has changed my life.
16:14Really?
16:15Yes, yes, really.
16:17Inés, how are you? Your sister told me that your logopedas had to leave.
16:24Yes, a shame. But her sessions went very well for me and I have regained my desire to sing.
16:30She has left me a table of exercises that I am going to fulfill at every turn.
16:33I am very glad that you are so determined. You already know that you are still my favorite to be the protagonist of the court of the pharaoh.
16:41By the way, I'm going to look for some recordings that I have of the play so that I can listen to them and serve as a reference.
16:50I would love to. And now I have to leave you because I have to go to work. Goodbye.
16:56Goodbye.
17:00Celia, I wanted to thank you for helping me try to keep Laurita.
17:07Really, I had a date with the distributor and I didn't feel well.
17:11But you can see that Laurita is not very receptive, she is not very much for work.
17:16Well, don't take it so seriously. Laura has had relationships that have not gone well for her.
17:21And it's normal that it's hard for her to let herself go.
17:25If at least I could, I don't know, have a moment of intimacy with her, like a date.
17:29I'm sure I could convince her that I'm not going to let her down, that I'm a person who goes head-on.
17:38I think I just came up with a way for them to have that date.
17:50Don Fabio, good morning. What a joy to see you here.
17:56Don Fermín, I say the same. How are you?
17:59Too busy. But I prefer that to boredom. Sit down, please.
18:04Come.
18:08And you? How are you? You seem somewhat restless.
18:12Well, it's just tiredness. Too many calls, too many meetings and very few hours of sleep.
18:19Then I celebrate that it is only the excess of work that is the reason.
18:23By the way, I wanted to ask you, how have you managed the liquidation of the companies of the Morconde group that you had planned to do?
18:31Sorry, but there is not much to tell about that right now.
18:36I prefer not to go into details, more than anything, so as not to waste your time.
18:40By the way, are you in contact with Iñigo Peñalver?
18:44I called his apartment and I went through the Madrid-Cabaret, but I can't get in touch with him.
18:48Maybe he's been here, I don't know.
18:50No, not today, but if something happens and I can help you in some matter.
18:55No, no, no. It's just that I haven't heard from him for a long time and I wanted to say hello to him to tell him a few things.
19:02It's urgent and I don't care. As soon as I see him, I'll pass him the message.
19:06No, don't worry. You can wait.
19:08I don't think the man is going through his best moment because of the health problems of his wife Matilde.
19:14I don't know if he's okay.
19:17Not in detail, but yes, enough to know that it is a very delicate situation.
19:22A very bitter drink for the couple.
19:25That's why I wanted to see him, to convey my support and ask him how Matilde is evolving.
19:30Sure.
19:33Good morning, Mrs. Bárbara.
19:35Good morning.
19:36Bárbara, I didn't expect to see you here.
19:40I'm sorry I don't serve you as you deserve, but there are urgent matters that require me.
19:46Hmm.
19:50May I know what you're doing here?
19:58It's not your fault.
20:00I hope it's not what I'm afraid of, asking for Inigo.
20:04Well, of course that's why I'm here.
20:06You won't expect me to sit idly by after what you've done.
20:10Listen to me, Fabio, listen to me carefully.
20:12You're making a mistake.
20:14It's not the first time they try to coerce me.
20:17What makes me sad is that this time you're the one doing it.
20:21I warn you, don't challenge me.
20:23I don't care what you tell me.
20:25I know perfectly well what I have to do.
20:28And what are you going to do to remedy it, and at the same time not stain your shoes with mud?
20:36For my daughter, I'll do anything.
20:38Don't make me prove it to you.
20:40If you don't leave me another option, I will.
20:44I will.
20:45I will.
21:12Good morning, Marta.
21:13How are you?
21:15Good.
21:17Yesterday I started tidying up the warehouse so that when you come in, you'll have it a little easier.
21:23Ah, well, I appreciate it.
21:27You can't imagine how many books Miguel has.
21:29Well, one falls on your head and kills you.
21:34So you've decided to start studying.
21:37Yes.
21:39It's a bit difficult for me with so much work, but I want to try.
21:43Hey, maybe yesterday I acted like an idiot about the book.
21:48I hope I didn't make you feel bad.
21:51I know that my opinion doesn't matter, and that everything I say or stop saying doesn't matter, but...
21:55I really think you do very well in studying.
21:59It's not easy for those of us who have it all against us.
