Sueños de libertad Cap 125 (20-08-24)
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00:00No, at that price, it's impossible.
00:11Mr. López, if you want quality, pay for it.
00:13Good afternoon.
00:14Father, you're here.
00:15I wasn't expecting you this late.
00:17Well, you see.
00:18How is Begoña?
00:19I hope she's calmer, for the good of all.
00:22She is.
00:23And she is very sorry.
00:24I spoke to her this morning and she was fully aware of her disappointment.
00:29I suppose I came all the way here not just to ask about Begoña, right?
00:33Indeed.
00:34Good afternoon.
00:35I have been called for a meeting.
00:38Well, if you don't know what that meeting is about, I have no idea either.
00:41Don't worry.
00:42It's a festive matter.
00:43Festive?
00:44And why don't you call Marta and Andrés?
00:47I'm sure they have less important things to do.
00:49Your brother is organizing new routes of shipment to Bascongadas and your sister is in the
00:54new sand store.
00:57What else is there to complain about, son?
01:00Well.
01:01I want the Reina and the Merinos to celebrate the anniversary of the factory together tomorrow.
01:07Don't you think the celebration is enough?
01:09The feast that is being set up.
01:11That's for the employees.
01:12We will make a family meal.
01:14And before you start talking nonsense and saying that you are very busy, it will only be a couple of hours.
01:19We can even do it at home so we don't have to go anywhere.
01:23I think it's a great idea, uncle.
01:25I hope that when my mother and Gema don't have to worry about anything and we save ourselves a show like the last time.
01:29Don't worry, that won't be repeated.
01:30As for the food, we will order it from the restaurant Salvatierra.
01:33We can even do something more informal like a cocktail, an aperitif.
01:38Something to object to, son?
01:40Oh no, no.
01:41If that's what you want, right now you will tell Isabel to order it.
01:45Uncle, does my mother know anything about all this?
01:47I say this because knowing her, she may be preparing some of her special dishes.
01:50No, I don't think so.
01:51She doesn't know anything yet.
01:53Well, you two, as representatives of the family in the board of directors,
01:58you will be in charge of communicating with the rest of the guests, don't you think?
02:02I'll talk to my brothers, anything else?
02:04Nothing else.
02:05Very well, then I'm leaving.
02:07I'll talk to you, Luis.
02:09Yes.
02:20We put this in this game.
02:24And this, here.
02:29And we would have it.
02:31Here is a summary of everything we need for the feast.
02:35What a brand has is what is missing.
02:37And the food has already been taken care of by Gaspar.
02:40My goodness.
02:42How wonderful, I take off my hat. You are very efficient, right, Gemma?
02:46Yes, yes, right.
02:49Oh, I play a lot with this event, I need it to go well.
02:52I know. I work every day for the Queen's and I know what her level of demand is.
02:56Get out of sight.
02:58What a shame, me calling him a dog.
03:00Don't worry.
03:01What if he finds out about things they call me without knowing me?
03:05We can come up with an idea.
03:08That people are sometimes so cruel.
03:13Isabel, and this interrogation that there is in Orquesta Fantasia?
03:16Yes, I was going to let them know to ameliorate the feast,
03:19but first I wanted to consult you.
03:21I know them.
03:22They played at the parties of Nambroca, but they are nothing like the other Thursday.
03:26Well, they have told me that they are very excited.
03:29I have a better option. The kids from Spain.
03:31I also know them.
03:33Yes, of course, it is a good option, but it would be very expensive to bring them here.
03:38They would take almost the entire budget of La Verbena.
03:40I know, I know, but my friend Kari is the drummer's girlfriend.
03:44So if I talk to her, I think that maybe she can give us a discount.
03:48Maybe.
03:50It won't be too risky.
03:53Let's see if we're going to run out of music at the last minute, it would be a disaster.
03:56Doña María, you are right.
03:58We cannot trust a maybe when there is so little time left.
04:01No, no, of course not.
04:02We'll stay with the Orquesta Fantasía.
04:04Very well.
04:05Then we will miss the lanterns and the garlands.
04:09I'll take care of it.
04:11My friend Pepa will get it for us.
04:13Your friend Pepa?
04:14Yes, she set up an ultramarine store and she still has a lot of products in her house from when she closed.
04:18I'm sure she has garlands.
04:20And I think that if I give her some medallions, she will even give them to me.
04:25That savings would not be bad for us.
04:28When did your friend close the store?
04:31Six or seven months ago.
04:33We can't risk it.
04:34Let's see if the garlands are in bad condition and the lanterns won't even light up.
04:38No, no, no, we need guarantees, of course.
04:41Besides, those were four bitches, right?
04:43Of course.
04:44Well, whatever you want, María, I said it to help.
04:46Thank you, Gemma, really.
04:48Isabel, take care of the garlands and the lanterns.
04:56Well, what do I do then?
04:58Clap my hands?
05:00Well, Gemma, you can take care of the cake.
05:02Do you know the best confectioneries in Toledo?
05:05Perfect.
05:06But that's too little, so I'm also going to take care of the chairs and the dishes and the glasses.
05:12And also the blankets.
