Half Light - Full Movie
Category
🎥
Short filmTranscript
00:02:30Snipe ball.
00:02:32And up.
00:02:55Get green, you snipe ball.
00:03:01Hey, Thomas.
00:03:02Hi, Brian.
00:03:03How was school?
00:03:04Fine.
00:03:05Good.
00:03:23Time's up, you slime ball.
00:03:25Let's go outside.
00:03:26I'm almost done.
00:03:28Come on, Mommy.
00:03:29Promise.
00:03:30I know.
00:03:31And I am a terrible mother.
00:03:32You're horrible.
00:03:33Horrible?
00:03:34You're dreadful.
00:03:35Dreadful?
00:03:36Well, I'm going to be horrible, and I'm going to be dreadful if I don't finish this chapter.
00:03:37So I need at least five minutes.
00:03:38Three.
00:03:39Four.
00:03:40Theo, where is she?
00:03:41Get me outside.
00:03:42I'm coming.
00:03:43I'm coming.
00:03:44I'm coming.
00:03:45I'm coming.
00:03:46I'm coming.
00:03:47I'm coming.
00:03:48I'm coming.
00:03:49I'm coming.
00:03:50I'm coming.
00:03:51I'm coming.
00:03:52I'm coming.
00:03:53I'm coming.
00:03:54I'm coming.
00:03:55I'm coming.
00:03:56I'm coming.
00:03:57Get me outside.
00:04:20Hey.
00:04:21Hey.
00:04:24What'd they say?
00:04:26Oh.
00:04:28Not interested.
00:04:31What do they know?
00:04:32They rejected my first novel anyway.
00:04:35It's Tabitha King Syndrome.
00:04:38Stephen King's wife.
00:04:40She's a good enough writer, but no one knows her.
00:04:45All they know is Stephen King.
00:04:50They'll know you one day.
00:04:51Look at all the help you've given me.
00:04:53It's editing, darling.
00:04:54It's not the same thing.
00:04:57See, not sufficiently mysterious for a mystery,
00:05:00nor sufficiently thrilling for a thriller.
00:05:08You know, it wouldn't be the worst thing
00:05:12to add a few thrills and resubmit it.
00:05:15What?
00:05:16Throw in some more blood?
00:05:18What?
00:05:19Throw in some more blood?
00:05:21Psychopath jumping out of the closet with an axe?
00:05:24That's not the English tradition.
00:05:27I thought it was of style, wit,
00:05:31imagination.
00:05:33Darling, you have wit?
00:05:35Very good.
00:05:37You're the best editor in London.
00:05:39Is that so bad?
00:05:41Max Perkins saved Hemingway.
00:05:43Yes, well, no one remembers Max Perkins.
00:05:45He's right up there with Tabitha Watsonface.
00:05:50Well, I couldn't have done any of this without you.
00:05:55Well, you do realize, darling, that...
00:06:00that I'm supposed to be saying that to you.
00:06:08Hey, when can I read something?
00:06:10About three minutes.
00:06:12That's all Thomas has given me.
00:06:14OK.
00:06:15Three minutes it is.
00:06:39Action!
00:06:40And...
00:06:42And...
00:06:43Cut!
00:07:12Mmm.
00:07:42Mmm.
00:07:43Mmm.
00:08:12Mmm.
00:08:13Mmm.
00:08:26Action!
00:08:27And...
00:08:28And...
00:08:29And...
00:08:30Cut!
00:08:42♪♪
00:08:52♪♪
00:09:02♪♪
00:09:05Brian?
00:09:07Dinner's ready.
00:09:08Yeah, coming.
00:09:10♪♪
00:09:13Thomas?
00:09:15♪♪
00:09:18Thomas?
00:09:20♪♪
00:09:30♪♪
00:09:40♪♪
00:09:50Thomas?
00:09:53Thomas?
00:09:55♪♪
00:10:04Thomas?
00:10:06♪♪
00:10:16♪♪
00:10:30Thomas!
00:10:32No!
00:10:34♪♪
00:10:44♪♪
00:10:54♪♪
00:11:04♪♪
00:11:14♪♪
00:11:24♪♪
00:11:30I searched every website.
00:11:33This is everything you want.
00:11:35It's remote, quiet, no one around for miles.
00:11:39English Cove.
00:11:41You'll get so much writing done.
00:11:43Look, it's even got the boats we used in Suffolk.
00:11:45Do you know how long you might want it for?
00:11:47I don't know.
00:11:49Just whatever it takes for me to finish this book.
00:11:54It looks great.
00:11:55Well, Brian hasn't been any help.
00:11:58He should have been there for you.
00:12:00Yeah, well...
00:12:02He tried.
00:12:04Look, whatever we had, we lost a long time ago.
00:12:08Yeah, I know.
00:12:10But are you really gonna be okay out there?
00:12:13All by yourself?
00:12:14It's only been eight months.
00:12:16Yeah, I'm fine.
00:12:21Would you like to get some tea?
00:12:22Yeah.
00:12:31I'll get you wherever you are!
00:12:42I'll get you wherever you are!
00:13:12I'll get you wherever you are!
00:13:42I'll get you wherever you are!
00:14:13If you're really gonna go, take these with you.
00:14:17You know, I was wanting to try it without it for a while, Robert.
00:14:22It's just in case.
00:14:29Rachel.
00:14:42Should I call Bartlett?
00:14:44I'm not up for divorce lawyers right now.
00:14:48Let's just deal with all that when I get back.
00:14:56So how'd it go?
00:14:58Not all this time.
00:15:00She's never talked to me about Thomas.
00:15:03She won't open up to me at all.
00:15:06You've got to remember it's not the same for you.
00:15:09What, because he's not my son?
00:15:11Because you weren't the one who left the gate open.
00:15:23Hello?
