Sueños de libertad Cap 125 (20-08-24)
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00:00No, at that price, it's impossible.
00:11Mr. López, if you want quality, pay for it.
00:13Good afternoon.
00:14Father, you're here.
00:15I wasn't expecting you this late.
00:17Well, you see.
00:18How is Begoña?
00:19I hope she's calmer, for the good of all.
00:22She is.
00:23And she is very sorry.
00:24I spoke to her this morning and she was fully aware of her disappointment.
00:29I suppose I came all the way here not just to ask about Begoña, right?
00:33Indeed.
00:34Good afternoon.
00:35I have been called for a meeting.
00:38Well, if you don't know what that meeting is about, I have no idea either.
00:41Don't worry.
00:42It's a festive matter.
00:43Festive?
00:44And why don't you call Marta and Andrés?
00:47I'm sure they have less important things to do.
00:49Your brother is organizing new routes of shipment to Bascongadas and your sister is in the
00:54new sand store.
00:57What else is there to complain about, son?
01:00Well.
01:01I want the Reina and the Merinos to celebrate the anniversary of the factory together tomorrow.
01:07Don't you think the celebration is enough?
01:09The feast that is being set up.
01:11That's for the employees.
01:12We will make a family meal.
01:14And before you start talking nonsense and saying that you are very busy, it will only be a couple of hours.
01:19We can even do it at home so we don't have to go anywhere.
01:23I think it's a great idea, uncle.
01:25So that when my mother and Gema don't have to worry about anything and we can save money on a show like the last time.
01:29Don't worry, that won't happen again.
01:30As for the food, we will order it from the restaurant Salvatierra.
01:33We can even do something more informal, such as a cocktail, an aperitif.
01:38Is there something to object, son?
01:40Ah, no.
01:41If that's what you want, right now I'll tell Isabel to take care of it.
01:45Uncle, does my mother know anything about all this?
01:47I say it because knowing her, she could be preparing some of her special dishes.
01:50No, son.
01:51I don't think so.
01:52She doesn't know anything yet.
01:53You two, as representatives of the family in the board,
01:57will be in charge of communicating with the rest of the guests, right?
02:01I'll talk to my brothers, anything else?
02:03Nothing else.
02:04Very well, I'm leaving.
02:06I'll talk to you, Luis.
02:08Good.
02:20We put this in this game.
02:24And this here.
02:29And we would have it.
02:31Here is a summary of everything we need for the feast.
02:34What a brand has is what is missing.
02:37And the food has already been taken care of by Gaspar.
02:40My goodness.
02:42How wonderful, I take off my hat. You are very effective, right, Gemma?
02:46Yes, yes, it's true.
02:49I play a lot with this event, I need it to go well.
02:52I know. I work every day for the Queen's and I know what her level of demand is.
02:56Get out of sight.
02:58What a shame, me calling him little dog Faldero.
03:00Don't worry.
03:01What if he finds out about things they call me without knowing me?
03:05We'll come up with an idea.
03:08That people are sometimes so cruel.
03:13Isabel, and this interrogation that there is in Orquesta Fantasía?
03:16Yes, I was going to let them know to ameliorate the feast,
03:19but first I wanted to consult you.
03:21I know them.
03:23They played at the Nambroka parties, but they are nothing like the other Thursday.
03:26Well, I have been told that they are very excited.
03:29I have a better option. The kids from Spain.
03:31I also know them.
03:33Of course, it is a good option, but it would be very expensive to bring them here.
03:38They would take almost the entire budget of La Verbena.
03:40I know, I know, but my friend Kari is the drummer's girlfriend.
03:44So if I talk to her, I think maybe she can give us a discount.
03:48Maybe.
03:50It won't be too risky.
03:53Let's see if we're going to run out of music at the last minute, it would be a disaster.
03:56Doña María is right.
03:58We can't trust one at best when there is so little time left.
04:01No, of course not.
04:02We'll stay with the Orquesta Fantasía.
04:04Very well.
04:05Then we will miss the lanterns and the garlands.
04:09I'll take care of it.
04:11My friend Pepa will get it for us.
04:13Your friend Pepa?
04:14Yes, she set up an ultramarine store and still has a lot of products in her house from when she closed.
04:18I'm sure she has garlands.
04:20And I think that if I give her some medallions, she will even give them to me.
04:25That savings would not be bad for us.
04:28When did your friend close the store?
04:31Six or seven months ago.
04:33We can't risk it.
04:34Let's see if the garlands are in bad shape and the lanterns won't even turn on.
04:38No, no, no.
04:39We need guarantees, of course.
04:41Besides, those were four bitches, right?
04:43Of course.
04:44Well, whatever you want, María.
04:45I said it to help.
04:46Thank you, Gemma.
04:47Really.
04:48Isabel, take care of the garlands and the lanterns.
04:56Well, what do I do then?
04:58Clap my hands?
05:00Well, Gemma, you can take care of the cake.
05:02Do you know the best confectioneries in Toledo?
05:05Perfect.
05:06But that's too little, so I'm also going to take care of the chairs and the dishes and the glasses.
05:12And also the roofs.