05:14Very good.
05:15Great.
05:16So Isabel and I will take care of the carpet, the napkins and everything else.
05:21Ah!
05:27Tomorrow, on the day of Our Lady of the Perpetual Rescue,
05:30the 30th anniversary of the founding of the prestigious company
05:33Perfumerías de la Reina will be celebrated,
05:35which will give a party for all that is high.
05:38Taking advantage of the festival, the company's board of directors
05:41has wanted to exaggerate their facilities to offer an exquisite event,
05:45the evening when all the employees of the factory,
05:49as well as the authorities ...
05:50I have ordered the food.
05:51Do you think they're going to name me?
05:53Shut up, man, I can't hear you.
05:57Here we are again.
06:02Man, no, no, no, no, no, you can't spoil yourself now, man.
06:07Come on, calm down.
06:09But how do you want me to calm down, please?
06:11It's new.
06:12And I need it for the feast, man, so that people get excited and spend money on me.
06:16Let me take a look at it.
06:19Do you know about the radio, Isidro?
06:21No, but if I've fixed a car sprocket, I don't think this will be so difficult.
06:25Do you have a screwdriver around here?
06:27Who would send me to change the radio?
06:36I'm really coming, Negra.
06:41What's wrong with you? Are you okay?
06:44I'm going to tell you two things.
06:46Which one do you want me to start with?
06:48Well, there's usually a good one and a bad one, so ...
06:51Very good. Well, tomorrow we're going for a cocktail.
06:54Seriously? Where?
06:56To the Queen's house.
06:58Luis told me that Damien wants to celebrate the factory's famous anniversary with us as guests.
07:08Well, this time I'm going to have to fail.
07:10Because I have to help Maria with the preparation of the feast.
07:13I have to organize a lot of things.
07:16Go book the cake.
07:18A thousand things, come on. And I don't want to fail.
07:20Because if not, the perfect lady is going to come and throw it in my face.
07:24Well, don't worry.
07:25You can always do everything.
07:27Are you sure you'll have everything ready before the cocktail?
07:29I hope so.
07:31Well, now tell me the other one.
07:33The bad one, right?
07:34Yes.
07:35Let's see.
07:37My brother had an appointment with the director of the central bank tomorrow,
07:40but he coincides with some tests in the laboratory.
07:43And I have to go.
07:46And what's the problem?
07:48Gemma, they're not going to give me the mortgage.
07:52No, I'm afraid that as soon as I enter,
07:55they'll see this face of starvation that I have,
07:57as happened to me with Peralta, and they won't give me the mortgage.
08:01Good morning, sir.
08:03I'll have a coffee and clear myself.
08:06Well, if you're not clear at this time, we're in trouble.
08:09I haven't been in La Colonia for two days,
08:11and I'm tired of my roommate.
08:13What do you mean?
08:14That Vicen, he snores like an animal,
08:16he won't let me sleep with him all night.
08:18But you've come back here, to your room, to La Colonia.
08:20Yes, well, problems with the woman, don't ask.
08:22No, no, I'm not asking anything.
08:24I just hope you can solve it soon.
08:26Yes.
08:27By the way, now that I look at it,
08:29what are you doing with Gaspar's new radio?
08:31Man, he's crazy.
08:33I wanted to talk to you.
08:34Which one do you prefer?
08:35Two.
08:36The radio you sold doesn't work anymore.
08:38Ah, well, I don't know.
08:40How is it possible that Gaspar is so high-end?
08:42Yes, that's what I thought too.
08:44Because, come on, when it was discovered that your friend
08:46was a swindler, I said, well,
08:47I'm sure he has a fan somewhere.
08:49But, come on, I doubt it a lot.
08:50Well, and why is that?
08:51Because he's been doing the whole thing for days.
08:53I don't know.
08:54I doubt it a lot.
08:55Well, and why is that?
08:56Because he's been doing the whole thing for days,
08:57and it's been a minute since he's died.
08:59Come on, don't listen to him.
09:00But I don't know.
09:01Maybe it's a cable that's not well-plugged.
09:03I don't know.
09:04Ah, perfect.
09:05With that explanation, you're so high-end.
09:07With the money I paid you for her, right?
09:09I told you this doesn't have much to do with it.
09:11Look, Gaspar, what do you want me to do?
09:13If he cheated on me like he did you?
09:15Well, look.
09:16I'm going to tell you what I want you to do.
09:18Give me back all my money.
09:20What?
09:21Look, you know what happened to me.
09:23Carmen also kicked you out of the house.
09:25But when they caught that bird,
09:27they also got all the money back, right?
09:29Then it's legal for me to get my money back too.
09:31Yes, I know, Gaspar.
09:32I know, but...
09:33I put your part for the second remittance.
09:35And right now I'm more for it than a rat.
09:37What do you want me to tell you?
09:38You did leave me out of it.
09:40And on top of that, in exchange for a very expensive gun
09:42that doesn't even work.
09:43Well, look.
09:44Let me borrow it for a couple of days.
09:46I'll take a look and see what happens.
09:47No.
09:48Of course.
09:49Here, another engineer like Isidro.