00:15:24Rachel, how are you?
00:15:26You should see where I am right now.
00:15:28You're there already.
00:15:30It's beautiful. And there's not another house around for miles.
00:15:34They said there was a lighthouse there as well?
00:15:36Mm-hmm.
00:15:37You've got one in your book, haven't you?
00:15:39I'll do some research.
00:15:41It's perfect. It's exactly what I wanted.
00:15:44If I can't write here, I can't write anywhere.
00:15:47Ah, at least you're not stuck writing crap for a crap paper like I am.
00:15:53It's not that bad.
00:15:55It keeps the bills at bay.
00:15:58Almost.
00:15:59Yeah, which is good for you.
00:16:02Which I don't need reminding.
00:16:05Hey, remember, if you want me to come out there, you just say the word.
00:16:09Thanks, I...
00:16:10I... I'm... I'm going to be OK.
00:16:15I really... I really think I'm going to be OK.
00:16:35Excuse me. Excuse me.
00:16:37Am I headed the right way into town?
00:16:40Sorry?
00:16:41Am I...
00:16:43Sorry.
00:16:45Am I headed the right way into town?
00:16:48Yeah, yeah, just follow up the beach. You can't miss it.
00:16:50OK. Wasn't sure.
00:16:52You travelling through?
00:16:54Oh, no, no. Actually, I just moved into Foster Road, number one.
00:16:58Foster Road, number one? Are you sure?
00:17:00I think so. It's the only house on the road.
00:17:03Yeah, that's it.
00:17:05I'm Finlay Murray.
00:17:07Walk passes for a police sergeant round here.
00:17:10And I'm Mary.
00:17:11I'm Rachel Carlson.
00:17:13So, you're here on your own?
00:17:15Yeah.
00:17:16Well, if you hang on, I'll give you a lift in. It's a wee bit of a hike.
00:17:19Thank you, but this is... this is what I'm here for.
00:17:23You sure?
00:17:24Absolutely.
00:17:26To the beach.
00:17:27Yep.
00:17:28All right. Thank you.
00:17:33Thank you.
00:18:04Dad!
00:18:25Your son's waiting for you.
00:18:29On the swings.
00:18:31He's been waiting for you. He told me.
00:18:36My son?
00:18:41Oh, I'm sorry.
00:18:43It must have been someone else's little boy.
00:18:50Wait. Um...
00:18:52Can I talk to you?
00:18:54I was mistaken, that's all.
00:19:01It's a beautiful day, isn't it?
00:19:31Come on.
00:19:50Mum?
00:19:51We're escaping outside.
00:19:53Come with us.
00:19:57You promised, but you never came.
00:20:01I know.
00:20:31I love you.
00:21:01Mum?
00:21:31It's impressive, don't you think?
00:21:33Oh, quite.
00:21:35I didn't realise that there was anyone else around.
00:21:38Carry on.
00:21:40Lighthouses are a dying breed.
00:21:47I'm Angus McCulloch, a lighthouse keeper.
00:21:51Rachel.
00:21:53I'm sorry, I just assumed that all lighthouses were automated now.
00:21:58Well, most of them are.
00:22:00In a few years, I'll be gone, too.
00:22:04So what brings you out here?
00:22:06I'm researching lighthouses for a book.
00:22:09It's a long way from America just to see a lighthouse.
00:22:12No, no, I live in London, actually.
00:22:15I'm just out here doing some writing.
00:22:20Oh, you're in the cottage.
00:22:22It's about time someone moved in.
00:22:24It's been empty for years.
00:22:27Well, you've certainly come to the right place to write a book.
00:22:33Did you meet the horses yet?
00:22:37That's a story for you.
00:22:40A Spanish galleon shipwrecked right there in 1754.
00:22:45The entire crew died.
00:22:48But a few horses swam here to safety.
00:22:51And they've been here ever since.
00:22:54And they've never been off the island?
00:22:59I can think of worse.
00:23:03Yeah.
00:23:05Listen, I'm just putting some dinner on.
00:23:07You're welcome to stay, have something to eat.
00:23:10I can tell you everything you need to know about lighthouses.
00:23:13Thanks, I... I need to get back.
00:23:16I'm still unpacking boxes.
00:23:19Well, look, maybe next week.
00:23:21Same time.
00:23:23I'll cook some extra,
00:23:25and if you don't show, I'll eat with the horses.
00:23:29We should be friends.
00:23:33We're neighbours now.
00:23:36We should.
00:23:54CRUNCHING
00:24:18GASPS
00:24:23GASPS
00:24:54CRUNCHING
00:25:05To my love, in honour of what we decided yesterday.
00:25:09Forever yours, Kay.
00:25:13Page 145, line 7.
00:25:17Today I begin to understand what love must be.
00:25:22If it exists.
00:25:24When we are parted,
00:25:26we each feel the lack of the other half of ourselves.
00:25:30We are incomplete,
00:25:32like a book in two volumes,
00:25:35of which the first has been lost.
00:25:38This is what I imagine love to be.
00:25:41Incompleteness, in absence.
00:25:51DRAMATIC MUSIC
00:26:02I'll get you for the love you are!
00:26:06DRAMATIC MUSIC
00:26:36DRAMATIC MUSIC
00:26:44Thomas?
00:27:00Thomas?
00:27:03Mama?
00:27:07It's OK, Mum.
00:27:09Don't go.
00:27:11Don't go.
00:27:13I won't.
00:27:21Come, be with me.
00:27:28GASPS
00:27:33BREATHES HEAVILY
00:27:47GASPS
00:27:55BEEPING
00:28:02DRAMATIC MUSIC
00:28:32DRAMATIC MUSIC
00:29:03GROANS
00:29:10KNOCKING
00:29:12Hello.
00:29:14You turned up at last.
00:29:16Good timing, I'm just burning the fish.