22:02Of course, I never stop to think about it.
22:05In my life, everything has been done for me.
22:08You are very lucky. Don't waste it.
22:11It's hard for me to let go, you know.
22:15And look, my grandmother always says that knowledge doesn't take up space, and I think she's quite right.
22:22I like that phrase.
22:24I'm sure your grandmother is very wise.
22:26Yes.
22:28And even though she's an adult, she always has a book in her hand.
22:35I was ashamed to talk about all this with you, really.
22:38I don't know, you're a university student, you've studied so much...
22:45By the way, how much time do you have left to graduate?
22:49Oh, what a good question.
22:51The truth is that I don't know, because I take it all very calmly.
22:55Now, seriously, forgive me.
22:57I acted like an idiot the other day.
23:00I've always had everything done in life, and that's why I allow myself the luxury of wandering.
23:06Thank you for being so honest with me.
23:11I don't want to tell you my sorrows, but...
23:15Well, I've had to pull the chestnuts out of the fire since I was very young.
23:20Well, then yours has twice the merit.
23:23Yes, I think we should all have the most opportunities to get a good education.
23:28But of course, that depends a lot on where you were born.
23:31Of course.
23:33Before judging someone, you have to keep in mind that not everyone has the same opportunities as you.
23:39Trying to study is the only thing that remains for us who have not been lucky enough to prosper in life.
23:45And no one is going to give me anything, and it's not going to be easy.
23:49That's something I've learned from the bad ones.
23:52So if I have to study and work at the same time, I will.
23:56And I think it's going to be worth it.
23:59You are a very brave and very fighting woman.
24:03An example for a thug and a liver like me.
24:07Don't talk like that about yourself. I don't think that's the case.
24:11That's you who sees me with good eyes.
24:14Well, I'm sorry I don't want to waste your time or make you leave work later because of me.
24:19I just want to tell you that I really like talking to you and I always learn something new.
24:46My mother, if you look at them, they will kill you.
24:51You see, I was right. Mrs. Lázara looks at me that way.
24:55But what have I missed, ma'am?
24:58You will find out in due time, like the rest of your colleagues.
25:02Man, woman, don't be like that, you have me worried about so much mystery.
25:06No, man, no, you hit the glasses, come on.
25:08With this wedding, you are all very clueless.
25:11Shut up, shut up, don't talk to me about the wedding, what a job.
25:14Well, for God's sake, I don't know what the issue is.
25:17It seems that it affects you more than hope.
25:19It can be affected, but defeated, never.
25:22That one has to fight for what one wants, right?
25:25Well, I have put all my machinery in motion, Mrs. Teresa.
25:28But as you said, you will find out in due time.
25:31Well, there is not much time because the wedding was today.
25:34And the roof of a hermitage is not something that can be fixed so easily.
25:37Of course, unless ...
25:40What?
25:42Let's see, I don't want to say anything.
25:44It's not that I'm giving false hopes to people.
25:46But something is going to happen, Mrs. Teresa.
25:49Elias, Elias.
25:51Tell me what you're up to, tell me now.
25:53Let's see, look.
25:54For me to plan something for real,
25:56the first thing I need is to absent myself from the hall for a while.
25:59Would it be possible?
26:01Now? Yes.
26:03In the middle of the convention?
26:05Yes, be careful, but everything is organized, I have applied well.
26:07The agape has already been served.
26:09And Montero and the others are preparing to pick it all up when this is over.
26:12Sure?
26:14Well, okay, Elias, but just a little while.
26:16That you are able to be out all day.
26:18Thank you, ma'am.
26:20And it will be a matter of little, to specify a couple of issues.
26:21But I think it's going to work out, so I'll be right back.
26:23Run.
26:25Eh, Montero.
26:27Replace Elias.
26:29Take care of the clothes.
26:37I hope he didn't have the guts to release Elias
26:40when we know that Cañete is delivering.
26:42It is an important thing, Mrs. Lázaro.
26:45He will be out for a short time.
26:47A short time is the one you have left in this room.
26:49I don't think it will happen today.
26:51That?
26:53That's what I'm telling you.
26:57You say a lot of things.
26:59Let's see if any of them are true.
27:07Breakfasts, snacks and sensational events
27:10in the modern tea room,
27:13quality and enjoyment always usual.
27:20Agustín, what are you doing here with the one that is falling and without umbrellas?
27:23You are looking for what you don't have.