09:50He's never seen a radio in his life.
09:52And he's a handyman.
09:54I don't want an old junk that doesn't work.
09:57So either you bring me a new one,
09:59a real good one,
10:00or you give me back all my money.
10:02And no matter how much you pity me,
10:04I feel more pity for myself.
10:06I didn't expect this from you.
10:08No, no.
10:09Not from you either.
10:10I don't give a damn about that,
10:11just because I'm being swindled.
10:12Well, they swindled me, Gaspar.
10:14I'm sorry, I'm sorry.
10:15But you were the one who messed with me.
10:17So now you're going to pay for it.
10:21Please, don't scratch it on me.
10:23Please.
10:28Well, if you're so afraid,
10:30let's practice.
10:32Get up.
10:34Joaquín, get up.
10:36I'm going to be the director of the bank.
10:38Practice.
10:41Good morning, sir.
10:42Don't laugh, take it seriously.
10:45Good morning, Mr. Merino.
10:47What can I do for you?
10:49Good morning, Mrs. Andrade.
10:50Press harder, please.
10:52It's important.
10:55As if you were in a bar,
10:57doing a pulse.
10:58He has to notice that
11:00he's had a phosphatine.
11:01Just a little.
11:02Good morning.
11:04Good morning, Mrs. Andrade.
11:05Good.
11:08What can I do for you?
11:10Well...
11:13I wanted...
11:15Well, I wanted to ask you...
11:16No, no, no.
11:17You're scaring me.
11:18Sit down, let's start again.
11:19I can't smell your fear.
11:21You have to show confidence.
11:24Think that bank directors
11:25are like savages.
11:27So, confidence.
11:29And...
11:30You also have to be a little nice.
11:32Ironic, if necessary.
11:33Ironic, too?
11:34That's it.
11:35You can tell him something like, for example...
11:40I've come to make him make money.
11:44What are you laughing at?
11:46Joaquín!
11:48You're the smartest bank director I know.
11:52And the one who smells the best.
11:57What?
11:58At least you've relaxed a little.
11:59Yes, yes.
12:01Yes, now I know how the interview starts.
12:04But the most important thing is to know how it ends.
12:07And, Gemma,
12:08if they don't give me the mortgage,
12:11our dream ends in that office.
12:13Not at all.
12:15They're going to give you the mortgage.
12:16You're going to enter that office
12:17and you're going to get that director the mortgage
12:19and whatever you propose.
12:20And do you know why?
12:22Because men like you
12:23give the size whenever they need it.
12:32Come in.
12:35Hello.
12:40Did you go to see Begoña?
12:41Yes.
12:43And how did you find her?
12:44I don't know.
12:45I haven't gone down to eat either
12:46and she hasn't called me all day.
12:48She's very stunned, Andrés.
12:50I asked her if she was still taking pills
12:51or anything else and she said no.
12:54But when I went to draw her blood
12:55to do an analysis,
12:56she refused completely.
12:58In fact, she became violent
12:59and threw me out of there
13:00with all the fury she could gather
13:01despite her precarious state.
13:03Maybe if you hadn't treated her that way.
13:05I don't know, Luz,
13:06maybe she needed more tact.
13:08Andrés, Begoña is also my friend, you know that.
13:12I worry about her as much as you do.
13:14Besides, somehow I had to prove
13:16that she wasn't still taking those damn pills.
13:19And you didn't believe her?
13:20Begoña is not a liar, Luz.
13:22Andrés, don't be fooled.
13:24All addicts are.
13:26I don't like you talking about her like that.
13:28Well, I prefer talking about her
13:29than thinking about anything else.
13:31What do you mean?
13:34That if it's not an addiction problem, then...
13:38You could be losing your mind.
13:41And that's the last thing
13:42I'd like to face.
13:44Because then I know we'd lose her forever.
13:47So before giving up,
13:49I'd rather discard anything else.
13:51Begoña needs us.
13:53She needs to know that no matter what happens,
13:55no matter what she does,
13:56no matter how strange it seems,
13:57we'll be there to support her.
13:59And why is it so hard for us?
14:03Let's not judge her, Luz.
14:04Let's just support her.
14:08Andrés, you're in love.
14:10Do you think your unconditional love can save her?
14:15Maybe I'm wrong
14:17and Begoña isn't taking anything.
14:20But soon we'll know the truth.
14:23How can you be so sure?
14:25Because when she runs out of pills,
14:27and she has them,
14:29she'll need more.
14:31Then we'll know what the real problem is.
14:34If Begoña is willing to let herself be helped,
14:37she'll detoxify.
14:40What if she isn't?
14:42Does that mean she's willing to suffer her mother's illness?
14:47Unfortunately, that option would be stronger.
14:51But let's trust that it's just a temporary illness.
14:54Yes, it has to be that.
14:56Because I don't want Begoña
14:58to be the woman
15:01I fell in love with again.
15:06God, I don't know what I'm going to do with you two.
15:12Now we have to wait.
15:14With a little patience,
15:17she'll give us the keys to know what's going on.
15:34I wanted to apologize for what happened before.