00:29:19It's good to see you.
00:29:21How's your research coming?
00:29:23Well, it's all right. Could be better.
00:29:26That's why I'm here. I was hoping I could get a tour.
00:29:29OK.
00:29:32How about some lunch before the tour?
00:29:35Is there anything else on the menu?
00:29:39Why is it that everyone paints their boats the exact same colour as their houses?
00:29:45Well, that's actually a tradition here.
00:29:49The wife needs to be able to look out on the water
00:29:52and know her husband's OK.
00:29:56It's very romantic.
00:29:59And we also get a tax break on the paint.
00:30:03Which is also very romantic.
00:30:06Very romantic.
00:30:10WIND BLOWS
00:30:13I can't make it.
00:30:20Huh?
00:30:26Do you ever get lonely working out here?
00:30:29Do you never get lonely sitting at your typewriter?
00:30:35Sometimes.
00:30:38I like being alone.
00:30:43You really like it?
00:30:45Or do you think it's just something you've gotten used to?
00:30:50Well, maybe I like it because I've gotten used to it.
00:30:55I love it out here.
00:30:57Who do you talk to?
00:31:00Who do you talk to?
00:31:02Isn't that what you love about writing? The solitude?
00:31:07I write because...
00:31:11Well, I don't function very well as a human being unless I'm writing.
00:31:18Well, what are you writing now?
00:31:25I'm not...
00:31:28Don't tell me you paint as well.
00:31:32Oh.
00:31:34No.
00:31:38Kate, my wife.
00:31:42She...
00:31:45We haven't seen each other for a long time.
00:31:49She loved it out here at first.
00:31:53She loved it out here at first.
00:31:57But in the end, the isolation was too much for her.
00:32:03Loneliness can make you a little crazy, I think.
00:32:11Come on.
00:32:13Come on.
00:32:22Wow.
00:32:24Kate could never understand why I wouldn't leave here.
00:32:29But my father lived here.
00:32:32And his father before him.
00:32:37My great-grandfather, he built the balcony
00:32:41from wood that was washed ashore from a shipwreck.
00:32:46This is him.
00:32:51I could never leave here.
00:32:54You'll see why.
00:32:56Come on.
00:33:11Come on.
00:33:41Oh, by the way, I've, um...
00:33:44I've brought you something as a...
00:33:46As a thank you for the tour.
00:33:48It's one of my books.
00:33:50I had it sent...
00:33:52Dreamers Awake, by Rachel Carlson.
00:33:57I'm impressed.
00:34:00Is it a comedy or a play?
00:34:02It's a play.
00:34:04It's a play.
00:34:06It's a play.
00:34:08I'm impressed.
00:34:10Is it a comedy or a tragedy?
00:34:12Uh, well, it's a mystery.
00:34:15But please be kind.
00:34:17It is the first novel I had published.
00:34:19Well...
00:34:22I'll find out all about you.
00:34:25Maybe.
00:34:32If you need any help, just send out a flare.
00:34:35I'll keep an eye out for you.
00:34:37Thank you. I really...
00:34:39I really enjoyed that today.
00:34:41Hi. Me too.
00:35:07Thanks.
00:35:37Hi.
00:36:08So, have you slept with him yet?
00:36:11It's just nice to have someone to talk to.
00:36:14Meaning you haven't slept with him.
00:36:16You know, you're starting to sound like you're conducting a tabloid interview, my friend.
00:36:22You know me. Always working.
00:36:24Always looking for the angle.
00:36:26Always looking for the angle.
00:36:28Always looking for the angle.
00:36:30Always looking for the angle.
00:36:32Always looking for the angle.
00:36:34Always looking for the angle.
00:36:36Always looking for the angle.
00:36:38And you know I rely on you for my kicks.
00:36:43Is that the sea I can hear?
00:36:45Yes. It's...
00:36:47less than ten feet away.
00:36:49You hear the crashing?
00:36:50Well, look at you.
00:36:52Number one bestsellers.
00:36:54Waves at your feet.
00:36:55Romance on a deserted island.
00:36:57Tough life.
00:37:02Rachel, I'm sorry.
00:37:04Sharon, forget it.
00:37:06It's okay.
00:37:08Look, I wouldn't have made it this far without you.
00:37:10I mean it.
00:37:12I'll call you tomorrow, okay?
00:37:15Okay.
00:37:28Okay. Don't pee.
00:37:34Quick, quick, quick, quick.
00:37:36Huh?
00:37:37Quick, quick.
00:37:38Ready?
00:37:40Smile.
00:37:41Okay.
00:37:46And no faces this time.
00:37:48Right here, right here, right here.
00:37:49Look, look.
00:37:51Wait, wait, wait. It's gonna come.
00:37:54Smelling?
00:37:55Yes.
00:37:56Promise?
00:37:57Yes.
00:37:58Promise?
00:38:01Rachel.
00:38:03Are you okay?
00:38:07Rachel?
00:38:10There's something wrong.
00:38:12What's wrong?
00:38:16I think I need to get back.
00:38:21Why?
00:38:23Why?
00:38:30I'm sorry.
00:38:54Afternoon, Rachel.
00:38:56Afternoon.
00:38:58Are we gonna see you here on Sunday?
00:39:00I don't think so.
00:39:01Your man and I aren't on very good terms.
00:39:03Ah, don't you worry about that.
00:39:05Baltimore reasoned to come.
00:39:08Your cross is broken.
00:39:11I know.
00:39:13It's this weekend's chore.
00:39:23Lazy this time.
00:39:27Oh, Mary.
00:39:35It's the gate, isn't it?
00:39:40What?
00:39:42Why you're so sad.
00:39:45You left the gate open.
00:39:54You haven't been able to go out there since he died, have you?
00:39:57All right, ready?