05:14Very good.
05:15Great.
05:16So Isabel and I will take care of the masonry, the napkins and everything else.
05:21Ah!
05:27Tomorrow, on the day of Our Lady of the Perpetual Rescue,
05:30the 30th anniversary of the founding of the prestigious company
05:33Perfumerías de la Reina is celebrated,
05:35which will give a party for all that is high.
05:38Taking advantage of the ephemeral,
05:39the company's board of directors has wanted to embellish their facilities
05:43to offer an exquisite event,
05:45the evening when all the factory employees
05:49as well as the authorities ...
05:50I have ordered the food.
05:51Do you think they're going to name me?
05:53Shut up, man, I can't hear you.
05:57Are we there again?
06:02Man, no, no, no, no.
06:04No, no, you can't spoil yourself now, man.
06:07Come on, calm down.
06:09How do you want me to calm down, please?
06:11It's new.
06:12And I need it for the feast, man,
06:14so that people get excited and spend money on me.
06:16Let me take a look at it.
06:19Do you know about the radio, Isidro?
06:21No, but I've fixed the screw of a car
06:23and I don't think this is that difficult.
06:25Do you have a screwdriver around there?
06:27Who would send me to change the radio?
06:36I'm really coming, Negra.
06:41What's wrong with you?
06:42Are you okay?
06:44I'm going to tell you two things.
06:46Which one do you want me to start with?
06:48Well, there's usually a good one and a bad one, so ...
06:50Very good.
06:51Well, tomorrow we're going for a cocktail.
06:54Seriously? Where?
06:56To the Queen's house.
06:57Luis told me that Damien wants to celebrate
06:59the famous anniversary of the factory
07:02with us as guests.
07:07Well, this time I'm going to have to fail.
07:10Because I have to help María with the preparations for the feast.
07:13I have to organize many things,
07:16go to book the cake ...
07:18A thousand things, come on.
07:19And I don't want to fail,
07:20because if not, the perfect lady is going to come
07:22and throw it in my face.
07:24Well, don't worry.
07:25You can always do everything.
07:27Are you sure you'll have everything ready before the cocktail?
07:29I hope so.
07:31Well, now tell me the other thing.
07:33The bad thing, right?
07:34Yes.
07:35Let's see ...
07:37My brother had an appointment tomorrow
07:39with the director of the central bank,
07:40but he coincides with some tests in the laboratory.
07:43And I have to go.
07:45And what's the problem?
07:48Gemma, they're not going to give me the mortgage.
07:51No, I'm afraid that as soon as I enter,
07:54they'll see this face of starvation that I have,
07:57as happened to me with Peralta,
07:58and they won't give me the mortgage.
08:01Good morning, sir.
08:02If I have a coffee, I'll clear myself.
08:05Well, if you're not clear at this time, we're in trouble.
08:08I haven't been in La Colonia for two days
08:10and I'm tired of my roommate.
08:12What do you say?
08:13Well, that Vicen.
08:14He snores like an animal,
08:15he doesn't let me sleep all night.
08:17But you've come back here, to your room, to La Colonia.
08:19Yes, well, problems with the woman, don't ask.
08:21Ah, no, no, I'm not asking anything.
08:23I just hope you can solve it soon.
08:25Yes.
08:26Well, good night.
08:27Good night.
08:28I just hope you can solve it soon.
08:30Yes, I hear you.
08:33By the way, now that I look at it,
08:34what are you doing with Gaspar's new radio?
08:37Man, he's crazy.
08:38I wanted to talk to you.
08:40Which one do you prefer?
08:41Two.
08:42The radio you sold doesn't work anymore.
08:44Ah, well, no, no, I don't know.
08:46How is it possible that Gaspar is so high-end?
08:48Yes, that's what I thought too.
08:49Because, come on, when it was discovered that your friend
08:51was a swindler, I said, well,
08:52I'm sure he's a fan somewhere.
08:54But come on, I doubt it a lot.
08:55Well, and why is that?
08:56He's been fooling around for days
08:57and it's been a minute that he's completely dead.
08:59Come on, don't listen to him anymore.
09:00But I don't know,
09:01it must be some cable that's not well-plugged.
09:03I don't know.
09:04Ah, perfect.
09:05With that explanation, you're so high-end.
09:07With the money I paid you for her, right?
09:09But I saw that this doesn't have much arrangement, huh?
09:11Look, Gaspar, what do you want me to do?
09:13If he cheated on me just like you?
09:15Well, look,
09:16I'm going to tell you what I want you to do.
09:18That you give me back all my money.
09:20What?
09:21Look, I'm terrified of what has happened to you.
09:23And that Carmen has also kicked you out of the house.
09:25But when they caught that bird,
09:26they also got all the money back, right?
09:28Well, then it's legal for me to get my money back too.
09:31Yes, I know, Gaspar, I know.
09:32But I put your part for the second remittance.
09:35And right now I'm more for it than a rat.
09:37What do you want me to tell you?
09:38You've left me on my own.
09:39And on top of that, in exchange for a very expensive gun
09:41that doesn't even work.
09:43Well, look, let me take it for a couple of days.