15:37Maybe I was a little harsh.
15:39No, you haven't done anything wrong, woman.
15:42It's me who's always up to no good,
15:44and that's how my life goes.
15:46Well, my mother is a liar.
15:49I'm sorry I made you come here for nothing.
15:54I was waiting to see you, you know?
15:57But since you didn't come,
15:59it was hard for her to convince me.
16:01Oh, José, I don't want you to go with this bad taste in your mouth.
16:05Well, if it makes you feel better,
16:06I'll take a croissant I bought for my collection.
16:12Well, if it makes you feel better,
16:15I'm very happy to see you.
16:19Before, when...
16:22we were kids,
16:24everything was easier, right?
16:26And more beautiful.
16:28Well, it was different.
16:31Do you remember when we used to go together to feed the donkeys?
16:33What you laughed at them.
16:35Come on, I didn't laugh.
16:37Do you remember the day I told you
16:39I was going to kiss one of them to make him a prince?
16:43The bastard you ate.
16:46I told you it was with the frog.
16:49Can you imagine?
16:51He would have forgotten about me because of a pig.
16:56That's good.
16:59In the end,
17:01you did it too.
17:03And without even being a pig.
17:06Well, pig,
17:08for me,
17:10you're always a special friend.
17:13Yeah.
17:15But now,
17:17don't ask me to hold your hand like when we came back from the era.
17:20Well, I asked you to give me your hand
17:23because I was afraid to go back that way alone at night.
17:26But that, for me,
17:28was like touching the sky.
17:30And that's why I came here.
17:32To touch it again.
17:36Yeah, I...
17:38I understand you.
17:40Because I also have very good memories of that time.
17:43Love doesn't forget, Claudia.
17:46Come on, Paco, don't make a big deal out of it.
17:49No, you bring me 40 chairs tomorrow at the first hour
17:52and then I'll invite you to a pancake and a coffee and Gaspar's.
17:57It's just that everything is not enough for you, Paco.
18:00Well, it's fine.
18:02Yes, yes, you'll have some extra tip.
18:05But bring them to me, for God's sake.
18:08Good. Perfect.
18:10Thank you very much. See you tomorrow.
18:1440 foldable chairs, almost free.
18:17So that later they tell me, Mrs. Perfect.
18:21And what's wrong with you?
18:23Well, I'm missing my contract and my brother's.
18:26Neither of us keep it.
18:28Really, what a mess of men.
18:30And what are you waiting for? To go get a copy?
18:33To be a little later and the office is quieter.
18:37Gemma.
18:39Tell me.
18:41Would you accompany me to the central bank tomorrow?
18:44Me?
18:46But what do I paint there?
18:48If the house you are going to mortgage is your family's.
18:50Well, when a man goes from his wife's arm to ask for a loan,
18:55it causes a better impression than if he goes alone.
18:58It inspires confidence, darling.
19:01So why don't you take a vase and take it with you?
19:05It will cause the same feeling.
19:07But I'm not saying that, darling.
19:09I say it because you negotiate much better than me.
19:11And you have more gift of people, well, when you don't have to, of course.
19:14Well, that's why. Look how I dealt with Peralta.
19:16Yes, but in the end you solved it.
19:18And I'm sure that when the time comes, you'll give me a cable.
19:21Darling, you have the security that I need.
19:25I, with you by my side, am capable of doing anything.
19:29Really?
19:31Really.
19:33We form a very good team.
19:35And what do I tell Maria? I can't leave her alone now.
19:37But who said that?
19:39Gemma, really, it will be seen and not seen, I promise you.
19:41We have an appointment at the first hour.
19:43At nine, nine and a half, we'll be here again.
19:45And where are we going to spend the night?
19:47Well, in the hotel from the other day, if you like.
19:49I'll call right now.
19:51And are you going to wear that black suit that suits you so well?
19:55I'll even invite you to dinner.
20:01That's a yes.
20:04Where are you going?
20:06To prepare the suitcase.
20:08We have to present ourselves elegantly in front of the banker.
20:10I'll also get your tie.
20:11Let's go.
20:18Tell me something.
20:20How is it that you are pregnant and you are not with anyone?
20:23Well ...
20:26Well, because I had a celibate boyfriend and ...
20:29Very little time.
20:31But enough to do something stupid.
20:34And the rest, well, you can imagine.
20:37You couldn't touch heaven either.
20:40Since my mother found out,
20:42she's been nagging me not to raise my son alone.
20:45And the woman doesn't want to understand me.
20:48That may not be right.
20:50But I understand poor Ramona.
20:52Well, now I just need her to understand me.
20:55And what happened to the father?
20:57Did he smoke?
20:59No, no.
21:01The father is close.
21:03What happens is that you can't do ...
21:06He can't be a father like that.
21:09Because he's in a bit of a difficult situation.
21:12So you go.
21:14Sorry.
21:15No, no, no.
21:16If you are not wrong, Joselito.
21:19You are very brave.
21:20You know?
21:22Well ...
21:23I, rather than brave,
21:25I would say that I am a survivor.
21:26Because I have no choice.
21:28Are you sure about that?