00:39:59All right. Here we go.
00:40:01All right. Now, face this way.
00:40:03Okay, go.
00:40:05Okay, face this way.
00:40:07Smile.
00:40:09He's beside you, your son.
00:40:13He's beside you, your son.
00:40:15He's beside you, your son.
00:40:17He's beside you, your son.
00:40:19He's beside you, your son.
00:40:21He's beside you, your son.
00:40:24He's dripping wet.
00:40:26He follows you everywhere.
00:40:31He's trying to hold your hand.
00:40:46What's she been saying?
00:40:48More of her psychic mumbo jumbo.
00:40:50Listen, don't worry. She'll say anything to get somebody to talk to her.
00:40:53Watch your fingers.
00:40:55Jim, get us that dustpan and brush.
00:41:06Yes, yes, I can hear her.
00:41:08I'm not answering.
00:41:10Is anybody here?
00:41:12I should never have gone to see her.
00:41:20I don't want to talk about it anymore.
00:41:22I'm not listening.
00:41:25You can keep talking, but I'm not listening.
00:41:28I'm not getting out of this chair for the love of God or money.
00:41:33I can't save her.
00:41:36I can't save anyone.
00:41:39Things are going to get worse.
00:41:50Shit.
00:42:21Rachel.
00:42:23Come in.
00:42:27Do you think it's possible?
00:42:30Do you think I could be getting messages from him?
00:42:34I don't know.
00:42:37Maybe.
00:42:40Maybe the dead miss us even more than we miss them.
00:42:45I've replayed it so many times.
00:42:48If I'd only gone out to play with him.
00:42:50Like I said, I...
00:42:52What if this never would have happened?
00:42:58And I keep thinking of him.
00:43:01In the water, struggling.
00:43:03And I wasn't there.
00:43:07I'm the mother.
00:43:09I'm supposed to be there to protect him, and I wasn't.
00:43:14Wow.
00:43:18Wow.
00:43:21I came here thinking that I could write.
00:43:24And that everything would be okay, and you know what?
00:43:26It's not okay.
00:43:28It's not okay, and I'm not okay.
00:43:30Rachel.
00:43:33Shh.
00:43:38Shh.
00:43:47Shh.
00:44:17Shh.
00:44:29What is this?
00:44:31It's an old Celtic ballad.
00:44:33Caiocs an storm.
00:44:35Girl in the storm.
00:44:38It's beautiful.
00:44:41I finished your book.
00:44:44Did you learn all about me?
00:44:48Maybe.
00:44:53Here.
00:44:57I made something for you.
00:45:01To inspire you.
00:45:14I'll leave a key out for you.
00:45:20So you can come up whenever you want to.
00:45:23In case I'm out fishing or something.
00:45:38Look.
00:45:40It's Mother Pearl.
00:45:44I love these.
00:45:48Do you know the old Celtic legend about them?
00:45:50About those?
00:45:52Yeah.
00:45:56Come on.
00:46:02First,
00:46:04we have to
00:46:06bury it together.
00:46:09Together?
00:46:11Right.
00:46:13And then, if one of us ever returns
00:46:15and digs it up,
00:46:17then...
00:46:19Then we were meant for each other?
00:46:21Um...
00:46:23Well, actually, I don't know, because I just made it up.
00:46:26Very Celtic of you.
00:46:28You know, I was thinking
00:46:30that exact same thing.
00:46:33Do you know Mary,
00:46:35Finlay's wife?
00:46:37Um, she's having a little birthday thing
00:46:39in the village tomorrow, and, you know,
00:46:41I was thinking that
00:46:43maybe you'd like to go.
00:46:49I'd love to go.
00:46:52So, like,
00:46:54two o'clock?
00:46:56Two.
00:46:58Two o'clock.
00:47:00Two.
00:47:10Hey, Rachel.
00:47:20I'll see you tomorrow.
00:47:30Two, right?
00:48:00Okay.
00:48:24She lay there
00:48:26in the half-light of the cabin,
00:48:28unable to sleep.
00:48:31In the morning, she told him she had.
00:48:35Well, there were still some limits
00:48:37to the things she could say to him then.
00:48:40But most of the night she watched
00:48:42his eyelids and his lips
00:48:44and his face.
00:48:47And in the stillness,
00:48:50she felt peace.
00:48:58I love you.
00:49:28Hey, Rachel. How you doing?
00:49:30Hello.
00:49:31All right?
00:49:32I'm all right.
00:49:33Rachel, you made it!
00:49:35Oh, great.
00:49:36Oh.
00:49:37There you go, honey.
00:49:38Thank you, Pat.
00:49:39Oh, thank you.
00:49:40Happy birthday.
00:49:41Oh, that's so sweet of you.
00:49:42Thanks very much.
00:49:44Would you like a drink?
00:49:45Um...
00:49:46No, I'm good.
00:49:47No, I'm good.
00:49:48No, I'm good.
00:49:49No, I'm good.
00:49:50No, I'm good.
00:49:51No, I'm good.
00:49:52No, I'm good.
00:49:53No, I'm good.
00:49:54No, I'm good.
00:49:55No, I'm good.
00:49:56No, I'm good.
00:49:57Um...
00:49:58It's on the way.
00:50:27This way.
00:50:28Let's go.
00:50:29Oh, Rachel.
00:50:47Happy birthday to you.
00:50:50Happy birthday to you.
00:50:53Happy birthday, dear Fleary, happy birthday to you!
00:51:23Excuse me, Mary. I'm sorry to interrupt. I'm meeting a friend here, Angus McCulloch.
00:51:38I thought you might have seen him. What are you talking about?
00:51:42Well, he was supposed to be here an hour ago. The lighthouse keeper.
00:51:47Aye, I know who he is. What does he look like, your Angus?
00:51:55Dark hair, nice blue eyes.