09:45I'll take a look at it and see what happens.
09:47No.
09:48Of course.
09:49Here, another engineer like Isidro
09:50has never seen a radio in his life
09:52and goes hand in hand.
09:54I don't want an old piece of junk that doesn't work.
09:57So you bring me a new one,
09:59a real good one,
10:00or you give me all my money back.
10:02And no matter how much shame you give me,
10:04the more shame I feel about myself.
10:06I didn't expect this from you.
10:08No, no.
10:09Not from you either.
10:10I don't break my back for that
10:11just because I'm being swindled.
10:12Well, they swindled me, Gaspar.
10:14Well, I'm sorry in my soul.
10:15I'm sorry, but you were the one who messed with me.
10:17So now you have to face the consequences.
10:20Don't scratch it, please.
10:23Well, if you're so afraid,
10:25let's practice.
10:27Get up.
10:29Joaquín, get up.
10:31I'm going to be the director of the bank.
10:33Practice.
10:36Good morning, sir.
10:37Don't laugh, take it seriously.
10:40Good morning, Mr. Merino.
10:42What can I do for you?
10:44Good morning, Mrs. Andrade.
10:45Press hard, please.
10:47It's important.
10:49As if you were in a bar,
10:51doing a pulse.
10:52He has to notice that
10:53he would have had a heart attack,
10:55like Poco.
10:56Good morning.
10:58Good morning, Mrs. Andrade.
11:00Good.
11:02What can I do for you?
11:05Well...
11:07I wanted...
11:09Well, I wanted to ask you...
11:11No, no, no.
11:12I smell your fear.
11:13Sit down.
11:14Sit down.
11:15Let's start again.
11:16No, no, no.
11:17I smell your fear.
11:18Sit down.
11:19Sit down.
11:20Let's start again.
11:21Your fear can't smell.
11:22You have to show confidence.
11:24Think that bank directors
11:26are like savages.
11:27So, confidence.
11:29And you also have to show
11:31a little sympathy.
11:32Ironic, if necessary.
11:33Ironic too?
11:34That's it.
11:35You can tell him something like,
11:37for example,
11:40I've come to make him make money.
11:44What are you laughing at?
11:47Joaquín!
11:49You're the smartest bank director I know.
11:52And the one who smells the best.
11:57What?
11:58At least you've relaxed a little.
12:00Yes, yes.
12:01Yes.
12:02Now I know how the interview starts.
12:04But the most important thing
12:05is to know how it ends.
12:07And, Gemma,
12:08if they don't give me the mortgage,
12:11our dream ends in that office.
12:13Not at all.
12:15They'll give you the mortgage,
12:16you'll go into that office
12:17and you'll take the mortgage from that director
12:19and whatever you propose.
12:20And you know why?
12:22Because men like you
12:23give the size whenever they need it.
12:31Come in.
12:34Hello.
12:40Did you go to see Begoña?
12:42Yes.
12:43And how did you find her?
12:45She hasn't come down to eat either
12:47and she hasn't called me all day.
12:48She's very stunned, Andrés.
12:50I asked her if she was still taking pills
12:52or anything else and she said no.
12:54But when I went to get her blood
12:55to do an analysis,
12:56she refused completely.
12:58In fact, she became violent
12:59and threw me out of there
13:00with all the fury she could gather
13:02despite her precarious state.
13:03Maybe if you hadn't treated her that way.
13:05I don't know, Luz,
13:06maybe she needed more tact.
13:08Andrés, Begoña is also my friend, you know that.
13:11I worry about her as much as you do.
13:14Besides, somehow I had to prove
13:16that she wasn't still taking those damn pills.
13:19And you didn't care about her word?
13:20Begoña is not a liar, Luz.
13:22Andrés, don't be fooled.
13:24All addicts are.
13:26I don't like you talking like that about her.
13:27Well, I prefer talking like that about her
13:29than thinking about anything else.
13:31What do you mean?
13:34That if it's not an addiction problem, then...
13:38She could be losing her mind.
13:41And that's the last thing I'd like to face.
13:44Because then I know we'd lose her forever.
13:47So before giving up,
13:49I'd rather discard anything else.
13:51Begoña needs us.
13:53She needs to know that no matter what happens,
13:55no matter what she does,
13:56no matter how strange it seems,
13:57we'll be there to support her.
13:59And why is it so hard for us?
14:02Let's not judge her, Luz.
14:04Let's just support her.
14:07Andrés, you're in love.
14:09Do you think your unconditional love can save her?
14:15Maybe I'm the one who's wrong
14:17and Begoña isn't taking anything.
14:20But soon we'll know the truth.
14:23How can you be so sure?
14:25Because when she runs out of pills,
14:27and she does,
14:29she'll need more.
14:31Then we'll know what the real problem is.
14:34If Begoña is willing to let herself be helped,
14:37she'll detoxify.
14:40And if she isn't?
14:43Does that mean she's willing to suffer her mother's illness?
14:47Unfortunately, that option would be stronger.
14:51But let's trust that it's just a malaria.
14:54Yes, it has to be that.