21:30Because if you are afraid,
21:32my hand will still be there.
21:34Like when we came back from the era.
21:36What do you mean?
21:39Well, that I, if necessary,
21:41I give my hand to you and ...
21:43and to those who come.
21:45No, no, no, Joselito.
21:46Really, it is that ...
21:48It is that you are very good people, but ...
21:51But it's not a good idea.
21:55But well, Joselito,
21:56we will always have
21:58the good memories
21:59between us
22:00and the affection we have for each other.
22:02Well.
22:04I, rather than affection,
22:07I would call it otherwise.
22:09Really, you don't.
22:13Oh, Joselito.
22:15I have had a great time with you.
22:17And you have made me laugh a lot.
22:21And I will always carry you in my heart.
22:32It has been a very nice kiss.
22:49I'm sorry, Mrs. Ángela.
22:50It's just that I met a client
22:51and I was entertained.
22:52Don't worry.
22:53Carmencita Maja.
22:55How are you?
22:56Well, how am I going to be?
22:57Worried about my son.
22:59Well, don't worry,
23:00I already told you
23:01that it was nothing important.
23:02Oh, well, then what is it?
23:04To throw so much mystery on the phone
23:05that one no longer knows what to think?
23:07Look,
23:09your son has been upside down for a couple of days
23:12because of a piece of news
23:13that has broken his heart.
23:15Well, tell me, please.
23:16Are you going to break my heart?
23:18You know who his father is.
23:23Mother of God.
23:25In the end.
23:27Yes.
23:28Don Damián spoke to him.
23:31And since then,
23:32everything has gone from bad to worse.
23:34But why didn't he tell me anything?
23:35Why didn't he call me?
23:36Well, I don't know either,
23:37since dinner.
23:39From night to morning
23:40they started going hunting together
23:42and doing some very strange things.
23:45I already had the fly behind my ear,
23:46so I had no choice but to tell him.
23:49Yesterday I went to talk to Don Damián
23:51and he told me to keep the secret.
23:54And to think that I was the one who insisted
23:56that he tell him.
23:58But I did it with good intentions.
23:59No, of course,
24:00and I have no doubt,
24:01Doña Ángela.
24:03But the news
24:04has made him lose his head.
24:05He is very disoriented.
24:07And he has gotten into a big mess.
24:10What mess?
24:11Tell me about it, please.
24:13Well,
24:15because he was at the level of his father
24:16and his brothers,
24:18he wanted to become a businessman,
24:20reselling household items
24:21to the people here in the neighborhood.
24:23And he couldn't, he got dirty.
24:25Who? Do I know him?
24:27No.
24:28He's a swindler.
24:31He was here working in the factory
24:32for the right amount of time
24:33to get Tassio involved
24:34so that he could invest all our money
24:35in that business.
24:37What can I say?
24:38He kept the money,
24:39the payment,
24:40and all the household items,
24:41and then, well,
24:43he disappeared overnight.
24:44But it can't be.
24:45My Tassio is not that stupid.
24:47His Tassio is not his Tassio right now.
24:49Doña Ángela is very lost.
24:52He spent a night in the dungeon.
24:54And there would have been more
24:56if Don Damián had not taken the responsibility
24:59of paying all the people affected by the scam.
25:02Has he done that?
25:03Yes.
25:05He has taken care of everything
25:06except our money.
25:08Of course,
25:09so that he can wake up at once.
25:11Yes, that's very good.
25:13But he has left me
25:14with one hand in front and the other behind.
25:16Ay, you're right, Carmencita.
25:19Doña Ángela,
25:21I...
25:23I understand that
25:24I can't let this pass.
25:28We've argued
25:30and I've kicked him out.
25:37You're doing the right thing.
25:39This son of mine has to die at once.
25:41Doña Ángela,
25:42it's done,
25:43it's done.
25:44And I'm afraid
25:45he'll go down the wrong path again,
25:47but I can't do anything.
25:48As you will understand,
25:49I have to remain firm in my decisions.
25:52That's why I thought
25:53that maybe
25:54your mother, well,
25:57would help me with him.
25:59Of course, my daughter,
26:00of course.
26:02Let's see, where is that Zopinco?
26:04Get me the bags, Maja,
26:05I can't.
26:06But what are you carrying here, Gordio?
26:08Because I'm going to bring
26:09sausages and canned food
26:10for you to make on the plane.
26:12Do you still have a fridge
26:13or have you lost it too, daughter?
26:30I love you.
26:56Good afternoon.
26:57Good afternoon, Isabel.
26:59I don't know if you know, but your wife and I are helping Mrs. María
27:03to prepare the verbena, hand in hand.
27:05Of course I know. Hand in hand and elbow to elbow.
27:10I must say that Gemma has an enviable energy.
27:14You're going to tell me.
27:17I wanted to do something with the conch of the verbena and I haven't even asked her.
27:20No, don't worry. I wanted to tell you something, Jesus...
27:25Well, in fact, you can tell her.
27:27Of course, tell me. That's what we're here for.
27:29Tomorrow I'm going to enter the factory a little later.
27:32And why is that?
27:34Good afternoon.