00:51:59Aye, that sounds like Angus. But I've not seen him these seven years.
00:52:04And neither have you, because he's dead.
00:52:07No, there must be some mistake.
00:52:10He's dead, all right. Him and the wife. I chose the dress we buried her in.
00:52:16No, you're kidding, right?
00:52:24Reverend, you've been out to the lighthouse, haven't you?
00:52:28No, not for years. Nobody goes out there anymore.
00:52:32But you know Angus McCulloch.
00:52:35I used to, aye, but he's been dead for six, no, seven years.
00:52:45Is this a joke?
00:52:47Rachel, this isn't funny. People here don't laugh about this.
00:53:03What is this?
00:53:09Why, why are you doing this?
00:53:13Why, why are you doing this?
00:53:19Jesus.
00:53:31What time is it?
00:53:33I don't know.
00:53:35I'm going to come in.
00:54:05I'm going to come in.
00:54:20I'm going to come in.
00:54:46Jesus.
00:55:15Loneliness can make you a little crazy, I think.
00:55:42Kate could never understand why I wouldn't leave here.
00:55:47But my father lived here.
00:55:50And his father before him.
00:55:57I could never leave here.
00:56:09Maybe the dead miss us even more than we miss them.
00:56:28Rachel.
00:56:31What are you doing here?
00:56:33You're going to stir up trouble.
00:56:36I came to look for Angus.
00:56:38McCulloch is dead and buried.
00:56:43I saw him jump off that cliff over there.
00:56:47I was with him right here last night.
00:56:50You couldn't have been.
00:56:53Seven years ago, I came out to visit Angus.
00:56:58Just as I had done dozens of times before.
00:57:05I found Kate inside.
00:57:19Angus came home early from the village.
00:57:22Caught in bed with a local fisherman.
00:57:26Gordon MacLeod.
00:57:29Had been gone on for months.
00:57:32Angus was the only one that didn't know anything about it.
00:57:36I caught a glimpse of him through the window.
00:57:41I followed him up to the balcony.
00:57:43But I was too late.
00:57:47I felt for him.
00:57:49We all did.
00:57:52We just worshipped Kate.
00:57:55I had all this from Kate.
00:57:58She lived long enough to tell me that Angus didn't kill her.
00:58:02She came between them in the struggle.
00:58:05Just before she died, she prayed that Angus would forgive her.
00:58:10We all knew what was going on.
00:58:13Nobody said anything.
00:58:16Those three deaths are as much in our hands as they are in his.
00:58:22It just can't be the same, man.
00:58:29I can prove he was here.
00:58:40If I can just get this film developed.
00:58:43There's a photo of us together.
00:58:45And...
00:58:51What I...
00:58:53I must have just misplaced the film somewhere.
00:58:56You couldn't have met anyone out there.
00:59:00He also did a carving for me that...
00:59:02Rachel.
00:59:03Was right here.
00:59:04Rachel.
00:59:05Nobody goes out there anymore.
00:59:08The lighthouse was automated after the murder so we wouldn't have to.
00:59:12And nobody's lived in this house since then either.
00:59:15What do you mean, this house?
00:59:18Well, this was Gordon MacLeod's house.
00:59:23He and Kate used to signal each other with lights when Angus was away.
00:59:40You mean...
00:59:50This just doesn't make any sense.
00:59:55I've been with him practically every day this last month.
00:59:58We've eaten together.
00:59:59We've walked on the beach.
01:00:00We've been with the horses.
01:00:02It's not like I've been out there talking to myself all this time.
01:00:08Have you been flirting with Angus MacCulloch?
01:00:11Who's that buried at Inverness Cemetery?
01:00:39I don't know.
01:00:53You didn't believe us, eh?
01:01:23I don't know what to believe anymore.
01:01:29You still haven't fixed the cross.
01:01:33No.
01:01:34No, I haven't.
01:01:46It's this weekend's chore.
01:01:59Excuse me.
01:02:22You have some newspapers missing on the microfilm.
01:02:25It's a miracle we have any of that at all.
01:02:27What are you looking for?
01:02:29Anything around February 12th or 13th, 1998.
01:02:33The MacCulloch murder.
01:02:35Kids probably pinched them.
01:02:37Gory murders.
01:02:38Kids love them.
01:02:41What about internet access?
01:02:52The computer's being fixed.
01:02:54Sorry?
01:03:00Look, um...
01:03:02I just need anything that has a photo of Angus MacCulloch.
01:03:08Try Ullapool Public Library.
01:03:21You have reached Ullapool Public Library.
01:03:24We're closed at this time and will reopen on Monday at nine.
01:03:33I don't understand.
01:03:34He wasn't there.
01:03:35No.
01:03:36I don't understand.
01:03:37His stuff.
01:03:38His boat.
01:03:39Something must have been there.
01:03:40No, no.
01:03:41Nothing was there.
01:03:42It was like he never existed.
01:03:43There must be some explanation.
01:03:44Yeah.
01:03:45Like, I'm losing it.
01:03:46That's the explanation.
01:03:47Maybe I shouldn't have come.
01:03:48Have you spoken to Robert?
01:03:49No.
01:03:51Maybe he was right and I shouldn't have gone off the medication.
01:03:57Rachel, just come home.
01:03:59Just get out of there and come back.
01:04:09You know what, maybe I did imagine Angus.
01:04:17He seemed so perfect, and there isn't anything that perfect.
01:04:24Yes, sir.
01:04:25Listen, I'm coming to you.
01:04:27I'll get on the next plane, and I'll be there in a few hours.
01:04:30You just sit tight.
01:04:32You stay there, OK?
01:04:35OK.
01:04:37I'll see you soon.
01:04:47OK.
01:04:48I'll see you soon.
01:05:17OK.
01:05:18OK.