27:25Well, more than looking, I've come to bring this to Inés.
27:27Although I see it, I still get a pulmonary edema as a gift.
27:31They are the recordings of the court of Pharaoh.
27:34I have tried not to get too wet, but ...
27:36I'm going to have to get used to it.
27:38I'm going to have to get used to it.
27:40I'm going to have to get used to it.
27:42I'm going to have to get used to it.
27:44I'm going to have to get used to it.
27:46I'm going to have to get used to it.
27:47I don't want them to get too wet, but ...
27:49Great, it's going to make you very excited.
27:51But you could have hoped that the rain would escape, right?
27:54I could, but as I know that I would do it in anticipation,
27:56I couldn't contain myself.
27:58You are the one who is not going to go.
28:00Well, maybe it's better if I go now.
28:03Please make sure you hear me well,
28:05because if you have gotten wet, nothing will be heard.
28:08I have tried to protect them,
28:10but with the water curtain that is falling ...
28:12Wait, why don't you go and check it out together?
28:17If it dries up and gets hot, I can't let it go like that.
28:21Of course.
28:24Come on.
28:31I'm sorry, I'll put the house in a mess.
28:34No, don't worry.
28:37Should I put the box here?
28:40Yes.
28:46Here you go.
29:02Thank you very much.
29:03This coffee tastes better.
29:05It's wonderful to be married.
29:06Yes, especially because of Esperanza and Elías.
29:09I don't know who got them into being godparents.
29:11Do you know how bad it would have been?
29:14No, I don't know and I don't want to imagine it.
29:17No wedding, no worries.
29:18Don't worry so much,
29:20because at some point we'll have to get married.
29:22And rather soon.
29:23I think we're messing up a lot with the hermit thing.
29:26I don't know, we'll have to think of an easier wedding.
29:29Well, we'll think about that.
29:30Now what we should do is rest.
29:33It's been a very intense few days.
29:34I got up and the first thing I thought was,
29:37let's see how we get the godparents tonight.
29:39Do you want to make a plan for tonight to celebrate our new wedding?
29:41Oh, yes, please.
29:42Let's see, a movie, a play, what do you want?
29:46Whatever you want, but you'll tell me later.
29:48If the vampire sees me here talking, she'll kill me.
29:58Thank you very much for your patience,
30:01but above all for saving me from pneumonia.
30:04What's wrong with you?
30:05How could you let him leave so calmly?
30:07I mean it.
30:09I don't want to steal a lot of your time.
30:11I imagine you'll have things to do, right?
30:13I said it as if you weren't busy.
30:16And I think it's hard work to get a play going.
30:18And money.
30:19But you know what?
30:21That's my dream.
30:22The first time I read The Court of Pharaohs,
30:26I thought,
30:27I have to produce this wonder.
30:31And you'll do it.
30:32Because when someone has something so clear
30:35and puts so much effort, everything works out.
30:38You know, I don't really agree with that,
30:42but I'm going to keep trying.
30:44That's why I get up every day.
30:47You know, there are people who want a palace or fast cars.
30:53What I want is to make that play in such a way
30:56that people come out with their mouths open.
31:00It's very important to have dreams.
31:02Otherwise, life would be very boring, don't you think?
31:05I totally agree.
31:07We have to fight for them to come true.
31:12Always.
31:14And I don't know what these things have that,
31:16even if they get complicated,
31:18it's very difficult to give them up.
31:20It's like...
31:22Like poison.
31:31THE COURT OF PHARAOHS
31:37As I told you, the convention is going very well.
31:41I'm convinced that if there's another one, it'll be here.
31:43I'm glad, Mrs. Lazarano.
31:45But for now, I'd like to focus on making sure everything goes right.
31:48If there is another one, we'll take care of it in the future.
31:52And if there's nothing else to discuss, you can leave.
31:57Well, I wanted to talk to you about the dismissals.
32:02I don't know if it's a good time.
32:04To talk about it, yes.
32:05To carry them out, I don't think this is the day to cancel anyone.
32:08Don't you think?
32:10I don't know what you mean.
32:13We can't afford to fire anyone.
32:16We have a convention going on. Cañete is not here.
32:18And if those comments are referring to Teresa,
32:20I just saw her on the upper floor
32:24getting upset because everything is going perfectly.
32:27I'm sorry, Mr. Fermin, but I think I've misinterpreted myself.
32:30I've never said that Teresa is a bad professional.
32:33On the contrary.