27:36Because I have to take the car to the workshop.
27:38And you can't take it in the afternoon, as God commands?
27:40No, because it's the only gap they have free.
27:43Wow.
27:44Yes.
27:45And look, in fact, Jesus, I wanted to tell you something.
27:47I think we should be more flexible in this company.
27:53More flexible?
27:54Yes, be more flexible with the workers.
27:57I think they should have a couple of hours a month, free, to be able to solve their issues.
28:03That way they would be happier and later they would perform better.
28:07What do you think, Isabel?
28:10My cousin is doing merits to get his head in the board, as his brother Listo did.
28:15What's the matter? Have you already got the cocktail invitation in your head?
28:19No, no.
28:21No, I don't think it's such a crazy idea to help the workers.
28:25Listen to me, Joaquin.
28:26Tomorrow you take the car to the mechanic or wherever you want.
28:29But stop talking nonsense about what to do or not in this company.
28:34Less thinking and more working.
28:37Sure.
28:38You're the boss.
28:40So you do it.
28:41Exactly.
28:42I'll see.
28:43And what you'll see is that tomorrow we'll be able to drink all the cocktails you want and toast for life.
28:48But never forget your place, Joaquin.
28:52What's your place, Joaquin?
29:01Anything else?
29:03No.
29:05See you tomorrow?
29:06See you tomorrow.
29:22See you tomorrow.
29:39Come in.
29:41What's up, Jaime?
29:43Luz has gone out to do some home visits.
29:46Not the Luz I want to see.
29:49I wanted to talk to you.
29:50I don't know what we have to talk about, Luis.
29:55I'm sorry.
29:56It would be better if I didn't bother you.
29:59No, it's okay.
30:00It's okay.
30:01Forgive me.
30:02If you're worried about her, you've come to the right place.
30:08And let's enjoy these talks.
30:10I don't have many left.
30:14It's okay.
30:15Don't lose your sense of humor, despite everything.
30:18Sit down.
30:19Sit down, please.
30:21You see, Jaime...
30:24Luz has told me about her past.
30:28About what she's hiding.
30:31I assumed she would.
30:32How is that possible?
30:34I can't believe it.
30:35How can a woman as responsible and prudent as Luz be acting without a title?
30:42I thought something similar when she told me.
30:45And what has made you not report her?
30:46What has it been? Because you were together?
30:50Well, it's something more complicated than all that.
30:56It's because she also kept the secret about your illness, right?
31:00I suppose she influenced me at first.
31:03But then I realized the truth.
31:04Luz is an exceptional doctor.
31:06Yes, yes, yes.
31:07I have no doubt about that.
31:08But...
31:09Imagine...
31:11Imagine, Jaime, that any misfortune happened to a patient
31:14and someone asked her to take responsibility.
31:17The consequences would be devastating for Luz and for the company.
31:20That's right. And what do you propose?
31:24I need a reason not to report her.
31:27A reason?
31:30Have you stopped to think that maybe there isn't one?
31:35Jaime, I'm part of the company's board.
31:40I can't allow myself...
31:41Luis...
31:43With or without him,
31:45Luz is one of the best doctors I know.
31:48Her commitment to the patients is way above many colleagues
31:52who fill their offices in the center of Madrid
31:54with titles they don't even deserve.
31:57If you let a paper get mixed up between her and you,
31:59you'll regret it for the rest of your life.
32:04You can have a future with her.
32:07Take advantage of it.
32:12I'm sorry.
32:23How are you feeling?
32:27A little better.
32:30How's school?
32:31Very good.
32:32Today has been like being on vacation.
32:34And that?
32:36Because first we had crafts and then, at the last minute, drawing.
32:40Do you want me to show you what I've made?
32:42Please.
32:53Do you like it?
32:58It's beautiful.
33:00This landscape gives me calm and serenity.
33:04I wish I could live in it.
33:07I'm giving it to you as a gift.
33:12You're welcome.
33:13In fact, I thought a lot about you when I was drawing it.
33:17I'm going to keep it as a gift.
33:20I think it's the most beautiful thing you've given me in a long time.
33:23I love seeing you so excited.
33:26I'm going to bring you a drawing every day so you can stay like this.
33:29You're a sun.
33:30You don't have to.
33:32The truth is...
33:34I've slept a little bit and now I'm clearer.
33:38And after seeing you, I feel even better.
33:40You're my vitamin.
33:42I love you.
33:47I was thinking of going for a walk.
33:49Do you want to come with me?
33:50I'm sorry, I can't.
33:52Isidro is taking me to Rita's house.
33:55Her father has bought a new projector and he's going to show us a movie.
33:59What a great plan.
34:00It's been so long since I've seen a movie.
34:03I was thinking we could go to Toledo together this weekend.
34:06Just the two of us?
34:08Of course.
34:09We could go shopping and then we could have a snack at the confectionery at Plaza de la Mar Galena.
34:15Yes, please.
34:16Yes?
34:20What are you doing?
34:22I wanted this lady to come with me for a walk, but she has plans.
34:27Isidro is taking me to Rita's house.
34:29Very good.