14:56Because I can't conceive that Begoña
14:59won't be the woman I fell in love with again.
15:06God, I don't know what I'm going to do with you two.
15:12Now we have to wait.
15:14With a little patience,
15:16she'll tell us what's going on.
15:30I wanted to apologize for what happened before.
15:33Maybe I was a bit harsh.
15:36No, you didn't do anything wrong.
15:39I'm the one who's always up to no good,
15:41and that's how I live.
15:43Well, my mother is a liar.
15:46I'm sorry I made you come here for nothing.
15:50I was waiting to see you, you know?
15:53But since you didn't come,
15:55it was hard to convince me.
15:58I don't want you to go with that bad taste in your mouth.
16:01Well, if it makes you feel better,
16:03I'll take a croissant I bought for my collection.
16:08Well, if it makes you feel better,
16:11I'm very happy to see you.
16:15Before, when...
16:18we were kids,
16:20everything was easier.
16:22We were naughty.
16:24Everything was easier, right?
16:26And more beautiful.
16:28Well, it was different.
16:31Do you remember when we used to go together
16:33to feed the donkeys?
16:35You used to laugh at them.
16:37Come on, we did laugh.
16:39Do you remember the day I told you
16:41I was going to kiss one of them to make him a prince?
16:45The bastard you ate?
16:49And I told you it was with the frog.
16:52Can you imagine?
16:53He would have forgotten about me because of a pig.
16:59That's good.
17:01In the end, you did it too.
17:04And without even being a little pig.
17:07Well, little pig.
17:09For me, you'll always be a special friend.
17:14Yeah.
17:15But now,
17:16you wouldn't ask me to hold your hand
17:18like when we came back from the era.
17:20Well, I asked you to hold my hand
17:22because I was afraid to go back alone on that road at night.
17:26But that, for me,
17:28was like touching the sky.
17:30And that's why I came here.
17:32To touch it again.
17:36Little pig, I...
17:38I understand you,
17:39because I also have very good memories of that time.
17:43The first thing you forget when you die, Claudia.
17:46Come on, Paco, don't make a big deal out of it.
17:49No, you bring me 40 chairs first thing tomorrow
17:51and then I'll invite you to an omelette and a coffee
17:53and Gaspar's.
17:56It's just that it's all too little for you, Paco.
17:59Well, okay.
18:01Yes, yes.
18:02You'll have some extra tip.
18:04But bring them to me, for God's sake.
18:07Good.
18:08Perfect.
18:09Thank you very much, see you tomorrow.
18:13There.
18:1440 foldable chairs, almost free.
18:16So they can call me Mrs. Perfect later.
18:21And what's wrong with you?
18:23Well, I'm missing my contract and my brother's.
18:26Neither of us keeps it.
18:28Really, what a mess of men.
18:31And what are you waiting for, to go get a copy?
18:33Let it be a little later and the office is calmer.
18:38Gemma.
18:39Tell me.
18:41Will you come with me to the Central Bank tomorrow?
18:44Me?
18:46But what am I painting there?
18:48If the house you're going to mortgage is your family's?
18:50Well, when a man goes to his wife's arm to ask for a loan,
18:56it gives a better impression than if he goes alone.
18:58It inspires confidence, darling.
19:01So why don't you take a vase and take it with you?
19:05It will give you the same feeling.
19:07I'm not saying that, darling.
19:09I say it because you negotiate much better than me.
19:11And you have more people's gift when you don't have to.
19:14Well, that's why.
19:15Look how I dealt with Peralta.
19:16Yes, but in the end you solved it.
19:18And I'm sure that at some point you will give me a cable.
19:22Darling, you have the security that I need.
19:26I, with you by my side, am capable of doing anything.
19:30Really?
19:31Really.
19:33We formed a very good team.
19:35And what do I tell Maria? I can't leave her alone now.
19:37But who said that?
19:38Gemma, really.
19:39It will be seen and not seen, I promise you.
19:41We have an appointment at one o'clock.
19:42At nine, nine and a half, we'll be here again.
19:45And where are we going to spend the night?
19:47Well, at the hotel from the other day, if you like.
19:50I'll call right now.
19:51And are you going to wear that black suit that suits you so well?
19:55I'd even invite you to dinner.
20:02That's a yes.
20:04Where are you going?
20:05To prepare the suitcase.
20:07We have to present ourselves elegantly in front of the banker.
20:10I'll also get your tie.
20:17Tell me one thing.
20:19How is it that you are pregnant and you are not with anyone?
20:23Well ...
20:25Well, because I had a celibate boyfriend and ...
20:28Very little time.
20:31But enough to make a fool of yourself.
20:34And the rest, well, you can imagine it.
20:37You couldn't touch heaven either.
20:40Since my mother found out,
20:41she hasn't stopped hitting me so that I don't raise my son alone.
20:45And the woman doesn't want to understand me.
20:47That may not be right.
20:49But I understand poor Ramona.
20:51Well, now I just need her to understand me.
20:55And what happened to the father?
20:57Did he smoke?
20:59No, no.
21:01The father is close.
21:03What happens is that you can't do ...
21:06You can't be a father as such.