32:35Then I don't understand what you mean.
32:37I'm sorry for my frankness,
32:38but I'm referring to her sick jealousy,
32:42the lightness with which she treats certain employees.
32:45And I have to tell you that, from my experience,
32:47when you start with a favor, in the end, they get on your nerves.
32:51So I think the best solution
32:53would be to facilitate her departure.
32:55That's what I told her yesterday.
32:57After yesterday's talk,
33:00and meditating on it,
33:03I think it's better to come up with another solution.
33:07What do you think of a conversation with her?
33:12I think it's good.
33:13As soon as the convention is over, I'll talk to her.
33:16No, I don't think I understand, or maybe I haven't explained myself well.
33:19I mean a conversation between her and me.
33:24I'm sorry, but I honestly think
33:27that her authority could be... I don't know, diminished.
33:31I don't see why.
33:32After all, I'm the owner of the salon
33:34and Teresa is one of my best and oldest employees.
33:37And I'd like to let her know in person.
33:40It's a matter of education.
33:42If you allow me, Mr. Fermin, I'll give her your word.
33:46I'm sorry to insist, but I think that, as a manager,
33:49it's my duty to lighten the burden of these tasks.
33:53Very good.
33:54Very good.
33:55I trust you to avoid Teresa's dismissal.
33:58Let's hope she collaborates and we end this situation once and for all.
34:03I agree.
34:04But if she doesn't collaborate...
34:07If she does, and only if she does, I'll have no choice but to stop her.
34:12Good.
34:14I'll talk to her, then, and I'll do everything I can
34:16to make sure she doesn't leave the salon.
34:19Yes, I'll do everything I can to keep her job.
34:24She deserves another chance.
34:26I know.
34:28And as I said, I trust you.
34:50What?
34:52Why do you end up learning everything from the newspaper?
34:55You have to do this in time.
34:57Now that I've decided to extend my break,
35:00I'm going to squeeze until the last second.
35:02Yes, like Don Salvador between Borges and Puertetita.
35:05He'll be taken by surprise. He'll see his son in charge of his business.
35:09Don't you see that Salvita had to take care of the embroidery during the wedding?
35:13And now that we're not getting married, you've got the boy there.
35:16You're not smart or anything.
35:18You're not smart or anything.
35:20Because of this, you got married to me.
35:22Very well.
35:28What are they up to?
35:30I don't know.
35:33Oh!
35:34I think he's coming.
35:36He's leaving.
35:41Elias, are you drenched?
35:43Yes, of course, Miguel, but it's the least important thing right now.
35:47Come on, hurry up, we have a lot to do.
35:49I'll try, Mrs. Teresa.
35:51But I'm telling you, hurry-ups aren't good advisers.
35:54And if you don't, ask Trini and Miguel.
35:56And what about us?
35:58Now, nothing, Miguel.
36:00As the sacred scriptures say,
36:02ask and you will be given, seek and you will find.
36:04But what is this man saying? I think he has a fever.
36:06Well, a fever of union.
36:08Trini, of marriage, of the most beautiful thing in the world.
36:11And that's what I've come to tell you.
36:13It's strange that with so many weddings,
36:15I'm able to announce that he's getting married too.
36:18No, what I've done is move Rome and Santiago
36:20so that these two have a church.
36:22We thank you, but...
36:25But you haven't got it, have you?
36:27Yes!
36:29Yes, yes, the...
36:31Let's see, it's not the Almita de Santa María del Venado,
36:34but it's the only one you got married to quickly.
36:36What do you mean, quickly?
36:38A lot, Miguel, a lot. I've fixed it all.
36:40I'm meeting with the priest tomorrow to take your documents.
36:42So don't forget, you have to give them to me.
36:44Yeah, well, let's see, Elias, excuse me...
36:47Yes, Trini, I know, you don't have to thank me.
36:50I do this with all my heart, I do this for you.
36:53No, I think theater is a much more complicated discipline for the actor.
36:58It's more tiring, immediate.
37:01Look, for reasons of life and for some other coincidence,
37:04I've been able to attend shoots.
37:06And believe me, they are much more exhausting.
37:08Many hours waiting for the set to be set up,
37:11more waiting between takes...
37:13But it's better for me.
37:15More time to prepare the sequence.
37:17That doesn't exist in theater.
37:19There's no time to prepare the scene, you know?
37:21That's what I mean by immediacy, you know?
37:24No, no, I don't understand what you mean.