34:30But tell her to pick you up before eight, okay?
34:32I want you back for dinner.
34:34Very good, I'll tell her.
34:35You'd better, miss.
34:38What about you?
34:40How are you?
34:42A little better.
34:44I'm glad to hear that.
34:46I'm going to tell Tere to make you an infusion with some sweet
34:50and then we'll go for a walk, if you want.
34:52That's great, you have someone to go with you.
34:56I'll leave the drawing there.
34:58Sure, have a good time.
34:59Bye.
35:04How nice.
35:06Jesus, the truth is that I'm a little tired and I think it's better to leave that for another day.
35:15I'll go out to the garden for a while.
35:19Of course, of course.
35:21Don't worry, rest as much as you can.
35:23Tomorrow is going to be a very busy day for everyone in this house.
35:26So what?
35:28My father has organized an aperitif with the Merinos to celebrate the anniversary of the company.
35:34Do you want to attend?
35:37I don't know what to tell you, the truth is that the days go by and I haven't been well.
35:42Well, be patient.
35:44I'm going to the kitchen to prepare that infusion, I'll bring it to you in five minutes.
35:48I'd better go, so I can stretch my legs a little.
35:50Not at all, there are many who dare in the kitchen.
35:53You better have a snack here quietly and then go for a walk in the garden.
35:57I won't take long to bring you that infusion.
36:17It didn't go well with Claudia, did it?
36:20My joy in a well.
36:22Although it may have something to do with her being in Toledo and I in Don Benito.
36:27You don't have to hide it from me, I know what Claudia is waiting for.
36:33But it's better not to say it too loudly because there are people who don't know.
36:41I just don't understand it.
36:43We've known each other since we were kids, we get along well.
36:45And I can give her a future and...
36:48You know.
36:50Why doesn't she want to see me in painting?
36:52Do you really think that what I can offer her is worse than what she expects?
36:58Let's see, Joselito.
37:00Claudia chose her path a long time ago.
37:04In fact, if it weren't for her mother, I don't think your paths would have crossed again.
37:09No.
37:10Yes, it is clear that what Ramona wanted was to give me to my grandson.
37:14You know what I'm telling you?
37:15I'm delighted.
37:17Your third coffee.
37:19One more and you're on your way to spend the night on fire.
37:23With coffee or without coffee.
37:25I already knew that.
37:27What's wrong with you, kid?
37:29What is it?
37:30Pain in the balls?
37:32Debt?
37:33Love sickness?
37:34Is it health, money or love?
37:36Well, in terms of health, I'm a bull.
37:39And I don't lack money for luck.
37:42Have you broken your heart?
37:43Come on.
37:44No, not broken.
37:45I have it destroyed.
37:47And I don't understand why.
37:49But if the last thing he told me is that he would always carry me in his heart.
37:53But has he really told you that?
37:55If he doesn't stop talking about how well we had a good time when we were together as kids.
37:59But hey.
38:01But where do you get that he gave you a ticket?
38:04That that girl is not rejecting you?
38:06That she is begging?
38:07Man, it's not the same.
38:08Seriously?
38:09It's very clear.
38:10Let's see, Gaspar.
38:11Be careful because you're messing with him.
38:13But what do you know about these things?
38:14Mateo, please.
38:16What do I tell you?
38:17That I have my way?
38:18That if he told you that, it's to spoil you.
38:20Not to kick you.
38:22Man, I hadn't seen it that way.
38:24Well, if you haven't seen it that way, it's for a reason, right?
38:27Don't you think?
38:28Because he probably told you what he told you because he likes you and wants to comfort you.
38:32No, man.
38:33No, no.
38:34You have to go for her.
38:35But if he has left it to you, I will always carry you in my heart, man.
38:39You have to know, huh?
38:40Between the lines.
38:41What milk.
38:42You're right.
38:45Ah.
38:48Thank you very much for the coffee.
38:49Ah.
38:50And especially for the advice.
38:51I go back accompanied by Don Benito like my name is José Francisco Pérez Pulido.
38:56Yes, sir.
39:01What do you say, Mateo?
39:03How does it end?
39:05Good or bad?
39:09I think it's good.
39:15Ah.
39:24Well, mother, the desire I had ...
39:25Hey.
39:27Ay.
39:28I understand that Carmen has told you everything, right?
39:30What do you think?
39:31She's cheating on you.
39:32And she's right.
39:34Look, letting you mess with her like a whore.
39:36You're not going to learn.
39:38It's normal that a woman can't anymore.
39:40Especially now that you're scared of her because you're leaving her.
39:42Mother, I'm not leaving her.
39:43Look, I'd take you out of your house if it weren't because your wife doesn't even want to see you.
39:47Look, please, I don't need any more trouble.
39:49They've cheated on me and they've cheated on me, so please don't make me any more blood.
39:54There's something else, right?
39:57Damian has told you?
39:59Well, yes.
40:00So you can see that I'm not the only one who does bad things here.
40:03Because what a fabric.
40:04How could he have cheated on me all these years?
40:06My position was all the less easy.
40:08But you're right.
40:10That my father was a traveler.