21:08Because he's in a bit of a difficult situation.
21:11Well, come on.
21:13I'm sorry.
21:14No, no, no.
21:15If you are not wrong, Joselito.
21:18You are very brave.
21:19You know?
21:21Well ...
21:22I, rather than brave, would say that I am a survivor.
21:25Because I have no choice.
21:27Are you sure about that?
21:29Because if you are afraid ...
21:32My hand will still be there.
21:34Like when we came back from the era.
21:36What do you mean?
21:39Well, if necessary, I'll give you my hand and ...
21:43And whoever comes.
21:45No, no, no, Joselito.
21:46Really, you are ...
21:48You are very good people, but ...
21:51But it's not a good idea.
21:55But well, Joselito, we will always have ...
21:57The good memories between us and the affection that we have.
22:02Well ...
22:04I, rather than affection ...
22:07I would call it otherwise.
22:09Really, you don't.
22:13Oh, Joselito.
22:15I had a great time with you.
22:17And you made me laugh a lot.
22:21And I will always carry you in my heart.
22:27I love you.
22:33You made a very nice kiss.
22:49Sorry, Mrs. Ángela.
22:50I met a client and she entertained me.
22:52Don't worry.
22:53Carmencita Maja.
22:55How are you?
22:56Well, how am I going to be worried about my son?
22:58Well, don't worry.
22:59I already told you that it was nothing important.
23:02Oh, so what is it?
23:03You threw so much mystery on the phone that you don't know what to think anymore.
23:07Uh ...
23:08Look.
23:09Your son has been upside down for a couple of days.
23:12For a piece of news that has broken his heart.
23:14Well, tell me, please.
23:16Are you going to break my heart?
23:18You know who his father is.
23:23Mother of God.
23:25In the end ...
23:27Yes.
23:28Don Damián spoke to him.
23:31And since then, everything has gone from bad to worse.
23:34But why didn't he tell me anything?
23:35Why didn't he call me?
23:36Well, I know too, since dinner.
23:39From one night to the next, they started going hunting together and doing very strange things.
23:45I already had the fly behind my ear, so I had no choice but to tell him.
23:50Yesterday I went to talk to Don Damián and he told me to keep the secret.
23:54And to think that I was the one who insisted that he tell him.
23:58But I did it with good intentions.
23:59No, of course, and I have no doubt, Mrs. Ángela.
24:03But the news has made him lose his mind, he is very disoriented.
24:07And he has gotten into a good mess.
24:09What mess?
24:11Tell me all at once, please.
24:13Well ...
24:15Because he was at the level of his father and his brothers ...
24:18He wanted to become a businessman.
24:20Selling domestic products to the people here in the neighborhood.
24:22And he couldn't, he got into a mess.
24:25Who? Do I know him?
24:27No.
24:28He's a swindler.
24:31He was here working in the factory the right time to get Tassio involved so that he would invest all our money in that business.
24:37Not to mention that he kept the money, with the payment of all the domestic products, and then, well ...
24:43He disappeared overnight.
24:44But it can't be, my Tassio is not that stupid.
24:47His Tassio right now is not his Tassio.
24:48Mrs. Ángela is very lost.
24:52He spent a night in the dungeon.
24:54And there would have been more if Mr. Damián had not been in charge of paying all the people affected by the scam.
25:02Did he do that?
25:03Yes.
25:05He has taken care of everything, except our money.
25:08Of course, so that he can wake up at once.
25:10Yes, that's very good.
25:13But he has left me with one hand in front and the other behind.
25:16There you are right, Carmencita, daughter.
25:19Mrs. Ángela.
25:21I ...
25:23I understand that I can't let this go through.
25:28We have argued.
25:31And I have thrown him out of the house.
25:37You are right.
25:39This son of mine has to die at once.
25:41Mrs. Ángela, it's done ...
25:43It's done a gift.
25:44And I'm afraid he's going down the wrong path again.
25:47But I can't do anything.
25:48As you will understand, I have to remain firm in my decisions.
25:52That's why I thought that maybe ...
25:54Your mother, well ...
25:57Would you help me with him?
25:59Of course, my daughter.
26:00Of course.
26:02Let's see, where is that shopping bag?
26:03Get me the bags, Maja.
26:04I can't.
26:06But what are you carrying here, my God?
26:08What am I going to carry?
26:09Stuffed and preserves for you to do on the plane.
26:11Do you still have a fridge or have you lost it too, daughter?
26:42Good afternoon.
26:43Good afternoon, Isabel.
26:45I don't know if you know, but ...
26:47Your wife and I are helping Mrs. María prepare the verbena.
26:50Hand in hand.
26:51Of course I know.
26:53Hand in hand and elbow with elbow.
26:56I must say that Gema has a very good memory.
26:59She has a very good memory.
27:01She has a very good memory.
27:03She has a very good memory.
27:05She has a very good memory.
27:07She has a very good memory.
27:09She has a very good memory.
27:11She has an enviable energy.
27:13You're going to tell me.
27:16I wanted something.
27:17With the conch of the verbena, I haven't even asked him.
27:20No, don't worry.