37:26In theater, everything that happens on stage is unique.
37:30There's no function like any other.
37:32Everything happens in the moment.
37:35You know? There's no waiting, there's no margin for error.
37:39Well, I've seen more than one actor make mistakes.
37:42But that's precisely what makes that function unique.
37:48That error is what makes that play unrepeatable.
37:51No, no unique and unrepeatable functions.
37:53That's getting to the bottom of it.
37:55But look at me, I've left home without an umbrella.
37:58And thanks to that, we're here talking, you and me.
38:01I've made a mistake.
38:04Well, I'll go and see if your clothes are dry.
38:16This is almost done.
38:21Do you want me to serve you more coffee?
38:24No, no, no, I don't want to bother you anymore.
38:27No, no, it doesn't bother me.
38:29Really, it's been a splendid time.
38:31But I think it's better that I leave.
38:33It's better that you dress me up and that I leave.
38:37Okay.
38:40Listen, all that's in that box are recordings for my brother.
38:55Not exactly.
38:57The recordings of the court of pharaohs.
39:04The box is more for you.
39:10For me?
39:12A gift?
39:14But what is it?
39:20But it's a magic lantern.
39:23Agustín, this is a wonderful gift, thank you very much.
39:28Shall we try it?
39:33Yes.
39:36I can't believe the pharmacists put in so much work.
39:40No, Esperanza, we've had events in the living room.
39:43But none as exhausting as this one.
39:46I want to sleep in my house.
39:48There's a storm coming. I'll wait for you here.
39:51It's a good thing it's morning.
39:54I hope Miguel and Trini's wedding is a success.
39:58The second wedding in two weeks.
40:02I hope this is the good one.
40:05I'm sure everything will be fine.
40:08It's just because of the trouble Elias has taken.
40:11What an element.
40:13Sometimes he has worse things than a truck driver.
40:16But when something goes wrong, the woman doesn't stop.
40:19What are you?
40:21Woman, take off your shoes and rest.
40:24With the suit on and the manager who has it taken with you.
40:28You said it yourself.
40:31Since Cañete's gone, Mrs. Teresa up, Mrs. Teresa down.
40:35Don't worry about my work, Esperanza.
40:39Soon I'll have plenty of time to rest.
40:46Esperanza, please leave us alone.
40:49Yes, right now.
40:53It's important.
40:55I'd rather talk to you after the convention.
40:59If you value your job, then yes.
41:02This conversation is important.
41:04Look, Mrs. Lazara, even if I'm going to say goodbye,
41:07I've done my best at this convention.
41:10As I always have.
41:12You've already said goodbye.
41:15Yes, but I'm not leaving.
41:18You've already said goodbye.
41:20Yes, but before I leave,
41:23I'm going to tell Mr. Fermin how you are.
41:26Are you going to tell him he's been in my neighborhood
41:29asking about me?
41:31Or that he's been to my old job looking for dirty traps?
41:35I mean, because you're already telling him things, right?
41:38If that's the case, I can tell him, Teresa,
41:42that Mr. Fermin is aware of everything
41:45and that he won't believe it.
41:48We'll see about that.
41:50Calm down, woman.
41:52You can tell him, Misa,
41:54that Mr. Fermin has put his goodbye in my hands for a reason.
41:58And believe me, I won't be shaking when the time comes.
42:03Well, look, if he's here to say goodbye,
42:05do it and let's end this once and for all.
42:07I'm not here to say goodbye.
42:09I'm here to tell you that you have a second chance
42:12to keep your job.
42:14A second chance?
42:16Why?
42:18Because we all deserve a second chance,
42:20including you.
42:22So I'm not only offering you to keep your job,
42:25but to have a little more leeway with you.
42:28As long as you stop investigating me and chasing me.
42:37Do we have a deal?
42:44I should go now.
42:48I should go now, yes.
43:18I should go now.
43:40I was about to, Brigida.
43:42I thought it'd be a good, timely income,
43:44but then I thought it over and I can't allow it.
43:47I don't want to tell the world I'm crazy and I'm not crazy, I'm not crazy.
43:50Even if Dr. Mendoza insists.
43:53What do you want to say to Dr. Mendoza?
43:55Get ready.
43:56Can you believe he's saying I'm doing things to pretend I'm not crazy?
43:59It's the worst.
44:01It's the worst.
44:02And he calls himself a doctor.
44:04I don't think he's a bad doctor.