40:12You know I was looking for him like an idiot.
40:15I'm very sorry.
40:16No, no, I'm the one who's sorry.
40:17I had him right in front of my nose and I didn't realize it all these years.
40:21Damian and I made a deal.
40:22I couldn't break it.
40:24He was married and couldn't face it.
40:27But he always made sure you didn't miss anything, Tassio.
40:30Yeah, he's already told me a couple of details.
40:34Can I at least ask how you met?
40:42I used to work as a waitress at a restaurant in Illescas.
40:46Damian and his partners used to go there.
40:48And one day...
40:49No, no, don't tell me anymore.
40:50Even the little man got involved with the waitress who served him
40:52when he went with his friends to have a drink, didn't he?
40:54It wasn't just one night.
40:56If that's what you mean.
40:59For me, it was a very beautiful time.
41:01Beautiful and sad, don't lie.
41:03What a piece of paper.
41:05Imagine when I got pregnant.
41:06I was pregnant.
41:10That's when we both woke up from sleep.
41:13And I decided to fade away and start a new life outside Toledo.
41:17And you don't hold a grudge against him?
41:20On the contrary.
41:22I'll always be very grateful to him.
41:24When you were just getting into trouble,
41:27he didn't hesitate for a second to find you a job here,
41:30in La Colonia.
41:31He's never had a no for you.
41:33Yeah.
41:35But I'll always be a second son to him.
41:39Don't say that, son.
41:41I don't think he deserves it.
41:43Neither do you.
41:45Yeah, but it's the truth.
41:47For Don Damián, I'll never be a De La Reina.
41:50Never.
42:04Never.
42:18Digna.
42:20Did Luis tell you about tomorrow's aperitif?
42:22Yes, he called me this afternoon to tell me.
42:24He's been very insistent.
42:26And I suppose he also told you that you don't need to cook anything,
42:29that the Salvatierra guys will bring the food.
42:31Very well.
42:32My father will be very happy to see us all together for a day.
42:36Jesús, don't try to hide it from me.
42:39We know that this is...
42:41This is what this house needs right now.
42:43And above all, it's what Begoña needs.
42:46Let's see if she gets a little excited.
42:48Yes.
42:50I also hope she gets excited.
42:52Yes, I'm very worried about her.
42:54Especially after the reaction she had last night.
42:57I had never seen her so...
42:59It didn't look like her.
43:00We know she's having a very bad time.
43:02Digna.
43:04Tell me something.
43:06I spend all day at the factory and I can't take care of her.
43:09But do you know if she's had any other similar episode these days?
43:13All I've seen is that she's very sad.
43:16And that she misses her mother very much.
43:18I see.
43:20It's been a very hard blow for her.
43:22But I confess that I don't know what else to do
43:24so that she can start moving on.
43:26If you're interested in my opinion,
43:27I think Begoña needs a lot of care.
43:31And also that we leave her alone.
43:34Time will take care of the rest.
43:41Me too.
43:43I thought it was just sadness.
43:45But after last night, I don't know what to think anymore.
43:49Do you think what happened has anything to do
43:53with her mother's illness?
43:55No, don't say that.
43:57It terrifies me.
44:00But I'd lie to her if I said it hadn't crossed my mind.
44:04Let's not make hasty conclusions.
44:06The pain of a loved one is a hard and slow process.
44:11And we both know exactly what we're talking about.
44:14Yes.
44:16Yes, I hope I'm wrong.
44:18But there are certain things that don't get me married
44:20with being in pain.
44:22Jesus, now that her mother is dead,
44:24you are the most important person for her.
44:27Don't you think you should leave the company's needs aside
44:31and focus on your wife's?
44:34Do you think I'm neglecting her?
44:36No, I didn't say that.
44:38I mean, things happen in a marriage.
44:42And if we see that our partner is having a bad time,
44:45a very bad time,
44:47we must make an effort and do everything we can
44:49to help her get out of the hole.
44:52Who did it?
44:54Who destroyed it?
44:55Calm down, calm down.
44:57What is this?
44:59It's a gift Julia gave me this afternoon.
45:01I told her I'd keep it forever and now it's broken.
45:03Calm down, calm down.
45:05We told her to make another one.
45:07I don't want another drawing.
45:09When I kept it in my book, it was perfect.
45:11It was intact.
45:13Someone had to take it and destroy it.
45:15Someone else saw it, apart from Julia and you.
45:17No one.
45:19No one.
45:21I swear I kept it in my book very carefully.
45:23Someone could have taken that book.
45:27I don't know.
45:29I'm confused.
45:32My love,
45:34you're going through a very difficult time
45:37and it's normal for you to forget things.
45:39But it's just a drawing.
45:43That landscape gave me a lot of peace.
45:47I wanted to paint it.
45:48I wanted to paint it.
45:51What if you take a break and rest?
45:54That.
45:56Sleeping will be good for you.
45:58You'll feel better when you wake up.
46:00Yes.
46:02I'm very tired.
46:04Come on, lean on me.
46:08Let's go upstairs and rest.
46:10Don't worry, I'll stay with you until you fall asleep.
46:18I love you.