27:22I wanted to tell you something, Jesús.
27:24Well, look, in fact, you can tell him.
27:26Of course, tell me.
27:27That's what we're here for.
27:28I'm going to enter the factory a little later tomorrow.
27:32And why is that?
27:34Good afternoon.
27:36Because I have to take the car to the workshop.
27:38And you can't take it in the afternoon, as God commands?
27:40No, because it's the only gap they have free.
27:43Wow.
27:44Yes.
27:45And look, in fact, Jesús, I wanted to tell you something.
27:47I think we should be more flexible in this company.
27:53More flexible?
27:54Yes, be more flexible with the workers.
27:57I think they should have a couple of hours a month, free, to be able to solve their issues.
28:03That way they would be happier and later they would perform better.
28:07What do you think, Isabel?
28:10My cousin is doing his best to get his head in the board, like his brother Listo did.
28:15What's the matter? Have you already got the cocktail invitation in your head?
28:19No, no.
28:20No, I don't think it's such a crazy idea to give a hand to the workers.
28:26Listen to me, Joaquín.
28:27You take the car to the mechanic tomorrow or wherever you want.
28:30But stop talking nonsense about what to do or not in this company.
28:35Less thinking and more work.
28:37Sure.
28:39You're the boss.
28:41So you'll see.
28:42Exactly.
28:43I'll see.
28:44And what you'll see is that tomorrow we'll be able to drink all the cocktails you want and toast to life.
28:49But never forget your place, Joaquín.
29:00Anything else?
29:03No.
29:04Well, I'll see you tomorrow.
29:06See you tomorrow.
29:37Come in.
29:40What's up, Jaime?
29:42Luz has gone out to do some housework.
29:45Not the Luz I want to see.
29:48I wanted to talk to you.
29:50I don't know what we have to talk about, Luis.
29:54I'm sorry.
29:56Maybe it's better if I don't bother you then.
29:58No, it's fine, it's fine.
30:00Forgive me.
30:01If you're worried about her, you've come to the right place.
30:07And let's enjoy these talks.
30:10I don't have many left.
30:14It's good that you don't lose your sense of humor in spite of everything.
30:18Sit down, please.
30:20You see, Jaime, Luz has told me about her past.
30:27About what she's hiding.
30:30I assumed she would.
30:31How is that possible?
30:33I can't believe it.
30:34How can a woman as responsible and prudent as Luz be acting without a title?
30:42I thought something similar when she told me.
30:44And what has made you not report her?
30:46What has it been? Because you were together?
30:50Well, it's something more complicated than all that.
30:56Has it been because she also kept the secret of your illness from you?
30:59I suppose it influenced me at first.
31:02But then I realized the truth. Luz is an exceptional doctor.
31:06Yes, yes, yes. I have no doubt about that.
31:08But imagine...
31:10Imagine, Jaime, that any misfortune happens to a patient and someone asks for responsibility.
31:16The consequences would be devastating for Luz and for the company.
31:19Yes, that's right. And what do you propose?
31:23I need a reason not to report her.
31:26A reason?
31:27A reason.
31:30Have you stopped to think that maybe you don't have one?
31:35Jaime, I'm part of the company's board.
31:39I can't allow myself...
31:41Luis, with or without a title, Luz is one of the best doctors I know.
31:48Her commitment to the patients is far above many colleagues who fill their offices in the center of Madrid with titles they don't even deserve.
31:56If you let a role play between her and you, you'll regret it for the rest of your life.
32:03You can have a future with her.
32:07Take advantage of it.
32:22How are you?
32:26A little better.
32:29How's school?
32:30Very good. Today has been like being on vacation.
32:33And that?
32:35Because first we had crafts and then, at the last minute, drawing.
32:39Do you want me to show you what I've done?
32:41Please.
32:52Do you like it?
32:57It's beautiful.
32:59This landscape gives me calm and serenity.
33:04I wish I could live in it.
33:07I'll give it to you as a gift.
33:11You're welcome. In fact, I thought a lot about you when I drew it.
33:16I'm going to keep it as a souvenir.
33:20I think it's the most beautiful thing you've given me in a long time.
33:23I love seeing you so excited.
33:25I'm going to bring you a drawing every day so you can continue like this.
33:29You're a sun. You don't have to.
33:32The truth is that I've slept a little and now I'm more clear.
33:38And after seeing you, even better. You're my vitamin.
33:41I love you.
33:47I was thinking of taking a walk. Do you want to come with me?
33:50I'm sorry, I can't.
33:52Isidro is going to take me to Rita's house.
33:55His father has bought a new projector and he's going to put us in a movie.
33:59What a good plan. And it's been so long since I've seen a movie.
34:03Do you remember that we could go to Toledo together this weekend?
34:06Alone, both of us?
34:07Of course. And we could go shopping.
34:10And then we could have a snack at the confectionery in Plaza de la Mar Galena.
34:15Yes, please.
34:19What are you doing?
34:20Well, I wanted this lady to take me for a walk, but at least she has plans.
34:26Isidro is going to take me to Rita's house.
34:29Very good. But tell her to pick you up before eight o'clock, okay?