44:06In fact, I'm fine with him.
44:08Well, I don't like the way he's acting with me.
44:10So why are you coming to the consultation?
44:12To say goodbye?
44:14It's over.
44:16I'm not going back.
44:18Dr. Mendoza is the one who should go in, not me.
44:21It's the truth.
44:23He's saying very ugly things about me.
44:25Thank goodness Íñigo finally reacted.
44:27Really?
44:28Yes.
44:29Did he say anything to the doctor?
44:30No.
44:31He told me.
44:33He was honest with me this morning.
44:35He told me he believes me,
44:37that deep down he knows I'm right,
44:39and that I'm the cat in the cage in all this.
44:41So it's over, Brígida, finally.
44:43It's all over.
44:46What's wrong?
44:47Aren't you happy for me?
44:49I don't know, Matilde.
44:51On the one hand, yes, but on the other...
44:53In the end, Dr. Mendoza isn't that bad.
44:57But everything I've told you is true?
44:59I don't doubt it.
45:00But maybe you're judging the doctor too harshly.
45:04But do you really think that doctor is a good and qualified person?
45:08I'm telling you, if it weren't for him, I wouldn't be so well.
45:12I was very bad, Matilde.
45:14And my life changed for the better, and it was all thanks to him.
45:17Well, I guess what works for one person doesn't work for everyone.
45:21And forgive me, Brígida, but our circumstances are completely different.
45:26And I don't deny that these diseases are very severe,
45:28but I don't have them.
45:30Yeah, yeah, but you...
45:32You still hear the voices.
45:38You too?
45:41Brígida, those voices exist.
45:44They exist.
45:45Someone's talking to me.
45:47Do you understand?
45:48If it's not Ms. Carla, it's someone who's pretending to be her.
45:50And I've also seen that woman.
45:52How many times do I have to say it?
45:54I'm really sorry, Matilde.
45:56I don't want you to be mad at me.
45:57I just want to help you.
45:59I thought you were different, that you believed me.
46:02But well, it doesn't matter.
46:04Because those voices exist.
46:06They're real people.
46:08I'm sure of it.
46:32No, please.
46:35Don't hurt me.
46:41Help me.
46:44Help me.
46:47Help me.
46:49No, I haven't done anything.
46:51Let me go.
46:53Lucia.
46:54No.
46:55Lucia.
46:56Oh God.
46:57Calm down.
46:58You're Pietro.
46:59Calm down.
47:00Yes.
47:01What happened?
47:03Nothing.
47:09What's going on?
47:11You were having a nightmare.
47:16Do you want some water?
47:18Are you okay?
47:19No, Pietro.
47:20I'm scared.
47:23I'm afraid they'll hurt me.
47:26Don't worry.
47:28Don't worry.
47:30Don't worry.
47:37You can see it with your own eyes.
47:40This albaran proves that Matilde bought,
47:43as it says there, the medal of San Cayetano.
47:47But that can't be.
47:49It can't be.
47:50This is a lie.
47:51Íñigo, this is a lie.
47:52I didn't buy that medal.
47:54I know, honey.
47:57I'm sorry to tell you that...
48:00we don't know what kind of validity this has.
48:04What do you mean?
48:05It's an invoice in her name.
48:07I think it's pretty obvious.
48:09Yes, yes, yes.
48:10I understand that perfectly.
48:11But that could have been fabricated later,
48:13and it's not like that.
48:16Look, doctor,
48:17we don't want you to think that we don't trust your word,
48:20far from it.
48:21But unfortunately,
48:22but unfortunately,
48:23we have the adversity of certain people.
48:26People who are capable of doing anything to us.
48:30Much more than a simple truth.
48:32I don't know if you understand me.
48:34The truth is that no, Mr. Peñalver.
48:36What my husband means is that...
48:38the same person who did that
48:40is the person who put the dead bird in our bed.
48:45Look, I'm sorry to tell you this,
48:47but I'm going to be frank.
48:49I think you're painting a very complicated situation,
48:52and now,
48:53I won't be the one to convince you otherwise.
48:57I don't want to convince you of anything, doctor.
49:00All I want is to tell you the truth.
49:02And I didn't buy that medal.
49:08It's a shame you don't want to trust me for this process.
49:12I've cured many patients throughout my career,
49:14and I know I could help you, Matilde.
49:18But maybe I've done something wrong to you
49:20so that you don't want to count on my services.