01:05:19OK.
01:05:20OK.
01:05:21OK.
01:05:22OK.
01:05:23OK.
01:05:24OK.
01:05:25OK.
01:05:26OK.
01:05:27OK.
01:05:28OK.
01:05:29OK.
01:05:30OK.
01:05:31OK.
01:05:32OK.
01:05:33OK.
01:05:34OK.
01:05:35OK.
01:05:36OK.
01:05:37OK.
01:05:38OK.
01:05:39OK.
01:05:40OK.
01:05:41OK.
01:05:42OK.
01:05:43OK.
01:05:44OK.
01:05:45OK.
01:05:46OK.
01:05:47OK.
01:05:48OK.
01:05:49OK.
01:05:50OK.
01:05:51OK.
01:05:52OK.
01:05:53OK.
01:05:54OK.
01:05:55OK.
01:05:56OK.
01:05:57OK.
01:05:58OK.
01:05:59OK.
01:06:00OK.
01:06:01OK.
01:06:02OK.
01:06:03OK.
01:06:04OK.
01:06:05OK.
01:06:06OK.
01:06:07OK.
01:06:08OK.
01:06:09OK.
01:06:10OK.
01:06:11OK.
01:06:12OK.
01:06:13OK.
01:06:14OK.
01:06:15OK.
01:06:16OK.
01:06:17OK.
01:06:18OK.
01:06:19OK.
01:06:20OK.
01:06:21OK.
01:06:22OK.
01:06:23OK.
01:06:24OK.
01:06:25OK.
01:06:26OK.
01:06:27OK.
01:06:28OK.
01:06:29OK.
01:06:30OK.
01:06:31OK.
01:06:32OK.
01:06:33OK.
01:06:34OK.
01:06:35OK.
01:06:36OK.
01:06:37OK.
01:06:38OK.
01:06:39OK.
01:06:40OK.
01:06:41OK.
01:06:42OK.
01:06:43OK.
01:06:44OK.
01:06:45OK.
01:06:46OK.
01:06:47OK.
01:06:48OK.
01:06:49OK.
01:06:50OK.
01:06:51OK.
01:06:52OK.
01:06:53OK.
01:06:54OK.
01:06:55OK.
01:06:56OK.
01:06:57OK.
01:06:58OK.
01:06:59OK.
01:07:00OK.
01:07:01OK.
01:07:02OK.
01:07:03OK.
01:07:04OK.
01:07:05OK.
01:07:06OK.
01:07:07OK.
01:07:08OK.
01:07:09OK.
01:07:10OK.
01:07:11OK.
01:07:12OK.
01:07:13OK.
01:07:14OK.
01:07:15OK.
01:07:16OK.
01:07:17OK.
01:07:18OK.
01:07:19OK.
01:07:20OK.
01:07:21OK.
01:07:22OK.
01:07:23OK.
01:07:24OK.
01:07:25OK.
01:07:26OK.
01:07:27OK.
01:07:28OK.
01:07:29OK.
01:07:30OK.
01:07:31OK.
01:07:32OK.
01:07:33OK.
01:07:34OK.
01:07:35OK.
01:07:36OK.
01:07:37OK.
01:07:38OK.
01:07:39OK.
01:07:40OK.
01:07:41OK.
01:07:42Rachel!
01:07:44What are you doing here?
01:07:47What do you need here?
01:07:52Rachel!
01:07:54Come down and meet me inside.
01:08:01Sharon, he's here, Angus.
01:08:04What?
01:08:05He was on the balcony.
01:08:06I saw him, then I saw you, and then he was gone.
01:08:09You didn't see him.
01:08:10You didn't see anything.
01:08:11Your mind is playing tricks on you.
01:08:13No, no, no.
01:08:14Come on.
01:08:15Let's go home.
01:08:20Sharon, he's right there in the doorway.
01:08:22There's no one there.
01:08:24Turn around.
01:08:25I'm not going to turn around.
01:08:26I'm not buying into this fantasy.
01:08:28There's nobody there.
01:08:31Listen to me.
01:08:32I want you to do something for me.
01:08:35Close your eyes.
01:08:36Do this.
01:08:37Close your eyes.
01:08:38And when you open them again, he'll be gone.
01:08:42You have to do this.
01:08:43You make him go away now, and he'll never come back again.
01:08:48Close your eyes.
01:08:51Close your eyes.
01:08:55And now he'll be gone.
01:09:03He's coming towards us.
01:09:09He's right behind you.
01:09:15See?
01:09:17Nothing.
01:09:19Nothing.
01:09:23Can we go now?
01:09:39Legs 11.
01:09:40We have legs 11.
01:09:43What about 1 and 6 eat sweet 16?
01:09:47We'll not see that again, won't we?
01:09:51The next number is 88, two fat ladies.
01:09:55Pico, pico.
01:09:57Where's Finlay?
01:10:01Is he in here?
01:10:03Is he in here?
01:10:09I need you to come with me.
01:10:10What?
01:10:11I need you to come with me right now.
01:10:12What are you talking about?
01:10:13Please, I need you to come with me.
01:10:14Come on.
01:10:15Come with me.
01:10:16What are you doing?
01:10:33He stabbed her right here.
01:10:36So there'd be blood everywhere.
01:10:39Well, she was right here.
01:10:42Well, she's not here now.
01:10:46Come on, let's go.
01:10:51She was here.
01:10:53Come on, let's go.
01:10:57She was here.
01:11:03We need to do something.
01:11:04Get more police here.
01:11:05I'm not taking anyone else out there.
01:11:07I'm telling you, someone must have moved the body.
01:11:09Rachel.
01:11:10Rachel, I want you to listen to me.
01:11:14Angus McCulloch is dead.
01:11:17And I'll bet your friend is at home right now,
01:11:21reading the newspaper and eating scones.