34:32I want you back for dinner.
34:33Very good. I'll tell her.
34:35You'd better, miss.
34:37What about you?
34:39How are you?
34:41A little better.
34:43I'm glad.
34:44Isidro.
34:46I'm going to tell Tere to make you an infusion with some candy,
34:50and then we'll go for a walk, if you want.
34:52That's great. You already have a fifth partner.
34:56I'll leave you the drawing there.
34:58Of course. Have a good time.
34:59Bye.
35:04How nice.
35:06Jesus, the truth is that I'm a little tired.
35:10And I think it's better to leave that step for another day.
35:14I'm fine with going out to the garden for a while.
35:18Of course.
35:20Don't worry. You rest as much as you can.
35:23Tomorrow is going to be a very busy day for everyone in this house.
35:26So what?
35:28My father has organized an aperitif with the Merinos to celebrate the anniversary of the company.
35:34Do you feel like attending?
35:36I don't know what to tell you.
35:37The truth is that the days go by and I haven't been well.
35:41Well, be patient.
35:43I'm going to the kitchen to make you that infusion.
35:46I'll bring it to you in five minutes.
35:47I'd better go.
35:48So I can stretch my legs a little.
35:50You don't have to.
35:51There are many who dare to go to the kitchen.
35:53You better have a snack here quietly and then go out for a walk in the garden.
35:57I won't take long to bring you that infusion.
36:07You're welcome.
36:17It didn't go well with Claudia, did it?
36:19My pleasure.
36:21Although it has something to do with her being in Toledo and I in Dominito.
36:27You don't have to hide it from me.
36:29I know what Claudia is waiting for.
36:32But it's better not to say it out loud because there are people who...
36:37There are people who don't know.
36:40I just don't understand it.
36:42We've known each other since we were kids.
36:44We like each other.
36:45And I can give her a future and...
36:47And who you already know.
36:49Why doesn't she want to see me in painting?
36:51Do you really think that what I can offer her is worse than what awaits her?
36:57Let's see, Joselito.
36:59Claudia chose her path a long time ago.
37:02And...
37:04In fact, if it wasn't for her mother,
37:06I don't think your paths would have crossed again.
37:09No.
37:10It's clear that what Ramona wanted was for me to have a grandson.
37:13But you know what?
37:15I'm delighted.
37:17Your third coffee.
37:19One more and you're on your way to spending the night under the candle.
37:22With coffee or without coffee.
37:24I already knew that.
37:27What's wrong, kid?
37:29What is it?
37:30A toothache?
37:32Debt? Love sickness?
37:34Health, money or love?
37:36Well, I'm in good health.
37:38And I don't lack money, luckily.
37:41They've broken your heart, come on.
37:44No, not broken.
37:46I have it shattered.
37:48And I don't understand why.
37:50But the last thing he told me was that he would always carry me in his heart.
37:53But did he really tell you that?
37:55If he doesn't stop talking about how well we spent time together when we were kids.
37:58But, well.
38:00But where do you get the idea that he gave you a ticket?
38:03That girl is not rejecting you.
38:06That she is begging you.
38:08Really?
38:09It's very clear.
38:10Let's see, Gaspar.
38:11Be careful, because you're messing with me.
38:13But what do you know about these things?
38:15Mateo, please.
38:16What do I tell you? That I have the money?
38:18That if he told you that, it's to spoil you.
38:20Not to kick you.
38:22Man, I hadn't seen it that way.
38:24Well, if you haven't seen it that way, it's for a reason, right?
38:26Don't you think?
38:28Because surely he told you what he told you because he likes you and wants to comfort you.
38:32No, man, no.
38:33You have to go for her.
38:35But if he has left it to you,
38:37I will always carry you in my heart, man.
38:39You have to know, huh?
38:41You're right.
38:47Thank you very much for the coffee.
38:49And especially for the advice.
38:51I go back accompanied to Don Benito
38:53as my name is José Francisco Pérez Pulido.
38:56Yes, sir.
39:00What do you say, Mateo?
39:02How does it end?
39:04Good or bad?
39:08I think it's good.
39:23Well, mother, the desire I had ...
39:28I understand that Carmen has told you everything, right?
39:30What do you think?
39:31She's cheating on you.
39:32And she's right.
39:34Look, letting you mess with her like a child.
39:36You're not going to learn.
39:38It's normal that a woman can't anymore.
39:40Especially now that you're scared of her because you're leaving.
39:42Mother, I'm not leaving.
39:44Look, I would take you out of your house
39:46if it weren't because your wife doesn't even want to see you.
39:48Look, please, I don't need any more fights.
39:50They have cheated on me and deceived me,
39:51so please don't make me more blood.
39:54There's something else, right?
39:57Has Damien told you?
39:59Well, yes.
40:01So you can see that I'm not the only one who does things wrong here.
40:03Because, damn it,
40:04how could he have deceived me all these years?
40:06My position was the least easy,
40:08but you're not wrong.
40:10My father was a traveler.
40:12You know I was looking for him like an idiot.
40:14I'm very sorry.
40:16No, no, I'm the one who's sorry.