49:24So...
49:25I guess I owe you an apology.
49:27Don't apologize, doctor.
49:29There's someone behind everything that's happening to me.
49:32My husband and I are convinced.
49:35Besides,
49:36I know full well, because of Brígida,
49:38that you're a great professional.
49:41Brígida?
49:43Who is Brígida, my love?
49:45You've never told me about her.
49:47She's a patient of yours, doctor.
49:49A woman of my age, more or less.
49:52I see her sometimes in the waiting room or in the garden.
50:03What's wrong?
50:05Look, Matilde,
50:06I don't have a patient called Brígida.
50:09What do you mean?
50:11But I've seen her before I came to see you.
50:14She almost convinced me to come in.
50:17No.
50:18I don't know any woman with that name.
50:20And I'm telling you,
50:21in this clinic we're very scrupulous about appointments.
50:25But are you sure about what you're saying, doctor?
50:27Of course.
50:29Besides, I don't like it when any patient
50:31coincides with those consultations.
50:35But that can't be.
50:38It can't be.
50:40She has to have a patient called Brígida.
50:44Brígida?
50:46If not, maybe, I don't know, she doesn't remember or...
50:48Calm down, my love.
50:49I'm sure this mistake can be explained.
50:51Right, doctor?
50:53I'm sorry to tell you this,
50:56but I suspect that person is another product of your imagination, Matilde.
51:09I hope you don't continue with the idea of wanting to report us.
51:12What you've done is very serious.
51:14For the friendship that unites us.
51:16Help me.
51:17Covering it would make me a person without scruples like you,
51:20and we don't look alike.
51:22Your feelings towards me were also fake.
51:25And Lucia, how is she?
51:27I wanted to get the subject out of the nightmare.
51:29But then, did you talk about something or...
51:33Lucia suffered a lot.
51:35And she still has wounds, even if she's better, right?
51:39You don't know how hard it was to find these books from the teacher.
51:45Really?
51:46Well, after telling you that she knows the shelves better than me.
51:49Thank you very much, I didn't need it.
51:51With Mrs. Juanes, I did everything.
51:53But since she left, I'm not sure this will go well.
51:58Inés, you know that the road is long, but it's worth it.
52:01You have to go little by little.
52:02And above all, don't give up.
52:05I don't know how many times or how many ways
52:07you'll have to tell him so he understands that we don't want to get married there.
52:10Well, if we've done it once, we'll do it again.
52:13We'll tell him clearly so he understands.
52:16I will stop investigating your affairs, Mrs. Lázara.
52:19I want to hear it from you.
52:20If you don't get in where you're not called,
52:22I won't promote your dismissal.
52:24I'm sorry, but I proposed to fire you and you didn't agree.
52:28I got Estrellita Castro to come to the store to sign records.
52:31Estrellita Castro?
52:32Mother-in-law, what a surprise! Give me a hug!
52:35Oh, honey, you're with what you've always been.
52:38My daughter.
52:39Oh, how beautiful!
52:41The plan with Laurita turned out great.
52:43Very well. I'm very happy.
52:45When I was at the door, about to call,
52:47with the recordings and soaked in the storm,
52:49I thought, this is not going to go well.
52:52The truth is that it was beautiful.
52:54Good, but there were more details.
52:56Well, he bothered to come to bring the recordings of the Pharaoh's court and the magic lantern.
53:04You deserve someone who treats you so well.
53:06Tell me more.
53:08Miss Castro, welcome.
53:10Why don't you take one of those pictures of yours?
53:13I really want to know your art.
53:15That's done.
53:16It is an honor and a pleasure to immortalize a star of her size.
53:20You can't trust what she says.
53:22Her perception of reality is distorted.
53:24She should be admitted there.
53:25I think she's going to be admitted to a sanatorium.
53:27What do you mean, a sanatorium?
53:29So her condition is in everyone's mouth.
53:31I don't know if that's positive, considering the seriousness of the matter.
53:34The doctor called me after talking to Inigo.
53:37Everything is in order.
53:38What does that mean?
53:39It means that there are people who are following her.
53:41They are waiting for an imminent entry.
53:43Pati, Carla's wish was a hallucination.
53:45Vígita's wish could also have been.
53:47And that doesn't mean you're worse, just that you're affected.
53:50Do you think I'm crazy?
53:51Take it, I'll give it to you.
53:53Thank you very much.
54:01Transcription by ESO. Translation by —