01:11:42Hi, it's Sharon.
01:11:43Leave a message after the beep.
01:11:47She's not there.
01:11:50Yes, but that doesn't mean she came up here.
01:11:53Wherever she is, I'm sure she's absolutely fine.
01:11:59I want you to spend tonight with Mary and me.
01:12:03I don't think you should be alone.
01:12:08What do you think?
01:12:09I'm making this up?
01:12:11Nobody's out to get you.
01:12:15Listen, if this was one of your books,
01:12:17which would you believe?
01:12:20That the heroine fell in love with a ghost
01:12:23who then murdered her best friend?
01:12:26Or...
01:12:30that she imagined it?
01:12:32And she needs some help.
01:12:38I'm not crazy.
01:12:43Well, the offer's there.
01:12:47I'm at the other end of the phone.
01:12:53Hi, it's Sharon.
01:12:54Leave a message after the beep.
01:12:57Hi, it's me.
01:12:58Um, I don't know where you are.
01:13:00I don't know if you came out here.
01:13:03I don't know what's going on.
01:13:05But if, um, you could call me when you get this,
01:13:09okay?
01:13:10Okay.
01:13:15Hi, it's Sharon.
01:13:16Leave a message after the beep.
01:13:19Hi, it's Sharon.
01:13:20Leave a message after the beep.
01:13:21Leave a message after the beep.
01:13:23Leave a message...
01:13:34Dr. Friedman, table for four.
01:13:37This way, sir.
01:13:38Hello?
01:13:39Robert, it's me.
01:13:41Rachel, listen, I'm just in a restaurant.
01:13:43Can I call you back?
01:13:44No, no, no.
01:13:45Um, listen, I...
01:13:47I don't know how to explain this,
01:13:49but, um, I think that Sharon came out here
01:13:52and that, um, she may have been hurt.
01:13:55What?
01:13:56What are you talking about?
01:13:58I just... I need you to do me a favor, okay?
01:14:00Rachel, slow down.
01:14:01What's happening?
01:14:03I don't know what's happening.
01:14:05That's just it.
01:14:06Can you...
01:14:07Can you please just go to Sharon's?
01:14:10I'm...
01:14:11She's not answering her phone or her cell.
01:14:14What for?
01:14:15I just need you to go there, okay?
01:14:17And then call me, okay?
01:14:19Well, why wouldn't she be there?
01:14:21I...
01:14:22I just need you to go there and then call me.
01:14:25Listen, Rachel, can't this wait?
01:14:26I've got friends here.
01:14:27We're about to...
01:14:28No, please.
01:14:29Can you just do this for me?
01:14:31Okay?
01:14:33Okay.
01:14:34I'll go there and I'll call you.
01:14:35Okay.
01:14:36I'm going to be waiting.
01:14:38Okay.
01:14:45All right.
01:14:46Sorry about that.
01:14:47Thank you very much.
01:14:48Thank you.
01:14:50Okay.
01:15:06Okay.
01:15:37I need to talk to you.
01:15:40Come in.
01:15:45The Scots call it the holoch.
01:15:47Second sight.
01:15:49It's been my ruin.
01:15:53You think the living are full of regrets?
01:15:56You ought to hear the dead endlessly lamenting.
01:16:00Never made up with my children.
01:16:02Ignored my parents.
01:16:04Never told anyone I loved them.
01:16:07This isn't some kind of game, is it?
01:16:10I mean, you just wouldn't make this up.
01:16:14My son drowned.
01:16:17I just want to know that you...
01:16:21That this isn't something you would take lightly.
01:16:24He follows you everywhere.
01:16:27He's trying to warn you.
01:16:30About what?
01:16:31Angus...
01:16:33What? What are you saying?
01:16:34Are you saying he's not dead?
01:16:36Oh, he's dead.
01:16:38His ghosts sat there wandering the island.
01:16:41Suicides are forever trapped between our world and the next.
01:16:45When I cross, I don't want anything on my conscience.
01:16:49Don't go back to the island.
01:16:52Leave English Cove tonight.
01:16:53Your life's in danger.
01:16:54That's what Thomas has come back to tell you.
01:16:57I'm not going back.
01:16:58Leave English Cove tonight.
01:16:59Your life's in danger.
01:17:00That's what Thomas has come back to tell you.
01:17:05I have to go back to get Thomas' things.
01:17:08We'll do it quickly.
01:17:20Would you like some of mine?
01:17:21Yeah. One sec.
01:17:24Hello?
01:17:26Have you gone to Sharon's?
01:17:27I called her. She's not answering.
01:17:28What's this all about?
01:17:34Would you excuse me a sec?
01:17:35Yeah, sure.
01:17:40Are you awake?
01:17:42Robert.
01:17:43What a surprise.
01:17:45I'm sorry to call you so late.
01:17:46Do you have a second?
01:17:47Yes.
01:17:48I'm just doing a little late night editing.
01:17:51What's going on?
01:17:52Something strange is going on with Rachel.
01:17:55She's called me twice.
01:17:56She's going on about Sharon being hurt somehow.
01:17:59She's not making sense.
01:18:01I knew she shouldn't have gone out there by herself.
01:18:04You don't think she's going to do anything stupid, do you?
01:18:07The way she sounded, nothing would surprise me.
01:18:09Christ.
01:18:12I was worried about this.
01:18:15Listen, I'm going to call her now.
01:18:17I think you should.
01:18:18And get Sharon to also.
01:18:20Yes, of course.
01:18:24Thanks for calling.
01:18:25Okay, tell me how it goes.
01:18:27I hope everything's okay.
01:18:29Yes, I will.
01:18:55Shit.
01:19:25Back from the dead.
01:19:33You look good for a corpse.
01:19:56Where's the rest of it?
01:19:58You get it when we get it.