40:17I had him in front of my nose
40:19and I didn't realize it all these years.
40:21Damien and I made a deal.
40:22I couldn't break it.
40:24He was married and I couldn't face him.
40:26But he always made sure that you had everything, Tassio.
40:29Yeah, yeah.
40:30He's already told me a couple of details.
40:33Can I at least ask how you two met?
40:41I worked as a waitress
40:43in a restaurant in Villescas
40:45to which Damien went with his partners.
40:48And one day...
40:49No, no, don't tell me anymore.
40:50The young man fell in love with the waitress
40:52when he went with his friends to have a drink.
40:54It wasn't just one night.
40:56If that's what you mean.
40:58For me, it was a beautiful time.
41:00Beautiful and sad, don't lie.
41:02What a great role model.
41:04Imagine when I got pregnant.
41:09That's when we both woke up from sleep
41:12and I decided to fade away
41:14and start a new life outside Toledo.
41:16And you don't hold a grudge against him?
41:17On the contrary.
41:19I'll always be very grateful to him.
41:21When you were just getting into trouble,
41:23he didn't hesitate for a second
41:25to look for you a job here,
41:27in La Colonia.
41:29He's never had a no for you.
41:31Yeah.
41:33But I'll always be a second son to him.
41:36Don't say that, son.
41:38I don't think he deserves it.
41:40Neither do you.
41:42Yeah, but it's the truth.
41:44Maybe I'm wrong.
41:45But it's the truth.
41:47I'll never be a second son to Mr. Damián.
41:49Never.
42:16Digna.
42:18Did Luis tell you about tomorrow's aperitif?
42:20Yes, he called me this afternoon to let me know.
42:22He's been very insistent.
42:24And I suppose he also told you
42:26that you don't need to cook anything,
42:28that Salvatierra's people will bring the food.
42:30Very well.
42:32My father will be very happy
42:34to see us all together for a day.
42:36Jesús, don't try to hide it from me.
42:38We know that this is...
42:40This is what this house needs right now.
42:42And above all, it's what Begoña needs.
42:43Maybe...
42:45Maybe she'll cheer up a bit.
42:47Yes.
42:49I also hope she'll cheer up.
42:51Yes, I'm...
42:53I'm very worried about her.
42:55Especially after the reaction she had last night.
42:57I had never seen her so...
42:59She didn't look like her.
43:01We all saw that she's having a very bad time.
43:03Digna, tell me something.
43:05I spend all day at the factory
43:07and I can't be aware of her.
43:09But do you know if she's had
43:10any other similar episode?
43:12All I've seen is that she's very sad
43:15and that she misses her mother a lot.
43:17I see.
43:19It's been a very hard blow for her.
43:21But I confess that I don't know what else to do
43:23to get her to change her mind.
43:25If you're interested in my opinion,
43:27I think Begoña needs a lot of care.
43:30And also that we leave her alone.
43:33Time will take care of the rest.
43:41Me too.
43:43I thought it was just sadness.
43:45But after last night,
43:47I don't know what to think.
43:49Do you think what happened
43:51has anything to do
43:53with her mother's illness?
43:55No, don't say that.
43:57It terrifies me.
44:00But I'd lie to her
44:02if I said I didn't think about it.
44:04Let's draw conclusions quickly.
44:06The pain of a loved one
44:08is a hard and slow process.
44:10And we both know
44:12what we're talking about.
44:14Yes.
44:16Yes, I hope I'm wrong,
44:18but there are certain things
44:20that don't get me married
44:22by going through a duel.
44:24Jesus, now that her mother is dead,
44:26you're the most important person for her.
44:28Don't you think you should
44:30put the company's needs aside
44:32and focus on your wife's?
44:34Do you think I'm neglecting her?
44:36No, I didn't say that.
44:38I mean, things happen in a marriage.
44:41And if we see that our partner
44:43is having a bad time,
44:45a very bad time,
44:47we have to do everything we can
44:49to help her get out of the hole.
44:52Who did this?
44:54Who destroyed it?
44:56Calm down, calm down.
44:58What is this?
45:00It's a gift Julia gave me this afternoon.
45:02She said she'd keep it forever
45:04and now it's broken.
45:05Who drew this?
45:07When I kept it in my book,
45:09it was perfectly intact.
45:11Someone had to destroy it.
45:13Someone else saw it,
45:15apart from you and Julia.
45:17No one, no one.
45:19I swear
45:21I kept it in my book
45:23with all the care in the world.
45:25Someone could have taken that book.
45:27I don't know.
45:29I'm confused.
45:32My love,
45:33you're going through
45:35a very difficult time
45:37and it's normal for you to forget things.
45:39But it's just a drawing.
45:43It gave me a lot of peace,
45:45that landscape.
45:47I wanted to paint it.
45:50How about
45:52you take a break and rest?
45:54That.
45:56Sleeping will do you good.
45:58When you wake up, you'll feel better.
46:00Yes.
46:01I'm very tired, auxiliary.
46:03Come on, lean on me.
46:07Let's go upstairs to rest
46:09and don't worry,
46:11I'll stay with you until you fall asleep.