01:20:00Well, my price just doubled.
01:20:03Four million.
01:20:05Slightly more than you told me.
01:20:10Do you know what the funny thing about you and Brian is?
01:20:13You always talk about him.
01:20:17All the ways the two of you are going to enjoy the money.
01:20:22Enjoy the money.
01:20:25But Brian, he never talks about the money and he never talks about you.
01:20:30He always talks about her.
01:20:32Her books, her success, her imagination.
01:20:37It's envy of her, isn't it?
01:20:41That brought you two together.
01:20:44We both just want to be her.
01:20:48The ghost has a heart, huh?
01:20:52Is that why you were on the balcony?
01:20:54You were meant to be downstairs.
01:20:56Tonight, I wasn't on the balcony.
01:21:01I was downstairs the whole time.
01:21:04And besides, you're the ones who have been improvising.
01:21:08What's with all the messages from her dead kid?
01:21:12We never did that.
01:21:14Good idea, though, but we never did it.
01:21:20How do you get your hands on the money?
01:21:23I thought you were the guy who never asked.
01:21:26I do the job.
01:21:28They pay me.
01:21:29I go home.
01:21:31He did the job.
01:21:33So go home.
01:21:34You didn't fall for her, did you, Patrick?
01:21:37While you were pretending to fall for her.
01:21:42Your whole life may have just collapsed.
01:21:52Do you remember...
01:21:56...what I was doing?
01:21:59What?
01:22:01What I was doing...
01:22:04...when we first met?
01:22:09Yeah.
01:22:11I thought you might.
01:22:16I want the rest of the money.
01:22:21I won't tell you again.
01:22:31Sharon.
01:22:35It was a pleasure...
01:22:37...killing you.
01:23:00I love you.
01:23:30I love you.
01:23:54All aboard!
01:23:56Sir!
01:24:00All aboard!
01:24:30All aboard!
01:25:00All aboard!
01:25:30All aboard!
01:26:00All aboard!
01:26:30All aboard!
01:27:00All aboard!
01:27:02All aboard!
01:27:31I love these.
01:27:38Do you know the old Celtic legend about them?
01:27:43First...
01:27:45...we have to...
01:27:47...bury it together.
01:27:50And then...
01:27:52...we have to...
01:27:54...rebuild it.
01:27:57And then...
01:27:58...we bury it together.
01:28:02Together.
01:28:22And then...
01:28:23...one of us ever returns...
01:28:25...and digs it up...
01:28:26...then...
01:28:28Then we were meant for each other?
01:28:30Um...
01:28:32Well, actually, I don't know because I just made it up.
01:28:56I love you.
01:29:26Rachel.
01:29:56I love you.
01:30:27I love you.
01:30:53Just room for one more inside.
01:30:55There was nothing at all out there on the island.
01:30:58Nah.
01:30:59Poor girl must be crazy.
01:31:01She used to get guests in the attic.
01:31:05I love this bit.
01:31:06It's great.
01:31:08This is where Hugo the Dermot comes alive.
01:31:10It's nearly midnight.
01:31:24Finlay, I need your help out on the island.
01:31:26For God's sake.
01:31:27Rachel's in danger.
01:31:28It might be too late already.
01:31:29It's very late tonight.
01:31:30You come back in the morning.
01:31:32Finlay, please, I need your help.
01:31:33Please.
01:31:34Finlay.
01:31:36The last time she tried to warn us about something,
01:31:38we all ignored her.
01:31:40There were three funerals the next Sunday.
01:32:11Brian, wait.
01:32:13Look, relax.
01:32:15Everything's gone perfectly.
01:32:19Everyone thinks she's crazy.
01:32:21The whole village.
01:32:23Even her own shrink.
01:32:26She's in love with a ghost.
01:32:27She sees murders that don't happen.
01:32:33No one.
01:32:35No one's going to blink an eye when she kills herself.
01:32:41Then her grieving husband inherits four million pounds.
01:32:49And you thought I had no imagination.
01:32:53I had no imagination.
01:33:09Just in case she loses courage.
01:33:11Just in case she wants to save herself at the last moment.
01:33:17She throws the key out of reach.
01:33:23Throws the anchor overboard.
01:33:24Wait.
01:33:27What?
01:33:28There's someone out there.
01:33:39Did you see Patrick get on the train?
01:33:41No.
01:33:44It's got to be him.
01:33:52What's he doing?
01:33:54I don't know.
01:33:57We've gone too far to stop now.
01:34:14Brian, she's awake.
01:34:23Come on.
01:34:49Don't look.
01:34:51Don't look.
01:34:55It's over.
01:34:57We've got to see about Patrick.
01:35:21Don't look.
01:35:47Don't forget.
01:35:48They're behind you.
01:36:19He's not here.
01:36:21This place gives me the creeps.
01:36:24What if Patrick was telling the truth?
01:36:26What if he wasn't on the balcony?
01:36:29Remember all those sailors who said they saw Angus's ghost on the island?
01:36:33Yeah.
01:36:34Drunk scotch sailors.
01:36:36Very reliable.
01:36:39He's not here.
01:36:41Let's go.
01:36:42Start tying yourself up.
01:37:12Shit.
01:37:16This isn't one of your stories, Rachel.
01:37:23It's not going to be a happy ending.
01:37:43Patrick.
01:37:46No.
01:37:49No, Patrick.
01:38:12No.
01:38:43No.
01:39:10No.
01:39:12No.
01:39:42No.
01:40:13No.
01:40:34It's better this way, you know.
01:40:38Thank you.
01:40:40We'll keep people off the island.
01:40:43Maybe then Angus can rest in peace.
01:40:47You ready?
01:41:02Do you know what Thomas would have wanted?
01:41:06Let go of his death.
01:41:07Remember his life.
01:41:37No.
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